With the rise in content consumption on streaming platforms, Manoj Bajpayee is not only enjoying a successful ride on the web, but is also delighted by the fact that his older films are being rediscovered by audiences.

“The respect I’ve got over the years has grown and the emergence of OTT has added to it. Today, people are looking up my films, which is quite flattering. Many of my earlier releases are getting the attention that they didn’t get when they had released in theatres. Theatres, too, didn’t give these films enough shows or slots or the respect back then. Pinjar (2003) and Kaun (1999) have been favourites with viewers and even Satya (1998) and Shool (1999). Getting compliments even after so many years, is really inspiring and encouraging,” says Bajpayee.

With his hit web show, Family Man and the ongoing OTT boom, the Padma Shri awardee is elated that actors today have so many choices but cautions that they should choose wisely.

“Don’t rush. There are many exciting, interesting and out-of-the-box stories being offered to me, but I would never do anything for the heck of it,” he shares.

As he waits for the second season of his show to drop, ask him about the recent controversy with Tandav, and how makers ended up deleting some scenes and the kind of precedence it set, and he says, “I haven’t seen the show and if the makers have done it, it depends on them. I think people should be a little patient and forgiving when it comes to creative content. If they don’t agree with something they can voice their opinion, even encourage like-minded people not to watch it, but not ask for a ban or boycott. Banning and boycotting doesn’t do any good to any industry or any society. I am not in favour of it. There are many social media posts I don’t agree with but I don’t want them to be taken off as I believe a healthy debate and discourse is a sign of a healthy democracy,” says the two-time National Award winner.

His last film, Suraj Pe Mangal Bhari (2020) released in theatres and he will soon be seen in a web original film.

How important are box office numbers to him, as OTT doesn’t quite measure a film’s popularity on that benchmark? “I believe that each film should be should be measured on the basis of quality, not on how many crores it earned. This yardstick is ruining the intention of filmmaking in India. OTT has brought in a huge change and I hope it continues to create interesting content,” Bajpayee adds.