Showing posts with label TV News. Show all posts
Showing posts with label TV News. Show all posts
I was a little apprehensive initially about being a father in my 50s-Rajesh Khattar
3:41 PM
Neha Maheshwri (BOMBAY TIMES; August 21, 2026)
If becoming a parent in your 20s or 30s comes with its share of questions, embracing fatherhood in your 50s can bring an entirely different set of concerns. Rajesh Khattar admits he was initially apprehensive about having a child at that stage, but son Yuvaan has since changed the way he looks at fatherhood.
Recounting what went through his mind before becoming a father, Rajesh says, “Initially, I was apprehensive about being a father in my 50s. But looking at my wife’s (Vandana Sajnani Khattar) intense desire to be a mother, I left it to God’s will, and it surely was His will that we had Yuvaan. I have always believed that each child is born with their own destiny. Still, I feared about Yuvaan’s childhood and future, especially when I was hospitalized due to COVID while he was barely 18 months old. But his mere presence in my life made me realize the futility of worrying.”
Age, he believes, should not dictate when one can embrace a new chapter. He says, “Age is just a number. You are as old as you feel. Actors around my age are still doing leads, romancing heroines, getting married, remarried, so there you are.”
The difference age has made to his approach to fatherhood is evident in how he responds to situations involving his seven-year-old son. Having experienced fatherhood earlier with Ishaan Khatter, he says, “I am reliving fatherhood with him now. Whether one is a young father or an older father, the love and affection for your child remain the same. But with age, one gains patience and wisdom to understand your child’s psyche. As a young father, I was more reactive, whereas now I understand that certain situations don’t demand a reaction. I am also aware of how children change and evolve through different phases of childhood.”
That perspective has also shaped the way he views parenting and a child’s journey. He says, “One has to realize that your children are not race horses, life is not a Derby, and you as a parent are not the jockey. There is no finishing line to be crossed. Children are individuals, and it is fascinating to see them blossom into their own during their teenage years and adulthood. All I want is to give Yuvaan the best I can for as long as I am around.”
The trolling I receive is borne out of people’s love for Gaurav Khanna-Akanksha Chamola
3:02 PM
Neha Maheshwri (BOMBAY TIMES; August 16, 2026)
A decade of marriage, countless public appearances and a relationship that, from the outside, appeared steady. So, when Akanksha Chamola revealed on a reality show that she and Gaurav Khanna were going their separate ways, the disclosure came as a surprise to those who had followed their relationship over the years.
She says, “Mystery and misunderstanding hand-in-hand chalte hain with Akanksha Chamola. Gaurav and I have been living separately for 18 months. I had no choice but to appear on Bigg Boss because his parents couldn’t make it. It’s not like we were jaani dushman, toh main kyun karu tere liye. After Bigg Boss, Gaurav wanted me to accompany him to events. What people conveniently forget is that I am also an actor and get invited to these events. It’s not that I have always been a plus one.”
‘Main gaaliyaan khaakar yahaan tak aayi hoon, appreciation ki wajah se nahi’
Her revelation was followed by trolling, which Akanksha attributes largely to the public’s affection for Gaurav.
She says, “The trolling I receive is borne out of people’s love for Gaurav. Log usse itna pyaar karte hain ki unko mujhse nafrat hone lagi hai. I am happy for all the love that Gaurav has been receiving, but I care two hoots about what the world has to think about me. In fact, inki gaaliyon ki wajah se main aaj aise reality show par aayi hoon. Main koi appreciation ki wajah se nahi aayi hoon, main gaaliyaan khaakar aayi hoon.”
Gaurav’s subsequent entry into Lock Upp: Sach Ya Sazaa also affected the experience she had intended to have on the show.
Akanksha says, “I was prepared that whatever I have to do, I will do it inside and baahar se mujhe koi lena dena nahi hai and apna game khelungi. I did not prepare myself for the repercussions of revealing my secrets in the outside world. In fact, it was a surprise for me also ki Gaurav kyun aaya hai. Now, if he gives me outside information, something which I am happy about not facing, it will affect my mind frame.”
She adds, “I still tried my level best in the game. I will not completely put the blame on Gaurav also. But it is true that I was, to an extent, mentally not as strong as I was in the first week. I am not upset about it because the show was about showing my real personality. If my game dropped somewhere, it was very organic and I have zero regrets for that.”
‘You are not giving me work on the basis of my sexuality’
Her decision to speak about her bisexuality was another significant moment on the show. However, Akanksha believes her sexuality should not have any bearing on how she is perceived professionally.
She says, “I know of a lot of girls who are bisexual but they don’t come out. I am the last person who is image conscious. I have never worked and I don’t think I will ever work on the basis of my image. Agar mera potential meri acting aur mere craft mein dikh raha hai toh aapko kya fark padta hai ki meri sexuality kya hai. You are not giving me work on the basis of my sexuality or my image but on the basis of my talent and my craft. What difference does it make to you ki main kya kar rahi hoon ya kisi ke saath so rahi hoon ki nahi.”
‘Gaurav and I had multiple reasons to reach this decision’
On her separation from Gaurav, Akanksha maintains that there was no single trigger and that the decision followed a gradual breakdown of the relationship. She says, “That’s a very personal thing and it happened gradually. I can’t pinpoint one reason for it. We have had multiple reasons to reach this conclusion. That’s between Gaurav and me. The divorce proceedings are on. We have to sign our drafts and submit it. This has been going on for long, even before he left for Khatron Ke Khiladi.”
I never imagined playing a father could be this difficult-Eijaz Khan
3:57 PM
Hasti Doshi (MUMBAI MIRROR; August 6, 2026)
After six years away from daily television, Eijaz Khan is back on the small screen with Dilon Ki Ram Leela. While he has portrayed everything from romantic leads to complex characters across television, films and OTT, the actor says his latest role has pushed him into unfamiliar territory.
For the first time in his career, Eijaz is playing a father and he says it among his most challenging roles. “I never imagined playing a father could be this difficult,” Eijaz admits.
For him, the real challenge lies in understanding the emotional world of a father. Raised by his father in a single-parent household, he says his own upbringing was anything but conventional.
“My father was a complete non-conformist. He was more like a friend than an authority figure. We grew up in a single-parent household with just him. But in this show, I have to play the head of the family — not just a father to my daughter, but someone whose every interaction is shaped by that responsibility.”
That perspective, he says, influences every relationship his character shares on screen. “Even if I’m talking to my sister, I’m approaching the scene as the father of this child first. That changes the way I react, the way I speak and the way I carry myself.”
The actor admits he is still discovering the nuances of the character and often seeks feedback from the show’s creative team. “I’m still trying to find my feet. I constantly ask my producer and director for guidance. Experience definitely helps, so even if I make mistakes, they won’t be completely off the mark. But I’m still learning.”
We’ve never changed the essence of Taarak Mehta Ka Ooltah Chashmah for momentary excitement-Asit Kumarr Modi
2:25 PM
Neha Maheshwri (BOMBAY TIMES; July 31, 2026)
TV sitcom Taarak Mehta Ka Ooltah Chashmah completed 18 years on July 28, making it one of Indian television’s longest-running fiction shows. As the sitcom enters its 19th year, producer Asit Kumarr Modi reflects on its journey, the philosophy that has shaped it over the years and why it has resisted the temptation to reinvent itself for short-term gains.
He says, “When people tell me that they have grown up watching the show, that they watch it together as a family, or that it has brought happiness during difficult times, I feel we have achieved something far bigger than success. Completing 18 years is a blessing, and I am deeply grateful to our viewers, our cast and crew, and the channel for believing in this journey.”
Looking back at what has sustained the show for nearly two decades, he credits its unwavering focus on its original purpose.
He shares, “I believe the biggest reason is that the show has never lost sight of its purpose. From day one, we have wanted to create stories that make people smile, bring families together and reflect everyday life. Our humour comes from relatable situations, not exaggeration. Along with entertainment, every story carries a positive thought or a social message that people can connect with. We have evolved with changing times, but our core values of positivity, togetherness and clean family entertainment have remained unchanged. I think that honesty is what has kept audiences connected to us for 18 years.”
While many long-running television shows have relied on leaps or dramatic twists, Taarak Mehta Ka Ooltah Chashmah has consciously taken a different route.
Asit says, “Our success mantra has always been simple: stay true to the story and the characters. We have never believed in changing the essence of the show just to create momentary excitement. Life itself keeps changing every day, and we find our stories in those everyday moments. We observe society, understand what people are experiencing and present it with humour and positivity. Audiences have stayed with us because the relationships and emotions they see in Gokuldham Society feel genuine and familiar.”
I’d rather be tired on set than at home-Eijaz Khan
10:46 AM
Hasti Doshi (BOMBAY TIMES; July 24, 2026)
After a six-year break from daily soaps, Eijaz Khan is returning to television with Dilon Ki Ram Leela. He was last seen in the daily soap Tara From Satara, following which he participated in the reality show Bigg Boss, and focused on films and OTT projects.
The actor admits that the gaps between OTT and film projects began taking a toll on him. “Out of 365 days, I might shoot for 100 days for my OTT projects and some more days for films. What do I do during the other days? I have five or six close friends, and some of them live abroad. That’s when I felt why not take up a TV project.”
Work has always been the one place where he feels most fulfilled, he says. “When I’m free, I miss working. I think I am happiest when I am on a set. Yes, it may not be the best for your health because the days are long, but I would rather be tired on set than be tired at home.”
The entertainment industry is going through a phase where the opportunities available across mediums have reduced.
Ask him whether the slowdown creates insecurity among actors and he says, “Of course it does. We are passionate about acting, but acting is also what runs our kitchens. I’m very grateful that after 25 years, I’m still a working actor.”
Eijaz feels the industry is in a period of transition. “There is a lot of confusion about what will work. By the time writers finish a script in a genre that’s trending today, the market is already flooded with similar stories. Everyone is trying to figure out what audiences want.”
‘A person’s acting skills should matter more than his social media numbers’
Addressing the growing debate around how actors are often expected to have a huge social media following, he says, “If the industry expects actors to have a social media presence and followers, I understand why. But that shouldn’t be the only focus to cast an actor. A person’s acting skills should matter more than his social media numbers. I don’t spend much time on social media; I would rather use that time attending acting workshops to hone my craft.”
There shouldn’t be any judgments for mothers who don’t breastfeed-Surbhi Jyoti
9:34 AM
During World Breastfeeding Week (Aug 1-7), the actor and new mother opens up about breastfeeding realities and the taboos surrounding it
S Farah Rizvi (HINDUSTAN TIMES; August 2, 2026)
Actor Surbhi Jyoti, who welcomed a baby girl in June with her husband, actor-producer Sumit Suri, is embracing the joys of being a new mother.
Calling this new phase “a blessing”, the 38-year-old shares she likes some things to be “old-school”, saying, “I am exclusively breastfeeding my daughter... I always manifested a normal delivery and was sure that if everything went well, I would surely breastfeed my baby.”
She also added that every mother’s choice deserves respect. “There shouldn’t be any judgments for mothers who don’t (breastfeed). I have seen many people judging women for it. They think if a mother is not nursing her child, she is not a good mum, which is so wrong,” she says, adding, “I chose to nurse my baby because I wanted to build that unique bond with her. However, I completely respect mothers who choose differently. Thankfully, our generation is also moving past myths like breastfeeding affecting a mother’s appearance or body.”
Looking ahead to her professional life post motherhood, Surbhi remains pragmatic, stating she was never “gone” to make a “comeback”. “Though I have started taking narrations, I am taking my time for the right project. Kuch acha aaye toh, I am more than happy to don my actor’s shoes,” she shares.
Though she chooses to return to work herself, she reiterates respecting mothers’ personal choices regarding the same. “I am among those who want to (work), so I will,” she says adding, that it is okay if mothers choose otherwise, “Karna toh theek, nahin toh bhi theek. To each her own,” she signs off.
My reputation was destroyed overnight after Sanchita Ugale’s death-Ujjwal Sharma
9:10 AM
Neha Maheshwri (BOMBAY TIMES; July 24, 2026)
Television actress Sanchita Ugale died by suicide on June 14 after she was found hanging at her residence in Nalasopara. In the days that followed, some of her colleagues accused her Saajan Ghar co-star Ujjwal Sharma of mental harassment and intimidation.
Breaking his silence for the first time since the controversy, Ujjwal shares, “Sanchita’s untimely demise was shocking. I had repeatedly tried to console and encourage her. Then, to suddenly see my name being linked to it was something I never imagined.”
Ujjwal and Sanchita became friends while working together on Saajan Ghar. He recalls, “Sanchita once told me she was going through a difficult phase after a breakup. I never asked her about the person involved and instead kept encouraging her to focus on her health and career. However, her health deteriorated. The producers gave the entire cast a month-long break. During that time, they also arranged psychiatric consultations for Sanchita. Unfortunately, her condition didn’t improve, and another actress had to be brought in.”
According to him, Sanchita remained in touch for a while after leaving the show. He says, “She would occasionally message me about her health and also mentioned having suicidal thoughts. I kept telling her not to lose hope.”
Ujjwal says they lost touch for nearly two months before she contacted him again. He says, “We hadn’t spoken for almost two months. Then, out of nowhere, she messaged asking me to return Rs. 3,000 that she had spent on me and my friends at a restaurant. We often paid for one another during outings, so I never imagined it would become an issue. What shocked me more was the abusive language she used. I transferred the money to her mother’s account and, in anger, called her ‘chapri’. I admit I reacted, but only after being repeatedly abused. The screenshots circulating online are selectively one-sided.”
On why he has chosen to speak now, he says, “I first submitted my statement to the Mumbai Police and cooperated with the investigation. Only after handing over all the screenshots and conversations did I feel it was appropriate to speak publicly.”
‘People judged me without waiting to know the truth’
He adds, “After my number was circulated online, I started receiving abusive messages and death threats. People judged me without waiting to know the truth and my reputation was destroyed overnight. It wasn’t just me, my parents also had to deal with calls from relatives and neighbours. Through it all, they kept telling me to cooperate with the police and stand by the truth. This episode has taken a toll on me mentally, emotionally and professionally.”
Saanvie Tallwar on why she didn’t file a case against Karan Kundrra over assault
9:47 AM
S Farah Rizvi (HINDUSTAN TIMES; July 27, 2026)
Nearly a decade after Yeh Kahan Aa Gaye Hum went off air, actor Saanvie Tallwar levelled allegations of on-set harassment and physical assault against former co-star Karan Kundrra. While her claims have sparked conversations online, one question, she says, has repeatedly come her way: Why did she not take legal action at the time?
Tallwar alleges that during the filming of a scene, Kundrra came too close and kissed her, catching her off guard. She claims she responded by pushing and slapping him, after which he allegedly slapped her back and abused her and her family.
Explaining why she chose not to file a police complaint, Tallwar tells us that producer Ektaa Kapoor’s intervention played a key role. “Many ask why I didn’t file a complaint because Ektaa texted me and met me after the incident. She supported me, and we went back to working on the show. That was why I didn’t file a complaint against him for assaulting me,” she says.
Tallwar also claims that pursuing the matter legally at that stage could have jeopardized her career. “Professionals aise hote hain, if I would have taken the legal route back then, career khatam ho jata. But maaf nahin kar sakti, kabhi nahin,” she says.
On why she has chosen to revisit the episode now, the actor says she never received the closure she sought. “Baat purani hai, but I haven’t got closure from him ever. Also, I have to come out with the correct version. Mistakes are part of human nature, but you learn from your mistakes before moving on; he hasn’t,” she says.
Tallwar adds that she had spoken about the incident earlier, but feels her account “was not picked up correctly at that time”.
Kundrra has not publicly addressed the renewed allegations in recent reports. We reached out to his team for a comment but received no response till the time of going to press.
Apara Mehta recalls the words that ended her marriage: "You’re the ugliest woman I’ve come across"
10:21 AM
HINDUSTAN TIMES (July 26, 2026)
Actor Apara Mehta, known for her role in the TV serial Kyunki Saas Bhi Kabhi Bahu Thi, recently opened up about her equation with her estranged husband, actor Darshan Jariwala.
Recalling the conversation that changed the course of their relationship, she told Hauterrfly, “It was our wedding anniversary, and I was in the USA. I called him and he said, ‘We really need to talk.’ After I returned, he just said, ‘We need to separate because I’ve fallen out of love with you. I do not like you anymore, and you are the ugliest woman I’ve come across in my life.’”
Reflecting on how she processed those words, the 65-year-old said, “I simply left for my shoot. Later, I thought, ‘What did Darshan just say? He couldn’t have meant it.’”
Apara further revealed that Darshan eventually moved out of their home, but their bond has remained cordial over the years. “He just left home one day, but the doors are always open. He’ll never find anybody like me, and I’ll never find anybody like him. We can still complete each other’s sentences,” she shared.
Apara and Darshan, who tied the knot in 1980 and have a daughter, actor Khushali Jariwala, have been living separately since 2003, though they are not legally divorced.
Even if character gets married several times or is kidnapped often, audience stays invested-Smita Bansal
4:41 PM
Letty Mariam Abraham (MID-DAY; July 21, 2026)
Three decades into her career, Smita Bansal still feels butterflies before stepping onto a new set. “I get extremely nervous,” admits the actor, who transitioned from lead roles to character parts with Balika Vadhu (2008). As she gears up to play the head dean in 108 Base Hospital Uri, Bansal speaks to mid-day about choosing finite television, embracing mother roles on screen, and why the medium needs a revamp. Excerpts from the interview.
Did you take up 108 Base Hospital Uri because it is a finite show?
We have been saying that content on television is becoming repetitive and needs a change for long. I believe finite series have more to offer. You get to work more on your character because you know the story from the beginning to its end and there is a proper graph. The story doesn’t change every week because of TRPs. It is also a challenge for the writers to keep the audience hooked for years. When I started doing TV [in the 1990s], we had finite series and weekly shows. That’s why I support different kinds of work coming in.
Did that feeling become stronger after your series, The Pyramid Scheme?
I shot The Pyramid Scheme while filming Bhagya Lakshmi. My issue is that TV wasn’t offering enough weekend programming. We have limited content during that slot. But 108 Base Hospital Uri is set in a real space. Even though it is a medical drama, it focuses on the real challenges army doctors face, rather than only the human side.
Will a show that is different from saas-bahu dramas work? If it doesn’t, who is to blame — the creatives or the audience?
What will work and what won’t is something no one has really understood. When Balika Vadhu was made, we had no idea how people would receive it until the first week. Audiences become used to a certain kind of content, so it becomes easier for them to accept it. Even if she gets married several times or is kidnapped often, the audience stays invested. I think it is a collective responsibility to [move with the times]. By the time a new-format show is launched and begins finding acceptance, the makers have already decided to pull the plug. You have to give audiences the time to develop a taste for something new. They should also demand better content and reject stories that don’t make sense. TV needs a revamp.
Do you feel typecast in mother roles after playing leads initially?
When I moved to character roles with Balika Vadhu, it happened organically. Even after the leap, the decision wasn’t difficult because the show was hugely popular. Lead actors spend 14 to 16 hours on set and work almost 30 days a month. I was entering motherhood and didn’t want to stay away from my child for long. So, stepping away was a conscious decision. There’s a reason behind playing mother on screen. After the hero and heroine, the mother is usually the most prominent character in a TV show. There’s also the factor of screen age. After Balika Vadhu, it would have been difficult for audiences to accept me in much younger roles.
What did the workshops for 108 Base Hospital Uri involve?
Our producer, Samar Khan, comes from an army background, so he made us aware of everything we needed to know. It’s not that we underwent intensive action training, though I’m sure Erica [Fernandes] and Gashmeer [Mahajani] did that too. We learnt army etiquette, basic gun handling, and combat. We were also trained in how doctors and nurses interact in a hospital. A doctor was present on set to teach us how to hold medical instruments and follow the correct procedures. We also watched medical documentaries to ensure there were no technical errors.
Is TV all work, no pay? Inside the industry's long-standing issue with payments
10:43 AM
Akash Jagga, a TV actor, talks about how payments often get delayed by 90 days and is a common practice in the industry now
After TV actor Shehzada Dhami alleged that a production house owes him Rs 30 lakh in unpaid dues, the spotlight turns to the industry’s long-standing culture of delayed payments, particularly for those who are new to the screen
Tanisha Banerjee (MID-DAY; July 12, 2026)
For millions of viewers, television actors are familiar faces who appear in their living rooms every evening, often associated with fame and success. But behind the polished sets and prime-time popularity lies a far less glamorous reality. Over the years, several actors have publicly alleged delayed or unpaid remuneration, exposing the financial uncertainty that exists within the industry.
That conversation has resurfaced after TV actor Shehzada Dhami (Yeh Rishta Kya Kehlata Hai) alleged that a production house owes him Rs 30 lakh in unpaid dues. Speaking up in his support, actor Shilpa Shinde (Bhabhi Ji Ghar Par Hai!) described some television producers as “white-collar mafia”.
Their claims join a growing list of similar complaints in the television industry. Actors including Nupur Alankar (Diya Aur Baati Hum), Kishwer Merchant (Hip Hip Hurray), even the family of deceased actor Manmeet Grewal (Aadat Se Majboor) have, at different points, spoken about delayed payments, financial distress, or the irregular cash flow that often accompanies television work.
While producers’ bodies have occasionally disputed individual allegations or cited contractual and production-related complications, the recurring nature of these complaints points to a systemic issue rather than isolated disputes.
TV actor Akash Jagga, who is best known for his roles in Kasautii Zindagii Kay (2020) and Sasural Simar Ka 2 (2021-2022), entered the television industry in 2020. He says that delayed payments are not an exception but an accepted part of the profession. It is an unspoken standard practice for actors, especially newcomers, to be paid 90 days after the shooting of a particular show. His conversations with senior actors reveal how drastically the payment culture has changed over the years.
“I’ve heard from seniors that actors used to receive payments almost immediately. Then it became a week, then a month, then two months. Today, many actors are paid nearly three months after an episode is telecast,” he says.
Unlike film stars with multiple revenue streams, many TV actors rely on regular shooting schedules for a steady income. Payments are frequently staggered, and speaking out against delayed dues can carry the risk of being labelled “difficult” in an industry driven largely by relationships and reputation. As more actors come forward with their experiences over time, the spotlight is shifting from standalone individual disputes to questioning how financially secure are the faces that dominate Indian television screens?
TV actor Shreya Sinha [name changed] recalls an incident that exposed the power imbalance many television actors face when it comes to getting paid. During one of her projects, she says the production house attempted to pay her only half of what had been agreed upon when she was cast.
“They sent me only half my payment. That wasn’t what we had discussed. I stood my ground and told them that if I had worked, I deserved to be paid in full,” she says. After repeatedly following up, Sinha eventually received the full amount in her next payment cycle. However, she says several of her co-actors, who were hesitant to question the producers for fear of being replaced, did not get their dues.
Such delayed and partial payments are not uncommon. “We were paid once every three months, and sometimes only around 20 per cent of the total amount would come. Some of my co-actors went six to eight months without receiving their dues.” She believes newcomers are especially vulnerable. Many young actors, eager for visibility, accept salaries as low as Rs 15,000 a month despite working a 12 to 14-hour shifts. “You can’t even pay your rent in Mumbai with that. They do it because they want an opportunity, but that’s exploitation,” she says.
While contracts may allow established actors to negotiate payment clauses, Jagga believes newcomers have little bargaining power. Eager to secure their first break, they often accept whatever terms are offered. “As soon as actors ask for a better budget, makers can easily replace them with someone new who’s willing to work for less. That’s why television budgets have kept shrinking.”
Jagga admits he, too, accepted such conditions when starting out. But reality catches up. “We spend long hours on set, sacrifice our personal lives, and our health, yet the pay doesn’t reflect the amount of work we put in.”
Is it a film problem as well?
Shehzada Dhami’s allegations are not an isolated case. Last month, actor Satendra Soni (Laapataa Ladies, 2024) broke down in an emotional Instagram video, alleging that he had not been paid for his work and claiming he was threatened after repeatedly asking for his dues. His video struck a chord with many within the industry, once again highlighting the financial insecurity that can accompany life in television. While not every project is affected, payment disputes remain a recurring concern across India’s entertainment industry, underscoring the absence of uniform safeguards for freelance creative professionals.
‘Producers are the most vulnerable’
Offering the producers’ perspective, actor, producer, director, and Indian Film and Television Producers Council (IFTPC) chairman for TV and Web Jamnadas Majethia says delayed payments are rarely intentional and are often a consequence of mounting financial pressures within the television ecosystem.
Majethia explains that payment delays often arise when a producer suffers financial losses or faces cash flow issues. In such situations, producers prioritize immediate operational expenses, including payments to daily wage workers, studios, and essential vendors, while actors and suppliers often receive their dues later.
“A producer has to ensure the shoot doesn’t stop. If the studio isn’t paid rent on time, the production comes to a standstill,” he explains, “And delayed deliveries can cause a further loss due to late delivery penalties.”
Majethia maintains that delayed payments are not an industry-wide norm but individual cases that receive greater public attention because of the industry’s visibility. He believes producers today are operating under unprecedented pressure.
“A producer is the most vulnerable person in the entire system,” he says, “Producers have to deliver the same quality of content despite significantly dropped budgets.” With television viewership declining and advertisers increasingly shifting their spending towards OTT platforms, production budgets have shrunk considerably for the television industry. “So where will the money come from?” he asks.
Kyunki 2 actress Drashti Bhanushali breaks silence on being linked to Rohit Chandel case: "Not here to support anyone"
9:45 AM
Letty Mariam Abraham (MID-DAY; July 14, 2026)
After a three-year break, Drashti Bhanushali returns to television as Garima in Kyunki Saas Bhi Kabhi Bahu Thi 2. Having spent years playing child characters in television shows and advertisements, the actor admits she wasn’t initially keen on joining the iconic franchise.
“I was not ready for this show, but my mom loved it because everyone at home, including my naani, used to watch it. I didn’t know much about the show before, but a leap was set to happen with the new generation leading the way forward. At first I didn’t appreciate the character, but after living in her skin and understanding her, I am glad to be part of it,” says Bhanushali, adding that being part of a Balaji show was a bonus.
Stepping onto the set came with its share of nerves. “Everybody was a senior here. From the director to Smriti [Irani] ma’am, they have been there since the original show. So, I was nervous. Especially since my entry was different from others. I entered the scene as a drunk. But it came as a shock to people who’ve seen my work.”
The role also marked her transition from child actor to playing a young adult, which she says “took time”. “The director [often told me], ‘Garima is not in her childhood. Bring your adult version.’ Sometimes, the childish voice just slips in. I’m improving slowly.”
On working with Irani, she says, “We had a word, she is very sweet. But she rarely comes on set. Most of the time, [her role is enacted with us] using a duplicate. Everyone on set is rather welcoming and sweet. They introduced themselves first. It’s inspiring to watch them perform.”
Bhanushali’s name recently surfaced in connection with Rohit Chandel, who was arrested under the Protection of Children from Sexual Offences (POCSO) Act following allegations of harassment made by a minor co-actor.
She told mid-day, “I have no knowledge of the ongoing case and request everyone to stop associating my name with it. I am no longer in touch with the person concerned and have no connection to this matter. It is disappointing that some co-actors are indirectly dragging my name into this issue without knowing the facts. I am not here to support anyone. If legal proceedings are underway, let the judiciary decide the truth.”
I’ve been skeptical of the TRP system-Smita Bansal
9:13 AM
Vishakha Pandit (HINDUSTAN TIMES; July 13, 2026)
The Ministry of Information and Broadcasting (MIB) recently directed the Broadcast Audience Research Council to suspend all television ratings until it secures a renewed license under the new Television Ratings Policy, 2026. As the industry navigates the impact of this move, actor Smita Bansal is looking at the bright side.
Having worked on TV for close to three decades in shows like Kahaani Ghar Ghar Kii, Balika Vadhu and Sanjivani, Bansal says she “never understood the TRP game”. She questions how can a handful of sample households decide the popularity of content watched by millions. “I’ve been skeptical of the ratings system, especially after seeing well-made shows fail despite their quality. I don’t think it is the right tool to judge a show’s success or failure,” she says.
The 48-year-old asserts that TRPs don’t dictate or reflect a team’s efforts behind a show: “If my show’s TRP is low, I won’t work any less on it. And higher TRPs doesn’t mean I’ll do better. When people recognize me because of a character, that is how I judge if a show is working.”
Bansal’s last show Bhagya Lakshmi, ended in June last year, and she is now returning to TV, but with a finite-episode series. “The TRP game won’t apply here. We’ve almost shot the entire series. There’s no chance of changing anything, and I think that’s beautiful,” she says.
"I’m lucky to be alive": Jasmine Bhasin on being hospitalized in Dubai
9:22 AM
S Farah Rizvi (HINDUSTAN TIMES; July 2, 2026)
What began as a birthday trip to Dubai turned into a health scare for actor Jasmine Bhasin. Now, recovering in a Mumbai hospital, she opens up about the difficult experience, the uncertainty of life and the love and wishes that helped her through.
“I am better now, but healing from terminal ileitis (inflammation of the last segment of small intestine) is not easy. Hopefully, in a day or two, I will be home,” says the actor, who turned 36 on Sunday.
Describing the unexpected crisis that began on the second day of her trip, Jasmine shares, “Despite taking medication, my fever refused to drop below 104 degrees even after 24 hours,” adding, “My gut infection, with a CRP level of 350 mg/L, was very risky as it starts creating sepsis in the body. Thankfully, the doctors managed to control it.”
Crediting the constant support of actor–beau Aly Goni, Jasmine reflects how his presence by her side helped her through the illness in a foreign land. “I am grateful to God that he was there with me. It is comforting to have your loved ones with you during such a crisis. You know you have ‘your people’ who won’t let anything go wrong, and I had that faith because Aly was with me,” she shares.
On celebrating her birthday on a hospital bed, the actor says, “So much was planned for my birthday, a grand party which got cancelled. I felt bad for my friends who had everything lined up. But they still made sure that I celebrated my day in the best way they possibly could.”
The illness also prompted the actor to reflect on life’s uncertainty. She says, “Sometimes life has other plans. This time, my birthday was destined to be this way, but I am happy that I am alive and healing. I won’t call it a terrifying experience to fall sick on my special day. For me, it was an experience I will never forget.”
On the road to recovery, Jasmine is now eager to return to her professional life. “I have been ordered two weeks of complete rest, and after that, I will be back to business. With my show and a film release in the pipeline, I really need to push myself,” she says, adding, “I even tried convincing my doctor to let me go for a shoot yesterday because I need to hustle to feel fine!”
Overwhelmed by the love on social media, she also expressed her gratitude. “The way my friends and well-wishers stood by me is incredible,” she signs off.
There are many momfluencers today, but getting to hear a dad’s perspective on parenting is still quite rare-Karanvir Bohra
9:28 AM
He is one of the most popular baddies on the small screen, but in real life, Karanvir Bohra is putty in the hands of his three daughters. A hilarious post on Instagram shows the muscular TV actor with a ponytail and blue tutu skirt, spinning on one foot like a wind-up doll after his youngest turns a pretend key on his back. Bohra, who has been part of many hit dramas like ‘Kasauti Zindagi Kay’ and ‘Shararat’, spoke to Neha Bhayana about fatherhood and how he talks so his kids listen
Neha Bhayana (THE TIMES OF INDIA; June 21, 2026)
He is one of the most popular baddies on the small screen, but in real life, Karanvir Bohra is putty in the hands of his three daughters. A hilarious post on Instagram shows the muscular TV actor with a ponytail and blue tutu skirt, spinning on one foot like a wind-up doll after his youngest turns a pretend key on his back. Bohra, who has been part of many hit dramas like ‘Kasauti Zindagi Kay’ and ‘Shararat’, spoke to Neha Bhayana about fatherhood and how he talks so his kids listen
What is the toughest part of being a father of three girls? And what is the best?
The toughest part of being a father to three girls will come when they become teenagers, when they start having their own likes and dislikes, crushes, late-night plans, and a world of their own. The best part of being a girl dad is knowing that no matter how grown up they become, a part of their heart will always belong to you…and they’ll always love you the most.
Do you worry about how you will react to late-night plans, boyfriends, tattoos and drinking when your daughters grow up? Are you a conservative dad or a cool one?
I think I’m a pretty cool dad, but I don’t know how I’m going to react when boyfriends enter the picture or when my daughters go through their first heartbreaks. I know it is all part of life, and while my instinct will be to protect them, I hope I’ll also be understanding.
As for things like partying, tattoos, drinking, and all other choices they will make as they grow up, I may not always agree with everything. There will definitely be moments that challenge me. But I don’t want to be the kind of father who controls or forces. I want to be someone they can always talk to, someone who guides rather than dictates. A dad who is a mix of fierce and understanding, who sets boundaries but never stops listening.
You enrolled your twins, Bella and Vienna, in a school in Canada during the pandemic (they moved there with their mom, Teejay Sidhu), and your younger one Gia joined them later. Are they still living in Canada?
The past two years have been difficult being away from them while they study in Canada, and I’m here working and attending to my parents. I miss the little moments we once shared every day. Those hugs, conversations, laughter, and simple togetherness…I miss them immensely. My little one, Gia, is such a beautifully free-spirited soul. She stayed with me (in Mumbai) for a year, and those moments were truly special.
Being a television actor comes with its own challenges. There were days when I would shoot for 12 to 14 hours straight, so many times I’d bring Gia along to the set, and she would just chill with me there. And honestly, she loves the set. If you ask her, “What does papa do?” she’ll smile and say, “He’s shooting.”
What is your trick for getting your kids to listen to you?
There’s no trick in the book to make children listen to you. The only real way is to speak to them in their language. Talk to them with respect, as though they are individuals with their own thoughts and emotions. Explain to them what’s right, what’s wrong, and help them understand the consequences of their choices. And then, instead of forcing an answer on them, ask them gently: “What do you think you should do?”
A section of parents and experts believe the new-age gentle parenting approach is spoiling kids. What is your take on it?
People often misunderstand the meaning of gentle parenting. Gentle parenting does not mean spoiling your child. It means not getting angry over every little thing. It means not constantly scolding them for mistakes, but instead guiding them with patience and understanding. It means giving them your time when they say, “Dad, let’s play,” “Listen to my story,” or “Tell me a story.” At the heart of it, gentle parenting is simply about giving your children the quality time, attention, and emotional presence that many of us wish we had received growing up. And at the same time, I completely understand our parents, too. They came from a very different space and generation of parenting, and they did the best they could with what they knew at that time.
In a world of momfluencers, you are among a small number of dads who share their experiences and give parenting tips. How did the idea for your page, ‘Parenting with Karanvir Bohra’ come up?
That’s primarily the reason I chose to share my experiences and the experiences of other fathers as well. There are so many momfluencers today, but very rarely do we get to hear a dad’s perspective on parenting or co-parenting. I genuinely felt people needed to hear that side too. That’s what led me to start a podcast on my YouTube channel called ‘Daddy Adventures’. I’ve had some really interesting and heartfelt conversations with Karan Singh Grover, Raghu Ram, Tusshar Kapoor, Gurmeet Choudhary, Zaid Darbar, Kiku Sharda and many other dads. What touched me the most was getting such a beautiful insight into how they feel as fathers, the emotional journeys they go through, and how each of them is navigating this entire new-age approach to parenting.
You had posted about the time when you let one of your twins take a flight to Canada alone when she was seven. These days, most urban parents never let their kids, especially girls, be alone in order to ensure safety, but they end up making them under-confident and dependent. How can parents encourage their kids to be independent without compromising their safety?
I still remember when my dad and uncle pushed me to take a bus alone for the very first time. I was barely 10, travelling from Colaba to Nana Chowk. When I completed that journey by myself, I felt so empowered. Years later, a similar situation arose with my daughter when she had to travel alone because of an issue with my visa. I realised airlines take great care of children travelling solo. I felt secure knowing she was safe, and I could also see how empowered and confident the experience made her feel. I truly believe parents should encourage children to have small adventures and independent experiences — that’s how they become mentally and emotionally strong.
How has fatherhood changed you?
Becoming a father changed everything for me. Life is no longer just about my dreams, my ambitions, or my journey. It’s about them. Every decision I make now carries a greater sense of responsibility because little eyes are always watching.
What I have learned over the years is that children are not ours to control; they are ours to love, guide and support. My role is not to shape them into who I want them to be, but to help them become who they are meant to be.
Has your parenting journey been a smooth or bumpy one so far? What is the biggest lesson you have learned along the way?
My journey as a father has been like a merry-go-round. I have chased my kids to eat food, get ready, go down and play, go to school, etc. Watching my daughters grow up has given me some of the most beautiful moments of my life; it’s like a bouquet of memories I will cherish forever.
Abdu Rozik, Prince Narula rocked by payment controversies
9:22 AM
HINDUSTAN TIMES (June 15, 2026)
ABDU ROZIK CLAIMS NOT BEING PAID FOR BIGG BOSS 16
Tajikistani singer and influencer Abdu Rozik, known for his stint in Bigg Boss 16, has accused his former management team of withholding his earnings and misappropriating his income. “I worked with them for three or four years. They helped me grow, but the money from the shows I did, they took it. I didn’t get paid a single dollar for Bigg Boss. They scammed me badly,” he said on the House of Zen podcast.
He added that he was often underestimated due to his stature. “I guess because of my height, people underestimate me and think they can fool me,” he added. Rozik also clarified that he does not own a house or car but continues to support his family of seven despite financial struggles.
“I have a growth hormone condition, and I am proud that despite everything, I am supporting seven people in my family,” he stated. Reflecting on the betrayal, he concluded by emphasizing the importance of caution in business dealings: “My only request is for people to be honest and work clean. We need to be very careful about who we trust.”
RAPPER HITZONE ACCUSES PRINCE NARULA OF WITHHOLDING PAYMENTS
Actor and reality TV star Prince Narula has been accused of financial misconduct by rapper Hitzone, who alleges he was not paid for his creative contributions to two songs, including Bang Bang. To support his claims, the rapper shared voice notes on social media, alleging that Narula has repeatedly avoided fulfilling payment promises.
In a YouTube video, Hitzone questioned the ethics behind the situation: “I want to ask: are rappers earning money? Or are Roadies judges earning money? If they are earning, why are they withholding an artist’s dues?,”highlighting his frustration over the lack of compensation.
He alleged the dispute involves Bang Bang, released on Narula’s YouTube channel, and another unreleased track that has already been filmed. Hitzone also claimed that despite prior payment discussions, Narula’s team delayed the process and later said the matter would be addressed after he returned from the reality show The 50.
Female audiences have consistently given me their love-Rajeev Khandelwal
9:30 AM
Hasti Doshi (MUMBAI MIRROR; June 10, 2026)
After an eight-year gap, Rajeev Khandelwal has returned to television as the host of Tum Ho Naa - Ghar Ki Superstar, a reality game show that celebrates homemakers and their contributions. Calling it a beautiful journey so far, Rajeev says the show’s concept was what drew him back to the medium.
Reflecting on television’s audience base, he says the medium has long been perceived as being driven by women viewers. “When I started in 2002-03, television was considered a woman’s medium. It’s a woman’s medium even now, or at least considered to be,” he says.
Explaining how this perception got formed, he points to viewing patterns within Indian households. “Traditionally, men would go out for work and in households where women did not work, they were the ones at home. They had control over the remote. That’s how the whole thing started, and then we all started believing that it’s a woman’s medium,” he shares.
However, he believes the reality is more nuanced. “You also consume so much other content on television, whether it’s cricket or sports, and generally men consume that content. But women do have control over the remote,” he smiles.
For the actor, that audience support has been central to his own journey on television. Having become a household name with shows such as Kahiin To Hoga and Left Right Left, Rajeev says he remains grateful for the affection he has received over the years.
“It’s a great feeling because it gives people like me an opportunity to live in their hearts and make a place for ourselves there. I think I’m one of the fortunate ones. Female audiences have consistently given me their love and I am grateful to them,” says the actor, who switched to movies with the film Aamir and in recent years has done a number of OTT shows such as Marzi and Miya Biwi Aur Murder as well.
Shilpa Shinde on retracting her sexual harassment allegation against producer Sanjay Kohli: "I wanted to come clean"
10:56 PM
HINDUSTAN TIMES (June 4, 2026)
Nearly a decade after accusing Bhabi Ji Ghar Par Hai! producer Sanjay Kohli of sexual harassment, actor Shilpa Shinde has claimed that the allegations were “false” and made because she had “no other option” to exit a contractual dispute.
Shilpa, who played Angoori Bhabhi before being replaced by Shubhangi Atre in 2016, was embroiled in one of TV’s biggest public fallouts. She had accused Kohli and the production team of sexual harassment, mental torture, non-payment of dues and creating a hostile work environment. The dispute also involved industry bodies, including CINTAA and the producers’ association, before ending in a settlement.
Speaking on Bharti Singh and Haarsh Limbachiyaa’s podcast, Shilpa said, “I filed a sexual harassment case against my producer because I had no other option. Eventually, I got out of that situation because the matter was settled. I filed the case on that basis because the police directly tell you that if you want an FIR registered, you have to make serious allegations.”
Shilpa said she felt trapped despite having quit the show and claimed Kohli later understood the circumstances that led to the complaint. “Poor man, he ended up getting defamed because of it. Today, through this platform, I want to say that it was false. I am confessing this for the first time,” she said.
Shilpa returned to Bhabi Ji Ghar Par Hai! in 2025 and says she now shares a cordial relationship with the team. We reached out to Sanjay Kohli for comment. No response was received till the time of going to press.
-------------------------------------------------
Neha Maheshwri (BOMBAY TIMES; June 5, 2026)
Nearly a decade after her acrimonious exit from the TV show Bhabi Ji Ghar Par Hai!, Shilpa Shinde returned to the show last December. This came as a surprise to everyone because the actress had accused producer Sanjay Kohli of sexual harassment, non-payment of dues and creating a hostile work environment in 2016. In a recent podcast, Shilpa admitted that the allegation that she had made against him was false. Her remarks have also raised uncomfortable questions about accountability and the impact such reversals can have on survivors of workplace harassment. It is against this backdrop that we spoke to Shinde.
‘I cannot even begin to explain the kind of harassment I went through during that phase’
Recalling how the dispute escalated at that time, Shilpa says, “I was asked to sign an exclusivity contract with the channel for the show. In return, I asked for a 25 per cent raise and five days off every month, but they didn’t agree. After that, stories started circulating that I was troubling the producers and wasn’t reporting to the shoot. CINTAA (Cine and TV Artistes Association) asked me to resume shooting the very next day without anyone hearing my side of the story. I told them my dues of Rs. 37 lakh should be cleared, and then I would return to work immediately. Meanwhile, auditions for my replacement were being conducted without informing me.”
She adds, “No one was taking my calls. Main 20 saal se industry mein kaam kar rahi hoon, aur aap kisi ko is tarah badnaam karte ho. No one tried to understand the challenges I was dealing with. I cannot even begin to explain the kind of harassment I went through during that phase.”
‘Sanjay Kohli is a nice man and was the one person who could have resolved the issue back then’
Speaking about Sanjay Kohli, she says, “He is a nice man. He speaks softly and knows how to get work done. What I never understood was why he wasn’t present at the meetings around my exit. He was the one person who could have resolved the issue. The matter was eventually settled in court, and we agreed not to speak about each other after that. After all this, I continued receiving offers to return to Bhabi Ji Ghar Par Hai! from different quarters. And finally, I took it up in December last year, and things have been fine between all of us.”
When asked whether her allegation could undermine the experiences of women who genuinely face sexual harassment, Shilpa says, “A year of my life went by dealing with all this. A fake MMS of mine was also circulated at the time, which caused even more stress. I have a family, too. Jo mere saath hua, I wanted to return it.”
I’m glad Shilpa came forward with the truth: Binaiferr Kohli
When contacted, Binaiferr Kohli chose not to comment on the larger controversy. She said, “Shilpa speaking up and admitting that she falsely accused my husband after so many years was unexpected. I am glad she came forward with the truth and clarified the matter, as we have always known what the truth was. We have moved on, and I do not wish to comment further on the matter.”
Shilpa’s admission that she falsely accused producer Sanjay Kohli has sparked a discussion in the industry. Hina Khan, without naming Shilpa, posted on Instagram.
She wrote, “Yes, using your sex to malign someone’s image in order to Win during a conflict is absolutely shameful. And everyone is Absolutely Right to Call it out and demand justice. I am shocked beyond words... But I want to talk about the “Real Victim” here. A respected Man with a wife, a daughter and many other women in his family.. A real hardworking producer with many iconic shows. Who went through such an ordeal. As admitted by the Female Actor, her allegations were not just baseless they were used to gain advantage, to win, to score, to claim, to settle without the utilisation of Law. And even after that, the SAME producer gives the SAME show to the SAME person. Another LAUNCHPAD, another MOUTHPIECE, another RELEVANCE, another CHANCE to legitimise her Fake Claim of SEXUAL ASSAULT.. What if the Actor repeats it? After all the actor has been given the same show by the one she falsely ACCUSED... I AM APPALLED. THE JOKE IS ON US (sic).”
People said doing television again after films is suicide. I said… let’s do it then-Rajeev Khandelwal
9:53 AM
Hasti Doshi (BOMBAY TIMES; May 23, 2026)
For over two decades, Rajeev Khandelwal has moved between television, films and OTT without subscribing to a fixed path. Looking back at his early decision to step away from daily soaps at the peak of his popularity, he frames it less as a risk and more as instinct.
“I’ve only been driven by my gut, not by what’s supposed to be done in this industry,” he says, dismissing the idea that shifting mediums is inherently difficult. “Anyone who says something is tough is probably thinking about a journey they haven’t even embarked on. That is a sign of a lack of self-confidence.”
‘People think I’m very intense or introverted’
From Kahiin To Hoga to Shaitaan, Rajeev has often been associated with emotionally intense characters. But he insists the image was never consciously cultivated. “People approach me with complex characters,” he says, adding that projects like Showtime allowed him to experiment with lighter shades. “People think I’m very intense or introverted, but I simply choose to live like that. Not everything needs to be exhibited.”
Still, there are genres he hopes to explore further. “I would love to play a hardcore negative character, but not a caricature. I want that character to have a soul and genuinely believe he is right,” he says.
On visibility, networking and self-belief
Away from the screen too, Rajeev has largely stayed detached from networking culture and the pressure of constant visibility on social media. “Today, I would say it did not matter. It’s been 24 years since I’ve been actively working, so did it really matter? I don’t think so.”
He admits there are moments of self-doubt during professional gaps. “There are times when I wonder, ‘Why was I not cast in that?’ Then one phone call comes along and excites me like a child again. If I wake up excited enough to pack my bags in the morning, then the project is worth doing,” says Rajeev, who is currently enjoying hosting the reality game show Tum Ho Naa - Ghar Ki Superstar. “The show is refreshingly different. Today, most reality shows thrive on conflict, scheming, scandals and drama because that’s what people believe audiences want to watch. But this show stands apart for its simplicity and heart,” he adds.
‘If you made this once, you could make it again’
One piece of advice from a friend continues to anchor him, especially during moments when his unconventional choices were questioned. “Whenever people doubted my decisions, especially when I left a daily soap at its peak — a friend told me, ‘Who made this? If you made this once, then you could make it again’. That thought has stayed with me. Take away everything, and I should still be able to recreate it — if I am truly worthy of the love people have given me,” he says signing off.
Refusing to belong to one medium
The actor remains critical of the industry’s tendency to operate within rigid formulas and preconceived notions. “Corporates work on templates. Ten TV actors didn’t work in films, so suddenly everyone believed that no TV actor can work in films. But it takes just one person to break that pattern,” he says. That thinking also influenced his decision to return to television after films — another move many around him advised against.
“People said doing television again after films is suicide. I said… let’s do it then (laughs). The fun is not in following the trend. The fun is in setting the trend,” shares Rajeev.
Walking away from fame at its peak
His exit from Kahiin To Hoga remains one of Indian television’s most talked-about departures. At the height of his popularity, Rajeev chose to leave the show — a move many considered career suicide at the time. He says, “I realized the kind of love I was receiving would eventually reach a peak and then we would start dragging it. I thought that was cheating the audience. I need to feel deserving of that love. And that cannot happen if I’m stuck on one show for five or six years.”
Rajeev’s transition to films with Aamir happened just as organically. Contrary to industry assumptions, he insists he was never actively pursuing a Bollywood career. “I wasn’t looking for films. I read the script and thought it was excellent. Later, I realized it was a film script, and I was on board,” he recalls.
Falaq Naaz on whether she regrets trolling Rahul Roy's music video: "I will call cringe content, cringe"
2:35 PM
Vinay MR Mishra (MUMBAI MIRROR; May 13, 2026)
Actress Falaq Naaz was among the first celebrities to react to Aashiqui actor Rahul Roy’s recently released music video, which went viral online and was heavily trolled for its execution. Naaz's humorous take on the video snowballed into larger conversation on social media.
Soon after, Roy shared a clarification post on social media, explaining that he continues to take up such work because he has “bills to pay.” However, Naaz says his explanation has not changed her opinion about the content.
“I will call cringe content, cringe only. I cannot laud it, irrespective of whoever is making it. It is my way of saying it's not good content don't do it. I don't regret posting it,” she tells Mumbai Mirror.
After Roy’s clarification, Naaz even made another video requesting producers to consider him for projects. Explaining the reason behind it, she says, “I thought of making another video and try to help him through my platform. But soon he made another post saying, don't pity him, he isn't abandoned. So, I don't know what do I say? He is contradicting himself. Maybe he is confused.”
The actress further states that online criticism and trolling do not affect her decisions. “I did what I felt right. No matter what people think. People are waiting to troll you. I am not stopping for the trolls. Let them talk. Let them troll,” she says.
Following the online backlash, Naaz also restricted comments on her Instagram posts. “Nobody has the right to comment ill about me. Why should I read what the trolls have to say?” she states.
When asked if she reached out to Rahul Roy personally after the controversy, Naaz says she chose not to engage further. “I don't want to give him importance. I don't have any communication with him. I saw his post. I saw the cringe content. I said that the content is cringe. That's it. I think I may be the villain in his life?” she clarifies.
On the work front, the former Bigg Boss contestant is currently busy shooting for a daily soap and says she is enjoying being back on set despite the hectic schedules.
“Getting back to work is something I am really enjoying. Shooting in this weather though is very hectic. And funnily when it is very hot that's when we get our outdoor schedules. So, we are dead tired, but this is the most fun part of an actor's life. When you work on Tv you do have telecast issues but it's fun when you have great team. It's fun shooting for new shows,” she concludes.
Subscribe to:
Posts (Atom)