Showing posts with label Welcome To The Jungle. Show all posts
Showing posts with label Welcome To The Jungle. Show all posts
Welcome To The Jungle vs Dhamaal 4: How Mumbai circuit played a crucial role
4:05 PM
Posted by Fenil Seta
Box Office India Trade Network
WELCOME TO THE JUNGLE and DHAMAAL 4 had practically similar collections India in the first week with the main difference being Mumbai circuit where DHAMAAL 4 came out a couple of crore ahead. That is the difference in final first week collections as well. In the long run, this will also be the biggest difference between the films.
The difference in other circuits at the end will be mainly down to the fact that DHAMAAL 4 got benefit of a better release date as it was the last Hindi release of a packed period. But in the Maharashtra/Gujarat block, the difference is content as these states have appreciated the content of DHAMAAL 4 more. Both films are in a similar zone and for comedies to really fire, Mumbai circuit has been of utmost importance not just today but since films started being made.
The fact that more comedies started being made from the beginning of this century is down to Mumbai circuit getting bigger with the faster deployment of multiplexes in this circuit compared to other circuits. The victory of DHAMAAL 4 is scoring well in Mumbai/Gujarat, especially the latter, as its hard to tell which film will go which here post pandemic with even comedy films not outperforming like they used to. What is outperforming is films from the South but lets see how long that will last.
The first week circuit figures of WELCOME TO THE JUNGLE and DHAMAAL 4 are as follows.
Mumbai
Welcome To The Jungle - 28,99,00,000
Dhamaal 4 - 31,96,00,000
Delhi/UP
Welcome To The Jungle - 23,05,00,000
Dhamaal 4 - 21,85,00,000
East Punjab
Welcome To The Jungle - 7,97,00,000
Dhamaal 4 - 8,41,00,000
Rajasthan
Welcome To The Jungle - 6,05,00,000
Dhamaal 4 - 5,75,00,000
CP Berar
Welcome To The Jungle - 4,51,00,000
Dhamaal 4 - 4,67,00,000
CI
Welcome To The Jungle - 3,53,00,000
Dhamaal 4 - 3,80,00,000
Nizam/Andhra
Welcome To The Jungle - 3,30,00,000
Dhamaal 4 - 3,93,00,000
Mysore
Welcome To The Jungle - 3,91,00,000
Dhamaal 4 - 4,20,00,000
Tamil Nadu/Kerala
Welcome To The Jungle - 96,00,000
Dhamaal 4 - 85,00,000
West Bengal
Welcome To The Jungle - 3,18,00,000
Dhamaal 4 - 3,11,00,000
Bihar
Welcome To The Jungle - 3,44,00,000
Dhamaal 4 - 3,45,00,000
Assam
Welcome To The Jungle - 1,25,00,000
Dhamaal 4 - 1,53,00,000
Odisha
Welcome To The Jungle - 1,82,00,000
Dhamaal 4 - 1,47,00,000
TOTAL
Welcome To The Jungle - 92,04,00,000 (inc PP)
Dhamaal 4 - 94,98,00,000
Fenil's Bollywood Talk # 943
10:34 PM
Posted by Fenil Seta
DHAMAAL 4 IS A HUGE SUCCESS; DEFIES ALL PRE-RELEASE EXPECTATIONS
The box office is on a high right at present. After Welcome To The Jungle, Dhamaal 4 has now rocked the box office. In fact, it's doing way better than Welcome’s third part. The film was expected to open around Rs. 10-12 crores. But it managed an opening of Rs. 14 crores. However, it’s the Saturday jump which was the most impressive. The film accumulated a whopping Rs. 22.50 crores on day 2 and Rs. 28 crores on Day 3.
Usually, films drop by 50% on Monday compared to Friday. But Dhamaal 4’s drop was minimal on day 4, when it collected Rs. 8.25 crores. A mini-miracle happened on Tuesday when the film earned more – Rs. 9.50 crores. This is the norm now, but it occurs because Tuesday tickets are sold at a discount. In Dhamaal 4's case, the makers didn’t sell tickets at cheaper rates since the film was doing so well. Yet, it saw a rise in the collections.
Dhamaal 4 has collected Rs. 82.25 crores in 5 days and is expected to earn around Rs. 95 crores in Week 1. On its second Friday, the film will cross the Rs. 100 crore mark. It’ll now certainly go past the lifetime numbers of Welcome To The Jungle. The aim of Dhamaal 4 is to cross the lifetime earnings of Total Dhamaal – Rs. 150.07 crores. That shouldn’t be a problem, though the drop on the eighth day will give a fair idea about it.
The box office is on a high right at present. After Welcome To The Jungle, Dhamaal 4 has now rocked the box office. In fact, it's doing way better than Welcome’s third part. The film was expected to open around Rs. 10-12 crores. But it managed an opening of Rs. 14 crores. However, it’s the Saturday jump which was the most impressive. The film accumulated a whopping Rs. 22.50 crores on day 2 and Rs. 28 crores on Day 3.
Usually, films drop by 50% on Monday compared to Friday. But Dhamaal 4’s drop was minimal on day 4, when it collected Rs. 8.25 crores. A mini-miracle happened on Tuesday when the film earned more – Rs. 9.50 crores. This is the norm now, but it occurs because Tuesday tickets are sold at a discount. In Dhamaal 4's case, the makers didn’t sell tickets at cheaper rates since the film was doing so well. Yet, it saw a rise in the collections.
Dhamaal 4 has collected Rs. 82.25 crores in 5 days and is expected to earn around Rs. 95 crores in Week 1. On its second Friday, the film will cross the Rs. 100 crore mark. It’ll now certainly go past the lifetime numbers of Welcome To The Jungle. The aim of Dhamaal 4 is to cross the lifetime earnings of Total Dhamaal – Rs. 150.07 crores. That shouldn’t be a problem, though the drop on the eighth day will give a fair idea about it.
2026 first half; 7 films prove to be successful
9:50 AM
Posted by Fenil Seta
Box Office India Trade Network
The first half of the year has seen fair results with very few major releases until the last month of the first half. DHURANDHAR THE REVENGE was the stand out and although it was expected to be huge due to the results of DHURANDHAR, you still have to do the business and its always easier said than done especially when targets are so high.
The film emerged the third biggest blockbuster this century after GADAR and BAAHUBALI 2: THE CONCLUSION and is up there among the top 10-15 blockbusters of all time. The 1000 crore nett business done by this film is what propels the first half if you look at cumulative business. If this film was not there, the cumulative first six month total will be pretty bad.
BORDER 2 was the second biggest HIT of the first six months and as it was sandwiched between the DHURANDHAR films and on top the comparison was the insane business of GADAR 2. So, it was perceived that it could have done better but eventually the dust settles and 300 crore nett plus is a big number. The BORDER films remain the only WAR films to have done huge business in India.
The other two HITS of the year were the Akshay Kumar starrers BHOOTH BANGLA and WELCOME TO THE JUNGLE (potential HIT) as both scored good figures in the Hindi belts. BHOOTH BANGLA had an open run for weeks while WELCOME TO THE JUNGLE came in a hugely clustered period. Yet, it still went through well which is a huge victory as today numbers are difficult when there is competition all around due to less people coming to watch films in cinemas.
The low budget THE KERALA STORY 2: GOES BEYOND also did very well getting benefit of the awareness of the previous film though this one held up well enough also. So, obviously some of the audience liked it. The other two moderate successes were MAIN VAAPAS AAUNGA and MARDAANI 3.
The two biggest films ever made in Hindi cinema will release in the second half of the year with RAMAYANA and KING. Though its tough to be confident in the box office scenario today, you can be hopeful with the scale and casts these films will have.
The classifications of the first half of the year is as follows.
1. Dhurandhar The Revenge - ALL TIME BLOCKBUSTER
2. Border 2 - SUPER HIT
3. Bhooth Bangla - HIT
4. Welcome To The Jungle - HIT/SEMI HIT
5. The Kerala Srory 2: Goes Beyond - SEMI HIT
6. Main Vaapus Aaunga - AVERAGE
7. Mardaani 3 - AVERAGE
Suniel Shetty on Hera Pheri 3: "Hopefully after Welcome To The Jungle success, magic happens"
3:48 PM
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Akash Bhatnagar (HINDUSTAN TIMES; July 12, 2026)
Actor Suniel Shetty returned to his comic avatar, reuniting with some of his iconic co-stars from the ’90s, including Akshay Kumar and Paresh Rawal, in Welcome To The Jungle. The trio was also expected to be seen together in the highly anticipated Hera Pheri 3, but the film is now in limbo due to filmmaker Priyadarshan having exited the project.
“Hera Pheri is the biggest comedy franchise of my career and the nostalgia attached to it is just so heartwarming. With the memes and the film’s recall value, who wouldn’t want that to happen? Fingers crossed, hopefully after Welcome To The Jungle, something magical should happen,” he tells us.
Speaking about the recent release emerging as a success at the box office, Shetty believes that it marks a new avenue for Bollywood.
“We’ve forgotten what family entertainment means. That’s why the film is a success. I am hoping more such entertainers will come into play,” he says, adding, “The film’s success is as much of Akshay as it is Raveena’s (Tandon), Paresh bhai’s, Johny’s (Lever), mine, or any other actor’s. I piggybacked on Akshay, Paresh ji and Raveena to be a part of this successful franchise, and I am glad I wasn’t insecure with these people around me.”
Fenil's Bollywood Talk # 942
11:38 PM
Posted by Fenil Seta
DHAMAAL 4 OPENS WELL; ALPHA HAS 30 CR+ WEEKEND DESPITE NEGATIVITY
Dhamaal 4 has released today and managed a fine opening. The advance booking of the film began, well, way in advance, in the sense that nearly all single screens got a chance to play the film with no competition from holdover releases. The spot bookings came into play; earlier, it seemed doubtful that the film would open at more than Rs. 10 crores.
However, Dhamaal 4 is set for an opening of Rs. 13 crores, which is way beyond expectations. Welcome To The Jungle had opened at Rs. 15 crores and ended up earning Rs. 60 crores in the weekend, excluding the paid preview. Hence, Dhamaal 4 should now aim to collect Rs. 48-50 crores in three days. The franchise factor and the comic nature of the film have proved beneficial.
Total Dhamaal had opened at Rs. 15.91 crores and then went on to collect Rs. 150.07 crores in its lifetime. It had a clean run and a great word of mouth, which led to such huge collections.
In the case of Dhamaal 4, the response at present seems mixed. However, this film also enjoys a clean run. There’s no competition for the next three weeks, until the release of Spider-Man: Brand New Day. So, if it has a strong weekend and holds well during the weekdays, it’ll have a healthy run. Even a Rs. 100 crore + lifetime will be good enough.
Meanwhile, last week’s Alpha also fared better than expected. It opened at Rs. 9 crores and then went on to collect Rs. 11.50 crores on Saturday and Rs. 13 crores on Sunday. Hence, it collected Rs. 33.50 crores in its first three days despite bad word of mouth and immense negativity on social media. It yet again proved that trolls have zero impact on the box office.
However, due to negative reports, the film did crash on Monday. Its first week collections amount to Rs. 46.25 crores. The best scenario for the film would be to earn Rs. 60 crores in its lifetime.
My talent is still untapped-Farida Jalal
9:32 AM
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The veteran actor talks about the success of Welcome To The Jungle and the unfulfilled wish she still has in her long and illustrious career
Medha Shri Dahiya (HINDUSTAN TIMES; July 6, 2026)
Few actors can boast the longevity and continued relevance that Farida Jalal has enjoyed, remaining one of the most enduring and active performers in the industry till date. Her latest film, Welcome to the Jungle, is a testament to her prowess, and she is enjoying the immense love that it has brought to her. “God’s kind! Compliments are flowing in from everyone... This is our reward as actors,” says Jalal.
The veteran actor recalls her character was fleshed out quite spontaneously. “Akshay (Kumar, actor), Ahmed (Khan, director) and I were sitting together when Akshay suddenly got a call and the girl on the other end kept jabbering. After the call ended, Akshay said ‘everyone knows you for your dialogue delivery.. Let’s have you do something without proper dialogues now’, and I thought, let’s give it a shot,” shares the 77-year-old.
The film was as much a laugh riot behind the scenes as it is on screen. “It was one royal picnic. Everyone had fun and took care of each other, especially Akshay and Ahmed who looked after everyone,” she says.
The film’s success just adds to her feeling of gratitude. “The world still remembers my first film Aradhana (1969). People come to me, hold my hands and share how my character in various films impacted them or their lives. It’s rewarding. If God asks me, I’d say in all my next lives too, I’d want the same life, the same career,” she gushes.
Jalal has some iconic films to her name, including Bobby (1973), Henna (1991), Mammo (1994) and Dilwale Dulhania Le Jayenge (1995), among others. Yet, there is still one unfulfilled wish she has in her long and illustrious career.
“Many times, I felt I was boxed in as a mother figure. I wanted to play challenging roles, maybe a lawyer, a doctor, or something unexpected. Nobody has really touched that side of me at all, my talent is still untapped. Hardly anyone has seen what I can really do. I want to tell filmmakers that let me show you what I am capable of. Give me a negative role, let me surprise you. But I am not the kind of person who doesn’t go out and ask for work. So, there is a slight pain there,” she ends.
---------------------------------------------------
“Welcome To The Jungle shoot was one royal picnic. Everyone had fun and took care of each other, especially Akshay and Ahmed (Khan, director), who looked after everyone... Compliments are flowing in from everyone, and this is our reward as actors.”
I learned comedy by watching Akshay Kumar, Johnny Lever, Arshad Warsi-Disha Patani
9:26 AM
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Natasha Coutinho (HINDUSTAN TIMES; July 3, 2026)
Disha Patani may be basking in the success of Welcome To The Jungle, but the actor says the film gave her a newfound appreciation for comedy — a genre she now believes is among the toughest to master. “Making people laugh is much harder than it looks. The challenge is to make it look effortless and natural,” says Disha, adding, “I’ve also learned a lot just by watching actors on set — Akshay (Kumar) sir, Johnny (Lever) sir and Arshad (Warsi). Observing them really helped me understand comedy as a genre better.”
“It’s not every day that you get to be part of a film with such a huge ensemble cast and so many talented people coming together. I love comedy, and the scale of this film was something that really excited me,” says Disha, adding, “As an actor, I don’t think you focus on competing or proving yourself. You focus on your character, do your best, and trust that if you’re sincere, your work will connect with the audience.”
The success comes at a time when the actor, who made her Bollywood debut with M S Dhoni - The Untold Story (2016) and has since featured in films such as Malang (2020), Ek Villain Returns (2022), Yodha (2024) and Kalki 2898 AD (2024), continues to balance commercial entertainers with action-driven roles.
Despite her strong social media presence and glamorous public image, Disha says she remains deeply introverted. “It hasn’t always been easy, and there have been a lot of challenges along the way, but every experience has taught me something valuable. Being an introvert, it’s not always easy to put yourself out there, but I think that’s part of the process. Looking back, I think the journey has made me stronger, more resilient and more appreciative of every opportunity.”
Asked about the kinds of roles she feels closest to, Disha says she naturally gravitates towards understated characters rather than larger-than-life personas.
“The more quiet, simple and emotionally grounded characters are probably closest to who I am in real life. I’m actually quite reserved and prefer letting my work speak for itself,” she says.
In Welcome To The Jungle, Disha Patani got to be a part of the recreation of Uncha Lamba Kad. The original song from the 2007 film Welcome featured actors Akshay Kumar and Katrina Kaif. Calling the song “iconic”, Patani insists that she was ready for comparisons with Kaif. “Comparisons are inevitable, but our intention was to celebrate a much-loved iconic song and present it in a fresh avatar,” she says.
Next up, Patani will be seen in Awarapan 2 alongside actors Emraan Hashmi and Shabana Azmi, and she calls it a privilege to be associated with the much-loved franchise. “The music of Awarapan (2007) has stayed with audiences, and to be part of a film that carries so much emotion and nostalgia is a privilege. I’ve always admired Shabana ma’am. Her dedication and command over her craft are inspiring. Even Emraan has such a strong understanding of cinema,” she says.
Ask her what is on her radar for future projects, and the actor says that she is keen to explore darker territory on screen. “I’d love to do a psychological thriller or an intense character-driven drama, or even action dramas,” she ends.
There is no formula, just a lot of guts and prayers-Akshay Kumar
9:49 AM
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Actor Akshay Kumar reflects on the success of Welcome To The Jungle and the hunger that keeps him going after three decades
Medha Shri Dahiya (HINDUSTAN TIMES; June 30, 2026)
Actor Akshay Kumar is riding high on the success of Welcome To The Jungle. At a time when every theatrical release feels like a gamble, the film’s strong box-office run has reaffirmed the actor’s enduring connect with audiences. Equally at home in action and comedy, Kumar sits down for a candid chat, making one thing clear at the outset: “Dekh, main dil se bolunga jo bolunga, headline ya TRP ke liye nahi.” Excerpts:
You’ve completed more than three decades in the industry. What is the biggest misconception people still have about Akshay Kumar?
That I have some secret machine at home that produces four films a year! But it’s all about time management and discipline. Another misconception is that because I’ve been around for more than three decades, everything comes easy to me now. It doesn’t. Every Friday still feels like an exam result. Every film still gives me butterflies. The day I stop being nervous or excited about a new project, I think that’s the day I should retire. So no secret formula... just discipline, consistency and still having the hunger of a newcomer.
Bollywood has been going through phases where audience tastes have changed every few years. How have you stayed relevant?
Being relevant and understanding what audiences want is one of the hardest things to predict. Sometimes you need to give audiences something they didn’t even know they wanted. Following trends doesn’t guarantee success either. The trick is not to be scared. If you believe in something, go for it wholeheartedly. There is no formula, just a lot of guts and prayers.
The most important person I wish to thank for not only today but also the past 20 years is (filmmaker) Anees Bazmee ji. This man is the creator of Welcome, without his genius filmmaking none of the 30+ cast members of Welcome To The Jungle, would be standing here enjoying this weekend, especially me.
The first rule of martial arts is to never forget where you come from… I will cherish Anees ji for what he has given us all and the road he paved for so many of us.
Welcome To The Jungle is quite literally standing on the shoulders of giants. From Anees ji, Ferozji (A Nadiadwala, filmmaker), Anil ji (Kapoor, actor) and Nana ji (Patekar, actor) and now my friend Ahmed (Khan, director of Welcome To The Jungle).
Welcome To The Jungle has stormed past Rs. 65 crore in its opening weekend. The industry is happy and relieved and the audience is truly enjoying the laugh riot. What do you have to say?
Just two words: Jai Mahakal!
What lessons have you learnt from the successes and setbacks of your films?
That you can’t always trust your instincts. Sometimes you can love, admire and be excited about a project, yet it simply doesn’t connect with the audience. But I’m not the kind of actor who is only looking for blockbusters. There are so many stories to tell and so many talented artistes and technicians to work with. Some of my films over the last five years have been my favourites, and others I’m not sure even my family went to see. But I never stopped trying. Better to be relentless than too scared to make your next hit or flop.
What excites you most creatively now?
The number of hungry artistes, writers and debut directors getting opportunities excites me. Personally, having come from the background that I have, I still love good old-fashioned action, memorable dialogues and songs you can listen to on repeat. Today everything moves so fast. One minute something is viral, the next minute it’s forgotten. All you can do is try to be the best version of yourself and hope people connect with it.
Do you still get nervous before a film release? Does home production add more pressure?
I do get nervous, but not to the point where I can’t eat or sleep. Give me home-cooked food and a pillow any day of the week and I’m happy. These days, I’m more nervous for everyone else involved in the film. I’ve experienced success, failure, heartache and triumph enough times. I just want the best for everyone around me.
Many younger actors look up to your discipline and work ethic. In an industry that often celebrates overnight success, what habits are truly non-negotiable for longevity?
Be authentic. Be original. Don’t try to look, dance or act like someone else. Be a producer’s actor and remember that you’re only as big as your last hit film. Stay humble on your way up, otherwise the fall will be much more painful.
Do you take feedback from your wife and kids?
Always have, always will. You never know where the next great idea will come from.
When you look back at your journey from Rajiv Bhatia to Akshay Kumar, is there a struggle or sacrifice that still moves you emotionally?
No matter how much you do later, there is no substitute for being present in a child’s life. Luckily, my wife (former actor and author Twinkle Khanna) understands better than anyone, but it’s hard for a child to understand why Daddy has to leave home to entertain others when all he wants is to make them laugh the most.
The Welcome franchise is known for its madcap humour and ensemble chaos. What makes Welcome To The Jungle different?
The earlier Welcome films were madness in a living room. This one is madness in a jungle! We’ve taken the chaos, multiplied it by ten and dropped everyone into the middle of nowhere.
There are helicopters, action sequences, mistaken identities and so many characters that even we sometimes needed a headcount on set. What makes it fresh is that it’s not just a comedy of dialogues anymore. It’s comedy on a much bigger canvas — an adventure-comedy where something goes wrong every five minutes.
Actresses are brilliant at physical comedy, yet not given such roles-Raveena Tandon
9:46 AM
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Mohar Basu (MID-DAY; June 30, 2026)
What’s Welcome To The Jungle got right? According to Raveena Tandon, two things at least. Director Ahmed Khan’s ensemble comedy embraces its absurdity unapologetically. It also offers its female actors the opportunity to be an active part of the slapstick comedy.
“We’ve evolved from the era when the heroine’s only job in a comedy was to look pretty and act shocked at the hero’s antics,” laughed Tandon, pointing out that Welcome To The Jungle — that stars Disha Patani, Lara Dutta, and her alongside Akshay Kumar, Suniel Shetty, and others — doesn’t follow that trope.
“The biggest change is agency. Female characters aren’t just reacting to the plot anymore; their choices and blunders move the story forward.”
Even as the small changes are appreciated, Tandon asserted that there is still a long way to go. “Actresses today are brilliant at self-deprecation and physical comedy, yet writers hesitate to give them the outright hilarious roles, slapstick, or absurd lines. We are still cast as the voice of reason reacting to the funny men. Films like Chaalbaaz [1989] or Andaz Apna Apna [1994] are etched into cinematic history because the women were devastatingly funny. There is still a lingering hesitation to back a mainstream comedy spearheaded by women.”
Tandon’s three-decade filmography includes several popular comedies, from Andaz Apna Apna to Dulhe Raja (1998) and Bade Miyan Chote Miyan (1998). This time, it was the film’s absurdity that made her say yes.
“[Some] critics ask, ‘Where is the logic?’ But comedy has often been about the joy of absurdity — look at the works of Mel Brooks, Steve Martin, Eddie Murphy, or Jim Carrey. If someone is looking for logic in a film meant to be an escape, they are missing the genre’s purpose,” she stated.
We believed brain rot cinema would work-Suniel Shetty
10:01 AM
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Upala KBR (MID-DAY; June 29, 2026)
Although Suniel Shetty was initially hesitant about joining Welcome To The Jungle, today, the actor is happy he did a rethink. Ahmed Khan’s directorial venture has reportedly crossed the Rs 50 crore mark over its first weekend.
“Initially I was skeptical about doing it as I wasn’t sure whether justice could be done to so many actors,” said Shetty of the ensemble film that has a principal cast of 30-plus actors. “I knew the script was over-the-top but because I was comfortable with my producer Firoz A Nadiadwallah and Ahmed, I said yes to it.”
Many have drawn parallels between Welcome To The Jungle — also starring Akshay Kumar, Sanjay Dutt, Raveena Tandon, and Disha Patani, among others — and Ben Stiller’s Tropic Thunder (2008) where a film crew’s shoot in the jungle turns into a real-life combat operation.
The comparisons don’t affect Shetty, who reasoned, “Comparisons will keep happening. What makes a difference is the writing, performances, the director’s vision, and our belief that over-the-top, brain rot cinema will also work. We are nobody to judge. Audiences have enjoyed Welcome To The Jungle.”
After the laugh riot, the senior actor is shifting gears to the action thriller, Hitman. In the Sachin Ravi-directed offering, Shetty plays a mentor to Tiger Shroff’s character. Chatter suggests that Shetty’s role has grey shades — something that he remained tight-lipped about, only saying, “I cannot say anything till the producer announces it. Grey is always good, but black never is.”
Suniel Shetty noted that making comedy films is as important as doing spectacle films like ‘Dhurandhar’. “I love Aditya Dhar’s cinema. For me, entertainment is [a movie] that appeals to kids and families. The way they are going to the theatres for ‘Welcome To The Jungle’ speaks for itself,” he said.
Akshay Kumar, Suniel Shetty said, ‘Picture achhi banao. Picture kamayegi, we’ll take from that’-Ahmed Khan
9:59 AM
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Mohar Basu (MID-DAY; June 28, 2026)
What would be a filmmaker’s biggest hurdle? The script? The shoot? Action? Humour? For Ahmed Khan, it was simply getting the calendars of the 30-plus actors to align. That challenge stretched Welcome To The Jungle into a two-and-a-half-year shoot, making it one of the most ambitious ensemble comedies.
“It was an ambitious project from the word go. In India, ambition means getting the cast and their dates,” Khan tells mid-day, on the eve of the film’s release. “Every actor was busy with other films and every character in this film is important. That’s why it took us two-and-a-half years to complete.”
Having previously worked with much of the cast as a choreographer made communication easier. But Khan admits that being “loud and dominating” on set probably helped him keep everyone together.
If assembling the cast was one challenge, stepping into a franchise originally helmed by Anees Bazmee was another. Khan, however, says he never felt the need to seek the filmmaker’s approval before taking over.
“We’re all friends, but professionally every director can make any film. Anees bhai doesn’t need me to explain how to make an action film and I don’t need anyone to explain comedy to me. A director is a director. Give him a script and he’ll make a film.”
He believes a change in the captainship gives a franchise a fresh identity, a “new vision, and thought”. “Otherwise everyone would keep making the same thing over and over again. It’s like shifting into a new house. You don’t call the previous owner and ask where he kept the sofa. The house is the same, but you’ll arrange the furniture your own way,” explains Khan.
For the director, mounting a large-scale entertainer was also a way of giving back to the exhibition business. “I can make a small action film and make it a hit, but it’s our duty to give back to theatres.”
When actors lend support
Ahmed Khan credits Akshay Kumar and Suniel Shetty for backing the film and easing the production’s financial burden. “What Akshay and Suniel did for this film is unbeatable. They simply said, ‘Picture achhi banao. Picture kamayegi, we’ll take from that.’ They didn’t say, ‘I’ve rendered my services, now pay me’.”
Acting 17-20 percent bhi aati hai toh chal jayega, insaan accha hona chahiye-Akshay Kumar
9:21 AM
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Madhureeta Mukherjee (BOMBAY TIMES; June 25, 2026)
There was plenty of laughter, a few life lessons and more than a handful of memorable one-liners when Akshay Kumar and Disha Patani joined us on the Bombay Times Lounge. With fans travelling from far and wide to be part of the show, Akshay had the audience hooked with his stories, humour and spontaneous exchanges, while Disha offered refreshingly honest insights into her journey. The duo will be seen this week in Ahmed Khan’s upcoming ensemble comedy, Welcome To The Jungle. Excerpts.
A lot of actors who do comedy really well say that one of the most important qualities one needs to have is the ability to laugh at oneself. Is that something you believe too?
Akshay: Absolutely. It’s better to make fun of yourself, rather than making fun of other people, if I crack a joke, it’s usually about myself. That way, nobody else feels bad. At many award nights, I often see people get laughs by putting others down. I don’t agree with that.
While shooting Welcome To The Jungle, were there a lot of scenes where the cast kept laughing long after the director said ‘cut’?
Akshay: In reality what happens on set is that by the time you’re shooting a scene, you’ve rehearsed it so many times that you’ve already laughed through it. During the actual take, it doesn’t seem funny anymore (to the actors). Then you’re just waiting to see whether the audience laughs. I watched the film the other day and I laughed a lot. Now I’m just waiting to see how the audience reacts.
Akshay, over three decades in the industry and you’ve remained relevant through changing trends, audiences and eras of cinema. Is reinvention something you consciously pursue, or is it simply a natural part of your journey?
When I entered the industry, I came here to earn money. I didn’t know anything about cameras or acting. I loved performing stunts. I’d wake up, go to work, and enjoy myself. Initially, people only offered me action films. But over time, I started falling in love with acting. Then I met filmmakers like Priyadarshan, Rajkumar Santoshi, Neeraj Vora, and many others. I started loving characters and wanted to do different roles. I enjoy deconstructing myself. I don’t want a one-dimensional image. I don’t want people to see me only as an action hero or only as a comedian. I want to keep evolving.
You’ve always had a reputation for being disciplined and incredibly hardworking. Do you think those qualities have contributed as much to your longevity as talent has?
Akshay: I work hard, but I take my time off. I get around 120 days off every year. If you are talking about work ethic, yes, you need to have that. I have always said this ki acting 17-20 percent bhi aati hai toh chal jayega, insaan accha hona chahiye. If you want to survive in this industry, it is important to be a good person and if you are punctual, and respectful of your producer’s time — this industry has a lot to offer you. That applies to everyone — character actors, junior artistes, dancers, and everyone else.
Disha, you came to Mumbai nearly a decade ago with no film background and built your career from the ground up. What has that journey taught you, and has it made you stronger?
I’ve learned to believe in myself more and I believe that you should listen to everyone but ultimately, do what your heart tells you. I trust my intuition much more now. It’s been a beautiful journey. I’ve met wonderful people and made wonderful friends. At the end of the day, it’s about the time you spend with people, and I’ve been lucky to have good people around me.
The world is changing at a dizzying pace. From new trends, new ways of communicating to an entirely different digital culture - the younger generation seems to be experiencing the world very differently from us. Do your children help you see the world through a new lens?
Akshay: Yes, absolutely. I believe I have seen the world, but yeh samay joh hai, yeh unki aankhon se dekhne ka samay hai because they teach you so many things. For instance, when my son (Aarav) talks about fashion, I’m taken aback by how much knowledge he has at just 23. My daughter (Nitara) uses words that I don’t understand. Sometimes when she is sitting next to me and talking to her friends on the phone…I don’t know what she is talking about. They speak a different language. There’s a lot to learn from the young breed. If you want to survive, then you have to learn from them and learn their language.
Akshay, who is your toughest critic?
My better half (Twinkle Khanna).
Is her feedback, criticism brutal?
Brutal toh kuch bhi nahin hai. She can kill me with her words (laughs). Last week I was dubbing for Priyadarshan sir’s film, and I got a message from her while he was sitting next to me. I told him, Priyan sir, aaj main bahut khush hoon. He asked, ‘Kya hua?’ I said that my wife has sent me a message saying, ‘I loved your trailer.’ I am telling you, I don’t always get such messages. I have done many films where she has come and told me, ‘What rubbish is this?’ (laughs).
How do you react to it?
There is nothing to react to. I just put my head down and say... okay, I will try next time. Then, if the movie works, she says, ‘I don’t know how it ran.’
Akshay, you’ve seen many phases of the industry and experienced both tremendous success and the ups and downs that come with it. Has your relationship with success changed over the years?
I believe that today success is yours, tomorrow it might not be, and someday it could come back. So don’t take success too seriously. Take the day as it comes. Take the week as it comes and just keep on working with utmost honesty.
Disha, which is the moment in your career when you felt that now I belong here?
I don’t think I have ever felt that. Since childhood, I have always felt like an outcast. I never felt like I belonged to one place. In my mind I am a wanderer and I think it is fine to be that way. You don’t always have to belong somewhere.
(Crisp) Movie Review: WELCOME TO THE JUNGLE by FENIL SETA
10:54 PM
Posted by Fenil Seta
Welcome To The Jungle belongs to the Tees Maar Khan-style brainrot category. Films of this kind are rarely made and hence, it arrives at the right time. The plot is bizarre and logic takes a backseat. However, the makers’ aim is to make you laugh, and the film succeeds on that front. Moreover, a few characters come with outrageous quirks, and the humour often borders on the offensive. Thankfully, it lands well; again, we haven’t seen this kind of humour in a long time, and that adds to its appeal. A surprise in the second half also keeps the interest going. On the flipside, the plot is like a bhel puri of too many films, and some of them are unjustified. A few actors are also forced into the story for the heck of it. An important track in the first half is bad and weakens the pre-interval portion. Speaking of performances, Akshay Kumar is in top form, as expected. Suniel Shetty and Arshad Warsi come next. Disha Patani looks stunning and delivers a decent performance, though she hardly mouths any dialogues. Jacqueline Fernandez raises some laughs. Jackie Shroff and Vindoo Dara Singh are able as villains. Raveena Tandon leaves a mark, while Lara Dutta is very disappointing. Johny Lever, Paresh Rawal, Rajpal Yadav and Shreyas Talpade are dependable. Krushna Abhishek, Kiku Sharda, Mukesh Tiwari and Yashpal Sharma are wasted, while Daler Mehndi delivers an embarrassing performance. Late Pankaj Dheer, Feroze Khan and Puneet Issar are entertaining. Urvashi Rautela, Jeetu Verma (Dominic) and Sudesh Berry (Vikrant Singh) are fine in small roles. Lastly, Farida Jalal and Kiran Kumar are the surprise packages of the film; see it to believe it! All in all, Welcome To The Jungle is not the perfect comic caper, but it manages to raise laughs and give audiences a paisa-vasool time.
My rating - *** ½ out of 5!
My rating - *** ½ out of 5!
Fenil's Bollywood Talk # 940
2:26 PM
Posted by Fenil Seta
WILL WELCOME TO THE JUNGLE EMERGE AS ANOTHER HIT FOR AKSHAY KUMAR AFTER BHOOTH BANGLA?
From today, 7:30 pm onwards, the paid previews of Welcome To The Jungle will begin across the country. The film has been in the news ever since it got launched, thanks to the popularity of the series, mainly the first part. Moreover, the film is arguably the biggest multi-starrer of all time.
Welcome To The Jungle stars Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan, Late Pankaj Dheer, Puneet Issar, Sudesh Berry and many more. It is directed by Ahmed Khan, while the first two parts – Welcome and Welcome Back – were directed by Anees Bazmee.
The teaser and trailer of Welcome To The Jungle have been entertaining and it looks like a grand, fun-filled entertainer. However, the challenges remain. The trailer hasn’t wowed the audience. The songs, though quirky, have not worked as intended.
As a result, as it usually happens, people have decided to wait for the response and then book tickets. This is also reflected in the advance sales, though the bookings until now are decent. There was hope that Welcome To The Jungle would emerge as Akshay Kumar’s highest opener by crossing the earnings of Mission Mangal (Rs. 28.45 crores). However, it seems like it's not going to happen. At best, the hope is that the film will open in the range of Rs. 17 crores and Rs. 20 crores on Friday. As for paid previews, Bhooth Bangla collected Rs. 3.50 crores and Welcome To The Jungle should aim at crossing this figure.
Meanwhile, Main Vaapas Aaunga collected more than the first week’s collections in the second weekend. While Week 1 earnings were Rs. 11.23 crores, its second week collections were Rs. 11.50 crores. It is rock-steady on weekdays as well. The film is expected to cross the Rs. 30 crore mark by the end of its second week.
As for Cocktail 2, it opened at Rs. 12.25 crores and went on to earn Rs. 15.50 crores and Rs. 16.50 crores on Saturday and Sunday, respectively. But it dropped to Rs. 5.25 crores on Monday, while Tuesday's jump was limited, when it earned Rs. 5.50 crores. The film has earned Rs. 55 crores in 5 days. As of now, a lifetime of Rs. 100 crore seems like a remote possibility.
From today, 7:30 pm onwards, the paid previews of Welcome To The Jungle will begin across the country. The film has been in the news ever since it got launched, thanks to the popularity of the series, mainly the first part. Moreover, the film is arguably the biggest multi-starrer of all time.
Welcome To The Jungle stars Akshay Kumar, Suniel Shetty, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Jackie Shroff, Paresh Rawal, Raveena Tandon, Lara Dutta, Farida Jalal, Johny Lever, Shreyas Talpade, Tusshar Kapoor, Rajpal Yadav, Krushna Abhishek, Kiku Sharda, Daler Mehndi, Aftab Shivdasani, Mukesh Tiwari, Yashpal Sharma, Kiran Kumar, Zakir Hussain, Vindu Dara Singh, Urvashi Rautela, Hemant Pandey, Brijendra Kala, Feroze Khan, Late Pankaj Dheer, Puneet Issar, Sudesh Berry and many more. It is directed by Ahmed Khan, while the first two parts – Welcome and Welcome Back – were directed by Anees Bazmee.
The teaser and trailer of Welcome To The Jungle have been entertaining and it looks like a grand, fun-filled entertainer. However, the challenges remain. The trailer hasn’t wowed the audience. The songs, though quirky, have not worked as intended.
As a result, as it usually happens, people have decided to wait for the response and then book tickets. This is also reflected in the advance sales, though the bookings until now are decent. There was hope that Welcome To The Jungle would emerge as Akshay Kumar’s highest opener by crossing the earnings of Mission Mangal (Rs. 28.45 crores). However, it seems like it's not going to happen. At best, the hope is that the film will open in the range of Rs. 17 crores and Rs. 20 crores on Friday. As for paid previews, Bhooth Bangla collected Rs. 3.50 crores and Welcome To The Jungle should aim at crossing this figure.
Meanwhile, Main Vaapas Aaunga collected more than the first week’s collections in the second weekend. While Week 1 earnings were Rs. 11.23 crores, its second week collections were Rs. 11.50 crores. It is rock-steady on weekdays as well. The film is expected to cross the Rs. 30 crore mark by the end of its second week.
As for Cocktail 2, it opened at Rs. 12.25 crores and went on to earn Rs. 15.50 crores and Rs. 16.50 crores on Saturday and Sunday, respectively. But it dropped to Rs. 5.25 crores on Monday, while Tuesday's jump was limited, when it earned Rs. 5.50 crores. The film has earned Rs. 55 crores in 5 days. As of now, a lifetime of Rs. 100 crore seems like a remote possibility.
People will want to see Raveena Tandon, Akshay Kumar together, so why not do fan service?-Ahmed Khan
9:55 AM
Posted by Fenil Seta

Upala KBR (MID-DAY; June 22, 2026)
As Welcome To The Jungle gears up for release, one of its biggest talking points is the reunion of Akshay Kumar and Raveena Tandon, who share screen space for the first time in 22 years. The former co-stars, whose off-screen relationship was among Bollywood’s most discussed romances in the 1990s, have come together thanks to director Ahmed Khan.
Speaking about the casting coup, Khan told mid-day that his decades-long friendship with both actors helped make it possible. “Both Raveena and Akshay have been such good friends of mine. We have known each other for over 30 years and because we go back so long, we know what has happened in each other’s lives.”
Was it challenging to bring rumoured ex-lovers back together for a film? The filmmaker took up the task as a “fan service.” He said, “People will want to see Raveena and Akshay together, so why not do fan service?”. He added that Akshay in fact encouraged him to cast whoever suited the role best.
According to Khan, Raveena had no reservations when she learnt Akshay was already part of the project. “She said, ‘So what? We are all actors and grown up. We are all friends and we will have a blast on the sets,’” he recalled.
While Kumar and Tandon are not paired romantically in Welcome To The Jungle, they share several scenes and a song choreographed by Rahul Shetty and Prince Gupta. The reunion is particularly nostalgic given that the duo delivered some of Hindi cinema’s most enduring hits, including Tu Cheez Badi Hai Mast Mast and Tip Tip Barsa Paani from Mohra (1994).
Recalling the shoot, Khan revealed, “There is a sequence of Akshay and Raveena dancing together. The whole set clapped. Suniel Shetty, who also starred in Mohra, came in and said, ‘Arre, mere Mohra ki jodi aa gayi’.”
Off camera sparks
Ahmed Khan says, “It’s a small industry and everybody grows over their past and moves on. Off set, Raveena and Akshay were friends only — joking, having fun, and talking about their kids. We reminisced about the past and work from earlier movies”
A lot of what you will see in Welcome To The Jungle was created on the spot-Akshay Kumar
9:22 AM
Posted by Fenil Seta
Madhureeta Mukherjee (BOMBAY TIMES; June 20, 2026)
Ahead of their upcoming ensemble comedy, Welcome To The Jungle, Akshay Kumar and Disha Patani were on the Bombay Times Lounge for a candid conversation packed with laughs, revelations and behind-the-scenes stories from the film. Akshay’s comic timing was as effortless off screen as it is on screen, while Disha brought honesty, warmth and quiet charm to the chat. The promo is out now, and the full episode will drop soon on the Bombay Times YouTube channel. Until then, here’s a sneak peek from the conversation.
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I actually do very few films, and I think you should enjoy what you do. One film shouldn’t define your entire journey. If you’re unhappy for six months or a year while making a film, then that one release day won’t mean much. The quality of your time while working matters more than quantity
— Disha on choosing happiness over chasing quantity of work
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I don’t actively post on social media, but I do keep an eye on what’s happening. Things are changing very fast these days. Even Gen Z language has changed. When I talk to my daughter (Nitara), she speaks in an entirely different language. Most of the time, I need her to explain what she’s saying, as they use so many words and phrases which are new to me
— Akshay on keeping up with Gen Z in a rapidly changing world
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Aisa koi din nahi gaya jab maine ugta hua suraj nahi dekha. Even if I have to work till late, I am up at sunrise every day of my life. Yes, I have cheat days when it comes to food, but when it comes to my mornings, that doesn’t change
— Akshay on discipline being a huge part of identity
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The funniest person I’ve met in the industry both on and off camera, was Mehmood saab. I was lucky to get a chance to work with him, though by then he was quite old. The other person who is genuinely hilarious is Johny Lever. And then there’s Asrani saab who has a unique sense of humour. Now, I am seeing Rajpal Yadav in that category
— Akshay on comedy legends who have inspired him
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A lot of what you will see in Welcome To The Jungle was created on the spot. Some of the dialogues were not in the script, they happened spontaneously. You can’t be stuck to the script all the time. Lakeer ke fakeer nahi reh sakte. In such films, you have to let the actors move and say dialogues the way they want. One person says something, another responds, and it keeps building. Comedy moves very fast. If you do it in bits and pieces, it doesn’t work. Comedy has a certain rhythm, it should not slow down
— Akshay on why comedy works best when actors are allowed to improvise
----------------------------------------------------------
Disha, the one thing you are still learning in this industry is…
Being okay with being around people I don’t know. I’m an introvert, so I get very nervous at times.
But that has changed over time, right? Become better?
I think I have become worse (laughs).
In fact, in an earlier interview you had said that the one place where you are not an introvert is in front of the camera
Yes, because it’s just one lens looking at you instead of people’s eyes.
Ahmed Khan on son Azaan’s debut: "Either the audience will like him, or he has to keep trying"
11:18 PM
Posted by Fenil Seta

Natasha Coutinho (HINDUSTAN TIMES; June 3, 2026)
Filmmaker- choreographer Ahmed Khan is all set to launch his son Azaan as a hero after the release of his upcoming directorial Welcome To The Jungle, featuring Akshay Kumar and a star-studded ensemble cast.
Interestingly, Ahmed and Azaan share the same birthday, which they celebrate today. “Even if I don’t remember my own birthday, I have to remember it because of Azaan. He is the best gift my wife could have given me,” Ahmed says with a smile.
Speaking about the launch, he says, “Yes, the film goes on the floors after the release of Welcome To The Jungle. He’s a choreographer’s son, so of course, there will be expectations about how he performs. I give him a good rank 7/10 when it comes to dance, but he’s even better when it comes to action.” He adds, “Haseen ladka hai, he just has to cut through.”
Ahmed says the nervousness is less on him and more on Azaan. “I don’t behave like his father, but his director now. I don’t go around saying ‘Mera beta superstar.’ Either the audience will like him, or he has to keep trying. Filmmakers like Raj Kapoor and Rakesh Roshan found the perfect balance between being a father and filmmaker, which is important to find.”
Speaking about trolls and preparing his son to be thick-skinned, he adds, “Once you have selected this profession, there will be people jealous of your position; you have to deal with it. Everyone has a job, and so do trolls; trolling is their job. I’m not on social media, I’m a zen person.”
Akshay Kumar told the team to let me wear what I was comfortable in-Akshara Singh
10:01 AM
Posted by Fenil Seta

Akash Bhatnagar (HINDUSTAN TIMES; May 27, 2026)
Akshara Singh is thrilled about stepping into mainstream Bollywood with Ghis Ghis Ghis from the upcoming movie Welcome To The Jungle alongside Akshay Kumar. Calling it one of the biggest opportunities of her career, the Bhojpuri star says she grew up dancing to Akshay’s songs and never imagined she would one day share screen space with him.
What impressed her most, however, was Akshay’s sincerity: “He kept asking me how to pronounce every line correctly and understand the tone and meaning behind the lyrics.”
Akshara also recalls being moved when Akshay stepped in after she was asked to wear a stereotypical ghaghra-choli look for a shot: “He told the team to let me wear what I was comfortable in. That touched me deeply.”
The actor was equally overwhelmed by the respect she received on set, especially from choreographer Ganesh Acharya. “People often have preconceived notions about Bhojpuri artistes, but Ganesh sir told his assistants, ‘Usko chhod do, wo faadu artiste hai’,” she says.
Akshara adds, “Abhi tak jitne gaane aaye, wo sab Bhojpuri touch ke Hindi gaane the. Iss baar pehli baar, Akshay sir ne pura Bhojpuri gaana, Bhojpuri bhaasha mein kiya, so ye aur badi baat ho gayi.”
Welcome to The Jungle team to fly to Dubai in May for Suniel Shetty's entry scene: "Only Dubai has ambience we wanted"
9:16 AM
Posted by Fenil Seta

Upala KBR (MID-DAY; April 5, 2026)
Ahmed Khan’s directorial venture is nearing the finish line. At the end of March, mid-day reported that producer Firoz A Nadiadwallah had deferred a song shoot in Dubai amid the ongoing conflict in West Asia (Welcome to Plan B — March 31). However, the director-producer duo remain keen to film in Dubai to capture a luxe lifestyle — and to shoot at least Suniel Shetty’s entry sequence in Welcome To The Jungle, alongside Arshad Warsi, Paresh Rawal, Johnny Lever, and Rajpal Yadav.
The plan is now locked. The cast will fly to Dubai in mid-May to film the sequence. “Suniel’s introduction scene will be one of the most expensive [sets] in the movie, shot over three days,” a source reveals. The makers want Shetty’s entry to echo Feroz Khan’s iconic introduction in Welcome (2007).
“Suniel plays a loveable don. The scene will be shot mid-sea, onboard a 200-foot sleek yacht with a helipad. Suniel and Arshad will get down from the helicopter and meet [the others].”
The producer, in fact, insisted on shooting in Dubai. “It’s one of the most important scenes in the movie. The team also felt that only Dubai suited the ambience and mood we wanted for this universal family entertainer,” explains Nadiadwallah. Shetty, whose association with Dubai dates back 35 years, says he “feels safe safe and secure in Dubai”.
“We will be shooting a grand sequence there in May. I am very excited to work with Firoz bhai,” the actor shares.
Also in Dubai
Alongside shooting the film, Suniel Shetty will host a business reality series, ‘Falcons Of Majlis’, which is “an investment-driven show similar to ‘Shark Tank’. I believe that Dubai will be back to its glory [soon]. Praying that peace comes to the world soon,” he adds.
Welcome To The Jungle makers cancel Dubai schedule; to shoot the song in Mumbai
9:19 AM
Posted by Fenil Seta

Amid the West Asia conflict, ‘Welcome To The Jungle’ makers call off their Dubai song shoot; to film it in Mumbai to avoid wasting the ensemble cast’s combination dates
Upala KBR (MID-DAY; March 31, 2026)
The ripple effects of the West Asia conflict can be felt the world over, including in the Hindi film industry. On March 30, mid-day reported that the Dubai schedule of Shah Rukh Khan’s King had to scrapped (When war affects the King’s strategy, Mar 30). Now, the latest film to call off its Dubai shoot is the Akshay Kumar-starrer Welcome To The Jungle. Director Ahmed Khan was to take his ensemble comedy to the emirate for a song shoot, but is now reimagining it in Mumbai.
Postponing the track’s filming was out of the question as it includes the entire primary cast — Kumar, Suniel Shetty, Arshad Warsi, Raveena Tandon, Jackie Shroff, Paresh Rawal, Lara Dutta Bhupathi, Disha Patani, Jacqueline Fernandez, Shreyas Talpade, and many others — and getting their combination dates a second time over would have been difficult. So, the director did the next best thing.
A source revealed, “Elaborate sets will be put up in Madh Island, Golden Tobacco Studio, and Film City in Goregaon. Created by production designer Sailesh Mahadik, the sets will depict night clubs, casinos, and private jets. Ahmed and producer Firoz A Nadiadwallah essentially imagined it as a glamorous song that shows how the rich live the good life. That’s why Dubai would have been the perfect location. The unit waited for a month for things to settle down there, but when they didn’t, they shifted the location.”
Khan will begin the song shoot on April 15. Confirming the location shift, the director told mid-day, “We will now shoot the song in Mumbai. It’s a glamorous song with the entire cast.”
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