The restored version of Shyam Benegal’s 1976 film Manthan will be screened at Cannes in the Cannes Classics section this year. Naseeruddin Shah, who began his career with Benegal’s 1975 film Nishant (which was in the competition at Cannes), and played the role of Bhola in Manthan, will present the film on the red carpet at the festival.

“I was absolutely delighted when Shivendra told me that Film Heritage Foundation was going to restore Manthan in collaboration with the Gujarat Milk Marketing Federation Ltd. Manthan is a film that is very close to my heart as it was funded by 500,000 farmers and was instrumental in the growth of an extraordinary cooperative movement that was aimed at breaking the shackles of economic inequality and caste discrimination whilst empowering the farmers. It will remind the world of the power of cinema as a vehicle of change and also the legacy of the great Verghese Kurien, the Father of the White Revolution.

Govind Nihalani and I have been following the progress of the restoration closely and I am amazed by the meticulous approach to the restoration. It is wonderful to see the film come back to life almost like we made it yesterday.

Film Heritage Foundation has been doing remarkable work in film restoration. Not only are they beautifully restoring films from every region of India, but bringing them back to the public at festivals and screenings around the world in a way that showcases our unique film heritage to contemporary global audiences.”

“It is remarkable that Film Heritage Foundation is restoring Manthan nearly fifty years since it was made. Being involved in the restoration has been an emotional experience. It has taken me back to 1976 when the entire unit lived like a family in the village of Sanganva in Gujarat for 45 days during which the film was shot. The shooting was challenging because we had to use a patchwork of different film stock – Eastman and Gevacolor besides Kodak, 35 mm for the film and 16 mm for the film within the film. I began my career as a cinematographer with Shyam Benegal first shooting ad films and then his early feature films. We’ve had an immensely creatively satisfying relationship over the years as Shyam involves you as a partner in the creative process of the film and not just as a cameraman. I am so happy to hear that the restoration of the film will be premiered at the Cannes Film Festival this year.”

“I started my career as an actor with Nishant followed by Manthan, both directed by Shyam Benegal. Manthan was a runaway success when it released almost 50 years ago and it is a film that is remembered even today. I remember that during the shooting of Manthan; I lived in the hut, learnt to make cow dung cakes and milk a buffalo. I would carry the buckets and serve the milk to the unit to get the physicality of the character. I am so glad that Film Heritage Foundation has restored this remarkable film and that this small film made with the support of the farmers has been restored with so much love and care. It is thanks to the persistence, hard work and efforts of Film Heritage Foundation that the film will be premiered in its second life, as it deserves to be, at the Cannes Film Festival and I am so glad that I will be there to present it myself.”

“I am so delighted that Film Heritage Foundation will have a red-carpet world premiere of another one of our restorations of an Indian classic at the Cannes Film Festival for the third year in a row after Thamp in 2022 and Ishanou in 2023. The restoration of a Shyam Benegal film has been on Film Heritage Foundation’s wish list for years as he is one of India’s most venerated filmmakers whose early films were iconic in India’s Parallel Cinema movement. Manthan is not only one of his finest films from that time, but also the story behind it was so unique – that 500,000 farmers contributed Rs. 2/- towards the making of the film that told the story of the birth of the milk cooperative movement while touching on so many issues like caste, class, gender and economic discrimination. The film was integral to spreading the message of the benefits of the cooperative movement to farmers across the country and a vital part of building the movement and the storied brand.

The restoration process has been an incredible experience, especially working so closely with Shyam Benegal and Govind Nihalani to painstakingly bring the film back to life. Almost half a century later, the power of the narrative and the compelling performances of the actors, especially Smita Patil, remains undiminished. I wish she was here to see the beauty of the restoration.”

Film Heritage Foundation used the best surviving elements for the restoration – the original camera negative and the 35 mm print preserved at the NFDC – NFAI. Unfortunately, the sound negative was not available. We digitized the sound from the 35 mm print preserved at Film Heritage Foundation. The film elements were repaired by the Film Heritage Foundation conservators and the scanning was done in Prasad Lab in Chennai We found that due to the deterioration of the print, there were vertical green lines on many parts of the film. While the scanning and digital clean-up was done at Prasad under the supervision of L’Immagine Ritrovata in Bologna, the grading, sound restoration and mastering was done at the lab in Bologna. Both Shyam Benegal and Govind Nihalani, the cinematographer of the film, have been involved in the restoration of the film.