Showing posts with label Gulmarg. Show all posts
Showing posts with label Gulmarg. Show all posts

Imtiaz Ali knows even the smallest place in Kashmir-Vedang Raina


Akash Bhatnagar (HINDUSTAN TIMES; September 16, 2026)

As a Kashmiri, Vedang Raina had a special moment recently as he went back to his roots at the inaugural edition of the International Film Festival of Jammu And Kashmir, where his film Main Vaapas Aaunga was chosen to close the festival last week.

“I was going back to Kashmir only for the second time in my entire life and that place is very special to me as it is home. I wanted an excuse to go to Srinagar and when this opportunity came, it was the perfect match. To go there with a film of mine, my parents felt the proudest and emotional that I was doing something to give back to the people of where I come from,” he says.

Main Vaapas Aaunga is about leaving your home and everything you have had, and the want to come back home, and the actor insists that feeling resonates with the people in Kashmir more so.

“They have faced very testing incidents be it the Partition, or what happened during the ’90s (with Kashmiri Pandits), while it was different, the emotion of leaving everything behind and then start afresh remains,” he says.

Getting appreciated and accepted from the people of Kashmir felt different for Vedang: “I didn’t even realize what kind of an audience Kashmir has for movies. I know that people there care about art and culture, but it’s through this film festival, I got to learn more about them. Whatever I can do to contribute to the culture of cinema being celebrated there, I wanted to do as it’s long overdue. Kashmir deserves a lot more theatre and connection to cinema, and being able to contribute to that feels special. People in Kashmir feel like family.”

Raving about Kashmir and its beauty and culture, Vedang says, “I just love the landscape. This time, I only got to go to Srinagar, but when you go to Pahalgam and Gulmarg, there's few places in India that are more gorgeous than that. Also the food, this time I had a proper Wazwan in Kashmir, which was amazing. I love Kashmiri food. And I also had the walnut fudge, and that is probably one of my favorite things. I got back home a lot too. Hopefully it'll survive for a while.”

Even though he is Kashmiri, it was actually filmmaker Imtiaz Ali, who turned out to be more well versed than him about the place.

“I have a connection with the place but Imatiz Ali sir knows Kashmir way better than I do. He knows even the smallest places there, and when me and Sharvari were thinking of where to go, what to eat, Imtiaz sir knew it all,” he laughs, adding that he hopes to do a film set in Kashmir with Imtiaz. “If there's an opportunity that takes me to Kashmir, and if it's for a film shoot, that's even better. It means I will get to spend so much more time there. If Imtiaz sir writes it, that would be a dream come true. If he decides to cast me in it, I hope that's something that comes to fruition,” he says.

Hamari koshish hai ki Jammu and Kashmir mein dobara filmein bane-Omar Abdullah

Omar Abdullah Pushes for Talent and Infrastructure as J&K Seeks to Bring Filmmakers Back to the Valley

During his recent visit to NFDC campus in Mumbai, J&K Chief Minister Omar Abdullah spoke about reclaiming the Valley’s place as Bollywood’s one of the most-loved backdrop
Niharika Lal (BOMBAY TIMES; January 29, 2026)

For Hindi cinema, Kashmir has long been synonymous with snowy peaks, chinar trees and shikaras . Recently, when Jammu and Kashmir Chief Minister Omar Abdullah visited the National Film Development Corporation of India (NFDC) campus in Mumbai, he reminisced about a time when almost all Bollywood films shot at least one song sequence in Kashmir. “Uske bina film ko film nahi mana jata tha ,” he recalled.

Over the decades, films – especially song sequences – have been shot at scenic locations such as Pahalgam, Sonamarg, Gulmarg and the Baisaran Valley, a long-time favourite among filmmakers. However, last year, following the Pahalgam terror attack, film shoots came to a halt and now efforts are on to revive shoots and create infrastructure for film production in J&K.

Addressing the change, Abdullah said, “Pehle song sequences ki shooting zaroor Kashmir mein hua karti thi. Lekin haalat badal gaye. Aise halaat aaye ki wahan pe film banana hi naamumkin hua.”

‘To make J&K an attractive film destination, we need to develop infrastructure, human capital’​
Talking about the plan ahead, he said, “Badalte haalat ke saath hamari koshish hai ki filmon ka jo Jammu Kashmir ke saath rishta tha, uss rishte ko hum dobara se bahaal karein. Lekin iss 20-30 saal ke arse mein film banane mein bhi bahut tabdili aayi hai. If you have to make a film where absolutely everything has to come from Mumbai, it becomes cost-wise prohibitive,” he added. “Therefore, if we want to make Jammu and Kashmir an attractive destination for film shoots, a certain amount of infrastructure and human capital has to be developed within the state.”

‘J&K ki film industry dobara kaayam ho aur apni kahaniyaan hum hi dohra sake, yeh koshish hai’
​Emphasising on the revival of local cinema, Abdullah said, “Hamari koshish hai ki Jammu and Kashmir mein dobara filmein bane. Doosra, Jammu-Kashmir ka apna film industry dobara kaayam ho, kyunki hamari apni kahaniyaan jo hain, woh hum hi dohra sakte hain. Mumbai se koi aaye aur hamari kahani batana shuru kar de, woh utna hi galat hoga jitna main Mumbai ki kahani batana shuru kar doon.”

Post-2024 boost for film shoots in J&K
In recent years, films such as Ground Zero (2025) , Sam Bahadur (2023) and Laila Majnu (2018) have been shot in Pahalgam. The Jammu and Kashmir Film Policy 2024 aims to give filmmakers easier access to the region, opening up scenic areas closer to the Line of Control (LoC), including Gurez, Machil and Tangdhar, for the first time in several decades.

“A well-nurtured film industry can be a major source of wealth creation, employment generation, and an effective tool and platform for the preservation of culture and the expression of the people of Jammu & Kashmir,” the policy states.

‘Over 80% of Ground Zero was shot in​ Kashmir, boosting its authenticity’
The beauty of Kashmir has served as the backdrop for classics such as Kashmir Ki Kali (1964) and Kabhi Kabhie (1976), as well as more recent films like Laila Majnu (2018).

Arhan Bagati, co-producer of Ground Zero, said during the film’s release, “Initially, many locations were being discussed for the movie. My reaction was, ‘Why not Kashmir?’ – because it is a film set in Kashmir. I thought the authentic way to do the film was by shooting in Kashmir and going to actual locations. We went to the locations where the encounter happened, for instance. That authenticity can’t be created with CGI. More than 80% of Ground Zero was shot in Kashmir. The administration was extremely helpful, the LG supported it, and the J&K Police was indispensable through the entire process – not just showing us where the actual encounter happened, but also in giving us access to the locations. All that together made it an authentic film.”

Pahalgam, Gulmarg, Sonamarg, Srinagar: The Kashmir you’ve mostly seen on screen


Niharika Lal (BOMBAY TIMES; April 28, 2025)

For Bollywood, Kashmir has often meant snowy peaks, chinars, and shikaras. The scenic sites of Pahalgam, Sonamarg and Gulmarg are among the most frequently filmed locations in Indian cinema. Be it the likes of Roja to the recently released Ground Zero, the valley has been woven into our filmi narratives – often becoming a character in itself. Even this year, multiple productions were lined up for shoots in Pahalgam. However, in the wake of the recent terror attack in Baisaran, film shoots might be affected. We revisit the films that were shot in these scenic locales.

Talking about shooting in Kashmir, Sudhir Mishra, who shot his series Tanaav there, told us recently that people were really welcoming, “I just love Kashmiris. They are really compassionate people. The people in Kashmir are really warm, but they are also very sad, so you have to work with that rhythm. I tried to bring out the human aspect. After making Tanaav, I understand Kashmir better. I emotionally connected with Kashmir through the characters. When I direct, I have to feel the pain of the mother, the brother, the son. Conflict zones are complex.”

Speaking about films on Kashmir and how he managed to avoid controversies while making a series about the region, he says, “Most films about Kashmir are made by outsiders, and I don’t think many of them have a deep enough connection to the place in real ways. If your purpose is not to offend, and you approach things without bias – seeing things as they are – I don’t think anyone gets offended.”

‘Laila Majnu was filmed in Khilanmarg, Pahalgam, Srinagar’
The beauty of Kashmir was the backdrop for not only classics such as Kashmir Ki Kali (1964) and Kabhi Kabhie (1976), but the 2018 release Laila Majnu.

A staff member at a cinema in Srinagar says,  “When we re-released Laila Majnu last year, it was houseful for months. The film has shown the culture and tradition of Kashmir. Kashmiri youngsters could relate to it, and they see the film as their own. It was shot in Nishat Bagh, Zero Bridge, Nigeen Lake, Khilanmarg and Pahalgam, and people from across Kashmir came to watch the film.”

‘More than 80% of Ground Zero was shot in Kashmir’
Arhan Bagati, co-producer of Ground Zero, shares, “Initially, many locations were being discussed for Ground Zero. My reaction was, ‘Why not Kashmir?’ Because it is a film set in Kashmir. I thought the authentic way to do the film was by shooting in Kashmir and going to actual locations. We went to the locations where the encounter happened. That authenticity can’t be created with CGI. More than 80% of Ground Zero was shot in Kashmir. The administration was extremely helpful, the LG supported it, and the J&K Police was indispensable through the entire process – not just showing us where the actual encounter happened, but also in giving us access to the locations.”

The valley through Indian cinema in the recent years
- In 2014, Fitoor was shot at Srinagar’s Dal Lake and Pahalgam
- In 2014, Alia Bhatt’s Highway was also shot in Pahalgam’s Aru Valley
- The qawwali scene of Bajrangi Bhaijaan was shot at Aishmuqam Shrine. The film’s end was shot in the Baisaran Valley
- Ground Zero was filmed across Kashmir
- Shah Rukh Khan’s Jab Tak Hai Jaan was shot in Betaab Valley, around the Lidder River, Aru Valley, and Baisaran. The Jiya Re sequence was filmed in and around Betaab Valley
- Ranbir Kapoor and Deepika Padukone shot segments of Yeh Jawaani Hai Deewani (2013) in Pahalgam

Gurez, Machil also open up for filming: J&K Film Policy 2024
In recent years, Ground Zero, Sam Bahadur, and Laila Majnu were all filmed in Pahalgam. The Jammu and Kashmir Film Policy 2024 aimed to give filmmakers easier access to the region. It opened up scenic areas closer to the Line of Control (LoC) including Gurez, Machil, and Tangdhar for the first time in several decades. “A well-nurtured film industry can be a major source of wealth creation, employment generation, and an effective tool and platform for the preservation of culture and the expression of the people of Jammu & Kashmir,” it states.

Welcome To The Jungle cast to head to Kashmir to shoot aerial action sequences set against glaciers

Caravan’s next stop: Kashmir

Sources say Welcome To The Jungle cast to head to the Valley to shoot aerial action sequences set against glaciers
Upala KBR (MID-DAY; June 12, 2024)

Whoever thought pulling off a shoot with an ensemble cast can be a logistical nightmare, can do a rethink. After two major schedules in Mumbai, director Ahmed Khan is briskly moving on to the penultimate schedule of Welcome To The Jungle, which features Akshay Kumar, Suniel Shetty, Raveena Tandon, Jackie Shroff, Lara Dutta, Disha Patani, Jacqueliene Fernandez, Arshad Warsi and Tusshar Kapoor. We hear the principal cast of 34 actors will head to Kashmir next month for a four-week schedule.

Apparently, there will be a few days of shoot in Mumbai, after which the director will fly out to the Valley for an action-packed schedule in mid-July.

A source reveals, “Action set-pieces have been specially designed against the backdrops of glaciers and forests of Kashmir. There are dense deciduous and coniferous forests between the Great Himalayas and the Pir Panjal ranges, and Ahmed has roped in different action directors to choreograph distinct sequences in each setting. Aerial action sequences will also be shot against the glaciers in Pahalgam, Gulmarg and Sonamarg.”

After the schedule is wrapped up in the third week of August, the cast and crew will fly out to an international location for the final leg.

“The destination will most likely be the United Kingdom or the UAE. A couple of songs with the entire cast will be filmed in the chosen location in September.”

The comedy, produced by Firoz A Nadiadwallah, is slated for a Christmas 2024 release.

With no snow in Kashmir, shoot requests dry up

With no snow in  Kashmir, shoot  requests dry up

Niharika Lal (BOMBAY TIMES; January 12, 2024)

Be it for Rocky Aur Rani Kii Prem Kahaani or Yeh Jawaani Hai Deewani, filmmakers often head to Gulmarg and Sonamarg when they wish to film a song against the backdrop of snow-clad mountains within the country. Every year, until mid-January, several regions of the Himalayas receive fresh snowfall, which results in a surge in shooting requests from filmmakers. This year, however, there have been no such requests yet.

A line producer who has assisted in several shoots in J&K says, “After heavy snowfall, we receive several requests from filmmakers for shoots. While song shoots happen from March-May, requests start pouring in from December. But this year, since there has been no snowfall, we haven’t received any shooting requests yet.”

Another line producer for films like Satyaprem Ki Katha and Dunki, shares, “At present, we don’t have any requests from filmmakers. No Bollywood film recce is lined up for February or March. When it comes to shooting song sequences, Gulmarg and Sonamarg are favourite destinations among filmmakers. But this year, due to the lack of snow, filming requests have dried up.”

Shoot season kicks off in Kashmir as Shah Rukh Khan, Kartik Aaryan, Kiara Advani go filming


Niharika Lal (BOMBAY TIMES; April 30, 2023)

It’s action time for film crews as they return to Kashmir for shoots. The picturesque landscapes of the region have, for long, been a favourite spot for filmmakers when it comes to filming romantic song sequences or weaving the local flavour into the storyline. Among the recent films being shot there is Dunki, starring Shah Rukh Khan and Taapsee Pannu, portions of which are being shot in Sonamarg, .

As per reports, SRK landed in Srinagar on Monday to film a sequence of the Rajkumar Hirani film. Reportedly, a huge security blanket has been thrown around the shoot location as well as the hotel where Khan is staying.

A source says, “SRK and Taapsee were in Sonamarg for a three-day shoot schedule. We are not at liberty to reveal the shoot sequence, but these shots were also set near Thajiwas Glacier, where Kiara Advani and Kartik Aaryan shot for their film.”

In early April, Kiara and Kartik shot Satyaprem Ki Katha in the Valley. Adding that shooting season has commenced in Kashmir, another source says, “When filmmakers come to shoot in Kashmir, they mostly film song sequences. Full-length films are shot only when the story is based against the backdrop of the Valley. Pahalgam, Sonamarg and Gulmarg are the top three preferred locations. Besides, Dal Lake is the top choice when it comes to shooting in Srinagar.”


‘TRANSPORT COSTS, HOTEL STAY MAKESHOOTING IN KASHMIR EXPENSIVE’
Talking about permissions, some local crew members tell us that after the J&K Film shooting policy was formed in 2021, getting permissions from the Department of Tourism has become a lot easier. A local crew member says, “We keep getting calls for film shoots from production houses throughout the year. But only production units with deep pockets come to shoot in the Valley. Flight, transport and hotel costs make shooting in Kashmir slightly more expensive.”

Highlighting that the snow-capped mountains have generated an equal amount of interest in the south film industry, the crew member adds, “We have been receiving as many queries from the south film industry as we do from Bollywood.”


I haven’t been to a place more beautiful than Gulmarg-Aahana Kumra


As told to Renuka Vyavahare (BOMBAY TIMES; January 25, 2023)

I have quite a few favourite places when it comes to holidays, but Japan tops the list, followed by England. My first solo trip was to Japan. I went to Hiroshima, Kyoto, Osaka and Tokyo. I didn’t know the language, but the trip turned out to be incredible. It’s a very safe country for solo female travellers, and I never felt unsafe or uncomfortable.

I met wonderful people, stayed in guest houses and hotels, and ate interesting food. People were helpful when I felt lost. It’s a country that’s super punctual, so if a train is late, they would apologize for the delay and give a valid reason. I met an Indian guy in Kyoto and we became good friends. He got me a thermos full of chai and a dabba of parathas.

I find the energy of London to be reminiscent of Mumbai. You can roam around alone, and I would go jogging to Hyde Park. In India, I love Kashmir and it is the wonderland of India. I remember waking up to a snow-clad vista in Gulmarg. I have never seen a more beautiful place.

I always have an itinerary in place when I’m travelling. I love eating, skiing, walking… it’s best to see a city on foot – just wear comfy shoes and clothes, and walk. That’s how I explored Paris.

I want a sports film for Christmas-Aahana Kumra

Actor Aahana Kumra talks about her obsession with all things Christmassy and her festive plans
Vinay MR Mishra (HINDUSTAN TIMES; December 25, 2021)

The holiday season is upon us, and we spotted actor Aahana Kumra on the bustling streets of Bandra, Mumbai, during the Christmas week. Kumra, dressed in a white outfit, looked like a child in a candy store, exhilarated by the decor. “I haven’t done this in years,” Kumra says, revealing that her enthusiasm for the festival stems from her Christian nanny. “She was like my mother. She used to take me to church every Sunday. Also, when I moved to Mumbai, I was surrounded by the Catholic community. So, I’ve always been excited about Christmas,” explains the Call My Agent: Bollywood actor.

As she skimmed through the dense Christmas trees, Kumra confessed that she is “very big on decorating” her house. “Everyone in my house is aware that the Christmas tree is put up several weeks before the holiday. My decorations are on point, and I’m obsessed with them,” she grins and adds that even though she hasn’t gone street shopping in a while, she isn’t new to it: “I have always loved street shopping, and I knew exactly how much a T-shirt would cost in which shop. My mother’s office was in Colaba. So, after college, my friends and I would go to Colaba to shop. For Christmas, we all knew we had to go to Bandra.”

Conservation comes to a halt when the actor, like the rest of us, is exasperated when a shopkeeper tells her the exorbitant price of a Christmas tree. “Okay, I’m bad at bargaining [now],” she laughs.

Kumra goes on to reveal that she will spend Christmas in Kashmir this year. But she doesn’t forget to mention that, despite her absence, she has decorated her house and tree for the holidays, and will be relishing a gorgeous plum cake. She shares, “I am spending Christmas in Gulmarg in the middle of the snow, skiing. Also, for the first time in my life, I spent Christmas Eve on a houseboat.”

When asked what she wants for Christmas, Kumra declares: “A sports film! I’ve been manifesting it for a long time, and I hope it transpires this year. Something that will change the game for me.”

I was lucky to witness the first snowfall of my life this year in Kashmir-Mrunal Thakur


The actress talks about making the most of her recent visits to Kashmir and exploring the picturesque locale
Onkar Kulkarni (BOMBAY TIMES; June 4, 2021)

If the second wave hadn’t taken a toll on our lives and work, Mrunal Thakur’s film Toofaan, alongside Farhan Akhtar, would have released by now. While the actress is currently homebound in Mumbai, during a chat with us, she shared anecdotes from her recent trips to Kashmir. Mrunal got an opportunity to visit the picturesque locale not once, but twice this year, for work. “I was in seventh grade when I visited Kashmir for the first time. My family and I had visited the Vaishno Devi temple,” she recalls, adding, “This time around, I got an opportunity to go there twice within such a short time span. In fact, I was lucky to witness the first snowfall of my life in Kashmir this year.”

Mrunal further shares, “In January, I went to Gulmarg and Srinagar. It snowed in Srinagar, and I was completely spellbound. Later, in April, I went to Sonamarg and witnessed snowfall once again.”

Mrunal says, “I can’t believe that in the 28 years of my life, this year, I got to witness snowfall not once but twice. In Sonmarg, the temperature was -9 degrees Celsius. It was fun having chai, instant noodles and pakodas in such cold weather. I also went to the tulip garden. I felt like I was in the middle of a romantic movie scene, because wherever I turned, I could only see flowers. I also visited Dal Lake and got a taste of the local cuisine.”

Totally blown away by the beauty of Kashmir, she adds, “It’s heaven on earth and helped me stay sane during the Coronavirus chaos. The beauty of the place and its nature kept me calm and even healed me. I shopped for a lot of goodies for my folks like dry fruits, kesar and even, a pashmina shawl that I surprised my mom with. I plan to take my parents along on my next trip to Kashmir.”

These days, the actress is using the time at her home in Mumbai to sharpen her skills as an artiste. “I am focusing on my dancing and have resumed taking online Kathak lessons. I keep myself engaged and hope that I sail through this phase smoothly,” she signs off.

I want to explore the Kashmir beyond conflicts-Onir


The filmmaker was recently in Kashmir where his film was screened for the valley’s youngsters
Shamayita C (BOMBAY TIMES; March 17, 2021)

In a community hall in Dangiwacha, a small town in Jammu and Kashmir’s Baramulla district, young boys and girls recently formed a long queue for a movie screening — Onir’s 2018 film, Kuchh Bheege Alfaaz. Earlier, a similar screening and interaction took place in Handwara, too. By his own admission, the involvement of young students, especially girls, in the screening and post-screening interaction sessions was Onir’s most special takeaway from his recent Kashmir trip.

“For 30 years, movie halls have been missing from Kashmir. These kids and all the other people here watch films on their mobiles and TVs. Hence, we planned this screening. I was overwhelmed to see how the students, especially young girls, queued up to watch the film,” said the filmmaker.

Talking about his screening experience, Onir said that Kashmir is “full of talent and little opportunity”. Elaborating on his thoughts, he said, “An entire generation has grown up without cinema halls and I’m sure they have their stories to tell. One of the reasons why I decided to screen Kuchh Bheege Alfaaz there is because it features a Kashmiri actor. I want to make films with more of such actors and get Kashmiri musicians to sing in my films. I plan to screen more films there — maybe have a seven-day festival featuring films from Bengal, Kerala and all over the country. Kashmiri short films should also be featured at such festivals.”

Onir, who seems to have a strong connection with Kashmir, was there last December, too. While catching up with his friends in Srinagar, he told us that there are several stories beyond the perceived image of Kashmir. “The only stories that we get to hear about this place are those of conflict. There is so much more to this place. Let’s talk about their art, music and craft. There are stories that go beyond just conflict, Pahalgam and Gulmarg. I want to explore that,” he shared.

In his pursuit of exploring the place, Onir created memories and incorporated those in his travel vlog. “I love Kashmiri cuisine and hence, I talked about gushtaba. I also went to a dargah and heard a beautiful song. Some of their crafts are dying. Let’s talk about those things. This time, I went to Sun Temple in Martand. I learnt about the amazing Surya temple built during the 8th century CE,” he said.

Talking about the budding talents, Onir said the youngsters in Kashmir need more opportunities. “Kashmir needs to nurture its talent. There is a music academy in Srinagar and it is heartwarming to see how children there are practising Sa Re Ga Ma. I wish there was a film institute for these kids so that they did not have to go to Delhi or Mumbai to study. Maybe one day we will have one there,” said Onir. 

Hassle-free shoots, single-window clearance, security: Kashmir hopes to revive film shoots in the region


Niharika Lal (BOMBAY TIMES; February 2, 2021)

A Bollywood delegation was on a four-day visit (till January 30) to Kashmir to explore locations for upcoming film projects. Tourism officials say that in the ’60s and ’70s, Kashmir was a favourite destination among filmmakers for shoots, and they are now planning to revive it. The 24-member delegation explored scenic locations of Gulmarg among other places and discussed their plans with the officials.

‘FILMS ARE ONE OF THE BIGGEST PLATFORMS TO SHOW THE BEAUTY & TRADITION OF KASHMIR’
Kashmir tourism officials say that from quick permissions to fulfilling security requirements, they are taking necessary steps to ease shoots in the area. Officials add that the atmosphere is congenial, and filmmakers will not face any difficulty in shooting. G N Itoo, Director, Tourism, Kashmir, says, “The bond between Bollywood and Kashmir has been old, going back to ’50s and ’60s. Many old films such as Junglee, Bobby and Kabhi Kabhie were shot in Kashmir. There was a period when not many films were shot here, but now we want to revive those old days of shoots. We want the film industry to come here to shoot. Films are one of the biggest platforms to show the beauty, heritage and tradition of Kashmir.”

He adds, “The tourism department has a publicity policy, which has different components such as road shows and films. Film shoots have always given a publicity boost to Kashmir tourism.”


‘SRINAGAR, PAHALGAM AND GULMARG ARE THE PREFERRED LOCATIONS FOR FILM SHOOTS’
Local line producers are also expected to meet the Bollywood delegation. Khawar Jamsheed, who has been a line producer for films like Rockstar and Haider, says, “At present, two-three films from the south are being shot in Kashmir. Some Bollywood film recces are also lined up for February-March. Filmmakers have often preferred to shoot song sequences here, but are now exploring stories of the region. In fact, Srinagar, Pahalgam and Gulmarg are the three preferred locations. Filmmakers are also showing interest in Kargil.” 

Talking about permissions, he says, “We get quick permissions from the Department of Tourism. They give us a letter which states that permission should be quickly given for shoots. For instance, if I need permission from Floriculture department, then I will show the letter and permission is provided immediately. We continuously discuss with government departments to make permission process even smoother.”
----------------------

HASSLE-FREE SHOOTING, SINGLE-WINDOW CLEARANCE AND FILM POLICY DISCUSSED WITH THE BOLLYWOOD DELEGATION

Talking about the meeting, G N Itoo tells us, “We had a session with the Bollywood delegation. They mentioned some points, such as hassle-free shooting and all permissions and security to be provided in advance, as they have to bring their whole crew from Mumbai. They also discussed single-window permission for film shoots.”

Sarmad Hafeez, Secretary, Tourism, Kashmir, said that wherever needed, security, etc will be provided to them and otherwise as well, there has been a congenial atmosphere towards film shoots.

Ideel Saleem, Deputy Director, Tourism, Kashmir (Publicity), shares, “The delegation visited Gulmarg and discussed the locations. In Srinagar, they visited Shikara, Golf Course, Lal Chowk and other places. We also discussed how the local youth and their skills can be used, so they can help in production and shooting of films.”

A video conference was also organised and Niteshwar Kumar, Principal Secretary to Lieutenant Governor, Jammu and Kashmir, informed the delegation about the film policy which they are working on. Talking to the media, Nitin Ahuja, CEO, Producers Guild pointed out that there was a time when Kashmir was a favourite location for film shoots, and they want to revive it. Line producers tell us that several recces are also planned in March-April.

The good thing about being married is I am always in a rush to reach home-Aditya Narayan


Tanvi Trivedi (BOMBAY TIMES; January 10, 2021)

Aditya Narayan and Shweta Agarwal are a happily married couple and have quickly settled into their marital routine. Ask Aditya how it feels to be a married man and he told us, “It feels great. I still can’t believe that we are married to be very honest. It took us a month, but we have settled in well. After about four months, we plan to move into our new apartment.”

The singer and anchor, who is currently seen in Indian Idol, also spoke about yesterday’s episode of the show, in which Shweta made an appearance. When Aditya was seen lifting her in his arms, fans instantly went ‘awww’ on social media. Talking about it, Aditya said, “Shweta made an appearance for the first time on the show, so it was an emotional moment for me. The good thing about being married is now every time I am out of the house for work, I am always in a rush to reach home!”

Aditya also shared how the two of them are different in their own ways, but still have many things in common. He said, “We dated for a decade, but never lived with each other, barring a sleepover once or twice or a few trips, so it feels great to have each other around. We are different in many ways, yet we have several things in common. I love the fact that we can be in the same home together, do different things and yet find time to do things together.”

Aditya also commented on how Shweta is good at managing their home. He said, “She is great at managing the kitchen and I’m very good at keeping the house clean. We work out and watch shows together. We both love trying different cuisines. The best part is that despite being together for so long, it feels like a totally new relationship.”

The duo, who returned from their honeymoon in Gulmarg recently, shared several pictures of their trip on their Instagram accounts. Aditya said, “Gulmarg was amazing! Kashmir is one of the most beautiful places in the world. I would recommend all Indians to visit it at least once in their lifetime. Shweta and I are both nature lovers and adventure enthusiasts, so we enjoyed the snow and skiing. The nights were very cold and it was a welcome break from the heat and humidity of Mumbai. We enjoyed the food, too, and the people there were very nice and welcoming. We completed our beginner’s course in skiing and look forward to completing the advanced course next year.” 

Shweta Agarwal and I will dance to my father’s song Pehla Nasha at our wedding-Aditya Narayan


Aditya will tie the knot with his girlfriend, actress Shweta Agarwal, on December 1
Tanvi Trivedi (BOMBAY TIMES; November 5, 2020)

Singer-actor Aditya Narayan is all set to walk down the aisle with his long-time girlfriend, Shweta Agarwal on December 1. The wedding festivities will be a three-day affair starting with the mehndi function on November 29, followed by a temple wedding on December 1 and a reception on December 2 at a five-star in Mumbai.

In an exclusive chat with BT, Aditya revealed, “Shweta and I are extremely excited to finally get married after being in a relationship for 10 years. Due to the Coronavirus pandemic, the wedding will only include family and close friends. We are planning to have a sangeet function on the day of the reception, which will include performances by the entire family. Our wedding outfits are designed by Shweta because along with being an actress, she is also a fashion designer. For many years now, she has been designing my outfits.”

Talking about Shweta, who has acted with opposite him in his debut film Shaapit, Aditya shared, “Shweta is an extremely calm and polite girl. I am just the opposite, highly energetic and sometimes impatient, too. But, she has been extremely patient, and I can say she is the balancing factor in my life.”

While the wedding is still being planned, it seems Aditya has the playlist ready. “Shweta and I will dance to my father’s song Pehla Nasha from Jo Jeeta Wohi Sikandar because, for me, it was love at first sight when I met her. I recently bought a new apartment, and I am excited that Shweta and I will start our new life in the new house.”

A few days ago, the couple went on a short holiday to a retreat near Lonavala. Aditya planned the romantic getaway to propose to Shweta officially. He said, “Maldives was my first choice. I had planned to propose to her at the exotic beach destination in March 2020 and I had kept the ring ready since December 2019. Our flights were booked in March, but eight hours before our departure, we got the news that Maldives was under lockdown. So, I could not officially get engaged then. When we went to Lonavala, I surprised her by popping the question and slipping the ring on her finger.”

The two plan to go for their honeymoon to Gulmarg, Kashmir. He said, “Shweta loves skiing and I felt it would be ideal to go to Gulmarg in the winters. If everything goes well, we plan to go there.”

Aditya also dismissed rumours around his father Udit Narayan’s recent comment, where he said that his son should be doubly sure before getting married. Aditya explained, “My father was just kidding when he said that I should be doubly sure. Obviously, if you are getting married, it is a responsibility that you are accepting, and he felt that I should be ready for it. People blew the entire comment out of proportion. I am the only son and my parents couldn’t have been happier that their son is getting married.”

John Abraham, Jackie Shroff to shoot for Romeo Akbar Walter in Kashmir


Actor will be accompanied by Jackie Shroff; team to shoot in Gulmarg and Srinagar over 10 days
Natasha Coutinho (MUMBAI MIRROR; August 14, 2018) 

John Abraham who plays a secret agent and sports 18 different looks as he goes about his mission in Robbie Grewal’s espionage thriller, RAW: Romeo Akbar Walter, will head to Kashmir on August 16 for a 10-day schedule across Gulmarg and Srinagar during which they will shoot a lot of action sequences. The makers have arranged for tight security for the cast and crew. Leading lady Mouni Roy won’t be making the trip to the Valley but Jackie Shroff, who plays the RAW chief, will be present.

Robbie, who is already there, points out that they have hired local actors besides technicians because taking actors from Mumbai won’t give the portions the required vibe. “Even the dress dada (costume designer) is from Kashmir. We are recreating the Valley of the ’70s for our film,” adds the excited director.

Speaking on their choice of location, Vanessa Walia, who is producing the film with Dheeraj Wadhwan, Ajay Kapoor and Robbie, explains that the story required them to film at real locations. “We couldn’t shoot in Pakistan, so we recreated some of the heritage buildings in Gujarat. But Srinagar can’t be replicated in any part of the world, be it Switzerland or Shimla, as it has a unique landscape and feel. It’s also a troubled city but from day one, we knew we would have to shoot in Kashmir for the look Robbie wanted for the film,” she says.

The Gulmarg shoot is scheduled to wrap up in two days, after which the team will move to Sinagar. According to Bunty Walia, who is a consultant on the film, the Director General of Police, Kashmir, has assured him that the law and order situation is normal. “They told me that Vidhu Vinod Chopra has also been shooting there and there’s nothing to worry about. They have assured us security because John and Jackie have a huge fan following and we didn’t want an obstruction in the shoot,” he says.

Earlier speaking to Mirror (August 3) John had pointed out that he had filmed Kabul Express in Afghanistan just after the fall of the Taliban and now was taking RAW to Kashmir because “ a film set can’t replicate what you feel when you are in danger zone”.

Robbie’s father was in the armed forces and had served in Kashmir before he was born. “When I grew up, I visited the Valley and have shot there earlier. The people are warm and understand that when film units come here, people get work,” he says.

Check out Chitrangda Singh fishing in Kashmir



Avinash Lohana (MUMBAI MIRROR; June 8, 2018)

Chitrangda Singh, who took off on an eight-day family holiday to Kashmir recently, admits that picturesque countries like Switzerland and Australia are not a patch on Gulmarg and Pahalgam. “I have travelled to many places in the world but there really is nothing like Kashmir,” raves the actress, pointing out that this is her fifth trip to the Valley.

The holiday doubled up as a lesson in fishing with Chitrangda indulging in fly fishing, an angling method using an artificial fly. “We also went trout-fishing, which is a cold-water fish and requires a lot of patience. I wanted to learn this for a long time and got a chance to do so on this trip,” she adds.

The group also trekked from Pahalgam towards Sheshnag Lake and took a short trek around Gulmarg. “We had local friends guiding us but we couldn’t camp overnight anywhere. That’s something I would’ve loved to do,” she says, quick to add that she visited Dachigam National Park instead, a 141 km landscape located 22 km from Srinagar. “It’s really huge and beautiful. We rented cycles for easy travel.”

Chitrangda, who went on a shopping spree with Pashmina shawls and a carpet, points out that she was recognised by tourists but most locals didn’t know her. “Kashmir hasn’t had theatres in the longest time and the locals are disconnected from films. But they’re big on cricket and I spotted them playing it a lot,” she informs.

The actress, who recently wrapped up filming Tigmanshu Dhulia’s Saheb Biwi Aur Gangster 3 alongside Sanjay Dutt, and will next be seen with Saif Ali Khan in Gauravv Chawla’s Bazaar, has never filmed in the Valley. “I love to go back to Kashmir for short trips. The first time I ever tried skiing was in Gulmarg, which remains an unforgettable experience,” she says.

This year, she’s also turned producer with Shaad Ali’s sports-biopic Soorma featuring Diljit Dosanjh and Taapsee Pannu.

Here's why Gulshan Devaiah was out of action for eight months


Following some power-packed performances, the actor was laid low after a skiing accident and is re-starting his career from scratch
Shravan Shah (MUMBAI MIRROR; February 13, 2018)

Gulshan Deviah grabbed eyeballs with Bejoy Nambiar’s 2011 thriller, Shaitan, and went on to headline the coming-of-age adult comedy Hunterrr four years later as the bumbling Mandar Ponkse. Life was on a roll for the 39-year-old actor when he went to Kashmir to bring in his wedding anniversary on February 12, 2017. The following day, Gulshan was skiing on the snow-capped slopes of Gulmarg when he took a tumble that resulted in a broken knee, and he was to be confined to the bed for the next eight months.

Reminiscing about the unfortunate accident, the actor says, “I was just a beginner, on a 4.5 km run at 10,000 feet. The previous day I had done seven runs from 10 am to 4 pm, and even though I fell a few times I didn’t hurt myself. On February 13, I continued from where I had left off. After three runs I was exhausted but since I was feeling good, I decided to do one more before taking a break. After a kilometre I swerved to the left and my ski got stuck in the snow. The next thing I remember, I’m flying through the air.”

Usually the ski opens out when something like this happens, but in Gulshan’s case, his right knee twisted and snapped. “I knew something bad had happened as a shooting pain felled me,” he narrates, recalling his trainer and wife Kallirroi Tziafeta panicking as they watched him try to stand and topple over because of his knee.

Even as he was hoping it would turn out to be just a sprain; the actor was rushed to the local dispensary in a sledge and, with the help of pain killers, survived the night. “The swelling was so bad that even going to the bathroom was difficult. The doctors told me that the medial and lateral ligaments had been severely damaged and my anterior ligament was blown. I would have to undergo surgery but they needed to rehabilitate my leg first for three weeks by putting it in a straight brace which I could only take off while having a bath. I could barely walk,” he recalls.

After three weeks, Gulshan went into surgery and post-op couldn’t bend his knee even at 15 degree but the pain was gone. “The doctor said I was one in a thousand cases when it came to pain tolerance. I guess I had prepped myself well,” he slants a wry smile, going on to inform that the doctors had used a tendon to replace the ligament which, being much harder, usually needs a year to become more flexible. “After two months, the doctor assured me that my leg was healing well but I was out of work for eight months. I had to drop a couple of films and turn down two I might have done, along with several other offers. In the meantime I only focused on my physiotherapy. At times I would even over-train and then the doctor would tell me off,” he smiles.

Finally, Gulshan is back on his feet with Vasan Bala’s romcom Mard Ko Dard Nahin Hota, which introduces Abhimanyu Dassani and Radhika Madan. “The physical training I had to undergo was a challenge as my leg was broken then. This is the only film I am doing and we should wrap it up by early March. It’s almost like re-starting my career from scratch after eight months of being out of action,” he signs off with a smile.

Check out Manoj Bajpayee & Sidharth Malhotra's dashing armyman look in Aiyaary

The duo play army officers in an intense crime-drama based on true events that hits screens in 2018
Sanyukta Iyer (MUMBAI MIRROR; June 15, 2017)

After the M S Dhoni biopic, National Award-winning director Neeraj Pandey is back in action with his 2018 release, Aiyaary. He has wrapped up the first, seven-day schedule in Kashmir and is presently shooting on the outskirts of Delhi. The filmmaker will be in the capital for the next three weeks after which portions will also be canned in Mumbai, London and Oman.

Based on a true incident involving two army officers, the intense crime-drama follows two strongminded individuals who have completely different views, but are both right in their own way. It features Manoj Bajpayee as mentor and Sidharth Malhotra as his protégé.

Talking about the first schedule in Gulmarg and Pahalgam, as well as at border posts which will be referred to as undisclosed locations in the movie, a source close to the development told Mirror that the team interacted closely not just with the locals in the Valley but also the army, including jawans living in camps near them. “It was humbling to witness the difficult conditions in which the jawans lived and the constant danger they faced. For the jawans too, interacting with Sid and Manoj and posing for pictures with them was a wonderful experience,” adds the source.

Kashmir has long been a picture perfect backdrop for Bollywood blockbusters — from Kashmir Ki Kali to Bajrangi Bhaijaan. However, after the September 18 attacks on an army camp near Uri in which 17 army personnel were killed, filmmakers had halted shooting in the state. But Neeraj, who is known for his critically acclaimed films like A Wednesday, Special 26 and Baby, had a smooth and safe filming experience in the Valley.

“Given the kind of films Neeraj and Friday Filmworks always make, people everywhere have faith that he will not misrepresent the locals or the state as a whole. The authorities were extremely supportive given the sensitivity of the story and the shooting locations and it was a wonderful experience for everybody involved,” concluded the source.

Dia Mirza attends the Jashn-e-Baramulla festival in Kashmir


Sanyukta Iyer (MUMBAI MIRROR; May 2, 2017)

Actress-activist Dia Mirza, who was in Kashmir to attend Jashn-e-Baramulla, a two-day youth festival organised by the army to raise awareness and create jobs for the locals, topped her riveting speech at the event by participating in cultural acts put up by the locals.

“There was a girl band and performances on Kashmiri folk songs. The grace with which the young girls danced to the music that captures true ‘Kashmiriyat’, the Sufi qawwals, gave me goosebumps,” Dia, who returned to Mumbai on April 26 told Mirror.

Noting that the youth in the Valley, despite their extraordinary circumstances, just want to live their lives to their fullest potential like their counterparts everywhere else, Dia said, “There is no dearth of talent in the Valley; all they need is the freedom and awareness to make choices.”

The actress, who had always wanted to visit Kashmir, had taken off to Gulmarg with her businessman-film producer husband, Sahil Sangha, for their first wedding anniversary in 2015.

“It will always be my most special memory of being in the Valley. Gulmarg is truly spellbinding. I always make it a point to experience a place even if I am visiting it only for work. This time I went a day ahead of schedule and spent the most amazing six hours exploring Srinagar. I took a ride in the shikara on the Dal Lake, sipping hot kawa, and absorbing the natural beauty that surrounded us. It was like being in a poem. The tulip gardens are a sight to behold. We ended our time in Srinagar eating garam pakodas and tea cakes. It was surreal!” Dia exulted.

I am interested in the solution, not in holding on to the problem-Shabana Azmi

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As she turns 66, Shabana Azmi on how she has mellowed down over the years...
Subhash K Jha (DNA; September 18, 2016)

Shabana Azmi’s had a career most actresses her age would be envious of. She’s constantly and bravely gone against the grain and accepted norm to deliver performances that in retrospect, will go down in history, as part of her rather strong legacy. Also, she is one to call a spade a spade and doesn’t mince words when getting her point across. As she turns 66 and we sit down to have a conversation, one cannot think of any other actress who has impacted mainstream and arthouse cinema as profoundly as she has. Excerpts...

It’s been a good year, right?
It has. The appreciation I received for Neerja, particularly from my industry colleagues, made me wonder if I had done anything worthwhile before! It was overwhelming.

Do you see the challenging roles coming your way at the pace you’d like?
I do think it’s a golden period for actors because all kinds of films are being made: mainstream, parallel, middle-of-the-road, independent films, etc. I’m doing comedy, drama, negative roles, etc. Earlier, I largely had dramatic, heroic roles on my plate. At one point Aparna Sen said to me, “Your off-screen persona is becoming so dominant that your choice of roles will get affected.” That remark set me thinking because I’ve been trained in the Stanislavsky Method that says an actor should be able to prefix the words, ‘If I were..a queen, a slum dweller, a whore..’ And be able to inhabit the world of that character with truth.

Do you choose roles only when they match your own political aesthetic and moral sensibilities?
It’s a difficult choice. When I did Godmother, feminists were annoyed with me. They said, ‘We want women to enter politics, but if someone like you plays a woman politician who is corrupt, you hurt our cause’. I tried explaining that the director Vinay Shukla was looking at the film from the lens of caste politics, not gender politics. Plus, it was a layered part that doesn’t come one’s way that often. From then on, I decided that I would do a variety of roles, provided of course, that they didn’t promote patriarchy or communalism.

Which are the films you’re working on right now?
I’ve just completed Piyush Panjuani’s Idgah, based on Munshi Premchand’s story of the same name. We shot in Gulmarg and I was happy to be filming there after so many years. The place was teeming with tourists and it seemed normalcy had finally returned to the Kashmir Valley. Within days of our pack-up, the peace was shattered as if kisiki nazar lag gayi. Heart-wrenching. I’ve also just completed an American production Signature Move, directed by Jennifer Reeder and executive produced by Michael Shannon who played Elvis in the film Elvis & Nixon.

What else?
What do you mean,what else? Aur kitna karoon? I’m carrying on with theatre productions — IPTA’s Kaifi Aur Main and Alyque Padamsee’s Broken Images, written by Girish Karnad. I’m also doing a TV serial Amma, where I play a mafia don.

As you grow a year older, what emotional changes do you see within yourself?
I have mellowed and am interested in the solution, not in holding on to the problem. I am willing to really listen to the other person’s point of view. I believe that dialogue must remain the only option to resolving problems. I also party very little and prefer to hang out with my family and close circle of friends. In fact, I’m becoming more of a ghar ghussad (homebody) than ever before. I travel so much that I have little energy for the social scene.

How has Indian society changed, according to you?
Indian society is in a position of transition. Women are coming into their own, but violence against women has the tacit approval of societies all over the world. Men are mostly stuck in their sense of entitlement because we continue to be a patriarchal society. It worries me also that communalism is getting more deeply entrenched in our society because political parties continue to use it as a tool for vote- bank politics.

You have always been one of the strongest voices of protest in our country. What is the one issue that bothers you the most among our many societal failings?
Social injustice. That people continue to be passive recipients rather than active participants in the democratic process. That the development model successive governments have adopted over the years has led to a greater divide between the rich and the poor. That after 70 years we still haven’t been able to provide drinking water, housing, education, health services to all. That GDP continues to be the yardstick of progress rather than the human development index.

What makes heroes and role models so scarce in our country?
Heroes are created by either a great ideology or a great struggle. At present, all over the world, we see an absence of both. That’s why we don’t have heroes like Mahatma Gandhi, Martin Luther King Jr or Nelson Mandela who used non-violence as the only alternative for freedom. Today, Donald Trump is in the running for a position once held by Lincoln! They don’t make them like that anymore. Democracy, as necessary as it is — and I wouldn’t trade it for any other system — has an inherent flaw. Electoral politics forces leaders to take short-term populist decisions that can get them re-elected. But real development can only happen when you plan 20 to 50 years ahead. It’s also necessary that successive governments do not reverse projects that have been put in place by previous governments. And please, let history not become a handmaiden of the political dispensation of the day!

How do you look back at your marriage to Javed?
With satisfaction and gratitude. There is no person other than Javed that I would have rather been married to. He makes me laugh, he makes me think, he pushes me to push myself but basically that he and I share the same worldview. Touchwood, a thousand times over.

Finally, if you had to change one thing in your life, what would it be?
That I would learn how to cook!

Phantom action sequences are real, raw & have been shot in 6-world class locations


Hiren Kotwani (BOMBAY TIMES; August 25, 2015)

Kabir Khan, director of Phantom, starring Saif Ali Khan and Katrina Kaif, says each of the film's action sequence was an adventure by itself. Kabir says, “The attempt was to keep it all very real. We shot in real locations, even if it meant travelling from Kashmir and Punjab to London, Canada, Syria and Beirut.“

Sajid Nadiadwala, who's producing the film in association with Siddharth Roy Kapur, says, “Phantom has some raw action. For me, the most amazing part is that the backdrop for the action is like that of an international film. We haven't seen an Indian film with such amazing locations.“

BEIRUT SHOOT LOOKED LIKE A REBELLIOUS MOVEMENT
Shooting in the strife-torn locations was a sensitive issue. Saif was surprised to learn that many of the people who were playing smaller roles in the film and some members of the local crew were from the Hezbolla group. A huge refugee camp was built on the Syria-Lebanon border, barely a half-hour drive from a Shia Muslim area in Lebanon. About 400 locals dressed as rebel soldiers and 25 trucks and jeeps were part of the huge set-up and naturally, attracted plenty of attention.


HIGH-OCTANE CHASE SEQUENCES IN CANADA
Preferring real locations instead of relying on CGI (computer-generated imagery), because the actual backdrop adds more depth to this story, the entire crew flew down to Canada for some major thrill sequences. The film has several high-end car chase sequences. But the highlight of the schedule was a cutting-edge sequence under the expertise of foreign action director Garry.

PAKISTAN CREATED IN PUNJAB FOR CRASHES AND CHASES
The filmmakers created Pakistan in Malerkotla, Punjab. An entire marketplace was dressed up to look authentic, complete with Urdu hoarding, posters and flags. The extensive action sequence, which was shot in the middle of the narrow busy and crowded lanes, also had a lot of intensive car chases and crashes that demand perfection and utmost precaution in their execution.


BLAST SCENES IN SNOW-CAPPED KASHMIR
Important action sequences were picturised in Pahalgam and in a ski resort in Gulmarg. The most difficult part of this schedule was planning the blast sequences in the peak of winter, when the entire valley was covered in a 10-foot blanket of snow. Adding to the difficulties was hauling the equipment to and from the location every morning and evening respectively. The enthusiasm and hard work of the locals was not only heart-warming, but also gave a major boost to the film's team.

Talking about shooting action in real locations, action director Sham Kaushal says, “In Beruit, when we shot in the area where Hezbollah fighters stay, we even used their guns. It was difficult as we had so much shoot-out and blasting happening in the sequence with principle actors involved in it. I have a great understanding with Kabir, with whom I've collaborated on all his films except Ek Tha Tiger.“

Phantom, presented by Nadiadwala Grandson Entertainment Pvt Ltd and UTV Motion Pictures, releases August 28.