Showing posts with label Kaho Naa Pyaar Hai. Show all posts
Showing posts with label Kaho Naa Pyaar Hai. Show all posts
Sridevi ji was the only actor I called ma’am-Manish Malhotra
9:56 AM
Sonal Kalra (HINDUSTAN TIMES; March 10, 2026)
He put India on the global map with his beautiful creations. But beyond the genius, he’s only human. He carries a heart that misses his near and dear ones, especially the actor who had the biggest influence on him. Designer Manish Malhotra reflects on his bond with late actor Sridevi, which continues through her daughter, actor Janhvi Kapoor. Excerpts from The Right Angle with Sonal Kalra:
You were close to Sridevi. How are you taking her legacy forward by mentoring her daughters, Janhvi and Khushi?
Late photographer Rakesh Shrestha liked my sketches and introduced me to actors for styling them. I went to meet Sridevi for the first time at Mehboob Studio in 1991 and I was a big fan even before I met her. She was in a red outfit and was just going to the set. She was quiet. Then she called me to do a sweater, which was a continuity sweater for Khuda Gawaah (1992). I went to meet her, and somehow we connected.
Then, in 1996, we were in Las Vegas and she told me she was leaving films. She said she worked from the age of four and she wanted her life to carry on. I remember getting a little lump in my throat. I was so attached to her. And in the 15 years when she didn’t work and gave birth to Janhvi and Khushi, I was the one person who was always in touch with her. And I still called her ma’am. I continued my respect and friendship because I think she really contributed to my career. Her death was a big loss to the film industry.
I’m very fond of South Indian food and ma’am would get it to my house. That’s something that Janhvi sweetly does now, which is so nice of her. Every month, she makes it a point to come over, spend time, and get food from her house.
You were present at the first shots of several actresses. Do you think they look at you as a lucky mascot?
I was there at Rani Mukerji’s first shot for Raja Ki Aayegi Baraat (1997), Kareena Kapoor Khan for Kaho Naa... Pyaar Hai (2000; she was the original heroine), Deepika Padukone in Om Shanti Om (2007), Alia Bhatt for Student Of The Year (2012), and Ananya Panday for Student Of The Year 2 (2019). So, I would say I’m the lucky mascot here. I’ve seen them grow and evolve.
In fact, with Kriti Sanon, Bipasha Basu and Lara Dutta, I worked with them before they became actresses, as models. I’ve seen their journeys from being newcomers to being established actors, with some even getting married and becoming mothers! Now we are working with the newer generation.
A lot of female actors have been Manish Malhotra brides. Whose look do you cherish the most?
Kiara Advani and Sidharth Malhotra’s because the entire wedding was done by us. There were discussions about the décor, the surprises entry dance by Kiara, or the Reel that Sidharth did. And I forced them to put it up, saying, ‘Please put up this Reel!’ I am grateful to them for their love and respect. So happy! So I think that is one of my most cherished weddings.
Saiyaara among the biggest newcomer films of all times
9:25 AM
Box Office India Trade Network
SAIYAARA will join the list of biggest newcomer films in the history of Hindi cinema. There are seven films in the list so far and SAIYAARA will be the eighth but it has taken twenty five years for such a success with newcomers while the other seven films came in the preceding thirty years. The films generally have to be love story to reach such huge success with newcomers though PHOOL AUR KAANTE is the exception. But even here, there was a love story and it was the blockbuster music which was a huge driver of the film.
The music factor is there for all the films and there some films like LOVE STORY (1981) and QAYAMAT SE QAYAMAT TAK (1988) missing on the list which in terms of footfalls will be higher than SAIYAARA but in their time they were not as big as SAIYAARA is in todays time. BARSAAT (1995) also deserves a mention as that was the first time that the most costly film ever made was with newcomers and such is risk is unlikely to be ever taken again.
The films listed below are not only the biggest newcomers films but will be among the biggest Love Story genre films ever made even if we count films with established actors. MUGHAL-E-AZAM (1960) remains the biggest ever Love Story film ever made in India and if we take this film out, as it had huge scale and opulence, then it could be MAINE PYAR KIYA (1989).
Where SAIYAARA stands with the others in the list below is actually tough to say as admits is the measure but in each era admits have been up and down to due to various of reasons; at present, footfalls are down in the industry. The fact that the comparison of SAIYAARA in terms of its success is with these films shows how big the film has become.
The biggest films with newcomers of all time are listed below. There will be films below where the one the main artistes had some sort of role in another film earlier but generally the films are seen as debut films.
Bobby (1973)
Ek Duuje Ke Liye (1981)
Betaab (1983)
Hero (1983)
Maine Pyaar Kiya (1989)
Phool Aur Kaante (1991)
Kaho Naa Pyaar Hai (2000)
Saiyaara (2025)
My next dream? Main shaadi karunga phir se-Lucky Ali
8:34 AM
Rishabh Suri (HINDUSTAN TIMES; February 4, 2025)
Singer-actor Lucky Ali charmed his audience at the 18th Kathakar International Storytellers Festival, which was held at Sunder Nursery in Delhi over the weekend. In addition to belting out various hits, such as Ik Pal Ka Jeena (Kaho Naa Pyaar Hai, 2000) and Aa Bhi Jaa (Sur: The Melody of Life, 2002), Lucky also shared some interesting trivia behind his songs, much to the excitement of his many fans. The 66-year-old also revealed that he is going to collaborate with musician Faisal Kapadia next.
WHEN LUCKY PULLED HRITHIK’S LEG
Talking about the recording session of Ik Pal Ka Jeena, Lucky recounted the time he teased actor Hrithik Roshan: “The song had these lyrics — ‘Honthon pe pyaas hai, milne ki aas hai.’ And I remember I told Hrithik, ‘You are going to sing (lip-sync) ‘aas hai’ on screen? People would laugh!’ Then Hrithik went to his father (Rakesh Roshan, director) and told him, ‘Papa I don’t want to sing ‘aas’ on screen!’ Afterwards, Rakesh came to me and said, ‘Arey kya bol aur sikha raha hai isko?’”
‘I DON’T LISTEN TO MUSIC’
When Lucky was asked about a recent song that he would’ve loved to sing, he responded, “You are not going to believe this, but I don’t really listen to music. It’s all internal. Sometimes I do listen to artistes, though.”
Apart from singing, Lucky also had a brief stint in acting. Talking about the same, he opened up about how his father, the legendary late comedian-actor Mehmood, wanted him to become an actor. Although, that changed with time. “He was very happy when he saw me do well in music. He was my role model and I wanted to be like him. Before he passed on, he even helped me become more spiritually aware. [Afterwards] I started travelling a lot,” he said.
On a separate note, when the singer-actor was asked about his next dream in life, he revealed that he plans to marry for a fourth time: “Main shaadi karunga phir se.” Lucky divorced his third wife, model Kate Elizabeth Hallam in 2017.
After Kaho Naa Pyaar Hai, people stalked me, sent me letters written in blood-Ameesha Patel
8:48 AM
Mugdha Kapoor (HINDUSTAN TIMES; January 14, 2025)
The year 2000 ushered in a new era for Bollywood and director Rakesh Roshan’s Kaho Naa Pyaar Hai (KNPH) was symbolic of that shift. The film, which turned actors Hrithik Roshan and Ameesha Patel into overnight sensations, turns 25 today. As it celebrated the milestone with a theatrical re-release over the weekend, Patel tells us she feels “lucky to be a part of such an iconic film”.
“It feels nice that people feel the film is important enough to be re-released,” the actor says, adding, “I had fantastic chemistry with Hrithik; it was also my most raw performance. I think people loved the authenticity reflected on screen.”
However, the 49-year-old is quick to recall that the frenzy often reached extreme lengths: “There were so many fans who took pictures of us to temples and churches and married the photos. I would get pictures of myself with sindoor and letters written in blood. People would stalk me, find my address and wait outside; it was another level of fear and madness.”
As she marks her own 25th anniversary in the industry, Patel notes, “I’d like to think that my grasp of cinema is better now, but I’m still a student. It’s been a great journey and I have no complaints.”
Twenty-five years on, does she plan on catching KNPH in theatres? “I’d only seen it twice. But now, I’m excited to see it with friends and family who didn’t watch it with me at that time,” she replies.
Even if Kaho Naa Pyaar Hai now achieves 1% of what it did back then, it’s a big achievement-Rakesh Roshan
8:58 AM
Madhureeta Mukherjee (BOMBAY TIMES; January 10, 2025)
It’s a landmark year for the Roshans — Kaho Naa Pyaar Hai (KNPH), the film that set the stage for Hrithik Roshan in Hindi cinema and went on to become a smashing hit, re-releases in theatres today, 25 years later, on the actor’s birthday. As the family celebrates Hrithik’s milestone in the industry, they are also proud to present a documentary titled The Roshans, which is coming up soon. Yes, the Roshans are on a roll, and in an interview with us, Rakesh Roshan says, “Even if Kaho Naa Pyaar Hai now achieves 1% of what it did back then, it’s a big achievement.”
Congrats on 25 years of KNPH, a film that proved to be a grand launch for Hrithik. Prior to his debut, Hrithik had assisted you in four of your directorials. What made you feel that he was ready to make his entry as an actor at that point?
When I joined films at 21, I always thought that I had made a mistake by starting out at that age. So, when it came to Hrithik, at the back of my mind, I believed it would be right for him to make his debut at 24-25. I launched him because he was a good actor, not because he is my son. I had seen him in Bhagwan Dada and also in other parts as a child artiste and I realised he had matured as an actor. I was a bit on the edge because some people told me, ‘Yeh dono characters (in KNPH) bhai nahi hai, toh log story kaise believe karenge’. I told them that I always make films where it’s hard to convince people, and my job as a filmmaker is to convince them.
When KNPH released, biggies like Aamir Khan, Shah Rukh Khan, Salman Khan and Anil Kapoor were coming with their films. Didn’t that deter you?
I announced the release date (Jan 14) much earlier. Everyone advised me to change the date, but I thought if I did that, the fear would stay with me forever. It would also mean that I am not confident about my film. If some big filmmakers like Yash Chopra, Sooraj Barjatya and Subhash Ghai were coming with their movies, maybe I would consider not clashing with them. So yes, there were big actors’ releases, but I wasn’t competing with any big filmmaker. My film had two newcomers in the lead, Hrithik and Ameesha Patel, who were very confident, and I was sure about my product, so I went ahead with it, and it paid off.
You made Hrithik a superstar and a superhero. In 2003, when you made Koi Mil Gaya, the concept was fairly alien to a large section of the Indian audience. Then, you successfully created the Krrish universe. These subjects required a vision and most of all a lot of courage, would you agree?
I give credit for that to Lagaan. I watched it in South Africa at the premiere, and I was stunned by it. Then I thought, what should I make with Hrithik? I can’t do the same dance or romance. Everyone around me was strongly against the idea. They told me, ‘What are you doing? You made him such a big star, and now you want to ruin his career?’ While we were making Koi Mil Gaya, Hrithik’s other films that released during that time were not doing well, about eight of his films didn’t work and he was even given the tag, ‘One film wonder’. Hrithik and I both believed in the film, and I thought that we can’t keep making the same films, as we need to show the audience how an actor can transform himself and what he can do. I knew this movie would make people realise what kind of actor he is, and he went all out and proved himself.
You have seen Hrithik closely grow from strength to strength, and this year, he completes 25 years in the film industry. He’s seen highs and lows, but nothing has diminished the sheen of his stardom and star power. What do you attribute this kind of success to?
In one word, it’s his honesty. He’s someone who never takes shortcuts. Even when I’m shooting with him, and I say that the shot is okay, he will say, ‘Let’s do one more take, baba. I will do it better this time.’ He gives his 110% to every shot, and that’s what makes him the actor he is.
Somewhere, do you think you’ve lived your dream through Hrithik?
Not just through Hrithik, I have lived my dream through all my actors. When I write a scene, I visualise how I would enact it if I was playing the role. So, I see myself in every actor I direct.
Times have changed, today, even supporting actors are getting meaty parts, and enjoying their moment in the sun. There is a plethora of opportunities out there for actors. Did you ever think of acting again?
No, never, because as an actor, I went through a lot of trouble, and the fear has stayed with me. That phase gave me sleepless nights, of course, things changed when I became a producer and director. The good part is that I was always at it, I never left it – I did lead roles, character roles, villainous parts. I stayed back, but many actors didn’t. Hence, I am here today. I wasn’t educated, and this (movies) is all I ever knew since childhood.
What has been the biggest learning in your career – as an actor, producer and director?
One big learning in my life has been – If you don’t know how to appreciate others’ work, you can never climb the ladder. Never pull down somebody. Yahan kya hota hai…people try to pull you down and they think by doing that they will rise. But that’s not true, they will only fall. So, whenever I see a good film, I call the actor or director and tell them how much I liked what I saw.
On KNPH’s re-release in theatres, are you reminded of the time when it first hit the big screen? What was your state of mind back then?
I was extremely nervous before the release of KHPH. I wanted the film to do well for Hrithik. I called my friends to the editing room to show them the film, because you never know, if the film didn’t do well, he wouldn’t have other films. Luckily, before the film released, Hrithik was signed by Subhash Ghai, Vidhu Vinod Chopra, Sooraj Barjatya and Karan Johar. Now that it is re-releasing, I am nervous again. This is an emotional moment for Hrithik and me. Even if the film achieves 1% of what it did back then, it’s a big achievement.
The documentary – The Roshans, is dropping on Netflix on January 17, whose brainchild was it?
My friend Shashi Ranjan, who has a lot of knowledge of music and knows a lot about my father’s work, came up with the idea of making a documentary on him. I took it a step further and thought, why not make a documentary on three generations of Roshans (my father, legendary music director Roshan Lal Nagrath, my brother, music composer Rajesh Roshan and me, and then, my son Hrithik). We are alive, and I can talk more about myself than have others talk about me when I’m not there. The documentary is not about what people know about us from the outside, which is all colourful. It’s about our personal struggles and our journey, beyond how we make films, which is beautifully put out there. In our family, all these years, none of us have really pushed ourselves. My father didn’t, Rajesh and I didn’t, and neither did Hrithik. We, Roshans, have always let our work speak for us.
Documentary on Rakesh Roshan, Hrithik Roshan and family to feature interviews of Shah Rukh Khan, Rekha
9:36 PM
Rakesh and Hrithik-created docu on Roshan family to feature interviews of collaborators Rekha, SRK and more; being designed as a musical entertainer
Upala KBR (MID-DAY; July 22, 2024)
It has been a seven-decade love affair between the Roshans and cinema. Over three generations—beginning with composer Roshan, followed by his filmmaker-son Rakesh Roshan and musician-son Rajesh Roshan, to the superstar Hrithik Roshan—the family has contributed immensely to Bollywood. Last July, mid-day had reported that a documentary, titled The Roshans, was in the making (Shedding roshni on the Roshans, July 27).
A year on, we’ve heard that director Shashi Ranjan has wrapped up the shooting and is currently overseeing its editing. The docu-series will begin in 1948, when the late Roshan arrived in then-Bombay and quickly became one of the most successful composers of his time. Over four to five episodes, it will look at the family’s continuing legacy, Hrithik’s journey as a superstar and will end at the smashing success of Krrish 3 (2013).
A source, who has worked on the project, reveals that by speaking to their frequent collaborators and friends, director Ranjan has examined the family’s role in the industry today.
“Besides featuring the family, the series includes interviews of past superstars Jeetendra and Rekha, as well as current ones including Shah Rukh Khan and Priyanka Chopra. Sham Kaushal, who has served as an action director on most of Rakesh’s movies, also features in it. The Roshans and the Kapoors are among the few families, spanning three generations in Bollywood. From Hrithik’s blockbuster debut with Kaho Naa Pyaar Hai [2000] to Rakesh triumphing over throat cancer, this series will put the spotlight on how they went through the highs and lows to reach where they are today.”
Rakesh—known for his hits Khoon Bhari Maang (1988), Karan Arjun (1995) and the Krrish franchise—is supervising every aspect of the project, and has brought his sharp sense of storytelling to it.
“As one of the producers of the series, he is sparing no effort in making it entertaining and slick. An interesting aspect is that he has designed it as a musical entertainer that includes songs from his past movies as well as his father’s and brother’s compositions. While Hrithik is busy shooting for War 2, he has watched all episodes and given his suggestions.”
The source adds that after the editing is wrapped up, the makers will shop it around to the top streamers.
My biggest concern was that I didn’t want to hurt Hrithik Roshan while performing action-Rishabh Sawhney
9:06 AM
Rishabh Sawhney, who plays the antagonist in Fighter, on how his debut film enabled him to work with his childhood hero Hrithik Roshan
Priyanka Sharma (MID-DAY; February 5, 2024)
They say never meet your heroes. But Rishabh Sawhney, who plays the antagonist in Fighter, would argue against it after working alongside his childhood hero Hrithik Roshan. “When he made his acting debut with Kaho Naa Pyaar Hai [2000], it was the first time I saw a Hindi cinema actor having a model physique. I was a 120-kilo kid at the time. That inspired me,” recalls Sawhney.
When he met Roshan on the set of director Siddharth Anand’s aerial action thriller, he was understandably starstruck. “My acting coach had told me this would happen, but I needed to focus on my character.”
In the Roshan, Deepika Padukone and Anil Kapoor-starrer that is centred on the journey of a few Indian Air Force pilots, Sawhney’s character is shown as the mastermind behind the 2019 Pulwama attack. For him, the face-off sequences were the toughest.
“My biggest concern was that I didn’t want to hurt Hrithik while performing action. I was being slightly hesitant, but he told me, ‘You make sure that the punch looks authentic and I will make sure it doesn’t land on my face.’”
The actor is not in a hurry to sign his next. He says, “I worked hard over the last two years, and now I should enjoy this success. It’s new for me and I want to savour every bit of it.”
8 films of Hrithik Roshan had not worked before Koi Mil Gaya; he was called a one film wonder-Rakesh Roshan
8:22 AM
As Koi Mil Gaya clocks 20 years of release next week, filmmaker Rakesh recounts travelling to Australia to create the much-loved alien and building the Hrithik-led franchise
Upala KBR (MID-DAY; August 2, 2023)
In August 2003 when Koi Mil Gaya was on the brink of release, if someone had told Rakesh Roshan that he would be taking this story forward over the next two decades, he would’ve laughed it off. As the movie is set to clock 20 years on August 8, the filmmaker is surprised to see how it became the foundation for one of Bollywood’s most-loved franchises. He reveals that he had conceived of the sci-fi movie with a singular aim—to further highlight son Hrithik Roshan’s acting skills after the success of Kaho Naa Pyaar Hai (2000).
“I was concerned about how I could show Hrithik’s talent as an actor, after showing him in a double role in Kaho Naa Pyaar Hai. After Hrithik liked the concept of Koi Mil Gaya, I started writing it,” recounts the senior filmmaker. The writing process went off smoothly with Honey Irani, Robin Bhatt, Rakesh and his team locking themselves in a Khandala hotel and completing the script in 10 days.
It was the creation of Jadoo—the friendly alien who helps Hrithik’s character and gifts him his superpowers—that was challenging. The filmmaker travelled to Australia to give shape to the alien that he had envisioned.
“The technicians in Australia make animatronics for Hollywood films. When I visited the first studio, the owner wanted to discuss the money first. I left the meeting as I knew this man wouldn’t be able to do it; he had no emotions. I went to another studio [Bimmini Special Effects and Design Studio] where the husband and wife listened to my story intently. They had the sketches of Jadoo ready overnight. The sketches were exactly what I had in mind.”
The sci-fi offering, also starring Rekha and Preity Zinta, was made for Hrithik at a critical juncture in his career. After his smashing debut, the actor had delivered a string of flops. Rakesh remembers how his actor-son immersed himself in the role, knowing this was the chance to prove that he wasn’t a flash in the pan. “Eight of his films hadn’t worked at the time, and the media had started writing him off as a one-film wonder.”
“Here I was making a movie where he plays a mentally-challenged boy. A week prior to the shoot, Hrithik locked himself up in a hotel and came straight to the shoot. When he gave the first shot, I knew that Hrithik had understood his character to the core,” reminisces Rakesh.
Even after the wide success of Koi Mil Gaya, Rakesh hadn’t considered building a franchise out of it. The thought, he says, came to him a few months later while watching The Lord of the Rings trilogy.
“After I saw The Lord Of The Rings, I thought if they have made three films with the same characters, why can’t I make it with Jadoo? I thought, what if he gave his powers to Rohit’s [Hrithik’s character] son? With those powers, I can make him a superhero.”
Thus was born Hindi cinema’s favourite superhero, Krrish, around whom revolved the next two instalments. Over the past few years, there has been much chatter about Krrish 4, with the director stating that it will roll in 2024. Asked about the fourth instalment, Rakesh clams up, only stating, “All I can say is that Krrish 4 is a continuation of Krrish 3, with the story moving forward from where it ended.”
More films to make more money is not a motivator-Hrithik Roshan
8:40 PM
Hrithik Roshan talks about his selective approach and why he likes to space out his projects
Rishabh Suri (HINDUSTAN TIMES; January 31, 2023)
Hrithik Roshan has never been one to do multiple films at a time, as he likes to focus entirely on the project at hand. Even now, his complete attention is on Fighter, directed by Siddharth Anand. Talking about the prep, the actor says, “It’s going well. Sid’s movies are always tough, which means they make me tough too.”
In his two-decade-long acting career, the 49-year-old has never felt insecure despite being selective about the work he does: “The concept of more films for visibility has never made sense to me. More films to make more money isn’t a motivator either. I have done every movie that I actually wanted to do. There hasn’t been a time when I had to sacrifice a great script because I was not free. If there are more scripts that excite me, I’d be doing more films, period.”
Another movie that has been creating buzz is the fourth instalment of the Krrish franchise and Roshan assures that it’s underway as we speak: “A little more every day, yes.”
While his work commitments continue, the Vikram Vedha (2022) actor ensures that he takes time out for his family, which is evident on social media too. He says he consciously tries to strike a balance between his personal and work life.
He says, “My family and personal life are of primary importance to me. I did struggle with striking a balance earlier. I remember, after the release of Kaho Naa Pyaar Hai (2000), I didn’t spend enough time with my family or take the day off to soak in the love that was coming my way. Being a public figure doesn’t come naturally to me. But, over the years, I have realised the importance of work-life balance. I now work up my calendar in a manner that allows me to give my 100% to my professional commitments and amply nourish my heart and soul in the presence of my loved ones.”
Filmmaker Saawan Kumar Tak passes away at 86
4:18 PM
Hiren Kotwani (MID-DAY; August 26, 2022)
Veteran filmmaker, writer, and lyricist Saawan Kumar Tak passed away at Kokilaben Dhirubhai Ambani Hospital yesterday, at 86. The filmmaker had a heart attack on Tuesday, and was rushed to the ICCU. His nephew, Navin Kumar Tak, confirmed the news, stating, “Saawan ji was also suffering from a lung ailment. His lungs and heart were not functioning properly.”
Filmmaker-actor Rakesh Roshan, who worked with Kumar on Mother (1999), had visited him earlier in the day. He recalled, “He was on respiratory support. Whatever God wishes, happens. Saawan ji’s demise is a great loss, he was a dear friend and also a brilliant writer, producer and director.”
Born in Jaipur in 1936, Kumar came to Bombay in 1960. He forayed into the movies with Naunihal (1972), based on an orphan who wants to meet Pandit Jawaharlal Nehru. Kumar delivered hits like Saajan Bina Suhagan (1978), Souten (1983) and Sanam Bewafa (1992). He wrote songs like Pyaar ki kashti mein, Jaaneman jaaneman and Chaand Sitare for Hrithik Roshan’s debut, Kaho Naa.. Pyaar Hai (2000).
Roshan says, “Saawan ji wrote fabulous lyrics for Kaho Naa... Pyaar Hai. Be it as a filmmaker, friend or a person, he was very good-hearted. When I acted in his film, Mother, we had a great time. You could talk to him about anything under the sun. His passing is a big loss. I pray for his soul.”
Navin shares that his uncle gave him the title for his maiden production. “Saawan ji suggested Souten: The Other Woman, for the film I was making with Mahima Chaudhry and Padmini Kolhapure,” he says, adding that his uncle was working on a new film. “He called the subject, Blind Love. He had recorded the songs for it. Unfortunately, he didn’t live to make it.”
Salman Khan also paid tribute to the filmmaker.
Kumar’s last rites will be performed today.
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Avijit Ghosh (THE TIMES OF INDIA; August 26, 2022)
New Delhi: Versatile filmmaker Saawan Kumar Tak, who made family-friendly box-office winners such as ‘Saajan Bina Suhagan’, ‘Souten’ and ‘Sanam Bewafa’, and penned the breezy chart-topper ‘Shayad meri shaadi ka khayal dil mein aaya hai’, passed away at a Mumbai hospital on Thursday. He was 86. The Jaipur-born producer-director was suffering from heart and lung-related ailments.
His nephew Navin Kumar Tak told ETimes. “He was a colorful person, a fine writer-director and a hit songwriter. I had sent him a message wishing him a speedy recovery. Alas, that was not to be,” noted industry person and lyricist Amit Khanna told TOI. Tak’s career spanned nearly four decades. He produced ‘Naunihal’ (1967), among the early films of Sanjeev Kumar.
He directed ‘Gomti Ke Kinare’ (1972), Meena Kumari’s last film. He gave Rajesh Khanna a box-office hit in ‘Souten’ (1983) when the star badly needed one. And he directed Salman Khan in three movies, including the megahit ‘Sanam Bewafa’ (1991). The actor tweeted, “May u rest in peace my dear Sawaanji. Have always loved n respected u.”
Tak made the adult-themed ‘Hawas’, the murder-mystery ‘Ab Kya Hoga’ and the psychological revenge drama ‘O Bewafa’ (repurposed from Sidney Sheldon’s The Other Side of Midnight). He made love stories where young couples were trapped between warring families (‘Laila’ and ‘Sanam Bewafa’). But he was on surest ground in family dramas with a twist. In ‘Saajan Bina Suhagan’, a widow is forced to keep the façade of her husband alive and is blackmailed by a ward boy (a brilliant T P Jain) who threatens to spill the secret. ‘Souten’ was a love triangle shot in Mauritius where one of the leading ladies (Padmini Kolhapure) was a Harijan.
An uplifting element in Tak’s movies is the music of Usha Khanna, to whom he was married. The two formed a first-rate creative couple. The collaboration started with ‘Sabak’ (1973) and ‘Hawas’ (1974), which contained the evergreen track, ‘Tere galiyon mein na rakhenge kadam’ (singer: Mohd Rafi, film: ‘Hawas’). The association reached its zenith with Souten’s ‘Zindagi pyaar ka geet hai’ and ‘Shayad meri shaadi ka khayal…’, which became Binaca Geetmala’s top song of 1983.
“Saawan ji was the writer, producer, and director of his movies. So it was easy working with him. You were working for only one person. He used to just give me the mukhda and I used to easily compose the tune at one go ,” his ex-wife Usha Khanna told this reporter in 2016.
As a child, Tak was impressed by Prithviraj Kapoor in ‘Sikander’ (1941) and wanted to be an actor. In a 2019 interaction available on YouTube, he confessed to stealing Rs 45 and fleeing home. Like every struggler, he went through hard times, which included selling away his watch, before he saw a film shooting in Bombay. He saw the great Bimal Roy at work with Dilip Kumar and Meena Kumari and decided to become a film director, he said during the interaction. Tak not only ended up directing Meena Kumari but also became a friend and learnt to write poetry from her.
Movie lyricist Ibrahim Ashq passes away due to Covid
8:10 AM
Bella Jaisinghani (THE TIMES OF INDIA; January 18, 2022)
Mumbai: Poet-lyricist Ibrahim Khan ‘Ashq’, who penned songs in films such as ‘Kaho Naa Pyaar Hai’ and ‘Koi Mil Gaya’, passed away on Sunday due to Coronavirus-related pneumonia. He was 70.
His pen name, Ashq, means tears, but his penmanship brought smiles to music lovers. He was also a familiar name in literary circles for his ghazals and nazms.
Daughter Fazila said, “My father suffered from cough each winter, and we thought this time was no different. It was only when he coughed blood on Saturday that we realised it was serious.”
She added that he was rushed to hospital, where he passed away within hours.
Composer Rajesh Roshan said, “Ibrahim Ashq ji had written quite a few songs for me, most of them became hits. It is sad to know he is no more with us for he was very close to my heart and I shall miss him forever.”
All time runners in Kolkata: Sholay ranks 2nd, Hum Aapke Hai Koun 4th
9:02 AM
Box Office India Trade Network
Kolkata which was the biggest centres for Hindi films till the mid 60's has seen 81 films hit the jubilee mark. Mumbai took over as the biggest centre in the mid 60's and then in the multiplex era it has been Delhi which has become the biggest. These are genuine jubilees in Kolkata where films ran for 25 weeks on four shows a day. There will be some films which got there on matinee shows but that is not a real jubilee. Also there are some films which were pushed on matinee shows for a few weeks by distributors to claim a jubilee but it was just a distributor thing to show his producer they managed a jubilee. These have not been included.
Kolkata was not like Mumbai where every other film was pushed to a jubilee as the perception came from Mumbai for the industry at that time and also Kolkata mostly released weeks or even months after Mumbai so there was never pressure from the producer as pressure of a jubilee was where the early release was. The greatest Hindi film ever SHOLAY released in Kolkata more than 2 months after its initial release in Mumbai and Ahmedabad.
The longest running film ever in Kokata is the 1943 film KISMET which ran for 184 weeks at Roxy though looking at the whole picture in Kolkata in the last 100 years or so then the biggest BLOCKBUSTER of the city has to be BOBBY. The film ran for 52 weeks in the main cinema Metro and then had silver jubilees in a further 3 cinemas which is history not just for Kolkata but for all India. Four genuine silver jubilees in a city without matinee shows and none of the theatres running on deficits.. The last film to get a jubilee in Kolkata was KAHO NAA PYAAR HAI way back in 2000 while the last golden jubilee film was HUM AAPKE HAIN KOUN in 1994 which had a huge 69 week run and another week to make it 70 but those were matinee shows.
The one thing that the list shows is the huge success of love stories in the city. All the great love stories of Hindi cinema are there like KAHO NAA PYAAR HAI, DIL TO PAGAL HAI, DILWALE DULHANIA LE JAYENGE, MAINE PYAR KIYA, QAYAMAT SE QAYAMAT TAK, RAM TERI GANGA MAILI, BETAAB, EK DUUJE KE LIYE, LOVE STORY, ARADHANA, JUNGLEE and the grandest of them all SANGAM and BOBBY. The list is full of love stories and its not just these films mentioned but others as well and this also explains why Shah Rukh Khan has remained the biggest star in Kolkata for the last 25 years. Even though the last years have not been so great he is still the biggest star in the city due to the romantic image which was built in the late 90's.
Dharmendra has the most jubilees in Kolkata with 3 golden jubilees and 5 silver jubilees and that is a case with most cities across India but the biggest stars of the city have been Ashok Kumar, Rajesh Khanna and Shah Rukh Khan. We are talking just the city which is now practically the West Bengal circuit for Hindi films though earlier Hindi films had a good following across West Bengal. Ashok Kumar was a local favorite while Rajesh Khanna and Shah Rukh Khan are probably the biggest romantic stars in history and its this genre which scores big in Kolkata.
The list of jubilees in Kolkata are as follows and the last released film is named first if the films have run for the same numbers weeks though if a film is in more than one cinema than that gets precedence. There is one huge grosser which is omitted and that is MUGHAL-E-AZAM but that film had 24 cinema release in Kolkata which is mad considering it started with 4 in Mumbai and 6 in Delhi. MUGHAL-E-AZAM fell short of a jubilee due to an insane release in Kolkata though despite being a big grosser, its footfalls will still not be among the top 25 in Kolkata though in the whole of West Bengal it would be easily be among the top ten ever. The years are not the release years but when the respective jubilee was celebrated. Also the cinema where it was a jubilee is in brackets. Paradise which is still the leading single screen in the city has the most jubilees with 15 and BARSAAT (released in 1949) being the longest runner in paradise with a 100 week run.
1. Kismet (1947) - 184 weeks (Roxy)
2. Sholay (1977) - 103 weeks (Jyoti)
3. Barsaat (1951) - 100 weeks (Paradise)
4. Hum Aapke Hain Koun (1995) - 69 weeks (Hind)
5. Bandhan (1941) - 57 weeks (Paradise)
6. Shikar (1969) - 56 weeks (Regal)
7. Bhabhi (1958) - 54 weeks (Paradise)
8. Bobby (1974) - 52 weeks (Metro). The film also ran for 25 weeks in 3 more cinemas, Gem, Menoka and Darpan. Probably the biggest BLOCKBUSTER ever in Kolkata.
9. Aradhana (1970) - 51 weeks (Lotus)
- Junglee (1962) - 51 weeks (Roxy)
11. Sangam (1965) - 50 weeks (Orient). The film also ran for 25 weeks in Priya and Darpan
-- Basant (1943) - 50 weeks (Roxy). The film also ran for 25 weeks at Majestic.
-- Yaadon Ki Baraat (1974) - 50 weeks - (Hind)
14. Jis Desh Mein Ganga Behti Hai (1961) - 42 weeks (Paradise)
15. Muqaddar Ka Sikandar (1979) - 41 weeks (Moonlight)
16. Azaad (1956) - 40 weeks (Paradise)
17. Nagin (1955) - 38 weeks (Hind)
-- Achhut Kanya (1937) - 38 weeks (Paradise)
19. Betaab (1984) - 36 weeks (Jyoti)
- Geet Gata Chal (1976) - 36 weeks (Lotus)
21. Nadiya Ke Paar (1983) -35 weeks (Lotus)
22. Dilwale Dulhania Le Jayenge (1996) - 34 weeks (Metro 25 weeks plus 9 weeks at Paradise)
23. Hum Kisise Kum Nahin (1978) - 33 weeks (New Cinema)
24. Ram Teri Ganga Maili (1986) - 32 weeks (Majestic)
25. Ek Duuje Ke Liye (1982) - 31 weeks (Jyoti)
26. Qayamat Se Qayamat Tak (1988) - 30 weeks (Paradise)
-- Dushman (1972) - 30 weeks (Moonlight)
-- Shaadi (1942) - 30 weeks (Jyoti)
29. Satyam Shivam Sundaram (1979) - 29 weeks (Metro)
-- Chaudvin Ka Chand (1960) - 29 weeks (Orient)
31. Anarkali (1953) - 28 weeks (Society). The film also ran for 25 weeks at Purnasee.
-- Love Story (1981) - 28 weeks (Lighthouse)
-- Anurag (1973) - 28 weeks (Jyoti)
-- Ziddi (1964) - 28 weeks (Jyoti)
-- Grihasthi (1948) - 28 weeks (Majestic)
-- Shehnai (1948) - 28 weeks (Paradise)
37. Nikaah (1983) - 27 weeks (Paradise)
-- Ajanabee (1975) - 27 weeks (Jyoti)
-- Zanjeer (1973) - 27 weeks (Opera)
-- Hare Rama Hare Krishna (1972) - 27 weeks (Lotus)
-- Sasural (1961) - 27 weeks (Hind)
-- Naya Daur (1958) - 27 weeks (Majestic)
-- Pyaasa (1957) - 27 weeks (Janata)
-- Actress (1949) - 27 weeks (Paradise)
-- Zeenat (1946) - 27 weeks (Majestic)
-- Kangan (1940) - 27 weeks (Paradise)
-- Bhabhi (1939) - 27 weeks (Paradise)
48. Kaho Naa... Pyaar Hai (2000) - 26 weeks (Hind)
-- Maine Pyaar Kiya (1990) - 26 weeks (Elite)
-- Trishul (1979) - 26 weeks (Majestic)
-- Samjhauta (1974) - 26 weeks (Lotus)
-- Jugnu (1974) - 26 weeks (New Cinema)
-- Amar Prem (1972) - 26 weeks (Paradise)
-- Arzoo (1966) - 26 weeks (Hind)
-- Madhumati (1959) - 26 weeks (Janata)
-- Gumashta (1951) - 26 weeks (Majestic)
-- Chandralekha (1949) - 26 weeks (Orient)
58. Haathi Mera Saathi (1971) - 25 weeks (Regal). The film also celebrated 25 weeks at Priya and Mitra
-- Jai Santoshi Maa (1976) - 25 weeks (Kalika). The film also had a 87 week run in noon shows at Ganesh
-- Dil To Pagal Hai (1998) - 25 weeks (Metro)
-- Sharaabi (1985) - 25 weeks (Majestic)
-- Laawaris (1982) - 25 weeks (Majestic)
-- Naseeb (1981) - 25 weeks (Hind)
-- Kranti (1981) - 25 weeks (Gem)
-- Noorie (1979) - 25 weeks (Majestic)
-- Julie (1975) - 25 weeks (Paradise)
-- Deewaar (1975) 25 weeks (Majestic)
-- Pran Jaaye Par Vachan Na Jaye (1974) - 25 weeks (Regal)
-- Prem Nagar (1974) - 25 weeks (Paradise)
-- Seeta Aur Geeta (1973) - 25 weeks (Hind)
-- Naya Zamana (1971) - 25 weeks (Lotus)
-- Johny Mera Naam (1971) - 25 weeks (Moonlight)
-- Sharafat (1970) - 25 weeks (Moonlight)
-- Milan (1969) - 25 weeks (Hind)
-- Aankhen (1969) - 25 weeks (Moonlight)
-- Khandan (1965) - 25 weeks (Roxy)
-- Jab Pyar Kisise Hota Hai (1961) - 25 weeks (Society)
-- Ganga Jamuna (1961) - 25 weeks (Majestic)
-- Jhanak Jhanak Payal Baje (1955) - 25 weeks (Orient)
-- Lal Haveli (1944) - 25 weeks (Majestic)
-- Punarmilan (1940) - 25 weeks (Jyoti)
It's a mockery of the situation that the world is combating-Rakesh Roshan on Corona Pyaar Hai
8:01 AM
Days after Eros registers Corona Pyaar Hai as a film title, Kaho Naa Pyaar Hai director Rakesh Roshan says 'immature' of makers to capitalise on the current scenario
Upala KBR (MID-DAY; March 17, 2020)
When filmmaker Rakesh Roshan launched son Hrithik in Bollywood with Kaho Naa Pyaar Hai (2000), little had he known that two decades down the line, the film's title would be punned on blatantly and rather insensitively. Even as the world is reeling under the pandemic, several production houses in India have rushed to register titles pertaining to Coronavirus — one among them being Corona Pyaar Hai. The title was reportedly registered by Eros International with the Indian Film and Television Producers Council last week.Roshan, whose directorial venture not only became the highest grosser of 2000 but also gave Bollywood one of its biggest superstars in Hrithik, is appalled at the latest development. "It's a mockery of the situation that the world is combating. It's childish and immature to do such a thing at this time. We should ignore these people as they are not thinking straight," says the director, evidently irked.
It has been heard that with the title in their kitty, the team at Eros is currently developing a script based on the current situation. Ask Roshan if he is contemplating taking legal action against them, and he dismisses the idea. "There is no similarity between the two films. Even with regard to the names, their title Corona Pyaar Hai has a different meaning to it. So, I cannot do anything about it," he shrugs.
Studios rushing to register titles inspired by real-life events is hardly new — last year, soon after the Pulwama terror attack, Bollywood producers thronged the Indian Motion Pictures Producers' Association to reserve different combinations of titles pertaining to the episode. A trade source says that Eros International probably wanted to have the first-mover advantage in this case. "It has been heard that keeping the sensitivity of the issue in mind, the makers never intended to announce the film. The team had merely applied to register the title. Of course, one wonders why they chose a name that is so similar to Kaho Naa Pyaar Hai?"
Eros remained unavailable for comment.
My first ever shot was okayed in one take itself but the second shot required 14 takes-Hrithik Roshan
3:13 PM
As told to Himesh Mankad (MUMBAI MIRROR; January 24, 2020)
I felt proud to be offered a film (Kaho Naa Pyaar Hai) by Rakesh Roshan, the director, rather than Rakesh Roshan, my father. He had told me time and again that he would never compromise when it came to work and that I should not expect him to make a film for me. With this in mind, I had already started meeting other filmmakers and traveling to places to find work. Then, my father had a brainwave for a young love story which needed a new face and told me to be ready in six months. There was no excitement, no celebration, no family announcements, just a call for action with a deadline. It was serious business and I had to be at my best. That itself was my high.
Also, I love contrasts, so getting to do two roles in my first film was exciting for me. I don’t remember anyone doing a double role in his debut film.
My aim was to fit into the model of a Hindi film hero. Muscles, dance, action… Those were the three magic words those days. Acting hardly counted as a prerequisite and was more like the proverbial cherry on the cake. In a way it was easy because all it took was physical practice to achieve these ‘star’ traits which today are a bonus as it’s acting that counts.
My first shot was the scene where I wake up from the dream of being a singing star. My first day was extremely engaging and my focus was unshakable. Between shots, I would put on my headphones and listen to a list of songs I had compiled specifically for Rohit. The other character, Raj, had a different set of songs. The first shot was okayed in one take itself, which was a huge boost. The second shot required 14 takes and made me hugely nervous. It also taught me an important lesson: the number of takes has no bearing on how good or bad an actor you are.
The fear of upsetting my father kept me disciplined 24x7. If I felt strongly about something, I could get stubborn, but if convinced, I would be tolerant. My dad and I often had differences and argued over them on the set and at home, but then one of us would be convinced and the matter would be forgotten in a second. It was never a contest, with a winner and a loser. The biggest hurdle was trying to convince my dad to give the simpleton Rohit a stubble with unruly hair and aggressive Raj a clean-shaven look with reading glasses. This was so against the stereotypes at that time that it was seen as a formula for disaster. But I was adamant and finally convinced dad, who decided to back my instincts. This very twist, I believe, did the trick and made me stand out simply because nobody else had done it before.
Hrithik Roshan is a boy with deep emotions, more suited to love stories-Rakesh Roshan
8:11 AM
Roshmila Bhattacharya (MUMBAI MIRROR; January 14, 2020)
In March 1998, I arrived at Rakesh Roshan’s Santa Cruz office one afternoon for a chat with the producer-director on his next film, Kaho Naa… Pyaar Hai, which marked the debut of his son Hrithik. “You missed him by a few minutes, he just left” he told me regretfully. Looking at the photographs on the walls, I pointed out that Hrithik was still there with us.With his lean six-foot frame, macho stubble and smouldering eyes, he looked like a ’90s Rambo rather than another turn-of-the-century Romeo. Papa, however, pointed out that “Hrithik is a boy with deep emotions, more suited to love stories”. He didn’t want to play around with the rich-boy-falls-in-love-with-poor-girl cliché. “I wanted a hint of mystery,” he reminisced. And one day, a story just came to him. “A story where the hero dies in the first half.”
Back then, Raj Kapoor’s granddaughter and Randhir and Babita’s younger daughter, Kareena Kapoor, was the leading lady. Eventually though, Ameesha Patel went on to play Sonia, Rohit’s girlfriend and Raj’s wife. The change in cast made little difference to the outcome. Kaho Naa… opened on January 14, 2000, to an overwhelming response. It was Hrithik’s film all the way and he went on to not only sweep the best debutant (male) awards, but also beat Amitabh Bachchan and Shah Rukh Khan to the best actor trophy, playing two contrasting characters with ease that came from months of hard work. Interestingly, at one of the award shows, Kareena presented him with the best actor award. When she opened the envelope and saw his name, she quipped, “It’s very obvious…” reinforcing public opinion.
Hrithik had worked with his father as an assistant for five years before he was signed for Shekhar Kapur’s Ta Ra Rum Pum, which was to also feature Preity Zinta. But the film didn’t take off. Then, one day, while he was doing the rounds of producers’ offices with his portfolio, his father dropped a bombshell, casually informing him that he’d be doing his next film. “I was so stunned I quietly walked out of the room. Dad followed, asking, ‘Aren’t you ready? Don’t you want to do the film?’ he had reminisced back then. Hrithik being Hrithik say much. He simply got a photo session done and it was only when his father liked the pictures, did he start prepping for a career in films, going on for voice training, dialogue classes and even learning music.
At an award function in 1999, before the release of his film, he had wowed a 5000-plus audience when he had rolled into stage in a snazzy blue sports car and twirled to one of my favourite numbers from the film, “Kyun Chalti Hai Pavan” with the grace of a ballerino. As part of the act, he also joined the velvet-voiced Lucky Ali who was crooning the song live, picked up the mic himself. And even though Aamir Khan in absentia bagged the best actor award that year for Sarfarosh, it was HR who was voted the Hero No. 1 of the evening.
Interestingly, Lucky Ali had never given playback for a film before and only did it because the Roshan brothers were good friends. In fact, Rajesh Roshan had debuted as a composer with Kunwara Baap, directed by Lucky’s father Mehmood, who also acted in the 1974 film. While on firsts, Rajesh Roshan was also the first music director to give Alka Yagnik a break in Basu Chatterjee’s Hamari Bahu Alka. Eighteen years later, she sang the title track of Kaho Naa… Farah Khan, the film’s choreographer, recalled how, while filming “Ek Pal Ka Jeena”, one of her assistants had given Hrithik some really tough moves as a joke. Unfazed, he kept rehearsing till he got them down pat. After seeing the rushes and realising what a super dancer he was, Farah decided to re-shoot portions of the song, giving Hrithik some really difficult steps. He pulled them off too.
It’s been 20 years… Hrithik’s still urging the audience, “Kaho Naa Pyaar Hai”, and the answer to that is still a resounding “Kaha Naa Pyaar Hai.”
On my birthday, I focus on my family, friends and my incredibly steadfast fans-Hrithik Roshan
8:31 AM
Birthday boy, Hrithik Roshan isn’t in favour of any ‘extravagant celebration’ on the special day; career-wise, the actor says he is ‘loving this current phase’
Prashant Singh (HINDUSTAN TIMES; January 10, 2020)
Right from his debut film (Kaho Naa... Pyaar Hai; 2000), he epitomised great looks and smooth dance moves. Even 20 years later, not many can match Hrithik Roshan’s Adonis-like looks and to-die-for dancing skills. Not just that, the actor — all along — also has had audiences in awe of his pitch-perfect histrionic skills, thanks to many solid performances as well. “I am loving this phase of my career. It feels like the journey has just begun,” says Hrithik, who turns 46 today. Excerpts from an interview:
To start with, would you call yourself a birthday person?
Not really. Usually, I realise quite late that it’s my birthday and then, I have to quickly decide on a plan, if at all, or not. Honestly, I am not someone who looks forward to having any extravagant celebration on this specific day (smiles).
Any special plans for the birthday this year?
For me, the best way to celebrate is to make my birthday a ‘gratitude day.’ I focus on my family, friends and my incredibly steadfast fans, who do not leave a single chance to make me feel special and loved. That’s why birthdays are always dedicated to them. So, for me, it’s about spending time and doing things for them. That’s all I am going to do this year as well.
Last year turned out to be special one for you with the success of Super 30 and War. Now, as we start 2020, how do you look back at 2019?
When I look back at 2019, my heart is filled with joy, relief and gratitude. There is a lot to be grateful for about the last year. I feel blessed for the opportunities, for all the love and support from my fans, and for being surrounded by people who inspire me on a daily basis. Having said that, I feel 2018 was a more important year for me when I was actually working on these two beautiful films — Super 30 and War.
Your last two films were diametrically opposite to each other in terms of their worlds and characterisation. Does that give you a kick as an actor?
Absolutely! It gives me a kick to take up challenging roles and mould myself into different characters (for films), but doing it in the same year — within four months to be specific — was pretty excruciating. But it has its own high in terms of overcoming a tough challenge. I think, perhaps that’s the addiction (smiles).
Interestingly, in 2020, you also complete 20 years as an actor since Kaho Naa... Pyaar Hai. How do you look back at your successful journey till now?
Each year, and with every film, there has been so much of learning. But it is only in the last couple of years that I have started feeling more assured as an actor. Kaabil was that turning point for me and it was followed by Super 30 and War. There is some sort of composure now and I trust my instincts more than ever. I don’t feel the need to be as meticulous about what I’m going to do for a particular shot and rather just let it all flow. It is a different feeling altogether.
Now, as we step into a new decade, do you have any particular target or plan in mind that you would want to achieve in the coming 10 years?
A decade is a long time and one’s thoughts and goals would either change or evolve during this time period. Having said that, an ideal target to achieve would always be to have a healthy balance between doing some quality work and spending enough time with my family.
There has been a lot of speculation about your next film...
There are a lot of scripts that I am reading right now. When I find the one that I cannot say no to, you will hear from me and that is going to be very soon.
Recently Deepika Padukone said that she and Ranveer Singh couldn’t stop gushing over you while watching War. She also called you ‘death by chocolate.’ How do you take such statements/praises?
I really didn’t know how to react to that (smiles). It was quite flattering. Thanks to Deepika for the compliment. But I also think that it is the magic of the movies. And it is very encouraging, and of course special when people from your own fraternity compliment you in such a manner.
When I was selected for Kaho Naa Pyaar Hai, I trained diligently with Salman Khan-Hrithik Roshan
8:15 AM
Each time Hrithik Roshan crumbles under a debilitating injury, much like his superhero avatar in cinema, he emerges stronger. He tells us how he does it
Sonia Lulla (MID-DAY; September 11, 2019)
You have to sort of be a Hrithik Roshan fan-cum-fitness fanatic to even attempt to make sense of the actor's fitness journey. In the two decades since he made his industry debut, Roshan would talk about the injuries he sustained owing to the occupational hazard of being an actor with such nonchalance that he made vulnerability seem charming.
Even then, placed before the camera, film after film, he flaunted his athletic prowess with a flair that could render notions of him having suffered a double slip disc, torn ligaments and debilitating back injuries, laughable. The stimulus to go from broken to buff over and over again came from different motivators. Sometimes it came from his urge to be 'worthy' enough of playing a superhero (Krrish). On other occasions, it came from the dismay of being perceived as perpetually 'tired', after his son posed a question (reportedly: 'Are you too tired to play with me?').
Roshan apparently often argues that he isn't among the fittest in the industry. The prowess of his War co-star Tiger Shroff makes him look like 'sh*t', he had recently said to a magazine. But what is unquestionable is his ability to set an example after being broken, repeatedly.
Roshan with kids Hrehaan and Hridhaan
Evolution of fitness, for Hrithik
"I would consider [the phase] before my debut film, Kaho Naa Pyaar Hai, a turning point, when it comes to fitness. When I was selected for it, I trained diligently with Salman Khan, and haven't looked back. Dance has been my passion since I was a kid, and that is primarily what I would do to stay fit [back then]," says the actor, who amped up his routine when introduced to fitness entrepreneur Kris Gethin, before the filming of Krrish 3.
Roshan had turned to Gethin to seek aid in transforming his body after the injuries he had sustained — a double slip disc — when filming Bang Bang. "When I started training with Kris, I learnt that functional training makes for an integral part of your fitness routine. It helps you become athletic, and increase your stamina. One can't just go to the gym and lift weights. It will help you bulk up, but not reach your full potential. We'd mix functional training with my regular workouts, and I could see changes, both, physically and mentally."
Gethin relieved Roshan from a lifestyle of unchecked consumption of unhealthy food and a voracious appetite for smoking. "Working with him was an eye-opener. We would incorporate CrossFit and other kinds of functional training routines into my regimen. We finished a three-month transformation course two weeks early, and the results were astounding," says the actor, particularly citing the Zero Momentum Rep method as one that helps him regain strength post injury. "It also rehabilitates me. The method helps me push my limits. But, when it comes to shooting, I don't have an ego. If it comes to my stunt doubles executing dangerous scenes, I take calculated risks. The priority is more on acting than on an actor doing the stunt."
The actor with mother Pinkie Roshan
Light at the end of the tunnel
Even though he confesses that his physical injuries took a toll on his mental health, Roshan says that making lifestyle changes is always demanding. "I won't sugar-coat it. It is hard to adapt to a healthier lifestyle. It drains you before you can start feeling better. In the interim, you will want to quit. But, if you are able to push through, the changes can easily become [a] permanent part of your life. Staying fit and active is not limited to working out; it is an all-round activity that includes a healthy diet too. The real challenge lies in being able to maintain the physique without stressing the body. I make sure that I always eat right, and rest enough, so that I don't fall sick."
It runs in the family
Looking at the Roshans, it's easy to say that the family that trains together, stays together. If mother Pinkie often sweats it out at a Bandra CrossFit box, father Rakesh Roshan had spent the hours leading up to his cancer surgery, getting in the reps at the gym. Roshan's sons Hrehaan and Hridhaan too punctuate his Instagram pictures with their headstands, cycling or hiking endeavours. "Fitness has always been part of conversation in our family. It was in 2013 that my trainer and nutritionist for Krrish 3, Kris and Marika Johansson, got my parents actively involved in functional training. There has been no looking back."
Mentor turns 'mentee'
Roshan credits current trainers Swapneel Hazare and Prasad Nandkumar Shirke for making him ready to match Shroff, stunt for stunt, in War. Even as the latter has always upheld Roshan as his idol, Roshan admits that tables have turned. "For War, Tiger motivated me to push myself beyond what I have ever done in the past, especially after I had so many cheat meals during [the filming of my last film] Super 30. He is among the fittest actors in the country. Working with him made me want to reach newer heights of fitness."
Zero Momentum Reps
Celebrity trainer Sahil Rasheed says zero momentum reps is a regimen that involves handling lighter weights with almost no momentum. "There is minimal use of any accessory muscle. The focus stays on the primary muscle being recruited. So it reduces the risk of injury," he says. As per his Instagram post, Roshan suggests one repetition could last a minute.
Images: Prabhas imitates Salman Khan, Hrithik Roshan; serenades Raveena Tandon on Nach Baliye 9
7:55 AM
MUMBAI MIRROR (August 22, 2019)
Prabhas may be making inroads into Hindi films now, but the Bahubali actor who will next be seen in the multilingual action-thriller Saaho opposite Shraddha Kapoor, is quite clued into the Bollywood subculture.He recently made a guest appearance on the celebrity dancebased show Nach Baliye 9 with his co-star, and instantly had the audience eating out of his hands. While he is known to be reserved, Prabhas broke character on stage to fan-boy over one of the show’s judges. “I am a huge fan of Raveena Tandon,” he said, eliciting a response from show host Maniesh Paul, who remarked, “Laakhon ladkiyaan fida hain Prabhas par, but Prabhas fida hain Raveena par.”
Later, the Telugu actor was asked to perform on Bollywood songs, and he pulled off Salman Khan’s hook step from his 2014 chartbuster in Kick, “Jumme Ki Raat”. He was soon joined by Shraddha and the show’s second judge, choreographer-turned-director Ahmed Khan, who then performed on Hrithik Roshan’s iconic “Ik Pal Ka Jeena” from his 2000 debut film, Kaho Naa… Pyar Hai.
While we’re yet to see what Salman and Hrithik have to say about Prabhas’s screen impressions of them, from us it’s an ‘A+’ for Bahubali with the happy feet.
The success of Super 30 takes me back to the time when Kaho Naa Pyaar Hai-Hrithik Roshan
8:14 AM
Chaya Unnikrishnan (DNA; July 22, 2019)
Hrithik Roshan is currently basking in the success of his latest release Super 30, which has him essaying a character inspired by mathematical genius Anand Kumar. Not only has he won rave reviews for his performance as the Bihari teacher, but the film also has done a business of approximately Rs 75 crore at the box office. Even as the movie is running in theatres, the teaser of his next, War, an action-entertainer, is out and the light-eyed actor’s beefed-up look has gone viral. Here, he tells us about the tough calls he had to take when Super 30’s director got embroiled in a controversy, the change in the release date, and how the outcome has brought him satisfaction and joy.
Is the success of Super 30 different for you than your other films?
The success of Super 30 somehow takes me back to the time when Kaho Naa... Pyaar Hai had released. The emotions are similar to what I had felt back then.
Having said that, the success of any film will always be sweet and bring satisfaction and joy. The film went through quite a turmoil with controversy over the director, and later the release date. Did you get disheartened at any point?
There were some really tough calls that I had to take with regards to this film. Whether it was to put the film on hold when the #MeToo conversation came up for law to take its course or the decision to pre-pone the release date of the film. But I am glad that I took these calls. It is because of them that we are in a better place today. So, I would just say that all’s well that ends well.
How do you look back at the experience of shooting for the film?
Super 30 has been one of my most challenging films so far as the requirement here was to capture the soul of Anand Kumar. Before meeting him, I had a vision in my head of how he would be and I was hesitant to meet him at first because I did not want my idea of him to break. But, when I actually met him, I felt he only added beautiful colours to my vision. I had a great time shooting for the film with such talented people, especially, the 30 kids. They surprised and inspired me every day on set.
After this, you will be seen in the action-entertainer, War, in a beefed-up avatar. How much time does it take for you to change yourself physically for the character you play?
Fortunately or unfortunately for Super 30, I was allowed to cheat with my diet a little and the foodie in me loved every bit of it. Being able to have samosas, ice creams and everything that I was deprived of for years, guilt-free, was the best thing. But then came this whole phase where I pushed myself beyond my limits to get back into shape for the beefed-up character that I had to play for my other film. It took months of hard work and sacrifice to achieve that. It was definitely not easy, but I got to learn a little more about how much I can push myself.
Your look in War vs Super 30 has gone viral and sparked off several memes. Your reaction?
Some of the memes are actually very creative and funny. So, I enjoy them too.
Can you share your experience of working with Tiger Shroff?
I have had a blast shooting for this film with Tiger. Anything that I say about him will be less. My words won’t do justice to the kind of talent he possesses.
There are reports about you doing the Satte Pe Satta remake. This will be the second time you will step into Amitabh Bachchan’s shoes.
I am a huge fan of Mr Bachchan so whenever I will get a chance to step into his shoes, I’d be super excited. As for Satte Pe Satta remake, those are only reports as of now. When I sign my next film, I will tell the world about it. Until then, everything you hear is only a rumour.
What kind of film will you do next?
Right now, I am grateful and enjoying the sweet success of my film, Super 30 and gearing up for my second release of the year, War. But I will let you know about my next film soon.
Image: Hrithik Roshan serenades Madhuri Dixit on Dance Deewane
7:54 AM
MUMBAI MIRROR (July 3, 2019)
Hrithik Roshan may have got to showcase his skills to the masses with his launch vehicle Kaho Na Pyaar Hai in 2000, but the 45-year-old actor’s first audience was Madhuri Dixit. On Monday, Hrithik shot for a guest turn on the reality show Dance Deewane, which features the actress as one of the judges.
During the shoot, Madhuri who was the leading lady of Rakesh Roshan’s Koyla, revealed that the actor had worked on the film as an assistant director. “One day, I had gone to Rakesh ji’s house for a narration and saw Hrithik rehearsing something in front of the mirror,” she said, adding that when he was done, she broke into an appluase.
During the show, the duo performed on the Kaho Naa Pyaar Hai title song, “Ghagra” and the Koyla track “Ghoongte Mein Chanda”. A contestant’s performance on Hrithik’s biggest hit from his debut, “Ek Pal Ka Jeena” made the actor nostalgic. “I am happy to see that the song is still trending,” he exclaimed, rounding off his turn on the show by shaking a leg with the young contestants.
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