I had no choice but to work on my stammering-Sharad Kelkar
11:31 PM
Posted by Fenil Seta
Sharad Kelkar looks back at his early career struggles with stammering and how rigorous self-work and breath control helped him
Neha Maheshwri (BOMBAY TIMES; March 20, 2026)
Known for his work across television and films, Sharad Kelkar is also a familiar name in the voiceover and dubbing space. But few know that there was a time when speech itself was a challenge for the actor. In a candid reflection, Sharad opens up about living with a stammer and the conscious effort it took to overcome it when he started out as an actor.
He says, “The turning point came when I realized I had no option. If I didn’t work on my speech, I wouldn’t have been able to act. That intent to do whatever it takes becomes extremely important.”
He further shares, “It’s important to know why you have this issue. For some, it could be medical or related to the tongue, which can be treated by doctors. It took me almost eight months to realize that, before fixing anything, I had to understand the cause. During that phase, I tried several things, changing my speed, slowing down, speaking faster, and observing people who spoke well. That’s when I realised my breathing pattern was wrong.”
Once he identified the issue, improvement followed gradually through conscious effort and discipline. Sharad, who is currently seen in the TV show Tumm Se Tumm Tak and was recently part of the web series Taskaree: The Smuggler’s Web, says, “I started controlling my breathing and slowly it improved. Many people who stammer can sing well because singing follows a rhythm and a specific breathing pattern. Pranayama helped me a lot. If it’s medical, you should consult a doctor. With the right guidance, it is manageable.”
‘Keerti’s comment lit a fire inside me’
Sharad also recalls a defining moment from the sets of the TV show Sinndoor Tere Naam Ka, where he was working with Keerti Gaekwad, now his wife. “On the first day, Keerti jokingly told her hairdresser about me, ‘It will take him a long time to get the scenes right.’ It didn’t hurt me, but it lit a fire inside me. Because I was a stammerer, confidence was always a battle. From that day, I started working seriously on myself and that process still continues,” he concludes.
Dhurandhar makes some movie makers nervous about 'Toxic' March
11:29 PM
Posted by Fenil Seta
About five movies, scheduled for release next month, are being postponed as Dhurandhar 2 and Toxic are set to hit theatres
Rajesh Naidu (THE ECONOMIC TIMES; February 20, 2026)
Mumbai: The release of at least five films in Hindi and southern languages scheduled for March has been postponed to avoid a clash with two big-budget movies that are set to hit the screens next month-Dhurandhar 2 and Toxic. These films include Sunny Deol's Gabru, Ram Charan's Peddi, Ayushmann Khuraana's Pati Patni Aur Woh Do and Adivi Sesh's Dacoit: A Love Story.
"The makers want to avoid competition given the high audience interest in Dhurandhar 2 and Toxic," said film distributor and trade analyst Shaaminder Malik.
Ranveer Singh's Dhurandhar 2 and Toxic starring Yash-both scheduled for release on March 19-are expected to draw huge audiences, trade experts said. This could cause fewer footfalls in theatres for other films.
"There is high audience interest for both films. They stand a fair chance of faring equally well," said Bhuvnesh Mendiratta, managing director at multiplex chain Miraj Cinemas. "Dhurandhar 2 is riding on the stupendous success of its original. Toxic is set to capitalise on actor's Yash stardom, his legacy of pan-India success and the film's genre itself."
These movies are also likely to benefit from the long festival weekend of Eid and Gudi Padwa, he said, predicting: "Cumulatively, these films could record net collecting amounting to at least ₹1,500 crore." Trade analysts do not foresee any negative impact of this clash on either film, citing instances of two big films releasing on the same day doing well.
"There are careful considerations behind these releases. I don't think Dhurandhar 2 will eat into Toxic's collections," said producer and film business expert Girish Johar.
Films like Gadar and Lagaan (2001), as well as Welcome and Taare Zameen Par (2007), which had been released on the same dates, had done equally well, he pointed out. "I estimate that cumulatively both films will collect Rs. 300 crore on the opening weekend itself. Even though both films belong to the same genre, I think the reasons to watch them in theatres are materially different," Johar said.
According to film trade analysts, Geetu Mohandas-directed Toxic is estimated to be made on a budget of Rs. 500-600 crore. A key reason for such a high budget is the makers have shot the film in Kannada and English, and dubbed it in Hindi, Telugu, Tamil and other languages, said exhibitors.
The combined budget of director Aditya Dhar's Dhurandhar and Dhurandhar 2 is estimated to be Rs. 350-400 crore, said trade analysts.
Though audience interest is high, exhibitors face the challenge of accommodating shows of both films in the first week. "Both films have strong distributors. Anil Thadani's AA Films, which will also distribute The Ramayana, is distributing Toxic. PVR Inox will distribute Dhurandhar 2 in four major markets. Given these facts, exhibitors will face the challenge of accommodating shows of both films in the first week," said Malik, the film distributor and trade analyst.
"But by the second week it is the audience's preference which will dictate the programming clearly."
(Crisp) Movie Review: DO DEEWANE SEHER MEIN by FENIL SETA
4:29 PM
Posted by Fenil Seta
Do Deewane Seher Mein's trailer seemed alright and it has released with minimal hopes. However, it has turned out to be a surprise of the season. To begin with, the male protagonist is not toxic or does not sport a heavy beard. He's kind towards women and that automatically helps the film stand out in today's times of hyper masculinity. Both characters are very relatable; viewers will know someone who’s like them or they’ll see themselves in these characters. The ending is lovely and touching. However, the goings-on are a bit random and incoherent in some places. The narrative seems stretched in the middle of the second half. And the biggest issue with the film is the poor soundtrack. Not a single song is memorable and this is just not fair for a love story. Siddhant Chaturvedi gets into the skin of the character completely and is quite lovable as Shashank. The stunning Mrunal Thakur (Roshni) delivers a heartfelt performance, yet again proving that she’s a powerhouse of talent. Sandeepa Dhar leaves a mark in a supporting role. Viraj Ghelani, as expected, raises laughs. Naveen Kaushik (Shashank's boss), Ila Arun (Ila Rastogi; Roshni’s nani), Ayesha Raza (Kusum Shrivastav; Roshni’s mother), Joy Sengupta (Adarsh Shrivastav; Roshni’s father), Mona Ambegaonkar (Sudha Sharma; Shashank’s mother) and Achint Kaur (Mandy) are lovely in supporting roles. All in all, Do Deewane Seher Mein is like a breath of fresh air and deserves to work. Here’s hoping audiences who missed out on last week’s gem, Tu Yaa Main, don’t repeat the mistake with Do Deewane Seher Mein.
My rating - *** ½ out of 5!
My rating - *** ½ out of 5!
(Crisp) Movie Review: ASSI by FENIL SETA
3:46 PM
Posted by Fenil Seta
Assi begins on a shocking note that grips the viewers instantly. The makers inform at the very beginning that a rape is reported in the country every 20 minutes. This information is reminded to the viewer after every 20 minutes into the runtime and it further packs a punch. The courtroom scenes are the most memorable. At the same time, director Anubhav Sinha focuses on what the survivor goes through and the female members of the rapists' families, further enhancing the impact. Despite so many plusses, the film sadly slips at several plusses. In some scenes, the film has been executed in a 'film festival' style. Anubhav should have ideally helmed it like Mulk or Taapsee's Pink – films which were legal dramas, were not masala entertainers as such and yet, had mainstream appeal. Secondly, for some reason, a lot of prominence is given to the character of Kartik (Kumud Mishra), which distracts the viewers from the principal story. Even the cop character's track doesn't pack the intended punch. Speaking of performances, Taapsee Pannu returns to the zone that she owns and is too good, as always. Kani Kusruti plays a very difficult character and comes out with flying colours. Mohd Zeeshan Ayyub gets to play a lovable, unconventional character and he essays it with panache. Kumud Mishra is okay. Satyajit Sharma (Navratan; defence lawyer), Rajendra Sethi (senior cop), Jatin Goswami (Sanjay; cop), Revathy (Vasudha; judge), Manoj Pahwa (rapist's father), the actor playing ASI Vanita and others lend able support. Naseeruddin Shah, Supriya Pathak and Seema Pahwa are impressive in special appearances. All in all, Assi is definitely worth a watch, but could have been a classic had the direction been consistent.
My rating - *** out of 5!
My rating - *** out of 5!
(Crisp) Movie Review: GOAT by FENIL SETA
11:44 PM
Posted by Fenil Seta
Like Zootopia, GOAT depicts a world of anthropomorphic animals. The imagination is solid. The city of Vineland is seen to be believed while the idea of having a game called 'roarball' adds a novel touch. The stadiums are also quite imaginative. The ending is lovely and a few scenes are touching. While Tyree Dillihay's contemporary direction is appealing, it also acts as the film's minus point. This is because the fast-paced cuts and sensory overload gets too much after a point. The humour is minimal, which is surprising for a film of this kind. Caleb McLaughlin does well in voicing the protagonist, Will. Gabrielle Union (Jett Fillmore) comes next. Jenifer Lewis (Florence Everson, aka Flo), is the best voice actor in the film, followed by Nick Kroll (Modo). All in all, GOAT is a timepass animation entertainer.
My rating - *** out of 5!
My rating - *** out of 5!
Fenil's Bollywood Talk # 922
4:33 PM
Posted by Fenil Seta
WILL THE COURTROOM DRAMA AND LOVE STORY BRING CHEER AT THE BOX OFFICE?
Last week’s releases, O'Romeo and Tu Yaa Main, have underperformed. As predicted last week, O'Romeo opened at Rs. 7.50 crores. It saw a huge jump on Saturday, when it earned Rs. 11 crores. The Valentine’s Day holiday came to its rescue and also, many preferred to see the film on Saturday than Sunday. The crucial India vs Pakistan T20 match was held on the third day and it impacted collections. Usually, Sunday collections are higher than Saturday. But O'Romeo earned Rs. 8.25 crores on its third day.
From Monday, the makers opted for Buy One Get One (BOGO) Ticket offer. The next day, the discounted Tuesday offer was also implemented. The collections on fourth and fifth day, thus, were Rs. 4.25 crores. The first week collections are expected to be around Rs. 42-43 crores. With barely any competition, the film should aim to at least cross the Rs. 60 crore mark.
Meanwhile, Tu Yaa Main collected just Rs. 50 lakhs, which was way below the expectations of Rs. 1 crore-1.50 crore. Like O'Romeo, this film also jumped on Saturday, collecting Rs. 1.35 crore. On Sunday, the collections slipped to Rs. 75 lakhs. On Monday and Tuesday, Tu Yaa Main earned Rs. 40 lakhs and Rs. 45 lakhs respectively. At this rate, the first week collections are expected to be around Rs. 4.50 crores. Hopefully, the film will remain steady from here on but it won’t help much as the collections are so low. Interestingly, the word of mouth is very positive and yet it hasn’t translated into respectable collections.
This week will also see the release of two films. Assi sees the return of Taapsee Pannu in a hard-hitting role. It is directed by Anubhav Sinha; both had collaborated earlier in Mulk and Thappad. The trailer of Assi packs a punch and has caught attention due to its content and dialogues.
The makers came up with an interesting strategy for promotion. Last month, it was revealed that a film named Assi is coming; it had no mention of the makers, cast, director etc. The next poster mentioned that the highest paid crew member on the film is the writer! Its trailer was attached with Border 2 and that’s where viewers came to knew what the film is about and who is involved.
However, Assi seems to be disturbing and for a niche audience. Taapsee-Anubhav’s last film, Thappad, opened at Rs. 2.76 crores. It was one of the last films before the pandemic hit and since then, things have changed for such films. The best-case scenario is that the film opens at Rs. 1-1.25 crore.
The other release of the week is Do Deewane Seher Mein. It stars Siddhant Chaturvedi and Mrunal Thakur in leading roles. It is directed by Ravi Udyawar who made Mom and who also directed Siddhant in Yudhra. Sanjay Leela Bhansali is involved with the film as a producer.
The trailer of Do Deewane Seher Mein is sweet and it looks like a clean, non-toxic love story. However, the hype is limited while the songs haven’t worked. Like Assi, Do Deewane Seher Mein will also open in the range of Rs. 1 crore and Rs. 1.25 crore. It remains to be seen which film manages to do better on the first day.
Last week’s releases, O'Romeo and Tu Yaa Main, have underperformed. As predicted last week, O'Romeo opened at Rs. 7.50 crores. It saw a huge jump on Saturday, when it earned Rs. 11 crores. The Valentine’s Day holiday came to its rescue and also, many preferred to see the film on Saturday than Sunday. The crucial India vs Pakistan T20 match was held on the third day and it impacted collections. Usually, Sunday collections are higher than Saturday. But O'Romeo earned Rs. 8.25 crores on its third day.
From Monday, the makers opted for Buy One Get One (BOGO) Ticket offer. The next day, the discounted Tuesday offer was also implemented. The collections on fourth and fifth day, thus, were Rs. 4.25 crores. The first week collections are expected to be around Rs. 42-43 crores. With barely any competition, the film should aim to at least cross the Rs. 60 crore mark.
Meanwhile, Tu Yaa Main collected just Rs. 50 lakhs, which was way below the expectations of Rs. 1 crore-1.50 crore. Like O'Romeo, this film also jumped on Saturday, collecting Rs. 1.35 crore. On Sunday, the collections slipped to Rs. 75 lakhs. On Monday and Tuesday, Tu Yaa Main earned Rs. 40 lakhs and Rs. 45 lakhs respectively. At this rate, the first week collections are expected to be around Rs. 4.50 crores. Hopefully, the film will remain steady from here on but it won’t help much as the collections are so low. Interestingly, the word of mouth is very positive and yet it hasn’t translated into respectable collections.
This week will also see the release of two films. Assi sees the return of Taapsee Pannu in a hard-hitting role. It is directed by Anubhav Sinha; both had collaborated earlier in Mulk and Thappad. The trailer of Assi packs a punch and has caught attention due to its content and dialogues.
The makers came up with an interesting strategy for promotion. Last month, it was revealed that a film named Assi is coming; it had no mention of the makers, cast, director etc. The next poster mentioned that the highest paid crew member on the film is the writer! Its trailer was attached with Border 2 and that’s where viewers came to knew what the film is about and who is involved.
However, Assi seems to be disturbing and for a niche audience. Taapsee-Anubhav’s last film, Thappad, opened at Rs. 2.76 crores. It was one of the last films before the pandemic hit and since then, things have changed for such films. The best-case scenario is that the film opens at Rs. 1-1.25 crore.
The other release of the week is Do Deewane Seher Mein. It stars Siddhant Chaturvedi and Mrunal Thakur in leading roles. It is directed by Ravi Udyawar who made Mom and who also directed Siddhant in Yudhra. Sanjay Leela Bhansali is involved with the film as a producer.
The trailer of Do Deewane Seher Mein is sweet and it looks like a clean, non-toxic love story. However, the hype is limited while the songs haven’t worked. Like Assi, Do Deewane Seher Mein will also open in the range of Rs. 1 crore and Rs. 1.25 crore. It remains to be seen which film manages to do better on the first day.
O'Romeo collects 38 cr in 6 days; Tu Yaa Main 3.80 cr
2:50 PM
Posted by Fenil Seta

Box Office India Trade Network
O'ROMEO had a big drop on Wednesday as it collected 2.75 crore nett and this was despite the buy one get one free offer. So, it still has to go lower and it remains to be seen how long the offers remains. It is still there today and hence, even on Thursday, the real value will not come out. The drop is 35% from the previous day.
The six day collection of the film is 38 crore nett and it should be a first week of 41.50 crore nett which is pretty much similar to TERI BAATON MEIN AISA ULJHA JIYA. But this film has higher costs than that film and the holds on weekdays are not as strong as that film. That film also saw similar offer on the weekdays.
There is no major competition this week despite a couple of releases. It remains to be see where the film lands on Friday. The film has found it tough going and that is the reason why you get the attempts to manufacture the collections.
The numbers for O'ROMEO till date are as follows.
Friday - 7,50,00,000 apprx
Saturday - 11,00,00,000 apprx
Sunday - 8,25,00,000 apprx
Monday - 4,25,00,000 apprx
Tuesday - 4,25,00,000 apprx
Wednesday - 2,75,00,000 apprx
TOTAL - 38,00,00,000 apprx
TU YAA MAIN also saw a drop on Wednesday and will probably do a little over 4 crore nett over the week.
The collections of TU YAA MAIN are as follows.
Friday - 50,00,000 apprx
Saturday - 1,35,00,000 apprx
Sunday - 75,00,000 apprx
Monday - 40,00,000 apprx
Tuesday - 45,00,000 apprx
Wednesday - 35,00,000 apprx
TOTAL - 3,80,00,000 apprx
Why would anyone work with me if I was a fraud?-Rajpal Yadav
2:46 PM
Posted by Fenil Seta
Vinay MR Mishra (BOMBAY TIMES; February 19, 2026)
Rajpal Yadav surrendered to Tihar Jail on February 5 after the Delhi High Court refused to extend the deadline for him to hand himself over in connection with a long-running Rs. 9cr cheque-bounce case. Post his release on Tuesday, he left for his niece’s wedding in Shahjahanpur.
In a chat with us, Rajpal chose his words carefully, aware that the matter remains legally sensitive. “Everything related to the episode and the legal matters is ongoing. I am careful with my words because even a slight change in my words can create issues. So I don’t want even a single line to become a problem,” he said at the outset.
'I’ve never tried to twist my words’
Rajpal Yadav reiterated that his stance has remained consistent since the court case began. “When the High Court ordered me to surrender, I did that. When they ordered me to come out, I did. If the court says wait, I will wait. I have never tried to twist my words or change my stand to suit a moment. My point hasn’t changed, my passport hasn’t changed, so why would my truth change? I was clear that I want everyone to know the facts,” he said.
‘I observed a lot while I was in jail’
Talking about his days in jail, Rajpal said, “For me, every day is a new beginning – a new day of learning and a new day of working. As an actor, I just observed everything around me. I was eating the same food that was made for everyone. I did whatever was expected of me. I just want the High Court to hear my point of view and if the Court finds that I’m wrong – send me back to jail, I will respect that.”
‘The industry doesn’t need to prove that they are with me’
Reports of financial support from members of the film industry have been circulating, but Rajpal refuses to name anyone.
He said, “This case first appeared in the media in 2012. Reports stated, ‘Rajpal Yadav is a fraud.’ Since then, I have had at least 10 films a year. Why would anyone work with me if I was a fraud? The industry doesn’t need to prove that they are with me, I have faith that everyone is with me.”
When probed further on the financial support he has supposedly received from some people in the industry, he said, “I respect all the help, but I don’t want sympathy.”
7 Khoon Maaf is a punk rock feminist film-Vivaan Shah
2:43 PM
Posted by Fenil Seta
Neha Maheshwri (MUMBAI MIRROR; February 18, 2026)
As 7 Khoon Maaf completes 15 years on February 18, actor Vivaan Shah, who made his debut with 7 Khoon Maaf, looks back at the film that shaped his understanding of cinema and confirmed his decision to become an actor.
With the distance of time, Vivaan places the film within a wider literary and cinematic tradition. He says, “I see 7 Khoon Maaf as part of a kind of Gothic trilogy by Vishal ji, which includes Maqbool and Haider. All three films contain elements of the Gothic and the macabre in the architecture, the aesthetics, and the emotional landscapes of the stories.”
He says, “Even Omkara and Kaminey carry shades of rural and urban Gothic respectively. 7 Khoon Maaf, Maqbool and Haider also hint at earlier classical literary influences such as Dante and Marlowe, who must have influenced Shakespeare himself. There is even a touch of Indian Gothic of the kind associated with Ismat Chughtai and Saadat Hasan Manto.”
Joining director Vishal Bhardwaj’s set at 19 proved to be a turning point. He says, “Working with Vishal ji was a dream come true. I had been a fan of his from a very early age. I never wanted to be a professional actor, but when this opportunity came my way, I plunged into it even before I had made up my mind.”
The experience led to an epiphany. He says, “On the sets of 7 Khoon Maaf, I decided that I was going to dedicate myself full-time to this profession. I learned an extraordinary amount, including language, speech, diction, tone, cinematic vocabulary, and the art of acting itself. Working with Vishal ji was like a masterclass, almost like film school. He is our Stanley Kubrick. The more you watch his films, the more you learn.”
The film demanded that Vivaan portray the passage of time, a challenge that went beyond prosthetics. He says, “We had an extraordinary prosthetics team from America, which helped immensely, but it was still a challenge from an acting standpoint. Watching Priyanka Chopra do this was one of the most illuminating experiences of my life.”
He says, “I have immense gratitude towards Priyanka for how kind, patient, and helpful she was. I was young, lost, and a novice, but she guided me through an extraordinarily complex character and story. She is one of the greatest actresses and human beings I know.”
Reflecting on her performance, he says, “She gave one of the most mind-blowing performances ever. It was almost like a Sunset Boulevard, Greta Garbo kind of performance. She has the grandeur of cinema icons like Bette Davis and Joan Crawford.”
Fifteen years on, Vivaan believes the film’s politics remain relevant. He says, “Great works of art remain immutable with time. 7 Khoon Maaf is extraordinarily progressive and forward-thinking. It is a punk-rock feminist film.”
Rajkummar Rao breaks silence on viral look that left fans concerned
10:52 AM
Posted by Fenil Seta

Amid online chatter, Rajkummar Rao sets the record straight on his recent physical transformation
Renuka Vyavahare (BOMBAY TIMES; February 17, 2026)
Rajkummar Rao’s recent appearance at the Bolti Khidkiyaan film fest set social media abuzz. The actor looked noticeably different from his usual self – a few kilos heavier, with thinner hair and a slightly haggard appearance – sparking widespread concern online. Fans on social media were quick to jump to conclusions, with unverified claims and chatter about his health and career doing the rounds.
When we reached out to Rajkummar, the actor told us, “It’s strange how people can jump to conclusions and get judgemental without even checking the facts. I gained around 10 kg for the upcoming biopic Nikam (based on Ujjwal Nikam, the special public prosecutor and politician, known for handling high-profile cases), for which I had to look older. I am also in the transition phase where I am preparing for Sourav Ganguly’s biopic. For that part, I need to lose weight, so I am between certain look tests and that’s how I showed up for the event. There is nothing to worry about. I am simply navigating two demanding biographical roles and hence, the change in my appearance is striking.”
The actor added, “For Bose, I went half bald. During Srikanth, I became the character even when cameras weren’t rolling. My focus is always on fully embodying the character I am playing.”
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HINDUSTAN TIMES (February 17, 2026)
On Monday morning, Rajkummar Rao put speculation to rest after his recent appearance sparked concern online. Taking to Instagram, the 41-year-old actor explained that the noticeable weight gain and altered hairline were part of his preparation for his upcoming biopic on Rajya Sabha MP Ujjwal Nikam.
“It has demanded me to change physically, which I love doing. I’m not a believer in prosthetics as long as I can achieve the look through my hard work, be it gaining weight, looking old (to play a certain age) or to make my hair thin,” he wrote.
Rajkummar gained around 10 kg for the role: “I was eating two pizzas, a lot of sweets and my favourite aloo parathas, biryani, and not using anything glam to look like the part.”
The actor added that he is currently in the “transition phase”, losing the extra weight for a biopic on “our very own Dada”, former Indian cricket team skipper Sourav Ganguly.
Notably, this is not the first time Rajkummar has undergone an extreme physical transformation for his role. “Everyone told me not to go half bald for Bose: Dead Or Alive (2017), or not to stop eating and lose so much weight for Trapped (2017), or not to behave like a visually impaired person even when cameras weren’t rolling during Srikanth (2024),” he wrote, adding, “Hopefully, when you see Nikam, you will be able to see all that hard work... Will always work the hardest to engage you, entertain you through my work.”
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