Showing posts with label Vishal Dadlani. Show all posts
Showing posts with label Vishal Dadlani. Show all posts
Some of our best work has come from creative clashes - Vishal-Sheykhar
4:29 PM
Debarati S Sen (BOMBAY TIMES; March 25, 2026)
From Dil Diyan Gallan, Aankhon Mein Teri, Sheila Ki Jawani to Besharam Rang, composer duo Vishal–Sheykhar have shaped the sound of Bollywood for 25 years.
Known for their instinct-driven partnership and genre-bending hits, the two continue to reinvent themselves while keeping the fun, and the music, at the heart of their collaboration. In this conversation with Bombay Times, they look back on their journey, the trust that binds them, and the madness behind their melodies. Excerpts...
After so many years, do you finish each other’s musical sentences, or argue over commas?
Vishal: Absolutely. We do finish each other’s musical sentences. That’s uncannily true about us. But yes, we also have those “commas” you mention. We argue, we debate, we break things down—where a song can go, where it should go, what it should sound like, the beat, the energy—everything is discussed to the bone. And yet, somehow, we always end up on the same page.
Sheykhar: At this point, we know each other so well musically that one of us can easily complete a thought that begins in the other’s head.
Twenty-five years is a long time in any profession. What has been the glue that’s kept you both together all this while?
Vishal: Honestly, it doesn’t even feel like 25 years. We still have fun doing what we do, we love the process, and we’re always laughing—whether we’re working or just hanging out. There’s a deep respect for each other, and just as importantly, we give each other space. Every person needs an individual identity, even within a partnership, and I think holding on to that individuality has kept us strong all these years.
Sheykhar: At the heart of it, it’s always been about the music—the joy of creating something bigger than either of us. That singular purpose has been the driving force of our collaboration from day one.
When you both hit a deadlock in opinions, how do you break it?
Sheykhar: Taking a break usually works best. Stepping away gives us distance and helps us regain perspective. Sometimes, even a really long break has done the trick. As our friend, lyricist Irshad Kamil, once wrote, “Kuch rishton ka namak hi doori hota hai, na milna bhi bahut zaroori hota hai.” That thought has stayed with us. At the end of the day, it’s always about the music, and whatever makes the song better is what wins.
Vishal: Honestly, we don’t really have deadlocks. We don’t see them as conflicts, just as strong opinions. Both of us are secure enough in our partnership to voice what we feel without ego getting in the way. But if ever there was a deadlock, we’d just step away for a couple of days, come back refreshed, and move on.
Do you have unspoken rules at work, or do you still surprise each other?
Vishal: In many long-term partnerships, roles get fixed. Thankfully, that’s never happened with us. Sheykhar is a far more qualified musician, he’s taught me a lot, but our process is symbiotic. Anyone can do anything. If he sings me a tune and I tweak it, he runs with it. If I sing him an idea and he adds a line, that becomes part of it. It’s fluid.
Sheykhar: Life would be boring without surprises. Over time, we’ve both grown individually, and those experiences naturally shape how we collaborate. The ‘rules’ keep rewriting themselves as we go.
Looking back, is there one moment in the studio or on stage that perfectly sums up your equation as collaborators?
Sheykhar: Honestly, every day in the studio or on stage asks something different of us. Each director is unique, every audience responds differently, so our collaboration keeps shifting too. We’ve learned to recalibrate pretty organically—whether it’s composing for a film or performing live. That ability to adapt has kept things seamless for us all these years.
Vishal: If I had to pick one defining moment, it would be the composition of Jo Bheji Thi Dua (Shanghai). That song was pure instinct. I’d been carrying the hook melody in my head for a couple of days, and when I walked into the studio, Sheykhar already had the mukhda. The hook just slipped in there like they were meant to be together.
If your 25-year journey as a duo were to be described as a track, what genre would it fall into—rock, pop, EDM, or a mashup? Or name a song.
Sheykhar: I’d definitely describe it as a Mashup.
Vishal: For me, it’s Dus Bahane Karke Le Gaye Dil (Dus). By hook or by crook, you’ll end up loving our music, we’ll draw you in. Our songs are meant to become part of people’s lives, and we want everyone to feel included in that experience. I still remember the first time a car drove past playing Woh Pehli Baar from Pyaar Mein Kabhi Kabhi. It blew my mind! I’ve been hooked to that feeling ever since.
Take us inside a Vishal–Sheykhar jam session—how does a melody or beat usually find its way from your minds into a finished track?
Vishal: And these sessions don’t always happen in a studio. It could be in the car, at a coffee shop, or even on the phone when we’re in different countries. Wherever we are, once we’re in the zone, it becomes a session. It’s unstructured, but it has its own rhythm, a method to madness. Sometimes we begin with a melody, sometimes with words, sometimes by just sitting with a script or listening to a director’s narration. Ideas can spark from anywhere.
Sheykhar: The seed of an idea or melody can come from either of us, but it’s our different perspectives that merge to create something we’re both proud of. Sometimes, even the occasional casual jam has turned into a hit unexpectedly.
You’ve often been described as having very different temperaments. How has this contrast been a superpower, and how has it sometimes been a stumbling block?
Sheykhar: Disagreements and differences are inevitable in any partnership. In fact, some of our best compositions have come out of creative clashes. Even when we don’t see eye to eye, the key is trusting each other’s instincts. If one of us feels strongly about an idea, the other gives it room to breathe. Over the years, we’ve learned when to push, when to pull back, and when to simply listen.
Vishal Dadlani is a malang kind of a person and I love his vibe-Sonu Nigam
8:43 AM
As Sonu Nigam and Vishal Dadlani mark their first non-film collab with the single Jaan Le Gayi, they talk about the experience and what sets the project apart
Soumya Vajpayee (HINDUSTAN TIMES; January 14, 2025)
While they have worked together on several Hindi film songs, musicians Sonu Nigam and Vishal Dadlani marked their debut collab for a single, Jaan Le Gayi, last month. The song, which is part of the album Bhoomi 2024 — a brainchild of composer duo Salim-Sulaiman, has been penned by Shraddha Pandit and has almost two million views on YouTube.
Nigam says working on the song and singing alongside Dadlani was a breeze. “Jaan Le Gayi was the first song that we recorded for the album. But everyone loved it so much that it was decided to end the Bhoomi season with the track. I am a sound person and I get very touched by voices. Vishal ki awaaz mujhe bahut touch karti hai. Despite his rock background, he has a soul for Indian melodies, which is quite rare. I was so happy that we collaborated for our first non-film song. Vishal is a malang kind of a person and I love his vibe,” he says.
For Dadlani, coming on board for the song was a yes at the very outset. “I was on a paragliding trip in France when Salim (Merchant; composer) called me and said he wanted to do this song and that I’d have to sing alongside Sonu Nigam. My brain broke a little, because it’s not easy to sing with Sonu. It was something I had never done before. So, I knew it would be challenging as a singer to even go behind the mic. I don’t consider myself a singer at all, although Sonu and Salim always say kind things about my vocal performances,” he says.
Dadlani adds that shooting the music video was even more fun: “It was a concert-like setting. Both Sonu and I are energetic performers on stage and we are also seen dancing in this one. Projects like these become a way of reinventing yourself, especially when you have people like Salim and Sulaiman at the helm of it. This song has me singing sargams that I am really not fluent in, but these guys encouraged me to do it. I would love to work with Sonu again.”
For Nigam, who is seen pulling off some impressive moves in the music video, shooting the track was a special experience. “The last time I shot at a Bhoomi set was in 2022 for the single Ruk Ja. So, returning to the same space after two years felt great. I love working with Salim-Sulaiman, because I enjoy that space. That’s why the kind of work that we’ve been doing, including the Kannada song Mayavi (it has close to 30 million views on YouTube) from the same album that has received so much love globally, is very divine and genuine,” he ends.
I will no longer make recreations-Tanishk Bagchi
8:37 AM
Tanishk Bagchi knows that his claim to fame may have been the work he has done in reviving old classics for this generation, but hopes his work as Sky Force’s composer will change his trajectory
Sonia Lulla (MID-DAY; January 13, 2025)
Often referred to as the king of recreations, Tanishk Bagchi is certain that the album of Akshay Kumar’s Sky Force will compel filmmakers to see him in a new light. While fans have celebrated his original hits, including Raataan Lambiyan and Bolna, the songs have often been dissociated with his name given the spate of rehashed numbers he has served music aficionados.
But Dinesh Vijan’s Sky Force, he says, is set to put his best work on display. “Imagine an album that has Raataan Lambiyan, Ve Mahi, Bolna, and Badri Ki Dulhania, all in one album,” he says of the film that has five songs crafted by him. In this interview, he reveals how he charted his career to facilitate this transition. Edited excerpts of the interview.
What was the discussion you had with the makers with regards to the music of this album?
I used to create a lot of songs for Dinesh sir, but it would be one song in the entire soundtrack. I’ve also done a lot of recreations. Dino [Vijan] had praised my skills as a composer. Nobody understood that I have the potential [to helm] a solo film. Dinesh sir told me about this film that he was working on, and told me to make the entire soundtrack. That is where we began. He spoke to me about the situations the songs were to be placed in, but left the work to me. He didn’t share any references and allowed me to decide the genres.
Because this is a patriotic film, we’ve tried to retain honesty in the emotions. I can’t take references from other tracks. I’m proud of this album because these are the songs that I’ve always wanted to make. I knew that if I ever got an entire film to work on, I could design the soundscape as I desired. When I’d see [composers like] Sachin-Jigar, Vishal Dadlani, or Pritam, I’d always wonder why I couldn’t get an entire soundtrack [like they do], and was only entrusted with promotional numbers. That was, in a sense, a struggle for me. So, this film marks a new journey. I have been known as the person who did recreations, so this breaks the barrier for me. All the songs are original, and have been composed by me. The credit goes to Dinesh sir.
Were there any active steps you took to make this transition?
It began with saying no to a lot of [offers]. I turned down offers to back recreations. The last remix I did was for Bhool Bhulaiyaa 3, and I did that only because I had worked on the second part as well. Even then, I tried to treat that number like an original song and added a new sound. I no longer wish to do any recreations. As much as I can, I will decline those offers. I’ve done what I had to do; I’ve established a trend. Now, I want to focus on my original music.
Is there a genre of music you’ve employed here that you feel you have dominance over?
When I compose, my music reflects a lot of the emotions that I encounter. Because I belong to Bengal, I’ve been inspired by folk melodies. I always wanted them to be reflected in my music. For Sky Force, I put all my skills to use, including using all the genres I know. Everything was scattered, but I created this package that brought it all together. This album includes one of the best tracks I believe I have ever composed. There’s another romantic song that, I am certain, will be liked by people. There’s also a number that adds emotional depth to the situation is was made for. Imagine having an album that has songs like Raataan Lambiyan, Ve Mahi, Bolna, and Badri Ki Dulhania and Aankh Marey, all in one album. I think, this is that.
The participants of the past five editions of Idol have vast YouTube and Instagram followings-Vishal Dadlani
4:08 PM
Skilled musicians may come and go, and it is one’s ability to leverage social media and market themselves that will decide their fate, says Indian Idol judge Vishal Dadlani
Sonia Lulla (MID-DAY; September 2, 2023)
Ahead of the upcoming season of Indian Idol that sees Kumar Sanu, Vishal Dadlani, and Shreya Ghoshal on the judges’ panel, Dadlani addresses the question that’s on the lips of every audience member: ‘Where do the popular singers go after the show ends?’ His answer makes it evident that in 2023, an entrepreneurial spirit is just as important as one’s skill to enjoy a lasting career. Edited excerpts from the interview.
We see reality shows coming out year after year. And often, months after they are over, the most common question that is asked is, where did the popular singers go? What are the opportunities for this influx of talent?
The music business has come to a place where a singer is his own opportunity. In the past, a singer’s career was dependent on the composer. It was dependent on the films he was singing for. That is no longer the case. [The participants of] the past five editions of Idol have vast YouTube and Instagram followings. Their shows on tours are [booked out] and they perform all over the world. A singer’s career depends on the legwork that they are willing to put in—whether that’s about meeting composers or creating and releasing their own music. Now, every singer understands that they also need to be a composer, just like, [until] a few years ago, every composer understood that they also needed to sing. You need to be an artiste and promote your own artistry. And if someone follows them, they usually enjoy the [work of the] artiste for life. A platform like Indian Idol gives these kids that head start, which is [significant] right now. The number of eyeballs that you command is your currency in 2023.
The importance of building a personal brand cuts across all industries. But, it’s not the easiest thing to do because one needs to have a fine sense of marketing as well. Are there any skilled participants who you believe didn’t get the kind of attention they demanded only because they were unable to market themselves?
Many of them. Right from season one, you could see that there were some people who promoted themselves, and who are, today, doing far better, economically, than the others who didn’t. They may not have even been the winners. That is the reality of life. You have to understand that music, art and entertainment are in the public sphere. You can’t [achieve anything] without the public. Your equity is how many people love you or the work you put out. Take [A R] Rahman as an example. He has never marketed himself. But, his first few soundtracks were so ground-breaking that people automatically began to admire him. Another example is Neha Kakkar, who is one of the most popular people on Instagram in the world. She’s built that following by actually constantly treating her Instagram followers as her friends and family. She puts her life out there. It’s something that I couldn’t do, but I admire that she can. And people connect with her on that basis.
Do you believe singers must stick to their niche? And what kind of training do participants receive on the show?
Most artistes today are known for their style of singing. In the past, either Sanu da [Kumar Sanu] or Udit ji [Udit Narayan] would sing every song in an album. That [approach] doesn’t work anymore. Now, it’s about specialists. Every singer has, and is known for one style. That’s also a more organic way of [approaching music]. Before, there was one voice for the hero; now a hero can have six voices. Songs don’t matter, what matters is how the singer serves the song. In Idol, they go through all sorts of training. To begin with, they are very accomplished. To get through the auditions, you have to be pretty good. Once they are among the top 15 contestants, they go through grooming sessions. There are [classes on] voice culture. For instance, if they have been trained in classical music, they are also taught to have an understanding of playback singing. They also need to learn how to pull back while singing. Grooming sessions help them add a certain subtlety and nuance to their delivery.
Bombay High Court rules in favour of musicians as it upholds 2012 Copyright Act
8:19 AM
Lyricists, composers heave a sigh of relief as High Court upholds 2012 Copyright Act; rules in favour of musicians by directing FM Radios to pay royalties for their work
Sonia Lulla (MID-DAY; May 8, 2023)
It’s been a long-awaited win for music composers and lyricists in India who, despite the existence of the Copyright (Amendment) Act, 2012, had to fight for royalties for their work. Days after the Bombay High Court granted the rights of The Indian Performing Right Society Limited (IPRS), a music copyright society in India registered under the Copyright Act, 1957, against private FM radio broadcasters, lyricists and composers have heaved a sigh of relief.
“It shouldn’t have taken so many years, but now that we are here, we are very happy,” says songwriter Sameer Anjaan, also part of the IPRS board of directors.
Anjaan, who along with legendary songwriter and IPRS chairperson Javed Akhtar fought the case for more than five years, says through this win, they have tried to secure the future of the upcoming generation of musicians.
“Sometimes, it feels odd that despite the [existence] of the 2012 Copyright Act, this litigation existed. Now, the next breed of musicians can secure their future, even if they have a few songs to their credit,” he says.
Lyricist screenwriter Mayur Puri, another member on the board of directors, says the arduous fight has been a result of musicians and lyricists standing their ground despite running the risk of offending corporates.
“Whether it’s Javed saab, me, or anyone who has raised this cause, we have done so at a cost to our careers. We cannot repay Javed saab for what he has done. This is an important milestone. I know the opposition we have faced over the years,” he says, quick to add that dealing with individuals who continue to hesitate to give artistes their due, will be the bigger fight.
“People think royalty is something extra that they need to pay for, but this is a basic right. I’m happy, but I’m also scared, because I know they’ll come for us again.”
Composer Vishal Dadlani seconds his opinion and says there is the need to treat royalty as a right instead of a favour. “This judgment means that finally the work that a creator of music does will provide for him or her for as long as it is relevant or being consumed. This should, in fact, have been a basic right that any creator enjoyed. It’s sad that it has taken this long to happen, but it’s wonderful that it finally has. For years, we have been treated as intruders when we’ve claimed authorship of the work we have done,” he says.
Dadlani’s friend and colleague Salim Merchant adds that the development is significant when one considers the market size of FM radio. “It generates big revenue, but composers weren’t able to get their share.” Lyricist Shellee urges people to share a thought for lyricists who “don’t even do concerts, unlike other artistes”. “This is a revenue [stream that they can avail].”
Lyricist-singer Swanand Kirkire gives a shout-out to those artistes whose work is still celebrated, even as they continue to struggle with their finances. “This is their money, but they couldn’t access it to make a living. In times of emergency, like during the pandemic, this could have been the money they could have used. Finally, they will be benefited even if one of their songs is played on the radio.
Lyricist Raj Shekhar highlights the dichotomy that existed until now — while an artiste’s music may brighten a person’s day, the person who created that piece of art would be living hand-to-mouth. “At this moment, I remember Javed saab’s lyrics from the song Mitwa — ‘Sach aur sahas hai jiske mann mei, ant mei jeet usi ki hai’.”
The case
While the The Copyright (Amendment) Act, 2012 aimed to establish a framework to share revenue with artistes, it was subsequently challenged by corporates. The IPRS has fought the case for a decade to enable composers and lyricists to earn royalty for their work.
Come Fall In Love changed our sensibilities; We got 60 standing ovations-Vishal Dadlani
8:23 PM
Having rendered Sachin-Jigar’s composition Paisa Hain Toh for Farzi, Vishal on reigning in his music sensibilities as composer to serve the song
Sonia Lulla (MID-DAY; January 23, 2023)
There are some matters that Vishal Dadlani won’t talk about, like the Pathaan track, Besharam Rang, which emerged to be among the best performing songs of 2022, but was mired in controversy with fans stating that it resembled a bunch of old numbers. Then, there are matters on which he pours his heart out, like his work on the recently concluded Dilwale Dulhania Le Jayenge musical, Come Fall In Love, an international production that offered Dadlani, along with his long-time collaborator Sheykhar Ravjiani, a once-in-a-lifetime opportunity.
Considering the fact that musical adaptations of Bollywood films are a rarity, we are eager to know what transpired behind the scenes as the cult classic found a theatrical adaptation in San Deigo. Stating that the project “changed our sensibilities”, Dadlani says, “Dilwale is the fabric for modern pop culture. We worked with Nell Benjamin, who is a multi-Tony Award-winning [composer], and we learnt a lot about approaching music [from a place of] joy. [We were told to] let the lyrics speak to us, and by the end of each page, we [usually] had the song [conceived]. We got 60 standing ovations, and our crowd comprised both American viewers, and individuals who had flown from Mumbai to see it,” he relives the experience, as though it occurred yesterday.
Given that it marks the amalgamation of story-telling techniques and live music, a musical, Dadlani says, is a powerful medium to express emotions. “Sheykhar and I usually get to head on [tours], but we never get to perform the same set on the same stage, over and over again. This experience provided that. We had people coming back to watch it [twice over]. It was challenging, but was one of the best experiences of our lives.”
Dadlani’s recent work is an upcoming track from Amazon Prime’s Farzi, and one that brings him under the familiar wings of composer duo Sachin-Jigar. “They are friends. When they call me for a song, I don’t even ask them about it, I simply show up. By now, they know my range, texture, and the things that I like to do [as a singer],” says Dadlani, who rendered Paisa Hai Toh, along with Mellow D for Shahid Kapoor’s project.
We would assume that his success as a composer would influence his renditions while working for other composers, in the capacity of a singer. But Dadlani disagrees. He adheres to one principle — “I come in knowing nothing,” he says.
“I only bring my heart. I treat each song as an opportunity to learn something. When a composer calls me, he/she is giving me a chance to improve myself as a musician. You have to put your faith in the composer, because the composer chooses your voice as the instrument for the song.”
Dilwale Dulhania Le Jayenge musical to promote inclusivity
8:41 AM
MID-DAY (August 6, 2022)
Aditya Chopra’s Broadway-bound musical, 'Come Fall in Love', sheds light on the need for cultural unification in a growingly divisive world. Putting their money where their mouth is, the team has roped in technicians across departments from the East and West, with Indian and South Asians being represented.
Composers Vishal and Sheykhar say, “We are extremely proud that one of the most-loved Indian films, 'DDLJ' [Dilwale Dulhania Le Jayenge], is being adapted into the musical, 'Come Fall in Love', at The Old Globe San Diego, with all our sights firmly set on Broadway. This is the first time an Indian film is being adapted for Broadway by the original filmmaker himself. This is, therefore, also the first time India, our culture, our music, our dance and our wonderful open-heartedness is being represented to the world in this form, for and by creators and artistes from India, along with celebrated veterans of Broadway Musical Theatre. We, along with all the other South Asians in the cast and crew, are thrilled to be making such an illustrious debut. It is a collaboration of two worlds, of two cultures, as equals. We are celebrating inclusivity and equality.”
Playing Simran in this reimagined adaptation is Shoba Narayan, who adds, “The fact that we have an Indian musical headed to Broadway feels incredibly personal and monumental to me as an Indian-American actor who grew up loving Bollywood films and musical theatre. It was only a matter of time before Broadway and Bollywood found each other.”
Vishal Dadlani’s father passes away; singer says he couldn’t go to hospital as he has Coronavirus
8:37 AM
HINDUSTAN TIMES (January 9, 2022)
On Saturday, music composer and singer Vishal Dadlani’s father, Moti Dadlani, died at the age of 78. Sharing a photo of his dad on Insta, he wrote, “Shri Moti Dadlani (12 May 1943-8 Jan 2022). Lost my best friend, the nicest and kindest man on earth, last night. I couldn’t have asked for a better father.” On Friday, just a day prior to this unfortunate incident, Vishal had shared the news of his Covid-19 diagnosis.
Vishal lamented not being able to be there for his mum during this tough time. “He was in the ICU for the last 3/4 days (due to a gall bladder surgery that went bad), but I couldn’t go...because I tested positive for Covid. I can’t even go hold my mother in her most difficult time. It’s really not fair. (sic)”
The Grammy was never on my list, but when I was nominated I was extremely happy-Shilpa Rao
8:24 AM
Debarati S Sen (BOMBAY TIMES; January 1, 2022)
Bollywood singer Shilpa Rao’s collaboration with composer-sitarist Anoushka Shankar last year, on the album Love Letters, got her a nomination in the ‘Best Global Music Album’ category for the 63rd Grammy Awards last year. The singer who has given chartbusters like Ghungroo (War), Meherbaan (Bang Bang!), Khuda Jaane (Bachna Ae Haseeno), Ishq Shava (Jab Tak Hai Jaan) among others, recently received the Grammy certificate.
She says, “For somebody who never felt since childhood that she would achieve anything, this was huge. Of course, the Grammy was never on my list, but when I was nominated, I was extremely happy and excited. ”
Shilpa believes it’s persistence that can take an individual a long way. “I think more than talent and hard work, persistence is the key because one has to work hard and never give up even when things do not go your way.”
Shilpa says that she has never looked at her songs as filmi or non-filmi. “Every recording is important to me because I am very emotionally invested in my songs,” she says.
Has the perception of people in the Hindi film music industry changed in any way because she has now got an international recognition? “Well, I have to say that everybody here was quite excited and happy. They were congratulating me from everywhere. Be it Sunidhi Chauhan, Shaan, Vishal Dadlani, Shekhar Ravjiani, Shankar Mahadevan, Pritam...everyone. This means a lot to me because I have worked with them, they are my friends and are a part of my life. We congratulate each other whenever we do things and that means so much to us. When I like a song by another musician, I pick up the phone and congratulate him or her. When people around you are happy to see your progress...that’s a very beautiful way of working,” she ends.
(L-R) Ayanna Witter-Johnson (cellist), Shilpa Rao and Anoushka Shankar
Our duty is to not criticize contestants, but give them suggestions on what is wrong and what is right-Vishal Dadlani
6:25 PM
Tanvi Trivedi (BOMBAY TIMES; November 30, 2021)
Music composer and singer Vishal Dadlani, who is currently judging Sa Re Ga Ma Pa 2021, opens up about how people feel that judges on music reality shows only praise contestants. In an exclusive chat, he speaks about this, tear-jerking episodes on reality shows, and life in the pandemic.
Many people from the industry feel that celeb judges shower praises on the contestant and never point out any mistakes because they have been instructed to do so by the makers...
Everyone is entitled to their opinion. Young contestants are putting out their best and it is fair for people to judge them. As a judge myself, I know how fair and uncompromising I can be. Beyond that, as someone who is a music composer, I have tremendous love for these young singers who have hopes and aspirations. Our duty is to not criticize them, but give them suggestions on what is wrong and what is right. Our duty is to give them a platform and present them in a fair light to the world. People are free to judge them. I enjoy watching them perform and I don’t see it as an assignment where I need to point out mistakes all the time. As for people who feel that we are only showering praises, I have respect and love for all, but I can’t answer all their questions. I am just being myself and enjoying the performances of the contestants.
Singers like Sonu Nigam and some others from the industry have commented on how sob stories seem to be working for reality shows. What do you feel about teary episodes?
Sonu Nigam is a singer and far too big an entity for me to question him about this. I respect him a lot. But, all of us need to understand that there are kids on that stage who are starting out very young. They wake up at 5 am and start practising for a weekend episode, many days in advance. During such times, we need to be compassionate and take a positive step towards their journey. Also, there is a difference between a singer and a music composer and their perspective towards things. The industry can’t be bitter, we are just trying to provide opportunities to contestants for whom the journey is never easy. People might have several opinions on tear jerking episodes bringing viewership, but I plan to continue doing what I feel is best on a show.
On the personal front, you are single now, are you looking for a companion? How have the last few months of pandemic been for you?
I have had the glory of music with me for so many years now that I don’t feel I am single. Everyone needs a companion but I am happy enjoying my life with my parents, especially during the pandemic. I also participate in adventure sports like paragliding, so the fact that I am single, does does not bother me as I constantly keep myself occupied.
Over 26 years after Dilwale Dulhania Le Jayenge made cinematic history, Aditya Chopra to helm it for Broadway
8:32 AM
Mohar Basu (MID-DAY; October 23, 2021)
In 1995, Aditya Chopra’s debut directorial, the country’s longest running film Dilwale Dulhania Le Jayenge. 26 years later, Chopra is set to direct DDLJ all over again and this time it will mark his debut as a director on Broadway. As someone who believes Broadway and Indian films are ‘two long lost lovers separated in time’ because of their intrinsic similarities as both celebrate heart-warming stories and human emotions through music and dance, the transition was long coming. Aditya has been working on this passion project for the past three years and has roped in a stellar, extremely diverse team, comprising some of the best talents of Broadway and India for the same.
Come…Fall In Love - The DDLJ Musical is being produced by Yash Raj Films. Based on an original story by Chopra, the musical will feature book and lyrics by Laurence Oliver Award-winner Nell Benjamin (Legally Blonde, Mean Girls), top Indian songwriters Vishal Dadlani & Shekhar Ravjiani will serve as composers. Tony and Emmy winner Rob Ashford (Frozen, Thoroughly Modern Millie, The Boys from Syracuse) will choreograph with associate choreographer Shruti Merchant.
The design team will also include set design by Emmy and Tony Award winner Derek McLane (Moulin Rouge!, Hairspray Live!, 33 Variations) and music supervision by Tony, Grammy, and Emmy Award-winning Bill Sherman (In The Heights, Sesame Street, Hamilton). Adam Zotovich is the Executive Producer for the project.
Set to be on stage in the Broadway season of 2022-2023, the team is looking at a World Premiere at the Old Globe Theatre in San Diego September 2022. A global casting search begins shortly headed by Duncan Stewart of Stewart/Whitley casting and YRF casting head Shanoo Sharma.
In a note, Chopra sent to mid-day, he wrote, “Summer 1985. I was 14 and on a holiday in London. My parents took my brother and me for our first musical theatre experience. The lights dimmed, the curtains lifted and what unfolded in the next 3 hours left me speechless and stunned. Now, till then, I was a kid who was an avid movie watcher and what I loved the most was big screen Indian blockbusters. But that day what I saw on stage blew my mind. I couldn’t believe that this kind of spectacle could be created live on stage. But the most significant aspect that resonated with me was how similar musical theatre was to our Indian films. It was just not the fact that both use songs to tell the story, it was much more than that, it was the feeling they evoked which was exactly the same. The burst of colours, the heightened drama, the passionate singing, the unabashed dancing, a classic story, a happy end. It filled me with the same joy and emotions that a good Indian film does. I realised then, that worlds apart, languages apart, western musical theatre and Indian films are two long lost lovers separated in time. In Autumn 2021, I’m embarking on my most ambitious project till date. I’m reuniting two long lost lovers, Broadway Musical and Indian Films. 26 years back I started my career with a film called Dilwale Dulhania Le Jayenge (DDLJ, what it is more famously known as). The film created history and changed my life and many others forever. But what many don’t know is that I never intended to make DDLJ in Hindi. As a 23 year old young man greatly influenced by Hollywood and American pop culture, I thought I would make a couple of Indian films and then I would be off to Hollywood and make DDLJ for a worldwide English speaking audience with Tom Cruise as my leading man. That obviously didn’t happen. DDLJ released in 1995 and became the longest running film of Indian cinema. It gave me my identity and kickstarted an amazing journey for which I’ll always be grateful. 26 years later I’m going back to my original vision of the story of DDLJ, a love story of an American boy and an Indian girl, a love story of two cultures…two worlds. But this time the medium is not cinema but theatre. 26 years later I will be directing DDLJ all over again but this time as an English language Broadway Musical for a worldwide audience. I’m terribly nervous and incredibly excited. I’m a hardcore cinema guy, I have never done theatre in my life and here I am trying to pull off the craziest ambition of my life. But what is giving me confidence is the fantastic team that I have. Each one of them are masters of their field and their brilliance and expertise is going to make this a fantastic show. The past 3 years as we have developed this passion project, I have learnt so much from them and discovered the unbelievable talent that the Broadway community has. I feel 23 again, the same age I was when I directed DDLJ. I’m once again a student, each one of my team members is more experienced than me in the world of theatre, I’m the rookie and I’m loving every moment of it. I’m all set to learn, explore, create and enjoy these wonderful theatre artists and the magical world of Broadway Musicals."
Nell Benjamin adds, “DDLJ was my introduction to Indian filmmaking before I even knew who the amazing Aditya Chopra was, and the movie had such joy and heart that I fell in love with it. I was so happy to be approached to do the musical and I hope my work helps everyone fall in love with Simran and Rog and their journey across multiple cultures to love. The world can always use a little more cultural understanding, and I can’t wait to sit in a theater with an audience sharing the joy and surprise of this project."
Vishal Dadlani to create a scholarship programme that will offer help to at 50 musicians every year
8:06 AM
Perturbed by young musicians turning to other means to make an income during the Coronavirus pandemic, Vishal Dadlani offers helping hand with scholarship
Shaheen Parkar (MID-DAY; October 18, 2021)
Hit hard by the pandemic, several musicians — especially budding talent — were forced to sing a different tune. Social distancing norms resulted in the loss of shows due to closure of public spaces and restaurants.
Perturbed by the scene, musician Vishal Dadlani envisioned a way of reaching out to the affected. “Established names of the music industry need to encourage new talent. Affected [artistes] are not only lacking opportunities, but are also forced to find work in unrelated spheres to support their families,” says the singer-composer, who is planning to create a scholarship programme that will offer help to at least 50 musicians, every year.
“It will provide a sense of security, and enable them to get back on their feet. The aim is to make them self-sufficient, and then sustain themselves. I want to reach out to artistes belonging to different genres of music,” he says, without spelling out further details.
Dadlani, who returns as judge of the new season of Sa Re Ga Ma Pa, says that while YouTube and social media have given budding singers a chance to showcase their talent, “you have to be good, to get noticed”. It is with this reality show that he began his journey in television in 2007, along with collaborator Shekhar Ravjiani. Another stint followed in 2010. “It’s homecoming after 11 years. Sa Re Ga Ma Pa pioneered the concept of music reality shows in India 25 years ago. I have judged other shows, but the lehja of this one is distinct; it is rooted in Indian culture.”
Dadlani considers music reality shows a stepping stone in a singer’s career; one that brings them attention and admiration. “The audience wants to hear their voice and know them [better]. This is why their life story is weaved in. Even international labels market stories of their artistes.”
Dadlani quit the last season of Indian Idol — its 12th — mid-way, after the second wave forced a change in shooting location. “Things are better now with everyone being fully vaccinated, and well aware of the precautions that need to be taken.”
Bollywood director Raj Kaushal dies of cardiac arrest
7:58 AM
THE TIMES OF INDIA (July 1, 2021)
Mumbai: Filmmaker Raj Kaushal passed away of a cardiac arrest around 4.30 am Wednesday. He was in his fifties. Kaushal was actress Mandira Bedi’s husband. The couple have two children, 10-year-old Vir and a daughter Tara whom they adopted in 2020. Kaushal began his career as copywriter and went on to produce and direct scores of advertising films. He also directed three movies namely Pyar Mein Kabhi Kabhi, Shaadi Ka Laddoo, and Anthony Kaun Hai (2006). He produced ‘My Brother Nikhil’, a sensitive film on the subject of HIV-AIDS.
Kaushal’s sudden death evoked shock and sorrow in the entertainment industry. Actors Ashish Chowdhry, Apoorva Agnihotri, Rohit and Ronit Roy, Manasi Joshi Roy, Sameer Soni and Huma Qureshi arrived to console his wife and children. Meanwhile, Vicky Kaushal, Onir, Neha Dhupia, Arshad Warsi, Randeep Hooda, Boman Irani and Shekhar Ravjiani offered tributes on social media. Anupam Kher, Ronnie Screwvala and Sudhir Mishra also expressed sorrow.
Composer Vishal Dadlani tweeted, “The first person to trust me with making music for a film, @rajkaushal created so many careers with #PyaarMeinKabhiKabhi. Above that, he always stood with his friends.”
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BOMBAY TIMES (July 1, 2021)
Filmmaker Raj Kaushal, 49, who made his directorial debut in Bollywood with Pyaar Mein Kabhi Kabhi (1999), passed away yesterday morning after suffering a cardiac arrest. He is survived by wife Mandira Bedi and children Vir (10) and Tara (4).
The couple had adopted their daughter last year. Raj, who had directed many ads and helmed Shaadi Ka Laddoo (2004) and Anthony Kaun Hai (2006), had recently finished wrapping up a web series. While a few friends and colleagues from the industry were present for the final rites, others expressed grief on social media.
Remembering Raj, Onir, whose first directorial venture, My Brother…Nikhil (2005) was co-produced by the filmmaker, said, “He will always be remembered as someone who was always smiling and made everyone feel like a buddy. I am shocked that he left us at this very young age. He extended support for my first film at a time when nobody was willing to, and I give him credit for helping me fulfil my dream of becoming a director.”
Talking about the filmmaker, friend Rohit Roy said, “There is no way one can come to terms with Raj’s passing. He was one of the happiest, positive and vibrant people around. He never had anything negative to say about anyone… nor did anyone have anything negative to say about him. He was the kind of friend anyone would want to have in their life. He stood by people through thick and thin. I will never forgive him for going away without saying goodbye.”
Sudhanshu Pandey, who has known Raj since 24 years, shot with him a couple of weeks ago. “Raj was like a brother to me. I cannot come to terms with the fact that he is no more. We shot for something two or three weeks back and we had a great time on the sets. I didn’t know that it would be the last time I would meet Raj. I couldn’t attend his last rites. But my wife was there. We connected over a video call because I wanted to see him one last time,” he said.
Before Mask Kho Gaya song, I had personally never used music as a tool for change-Vishal Dadlani
8:04 AM
Filmmaker-composer Vishal Bhardwaj and composer-singer Vishal Dadlani collaborated on a song that gives a satirical view of the pandemic situation
Rachana Dubey (BOMBAY TIMES; November 28, 2020)
Filmmaker-composer Vishal Bhardwaj and composer-singer Vishal Dadlani recently collaborated on the single, Mask Kho Gaya. They released an interesting animated video for the song, which is written and composed by Bhardwaj and sung by Dadlani.
Talking about the idea behind the track, the filmmaker says, “When the lockdown started, we had a whole lot of songs that were about beating the virus, jeetna, harana, yudh jeetenge... it irritates me that whenever we are faced with a crisis, we start exploiting that instead of sharing what we really feel inside. The Coronavirus pandemic has forced us into leading a confined life. For some of us, the issues were that we were not getting our vegetables and essentials easily. On the other hand, the migrant labourers, who walked long miles to reach home faced bigger issues. That’s when we had thought of coming up with a satirical view on the situation. When I thought about the song, I felt that Vishal would be perfect for it.” In August, Bhardwaj had released the track Dhoop Aane Do, penned by veteran lyricist Gulzar, which was about being hopeful even during grim times.
Dadlani recalls recording the song from a village near Kamshet on the outskirts between Pune and Mumbai. “Recording the song took me only a few hours, but sending it out became an issue due to technical reasons. I would make trips to Lonavala just to try and send it to Vishal sir,” he says.
Vishal Dadlani says, “I had friends from different independent bodies working to help people facing a crisis during the lockdown, and I was trying to help them in some way, too. It’s a limitless task. It was getting depressing to see so much pain around us. This medium of satire and being able to say things with a unique perspective helped me break away from that. Before this song, I had personally never used music as a tool for change, but I am glad that I am a part of a song like this that addresses so many issues without being bleak.”
Bhardwaj adds, “This song has given me a different perspective and a new way forward. I have realised that anger ka kya faayda... It doesn’t help. I would rather use satire, use the language we know best as artistes and take things forward to express emotions aptly. I didn’t know it could give an artiste so much joy and comfort.”
Dadlani has previously collaborated with Bhardwaj for compositions like Dhan Te Nan (Kaminey) and Aao Na (Haider). When asked how it was to work on a single this time, the filmmaker says, “I love what Vishal does in films and independently, too. Some singers do a great job with their vocals, and then there are singers like Vishal, who grasp the soul of a song.”
Dadlani sums up saying, “I always come into our collaboration as a fan, straight up. It all started in 1994 or 95 when Pentagram (Vishal Dadlani’s band) was competing in a college competition. A crowd that had gathered to listen to English rock bands swayed and cheered for Chappa Chappa Charkha Chale from Maachis. This is the beauty of music that transcends language and genre. He’s the perfect example of a composer who maintains authenticity in music.”
I plan to get married to Shweta Agarwal by the end of this year-Aditya Narayan
8:09 AM
The singer-actor opens up about his 10-year relationship with his debut film actress
Tanvi Trivedi (BOMBAY TIMES; October 12, 2020)
It’s official! Aditya Narayan is tying the knot with his long-time girlfriend and actress Shweta Agarwal by the end of the year. The couple met on the sets of their debut film Shaapit in 2010. Talking about their relationship of 10 years, the actor-singer said, “I have never kept my relationship a secret. But at one point there was too much being said about it. So, when I decided to not talk about it, people left me alone.”
He revealed, “I met Shweta on the sets of Shaapit and we hit it off instantly. Slowly and gradually, I realised I was head-over-heels in love and started pursuing her. Initially, she wanted to be ‘just friends’, because we were both very young and needed to focus on our careers. Like every relationship, we have seen a lot of ups-and-downs over the last 10 years. Marriage is just a formality between us now, which hopefully should also happen by November or December. My parents know Shweta and like her a lot. I am happy that I have found my soulmate in her.” Aditya feels that it is important that people do not invade a couple’s privacy when they are in a relationship. He says, “I remember a few years ago, how people had assumed that Shweta and I had a big spat on the street and had broken up. After that it was so difficult for me to even go out with her.”
“I accept that there can be issues in a relationship, but that doesn't mean it's the end of the road. Marriages break easily these days, so we were both taking our time to know each other. Now, after a decade, I feel it is the right time to take the plunge,” says Aditya. Besides singing and acting, he is also a popular anchor of reality shows on TV, while Shweta has done films in the South opposite actors like Prabhas and Kichcha Sudeep among others.
Singer Neha Kakkar, who’s been linked to Aditya, is also set to tie the knot with singer Rohanpreet Singh. Dismissing the rumours that linked him with Neha during the last season of Indian Idol, Aditya said, “It started with a joke that was in the script of the show. People assumed so many things after that. There was no truth to those rumours. Neha is a dear friend and I am happy for her. I have known Rohan since he was the second runner-up of a music reality show I hosted in 2008. I am thrilled that two of my good friends are getting married.”
However, Aditya is not sure of attending Neha’s wedding. “I would have loved to attend it, but the wedding is happening in Delhi. I have a bad shoulder injury and I am not sure if I can make it. But almost everyone from the show, including Vishal sir (Dadlani) and Himesh Reshammiya are attending it,” he informed.
He also defends father Udit Narayan’s comment that he wanted to see Neha and Aditya getting married. “I had told my parents to not talk about Shweta, so when the rumours of Neha started, my father casually mentioned how if there was a possibility, he would love to see us together. Audiences watch a fragment of our lives and make assumptions. But I’d like to say that people, most of the time, do not know even five per cent of a public figure’s life,” said Aditya.
Vivek Oberoi, Salim-Sulaiman, Vishal Dadlani, Shaan etc to perform for CPAA’s free online musical concert on June 7
5:37 PM
Eminent singers like Salim-Sulaiman, Vishal Dadlani, Shaan, Kunal Ganjawala, Benny Dayal, Shadab Faridi, Neha Bhasin, Jonita Gandhi, Shilpa Rao, Aditi Singh, Bhoomi Trivedi, Anusha Mani, Mamta Sharma, Rasika Sekhar, Akriti Kakar etc and actors like Vivek Oberoi are all set to perform at a free-online concert named “Yes To Life… No To Tobacco”. It will be held on June 7 from 8 pm onwards, to create awareness and support cancer patients battling in the wake of COVID-19 on the occasion of World No Tobacco Week organized by Cancer Patients Aid Association (CPAA) & World Health Organisation (WHO). The concert will be free for all to watch on TIKTOK India’s official handle.
The proceedings received from the concert will be used for underprivileged patients who travelled to Mumbai for their cancer treatment but got stranded due to the Coronavirus lockdown. CPAA has been providing them with monthly ration supplies, guiding them with the shelter facilities along with hygiene kits consisting of masks, sanitizers among others.
The concert will be free for all to watch on TikTok India’s official handle and guarantees 150 minutes of non-stop fun and entertainment.
Anita Peter, executive director of CPAA, says, “World No Tobacco Day 2020 will seek to educate policy-makers and the general public with regard to the tobacco industry’s harmful tactics and to alert smokers and potential smokers on the most important preventable cause of death and disease in youngsters. CPAA is proud to be working in the field of cancer for the last 50 years whereby we have helped more than 3000 oral & Lung cancer patients annually. During this pandemic, tobacco users have high risk of Coronavirus as smoking weakens their lungs.”
Cancer Patients Aid Association is a registered, charitable organization working towards Total Management of Cancer Patients and Awareness to Rehabilitation, since the last 51 years. CPAA assists poor patients by giving them free medical aid, food supplements, prosthesis, transport services besides counseling the patients, offering rehabilitation facilities and tobacco control being one of the major activity of the organization. CPAA have been commemorating World No Tobacco initiative since 2003 with the support of WHO for better awareness on health impact of tobacco control and reinforcement of effective laws.
The original is the original, and honestly, Dus Bahane didn't need to be revamped - Vishal-Shekhar
8:19 AM
Vishal Dadlani and Shekhar Ravjiani -- who made Dus Bahane a hit, not once but twice -- on changing tastes in Bollywood
Sonia Lulla (MID-DAY; February 17, 2020)
For an artiste who has been rather vociferous about his displeasure with the ongoing trend of rehashing old ditties, Vishal Dadlani took us by surprise when, along with co-composer Shekhar Ravjiani, he agreed to remix Dus bahane [Dus]. On probing, we learnt that the duo would have preferred if the track wasn't meddled with. Their decision to intervene was taken to merely "save" their celebrated chart-buster. In an interview with mid-day, they reveal how they got the makers of Baaghi 3 to let them helm their composition.
When did you learn of the remix and what was the discussion you had with Bhushan Kumar and Ahmed Khan [Baaghi 3 director] about it?
Vishal: We heard about it over a month ago. After I tweeted [discouraging] musicians from relying on old songs, Ahmed, an old friend, called and said they [team of Baaghi 3] had used Dus bahane for his film. We spoke to Sajid Nadiadwala [producer], and both of them were gracious enough to say that they had shot it, but we could change it if we didn't like it. They even said that if we wanted it to be deleted, they would do so. After that, of course we wouldn't do anything that could cause them losses. Bhushan came by our studio, and asked us to help them out. So, we did what we could, given that it had already been shot to a very generic 'remix' track. We had two options; we could either take the legal route, and cause everyone pain and losses, or try and salvage an unfortunate situation. We chose the latter, because we have worked with, and are friends with everyone concerned. We only wish that they had come to us first.
What were the instructions you gave Meghdeep [Bose, producer] for the remix?
Shekhar: Unfortunately, we were stuck with the tempo and the verse of the version that had already been shot. So, we told Meghdeep to try to [make] it as close to the original as is possible, especially the [vocals] and the groove.
Are you happy with the final result? Would you say you enjoyed the process?
Vishal: The original is the original, and honestly, it didn't need [to be] revamped. It wasn't [created] that long ago anyway. Also, we would have probably [approached it] differently if we hadn't been brought on-board at such a late stage. Still, we're glad that this one will certainly send a lot of new people searching for the original.
Twenty years into the industry, what according to you is the biggest change you have seen in film music trends?
Shekhar: The film music-business used to set trends. Now, it seems to follow them. Filmmakers seem to have forgotten the value that a unique tonal quality [brings] to the entire film, and of songs that tell stories alongside dialogues. Songs now are mostly meant to promote films, and are not necessarily part of the narrative. The tragedy is that songs like those from Jhankaar Beats, Om Shanti Om, Tashan or Tiger Zinda Hai have become rare. Those are the songs that people remember films by, even after the films have left theatres. Movies may make more money today, and songs may stream in millions, but, now [we rarely see] audiences re-living the emotions of a film through the songs. Thankfully, the few true filmmakers left, value this.
At this stage, what can you tell us about the compositions of your future projects?
Vishal: We're doing two films right now, one for YRF and the other [Khaali Peeli] for Ali Abbas Zafar [producer]. We are also writing music for two international projects based out of the UK.
I called Shashi Tharoor's landline number until he answered-Sapan Verma
8:41 AM
Sapan Verma discusses how he gave shape to One Mic Stand, which has been nominated in the Best Comedy (Non-Fiction) in the upcoming mid-day and Radio City Hitlist Web Awards
Letty Mariam Abraham (MID-DAY; February 16, 2020)
How do you rope in five celebrities from different walks of life and convince them to give a go at stand-up comedy uninhibitedly? It's easier said than done, believes Sapan Verma, who spent four years on his brainchild, One Mic Stand, graduated from the storyboard to an Amazon Prime Video offering. "I don't think the comedy scene was evolved enough to pull off a show like One Mic Stand. We didn't have [lavish] budgets on the Internet, [until a few years ago]," he explains.With Shashi Tharoor, Taapsee Pannu, Richa Chadha, Bhuvan Bam and Vishal Dadlani as part of the line-up, the stand-up comic pulled off a casting coup with the maiden edition. Mention that Tharoor was a revelation on the show, and Verma says the politician's willingness to try his hand at comedy took him by surprise. "While I had known [the other participants] from before, I had never met Shashi Tharoor. I simply went to his website and dropped an email regarding the show. An hour later, his manager responded saying that Dr Tharoor watches my videos and wanted to know more about the idea," recounts Verma incredulously. What followed was a two-month chase to lock Tharoor's dates. "I kept on calling Tharoor's office landline number until he answered. The first time he got on a call with me, I froze. Once he heard the pitch, he asked me when the shoot was scheduled and when it would air," he says, adding that the MP—known to have a way with words—was the fastest learner of the lot.
Bringing celebrity guests also had its share of pitfalls. "One actress who agreed to do the show. So, I went to her house with a female comic [who would mentor her] and discussed possible topics for her set. But she had to back out when she bagged a big film," laughs Verma.
One Mic Stand has been a learning experience for the creator-host. "I was involved in everything—from figuring the title of the show, to the [background] music, to [overseeing] the edit."
More About One Mic Stand
- Verma was keen to rope in Shah Rukh Khan
- Dadlani said he was comfortable performing for a crowd of 20,000, but a setting of 50 makes him nervous
- Cast Your Vote For The Hitlist Web Awards
- One Mic Stand (Sapan Verma, Amazon Prime) has been nominated in the Best Comedy (Non-fiction) category.
The other nominees are:
- Going Downhill (Stand-up special: Neville Shah; Amazon Prime)
- Sushi (Stand-up special: Biswa Kalyan Rath; Amazon Prime)
- Jestination Unknown (Vir Das; Amazon Prime)
- Comicstaan 2 (OML Entertainment; Amazon Prime)
There are 14 categories that the public can vote for. Log on to www.hitlistwebawards.com to cast your vote.
You can also vote via SMS. Send HITLIST <space> category name <space> your choice (a/b/c/d as on the website) to 57575.
Voting lines close on March 8
We wouldn’t want anyone else to remix our songs, say Vishal-Shekhar
8:12 AM
Vishal-Shekhar recently remixed their own song for the first time
Debarati Sen (BOMBAY TIMES; February 15, 2020)
Composer duo Vishal Dadlani and Shekhar Ravjiani were recently in the news when they expressed their displeasure regarding remixes. They even issued a legal warning to people against remixing their work without their consent or giving incorrect credits. Attempts by a section of the music industry publishers to remake/recreate an old song by adding or changing a couple of lines, crediting the new composer for it and delinking the original composers from their actual work, was unacceptable to them. What triggered this move was the news that their hit track Dus Bahane was being recreated for Baaghi 3. That’s when the duo decided to be proactive; they intervened in the project and recreated the 15-year-old dance number themselves.
Talking about it, Vishal said, “This is the first time we have recreated our own song. We did it because a lot of the new remixes are just substandard quickie jobs, which have been done on low budgets, by people looking to make a quick buck or to add their name to an already successful product. We didn’t want that to happen to songs that we have created in the past. Dus Bahane 2.0 still sounds fresher than a lot of the music being made now. We didn’t want it to be given the chop-shop treatment that usual remixes sound like. We wouldn’t want anyone else to remix our songs.”
Vishal, however, maintained that recreations can never be better than the original, “As the saying goes, ‘Baap baap hota hai’. The idea was to just refresh the song, with a strong hint of nostalgia, and a beat that makes you dance. What we did was to try and keep the essence of the original intact, and since it’s our song, to have a little fun with it.”
Working on the recreation was a challenge for the composers because the song had already been shot and they had to match their composition with it.
Shekhar explained, “The tempo was faster than we would have liked, but we had to keep that because it had already been shot. So, we started from scratch and made a track that fit Tiger Shroff’s vibe and Shraddha Kapoor’s moves.”
The duo retained the original voices of Shaan, KK, their own and added female vocals with Tulsi Kumar.
“This particular instance will also define the future of how songs are respectfully and correctly re-used with the consent of and full credit to the original creators. I hope it is a breakthrough for not just this film and crew, but for the entire industry,” signed off Vishal.
We realised that there are people who aren't into aggressive politics or harsh messaging-Swara Bhasker
10:41 AM
Organisers of 10-city event 'India, My Valentine', which will start in Delhi on Feb 14 and end in Mumbai on Feb 16, say they will reach out to those who may not turn up at protest, but will go to a cultural event
Gaurav Sarkar (MID-DAY; February 10, 2020)
At a time when the country is polarised and lines have been drawn between the Left and Right with CAA-NRC-NPR at the epicentre, one could say there's been little bhaichaara and pyaar and more nafrat and aag. To counter this, love seems all set to be in the air next weekend, that is, the Valentine's Day weekend, when 10 cities across the country are expected to come together to celebrate their one true love — India.
The event is being organised by a group of citizens under the umbrella platform, India My Valentine. This includes people from the film fraternity Swara Bhasker, Vikas Katyal, Aditi Anand, activist Fahad Ahmad (above), Kabeer Palshikar and entrepreneur Richard Jacob, among others.
The celebratory and collaborative programme aims at celebrating the February 14 weekend with music and spoken word. So far, the event is to take place in ten cities including New Delhi, Kolkata, Indore, Jaipur, Kochi, and Hyderabad. The opening ceremony will be held in New Delhi on February 14 and the closing concert on February 16 will be held in Mumbai.
"The event will reaffirm our faith in our fraternity; in our unity; in our Constitution — as Indians — no matter what our political differences may be," reads the concept note. "We will help you curate the line-up of talent and artists and help coordinate the event in your city. Logistical and financial responsibility will belong to the local groups."
The note further read: "We gather to celebrate the India we know and love — the India of tolerance, the India of acceptance, the India that strove to be a better place for even her most oppressed children, the India that was a dream. We celebrate the India of Tagore and Gandhi, the India of Ashfaqullah, Bismil, Savitribai Phule, Fatima. The India of Bhagat Singh and Ambedkar."
Facilitating hosts, artists The organisers will act as facilitators between potential venue sites and the artists themselves. Those interested in bringing the event to their city can contact them at Indiamyvalentine@gmail.com.
"It is a sort of callout," said Bhasker, who is one of the organisers. "We realised that there are people who aren't into aggressive politics or harsh messaging. They might not come for a protest but they will come to attend an evening of cultural performances such as spoken word, poetry, and music. The name 'India, My Valentine' represents the fact that no matter how many differences the electorate might have over political views, we love India."
India, My Valentine will also act as a liaison between artists and the venue. The city-based venues will have the freedom to choose the content for the event. For instance, whether or not to mention the Citizenship (Amendment) Act, the National Register of Citizens (NRC), and the National Population Register (NPR) will be up to the individual venues.
"On the other hand, some venues are hardcore protest sites themselves. So it is open to interpretation," Bhasker said.
The organisers have also received requests from smaller towns of Uttar Pradesh. "We are concerned about the artists' safety. We won't compromise on security," Bhasker said.
"Most of the current protests are taking place in echo chambers. The Right wing has successfully polarised them. Whether we have been able to reach across this echo chamber is unclear," she added.
"It is heartening to see the response. People from all across the country have offered their spaces to host the event or participate as performers. It goes to show how deeply the events of the past months have captured the imagination of the youth," she said.
Ahmad, on the other hand, said, "The idea is to celebrate an India that gives equal rights to everyone without any discrimination. We will restore that India for which our freedom fighters fought. India is my first love because it gives us everything today that we have in our life."
Participating Artistes
Vishal Dadlani (music/vocals), Rekha Bhardwaj (music/vocals), Swanand Kirkire (poetry/vocals), Aditi Mittal (stand-up), Kaneez Surka (stand-up), Sanjay Rajoura (stand-up), Ankur Tewari (music/vocals), Saba Azad (music/vocals), Madara (rap), Aamir Aziz (spoken word), Sabika Naqvi (spoken word), Himanshu Bajpai (dastangoi — Urdu storytelling), Dolly Singh (YouTube sketches)
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