‘I’M HERE BECAUSE OF MY AUDIENCE AND DIRECTORS WHO BELIEVED IN ME WHEN NOT MANY DID’

Neha Sharma (HINDUSTAN TIMES; November 13, 2025)

Ever since her latest film Haq hit theatres, actor Yami Gautam Dhar has been experiencing an emotional outpouring from her fans like never before.

Many women have come up to her, sharing how relatable her character felt, some even kissed her hand, teary-eyed, telling her how empowered they felt after watching her in the film based on the famous Shah Bano case in which a muslim woman fought a legal battle for maintenance from her husband.

For Yami, who has delivered power packed performances in recent years, this recognition feels long due.

“I think everyone has their own interpretation of validation. For me, true validation is when your audience accepts you. When they watch a film and write something, be it a comment or when they tell an artiste something, that purity reflects in their eyes and words. You can feel how much they mean the compliment. It’s very heartening and overwhelming for me as an artiste,” she says.

It’s double celebration in the family these days. Success of her film apart, her husband, filmmaker Aditya Dhar is winning praise for his latest production, Baramulla. “We are very happy,” she smiles. “Aditya’s had his own journey, which has been full of challenges, but staying true to yourself, ethical and honest, that’s a rarity, and I really respect him for that. Of course, I love him; he’s my husband. But with love, that respect is equally important. As a wife, as an artiste, as someone who’s part of the same industry, I respect him. He’s taken the harder way, done what he believes is right, and what gives him peaceful sleep.”

So, has she felt inspired to step behind the camera herself? “No, no, no!” she laughs. “I still feel there’s so much more to explore in acting. I need to figure out what’s next, what more I can do, how differently I can be part of something so that I don’t have to say what kind of films I like. My filmography should speak for me, that I like versatility.”

And her career trajectory spells versatility all the way. Ever since her debut with Vicky Donor in 2012, Yami has built a solid filmography, choosing scripts that stand out. Her process, she says, is entirely instinctive. “Right from Haq, Article 370 ( 2024), OMG 2 (2023) to A Thursday (2022), Chor Nikal Ke Bhaga (2023) or Bala (2019), if I felt the script was good and the choice was right, yes, I chose them. But because someone wrote it, I cannot take that credit. It has to go to the writers, and that’s what we, as an industry, need to value even more now. When I’m done reading a script, my decision is absolutely based on instinct. I don’t overthink. I read it both as an artiste and as an audience.”

As appreciation continues to pour in, Yami has already signed four new films. “It’s the producer’s prerogative to announce,” she smiles when we prod for details. But she’s more than willing to talk about being the audience’s darling and how staying away from trends and formulas has worked for her.

Your fans are betting on a National award for Haq. Are you expecting one, and how much do awards mean to you?
I’m only imagining the headlines out of this because I have no idea how to answer this question. I’m really trying to be so careful and measured. I don’t want to sound like anything that I’m not.

But I’m sure you’ve read the social media posts...
I have, and it’s my audience saying it. So, I think that in itself is a really big thing for me. I’m here because of them and, of course, the belief of certain directors in me when probably not many believed. I don’t go to any award functions, with all due respect to them.

Yes, you are not seen at parties and award functions as such, but it’s said that the film industry is all about networking at such events...
That must be true. There is no denial about it. But if I don’t connect with that, then how do I work? How do I tell someone that I want this opportunity? I’ll work really hard, identify the right scripts and wait for that opportunity from certain directors to take that chance with me, which is what happened in 2019 with Uri, with Aditya (Dhar, filmmaker and her husband). But socially or in terms of going against my personality, something that doesn’t make me happy, or I feel I’m being asked to do something or fit in a system, if that is the system, that’s not me. That was never me. The only way out was work, slowly and steadily. Then yes, awards. There’s a certain section that may believe (in them), so whatever works for you. But the way award functions have been functioning of late, it’s like they themselves are saying ‘Don’t take us seriously’. And I’m not saying it. The audience is saying it now. That means tomorrow, if someone’s there in my position, they will know that both can coexist.

Your son Vedavid is just 1.5 years old. But do you think about which films of yours you’d like to show him later? 
I think we’ll come to that when he reaches that age. He’s too young right now, as you said, and I really haven’t thought about it. But my mother said something very sweet to me when I was expecting him, I was shooting for Article 370 (2024) and of course, the mind of a first-time mother or just any mother... It’s your first baby, you’re working in a film like this, and the gazillion questions! The one thing she said was, ‘If you’re fit to work, don’t worry. Your son inherently will value the importance of being a hard worker, like his mum. So you’ll be very proud. You go for it, you give your best. We’re here to take care of you.’ So I used to literally feel the two of us working in every scene. I think that is going to be really special because I’d be like, ‘You are part of that film, you know?’