Sanskrita Bharadwaj, Titas Chowdhury and Naina Arora (HINDUSTAN TIMES; March 25, 2020)

With no new theatrical shows, open-mics or gigs due to the outbreak of Covid-19, life has been drastically different for people across the country. The performing arts have always suffered challenges, financially. And now, the Coronavirus scare has come as a severe blow to the entire industry, including artistes and technicians. Manav Kaul who was all set to stage Giving Up On Godot, a play directed by him at Mumbai’s Prithvi Theatre, says, “It was a little heartbreaking that it didn’t happen. We had finished the final rehearsals, and just two days before we were about to go on stage, we came to know that the show has been postponed.”

Ask him about the loss of money and he explains, “A play won’t go waste and it’s here to stay. I’ve got a script, we’ve got actors and we’ll open it in November. The money put in is all mine and so it doesn’t matter. The staff involved in plays are being taken care of.”

Shikha Talsania, who has co-directed the play, wants to concentrate on the silver lining and hopes that the audience turnout will be more post the crisis. “Maybe, once this ends, we will get more audience, who will be bored of watching television and would look forward to watching a live performance,” she says.

Gujarati actor-director Pratik Gandhi, who is popular for his plays Mohan No Masalo and Hu Chandrakant Bakshi, believes that the coronavirus crisis is a “big blow” to the already struggling theatre industry but some “path breaking innovation” might come out of it. “With shows being cancelled, a lot of theatre people who are completely dependent on it are suffering a huge loss, too. But being an optimist, I want to believe that we’re all getting time to introspect,” he says.

Comedy gigs which are a regular in Mumbai and Delhi, have suffered a big blow as well. “All my shows were cancelled, including public, corporate, and private,” says stand-up comedian Rahul Dua (right), adding, “Quarantine can be boring. Even if all of this is over, it’ll take some time for people to be comfortable sharing an auditorium room with 300 people.”

Musicians, too, are bearing the brunt. Delhi-based singer Sonam Kalra, says, “This has been hard on the global economy. A lot of musicians including myself had shows that have got cancelled but I do believe it is necessary for now as it is better for us to be safe and responsible.”

Actor Sonali Kulkarni (below), who was supposed to travel to the US for a play, early this month, cancelled her travel plans. She says, “This is going to hit the industry for long term. All the technicians are going to face problems because we are shut.”

Stage actor and producer Denzil Smith (below) echoes similar thoughts. “Let’s assume that we are able to get out of this, even then people will not want to invest in the arts because many people would think about resurrecting their financial situations,” he explains, adding, “Perhaps, the art will see a resurgence and some mind blowing stuff will happen when we start over.”

Director Atul Satya Koushik whose shows were cancelled, says, “Even if normal services start opening by mid April, entertainment would be the last priority of the government as it’s not an essential commodity. I am telling my team that art is practised in isolation, and executed in public. So, the practise must continue, writers must write new scenes, and directors must revisit their shows and redesign them.”

However, theatre organisers are hopeful. Anasuya Vaidya, from Akshara Theatre, Delhi, says, “We’ve had to cancel and postpone a whole lot of shows. Classes and workshops are suspended as well. We are waiting to get back on stage.”

While Asmita Theatre Group is keeping the action alive on Facebook with a 10-day online theatre festival called the Quarantine Theatre Festival. Founder Arvind Gaur says, “Our live shows were affected so we thought of doing an online festival till March 31,” he says.