Showing posts with label Sohum Shah. Show all posts
Showing posts with label Sohum Shah. Show all posts

Few films create a world as immersive as Tumbbad-Alia Bhatt


Renuka Vyavahare (BOMBAY TIMES; July 14, 2026)

After much speculation, Bombay Times can now confirm that Alia Bhatt has officially joined the critically acclaimed Tumbbad franchise. The actress will appear in a pivotal role alongside Sohum Shah and Nawazuddin Siddiqui in Tumbbad 2, an anticipated sequel, marking one of the most significant collaborations in Indian cinema.

Known for her remarkable range and fearless choice of roles, Alia’s arrival marks a defining moment for the film. Her ability to seamlessly move between intimate character-driven performances has consistently made her one of the most compelling actors of her generation.

Alia told Bombay Times, “Tumbbad has stayed with me ever since I first watched it. Very few films create a world that feels this original and immersive, and even fewer continue to grow in people’s imagination years after they’ve released. That’s what makes this opportunity so exciting. To now become a part of that world is incredibly special. I’m looking forward to working with Sohum and Nawaz, two artists I’ve admired for a long time, and to exploring a character that belongs to a story as rich, mysterious and unforgettable as Tumbbad. I can’t wait for audiences to experience what we’re creating together.”

Celebrated for its rich world-building, atmospheric storytelling and visual ambition, Tumbbad redefined the folklore fantasy genre in India and has earned a cult following over the years. Its re-release went on to become the highest-grossing re-releases in Indian cinema. With Alia joining the cast featuring Sohum Shah and Nawazuddin Siddiqui, Tumbbad 2 is set to expand its canvas.

'Having Alia Bhatt come on board for Tumbbad 2 is truly delightful': Sohum Shah
Sohum Shah shared, “Having Alia Bhatt come on board for Tumbbad 2 is truly delightful for all of us. She is undoubtedly one of the most talented actresses of this generation, and I am sure the audience will get to witness something unique with her in the film. We have all witnessed her incredible performances on screen right from her debut. This is my first collaboration with her, and I am genuinely looking forward to working together.”

Tumbbad 2 is directed by Adesh Prasad and spearheaded by actor-producer Sohum Shah under his banner Sohum Shah Films, in collaboration with Pen Studios. The film is slated to release in cinemas on 3rd December 2027.

Producer Dr. Jayantilal Gada said, "Alia Bhatt is undoubtedly one of the finest actresses in our industry, and her joining Tumbbad 2 is truly incredible. This also marks our third collaboration with Alia after the phenomenal success of Gangubai Kathiawadi and RRR, making it even more special for us. She is the perfect choice for this film, and the audience will see her in a way like never before."

Nawazuddin Siddiqui, Sohum Shah's Tumbbad 2 goes on floors on March 27

Nawazuddin Siddiqui and Sohum Shah take horror flick Tumbbad 2 on floors on March 27

Mohar Basu (MID-DAY; March 27, 2026)

Weeks after mid-day reported that Tumbbad 2 is in the works (Khatarnaak combo, March 4), it’s time for Nawazuddin Siddiqui to step into the world of fear and folklore. We’ve heard that the actor and Sohum Shah, who is co-producing the sequel, will kick off the shoot in Madh Island today with an elaborate opening sequence that involves 200 people.

Adesh Prasad, who was one of the writers on Tumbbad (2018), is directing the second part. “On the first day, the crowd will be smaller, but by March 28 and 29, the scale will increase. A massive crowd sequence is being shot. Adesh wanted to start with the opening sequence itself; it is designed as a major set-piece that establishes the scale of the world imagined,” said a source.

A few days ago, Siddiqui and Shah were spotted in Madh Island, where the set was being built over weeks. Details about Siddiqui’s role remain under wraps, but the source indicated that his character has dark shades.

“It’s not a straightforward antagonist. Sohum has been involved at every stage — from script development to building the film’s look.”

Crazxy climax change wouldn’t have been possible if it was a studio-helmed film; would have got lost in e mail chains-Sohum Shah

In an unusual post-release move, Sohum Shah reworks climax of Crazxy

Going by the audience’s feedback after Crazxy’s release, Sohum Shah reworks the climax; says the new version, which hit the screens last week, is faring better
Mohar Basu (MID-DAY; March 10, 2025)

On February 28, Sohum Shah’s Crazxy opened in cinemas. The following Monday, the actor-producer was back on the set, reshooting the thriller’s climax. In an unusual post-release move, Shah and director Girish Kohli altered the climax of Crazxy. “It was a quick shoot in Madh Island,” says the actor.

In Crazxy, Shah’s character, a doctor, is given one day to save his daughter who has been abducted. The earlier climax entailed a big reveal regarding the mastermind behind the kidnapping. But the actor admits that it left the audience underwhelmed, prompting the makers to rework it for a stronger impact. 

He analyses, “People liked the film a lot, but found the climax a bit underwhelming. We understood this largely in the reviews. I wanted to make something more than a thriller. The climax didn’t land as much as we wanted to, so we listened to people’s feedback, then brainstormed and arrived at an idea. I think the current film, with the new climax, adheres to our commitment to make a thriller with a heart. Every father should watch this movie,” he states.

Crazxy with its revised ending hit the screens on March 7, a week after its original release, and Shah says there has been an uptick in its performance since. “With the new climax, we noticed that the footfall is higher. Our second Saturday’s [collections] are slightly more than that of the first Saturday. There is not much star value to Crazxy; it’s a solo-actor experimental film. And today, the cinema viewing culture has become such that on the third day, the film’s [box-office run] ends. But here, it’s picking up slowly,” says the actor-producer, proud that like his horror film Tumbbad (2018), Crazxy too is benefiting from positive word of mouth.

“This change wouldn’t have been possible if it was a studio-helmed film. The idea itself would have got lost in e-mail chains. I am the actor and the producer. I work on Sundays and I could shoot this on Monday. This translated quickly because I had the agency to make decisions.”

Change the ending
- Imtiaz Ali’s Love Aaj Kal (2009) initially had a bittersweet ending in which the leads didn’t reunite. But after mixed reactions in the test screenings, a new happily-ever-after ending was filmed.

- The original ending of Sholay (1975) had Thakur killing Gabbar Singh by kicking him onto a nail. However, the Central Board of Film Certification objected to the depiction of vigilante justice, which led director Ramesh Sippy to reshoot the climax.

Mujhe OTT ke mercy pe nahi rehna hai-Sohum Shah


Niharika Lal (BOMBAY TIMES; October 16, 2024)

Sohum Shah, the lead of Tumbbad and Maharani, explains why he decided to produce films. During his recent visit to Delhi, he shared, “Cinema ki ye khaas baat hai ki cinema rahega. Itni aafat aayi - piracy, satellite, OTT sab aa gaya, lekin cinema phir bhi hai. The community-watching experience of cinema cannot be replicated. I will always release my films in cinemas. After all, watching a film in a cinema is where it all started for me.” Excerpts from the conversation.

‘Meri jitni education hui hai, woh cinema se hui hai’
Talking about the impact films had on him and how they shaped his understanding of relationships and life, he says, "Mujhe nahi pata aisi film hoti hai toh aise bhai hote hain ya aise bhai hote hain toh aisi film hoti hai. Hum Aapke Hain Koun! dekh ke mujhe laga rishte aise hone chahiye. Mere bhi ek bade bhai thay, toh mujhe itna pyaar ho gaya unse. Hamari relationship itni majboot ho gayi.”

Sohum says that in the 90s', travelling to foreign country felt like something unimaginable to him.
He says, "Log panditji ko patri dikha ke puchhte thay videsh yatra ka yog hai kya? Dilwale Duhania Le Jayenge showed me how Europe is, those leather jackets, and that people drink beer in cans. It was a fascinating world. Meri jitni education hui hai, woh cinema se hui hai, aur Aamir Khan saheb mere guru rahe hain."

‘Mujhe OTT ke mercy pe nahi rehna hai’
Sohum says that as a producer, he will never choose to release a film on OTT when he can release it in theatres. He explains, "Mera ye hai ki mujhe OTT ke mercy pe nahi rehna hai. Main wohi filmein banaunga (the kind of films I want to be a part of) aur theatre mein lagaunga. Chalegi toh theek hai, nahi chalegi toh theek hai! Main meri property bech dunga, woh mujhe chalega, lekin mujhe OTT ke mercy pe nahi rehna hai."

What’s behind this love for releasing films in theatres?
He says, "Theatres are the seed that helped us reach this point. We watched those films and had the entire experience of watching them. When we watched films like Hum, I still remember the impact those dialogues had on us. I still remember all those lines."

Enacting a scene from Hum, where Amitabh Bachchan’s character screams Bakhtawar, Sohum asks, "Woh experience kaise laptop pe ya TV pe shift ho sakta hai? Jo shuruaat hui hai, cinema se hi shuruaat hui hai. Woh hamare conscious nahi, subconscious mind mein hai. Hamare blood mein hai!"

‘Tumbbad is my Mughal-e-Azam’
Sohum says that, according to him, Tumbbad is their Mughal-e-Azam. He explains, "Like we’ve heard so many stories about Mughal-e-Azam - that the diamonds were real and how the film was made with so much passion and love and took so long. In the same way, the bus you see in Tumbbad is an actual bus from the 1930s, the locks, the gates, the cinematography. If we missed one monsoon, we’d have to wait another year for rain. We did VFX in Sweden and background work in America. Humne bahut shiddat aur pyaar se banayi hai.”

He says that before they started shooting Tumbbad, there were already over five years of work behind it in terms of locations and sketchboards. "When I heard the script, I always had this trust that the film would reach somewhere. I had this trust because I felt the film was strong and unique."

Sohum elaborates, "Jo maine uss waqt socha tha ki filmon ka ek universe (prequels, sequels) ho sakta hai, woh ab ho raha hai."

Talking about the core of the story, he says, "We all know that greed is bad. But somewhere, we are all consumed by greed. And greed, not just in terms of money, but also jobs, cars, followers, validation- in all aspects, it's greed. If one takes a step back, they'd realize that most of us operate out of greed, and hence, the story of Tumbbad about greed becomes quite relevant."

‘Iss industry mein achha kaam karne wale log hi 8-10 hain’
He shares, "I never wanted to be a producer, I had no interest in becoming one. But the kind of films I want to act in, those films weren’t being made. Achha kaam ho nahi raha hai, iss industry mein achha kaam karne wale log hi 8-10 hain, baaki sab mediocre kaam ho raha hai. So, what do I do? When I don’t get good work, I felt like - all right, then I will make the kind of films I want to work in."

"Aamir Khan's 3 Idiots has had a huge impact on the lives of many people. I’d like to share an incident - once, I went to a doctor who told me she was in depression, but when she watched a Shah Rukh Khan film in the cinema, it helped her sail through. Cinema and stars like Shah Rukh Khan and Aamir Khan have contributed to pop culture in a huge way."

Sohum says that being both a producer and actor helps him understand each role better. He explains, "I don’t like holidays, I don’t like to travel, I don’t want to do anything but work - whether I’m acting or producing. I don’t know how to compartmentalize; balancing is a problem for me. I live in extremes. Mera sab kuch ek hai - actor-producer, sab ek hai."

Tumbbad ke saath na-insaafi hui thi; people realized the value of the film after it was released on OTT-Sohum Shah

Sohum on Tumbbad’s re-release: Iss film ke saath na-insaafi hui thi

Navya Kharbanda (HINDUSTAN TIMES; September 10, 2024)

Actor Sohum Shah is “elated” that the 2018 folk horror drama Tumbbad is re-releasing in theatres on September 13. “I am really excited. Originally, yeh film kamaal nahin kar paayi thi theatres mein. Bahut logon ki shikayat thi ki humari film re-release kab hogi. Whenever I would put any post on social media, people would ask for a Tumbbad re-release in the comments section. I am glad it is finally happening. I might even surprise my fans by dropping by at the theatres unannounced,” he says.

Shah believes that Tumbbad “will finally get the audience it deserves”. The 42-year-old adds, “People realized the value of the film after it was released on OTT. Iss film ke saath na-insaafi hui thi. Yeh film aisi hai jise log theatres mein hi experience karna chaahte hain. This is not an OTT-type of film, given the kind of sound and VFX it has.”

The re-release trend brought several films back to the theatres, including Rehnaa Hai Terre Dil Mein (2001), Rockstar (2011) and Laila Majnu (2018).

Pointing out the value of a film releasing in theatres, Shah says, “The trend of re-releasing films has given a second chance to many films. Laila Majnu ko hi dekh lo... even Rockstar had a nostalgia value. I hope that my film also earns much more at the box office than it did with the original release.”

OTT par bhi wahi sawaal hai, star kaun hai?-Sohum Shah

Sohum Shah: OTT par bhi wahi sawaal hai - star kaun hai?
Rishabh Suri (HINDUSTAN TIMES; November 22, 2023)

Though his 2018 film Tumbbad did well, actor-producer Sohum Shah says his struggle to make good content continues even on OTT. While the perception is that web platforms give makers of unconventional projects an opportunity to showcase their work, Shah says “aisa kuchh nahin ho raha hai”.

He adds, “Abhi bhi it’s very tough. I have made a new film and it’s in the edit stage. Bahut chakkar kaate logon ke office ke maine [to get the backing for the project]. There’s just one [key] character in the film and I am playing that part. OTT pe bhi wohi hai — star kaun hai? If you want to make something different, the struggle is there.”

When he produced Tumbbad, he had to face a similar situation. The 36-year-old recalls, “They (co-producers) would say, ‘Tumbbad kaisa naam hai?’, among other things. But Tumbbad ke baad thoda faayda toh hua mujhe. I [manage to] get writers on board. But even now, the studios say they want a formula. They are still star driven.”

The actor, who was also seen in web projects such as Maharani (2021) and Dahaad, likes to star in the shows he makes. He explains, “The kind of things that I come up with are not made here usually. My first love is acting and it’s difficult to get the kind of work your heart is in.”

The case of missing horror films in Bollywood: "No mainstream big hero wants to be scared"

The case of missing horror films in Bollywood
Vinay MR Mishra (BOMBAY TIMES; November 2, 2023)

Remember the noughties when Bipasha Basu (Raaz), Urmila Matondkar (Bhoot) and even Amitabh Bachchan (Darna Zaroori Hai) and Ajay Devgn (Bhoot) gave us shivers when they stepped into the world of horror? Over the years, the number of horror films being made in Bollywood has reduced considerably. In 2023 (till October) we have only had a single horror film – 1920: Horrors of Heart released in the theatres, which is alarming.

BT talks to filmmakers to understand why the industry is shying away from making films in a genre that is so popular amongst audiences worldwide.

'Horror is considered B-grade'
Filmmaker Vikram Bhatt who happens to be the only filmmaker religiously sticking to the genre states, "Horror as a genre has never been considered as mainstream it has been considered as what they say B-grade movies. But it is their inability to see the potential of horror. The genre has its own audience, fear is a potent sensation to sell. Unfortunately I am the only one carrying the baton."

'No big hero wants to be scared'
Vikram's latest installment of 1920 was a hit at the box office. He adds, "Horror works without big stars. No mainstream big hero wants to be scared. A lot of times when I cast leading ladies they ask questions whether they would look disfigured, or would have different makeup. Horror is a good genre for anyone’s vanity. Also, horror is not a genre that will re-establish your stardom, Stardom is about larger than life hero; horror is about larger than life villain. Their lies the difference."

Although Vikram mentions that no big actor wants to be scared we have had Vicky Kaushal in Bhoot Part One: The Haunted Ship, Bhoomi Pednekar in Durgamati or even Anushka Sharma in Pari, recently delving in the genre. Ironically all the films turned out to be a bummer at the box office.

'The genre is untapped'
The recent horror which was well received by the masses and the critics alike was Sohum Shah-led Tumbbad. However, Sohum himself not a horror fanatic says his movie is not a horror genre. "For me Tumbbad is a folklore," he says.

On why the genre has been diminishing, Sohum explains, "People usually don't consider horror as a good film. Also, the standards of making a horror is quite high as the VFX, makeup everything needs to be of good quality. But I believe horror has a loyal audience. There is demand, we just need one movie that works. I believe the genre is untapped yet and could be a nice territory for makers."

Pavan Kirpalani, known for directing Ragini MMS, Phobia and Darr @The Mall, shares, "The genre has it’s moments, sometimes it does well. But there are not too many takers for the genre. Not too many filmmakers and producers to back it as well. So, it falls in a gray space most times. All it takes is one really good horror movie to bring the market alive again. Right now theatres are back and people want to go back into theatres. Horror is a genre made for that cinematic experience, as it is a communal viewing experience. So I feel it is just around the corner."

'Business kam ho jaata hai'
While horror movies were missing at the silver screen there were a few that made their way on the digital platforms. Bulbbul, Ghost Stories were a few horror projects on OTT recently that made the buzz in the recent times. Unanimously makers believe that while there is demand for the genre there aren't enough loyal horror fanatics to make a good horror. "I think there’s no larger keen, drive or interest to make them. In this country everyone wants to make a commercial Bollywood movie," Pavan shares. 

Echoing the sentiment, director Anees Bazmee elaborates, "We are capable of making any genres, but one of the major reasons I have stayed away from the horror genre is because the audience gets restricted. Once you make a horror film you are cutting down the kids, who form a major chunk of your target audience. So essentially the movie is not for the larger audience, as it will come be A rates. So, business kam hojaata hai."

'Horror comedies have revived horror'
In 2022, Anees did step into the genre albeit with a twist. He helmed Bhool Bhulaiyaa 2, a horror comedy which minted money at the box office. Pavan believes "horror comedies have revived the horror genre". Interestingly Pavan has recently directed a Horror comedy - Bhoot Police.

"Horror comedies were non existent till Stree came. No one even processed the ideas till 2018 then suddenly Stree came and now everyone wants to do horror comedy because it is a commercial success. I have been only making horror movies. But I have been getting a lot more work because of horror comedies being a lucrative and commercially viable genre. Everyone wants to make one. I see the perks of horror comedy, because as a horror enthusiast it lets you make a good horror film but also make it for a wider audience because you put comedy in it," the Gaslight director explains.

Just in the recent years we have got a plethora of horror comedies making their way on screen with Bhediya, Laxmii, Phone Bhoot, Bhoot Police, Chandramukhi 2. All the movies started a popular mainstream actor. However, not all of them set the cash registers ringing. "Any genre's requirement is for it to be a good film. Putting comedy in horror is not a safe bet. It will work on your conviction," Anees signs off.

The case of missing horror films in Bollywood

In Dahaad, I tried to play the flawed character with a stroke of innocence-Sohum Shah

Flawed character, but played with innocence

Sohum Shah on balancing the conflict of playing good and bad in Reema Kagti and Zoya Akhtar’s 'Dahaad'
Mohar Basu (MID-DAY; May 23, 2023)

Sohum Shah outdid himself as Bheema Bharti in Maharani last year, but with Zoya Akhtar and Reema Kagti’s 'Dahaad,' he changes gears to slip into the role of a man trying to come into his own. Playing sub-inspector Kailash Pargi, who struggles between right and wrong, Shah says that his character “is an amalgamation of his own education, or lack of it”.

“I love the complexities of this character. Pargi is in a world where the lines between right and wrong are blurred, and his worldview is a product of that very cynicism.”

The eight-episode Amazon Prime Video series follows a crack team — Sonakshi Sinha, Gulshan Devaiah, and Shah — on the lookout for a serial killer who has killed 29 women on the pretext of marrying them. Shah believes he could identify with Pargi because he also hails from a small town in Rajasthan. “He is a flawed guy, sure, but he doesn’t understand political correctness. I tried to play it with a stroke of innocence,” says Shah, adding that his Dahaad character questions and breaks out of his own patriarchal conditioning as he becomes a parent in the series.

“My mother doesn’t like it if I make my own tea. That is her conditioning. Pargi similarly goes through this when he starts working on this case and understands how he must stand as an ally to the women around him. The show’s nuances work because it is directed by two women, Reema and Ruchika [Oberoi]. I don’t think a male director would have done it as well. Reema encouraged every opinion and thought [I had]. She allowed [me] space to own the material.”

The show also throws light on caste politics in modern India, which the actor claims to have been witness to “since birth”.

“Caste [divide] is a reality. My worldview evolved after I moved to Mumbai. I used to have a chauffeur, who wouldn’t sit with me no matter how much I insisted. It was his way of thinking. I feel the first-hand experience I have of a small town helped in layering my character and giving it the balanced perspective and understanding it needed,” concludes Shah.

Gulshan Devaiah, Sohum Shah and Vijay Varma open up on playing their characters in Dahaad

Dahaad's Gulshan Devaiah, Sohum Shah and Vijay Varma on playing their characters in the new web series

What’s it like to be on a show that’s run by women, casts a woman as ‘hero’ and has men play characters not liked by women? Dahaad’s male trio gets in conversation with Sunday mid-day
Aastha Atray Banan, Priyanka Sharma (MID-DAY; May 21, 2023)

Devi Lal Singh, Kailash Parghi and Anand Swarnakar sit at three disparate points on the goodness barometer. The first, an honest police officer shunted to Mandawa for not accepting bribes; the second, a confused, ambitious, corrupt and mildly chauvinistic but willing-to-evolve sub-inspector. And the last, a mild-mannered Hindi professor with a sick mind and no moral compass. You are able to plot their place basis how they view and treat women against a variegated backdrop of patriarchy and caste oppression.

The actors playing these men—Gulshan Devaiah, Sohum Shah and Vijay Varma—also found themselves guided and controlled by women. Zoya Akhtar and Reema Kagti are creators of Amazon Prime’s recent thriller, Dahaad. The pair is known to write male characters that women love, and female characters who speak their mind. Another woman, Ruchika Oberoi, joined Kagti as the show’s co-director.

Varma, who is rivetingly disturbing as a remorseless serial killer who traps and murders 29 women after promising them everlasting love much in the same way ‘Cyanide Mohan’, a primary school teacher from Karnataka did between 2004 and 2009, says the hardest part was to come on board with his character.

“I have been raised by women, and have great respect and love for them,” says Varma, “My mom, Kanta, supported me and my choices when no one believed in me. She, my sister Shobha, and my three nieces are my biggest cheerleaders. I have also worked with female directors like Zoya, Reema [Kagti] and Nandita Das, who have shaped me as an actor. I had no idea how to orient myself with these [manipulative] feelings. Reema guided me. She explained that my character had deep issues with how his father had treated his mother, but somehow ends up adopting the same behaviour despite being scarred by his atrocities. I didn’t dwell much on it, and tried to disconnect. Anand also doesn’t let his feelings show, so, I was able to hide behind that character trait.”

He says that being on a set helmed by powerful women, who don’t quite care to preserve societal structures, helped him see that two realities exist in India—the woman who can take her own decisions, and those who cannot even if they desire.

Unlike Varma, Shah says he was able to find similarities between his own person and the character. “My journey is very similar to Parghi’s,” Shah admits.

Like the newly married Rajasthani police officer, Shah also comes from the small town of Ganganagar. “I come from a conservative family. If the women in my home.. my sisters...even so much as stood on the entrance of our home, I’d be naturally tuned to ask them to step inside. This, despite that I was younger to them. Society isn’t favourable [to gender equality], and boys on the street would gawk at them. It’s only after my stay in Mumbai, meeting a variety of people, working with women and experiencing the birth of my own daughter, that I have become progressive. I now feel different although I still get livid at the very thought of someone touching my daughter!”

Devaiah, interestingly, was surprised when he was told that Devi Lal Singh encouraged his wife to keep a open mind about handing their teenage daughter’s freedom. He attributes this to stereotypes we harbour about small town residents. “We tend to paint them in a broad stroke, get judgmental. Devi Lal shatters this idea. He comes from a socio-economic background that probably didn’t allow him to be highly educated or exposed to contemporary ideas. But he is a good guy, doing the right thing. He also wants to do the right thing for his daughter,” the actor says.

Like Shah, Devaiah feels that it’s because Devi Lal plays father to a teenage girl, that he is softer and wants to be a better man. “At home, Devi is a father, not a cop. If you look at Soham’s character, he carries the guilt of not being an upright man. He is not bad at heart but he is greedy. And that’s exactly why he struggles to accept that he is about to bring a child into the world.. a world where he too is not always doing the right thing.”

Devaiah, who in the series, urges his wife to be “modern” like his colleague and sub-inspector Anjali Bhaati (Sonakshi Sinha), points out that it’s not just the men who are flawed. Bhaati has a deeply problematic relationship with her mother (Jayati Bhatia) and her eagerness to see her married. Her backward class lineage is a corpse she carries.

“She is obsessed with proving herself, which is a fault because it gives her a tunnel vision. She is disrespectful of her mother, takes advantage of the leeway her boss offers her. We [viewers] want her to win in the end of course, but we cannot deny that she goes around breaking the law. Caste and gender politics feature prominently here, but in the end, we are all just human beings trying to deal with situations,” he thinks.

The answer to the million dollar question—how is a timid, short-on-looks teacher able to lure dozens of women to abandon their families—lies in the glaring inequality of sexes that continues to permeate everyday life in much of India. Exhausted with the rejection that comes with not being able to pay dowry and overshooting marriageable age, they chase an impossible dream of finding selfless love. “Maybe, some people who watch the show will say, this is not good, let’s change this about ourselves,” Shah hopes.

Varma had come away being more empathetic to the other sex. “For me, kindness is paramount. The story points at how this is lacking in some people. When a piece of art can instill empathy in the audience, that’s the best part. When I took on this role, I thought about how this story would serve us. That offered me motivation. Sometimes, you may be uncomfortable with the issue you are shining a light on, but it’s important to do it.”

It’s a really stupid argument that only talented people should get the job-Gulshan Devaiah

gulshan on nepotisM in the industry: You cannot cry about it

Gulshan Devaiah says people in power are free to give work to artistes of their choice; adds there is more favouritism in South industries
Vinay MR Mishra (HINDUSTAN TIMES; January 18, 2023)

Model Hailey Bieber’s ‘Nepo baby’ T-shirt rekindled the conversation of nepotism not only in the West, but also in India. Actor Gulshan Devaiah, however, believes it’s a “stupid argument”.

“It’s (being a part of the entertainment industry) not a government job, it’s a private enterprise. Everybody is going to have their own subjective opinion about who’s best-suited for a particular role and they are going to make their choice. It’s a really stupid argument that only talented people should get the job. Maybe that’s not the right thing to do, but that’s the way. You can’t whine and cry about it. This is not a selection for IAS or IPS that your rank matters,” Devaiah reasons.

The actor, who completes 13 years in the industry in 2023, admits that there have been instances wherein he didn’t get the role because of an actor with connections. He elaborates, “It is upsetting. I was close to getting some roles but people have veto power and I have no bitterness in my heart.”

The Duranga actor confesses, he “never felt like an outsider”, as he wishes people “were a little nicer to each other”. He adds, “It’s just human nature to blame everything for your misfortune. (But) we have to stop blaming others. The nepotism debate heated up since the death of Sushant (Singh Rajput; actor). There’s been a lot of negativity around things. Of course, there are power structures, and people in power do whatever they want, but it’s really not some battle. If you look at the industry in the South, it is making so many waves. You can name all the actors who are really popular and all of them come from families [that have a filmi background]. Everybody has their third and fourth generation working. But the Hindi film industry is far more democratic, as people like me, Vijay Varma, Sohum (Shah), Mrunal Thakur are all acting, doing well and making a living,” the actor ends.

In my head, Bhima is not negative; he simply functions differently. In my eyes, he is a hero-Sohum Shah

Huma  Qureshi and Sohum Shah in Maharani

Sohum, who essays a politician locking horns with his chief minister-wife in Maharani, on how he wasn’t skeptical about playing a grey character
Uma Ramasubramanian (MID-DAY; August 14, 2022)

The first season of Maharani focused squarely on Huma Qureshi’s Rani Bharti, a home-maker who is thrust into the seat of power after her chief minister-husband Bhima Bharti—essayed by Sohum Shah—takes ill. In the second edition, Shah promises the audience will see much more of him as his character returns to reclaim his position.

“In season one, they have just shown Bhima, but in the second instalment, you will get to see his several emotions. He was uni-dimensional in season one. But now, he is more complex and layered. As an actor, it’s an opportunity of a lifetime to portray a role like this,” says the actor.

Through the journey of Qureshi’s central character, the Sony LIV offering will look at how the odds are stacked against women who try to rise to a position of power. That the protagonist will have to face more than a few rivals is evident in the teaser that depicts Shah’s character delivering a powerful speech to an assembled crowd as he pledges vengeance on his wife. Did he have apprehensions about playing a grey role?

“I was never skeptical about playing a grey shade. As an actor, it’s your job to believe in your character and understand the story. I had several conversations with the writers. So, in my head, Bhima is not negative; he simply functions differently. In my eyes, he is a hero.”

While the show is helmed by Karan Sharma, Subhash Kapoor serves as the creative director. For Shah, it’s a joy to collaborate with Kapoor. “I did this show because I wanted to work with him. I have enjoyed watching his films. When Ship Of Theseus [2013] and Jolly LLB [2013] bagged National Awards, we met and instantly connected. Since then, we have been friends. He is a director who likes to listen to his actors.”

I think censorship on OTT will help the makers-Sohum Shah


Ahead of Maharani’s release, Sohum says government’s regulations for streaming platforms to benefit makers
Uma Ramasubramanian (MID-DAY; May 25, 2021)

If the trailer of Maharani is anything to go by, the Huma Qureshi-starrer appears to be inspired by the 1997 appointment of Rabri Devi as the Bihar chief minister. After then-chief minister Lalu Prasad Yadav had to resign from the post due to his alleged involvement in the fodder scam, many believed he retained control of the state by making his wife the ceremonial head. Sohum Shah, who plays a chief minister adopting a similar strategy in the Sony LIV original, however, insists that the show is a work of fiction.

“I play a Bihari politician, but not any real person in particular. When I was given the narration, I realised the script and my character were powerful. My character has his own political agenda [in making his wife the chief minister]. He has shades of grey, but instead of judging him from a distance, I read more about the character and understood his thought process,” says the actor.

Set in the murky world of politics, the Subhash Kapoor-created series also underlines the caste divide in India. “Casteism exists in our country, which shouldn’t be the case. There should be equality, and the show touches on these aspects.”

After the release of Tandav sparked a huge controversy earlier this year, content creators are walking on eggshells whenever developing a political thriller. The episode led to the Information & Broadcasting Ministry calling for age-based classification of content and a three-tier regulatory mechanism. Shah backs the move, believing that it’s in the best interest of makers. “I think censorship will help [the makers]. Otherwise, anybody files a case against OTT platforms, knowing that they are vulnerable. Like films, OTT offerings too need a [regulatory] committee.”

When you wear the khaki uniform, your body language changes completely-Sohum Shah


Tumbbad actor Sohum Shah thrilled to play cop in Reema Kagti’s web series Fallen
Uma Ramasubramanian (MID-DAY; May 15, 2021)

Little is known about Reema Kagti’s Fallen that marks Sonakshi Sinha’s web debut and sees her as tough-as-nails police officer Anjali Bhaati. Now, it has emerged that Sohum Shah too plays a cop in the Amazon Prime Video offering. Excited as he was about teaming up with Kagti, Shah says his joy was multiplied manifold when he learnt about his role. “I played a cop in Talvar [2015] as well, but this is the first time I am donning the uniform. When you wear the khaki uniform, your body language changes completely. My look in the series is different; I had to undergo training and gain muscle,” says Shah, who is joined by Vijay Varma and Gulshan Devaiah on the project. 

The series, which went on floors in February 2020 in Rajasthan, ground to an abrupt halt when the lockdown was imposed in March. The crime thriller was finally wrapped up this March under the supervision of directors Kagti and Ruchika Oberoi.

Huma Qureshi’s Maharani loosely based on Rabri Devi?


Sources say Huma Qureshi’s character in the web series Maharani loosely based on Bihar’s first woman CM, Rabri Devi
Letty Mariam Abraham (MID-DAY; April 2, 2021)

Huma Qureshi’s Maharani has been in the news over the past few months as it offers her an author-backed role of an unusual leader who navigates the murky world of politics. Looks like ad filmmaker-turned-director Karan Sharma relied as much on real-life figures as on fiction when giving shape to the political drama. It is learnt that Qureshi’s character is loosely based on former Bihar Chief Minister Rabri Devi. 

Though Devi became the first woman chief minister of the state in 1997, her appointment was widely criticised by opposing parties, psephologists and media. After then-chief minister Lalu Prasad Yadav had to resign from the post due to his alleged involvement in the fodder scam, many believed it was his tactic to retain control of the state while making his wife the ceremonial head. Despite no formal education and little interest in politics, Devi went on to serve three terms.

A source reveals, “Through Huma’s character that is loosely inspired by Rabri Devi, the multi-season series will see how an unexpected player, who had little hopes of a political career, rises up the ranks.” 

In December, mid-day had reported that Sohum Shah has stepped into the role of Yadav for the SonyLIV offering (Living Lalu’s life on lens, Dec 19). The web series also stars Amit Sial and Viineet Kumar Singh, with Subhash Kapoor serving as the showrunner.

Tumbbad fame Sohum Shah to play Lalu Prasad Yadav in Maharani

Sohum Shah
Tumbbad actor Sohum to play former Bihar CM in political drama; gains 12 kilos for role
Uma Ramasubramanian (MID-DAY; December 19, 2020)

From making Bihar his political bastion during the '90s to his alleged involvement in the fodder scam, Lalu Prasad Yadav's life offers enough material for a screen outing. It's not surprising then that the political drama, tentatively titled Maharani, will touch on the former Bihar chief minister's journey, among other plot points. mid-day has learnt that Sohum Shah of Tumbbad (2018) fame will play the politician in the web series.

The actor apparently began his prep in late September before reporting to the sets in Bhopal in November. "In his bid to look like Lalu Prasad Yadav on screen, Sohum had to gain 12 kilos in two months. He will have to shed the extra kilos as soon as he wraps the project in January as he has another series lined up," reveals a source. 

His shrewd politicking aside, Yadav would often fall back on his gift of the gab to woo the voters. Shah, on his part, has been working hard to perfect his muse's Bihari dialect. "Besides attending virtual workshops, he watched several videos of the politician to get the dialect and mannerisms," adds the source.

The ongoing marathon schedule in Bhopal will be followed by another stint in Mumbai next month. Subhash Kapoor, who was accused of sexual misconduct by Geetika Tyagi in 2014, serves as the showrunner on the project.

Lalu Prasad Yadav

Friendships are difficult to keep in the industry-Sonakshi Sinha


Sonakshi Sinha says her closest friends are not from the film world, and this gives her a different perspective
Radhika Bhirani (HINDUSTAN TIMES; March 17, 2020)

Actor Sonakshi Sinha has steered clear of “fake friendships” in her decade-long journey in filmdom. And she says some of her closest friends happen to be those outside the industry.

Ask her if friendships are hard to come by in the film world, Sinha tells us, “Well, I wouldn’t say they are hard to have in the industry. But yes, true friendships are rare because we just live such fast-paced lives and we’re moving from one project to another... so it gets really difficult to try and keep in touch sometimes.”

Having said that, the 32-year-old asserts that she has made some “really good friends” in her decade-long career. “I’m on very good terms with every actor and director I have worked with. I think they [friends] are hard to come by, but it’s difficult to keep,” she says.

On those who are part of her close circle, Sinha adds, “They are those who I’ve grown up with since school and college. And I like that. I like having people on the outside who can give me a different perspective to what I’m doing and what’s happening.”

The actor’s work slate includes some interesting projects. While she is ready to make her web series foray, Sinha will also be a part of Bhuj: The Pride of India, which will be the first time she will be seen in a biopic.

She is glad how the web space offered her a great role, in a crime thriller. “It has been a while since something so challenging has come by, and it’s very new and refreshing. I’m really happy to be a part of a project like this with such talented actors such as Gulshan Devaiah, Vijay Varma, Sohum Shah,” adds Sinha.

As for Bhuj: The Pride of India, the actor describes it as “a beautiful and an amazing story about the war in 1971”. Further on her role, she says, “I’m playing the role of Sunderben Jetha Madharpariya, who got together women from a village and built a runway overnight so that an IAF plane could land on it... It’s a wonderful film and again nothing like what I’ve done before.”

Reema Kagti has always been on the list of directors whom I wanted to work with-Sohum Shah

Sohum Shah
Making his web debut with Fallen, actor Sohum Shah says the opportunity to work with Reema Kagti drew him to the series
Mohar Basu (MID-DAY; March 3, 2020)

Reema KagtiThough his breakthrough role came with Anand Gandhi's Ship of Theseus, Sohum Shah grabbed eyeballs with the fantasy drama Tumbbad, a cautionary tale about the cycle of greed. As Shah kickstarts the shoot of the gritty Amazon Prime show Fallen helmed by Reema Kagti, he walks us through how he developed the weave and weft of the character.

Edited excerpts from the interview:

What made you come on board Fallen?
I liked the script so much that I finished reading it in one go. My character [of a cop] is an earthy small-town guy. Since I hail from a small town, it was relatable and gave me an opportunity to portray that side of my personality. Finally, Zoya Akhtar and Reema Kagti are producing the show, so that was the cherry on top.

This is your first collaboration with Reema Kagti. What was your first meeting with her like?
I am an admirer of Reema's work, particularly Talaash [2012]. She has always been on the list of directors whom I wanted to work with. When I met her [to discuss the show], I immediately realised that she would be a treat to work with. We had a long discussion about my scenes and character graph, and she was open to [new ideas]. While shooting, whenever I have an idea, I do not hesitate to discuss it with her. She will always listen to my ideas first, share her views, and if there is discrepancy, she is ready to talk about it until we reach a common ground. It is a privilege to have that kind of space as an actor.

Discuss your prep for the role.
Besides doing reading sessions with the director and the cast, I did some personal workshops to get into the character. I also visited police stations, and met police officers to study their mannerism, characteristics, and their style of working.

The series has an eclectic cast that includes Sonakshi Sinha, Vijay Varma and Gulshan Devaiah. That must be another incentive to come on board.
I went to the set of Fallen right after wrapping up my portions in The Big Bull [film with Abhishek Bachchan]. I did a few reading sessions with my co-actors, and because of them, I got a grasp of my character quickly. After all, acting is all about reacting. So, whenever you work with good actors, it is beneficial. I still remember working with Irrfan sir in Talvar [2015]; it was enlightening because I learnt a lot from him. Currently, I'm shooting with Gulshan and Sonakshi. They are seasoned actors and bring their experience to the table. Vijay will join the rest of the cast soon.

Now that you are a producer as well, what is the yardstick of choosing your acting projects?
I [decide on the basis of] the script and my character. If I have a clear understanding of the script, my character and the director's vision, I don't hesitate to accept the role.

I always wanted to make Tumbbad as a franchise-Sohum Shah

Sohum Shah
As he joins Abhishek Bachchan in stock market drama The Big Bull, Sohum Shah on juggling acting and production
Mohar Basu (MID-DAY; October 26, 2019)

Abhishek BachchanFor Sohum Shah, giving his nod to The Big Bull was an easy decision. The actor says it was evident that the Abhishek Bachchan-fronted film — despite being set in the big, bad world of stocks and shares — is an "entertaining and engaging" fare. The actor plays a stockbroker in the finance drama that is reportedly based on Harshad Mehta. Ask him if his sensibilities as a producer play a role while greenlighting acting assignments, and Shah explains, "I try to see if the script offers something new to me as an actor. But most importantly, it should work [at the story level]. I try to gauge if I’m enjoying the script as an audience."

Having recently wrapped up the Delhi schedule of the Kookie Gulati-directed venture, he heaps praises on co-star Bachchan as he says, "Abhishek is focused when it comes to his work." While he is enjoying his time in front of the camera, Shah intends to resume his producer duties for his passion project, Tumbbad (2018). "We want to make a prequel or sequel of Tumbbad, but we haven’t cracked the story yet. We always wanted to make it as a franchise."

Sohum Shah’s horror-drama Tumbbad gearing up for a comeback


Avinash Lohana (MUMBAI MIRROR; October 8, 2019)

The year 2018 was about blockbuster films, like Badhaai Ho, AndhaDhun, Baaghi 2 and Simmba, and Sohum Shah’s widely acclaimed Tumbbad. The horror-drama went on to receive eight nominations at the 64th Filmfare Awards and won three, for Best Cinematography, Best Art Direction and Best Sound Design. “The response to Tumbbad has been overwhelming. I got a text from someone who has seen it 52 times which makes the seven years spent on making it seem worthwhile today. But many on social media have also expressed their regret at not watching it on the big screen,” shares the actor-filmmaker who on October 12 will have a screening for a select few to celebrate one year of the film’s release.

The film was reportedly under consideration as India’s official entry to the Oscars last year. Eventually, Rima Das’s Village Rockstars made the cut. Any regrets? “I stand by the film’s message that greed has no limits. Every film has its own destiny and I am content with the love that Tumbbad receives even today,” he asserts, recalling that after its premiere in the Critics’ Week at Venice International Film Festival, one of the reviews stated that “Tumbbad looks like a universe that God created and forgot to put on the human map”. “That meant a lot to me,” he smiles, revealing that the film’s team is now exploring the idea of making a sequel or a prequel, but hasn’t cracked a story yet.

After Tumbadd, Sohum Shah to do a love story titled Gulabi Lens

Sohum Shah and Anushka Ranjan
Chaya Unnikrishnan (DNA; July 14, 2019)

He got rave reviews for his performance in the critically acclaimed Tumbbad, a period horror film. Now, actor-producer Sohum Shah is gearing up for a love story. We hear he’s doing a short film titled Gulabi Lens, in which he will be romancing model-turned-actress Anushka Ranjan. Says a source close to the development, “Gulabi Lens is a love story that revolves around a married couple, who is trying to settle into a house in a new city soon after their marriage.”

This is the first time Sohum will be paired opposite Anushka, last seen in Batti Gul Meter Chalu (2018). Apart from this, the Ship Of Theseus actor recently also finished filming Pawan Kriplani and Abhishek Chaubey’s untitled short film also starring Kirti Kulhari.