Showing posts with label Kaun Banega Crorepati. Show all posts
Showing posts with label Kaun Banega Crorepati. Show all posts
Nana Patekar’s son Malhar dismisses speculation about family ties
2:58 PM
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S Farah Rizvi (HINDUSTAN TIMES; October 15, 2026)
A trained filmmaker and social worker, Malhar Patekar, son of the late actor Nana Patekar, says he has drawn strength from his parents’ “resilient nature” during the tough time of losing his father recently.
Speaking to us, Malhar shares, “When growing up as a kid, I imbibed a lot of strength and resilience from my parents. Also, whatever it looks like from the outside to people doesn’t matter to me; in reality, we as a family were strongly and emotionally connected even my uncle and cousins, for that matter. Mujhe sab ka pyar mila hamesha and that matters.”
“Itna sab kuch viral ho raha, woh kitna ghalat hai. Just because we don’t share family pics on Insta, that doesn’t mean we don’t bond. Even after parting ways, my parents were on a good note; 38-39 saal ka bond tha, and things are never what they might look like… The things I read usska jawab yeh hain ke woh akele nahi thhe, kabhi nahin thhe, nor was he unwell because we all never left his side; one of us was always with him. He was very active and doing two and a half hours of working out in a gym; youngsters nahin kar pate, that was his level of fitness.”
Recalling the day he lost his father, Malhar says, “Nana ji was in Goa, and my cousin Prasad, who used to look into all his entertainment-related meetings, was sent off by him to Mumbai as he had to shoot for KBC Marathi with Madhuri ji (Dixit) in a day; also, my other brother, Amay, only left after settling him upstairs in the house. Nana ji was someone jo kabhi kisi ko pareshan nahi karte. So, when he felt uneasy, he only texted him, and it was only after some time that he called him. He reached immediately, but it was late. I got a call from my mum around 5 am while I was in Pune. Uske baad kya hua kuch yaad hi nahi, I felt the world around me stopped.”
On Nana raking less work of late, Malhar shares, “He didn’t want to do films as repetitive ho gaya tha, so he wanted to make his own stories. He believed in evolving as an actor, and that he had in mind. I remember him telling me that ‘kaam ek jaisa nahin hona chahiye.’ He did Khamoshi because he wanted to show that Nana can deliver his best without those heavy dialogues associated with his numerous characters. More recently, it was social work that kept him at peace and happy; working on bringing schools to Kashmir and also working towards farmers was all that had been going on. And that is now my prerogative, too.”
Malhar also shares his thoughts on the reactions: “Without naming anyone, I want to say that the case people are bringing up unnecessarily is already over. Judiciary se clear hua hain, case khatam ho chuka; phir bhi bol rahe. Aise logo ko main unko kuch nahi boluga; joh sach hai wahi rahega, bhagwan unka bhala kare, this is what I have to say to them.”
Stars display their ‘non-fiction’ side as streamers turn celebrity personas into show IPs
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Streamers & TV channels design shows around public image of Bollywood celebrities; such collaborations favour advertisers, too
Rajesh N Naidu (THE ECONOMIC TIMES; September 4, 2026)
A clear shift is visible in the streaming and television segments of India’s entertainment industry. To deal with the challenges emanating from short audience attention span and availability of copious amounts of content, leading streaming platforms and channels are designing non-fiction shows around the public image of Bollywood celebrities instead of merely presenting them as show hosts.
Shows such as Crime Patrol (SonyLiv) (Ajay Devgn, serious, Singham-cop and Drishyam-family-man image), India Ke Top 1% (Star Plus) (Anil Kapoor, energetic and larger-than-life image), Lock Upp (Netflix) (Farah Khan, bold, irreverent, Riteish Deshmukh, funny, approachable image), and The Traitors (Amazon Prime) (Karan Johar, Bollywood insider, gossip, theatrical image) are synergistic collaboration between Bollywood celebrities and show-creators and not merely filling the space of a celebrity host.
These collaborations are helping streamers and channels build strong intellectual properties (IPs) of non-fiction shows around celebrities, channel heads, brand experts and industry veterans told ET.
These non-fiction programmes around a celebrity show a different side of their personality which is in sync with the shows’ content, said channel heads.
“Beyond immediate recognition and strong start, the idea behind these non-fiction shows is to use celebrities as a doorway to an experience that audiences never had with them,” said Harsh Sheth, business head, Sony Entertainment Television. “These shows give audiences a chance to know the person, her views and journeys behind a personality. It makes them more relatable.”
A JioStar spokesperson said a personality must serve a show’s format and the format must deliver to the audience. “When a show’s format and concept is in sync with a personality’s public image, it makes the proposition even stronger,” added the spokesperson. The spokesperson cited non-fiction shows such as Bigg Boss and Koffee With Karan.
Such collaborations are also favourable for advertisers. “For advertisers, a celebrity-led show can be a relatively cost-effective way to get a celebrity association,” said Shailesh Kapoor, founder and chief executive of Ormax Media. “A brand may not be able to afford a direct endorsement deal with someone like Amitabh Bachchan. But by sponsoring Kaun Banega Crorepati (KBC), it can still have him talk about the brand on the show. That makes the show easier to sell, especially when television faces uncertainty over ratings and viewing habits.”
Harsh Sheth of Sony cited Google Gemini’s recent association with the current season of KBC as an effective advertiser-show collaboration. “The mentions of Google Gemini on the KBC show resulted in spikes in search interest and app downloads,” he said.
According to brand experts, a show will sustain audience interest only when the public image of the celebrity matches the show’s content expectations.
“In television, where there is no clear TRP-based currency, bargaining power becomes important. A channel or platform with a strong property in the form of a big celebrity can demand a better deal,” said Sandeep Goyal, managing director at advertising company Rediffusion.
“But this advantage is short-lived. Today, word-of-mouth communication is very strong. By the second or third week, people know whether a celebrity-based show is working,” he added.
In the past, when celebrities such as Priyanka Chopra and Arjun Kapoor hosted the non-fiction show Khatron Ke Khiladi, the show’s ratings were not strong enough because audiences did not see them as a natural fit for the format. But when director Rohit Shetty began hosting the show, it grew bigger because his image matched its core idea of stunts and adventure, said Kapoor of Ormax Media.
Amitabh Bachchan gifts Kaun Banega Crorepati costumes to 22 fans at Jalsa
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Amitabh Bachchan fans Zafar Shaikh (in red) and Ashok Mistry (in navy blue), who helped distribute and courier the KBC costumes gifted by the superstar to 22 fans across India. Pics/By Special Arrangement
Dinesh Vaktania (MID-DAY; June 22, 2026)
For 22 fans of Amitabh Bachchan across India, Sunday's visit to Jalsa, the actor’s Juhu residence, turned into a once-in-a-lifetime moment. The actor invited a select group of fans, whom he often refers to as his extended family, and gifted them costumes used during the shooting of Kaun Banega Crorepati (KBC).
Some received gifts in person, while others later received them through courier. According to fans present at the interaction, Bachchan said he wanted to share something that had been an important part of his life.
What Big B told fans
“I want to give you a special gift which is part of my life. These are costumes used in KBC since 2022. I have preserved them safely, and now I want to give them to my fans across India.”
Fan voices
Zafar Shaikh, keymaker, Andheri
‘During last Sunday’s darshan, Bachchan Sir invited Ashok Mistry and me inside Jalsa. He told us he wanted to give fans a special gift. The costumes were packed in boxes carrying fans’ names. We helped distribute them. Amitabh Bachchan is a god for me. This is a godsend gift’
Ashok Mistry
‘Bachchan Sir called Zafar and me inside Jalsa and told us about the gifts. We helped distribute the costume boxes and courier them to fans. Everyone is overjoyed’
Rajesh Shrivastava, Jamshedpur resident
‘I was shocked when I received the gift. I have been connected with Amitabh Bachchan since 1992, when he replied to a letter I had sent him. Receiving a blazer from him is very special’
Beejal Bhatt, businessman
‘This is the first special gift I have received from Bachchan Sir. I have been his fan since 1978. I will preserve this costume safely. It is a lifetime memory’
Sharmila Bhatt
‘My dream was to one day receive even a napkin from Amitabh Bachchan. Instead, he sent me a KBC suit. I have followed him since my college days. I still treasure the handwritten note he once sent acknowledging gifts I had mailed to him. Now I have this costume, which is a memory for life’
The big numbers
- 22 fans received gifts
- Gift: KBC costumes worn during the show
- Costumes preserved since 2022
- Gifts distributed across India
Quick glance
What: KBC costumes gifted by Amitabh Bachchan
Who received them: 22 fans across India
Where: Jalsa bungalow, Juhu
When: Sunday, June 21
Why: As a special gesture to members of his “extended family”
Sony Pictures sharpens India focus amid M&E shake-up
3:42 PM
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Javed Farooqui (THE ECONOMIC TIMES; June 17, 2025)
Sony Pictures Entertainment (SPE), the entertainment arm of Tokyo-based Sony Group Corporation, is intensifying its focus on the Indian market as the country’s media and entertainment (M&E) sector undergoes rapid transformation, a top company official said.
SPE CEO Ravi Ahuja, who assumed office in January, noted that the boom in India’s M&E industry is being driven by strong economic and population growth. He also acknowledged that the company’s Indian operations are being reshaped following the failed merger with Zee Entertainment over a year ago.
“We believe the Indian market holds tremendous potential. We have a new MD and CEO, Gaurav Banerjee. His team is now focused on strengthening content production, building out distribution-related partnerships, and rebuilding and reorienting their growth strategy following the merger we previously attempted,” Ahuja said during the company’s annual presentation.
India’s media and entertainment (M&E) sector grew modestly by 3.3% in 2024, reaching Rs. 2.5 lakh crore, according to a report by EY in collaboration with FICCI.
Banerjee, previously with Star India, which is now jointly owned by Reliance Industries and Walt Disney, now leads Sony Pictures Networks India (SPNI), legally known as Culver Max Entertainment. SPNI owns and operates 27 linear television channels and the streaming platform Sony LIV. In FY24, the company reported a net profit of Rs. 839 crore on revenue of Rs. 6,510 crore.
A significant part of the growth strategy includes a renewed focus on digital platforms. "This includes increased investment in digital platforms, particularly in Sony LIV, our streaming service,” Ahuja added.
SPNI recently sublicensed the digital rights to India’s 2025–26 cricket tours of England to rival JioHotstar while retaining the television rights. SPNI is believed to have paid between $200–250 million for the England and Wales Cricket Board (ECB) media rights, with the India tours comprising the lion’s share of the value.
Sony Entertainment Television (SET), facing challenges in its fiction segment, is revamping its lineup. This includes relaunching the popular drama Bade Achhe Lagte Hain in a new format and introducing the thriller Aami Dakini later this month. Other recent launches include Chakravarti Samrat Prithviraj Chauhan (June 4) and Shirdi Wale Sai Baba (April).
This adds to a content slate featuring Kaun Banega Crorepati, Indian Idol, CID, Crime Patrol, and Shark Tank India. SET India, Ahuja noted, remains the fourth most-viewed YouTube channel globally with 184 million subscribers.
“Early signs are promising — ratings for Sony’s channels have seen a notable uptick since the leadership change, reflecting growing viewer engagement,” he said.
“We also recently secured exclusive media rights for the Asian Cricket Council tournaments, starting in 2024 and running through 2031—a move we believe will significantly boost viewership and further enhance Sony LIV,” Ahuja said. SPNI paid $170 for the exclusive media rights.
However, the upcoming Asia Cup in September is uncertain due to escalating tensions between India and Pakistan following the Pahalgam terror attack and the resulting war-like situation.
SPE posted sales of $9.9 billion and operating income of $774 million, despite headwinds from lower series deliveries due to the Hollywood strike and reduced revenue from the India media networks business under SPNI.
Rob Stringer, chairman of Sony Music Group, said the company is expanding its presence in high-growth markets including India, Latin America, Eastern Europe, Africa, and the Middle East. “In India and Latin America, we are still number one in recorded music,” he added.
Reality shows like Bigg Boss, KBC, & Indian Idol become key for broadcasters, driving massive viewership, ad revenue
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Flagship shows like Bigg Boss, KBC bring in viewers, revenues and break the monotony of drama-heavy programmes
Javed Farooqui (THE ECONOMIC TIMES; February 19, 2025)
Flagship reality shows like Bigg Boss, Kaun Banega Crorepati (KBC), and Indian Idol are becoming increasingly crucial for broadcasters, driven by their massive viewership and strong revenue potential amid shifting audience preferences and fragmented media consumption, say industry experts.
By breaking the monotony of drama-heavy programming, appealing to diverse demographics, and integrating seamlessly across TV and digital platforms, they remain a strategic pillar in content strategy, experts add.
Deepak Dhar, group CEO of Banijay Asia, the producer of Bigg Boss-India's adaptation of the Dutch reality show Big Brother-highlighted the show's massive scale, with adaptations in seven Indian languages, including Hindi, and a popular OTT version.
"We produce roughly 800 days of Bigg Boss content annually across TV and OTT in multiple languages-the highest anywhere in the world," he said. "The scale of Bigg Boss Hindi alone is immense, with 1,200 to 1,300 people working on the show."
While reality shows cost more to produce compared to dramas, they also deliver cumulative audience reach in excess of 100 to 200 million cutting across demographics.
The cost per episode for a reality show ranges from Rs. 1 crore to Rs. 2 crores, while for dramas, it typically falls between Rs. 8 lakh and Rs. 10 lakh per episode, say industry executives.
The ad rates for reality shows rank second only to cricket, with broadcasters charging between Rs. 2 lakhs and Rs. 4 lakhs per spot.
A JioStar spokesperson, a major investor in reality TV across languages and formats including Bigg Boss, said reality shows have evolved from entertainment programmes into cultural phenomena.
A spokesperson for Sony Pictures Networks India, another key player in reality TV with shows like KBC, emphasized their ability to engage audiences across platforms, making them long-term assets.
Experts note that reality shows thrive on star power, with Amitabh Bachchan and Salman Khan driving the success of KBC and Bigg Boss, respectively. These formats use inspiring stories that connect with audiences by showing ordinary people accomplishing extraordinary things.
Fremantle India MD Aradhana Bhola highlighted the increasing shift towards multi-screen consumption of reality shows across TV and digital. This benefits her company as they retain the IP to major franchises like Indian Idol and India's Got Talent. It has started monetising some of the digital rights of its IPs.
Dhar also sees licensing and merchandising as an emerging revenue stream for IP owners.
Jai Lala, chief executive of media buying agency Zenith India, said reality shows provide a powerful blend of mass appeal and targeted engagement from a brand-building perspective.
"Their appointment-viewing nature ensures a committed audience, making them high-impact platforms for brands," he added.
Additionally, their interactive formats enable innovative branded content integrations, from product placements to brand-sponsored segments, Lala said, adding, the digital extensions of these shows via OTT, social media, and influencers further expand their reach beyond television, creating a multi-platform brand presence.
35 years of Agneepath: Jumma Chumma was originally meant for this film
9:21 AM
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Compiled by Rishabh Suri (HINDUSTAN TIMES; February 16, 2025)
It’s been 35 years since Agneepath hit the screens, and while it may not have been a box office success at the time, the Amitabh Bachchan-starrer has cemented its place as a cult classic. Here are some fascinating behind-the-scenes stories you might not know:
When Amitabh had to re-dub the whole film!
One of Amitabh’s most iconic dialogues remains his introduction as Vijay Deenanath Chauhan. But did you know his original deep baritone voice in the film was rejected by audiences?
Recalling the incident on Kaun Banega Crorepati, Amitabh shared, “There was a man who used to visit Kalyanji-Anandji’s home with a deep, husky voice. I thought, why not model Vijay’s voice after him? Later, I found out he came from an underground background, which suited the character perfectly. But when the movie released, the producer called, saying theatres were facing issues—audiences were tearing up seats and complaining, ‘This doesn’t sound like Amitabh, fix the sound system!’ To resolve it, I had to re-dub the entire film in my normal voice. That initial voice, though, was truly impactful.”
Jumma Chumma in Agneepath?
Who can forget the chartbuster Jumma Chumma from Hum? But did you know the song was originally meant for Agneepath? Amitabh felt it wouldn’t suit his character as a don, leading the makers to use a different track.
Interestingly, Archana Puran Singh was the first choice for the song instead of Kimi Katkar!
Mithun Chakraborty’s Krishnan Iyer was inspired by real-life roommate Devio
Back then, Devio paid Rs. 150 for the bed, while Mithun, who was still trying to make it big, paid Rs. 75 and slept on the floor. One day, while Devio was at work, Mithun decided to use the bed — only to be scolded upon his return! This incident stayed with Mithun and later served as a reference for Krishnan Iyer’s character.
Danny Denzongpa’s iconic portrayal of Kancha Cheena in Agneepath almost didn’t happen! The role was first offered to Anupam Kher, who turned it down, feeling he couldn’t do justice to such a ruthless villain
Amitabh’s Heartfelt Gesture That Helped Yash Johar
According to Karan Johar, his mother Hiroo Johar suffered a heart attack while the family was already facing financial strain. Upon hearing the news, Amitabh rushed to the hospital and, without hesitation, offered his dates to his father, Yash Johar, for a new film—one inspired by Scarface. That film eventually became Agneepath, marking one of Amitabh’s most iconic performances.
Bachchan Darshan: 42 years of a hero worship like no other
7:50 AM
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Techie to labourer, Jaipur to Suriname and ‘Sholay’-loving to the ‘Piku’-doting, a diverse set gathers outside Amitabh Bachchan’s Mumbai bungalow, Jalsa, every Sunday – a testament to both the unique celebrity of the Bollywood megastar and the relationship with fans he has cultivated like no one else in Tinsel Town. Much before BAE & BFF became special relationship terms, Bachchan had the EF
Sumitra Deb Roy & Hemali Chhapia | TNN (THE TIMES OF INDIA; April 28, 2024)
The clock inches toward 5.30 pm and the crowd gets restive. It’s a sultry Sunday evening, beachgoers at Juhu are sipping on tender coconuts, chauffeurs lounging outside bungalows. But this street in suburban Mumbai that hosts Bollywood’s most famous address is bustling with anticipation. Jalsa, true to its name, is preparing for a weekly festival of sound and light. To make the wait bearable, large pedestal fans rotate air gently in the direction of the visitors. Water coolers stand ready to quench their thirst; many have journeyed from remote corners of the country.
Cries of ‘Ganpati bappa morya’ can be heard. It’s an affectionate shout-out to Mumbai’s presiding deity who is considered a remover of obstacles. Cameras are flashing. Suddenly, at a mere suggestion of movement from within, a roar erupts. From behind grand gates, the social media team emerges with cameras to document the moment when real life will intersect with a world of fantasy. Some wave frantically as lenses train to capture the euphoria.
At the appointed time, the traffic halts for the impending spectacle. “It’s a scene reminiscent of ancient kingdoms heralding the arrival of their revered monarch,” says Avnish Ravikanth, a Juhu resident who often strolls by on Sundays to catch a glimpse of the “living legend”. He’s only half joking.
Finally, the gates open, and to the accompaniment of screams, shouts and laughter, Amitabh Bachchan, 81, walks up and climbs a wooden dais. He’s wearing a jacket and looks taller. He smiles, waves with one hand and then the other, greets everyone with a “namaskaar”, points specifically to those at the rear to acknowledge their presence, even gestures that he’s willing to sign autographs later. The moment is fleeting but Pooja Vishnoi, a 28-year-old techie visiting from Jaipur, remembers the experience afterwards as “a whirlwind of admiration and awe”.
‘What A Comeback!’
Gopal Bhatia, a 56-year-old resident of Kalyan who often escorts relatives visiting from north India to the Sunday darshan, believes that the blend of real-life persona with on-screen characters is what cements Amitabh Bachchan’s status as a superstar even today. A businessman himself, Bhatia can identify with the resilience with which the actor bounced back from bankruptcy after his talent agency-cumevent managing firm, Amitabh Bachchan Corporation Ltd (ABCL), tanked in 1999. It’s a story that’s been told and retold and has a narrative that vindicates the faith of every admirer. “He had creditors at his door. Yet he resurrected his career and reached even greater heights of stardom. How can one not be inspired by such a comeback?” says Bhatia.
Indeed, Bachchan is a man of comebacks, the one who returns to avenge his mother, or fulfil an oath made to a loyal friend, regardless of the price to be paid. The legend of his resurgence begins with a near fatal accident in 1982 on the sets of Coolie. A serious injury in the gut led to an emergency sur gery at St Philomena’s in Bangalore (now Bengaluru) after which he was flown to Breach Candy hospital in Mumbai, where he was declared “clinically dead for a couple of minutes,” in his own words, before doctors managed to revive him with massive doses of steroids. The 81-year-old’s darshans on Sundays began then as a thanksgiving for the blessings of his well-wishers.
This weekly ritual has now woven itself into the social fabric of the city for four decades, a testament to the enduring adoration for an icon. It has no parallel or precedent anywhere: the Marlon Brandos and Clint Eastwoods of Hollywood have never expressed so much gratitude to their fans; Kollywood filmgoers have elected their idols as chief ministers but neither demanded nor received an emotionally transactional relationship; even in Bollywood, at the height of Rajesh Khanna’s fame, the frenzy of fans outside his sea-facing bungalow on Carter Road was rarely reciprocated. Among the present lot, Salman Khan and Shah Rukh Khan wave and blow kisses to the multitudes outside their homes on a special occasion like a birthday, but that’s about it.
The Extended Family
Bachchan’s appearances have the air of a social engagement. The gathering includes the Extended Family (EF), as it’s known. Some are familiar faces to him. Prashant Kawadia, a Mumbai suburbanite, who has achieved a milestone of attending over 240 such darshans, says, “Bachchan has a unique way of cherishing and nurturing his admirers, which sets him apart.”
Kawadia has attended several episodes of the quiz show ‘Kaun Banega Crorepati’ anchored by the actor. Years back, when Bachchan hosted a party for ardent fans — he addresses them as “EF” in his blog posts — Kawadia was among the 14 Indian invitees and 10 overseas guests.
According to him, no star possesses the magnetic appeal that his idol exudes — the impact extends to public causes he champions. Born in 1979, Kawadia’s life took a significant turn when he contracted polio as a toddler. Back then in India, children from affluent backgrounds or those in urban areas were among the fortunate ones to receive a vaccine. In 2002, during a surge in polio incidence, Bachchan became brand ambassador for the “Do Boondh Zindagi Ki” campaign that played a pivotal role in eradicating the disease in India. “Since 2011, no babies have been born with polio — a remarkable accomplishment. What greater gift can a star offer to the world?” says Kawadia.
If those regaled by the actor’s charisma in the dark of an auditorium or the solitude of their homes feel a sense of kinship, Bachchan relates to them just as much. In May 2023, the actor shared thoughts on how he would hurry back from work to be present at the gates of Jalsa (GOJ) at the chosen hour. “Rush rush rush .. !! Rush through the work and the day to be presentable at the GOJ .. and made it in enough time to be at the box .. and to greet and send the love for the well-wishers of the Sunday.”
There is even an occasional lament when fewer people show up. Post-Covid, the star wrote, “I do observe though that the numbers are in lesser magnitude and the enthusiasm has lessened and the screams of joy now transferred to the mobile camera .. and that is more evident now an indication that time has moved on and nothing lasts forever.” It seemed as much a comment on the transient nature of stardom.
Multi-Generational Fan Base
What could Pooja Vishnoi, 28-yearold techie from Jaipur, S K Marvada, middle-aged painter from Bhuj, Belgian-born chartered accountant Sonia Saharan, and Lekhraj Kasabh, labourer from Pathankot, possibly have in common? They represent a cross-section of weekly visitors at the gates of Jalsa. Evidently, the shape-shifting nature of Bachchan’s craft speaks to a diverse and multi-generational audience.
While older generations continue to relish classics like Sholay, Namak Haram, and Namak Halal, the more recent Piku, Pink, Wazir, and Paa captivate millennials. With more than 200 movies, numerous songs, overseas concerts, public awareness campaigns, brand advertisements and the KBC TV quiz show which he has hosted non-stop since 2000 (barring a season in 2007 done by Shah Rukh Khan), it’s a career that can be feted for its longevity alone: he has been in business since 1969 when he lent his baritone to Mrinal Sen’s Bhuvan Shome.
His powers of reinvention and his ability to discern changing tastes are spoken of by collaborators. He knew the Angry Young Man that he played repeatedly was a thing of the past by the mid-90s; it was replaced by a more realistic, restrained and sometimes magisterial presence. Vishnoi, the techie from Jaipur whose favourite films are Pink and Piku, says, “The love for Bachchan spans generations in my family. It’s a shared passion that I can discuss with my parents. Sometimes, my father even reenacts his iconic scenes.” She had carved out time from her work schedule to visit Jalsa during a brief three-day stint in Mumbai.
Others have travelled across the globe. A quartet of friends from Belgium, Holland and Suriname have come with a large banner that reads, “Autograph please. We are here from Belgium.” Sonia Saharan says the allure of Bachchan was something she experienced growing up in Belgium. Saharan and her Dutch friend, Sharmila Mitrasing, recall their families going to great lengths to source video cassettes and DVDs of his blockbusters. “His films are wholesome. There’s always a lesson to be learned.”
‘My Wait Will End Today’
Finally, when the moment arrives and Bachchan appears with folded hands, the feeling it evokes in many is the nostalgia of a bygone era when movies like Khuda Gawah, Hum, and Agneepath captivated them with larger-than-life narratives and charismatic performances. An overwhelmed Lekhraj bows down. It is the end of his journey.
Dressed in a suit with a woollen scarf and polished shoes, ‘Jai Amitabh Bachchan’ tattooed on his forearm, this tempo driver from Pathankot had travelled to Mumbai weeks ago to meet “tauji (father’s elder brother)”. He even took on odd jobs on construction sites and restaurants in the city to sustain himself because Bachchan had failed to turn up for two Sundays in a row due to travel commitments. “I have seen all his movies, some of them more than 50 times.”
He is carrying albums with pictures of the actor and letters written by him. There are photos of every October 11 celebration when he ordered cakes to mark the actor’s birthday. “Not only has he written back to me, but also sent photo frames of his family. Which superstar would go to the extent of doing that?” He cries, squats on the floor and after the crowd disperses, he moves towards the gates of Jalsa to touch his head to the ground.
The finale is, of course, provided by Bachchan himself later. Offerings from fans like Lekhraj are signed and returned, to show he cares. There’s a line immortalised by the superstar – “Mard ko dard nahi hota”. In Bachchan’s case, nothing would be further from the truth. He has doubts about whether fans will turn up next Sunday. “Will they .. won’t they .. ? The eternal question mark before the GOJ,” he said once in a blog. “That Chaplin question .. the presence at the Academy Awards for a Lifetime Achievement presentation for him, after returning to USA, from a sort of exile, being labelled a Communist, which was a misnomer .. and the ask as he stands backstage to be brought on and decorated ..‘will they clap for me ..’?
(Text from Amitabh Bachchan’s tweets and blog posts has been reproduced unedited)
Fracas over jhakaas: As Anil Kapoor seeks to protect his 'personality rights', experts speak up
8:28 AM
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Growing fear of AI deep fakes and misuse of their celebrityhood online is making public figures seek restrictions on use of their name, voice, photos, even dialogues. But is their brand theirs alone?
Gautam S Mengle (MID-DAY; October 1, 2023)
Actor Anil Kapoor had recently filed a suit before the Delhi High Court, seeking protection of his “personality rights”. In an interim order passed on September 20, the bench headed by Justice Pratibha M Singh restrained 16 defendants named in Kapoor’s petition from using his name, likeness, image, voice, personality or any other aspects of his persona, including gestures, for commercial purposes.
In its order, the bench observed that, “The Plaintiff also claims that the expression ‘Jhakaas’, which is a Marathi slang word, roughly translated as ‘fantastic’, ‘awesome’ or ‘superb’ in English, was popularized by him through one of his Hindi movies, namely ‘Yudh’. A perusal of the press reports and videos would show, that the manner in which he delivers the said word while speaking a dialogue, and the nature of expression is exclusively synonymous with the Plaintiff’s energetic and enthusiastic persona.”
Yudh, released in 1985, was the directorial debut of filmmaker Rajiv Rai, and starred Kapoor in a double role, as two brothers separated at birth. While one grows up as a law-abiding citizen, the other becomes a henchman for the villain—played by Danny Denzongpa—and uses the word Jhakaas with a particular intonation. The word became so famous that a decade later, when CBS released an animated series on The Mask, the central character’s catchphrase “smokin” was dubbed “jhakaas” in the Hindi version.
Rai, who was one of the three writers of the screenplay for Yudh, in a telephonic interview, tells mid-day, “An actor’s claim over his personality has to be respected and there is no doubt about that.” However, he says, it “is also important to bear in mind that dialogue from a particular film, even though it may have been made famous by the actor, belongs to the producer, who holds the copyright”.
“Dialogues are framed by the writers, with words that are in common usage at the time, which they feel will resonate with the audience. The actor’s contribution to it is undeniable but the producer holds first rights towards it,” he says.
He adds that any dialogue or song in a film is the outcome of several people brainstorming for days together. “A lot of people put their intellectual property into the making of a film. They are duly compensated for their hard work and in return, the producer holds the copyright of the film as a property,” says Rai.
The development though, has given rise to mixed emotions in the performer community, particularly, celebrated mimics who have made a career out of copying their favourite stars. Many of them have been appreciated by the stars themselves, but with first Bachchan and then Kapoor going to court to protect their personality rights, performers wonder whether celebrities are going too far.
“At the end of the day,” says Balraj Singh Ghai, founder of The Habitat Studios, “you become a celebrity because you are celebrated, not feared. For that matter, even Jackie Shroff [coincidentally Kapoor’s co-star in Yudh] is mimicked a lot. There are so many memes based on certain words used by him. It depends on the stand that the artiste takes.”
The Habitat hosts a wide range of performances regularly, including mimicry shows. “Jhakaas, for example, is hardly a derogatory word. If I say something is jhakaas, I say it in praise. Plus, it has recall value. Kapoor made the word famous and whoever mimics it, is only letting people relive that moment that he created,” Ghai continues.
Legal action like this, also robs mimicry artistes of the dignity of their work. “It is because we as artistes have loved those characters, have watched them during our own evolution, that we start mimicking them. We first do it in front of our family and friends and only then do we take a stab at it on a professional level,” says Arindam Thapliyal, who goes by Jagat Didi on Instagram, and is wildly popular for his impressions of stars like Katrina Kaif and Deepika Padukone.
“Besides,” adds Sumedh Shinde, “if the actors like your act, they themselves share it on their social media. If tomorrow, I were performing and I saw my favourite actor in the audience, I would definitely do a short mimicry. That would be my tribute, not a mockery.”
Shinde is a well-known voice artiste and has dubbed for Anil Kapoor’s character in the Marathi version of The Night Manager.
There’s also a thriving ecosystem of celebrity memes that are bound to be affected if actors start invoking the law. According to Hardik Kanteliya, head of content, RVCJ Digital Media, a digital company that helps client with social media engagements for their products and services, and will be hosting the first ever Meme Utsav in December, “memes are catalysts for community discussions and attention, akin to rapid, organic promotional tools”.
“Even negative memes can inadvertently yield positive publicity, as acknowledged by figures like The Great Khali. However, it’s equally valid to opt out of meme engagement, recognizing that creators may not fully grasp the complexities of others’ lives, and such participation can amplify stress for some,” he says.
An important aspect of Kapoor’s petition, though, which the Delhi HC, too, has taken note of, is the potential misuse of the actor’s likeness via Artificial Intelligence. Scams in the name of Bachchan’s popular quiz show, Kaun Banega Crorepati, have already been proliferating for at least the last five years. Pictures of Bachchan and the KBC logo are regularly sent to unsuspecting victims via WhatsApp, telling them that they are eligible for a “bonus round”, which will help them win significant amounts of money. All they have to do, the messages claim, is to click on the link attached. Needless to say, this is a phishing link aimed at letting cybercriminals worm their way into the victim’s bank accounts.
“The technological tools that are now freely available make it possible for any illegal and unauthorized user to use, produce or imitate any celebrity’s persona, by using tools including Artificial Intelligence. The celebrity enjoys the right of privacy, and does not wish that his or her image, voice, likeness is portrayed in a dark or grim manner, as portrayed on the porn websites. Moreover, the Plaintiff’s image is being morphed along with other actresses in videos and images generated in a manner, which are not merely offensive or derogatory to the Plaintiff, but also to such other third party celebrities and actresses,” the Delhi HC’s interim order on Kapoor’s petition states.
The bench also referred to GIFs—short, moving images used on social media—that are already in circulation and the possibility of advanced AI being used to generate realistic visual and voice clones.
In its July 23 edition, mid-day had reported how AI-based voice scams were no longer just a possibility but a reality, with 72-year-old PS Radhakrishnan from Kozhikode having fallen prey to it. mid-day’s report also mentioned a study by McAfee, a US-based cybersecurity company, which showed that 53 per cent adults shared their voices on the internet in some form or another, making them freely available for misuse.
“Up until maybe a year ago, an individual would have required access to exorbitantly priced devices to render graphics, considerable technical knowhow to train face-swapping models, and adequate source material in form of videos of the subject’s face to create a convincing deepfake. Now, however, the technology has improved quite significantly, and deepfakes, even believable ones, can be created with a single image of a subject. With these advances, an individual could create a convincing deepfake of Anil Kapoor without breaking the bank or first becoming an expert in the training of deep-learning based ace swapping models,” says AI expert Karan Saini.
“It is trivially easy to clone voices today, and generate them in real-time like an actual voice conversation,” adds Additional Director General of Police Brijesh Singh, an expert on cybersecurity and AI.
“We have models that can generate text-to-speech, speech-to-text, text-to-image and even text-to-video now. However, technological detection, too, is equally possible. The same algorithm that creates these deepfakes can be used for detecting them as well. As real as the concerns of AI being misused are, it is equally possible to detect such misuse and also forensically prove it through an investigation.”

The concerns of celebrities are not entirely unfounded, case in point being the ‘KBC frauds’, where people are scammed using Amitabh Bachchan’s popular quiz show as a lure
Happy 80th Birthday Amitabh Bachchan: Filmmakers revisit their journey with the superstar
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Eight decades of Amitabh Bachchan! In retro mode, filmmakers talk to us, revisiting their journey with the superstar and what makes the association so special on his 80th birthday
Rachana Dubey (BOMBAY TIMES; October 11, 2022)
For as long as one can remember, Amitabh Bachchan has adorned the big and small screens around us. Whether he’s the angry young man, the revenge-seeking common man, the disciplinarian father, the army officer, the lovable father who is as vocal about his motions as his emotions, or the cool and affable TV show host — there’s no role that the actor hasn’t played with utmost ease and relatability. One might fall short of words to describe the phenomenon that is Amitabh Bachchan, but he never falls short of impressing his audience with one solid act after another.
On his 80th birthday, filmmakers from different time zones in his life talk about what truly makes him the BIG B!
Amitabh beats all descriptions and measures of success: Ramesh Sippy
My introduction to Amitabh Bachchan was his performance in N C Sippy and Hrishikesh Mukherjee’s Anand. One immediately noticed him, despite the towering presence of the nation’s then heartthrob, Rajesh Khanna. There was something so honest about him that he drew your attention, effortlessly. You couldn’t miss that he was a natural at what he did. Then, I saw Mehmood’s Bombay To Goa where he was the complete opposite of his character in Anand. When Salim-Javed suggested his name for Jay in Sholay, my attention was immediately drawn to the memory of these two films and his roles in them.
He was almost the last one to be cast in Sholay. I didn’t want a big star; I had plenty already and handling so many people is a task, but when I heard Javed Akhtar talking about his work in Zanjeer, I decided to cast him. The industry had almost cast him out at that time; as he had a few failures behind him. But I think I was lucky to have nabbed him at the right time.
Sholay started our association. His role in Sholay was also not one that needed overplay. It was boisterous in parts. Of course, after his huge success, he became a one-man show who could do anything and everything so well. It became more and more difficult to capture him in something less. Zanjeer, Deewaar and Sholay just ensured there was no looking back for him. And his legendary run was not something anyone could have pre-empted; no one had thought, and no one could have
guessed he will rule this industry for 50 years. I am no exception to that.
Amitabh continued to grow. How tall can a man grow? Amitabh beats all descriptions and measures of success. The credit for that goes entirely to him. I was fortunate to have been on the National Awards jury twice, in 2010-11 and 2016. His performance in Paa was so incredible and totally different from what one expects of him. I had to give it to him. It was outstanding and rare. He won another one for Piku where his role as Bhashkor Bannerjee was so brilliant. Of course, the directors in both cases are fantastic, too. So, over years, you may keep feeling what’s left for him to do, and there is always going to be something more. There is no end to Amitabh Bachchan. He is forever!

I love the mystique and enigma that Amitabh Bachchan is, and I don’t want that shattered: R Balki
I thought of a film for Amit ji when I made Cheeni Kum. I cast the story for him. It was the other way around. It wasn’t an older man falling in love with a younger woman. It was a story that wouldn’t work without Amitabh Bachchan and Tabu. He’s not an old man; he’s Amitabh Bachchan.
He comes packaged with his trademark sarcasm, wit and poker-faced rudeness — that’s just a perfect blend. My equation with Mr Bachchan has been exactly the same from day one till now. Even today, if I have an idea, I message him and if he likes it, I write it out for him. I love the mystique and enigma that he is, and I don’t want that shattered. I don’t want to analyze it. Being nervous around him just breaks that enigma. So, I have never been nervous in front of him and he, too, has made me so comfortable. He is an aspiration for everyone, and my relationship with him is that of a huge fan and a person who is aware of what I like about him.
It’s surreal that I have worked with him. I remember when we were making Paa, we both were convinced about the film. Abhishek and Vidya needed convincing. Even when Mr Bachchan says the deepest of things, he has still eyes and a still face which is the power of a great actor. People don’t often understand that when you act, you don’t have to make it loud and evident. Mr Bachchan doesn’t, and that’s his superpower!
His values are will remain so. They are in his DNA: Nitesh Tiwari
Over the years, I’ve worked with Mr Bachchan at different levels. The first time I had a chance to watch him up close was when I gate-crashed his ad shoot (made by my then company). I wasn’t part of the process then, but I have been such a fan since childhood that I couldn’t resist being on that set and silently observing him. I came home so happy that day. Then came the Kaun Banega Crorepati campaign where I interacted with him one-on-one. I usually don’t get nervous, but I was meeting my childhood hero and working with him was something else.
Over the years, I worked with him very closely and got to know him more closely. In my movie Bhoothnath Returns, he was the central character. Today, I can say that our relationship is a bit more than professional. His values are intact, and they will remain so. They’re in his DNA. His punctuality, discipline, hard work and dedication are unmatched. As an artiste, you know how big he is and yet, he is willing to understand and give his best for your vision.
Anyone who has worked with Amitabh Bachchan will agree that he’s like an addiction: Rajkumar Santoshi
Describing Amit ji as an actor is like sooraj ko deepak dikhana. Words will always fall short. In my opinion and understanding of him, he’s a better human being than an actor. He’s par excellence in his field but he’s a far, far nicer human being. He respects everyone’s time. That’s the reason he’s never late. Waqt aur insaan dono ki kadar hai unko. He never wants anyone to bear losses. And with him in the team, people automatically fall in line. Koi kitna bhi experienced ya naya ho, he treats everyone like his teachers. He listens intently and tries every possible method to give the director what he’s looking for. He has no ego and no hassles.
Whenever he enters a set, he has that little naughty smile and he jokes around and has fun with everyone. We filmed Khakee and Family together. We had shot Power for seven days and then I regret not being able to complete it. But anyone who has worked with Amitabh Bachchan will agree that he’s like an addiction, he just spoils you for life. If you don’t work with him, you feel something is just missing. But working with him is also a responsibility; as you have to justify his presence in a movie. On his 80th birthday, I just wish he continues his run till beyond 100 years.
Everyone was called at 9 am on the first day of Rudra's shoot. Ajay Devgn came at 8:30 am-Sameer Nair
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Noting that Indian audience has loved remakes since KBC days, creator Nair says Ajay Devgn’s Rudra has a different context from its original Luther
Mohar Basu (MID-DAY; March 4, 2022)
One would assume that luring Ajay Devgn to invest in a series, when he can wrap up four movies in the same period, was difficult. But producer Sameer Nair of Applause Entertainment — which has created Rudra: The Edge of Darkness, the Indian adaptation of popular British series Luther — busts the myth. “Ajay was the only one we approached. He was familiar with Luther’s universe. The character is dark, melancholic and has a smouldering vibe. No one can ace it like him. Ajay agreeing to do any show at all for a streaming platform was a big deal. A lot of credit for Rudra goes to Ajay. Everyone was called at 9 am on the first day of the shoot. He came at 8:30 am, and centred everyone’s energies to focus purely on the show,” says the creator.
The Disney+ Hotstar series, which drops online today, has been reimagined in Mumbai and was shot from July to December last year in live locations. Working with a superstar in a non-studio set-up wasn’t easy. Couple that with the Coronavirus pandemic, and Nair agrees it was an uphill task. “We were to start shooting in October 2020. That shifted to January 2021, then to April 2021. We finally started in July. The waiting periods were spent in enriching the material. We had three dialogue drafts. Jay Bansal [writer] added some cheek to the final draft. We storyboarded thoroughly with Rajesh [Mapuskar, director] and his DoP [director of photography]. It’s an introspective show. There are less moments of flamboyance, but at the same time, it is massy.”
Nair has been the mind behind many adaptations, including Criminal Justice and Hostages. He doesn’t view remakes from the prism of creative bankruptcy. “A large part of Indian audience has not seen Forrest Gump [1998]. For them, Laal Singh Chaddha will be a fresh film,” he argues.
The producer, however, asserts that reimagining the story is key to its success. “We adapt the original plot to a new culture, and reimagination plays a key role in establishing fresh context. In Rudra, we explore how cops and the legal system work in India. I did an adaptation 22 years ago with Kaun Banega Crorepati. The approach has to be: This is a great idea, which can be retold for a different audience.”

Amitabh Bachchan's Kaun Banega Crorepati goes digital first time in the two-decade history
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Amitabh Bachchan's much-loved show KBC - Kaun Banega Crorepati goes digital amid lockdown, makers swap on-ground selection process for online GK tests, interviews to choose contestants
Shaheen Parkar (MID-DAY; May 12, 2020)
'Har cheez pe brake lag sakta hai, sapnon pe nahin,' said Amitabh Bachchan in the first promo of Kaun Banega Crorepati that dropped online last week. With it, the megastar put out the message, loud and clear — the 12th season of the reality game show will kick off, unhindered by the ongoing crisis. The lockdown has compelled the makers to scrap the on-ground audition rounds that involved a GK test, followed by interviews conducted across different locations in the country. Instead, for the first time in the two-decade history of the show, producers Studio NEXT and Sony, the channel that airs it, have charted out a plan to conduct the initial rounds online. The registration process will wrap up by July after which the makers will decide the way forward.
Elaborating on the virtual selection process, a source reveals that contestants can answer the registration questions either via SMS or the SonyLIV app. Those who have answered it correctly will be shortlisted by the randomiser and will be reached out to, over the phone, for further assessment. "The audition comprising a general knowledge test and a video submission will be conducted online via SonyLIV. The final round is the personal interview with the shortlisted contestants, which will be conducted via video calls," informs the source.
The registration process began over the weekend with Bachchan posing an all too familiar question: Where in China was the Coronavirus disease 2019 or COVID-19, first identified? The megastar, who shot for the first promo at Jalsa, is also filming the daily questions at his Juhu home.
Confirming the development, Amit Raisinghani, head, business planning and communication, Sony, says that despite the lockdown, the number of aspirants has only increased. "This is the season of firsts as the entire screening and selection will be managed digitally. We are confident that this season will redefine the power of knowledge."
Reality shows have now adopted the straight-from-home concept amid lockdown
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Reality shows have now adopted the straight-from-home concept in a bid to get more viewers and participants from across India
Radhika Bhirani (HINDUSTAN TIMES; May 11, 2020)
The reality of present times is driving a ‘new normal’ for reality TV shows. Entertainment channels are tapping into digital opportunities to set the ball rolling for their non-fiction content, in an attempt to not just woo a new set of viewers, but also to open up an alternate gateway to push participation from across the country.For the first time, Kaun Banega Crorepati, for its 12th season, has rolled out a 100% digital selection and screening process for its contestants, amid the lockdown due to the Coronavirus pandemic.
“The fact that a large number people are homebound and spending long hours on TV and digital media, made it conducive, says Ashish Golwalkar, head — Content, Sony Entertainment Television (SET) and Digital Business. “We expect the participation to grow exponentially,” he adds, revealing that a digital process will soon be announced for their shows Super Dancer and Indian Idol, too.
There’s also Dance Deewane 3, which is employing a virtual screening process, enabling participants to stay safe and audition from their homes, through an app. The response has been “overwhelming”, says Manisha Sharma, head of content, Colors, adding: “We clocked 1,000+ entries in just two days. There’s no reason one should lose hope. We want our viewers to stay motivated during these tough times.”
Apart from that, viewer engagement is a key reason why MTV has formulated original content. While a first-of-its kind virtual audition for a wild card entry is happening for Roadies Revolution, the channel is also showcasing straight-from-home concepts such as Hustle From Home, a six-part series with rappers jamming from home, and Ace Quarantine, which has contestants trying to ‘ace the quarantine’ with specific tasks.
Be it amid the lockdown or even for the immediate future, straight-from-home content is becoming the norm, believes Ferzad Palia, head of Voot Select, Youth, Music, and English Entertainment, Viacom18. “Our properties have bridged the gap for new content on television. We’re adapting to the new normal,” says Palia, adding that shows riding on repute, such as Roadies, will continue to get traction.
Talking of that, to mark 25 years of Sa Re Ga Ma Pa, Zee’s flagship music reality show, the channel has planned a 25-hour music marathon on the web, with a concert with well-known names singing from the confines of their homes. “It’ll surely help uplift the mood of people across the world during the lockdown,” says singer Udit Narayan.

Ananth Mahadevan's soon-to-be published book to narrate stories behind milestone TV shows
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Filmmaker Ananth Mahadevan’s soon-to-be-published book, Once Upon A Prime, takes us through milestone shows of Indian TV
MUMBAI MIRROR (April 29, 2020)

How Kishore came to sing for Yeh Jo Hai Zindagi
The title refrain of Yeh Jo Hai Zindagi is still high on the television memory charts. When pop star Ajit Singh composed it, S S Oberoi blew a bugle, “lets get Kishore Kumar to sing it!” Kumar, the maverick actor-singer-composer, had not stepped out of the movie circuit before. In his legendary style, without batting an eyelid, he rattled off a figure of 18,000 rupees, the fees he charged for a film song. Oberoi didn’t blink either. He could see the song playing on television every week. Over 52 episodes it would amortize to less than 4,000 rupees a week. And so, Kishore Kumar sang for television.
When Colonel Kapoor ran behind ‘Fauji’ Shah Rukh Khan with a stone
He (Director Colonel Raj Kumar Kapoor) first ran into the 23-year-old lad named Shah Rukh Khan at Gulmohar Park in New Delhi. Kapoor’s brother-in-law auditioned him along with a bunch of others, and let them loose on the training ground. The Colonel put them through a grind unfamiliar to them. Not surprisingly three of them dropped out with a curt “we haven’t come here to join the army”. Only Khan kept up with Kapoor.
It ended in a sparring match with both donning boxing gloves. “I goaded him to hit me and he finally did. I could sense his aggressive nature. It was a presence that the camera loved. My Abhimanyu Rai was born, though honestly, I hadn’t penciled him in for the part. He was a bit of a bum though, turning up late for shoots. Once I ran behind him with a stone and that put an end to his punctuality ills.”
The other ‘bums’ weren’t a piece of cake either. The Colonel had recruited a barber on the set to clip their Samson locks. Yet the cadets continued to sport long hair. “I later discovered that they were bribing the barber,” he says. Corruption had seeped into the ‘army’, courtesy the civilians.

Govind Nihalani asked Indira Gandhi for government support for Tamas
Tamas lay untouched in Nihalani’s (director Govind Nihalani) room for more than a week. He preferred to read it when he had sufficient time out from filming. When he did get down to reading it, every sentence struck him not as words, but images. Something told him ‘this is it’. He decided that he wanted to do it, but didn’t have a clue how to go about it.
It was around that time that Nihalani’s searing human drama, his first film, Aakrosh (The Cry of the Wounded) was selected in the Indian Panorama section of the International Film Festival of India, held that year in Delhi. The directors of the films screened were invited for a tête-à-tête with then Prime Minister Indira Gandhi. An evening with Gandhi, however, turned into a rationed two minutes with each person.
Nihalani who was deeply under the influence of the book came straight to the point. “Madam, if a serious film were to be made on the Partition, would the government extend support?” “What do you mean by government support?” she enquired.” “The National Film Development Corporation, for instance. Regular producers do not fund this kind of film.” Gandhi instantly asked him when he wanted to make it. “It is a sensitive film. It will all depend on the political situation at that time.”
Nihalani realised that her sharp mind had taken cognizance of the Hindu-Muslim elements in the story. The communalism in the film and the country would not be without repercussions. “I realised I was sitting on a potent subject. I was certain as hell that I wanted to make the film.”
Why the Big B was apprehensive about KBC
Amitabh Bachchan’s participation in (Kaun Banega Crorepati) evoked the expected skepticism. I was privy to groups turning into all-knowing prophets of doom: “What works in formula films will not work on TV”, “Imagine diminishing his status to that of a television host”, “Did he need this at this stage of his career?”… Strangely, Bachchan himself echoed some of the sentiments “Yes, I was most apprehensive about the idea of going on to the ‘small screen’, as were most of my family members. I felt that the uncertainty of my ability to pull off something like this, was weighing more than the actual danger of reducing my size from 70mm to 21 inches. But as is with most pioneering efforts, since there were no yardsticks or examples to use for reference, I merely took the decision, and the plunge. I have never thought of myself as being in possession of any stature or for that matter being some kind of a star. I looked upon this as another job to be done and that is how I approached Kaun Banega Crorepati.”

Radikaa Sarathkumar makes TV history as first female host of Tamil Kaun Banega Crorepati
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Sri Lankan-Indian actress Radikaa Sarathkumar makes TV debut with a game-show and only female contestants
Akash Bhatnagar (MUMBAI MIRROR; November 9, 2019)
Radikaa Sarathkumar is all set to create history with her TV debut. Next month, the 56-year-old Sri Lankan-Indian actress will start her new job as the first female host in the Kaun Banega Crorepati universe.Based on the British show, Who Wants To Be A Millionaire?, the game show debuted in India in July 2000. with a Hindi version, which had Amitabh Bachchan as the host who invites a contestant to the hot seat after a ‘fastest finger first’ round. While it has since been remade in several other Indian languages, including Marathi, Tamil, Kannada, Bengali, Bhojpuri, Telugu and Malayalam, the upcoming season of the Tamil edition, titled Kodeeswari, will decidedly stand out, thanks to Radikaa. Additonally, as a dual record, the show will feature only female contestants this season, a worldwide first for the format.
Radikaa has worked as an actress and producer in films across five languages. Incidentally, she shared screen space with Bachchan in Laal Badshah and Aaj Ka Arjun. The long-time host of the Hindi KBC congratulated his new Tamil counterpart for the milestone, hailing it as “most encouraging, reassuring and motivating”.
Amitabh Bachchan shoots for Kaun Banega Crorepati promo on Lucknow; 11th season to begin in August
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As Big B shoots for Gulabo Sitabo in Lucknow, Kaun Banega Crorepati team and director Nitesh Tiwari fly down to city to film special promo
Shaheen Parkar (MID-DAY; July 5, 2019)
Such is the magic of Amitabh Bachchan that if he can’t reach the set, the set comes to him. The megastar has been shooting for Shoojit Sircar’s Gulabo Sitabo in Lucknow over the past two weeks.
As Bachchan was unable to fly down to Mumbai in the middle of the schedule, the makers of Kaun Banega Crorepati headed to the City of Nawabs to shoot the final promo with him. The teaser was helmed by Dangal (2016) director Nitesh Tiwari and will air on July 6, before the 11th season kicks off in August.
A source reveals, “The initial plan was to shoot the promo at Film City. But when the channel and the producers realised that Big B could not take time off from the Lucknow leg, they decided to take the first available flight to the city. The promo was shot on Monday. It is a light-hearted concept that sees Bachchan share the frame with a Lucknow-based contestant and several locals.”
While juggling two assignments in a day can be a tough ask, Bachchan straddled his film commitment and the promo shoot with ease. “He shot for the film’s sequences in the morning, after which he reported to the show’s set.”
It has been 18 years since Big B first introduced us to his know-it-all ‘Computer ji’. As he gears up to sit on the hot seat once again, the veteran has upped his sartorial game. “Though he will be wearing classic striped and checkered suits, the superstar will experiment with his ties. He will be seen sporting the triple knotted looks, which include the Eldredge, trinity and the cape knot.”
The channel officials chose to not comment on the Lucknow shoot, but a source close to them confirmed the news.
You will see me rap in the music video of Kon Honar Crorepati-Nagraj Manjule
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Himesh Mankad (MUMBAI MIRROR; April 29, 2019)
Mirror had earlier reported (March 4) that Nagraj Manjule is making his small screen debut as the host of Kon Honar Crorepati, the Marathi version of Kaun Banega Crorepati. Now, we have learnt that the director, who recently wrapped up his Hindi directorial debut featuring Amitabh Bachchan, Jhund, has turned singer for his show. “Yes, I’ve sung the title song which captures the show’s essence. I am not a great singer, but my voice sounds surprisingly good. You will see me rap in the music video too,” Nagraj informs.The Hindi version of KBC is hosted by the Big B but the National Award-winning director is quick to add, “It’s wrong to compare yourself with Mr Bachchan, no one can do what he does. He has made the show memorable and I’d like to carry it forward to the best of my ability. It’s an unchartered territory for me, but the fact that it connects people with their dreams is something I can relate to. It requires a dignified approach and I hope to succeed.” Good wishes from his Jhund leading man has boosted his confidence. Nagraj who has grown up watching Bachchan, says his dedication motivates him.
The filmmaker who hit pay dirt with his Marathi film Sairat, is currently busy with the postproduction of the sports drama set against the backdrop of slum football. He reveals that researching the subject was a tedious but enjoyable journey. “I worked on it for over two years to make it as authentic as possible. I had to understand the sport before writing the story, and in doing so I realised that it belongs in my zone,” he asserts.
Was it difficult to get Bachchan on board? “No, he loved the story so I didn’t have to convince him. He trusted my vision and came on board,” Nagraj signs off with a smile.
I can never stop being a fanboy when it comes to Amitabh Bachchan and Shah Rukh Khan-Sidharth Malhotra
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MUMBAI MIRROR (November 19, 2018)
Sidharth Malhotra says he can never stop being a fanboy when it comes to Amitabh Bachchan and Shah Rukh Khan because of their “brilliant” and “inspiring” portfolio of work.Talking about how Shah Rukh inspired him to become an actor, Sidharth said that it started with him being from Delhi. “All Delhi boys want to be heroes and Shah Rukh Khan is a major reason. I used to find him really funny and I still do. Shah Rukh is extremely good with comedy,” he pointed out, confiding that at one point he had a hair parting like SRK’s. Back then, the ‘student’ never thought he will become an actor himself. “I didn’t know what it took to go on the other side and be on screen. But there was so much admiration and concentration when I would watch his scenes that there is big impression of Shah Rukh Khan and his cinema on me,” Sidharth said.
He came face-to-face with his idol when he was working as an assistant director on Karan Johar’s directorial My Name Is Khan (pictured above) which featured SRK. “I was too scared and nervous to walk up to him and chat. I think the first thing I told him was, ‘Sir, aap biscuit khayenge?’ He was waiting for a shot and we were in Los Angeles. I was the AD with the walkie talkie in my ear waiting to tell him when to go for that shot. There was this awkward moment so I said the first thing that came to my head. He looked at me, smiled and said, ‘Nahin nahin.’ He eventually realised I wanted to be an actor and started talking to me about different things,” he flashbacked.Talking about his first meeting with Big B on the sets of Kaun Banega Crorepati during the Student of the Year promotions, he recounted, “We met him backstage and he was very sweet. He shook my hand and patted me on the back. I am still a big Bachchan fan, even when I meet him now and have an immense amount of love for him.”
I relate to Amitabh Bachchan as our host, not an actor-Siddhartha Basu
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Chhaya Unnikrishnan (DNA; October 11, 2017)
Siddhartha Basu, who is known as the father of quiz shows following his immense popularity as the host, also has the distinction of being the first one to direct megastar Amitabh Bachchan on the small screen. The year was 2000 and Star Plus, which was facing tough competition from the Hindi GECs (general entertainment channels) decided to adapt the hit international show, Who Wants To Be A Millionaire in Hindi with none other than Bachchan as the host and it changed both the channel and Big B’s fortunes. Seventeen years and eight seasons later, the show produced and directed by Basu is still going strong, albeit on Sony. Here, the producer-director talks about his association with the superstar, what makes him indefatigable and why Big B is the best in business!
What was your reaction when you got to know Amitabh Bachchan will be hosting Kaun Banega Crorepati and you will be directing him?
My jaw dropped when Sameer Nair, then head of Star programming, asked me what I thought of the suggestion of Amitabh Bachchan hosting KBC. It was obviously a great fit, given his gravitas, charisma and sense of drama, but no film star had hosted a TV show till then, leave alone a titan like him, and the prospect of pulling off a complex and elaborate show like that for the first time in India, seemed more daunting with a megastar as host. My response was — if you can convince him, great.
Did you feel intimidated by the superstar?
Not really. I’m fully mindful of stardom, but have never been daunted by it. Of course, I have all due respect for his talent and seniority, and relate to him accordingly. Given his personality, it’s a little like being a head prefect with an imposing headmaster.
Tell us about your first meeting with Bachchan.
It was a cold and windy day, outside St James’ hotel in London. We were on the way to an orientation meeting with EMI, the partner company of Celador for the Asia-Pacific region. He was characteristically cautious, reserved and wary of what lay before him, as he was going to decide whether or not he was going to do the show, after finding out what went into the show, and watching a recording.
Being a popular quiz master yourself, what were your thoughts when Bachchan hosted the first episode?
My role with him has primarily been as a quiz or game show coach and guide, based on what I know of the genre, and my personal experience as a host, apart from being the director/producer of KBC. The sessions went on over three months before we recorded the first show in 2000. Every season, we still do sessions and mocks before we get to the floor.
Having interacted with him for so many years, did you discover any new aspects to the actor?
I relate to him, as our host, not an actor, but I know he thoroughly enjoys the art and act of performance in any role, including the act of anchoring. As a host, his thorough and diligent preparation for every episode, treating each episode on its own merit, conducting each game and drawing out each contestant with empathy and elan, are what mark him out as one of the best in the business, worldwide.
Even after 17 years, the superstar is as energetic and enthusiastic as he was in the first season. What makes him indefatigable?
I believe it’s his passion for performance, the oxygen of appreciation, and an appetite for excellence, that fuels his amazing drive and stamina. He sets a punishing pace for himself, literally bounds on to the floor each time, raring to go, often working 12-14 hours a day on the floor with us, with rare concentration and energy.
Do you feel more comfortable with Bachchan now? He is known to be guarded and doesn’t allow anybody in his inner circle.
Ours is a professional and cordial relationship. He remains what he’s always been — focussed on the job, intent on hitting high benchmarks. Off camera, he’s a great storyteller and has a fine sense of humour, but there’s little time to chill, given his kind of packed schedule, in which 24 hours a day are far too little. What the inner team of KBC gets to experience and support closely is how an actor, or rather, an anchor like him prepares.
What was the biggest revelation about him after you got to know him personally?
He’s his own hardest taskmaster.
In the earlier seasons, contestants would say they just wanted to meet Bachchan — the show and the money didn’t matter. Does that still continue or has it changed to some extent?
They are increasingly the true stars of the show, offering true glimpses of diverse and complex Indians, who seldom get the attention they deserve in our mass media. Their motivation to come on the show remain multifold, from meeting the Big B, to earning recognition and rewards. Since it came on to Sony, in the fourth season, the hallmark of the show has been that KBC has become a mahamauka, a mahamanch, for the aam aadmi to shine in khaas colours. What’s been critical to the selection of contestants, in addition to their gaming ability, is their articulation, personality, life experience, and their representative-ness of a changing India. These are accentuated as they bask in the glow of a star host who shines a warm and empathetic light on them. The human story unfolding through a knowledge game, is, after all, the DNA of the show.
Do you and Bachchan discuss how to better the show and keep an eye on the ratings?
We’re constantly looking to innovate, experiment, make things better. The creative and content team are always in an ongoing dialogue with Mr B on how to keep raising the bar. He’s not so twigged on to ratings, just on doing his best. Which is exactly my attitude. Of course, it’s gratifying to rule the roost on the ratings chart. But beyond ratings, what matters most is the quality of appreciation, the range and depth of attention from viewers of all kinds, not just in India, but wherever it’s showing, all over the world.
Krushna Abhishek's new game plan gets his comedy show The Drama Company an extension
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Sunil Grover, whose show was to replace his, was on the finale of a dance show on a rival channel
Natasha Coutinho (MUMBAI MIRROR; September 25, 2017)
Mirror (September 16) had
earlier reported that Krushna Abhishek's comedy show, The Drama Company,
which had been moved from its 8 pm slot to the 9 pm one of The Kapil
Sharma Show from September 1, was being replaced prematurely to make way
for Sunil Grover's new show. Krushna had confirmed the news, saying,
“We were planning a new season and had decided to introduce some new
elements. Now, I think they are introducing Sunil's show in that slot
which we were not aware of. It's the channel's decision and Sunil is
very
popular. I'm comfortable with him and open to working with him in
future.“
But just when Krushna was planning a break of two-three months from work and headed to Greece with wife Kashmera and their twin sons, he got the news that his show had got an extension for another season. “Yes, it's true. We learnt about the extension on Thursday when our creative head, Preeti Simoes, met the channel. The TRPs for our Sanjay Dutt episode were good which means that if we get good stars things will work for us. We are making some changes on the set and the format. We are also getting new actors on board. Sony is confident the show will get better ratings,“ Krushna exulted.
He pointed out that The Drama Company has been modeled on international Broadway dramas which didn't go down well with the desi audience who prefer out-and-out comedy. “We tried changing the format but we were accused of copying Kapil Sharma's KBC (Kaun Banega Crorepati) game. It was Preeti's idea and she used to work with Kapil earlier so we weren't aping anyone and the game worked for us. The next episode will be shot on September 26 in the new format,“ he signed off happily note.
Meanwhile, Sunil was seen over the weekend in the finale of Remo D'Souza's talent hunt show, Dance Plus, on Star Plus. This has sparked off speculations that he could be moving with his new show to the rival channel. His earlier show, Mad In India, aired on Star.
But just when Krushna was planning a break of two-three months from work and headed to Greece with wife Kashmera and their twin sons, he got the news that his show had got an extension for another season. “Yes, it's true. We learnt about the extension on Thursday when our creative head, Preeti Simoes, met the channel. The TRPs for our Sanjay Dutt episode were good which means that if we get good stars things will work for us. We are making some changes on the set and the format. We are also getting new actors on board. Sony is confident the show will get better ratings,“ Krushna exulted.
He pointed out that The Drama Company has been modeled on international Broadway dramas which didn't go down well with the desi audience who prefer out-and-out comedy. “We tried changing the format but we were accused of copying Kapil Sharma's KBC (Kaun Banega Crorepati) game. It was Preeti's idea and she used to work with Kapil earlier so we weren't aping anyone and the game worked for us. The next episode will be shot on September 26 in the new format,“ he signed off happily note.
Meanwhile, Sunil was seen over the weekend in the finale of Remo D'Souza's talent hunt show, Dance Plus, on Star Plus. This has sparked off speculations that he could be moving with his new show to the rival channel. His earlier show, Mad In India, aired on Star.
Most answers you still can’t Google-Siddhartha Basu
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Siddhartha Basu on his 17-year-old show Kaun Banega Crorepati, Big B and making quizzing a household name
Shaheen Parkar (MID-DAY; September 3, 2017)
Siddhartha Basu is a celebrity in his own right. He is often stopped and asked for selfies. The veteran television producer-director, better known as the grandfather of quiz masters, says, "I oblige, but they [fans] do not leave before asking me a question." Just when you think they pose a random question to test his general knowledge, he laughs aloud, "It's far from that. People ask me, 'What has happened to your hair? Where has it gone?' There is always this negative connotation. Viewers still remember me as the way they have seen me on TV. I tell them, blame it [the receding hairline] on my genes. I don't think I will ever do anything for a better crop of hair."
Old connect
It's over three decades since he hosted Quiz Time on Doordarshan, "so people still expect me to look the same," he sighs as we catch up with him at an event for Kaun Banega Crorepati (KBC), the quiz show he is best known for. "It has been 17 years that KBC has been running. There is an entire new generation out there."
Hosted by Amitabh Bachchan, a new season of KBC went on air last week. Except for one outing in 2007, which was anchored by Shah Rukh Khan, Big B remains the face of the show. "I have a warm, cordial relation with him [Bachchan]. He is meticulous and KBC is special to him. Given that our association dates back 17 years, it's a special bond -- an old one."
Basu rues the fact that Bachchan does not converse with him in Bengali. "He is only Bangla when he is with Shoojit Sircar [filmmaker]. Perhaps my Bengali is not all that good." Not many know that Sircar was part of KBC in its early seasons. "Shoojit is an old colleague, we used to work together." This was also the reason Basu agreed to turn actor in Sircar's critically-acclaimed film Madras Café (2013). So also the association with Dangal (2016) director Nitesh Tiwari, who directed the promos for the show. "He has conceptualised several campaigns for the show during his advertising days."
Online information
Over the years, Basu has had a task force making a bank of questions -- easy, tough and the impossible ones. Even though now information is a click away, Basu avers, "Some answers you still can't Google. There is so much of information out there including rubbish. You need to know how and where to find the authentic and correct stuff."
Basu is also producer of an open textbook kind of show for a news channel for students. "They are allowed to Google it but often it may not give you the the right answer."
When Bachchan was first offered KBC in 2000, those close to the actor were not keen that he take up television, but Big B was adamant. Basu, along with the star, travelled to England to check out the original show, Who Wants To Be A Millionaire? They visited the sets and Bachchan told them to make it on identical lines. "We have been following the international format, except for some changes as it is in Hindi and to suit the Indian audience." The reason it has new terms like computerji and lock kiya jay. Terms that they brainstormed and which have become synonymous with the show.
Special moments
Basu says KBC has become more than just a quiz show. "It is all about those special and unforgettable moments. The DNA of the show is that a life changes in front of you. This season there are 15 questions for the Rs 7 crore jackpot." Several contestants claim they want to be on the show to meet Big B. "The show is about enriching the common man's life," he says.
Though the quiz master has also produced reality shows like Dus Ka Dum, Jhalak Dikhhla Jaa and India's Got Talent, he still remains synonymous with KBC.
Would he ever be on the hot seat? "I am a quiz maker and quiz master, not a quizzer. I find joy in finding information and unless you enjoy the process, it will not amaze you."
KBC's jackpot questions
Who among these does the Indian Constitution permit to take part in the proceedings of Parliament?
A. Solicitor General
B. Attorney General
C. Cabinet Secretary
D. Chief Justice
Answer: Attorney General
Answered by: Harshvardhan Navathe, the first crorepati, in 2000
Which colonial power ended its involvement in India by selling the rights of the Nicobar Islands to the British on October 18, 1868?
A. Belgium
B. Italy
C. Denmark
D. France
Answer: Denmark
Answered by: Sushil Kumar, who was the first contestant to win Rs 5 crore in 2011.
Who is the first woman to successfully climb K2, the world's second highest mountain peak?
A. Junko Tabei
B. Wanda Rutkiewicz
C. Tamae Watanabe
D. Chantal Mauduit
Answer: Wanda Rutkiewicz
Answered by: Sunmeet Kaur Sawhney, who was the second contestant to win Rs 5 crore in 2013.
Who commanded the Hector, the first British trading ship to land at Surat?
A. Paul Canning
B. William Hawkins
C. Thomas Roe
D. James Lancaster
Answer: William Hawkins
Answered by: Achin and Sarthak Narula who won Rs 7 crore in 2014
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