Showing posts with label OMG 2. Show all posts
Showing posts with label OMG 2. Show all posts
Character graph ke pehle business graph ki baat karte hai yahan-Amit Rai
10:52 AM
Onkar Kulkarni (MUMBAI MIRROR; July 17, 2026)
After OMG 2, filmmaker Amit Rai could have easily followed up with a bigger, star-led commercial film. Instead, he has returned with Ohh My Dog, a film led by a 12-year-old boy and an indie dog. Rai says, “The urge to tell that story is always the main reason to go forward, irrespective of whether it is a big or small budget film. Stars, studios and budgets are subservient to the story and not vice versa.”
He admits he could have mounted a larger commercial film after OMG 2. “I chose to tell this story because it came to me organically. I have a dog who is like my son, and I have been amazed by the love and loyalty he has. It was he who inspired this story.”
Rai is also unsparing in his assessment of where he believes the Hindi film industry is headed. “The problem with our industry is that we are not making films but mounting projects. There is something essentially wrong in the way we approach storytelling. Character graph ke pehle business graph ki baat karte hai yahan, scene construction se jyada PPT, pie charts aur territory par focus hai.”
He believes storytelling has taken a backseat. “Many of us have forgotten that film is essentially about story, characters, situations and human emotions. Film business is because of the story and not vice versa. Given the myopic approach of the decision-makers, the room for meaningful storytelling has shrunk. It is a rat race here. No one is eager to take risks with unique concepts. I am not a fan of formulas. I follow stories. I reinvent myself with every story — that is the only formula I follow.”
Drawing a comparison with regional cinema, Rai says audiences are rewarding originality over formula. “In the era of digital and content saturation, you cannot keep offering the same content. That is the reason Hindi films are losing relevance and business to regional films, who are offering cinematic experiences, right from Pushpa to Manjummel Boys, Dashavatar, Kantara and Mahavatar Narsimha.”
Meri Akshay Kumar se koi problem nahi hai-Paresh Rawal
8:48 AM
Rishabh Suri (HINDUSTAN TIMES; July 19, 2026)
Actor Paresh Rawal claimed on Vickey Lalwani’s podcast that OMG 2 grew from an idea he had shared with director Amit Rai, but that he received no credit for the concept. He has now clarified that he never claimed to have written the film and only wanted acknowledgment, not money. He also insists he has no problem with Akshay Kumar.
He tells us, “Arre bhaiya, Akshay and I are doing Bhagam Bhag 2 next, which is Ashwin’s film. Bhooth Bangla bhi ki abhi. Meri Akshay se genuinely koi problem nahi hai.”
On Friday, co-producer Ashwin Varde and director Amit Rai rejected Rawal’s version.
Recalling his conversations with Rai, Rawal says, “I told him one day, ‘Ek idea hai, hum sex par kuchh bana sakte hain, ek chhota baccha hai, masturbate karta hai’... vahaan se baat shuru huyi.” He adds that he never claimed to have written the film. “Screenwriters association ke paas aapka hi naam hai. But when you share ideas with each other, uss mein concept mera tha. I was just asking for that credit, and not paisa.”
Responding to Varde’s allegation, the 71-year-old says he did not want to cash in on the franchise. “If I really wanted to do OMG 2, I would have told Akshay... I said I don’t want to encash on the franchise.”
Rawal maintains that Rai wrote the film, but feels his contribution could have been acknowledged. “Chalo maine Amit ko 50 ideas diye, and he rejected 49. But the one he liked… you can be generous enough na? And rightfully also... I have lots of love and compassion for Amit. Jisko jo bolna hai bol sakta hai.”
What Paresh Rawal tried to do is nothing short of theft-Ashwin Varde
8:43 AM
Rishabh Suri and Yashika Mathur (HINDUSTAN TIMES; July 18, 2026)
Three years after OMG 2 was released, the film is back in the news after Paresh Rawal claimed on a recent podcast with Vickey Lalwani that he had developed its original idea with director Amit Rai but was neither credited for the story nor the concept. “The saddest part is that I wasn’t even given credit for the story or the concept. My name wasn’t mentioned anywhere,” Rawal said.
Calling these allegations “shocking, untrue and unsubstantiated”, the film’s co-producer Ashwin Varde and Rai have strongly rejected Rawal’s claims. Varde alleged that Rawal had been given a producer credit despite making “zero contribution”, but chose to pass it on to his wife, Swaroop Paresh Rawal, and business partner Hemal Thakkar. He also claimed that Rawal was paid a stipulated amount for the credit.
PRODUCER’S TAKE
Varde says Rai had written the film in the OMG format at Rawal’s suggestion. “When I first heard it, my immediate reaction was that this subject resembled the format of OMG totally,” he said, adding that he was concerned because the franchise’s intellectual property rights belonged to Akshay Kumar.
According to Varde, Rawal had told Rai that the IP belonged to him. “He was trying to make a version of OMG under a different name, which is unethical and unprofessional. For me, that is nothing short of a theft.”
On Rawal’s claim that several actors had rejected the film, Varde says, “They all told him — this is OMG and that is Akshay’s film. Why should we tread into something that belongs to him?”
Varde says his company later acquired the screenplay, which remains registered solely in Rai’s name. He also alleged that Rawal wanted to keep Akshay out of the project, was given a producer credit despite making “zero contribution”, and was paid a stipulated amount: “Nobody tried to cheat Paresh of anything. The only thing we are guilty of is stopping him from doing the same.”
DIRECTOR’S TAKE
Rai also dismissed Rawal’s claim: “Woh kis tathya ke aadhaar pe yeh keh rahe hain? He is merely making a claim. Kehne ko toh woh kuch bhi keh sakte hain.”
Asserting his authorship, he adds, “Jahaan tak mujhe yaad hai, uss film ka janak bhi main hi hoon, uska karta bhi main hi hoon, school bhejne wala bhi main hi hoon aur college bhejne wala bhi main hi hoon.” Rai says the registered script and Screenwriters Association certificate carry his name.
India has stopped making children's films-Amit Rai
2:43 PM
Upala KBR (MID-DAY; July 9, 2026)
Director Amit Rai’s next, Ohh My Dog, was born from his love for dogs. And from a simple question: where are the kids’ films in Indian cinema? “In the last decade, a children’s film has not been made. Satyajit Ray did so much work for the children so that our culture survives. Our kids imbibe values from our works,” said the director.
Ohh My Dog explores the beautiful bond between humans and animals. It comes three years after Rai’s sleeper hit OMG 2 (2023), led by Akshay Kumar, Pankaj Tripathi, and Yami Gautam Dhar. Like he did with the 2023 film, the director prioritized the story over the cast in the Tripathi and Pavan Malhotra-starrer.
“After the success of OMG 2, I was asked to make a film on Shivaji Maharaj, but it didn’t [work out]. I thought it would be better to make a film on my own. I wanted to make a film where the focus is on the content, like OMG 2, which was made without any actor in mind. I wanted to tell a story about how a dog’s love is unconditional.”
Reuniting with Tripathi after OMG 2 was a joy for the director. Rai shared, “Pankaj ji has two dogs. He loved the story so much that he came on board, even though he had only eight days of work to do. A star of his stature has joined Ohh My Dog without looking at the length of his role.”
It’s Oh My Goddess this time; Rani Mukerji to play a Goddess in OMG 3
11:01 PM
Vinay MR Mishra (BOMBAY TIMES; January 4, 2026)
If trade buzz is to be believed, OMG is set to expand its universe with a third instalment — and this time, with a divine feminine twist. Sources tell us that the upcoming film is tentatively titled Oh My Goddess and will mark the first-ever on-screen collaboration between Akshay Kumar and Rani Mukerji. While neither the makers nor the actors have officially confirmed the development, insiders indicate that Rani is likely to play a Goddess in the film.
Interestingly, Akshay — who was a part of the earlier OMG films — is said to have a cameo appearance in the threequel. “The movie will have a goddess this time and change the narrative. The movie will be something absolutely different from the previous two. Akshay has a cameo and will mostly only shoot for a day or two,” a source adds.
The movie is expected to go on floors in April, with pre-production currently underway. The OMG franchise has previously explored faith, belief systems and religious institutions through satire and social commentary, and the new instalment is said to continue in a similar space, albeit from a refreshed perspective. Furthermore, the threequel will also have a new set of producers backing it, while Amit Rai, the director of the sequel, will return as the director. He remained unavailable for a comment. The prospect of Akshay Kumar and Rani Mukerji sharing screen space — even briefly — has already sparked curiosity within the industry.
The sequel of OMG featured Pankaj Tripathi as one of the leads.
The way award functions have been functioning, it’s like they are saying ‘Don’t take us seriously’-Yami Gautam
10:16 AM
Neha Sharma (HINDUSTAN TIMES; November 13, 2025)
Ever since her latest film Haq hit theatres, actor Yami Gautam Dhar has been experiencing an emotional outpouring from her fans like never before.
Many women have come up to her, sharing how relatable her character felt, some even kissed her hand, teary-eyed, telling her how empowered they felt after watching her in the film based on the famous Shah Bano case in which a muslim woman fought a legal battle for maintenance from her husband.
For Yami, who has delivered power packed performances in recent years, this recognition feels long due.
“I think everyone has their own interpretation of validation. For me, true validation is when your audience accepts you. When they watch a film and write something, be it a comment or when they tell an artiste something, that purity reflects in their eyes and words. You can feel how much they mean the compliment. It’s very heartening and overwhelming for me as an artiste,” she says.
It’s double celebration in the family these days. Success of her film apart, her husband, filmmaker Aditya Dhar is winning praise for his latest production, Baramulla. “We are very happy,” she smiles. “Aditya’s had his own journey, which has been full of challenges, but staying true to yourself, ethical and honest, that’s a rarity, and I really respect him for that. Of course, I love him; he’s my husband. But with love, that respect is equally important. As a wife, as an artiste, as someone who’s part of the same industry, I respect him. He’s taken the harder way, done what he believes is right, and what gives him peaceful sleep.”
So, has she felt inspired to step behind the camera herself? “No, no, no!” she laughs. “I still feel there’s so much more to explore in acting. I need to figure out what’s next, what more I can do, how differently I can be part of something so that I don’t have to say what kind of films I like. My filmography should speak for me, that I like versatility.”
And her career trajectory spells versatility all the way. Ever since her debut with Vicky Donor in 2012, Yami has built a solid filmography, choosing scripts that stand out. Her process, she says, is entirely instinctive. “Right from Haq, Article 370 ( 2024), OMG 2 (2023) to A Thursday (2022), Chor Nikal Ke Bhaga (2023) or Bala (2019), if I felt the script was good and the choice was right, yes, I chose them. But because someone wrote it, I cannot take that credit. It has to go to the writers, and that’s what we, as an industry, need to value even more now. When I’m done reading a script, my decision is absolutely based on instinct. I don’t overthink. I read it both as an artiste and as an audience.”
As appreciation continues to pour in, Yami has already signed four new films. “It’s the producer’s prerogative to announce,” she smiles when we prod for details. But she’s more than willing to talk about being the audience’s darling and how staying away from trends and formulas has worked for her.
Your fans are betting on a National award for Haq. Are you expecting one, and how much do awards mean to you?
I’m only imagining the headlines out of this because I have no idea how to answer this question. I’m really trying to be so careful and measured. I don’t want to sound like anything that I’m not.
But I’m sure you’ve read the social media posts...
I have, and it’s my audience saying it. So, I think that in itself is a really big thing for me. I’m here because of them and, of course, the belief of certain directors in me when probably not many believed. I don’t go to any award functions, with all due respect to them.
Yes, you are not seen at parties and award functions as such, but it’s said that the film industry is all about networking at such events...
That must be true. There is no denial about it. But if I don’t connect with that, then how do I work? How do I tell someone that I want this opportunity? I’ll work really hard, identify the right scripts and wait for that opportunity from certain directors to take that chance with me, which is what happened in 2019 with Uri, with Aditya (Dhar, filmmaker and her husband). But socially or in terms of going against my personality, something that doesn’t make me happy, or I feel I’m being asked to do something or fit in a system, if that is the system, that’s not me. That was never me. The only way out was work, slowly and steadily. Then yes, awards. There’s a certain section that may believe (in them), so whatever works for you. But the way award functions have been functioning of late, it’s like they themselves are saying ‘Don’t take us seriously’. And I’m not saying it. The audience is saying it now. That means tomorrow, if someone’s there in my position, they will know that both can coexist.
Your son Vedavid is just 1.5 years old. But do you think about which films of yours you’d like to show him later?
I think we’ll come to that when he reaches that age. He’s too young right now, as you said, and I really haven’t thought about it. But my mother said something very sweet to me when I was expecting him, I was shooting for Article 370 (2024) and of course, the mind of a first-time mother or just any mother... It’s your first baby, you’re working in a film like this, and the gazillion questions! The one thing she said was, ‘If you’re fit to work, don’t worry. Your son inherently will value the importance of being a hard worker, like his mum. So you’ll be very proud. You go for it, you give your best. We’re here to take care of you.’ So I used to literally feel the two of us working in every scene. I think that is going to be really special because I’d be like, ‘You are part of that film, you know?’
Amit Rai's Chhatrapati Shivaji Maharaj biopic with Shahid Kapoor shelved: "Actors will say yes to you once you enter their circle"
9:23 AM
Director Amit Rai revealed that his ambitious Chhatrapati Shivaji Maharaj biopic with Shahid Kapoor has fallen apart
Priyanka Sharma (MID-DAY; July 23, 2025)
In 2024, director Amit Rai came close to realising his wish of helming a historical drama on the life of Chhatrapati Shivaji Maharaj. Shahid Kapoor was attached to play the Maratha warrior. But a year on, things have changed. Rai, who last helmed OMG 2 (2023), reveals that the biopic is off the table. Reason? He pegs it down evasively to the “cruel system”.
“The system is so cruel. Even if you have proved your mettle with a Rs. 180 crore film [OMG 2], it’s not enough,” he says exasperatedly. While the director doesn’t specify why it fell through, he admits he felt helpless as the biopic — written by him — went from being one of the most ambitious projects to the shredder.
“How is a director supposed to work here, under these systems of casting, production, star, and management? You live with a story for five years, and within minutes, somebody writes a five-pager, pointing out what is wrong and what is right in the film.”
The experience made him realize that turning producer was the only way ahead. So, for his next, Dharma that revolves around a child and a dog, Rai relied on no one but himself and his hunger to tell the social drama. He felt validated when Hungarian cinematographer Máté Herbai and popular Hollywood action and motion-capture specialist Isaac Hamon came on board.
“I did four months of casting, [called] the action director I like the most and said that I have a story, but I don’t have money. [So many] people agreed just on the basis of our story.”
While his OMG 2 actor Pankaj Tripathi is part of the film, Akshay Kumar too had expressed interest in it (Akshay asked me why I did not pitch the film to him, July 16). But Rai says that the two actors are generous, a rarity in Bollywood where landing stars for a movie can be crushing.
“An actor will only do what’s working at the box office. Very few actors were honest to me. Sometimes, they weren’t interested in being part of a film that’s speaking the truth about society, and instead wanted to do a love story. But when I took a love story to them, they said, ‘This is an expensive film, this is a period love story.’ So, the criterion kept changing. [The truth is that] they will say yes to you once you enter their circle.”
When Akshay Kumar learnt about Dharma, he asked me why I didn’t pitch it to him-Amit Rai
11:00 AM
Priyanka Sharma (MID-DAY; July 16, 2025)
Where are the films for kids? That question haunted director Amit Rai for years. It has resulted in Dharma, his upcoming drama that tells the story of a child and a dog.
“Every country makes films for kids. They are our future generations. But the condition is pathetic here. It has been 10 years since we last watched a film for kids. In my opinion, Dangal [2016] or even Sultan [2016] is a film for kids; they aren’t only enjoyable but also allow kids to imbibe values of gender equality and love for sports. But we have failed to make such movies,” laments the director.
As he set out to explore the genre, Rai found a generous collaborator in Pankaj Tripathi, the leading man of his last film OMG 2 (2023). The actor wasn’t on his mind at all as Dharma’s protagonist is a child, played by Maahi Rai.
“I went to meet him and his wife after they had a [personal] tragedy. While sitting with him, I saw how his dog clung to him. So, I mentioned that I had written Dharma. He liked the story. Then over dinner one night, I gave him the full narration and he said, ‘It’s a wonderful story. Plus, you’re shooting in Bihar. I’d like to be a part of it’.”
The filmmaker, however, wasn’t sure whether Tripathi was serious. That is, until the actor asked for the script two months later. “I offered him the role of a teacher, which is very important. I kept asking him about the commercials. But he never talked about it. He never said, ‘This will be my remuneration’.”
Another former collaborator of Rai shared similar enthusiasm regarding Dharma — Akshay Kumar. The director says he was touched by the superstar’s interest. “Very few stars are interested in the story above anything else. Akshay Kumar is one of them. When he learnt about Dharma, he asked me why I didn’t pitch it to him. He said, ‘You saw that my dog passed away recently. I know that sentiment. You should have narrated it to me once.’ I told him that the film wasn’t star-driven. So, I didn’t think a superstar would say yes to it.”
Cinema mein abhi tak Bihar ki maasoomiyat dikhi nahin hai-Pankaj Tripathi
8:35 AM
Akash Bhatnagar (HINDUSTAN TIMES; April 25, 2024)
In his two-decade strong career, actor Pankaj Tripathi never got a chance to shoot in his hometown in Bihar, until now. The 48-year-old is currently shooting a human drama in Patna, marking his reunion with OMG 2 (2023) director Amit Rai.
“Bilkul homecoming ki feeling aa rahi hai. Mujhe apne kayi colleagues mile jinke saath main theatre karta tha. Main auditorium bhi dekhne gaya tha, jahaan hum play karte thhe. Meri janmabhoomi hai woh, toh apni wali feeling aati hi hai.”
The decision to shoot in Patna was a conscious choice: “It is a story of Patna, so we should set it here. Why cheat the audience?”
Pankaj credits the smooth run while shooting to the state government. “A film friendly environment is developing in Bihar. We wanted to show the real Bihar in a story about the state. And our DOP is from Europe, so we are getting to see Bihar from a different lens,” he shares, adding, “Patna waise bhi mainstream cinema mein nahin dikha hai.”
While the unit has been enjoying Bihar ki mehmaannawazi and local delicacies like Bel ka sharbat, the actor opens up on the stereotypical representation of Bihar in Hindi cinema.
“Cinema mein abhi tak Bihar ki maasoomiyat dikhi nahin hai. During the ’90s, there was an image about Bihar created by media and the films also propagated that. But now the portrayals are more research-based,” he ends.
Pankaj Tripathi begins shooting for OMG 2 director Amit Rai's next in Bihar
9:11 AM
Reuniting with director Amit Rai after OMG 2, Pankaj Tripathi says their upcoming human drama being set in his home state Bihar was an incentive to say yes
Mohar Basu (MID-DAY; April 23, 2025)
Pankaj Tripathi has always maintained that his Bihari roots have played a critical role in shaping him as an artiste. It was among the two reasons he gave his nod to his next, a human drama set in Bihar. What’s the second reason? The prospect of reuniting with writer-director Amit Rai, with whom he delivered the 2023 hit, OMG 2. The two kicked off the shoot of their yet-untitled project, which explores the animal-human conflict, in Tripathi’s home state this week. Sources tell us that Pawan Malhotra, Geeta Agarwal of Laapataa Ladies (2024) fame, and Rajesh Kumar are part of the cast, alongside some talents from the Bhojpuri film industry.
The way Rai explored the theme of sex education and highlighted its need in schools through OMG 2 told Tripathi of the director’s talent. The actor then is only too happy to reunite with the writer-director.
“OMG 2 was a special film for me, not only because it marked my first solo film that earned more than Rs. 180 crore at the box office, but also as it connected with people on an emotional level. Working with Amit again feels like a natural progression. His storytelling has depth, honesty, and a sense of purpose that I relate to,” shares Tripathi.
That the movie, which has shades of a thriller, is set in his home state is the cherry on top. He adds, “This story is rooted in the soil of Bihar—my home. My identity as an artiste is tied to where I come from. As an actor, there is nothing more fulfilling than being part of a story that is both entertaining and socially meaningful.”
Rai has charted out a 35-day start-to-finish schedule. The filmmaker doesn’t delve into details regarding the plot, only describing his third directorial venture as “a reflection of lives lived and lessons learned”.
He adds, “Collaborating with Pankaj again is like returning to a creative space where truth and performance meet seamlessly. This film is a heartfelt exploration of human relationships, resilience, and the social fabric that binds us.”
Multiplexes expect a blockbuster weekend; record footfalls likely
8:42 AM
Record footfalls likely during 5-day weekend, which coincides with top Hindi & regional movie screenings: Execs
Javed Farooqui (THE ECONOMIC TIMES; August 14, 2024)
Film exhibitors expect record footfalls through the five-day weekend that coincides with the screening of potentially blockbuster Hindi and regional films, such as Stree 2, Khel Khel Mein, Vedaa, Double iSmart, and Thangalaan.
Executives at PVR Inox and Cinepolis say that the footfalls during the five-day long weekend that begins with Independence Day on Thursday have the potential to break the previous year's record of 35 million footfalls during the I-Day week.
"For us, it's better when 4 to 5 films work well in tandem rather than one film going through the roof. Stree 2 and Khel Khel Mein are seeing strong traction, but Vedaa, Double iSmart, and Thangalaan are also looking very promising," said PVR Inox co-CEO Gautam Dutta.
PVR Inox has done advance bookings of 4.5 lakh tickets between the five movies and expects ticket sales to accelerate as the week progresses.
"This is just the tip of the iceberg, as we have just opened Thursday, Friday, Saturday, and Sunday bookings. This number should be looked at from the perspective that the trend of advance bookings is not very high," Dutta added.
PVR Inox is expecting footfalls of four million between Thursday and Sunday. "We are expecting a million footfalls on Thursday. We are looking to do a footfall of about 3 million on Friday, Saturday, and Sunday," Dutta said.
Cinepolis India MD Devang Sampat said that the movie line-up looks promising as the content is diverse, catering to audiences with different tastes. Cinepolis is eyeing 1.2 million footfalls during the week.
"We have a five-day holiday, which has never happened in the past. What Gadar 2 and OMG 2 did last year, we are expecting something similar to happen this year," he said, adding that it has already sold 1 lakh tickets for Stree 2, Khel Khel Mein, and Vedaa during the weekend.
Jio Studios and Maddock Films’ Stree 2 has sold over 1 lakh tickets for the opening day alone within 48 hours of tickets going up for sale. Going by the advance booking data, the movie has already garnered over Rs 30 crore for the opening day on August 15
Through OMG 2, I got comfort and strength when I didn’t even know I needed it-Akshay Kumar
10:01 PM
On the occasion of Mahashivratri today, the actor says his unwavering faith in the deity has helped him get through the toughest of times
Rishabh Suri (HINDUSTAN TIMES; March 8, 2024)
Akshay Kumar shares an intimate connection with Shiva, one that has only grown deeper over the years. The actor, who recently starred in and lent his voice to the devotional song, Shambhu, can’t help but feel emotional when he speaks to us on Mahashivratri today.
“The connection I have with Shiva has strengthened further since I lost my mother. He calms my soul and makes me feel that with loss, there’s always a new life,” says the actor, who played Shiva’s messenger in the 2023 film OMG 2.
He tells us, “The film came to me at the right time. Through it, I got comfort and strength when I didn’t even know I needed it. Now, I wake up and listen to his songs during my workout every day. I feel his strength and resilience. I trust the next chapter of my life because I know the author is going to be Shiva.”
In fact, not many know that the 56-year-old has started signing off his messages and posts with ‘Jai Mahakal’. Ask what drove him to do that, and Kumar shares, “I picked it up in Mahadev Ki Nagri, Ujjain (Madhya Pradesh), which I visited for the shoot of OMG 2. Everybody was greeting each other with ‘Jai Mahakal, Har Har Mahadev’, and no greeting ever went unanswered. After all, Mahadev is everything, and eventually everything unites with him.”
The actor, who is looking forward to the release of his next big film, Bade Miyan Chote Miyan, hopes to witness the grandeur of Mahashivratri celebrations some day. “I haven’t had the chance to do that yet, but I’d love to. I did visit the Mahakaleshwar Temple in Ujjain last year to ring in my birthday, and got to witness the Bhasma Aarti. The whole atmosphere was soul-stirring. I’ll never forget it.”
Akshay rocks the stage at Ambanis’ bash
The actor’s super energetic performance at Anant Ambani and Radhika Merchant’s pre-wedding celebrations in Jamnagar, Gujarat, left everyone in awe. “It happened at around 3 in the morning!” says Kumar, a known early bird, adding, “It was grand, of course. The Ambani family was so loving and caring. They left no stone unturned to make everyone feel included. Anant and Radhika were very gracious hosts. May Mahakal bless the happy couple.”
I am not tagged just as an OTT actor now-Pankaj Tripathi
9:01 AM
Navya Kharbanda (HINDUSTAN TIMES; February 19, 2024)
Actor Pankaj Tripathi, popular for playing crime lord Kaleen Bhaiya in the web series Mirzapur, is happy about breaking free from the OTT-actor stereotype after the pandemic.
“When cinemas were shut during the pandemic, Mirzapur rose in popularity. In fact, many of my films, such as Gunjan Saxena: The Kargil Girl, Ludo (2020), Mimi and Kaagaz (2021), were super successful on OTT. Though they were made for theatres, we had no other option but to release them on streaming platforms because of the lockdown,” says Tripathi, illustrating that this led to him getting labelled as an ‘OTT actor’.
“They would have worked well had they been released in theatres, too. However, I agree that I do have a lot of presence across streaming platforms. I often find myself in the most-watched category,” the 46-year-old admits.
Having said that, the actor’s assertion that he’s not just an OTT actor, is backed by his upcoming projects, which transcend the digital medium. “I was a part of OMG 2 and Fukrey 3 in 2023, and will be seen in Metro...In Dino. So, ab normal ho gaya hai. I am not tagged just as an OTT actor now,” he declares.
Tripathi, who recently headlined the streaming movie Kadak Singh, says his approach to picking projects isn’t really about the medium. “Main soch kar balance nahin karta har platform ke projects. I have so many franchises continuing, so I am just working on them. I go with the flow while choosing projects,” says the actor, who is gearing up for Stree 2.
Moreover, with the gradual return of normalcy and theatres seeing crowds returning, Tripathi stays optimistic about big screen projects. “The films that are releasing now have the ability to attract audiences to the theatres,” he wraps up.
I don’t want to know my movie’s collections-Pankaj Tripathi
8:34 AM
Choosing his films based on their intent over commercial returns, Pankaj discusses how Vajpayee’s biopic Main Atal Hoon has been a soul-searching project for him
Mohar Basu (MID-DAY; January 20, 2024)
Main Atal Hoon is one of those rare films wherein Pankaj Tripathi was initially unsure whether he could do justice to the role. Portraying the late Prime Minister Atal Bihari Vajpayee, after all, is a big responsibility. So, what made him give his nod to the biopic? Intent, he says.
“The man’s intent supersedes everything else about him. He believed in democracy. Since he was a writer-poet, everything was approached with empathy. He could oppose someone, but there was never any bad blood. He was loved by everyone, and the core of such a man is important to know in today’s divisive times,” states the actor.
The producers and director Ravi Jadhav have often said that they wouldn’t have made Main Atal Hoon if Tripathi turned down the role. The actor admits the film required him to do soul-searching. He didn’t take up any other project, as he was fully invested in understanding the leader.
“You can’t mimic such a glorious man. So, I met my drama school teachers to understand how to go about this. The film gives you an insight into who he was, how he thought and why he did what he did. Main Atal Hoon is not a fictional tale, you need to be loyal to who he was. There is an added responsibility because a national leader’s vast life is being put into a two-hour film.”
In the past, he has shouldered films as the leading man, including the hit OMG 2 (2023) and Kadak Singh (2023). Tell him it’s his mainstream hero moment, and he says he cares little for such terminologies.
“I’m grateful for the love and accolades we got for OMG 2. But fame, commerce and love are by-products that may or may not come one’s way. What matters to me is the sincerity with which I do a film. I don’t want to know my movie’s collections. Its presence doesn’t give me joy, and its absence doesn’t dishearten me either. I’m an actor and all I know how to do well is act.”
Up next, Tripathi has two films and Criminal Justice 4; but before that, a well-deserved vacation. “I am feeling a sense of fatigue that can be rectified only by taking off and exploring the world. Now, I will take two weeks off, and after Criminal Justice is completed, I hope I can take some time off to restore work-life balance.”
Bollywood rules 2023: Trade experts say "Mooh tod jawaab to those who wrote off Bollywood"
10:58 AM
Rishabh Suri (HINDUSTAN TIMES; December 30, 2023)
Bollywood ruled 2023! From our seasoned superstars raking in the moolah to impactful performances by the younger lot, Hindi cinema lovers got it all! Actor Shah Rukh Khan returned to the big screen with a bang, with not just one or two, but three power-packed performances. Actor Sunny Deol, on the other hand, marked his dhamakedar comeback with the sequel to his 2001 hit Gadar: Ek Prem Katha. Actors Ranbir Kapoor (Animal), Vicky Kaushal (Sam Bahadur) and Vikrant Massey (12th Fail) proved their mettle.
“What a year! Mooh tod jawaab to those who wrote off Bollywood,” says trade expert Atul Mohan.
CLASH? WHAT’S THAT
The audience was served good content and film clashes on a platter this year. The Akshay Kumar-Pankaj Tripathi-starrer OMG 2 clashed with Deol’s Gadar 2; when everyone thought the latter would devour the former, it never came to pass. We also saw clashes between Kaushal and Kapoor, and Shah Rukh’s Dunki and actor Prabhas’ Salaar.
OMG 2 director Amit Rai says, “We saw masses and classes come out to watch films. Some thought cinema se maar-dhaad gayab ho gaya hai, but public ne woh bhi qubool kiya. Future mein, yeh saal sabse important year maana jaayega, in terms of footfall and collections.”
SMALL FILM WONDER
Films set in small towns like Zara Hatke Zara Bachke (Rs. 88 crore), 12th Fail (Rs. 50 crore) and Satyaprem Ki Katha (Rs. 75 crore), too worked their magic. Controversy was swirling around director Sudipto Sen’s The Kerala Story, but it went on to become one of the biggest successes, this year, as it breached the Rs. 200-crore club.
Sen says, “It’s good for the industry that small films worked.” For Rai, 12th Fail was a surprise: “Vikrant, the lead actor isn’t that big a star. Yet it worked and the return on investment is crazy.”
A SPRINKLE OF DISAPPOINTMENTS
The industry also saw a few lows as some films didn’t quite hit the mark with their box-office collections. Actor Salman Khan’s Tiger 3, one of 2023’s most anticipated releases, with a budget of Rs. 300 crore, earned Rs. 466 crore. Ganapath, made on a budget of Rs. 200 crore, earned Rs. 13.38 crore, while Kuttey and Thank You For Coming, both produced with a budget of Rs. 45 crore, earned Rs. 4.65 crore and Rs. 9 crore, respectively.
Devang Sampat, CEO, Cinepolis India, says, “This is part and parcel of making films. After Covid-19, we saw a recovery of 90% in 2022 and it reached 110% in 2023. It’s a great sign.”
2023, a blockbuster year for film industry; Box-office earnings pegged at Rs. 12,000 cr
10:53 AM
Box-office earnings pegged at Rs. 12k cr as diverse content, innovative marketing help Bollywood
Javed Farooqui & Shradha Sukumaran (THE ECONOMIC TIMES; December 30, 2023)
Mumbai: 2023 has been a golden year for the Indian film industry, in general and for Bollywood in particular, with four Hindi films crossing Rs 500 crore each in box office earnings and the gross box office collections projected to touch a new high of Rs 12,000 crore.
Bollywood's resurgence has been driven by diverse content offerings, innovative marketing, and pent-up demand among audiences for experiencing movies on the big screen notwithstanding the rise of streaming platforms, industry executives and experts said.
While star-studded films like Gadar 2, Pathaan and Animal did send the cash registers ringing, mid-budget films such as 12th Fail and Sam Bahadur have performed reasonably well.
After a challenging 2022, Bollywood delivered four films — Gadar 2, Pathaan, Jawan, and Animal — with box office earnings of over Rs 500 crore. In 2022, the gross box-office collection of Rs 10,637 crore was driven largely by South Indian films KGF - Chapter 2, RRR and Kantara, according to a report of consultancy firm GroupM-Ormax Media. The report said that the box collections of Bollywood films had declined 27% from 2019 to Rs 3,513 crore in 2022.
In 2023, industry executives project the box office collections of Bollywood films to touch Rs 5,000 crore.
PVR Inox executive director Sanjeev Kumar Bijli said Bollywood's growth in 2023 was driven by both blockbusters and mid-scale movies.
"Despite featuring renowned stars with massive fan followings, the success of these movies can be attributed to the resonating content that particularly struck a chord with the young audience," he added.
Bijli said the Indian film industry's box office collection is expected to reach an all-time high of Rs 12,000 crore, driven in part by the strong performances of films like Animal, Salaar and Dunki towards the end of the year.
Cinepolis India chief executive Devang Sampat said the overall box office collections grew by 10–15%, driven equally by Hindi and regional cinema.
"The rekindled audience interest in theatrical experiences can be partly attributed to a burgeoning sense of ‘OTT fatigue’, prompting moviegoers to seek the communal and emotionally rich experiences afforded by the big screen," he added.
While concurring with Sampat's take on OTT fatigue, director Nikkhil Advani said that there is a “post-Covid buoyancy” from audiences that has reflected in a return to cinemas and a waning interest in OTT content.
Larger-than-life movies
Screenwriter Anjum Rajabali feels the obvious conclusion is that spectacle, action and larger-than-life movies have a visceral reaction. "That habit of collective viewing of fans stands strong — you love going to the cinema because there is a seamless, exclusive relationship with your star," Rajabali said.
Yash Raj Films' Pathaan and Tiger 3, which together collected close to Rs 1,500 crore, fall in the larger-than-life category.
Akshaye Widhani, who is the YRF CEO, noted that 2023 has been one of the best years in the company’s five-decade-old history due to the performances of the two movies.
"As an industry, this year we have seen great content reap huge rewards, whether it is Gadar 2, Jawan, or now Animal. The entertainment industry rule book has changed," Widhani said.
Advani, who produced the hit Rani Mukerji-starrer Mrs Chatterjee vs Norway, said star power certainly has a key role to play in the success of films.
“It’s the stars we’ve grown up watching — Shah Rukh Khan, Sunny Deol and Rani — that still have that aura. You can’t deny the ingredients of a mass entertainer like Animal too," he added.
According to Zee Studios CEO Shariq Patel, big stars telling entertaining and emotional stories compelled audiences to throng the theatres in large numbers. He termed it a revenge-viewing phenomenon.
"The foundation of a good movie is a strong emotional story with stardom laced on top of it to deliver the knockout punch," he said.
Zee Studios' Gadar 2 grossed close to Rs 700 crore in global box office collections.
Viacom18 Studios chief operating officer Ajit Andhare said the box office resurgence in 2023 was driven by compelling narratives and star power woven into conversations resonating deeply with the audience.
Viacom18 Studios delivered multiple blockbuster films during the year, including Drishyam 2, Mission Impossible: Dead Reckoning - Part One, Rocky Aur Rani Kii Prem Kahaani and OMG2, he said. It is gearing up to the release Hrithik Roshan starrer Fighter, which is touted as the first-of-its-kind aerial action film.
Smaller films like 12th Fail and Sam Bahadur were the ones that worked on content and stellar performances. “There’s an earnestness that is missing in today’s cynical world and that connects to us,” said Rajabali.
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Niharika Lal (BOMBAY TIMES; December 30, 2023)
The dawn of 2023 saw serpentine queues outside cinemas as moviegoers flocked to theaters in January to watch Shah Rukh Khan’s return to the big screen after four years, in the titular role of Pathaan. As if that set the mood for the year, the Hindi film industry’s success story at the cinemas continued with Jawan, Gadar 2, OMG 2, Tiger 3 and Animal.
With the audience turnout increasing exponentially with each passing quarter, theatre owners added midnight screenings for many films – Dunki even got a 5.55 am show at a Mumbai theatre. While the success of films down south (RRR, Kantara) had catapulted the post-pandemic Indian film industry to a position of stability, Hindi cinema was written off. Now, with its massive successes in 2023, the Hindi film industry is finally heaving a sigh of relief with over Rs. 11,000 crore in revenue.
2023 EMERGED AS THE BEST-GROSSING YEAR OF ALL TIME IN INDIAN CINEMA
The cumulative box office for Jan-Nov releases stands at Rs. 10,252 crore, which is 5% higher than the same period in 2022. Animal, which released on Dec 1, is not a part of this cumulative number. If we consider Animal’s box office collection at the time of publishing this report, 2023 has crossed the Rs. 11,000 crore mark already, emerging as the best-grossing year of all time in Indian cinema. – Ormax media November report
BOLLYWOOD REIGNED IN CINEMAS IN 2023
Significantly, 2023 also marked the return of the superstars to theatres – Shah Rukh Khan (Jawan, Pathaan, Dunki), Sunny Deol (Gadar 2) and Salman Khan (Tiger 3), which made for historic box-office quarters.
RETURN OF SMALL FILMS TO CINEMAS
Speaking to us on how small-budget movies fared in the theatres this year, Sanjeev Kumar Bijli, Executive Director, PVR INOX Limited, said, “The year 2023 was good not just box-office wise but also because our ‘sleeper hits’ came back. Small-budget movies were not doing well in 2022, and everyone was really bothered. In 2022, those films had disappeared, but they returned. Fukrey 3, 12th Fail, Zara Hatke Zara Bachke, Dream Girl 2 and OMG 2 have all done well.”
THE YEAR OF RE-RELEASES
In 2023, select cinemas across the country re-released several popular films. In February, a lineup of timeless romantic films was released. By the end of the year, DDLJ and Gadar were re-released in theatres. Re-releasing films was a strategy that exhibitors had used to bring back moviegoers after the cinemas reopened in 2020. In observation of the strategy’s success – with moviegoers willing to shell out money to watch a much-loved film in the theatres – re-releases became a regular phenomenon this year.
FILM INDUSTRY WAS ON RECOVERY MODE FROM 2022
As per Ormax media, a consultancy that analyses box office stats, in the backdrop of COVID-19, revenues for Indian cinema overall had shrunk by 85% in 2020, and 65% in 2021. However, the industry recovered in 2022 with a gross box-office collection of Rs. 10,637 crore.
SOUTH DUBS RELEASING IN HINDI INCREASED IN 2022-23
From only six films in 2019, the number of South dubs releasing in Hindi has increased to 23 in 2022, and is certain to go up further in 2023, with the first half already seeing 12 such releases. – Ormax media report
If one female actor’s film stands out, it makes space for more-Yami Gautam
10:21 AM
Madhureeta Mukherjee (BOMBAY TIMES; December 28, 2023)
It won’t be wrong to say that Yami Gautam Dhar is probably in the best phase of her career right now. Her recent spate of films has made filmmakers more aware of what lies untapped and how they can mould her for a variety of characters. She admits, “It took a lot of time for everyone to turn around and say, ‘We didn’t think of her in the same light’.” Now the arc lights are shining bright on her, the floor is all set, and Yami is here, bringing on her A-game. Excerpts from a conversation.
You have had an interesting few years, with back-to-back releases on OTT. Do you think the medium has opened doors for you and tapped your potential like never before?
I see this whole phase as a process of evolving, and fortunately, before the pandemic struck, I had two important theatrical releases, Uri – The Surgical Strike and Bala. To get a role like the one in Bala was so different. I don’t think we have enough well-written comedy parts for actresses. These films opened up the box office, and for me, they opened avenues and gave other directors ideas on what more they could explore with me as an actor. After that, I did A Thursday, Dasvi, Chor Nikal Ke Bhaga, Lost and OMG 2. For me, the whole idea of choosing films is not about filling in some dates in my calendar and doing one film after the other. I need to feel that the work I am choosing is taking me ahead, not just from the box office point of view, though I understand that is critical, too. I need to know that the work I choose has something new to offer and the potential to connect with the audience.
So, films like Uri – The Surgical Strike and Bala were the gamechangers?
Yes, Uri and Bala were turning points in my career. Those films allowed everyone to see my potential from a new lens.
You started your journey in the movies on a very different note, with an unconventional film like Vicky Donor. Was that your way of setting the tone for your career?
If I chose to be part of a film like that at the beginning of my career, what does that tell the audience? That you are here to do something with substance, and not just be a part of what is trending. What follows is not in your hand, and in my case, it took a lot of time for everyone to turn around and say, ‘We didn’t think of her in the same light’. There was a period when I was trying to find my ground. I had clarity, but that had to be expressed through my work. And there comes a point when you don’t fear saying no and let go of films that you don’t think you should be a part of, because you want to create equity for yourself and be a pivotal part of stories. For me, this realization happened around 2019. So, I, too, had to shift gears, evolve, and change my perspective.
Do you see a change in the way the industry views women in cinema – the kind of roles they can do and what they can bring to the table with their talent?
There has been a change, and I do sense an awareness among actresses and respect for them among writers, directors and producers who back good films. We want well-written roles, and we want to be pivotal to the story irrespective of the genre. The change will not happen in one day; years ago, it took one woman to muster the courage to go home and say she wanted to become an actress. Since then, we have had a series of great actresses because of whom we are here. Today, we are doing better work, expecting better roles, and making a place for ourselves, and if one female actor’s film stands out and does well, it makes space for more.
You have been married to filmmaker Aditya Dhar (director of Uri: The Surgical Strike) for over two years now. Tell us how this phase in your life has been so far.
It’s the best feeling to come back home to someone who loves you, respects you and is always on your team, no matter what. We talk about everything – from what we ate to discussing the scenes I shot. We like to keep it light and happy. Both of us like talking about films, and not just the films we are working on, but different kinds of movies. It is so refreshing for the actor in me to hear a director’s perspective on a certain scene. I love his perspective and observations on my work, too.
Today, things like the length of your role in a film and how many scenes you have doesn’t matter. It is about the bigger picture, right?
Internationally, we see some of the biggest stars coming together for a film and if we want to take our cinema ahead, we have to let go of these things (like the length of your role) and create a sense of new culture where these factors are not a hindrance. We (the industry) and the media should change their lens. For so many of my films, including Kaabil, I have been written about for the length of my role, instead of what I added to the film or what I held as an actor on my own. We all need to evolve if we wish to make the change.
On social media perceptions
I don’t believe there is anything like ‘couple goals’. I find it very interesting to read these terms, and people get excited by them because they see them (couples) in a certain way. You will never know about anyone’s life, every marriage is different and every picture you see is very different. So, you don’t need to engineer that thought in people”
Trade experts call 2023 the 'golden year' of movie business
8:44 AM
As we near the end of 2023, trade experts term it the ‘golden year’ of movie business as films hit the mark with the audience and rake in the moolah
Sugandha Rawal (HINDUSTAN TIMES; December 4, 2023)
Bollywood served the audience drama and action on a plate and reciprocating their love, movie-goers have left the cash registers ringing and box-office numbers soaring. With the film industry booming, industry experts are calling 2023 a golden year.
“Be it Pathaan, Jawan, Gadar 2, OMG 2 and Animal, it’s been a golden year for Bollywood,” says trade expert Taran Adarsh, who expects it to end on a high note with actor Shah Rukh Khan’s Dunki and actor Prabhas’ Salaar: Part 1 – Ceasefire releasing this month.
“Even small gems like 12th Fail and Mrs. Chatterjee vs Norway have done well. Revenue is expected to be around Rs. 12,000 crore, which is 15-20% more than the previous best,” says trade expert Girish Johar.
Trade expert Atul Mohan adds, “We crossed 2022’s earning (Rs. 1,900 crore) during Jawan’s release. 2019 was a high point for Bollywood, and we are past that mark.”
CINEMA WILL CONTINUE TO REIGN!
Experts are also happy that the narratives of ‘OTT being a threat to theatres’ and ‘people aren’t willing to pay for a ticket’ have been quashed. Mohan says, “Theatres are running at full capacity. All the false narratives have been wiped out. Sequels and original content, both are working, which is a positive sign.”
Johar adds, “It is a great sign for makers as they know the power of the box office and good content. They also know the audience is willing to spend on a movie ticket, no matter if the film is out on a non-holiday or was granted A certificate”.
OMG 2 maker Amit Rai says, “It been a historic year for Bollywood. The footfalls have been great, the audience has shown that good content will work. Jo acha hoga woh hi stand out karega.”
Making bank on the first day
Jawan - Rs. 75 cr
Animal - Rs. 63.8 cr
Pathaan - Rs. 57 cr
Tiger 3 - Rs. 44.50 cr
Gadar 2 - Rs. 40.10 cr
Rocky Aur Rani Kii Prem Kahaani - Rs. 11.5 cr
When I told a producer that I don’t have dates, he offered me more money-Pankaj Tripathi
9:13 PM
National Award winner Pankaj on how he is flooded with offers after OMG 2’s success; says he wants to pursue novel stories like Kadak Singh
Priyanka Sharma (MID-DAY; November 27, 2023)
Pankaj Tripathi got in a year what many artistes spend their entire career wishing for—critical acclaim and commercial success at the same time. His August release, OMG 2, emerged a hit, and soon after, he won the National Award for his supporting act in Mimi (2021). Have these accomplishments altered his approach towards his career? “You’re talking about films, and here I’m thinking of doing a play next year,” Tripathi says with endearing simplicity, as we sit down to chat about his next, Kadak Singh.
While one would expect him to sign big films after the success of OMG 2 and Fukrey 3, the actor is staying true to his mantra of work-life balance. “I have done a lot of work on screen. So, I want to act on stage now. I don’t take load; we can complicate or simplify our life as we want. When I am not acting, I’m growing plants, vegetables and fruits. But I talk less about my farming background, otherwise, people will make reels on it and say, ‘See, a farmer’s son became an actor,’” he laughs.
That said, the actor acknowledges that the box-office successes have brought him more opportunities. So much so that his date diary is chock-a-block. “I am getting a lot of offers since the success of OMG 2. A few days ago, when I told a producer that I don’t have dates, he offered me more money. I asked him, ‘How will more money ensure dates? I won’t leave the project that I am doing.’”
Novel stories, not money, lure Tripathi. He says Aniruddha Roy Chowdhury’s directorial venture Kadak Singh boasted a gripping story. More importantly, the ZEE5 thriller gave him a chance to shed his on-screen image of a funny, small-town man.
“I get more or less [similar] types of scripts. Either they are Mirzapur or Criminal Justice type, or the character will be a middle-aged man who is someone’s father and is humorous. Here, none of those [tropes] was present. Also, I was so spoilt doing comedy that I’d need humour even in a serious scene. Many directors tell me, ‘Do your trademark [humour].’ But here, I didn’t use my best-selling item. I realised this was a chance to experiment.”
We can’t end our conversation without talking about the National Award win, his second after Newton (2017). Its mention brings a smile on the actor’s face, making evident its significance in his life. “It’s not sponsored by a company. There is no brand logo on it, unlike other awards. It has Ashoka Chakra on it. It’s a national honour.”
PVR Inox logs over Rs. 200 crore profit in Q2
8:28 AM
Revenue nearly doubles; highest BO collections come on back of Hindi film hits
Javed Farooqui (THE ECONOMIC TIMES; October 20, 2023)
Mumbai: Multiplex operator PVR Inox on Thursday delivered its best quarterly results ever, with a net profit of Rs. 207 crores for the three months ended September 30, compared with a net loss of Rs. 78 crore a year earlier. Revenue nearly doubled to Rs. 2,020 crores from Rs. 1,082 crores, boosted by several blockbuster movies. The results are on a pro-forma basis, as the merger between PVR and Inox became effective on February 6 this year.
The company, which operates more than 1,700 screens, recorded earnings before interest, tax, depreciation and amortization of Rs. 447 crore, compared with Rs. 16 crore a year earlier. Ebitda margin expanded to 22% from 1.5%.
PVR Inox recorded its highest ever gross box-office collections of Rs. 1,336 crore in the past quarter, with 48.4 million admissions, driven primarily by Hindi blockbuster films like Shah Rukh Khan starrer Jawan and Sunny Deol’s Gadar 2. Mid-scale movies like Rocky Aur Rani Kii Prem Kahaani, OMG 2, and Dream Girl 2 also lifted the Hindi box-office numbers to Rs. 727 crore during the quarter.
Gross Hollywood box-office collection for the company was Rs. 293 crore, on the back of robust performances by Oppenheimer, Mission Impossible: Dead Reckoning - Part One and Barbie, among others.
Rajinikanth's Jailer set the regional box office collection at Rs. 316 crore. “It's the best quarter of all time for PVR Inox. We were reasonably confident that business would come back. The debate over whether people want to watch movies in theatres is over. Films across the board have been done across multiple languages,” PVR Inox chief financial officer Nitin Sood said.
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