Showing posts with label Chetan Bhagat. Show all posts
Showing posts with label Chetan Bhagat. Show all posts
Neha Dhupia, Angad Bedi to play a married couple for first time on screen
8:00 PM
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Neha Maheshwri (BOMBAY TIMES; February 1, 2023)
While real-life couple Neha Dhupia and Angad Bedi have shared screen space in the past in Rangeelay (2013) and Ungli (2014), now they are all set to play a married couple for the first time in an upcoming comedy-drama penned by Chetan Bhagat. The film, shot in Mumbai, is set against the backdrop of the lockdown during the Coronavirus pandemic.
A source associated with the project shares, “It’s a funny story based on a couple’s experience of living together during the lockdown. The casting was done keeping their natural chemistry in mind. Neha and Angad had a great time working together. They are each other’s sounding board, and shooting for the film was an extension of that.”
Neha and Angad’s daughter Mehr and son Guriq accompanied them to the shoot. The source adds, “They would spend quality time together as a family on the set. It was a tight schedule and the two made sure to wrap up the film within days.”
How to survive cut-throat Bollywood? The best advice came from A R Rahman
8:41 AM
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Chetan Bhagat (THE TIMES OF INDIA; June 21, 2020)
The recent suicide of Sushant Singh Rajput, a successful and young movie star, has stirred up the nation. After all, how could someone who seemingly had it all want to end it all? Social media, TV channels, WhatsApp forwards and articles are bursting with theories. Fact is, we don’t know what happened.
There probably are multiple factors. It is not wise to blame someone or make any speculations at all on a specific situation. Neither is it appropriate to blame anyone or judge the path a person chose to take. That is not the attempt of this piece at all. However, the incident has started a debate on the culture inside Bollywood and its impact on mental health issues. These issues can come up not just in Bollywood, but any hyper-competitive industry.
I have had a decade plus experience working in this wonderful yet somewhat flawed industry. Here are some observations as well as tips on how to cope in any hyper-competitive environment:
- There is no Bollywood CEO and everyone is scrambling to just survive. Many believe there is a Bollywood company and working in it is like working for Unilever. It’s not. There are just some powerful people with more clout, at a certain point in time. This comes from their ability to pull capital and talent to put a film project together. Track record builds clout. But clout is fickle — hits increase it, flops can make it vanish. It’s scary for everyone. To merely survive is to win.
- It’s fundamentally an insecure profession — stars fade, directors lose touch, good looks don’t remain forever, audience tastes are fickle, plenty want to join and take your place.
- To minimise insecurity, people form cliques or camps. Actors, directors and producers come together, to ensure some future work security. The so called ‘parties’ are usually a camp hanging out together. The insecurity is still there. It just feels a bit safer. It’s like earthworms clumping together in a ball to look stronger. People have done well while being in camps or outside them. To each their own.
- If you are successful (deliver a hit), the industry will surround you with love and adulation at levels you can’t imagine. If you fail (have a flop), you will become untouchable.
- The highs of success are so intense, people have compared them to hard drugs. However, the pain of a flop and the isolation that comes is intense too.
- These wild swings of success and failure can take a huge toll on mental health. Apart from your innate work and talent, you need enormous amounts of mental strength. You don’t just need a six-pack body, you need a six-pack mind. If you are already ailing, or have a history of mental issues, it can become a dangerous cocktail.
- As an individual, it comes down to how you perceive yourself. If you truly believe in yourself, you don’t need party invites or non-stop calls from certain sets of people. One should also realise that nobody gets the perfect cards in life. Life is unfair — but it will be unfairly good to you sometimes, or unfairly bad. Same with Bollywood. One has to be happy with themselves and their journey, however spectacular or simple it was.
- No matter how strong you are mentally, if you go all-in into the Bollywood pond, you are at massive risk. This also applies to all non-Bollywood workaholics working in hyper-competitive industries out there. Learn to diversify your life. You may love your work, but make sure you are not just about your work alone. Your health, family, hobbies, old friends may lack the glamour and beauty of Bollywood. However, they can be extremely comforting and create a lot more happiness in your life.
- The best advice I ever got on how to navigate Bollywood came from the reticent A R Rahman, who I have had the honour of meeting once in my life. When I told him Bollywood was scaring me, he said “Bollywood is like a beautiful pond. However, it has crocodiles in it. Hence, it’s OK to stand in a corner and take a bath. Do not fully swim in it. One foot in, one foot out, always.”
He may have said it in passing, but I have treated the maestro’s advice as some sort of mantra in navigating the film industry. It isn’t easy. The glow and shine of Bollywood can be so intense, everything else can seem far less worthwhile. Precisely for mental health reasons, I decided to never to put my eggs in one basket, even if the basket was the shiniest. I do other things and I am thankful the crocodiles didn’t get to me. I’d encourage all others who are trying for hyper-competitive professions to be aware of the real mental health issues that come with it. Pay attention to them and diversify your life. No glamorous party or job success is above your inner happiness.
The recent suicide of Sushant Singh Rajput, a successful and young movie star, has stirred up the nation. After all, how could someone who seemingly had it all want to end it all? Social media, TV channels, WhatsApp forwards and articles are bursting with theories. Fact is, we don’t know what happened.There probably are multiple factors. It is not wise to blame someone or make any speculations at all on a specific situation. Neither is it appropriate to blame anyone or judge the path a person chose to take. That is not the attempt of this piece at all. However, the incident has started a debate on the culture inside Bollywood and its impact on mental health issues. These issues can come up not just in Bollywood, but any hyper-competitive industry.
I have had a decade plus experience working in this wonderful yet somewhat flawed industry. Here are some observations as well as tips on how to cope in any hyper-competitive environment:
- There is no Bollywood CEO and everyone is scrambling to just survive. Many believe there is a Bollywood company and working in it is like working for Unilever. It’s not. There are just some powerful people with more clout, at a certain point in time. This comes from their ability to pull capital and talent to put a film project together. Track record builds clout. But clout is fickle — hits increase it, flops can make it vanish. It’s scary for everyone. To merely survive is to win.
- It’s fundamentally an insecure profession — stars fade, directors lose touch, good looks don’t remain forever, audience tastes are fickle, plenty want to join and take your place.
- To minimise insecurity, people form cliques or camps. Actors, directors and producers come together, to ensure some future work security. The so called ‘parties’ are usually a camp hanging out together. The insecurity is still there. It just feels a bit safer. It’s like earthworms clumping together in a ball to look stronger. People have done well while being in camps or outside them. To each their own.
- If you are successful (deliver a hit), the industry will surround you with love and adulation at levels you can’t imagine. If you fail (have a flop), you will become untouchable.
- The highs of success are so intense, people have compared them to hard drugs. However, the pain of a flop and the isolation that comes is intense too.
- These wild swings of success and failure can take a huge toll on mental health. Apart from your innate work and talent, you need enormous amounts of mental strength. You don’t just need a six-pack body, you need a six-pack mind. If you are already ailing, or have a history of mental issues, it can become a dangerous cocktail.
- As an individual, it comes down to how you perceive yourself. If you truly believe in yourself, you don’t need party invites or non-stop calls from certain sets of people. One should also realise that nobody gets the perfect cards in life. Life is unfair — but it will be unfairly good to you sometimes, or unfairly bad. Same with Bollywood. One has to be happy with themselves and their journey, however spectacular or simple it was.
- No matter how strong you are mentally, if you go all-in into the Bollywood pond, you are at massive risk. This also applies to all non-Bollywood workaholics working in hyper-competitive industries out there. Learn to diversify your life. You may love your work, but make sure you are not just about your work alone. Your health, family, hobbies, old friends may lack the glamour and beauty of Bollywood. However, they can be extremely comforting and create a lot more happiness in your life.
- The best advice I ever got on how to navigate Bollywood came from the reticent A R Rahman, who I have had the honour of meeting once in my life. When I told him Bollywood was scaring me, he said “Bollywood is like a beautiful pond. However, it has crocodiles in it. Hence, it’s OK to stand in a corner and take a bath. Do not fully swim in it. One foot in, one foot out, always.”
He may have said it in passing, but I have treated the maestro’s advice as some sort of mantra in navigating the film industry. It isn’t easy. The glow and shine of Bollywood can be so intense, everything else can seem far less worthwhile. Precisely for mental health reasons, I decided to never to put my eggs in one basket, even if the basket was the shiniest. I do other things and I am thankful the crocodiles didn’t get to me. I’d encourage all others who are trying for hyper-competitive professions to be aware of the real mental health issues that come with it. Pay attention to them and diversify your life. No glamorous party or job success is above your inner happiness.
Ishaan was the most innocent and lovable; I realized viewers would feel his loss acutely-Abhishek Kapoor
8:04 AM
Posted by Fenil Seta

As told to Roshmila Bhattacharya (MUMBAI MIRROR; September 27, 2019)
One would think that adapting a book was easy because it’s all there already. But Kai Po Che! was the most difficult to crack in terms of script. We went through many drafts as we tried to figure the culmination. While I liked the three characters, Ishaan Bhatt, Omkar Shastri and Govind Patel, and was excited about bringing this story of three friends to the screen, it played out very differently in Chetan Bhagat’s novel, The 3 Mistakes Of My Life. And from the onset I wanted certain changes, including a different climax.For me, the film, at the end of the day, was not just a story about the trio but about what happened in Gujarat in the aftermath of the Godhra massacre. I believed that for the audience to feel the pain and the sense of loss this state was experiencing, they needed to go through similar pain and loss for which one of the three principal characters had to go. And since Ishaan was the most innocent and lovable of them, a guy with unfulfilled cricketing dreams which he was trying to live out by mentoring a local talent, Ali Hashmi, they would feel his loss acutely. And I thought what would make his death even more gut-wrenching and horrific was that it came at the hand of Omi who had loved Ishaan blindly, but since he did not have a mind of his own, he had allowed his fundamentalist politician uncle to radicalise him.
I discussed the changes I had in mind, which I was convinced would make the characters more interesting, including this twist in the tale, with my writers, Pubali Chaudhuri and Supratik Sen, and also got Chetan on board. Once we all agreed, we decided to shoot the climax around a winding staircase which we had already established in a few scenes earlier. We shot in a remote village in Rajasthan. The staircase was created by the production design team on location. The reason we chose it, was because when the shot rings out, you are not sure who is hit. Omi was chasing Ishaan and Ali while Govind was chasing Omi when this happens. It’s only when a pool of red blood spreads on Ishaan’s white Tee that you realise he’s the one who’s hit, an instant before his body goes hurtling down to land spread-eagled and a shocked Omi drops the gun.
However, I was equally sure that the story couldn’t end there. The boys had survived an earthquake, failed business, shattered dreams and even if the riots took away one of them, I wanted to end the film on a positive note. So, we had Omi coming out of jail after a decade, by which time Govind and Vidya are married and have a son whom they have named Ishaan. And Ali, now a grown-up, is for the first time playing for India. And as Omi, who’s gone straight to the stadium, watches from the stands, Ali starts his innings with a flourish, dispatching a ball from the Aussie bowler to the boundary with a Ishaan-like cover drive. And in this rising star you see hope for the future which came out of death and destruction. That for me was what made the culmination of Kai Po Che! fulfilling. There was a lot of material in the book, but as a story-teller I was convinced that I was not going to go crazy on the riots and what was right and who was wrong. I’m not qualified to judge, so what I did was present a human story that touched a chord and is still remembered.
I made the film coming out of Rock On!! which bagged the National Award for Best Feature Film in Hindi while Arjun Rampal was adjudged Best Supporting Actor by the jury. I approached a lot of big names but none of the established actors wanted to be a part of an ensemble cast. So, then, I opted for Sushant Singh Rajput, a fine actor who had done a lot of TV, Amit Sadh who is equally talented, and Raju (Rajkummar Rao) who is today’s answer to Sanjeev Kumar. He’s the kind of phenomenal actor who, till you say “Cut”, will keep performing, pure magic on camera.
I’ve never thought of taking this story forward. There are some stories that lend themselves to a sequel and some that leave you satiated. Kai Po Che! is the latter. Some films you look back on and wish you had done certain things differently. This one evokes no regrets or “what ifs”.
Mohit Suri directs a trailer featuring Vikrant Massey for the launch of Chetan Bhagat’s book
8:02 AM
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The filmmaker has directed a trailer featuring Vikrant Massey for the launch of Bhagat’s book
Natasha Coutinho (MUMBAI MIRROR; September 1, 2018)
After directing the screen adaptation of Chetan Bhagat’s novel, Half Girlfriend, with Arjun Kapoor and Shraddha Kapoor as leads last year, Mohit Suri has teamed up with the bestselling author again. But this time, the former has got into the director’s chair for a trailer that will launch Bhagat’s upcoming novel on Monday. The trailer features Vikrant Massey while the title and genre of the book have been kept under wraps for now. A source close to the development says, “A high-definition trailer is being launched for the book, which is scheduled to hit the stands in true Bollywood fashion in October.”
According to Vikrant, the trailer is first-of-its-kind with “actual casting.” “It will be a great surprise for a lot of people. I’m playing the protagonist from the book and I am proud of the way things have shaped up. I have my fingers crossed for the response to the trailer next week,” the actor said.
Are there plans to turn the book into a movie considering Vikrant also had a pivotal role in Half Girlfriend? “It’s too early to be speaking about that,” Vikrant concludes.
In an interview to Mirror (May 5, 2017) Chetan had admitted that the growing camaraderie between him and Mohit could lead to another collaboration. When prodded about whether Arjun, who featured in the film adaptation of 2 States before Half Girlfriend, would join in for a hattrick, he had guffawed, “Arjun and I are quite similar. We’ve both been scorned and laughed at for real and understand the nature of this business. Mohit jokes that Arjun’s real half girlfriend is Chetan Bhagat!”, adding that he wanted to co-produce screen adaptations of both One Indian Girl and Revolution 2020.
Sanjay Leela Bhansali hosts Padmaavat's special screening for noveslists, social media influencers
8:00 AM
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Mohar Basu (MID-DAY; January 18, 2018)
Two days ago, author Amish Tripathi took to Twitter to reveal that a special screening of Padmaavat had him convinced the film “celebrates Rajput bravery”. mid-day has learnt that the screening was only one among a series that will be held ahead of the film’s January 24 release for various artistes.
Filmmaker Sanjay Leela Bhansali, we hear, will host trials for social media Influencers to get their opinion about Padmaavat, before it is aired in cinemas. A source says, “Bhansali wants to be certain that the film doesn’t hurt sentiments. He will show it to a variety of people, including columnists, designers and writers, to get their feedback and make last- minute amends, if needed.”
It is speculated that writers Chetan Bhagat and Durjoy Datta will also catch a screening this week, and a screening will be organised for the royal families of Rajasthan too.
Two days ago, author Amish Tripathi took to Twitter to reveal that a special screening of Padmaavat had him convinced the film “celebrates Rajput bravery”. mid-day has learnt that the screening was only one among a series that will be held ahead of the film’s January 24 release for various artistes.
Filmmaker Sanjay Leela Bhansali, we hear, will host trials for social media Influencers to get their opinion about Padmaavat, before it is aired in cinemas. A source says, “Bhansali wants to be certain that the film doesn’t hurt sentiments. He will show it to a variety of people, including columnists, designers and writers, to get their feedback and make last- minute amends, if needed.”
It is speculated that writers Chetan Bhagat and Durjoy Datta will also catch a screening this week, and a screening will be organised for the royal families of Rajasthan too.
Chetan Bhagat demands a whopping amount for Revolution 2020?
8:03 AM
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Nayandeep Rakshit (DNA; December 11, 2017)
Five of Chetan Bhagat’s books have been adapted into films. Three of them — Five Point Someone (3 Idiots), The 3 Mistakes Of My Life (Kai Po Che!) and 2 States — were successes at the box office. Half Girlfriend did average business while One Night @ The Call Center (Hello) sank without a trace. A few years ago, there were reports about Chetan’s Revolution 2020 being adapted for the big screen, too. But the plan was on hold then. Now, the author has apparently approached a few top producers to invest in a film based on the 2011 novel.
However, according to our sources, he’s facing a huge roadblock. “Revolution 2020 didn’t get much appreciation from the readers. So, there are very few takers for the film. Top banners aren’t interested in making it,” reveals our khabri. Moreover, the author’s demands have worsened the situation for him. The source adds, “He has been asking for at least Rs 5 crore for the rights to his book. He had met Sajid Nadiadwala, too, who was shocked to hear the amount. Nobody is willing to pay that much.”
Chetan stated, “I’m working on a new book now, so I’m taking a pause from movies for a bit. But I’m in talks with someone to make Revolution 2020.”
Ask him about charging a whopper for the same and he quips, “I take a co-producer’s share so the amount that is being quoted is incorrect. My compensation is linked to the film’s performance. Also, for the right director and production house, I won’t let price be an issue. It’s about being choosy, not pricey.”
Half Girlfriend was too filmi in parts and could have certainly turned out better-Chetan Bhagat
7:58 AM
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Mohar Basu (MID-DAY; September 22, 2017)
Unarguably, the Indian writer with the most cinematic adaptations of his books, Chetan Bhagat had heaped praise on filmmaker Mohit Suri while the latter was filming his novel, Half Girlfriend, for the big screen. However, in an unusual turn of events, Bhagat now terms the 2017 adaptation, “okay”, saying that the Arjun Kapoor and Shraddha Kapoor-starrer was “too filmi”. “I know everyone did the best they could [to adapt the movie]. But, it was too filmi in parts and could have certainly turned out better. With Arjun cast as the leading man, the expectations were high,” he said ahead of the film’s television premiere on & Pictures.
With Kapoor having essayed the role of Bhagat’s protagonist in the writer’s previous adaptation — 2 States — it was only fitting that he be considered for the recreation of Bhagat’s 2011 novel, Revolution 2020. The long-in-the-planning project, Bhagat tells us, fell apart after controversies plagued production house UTV. With Disney acquiring the firm, there was a temporary limbo. But now, the rights of the cinematic adaptation solely belong to Bhagat.
“Several producers and studios have expressed their desire to make the film,” he said, adding that there is a possibility that Kapoor will no longer play the leading man. “The cast will change. You can expect an announcement by the end of the year,” said the writer, adding that he will work on a screenplay for One Indian Girl if he finds the right producers.
Until then, he is busy writing his next novel, Soulmates.
Shraddha Kapoor cut shorts family vacation for Ekta Kapoor?
7:47 AM
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Sonil Dedhia (MID-DAY; May 27, 2017)
When the boss calls, you have to go! Bollywood stars too, it seems, can’t have it any other way. After missing director Mohit Suri’s success bash for her recently-released film, Half Girlfriend, Shraddha Kapoor, who headlines the romance-drama, had to cut short a family vacation to turn up for producer Ekta Kapoor’s party last night.
A source says, “Ekta is very fond of Shraddha and she personally requested her to be present for the celebration, which was held yesterday at her Juhu bungalow. Along with the cast and crew, several industry folk were present. Shraddha was supposed to return next week, but decided to fly down earlier to be a part of the celebration.”
The actress had taken off to Seychelles with parents Shakti and Shivangi, and brother Siddharth on Sunday. The family has been soaking in the sun and indulging in snorkeling and scuba diving, sharing their shenanigans on social media. Shraddha will now dive into a three-month intensive badminton training schedule for her portrayal as Saina Nehwal in an upcoming biopic.
Half Girlfriend is the Naagin of my films-Ekta Kapoor
8:05 AM
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Hiren Kotwani (BOMBAY TIMES; May 25, 2017)
She's the original czarina
of television, whose serials redefined the way Indians watched TV. However, her foray into films was seen with cynicism - 'dekhte hain kya
karti hai'. While her tryst with the box office has been interspersed
with hits and misses, some of her big-screen ventures didn't exactly
replicate the success of her small-screen outings. Half Girlfriend (HG),
her first release this year, has given the much-needed boost to her
company (Balaji Motion Pictures), but Ekta Kapoor asserts that she's not
planning big ventures. In an exclusive chat with BT, she says that she
will only make movies on strong subjects and focus more on producing
digital content for her mobile app, which was launched last month.
Excerpts...
You have begun the year on a successful note with Half Girlfriend...
Yes, it had a good beginning and maintained well on Monday and Tuesday as well. Anyone in my place would be ecstatic. I had earlier produced Ek Villain (2014), which was also directed by Mohit (Suri), so I knew that his films connect well with the masses. There is a section of audience that loves melodrama. Having said that, you can never tell how a film will open. It's the first time in the past year-and-a-half that distributors have called up saying that my film is running to packed houses.
However, critics haven't been too kind in their reviews. The audiences also seem to have mixed reactions...
(Laughs) I look at it this way; clearly, here, we have two nations in one - India and Bharat. Right in the beginning, my marketing head told me that there is a lot of prejudice against Chetan Bhagat (author of the book Half Girlfriend and also one of the film's producers). Most of the reviews were also more Chetan-bashing than film-bashing. In a way, I was expecting such a reaction, but check the numbers and you'll see that the film is tracking almost at the top. Across the world, there is a tendency among the high class to look down upon writers of popular fiction. Chetan's strong opinions irk some people. Moreover, Arjun (Kapoor) and Shraddha (Kapoor) also enjoy a huge mass connect, and our so-called intellectuals have a problem with that as well.
Any plans of another film with Mohit and Arjun?
I don't want to reveal any plans right now. But I must say, working with Arjun has been a revelation. I had preconceived notions about working with a producer's son, but he is very hard-working. He has been subjected to so much bodyshaming; ironically, by the same intellectuals who cry hoarse against it. Mohit made HG with all his heart. This is his best work so far.
You've backed films that few would bet their money on. Last year, it was Udta Punjab, which didn't have any takers before you got on board. Like you said, Chetan also attracts a lot of negative reactions...
I don't want to work with biases; that's a myopic way of looking at life. I knew HG would work with the masses. It is the Naagin (TV serial) of my films. I remember waking up to articles about how regressive it is. And, the same people watch Game Of Thrones and Harry Potter. Naagin is our folklore, it's rooted in India, but there was no respect for it. However, despite being panned by critics, that show got me ratings and this film got me box office numbers.
After some of your films flopped, reports said you were going slow on production. Has HG paved the way ahead for re-strategising?
I won't deny that we're going slow on production. Now, I want to be making, selling and promoting only the movies I believe in. I have Veere Di Wedding with Kareena Kapoor Khan and Sonam Kapoor, Laila Majnu with Imtiaz Ali as its creative director, and a film with Gattu (cousin, director Abhishek Kapoor), which has an interesting subject. That's enough for now. Apart from these films, I'll take a call depending on the subject. Otherwise, I'm focusing on my app ALT Balaji and digital content. I don't want to say I have huge plans. What saddens me about the industry is that people refuse to accept each other's success. They feel happy about other's failures and your own peers pull you down. They don't realise that when a film flops, the industry also suffers.
You have begun the year on a successful note with Half Girlfriend...
Yes, it had a good beginning and maintained well on Monday and Tuesday as well. Anyone in my place would be ecstatic. I had earlier produced Ek Villain (2014), which was also directed by Mohit (Suri), so I knew that his films connect well with the masses. There is a section of audience that loves melodrama. Having said that, you can never tell how a film will open. It's the first time in the past year-and-a-half that distributors have called up saying that my film is running to packed houses.
(Laughs) I look at it this way; clearly, here, we have two nations in one - India and Bharat. Right in the beginning, my marketing head told me that there is a lot of prejudice against Chetan Bhagat (author of the book Half Girlfriend and also one of the film's producers). Most of the reviews were also more Chetan-bashing than film-bashing. In a way, I was expecting such a reaction, but check the numbers and you'll see that the film is tracking almost at the top. Across the world, there is a tendency among the high class to look down upon writers of popular fiction. Chetan's strong opinions irk some people. Moreover, Arjun (Kapoor) and Shraddha (Kapoor) also enjoy a huge mass connect, and our so-called intellectuals have a problem with that as well.
Any plans of another film with Mohit and Arjun?
I don't want to reveal any plans right now. But I must say, working with Arjun has been a revelation. I had preconceived notions about working with a producer's son, but he is very hard-working. He has been subjected to so much bodyshaming; ironically, by the same intellectuals who cry hoarse against it. Mohit made HG with all his heart. This is his best work so far.
You've backed films that few would bet their money on. Last year, it was Udta Punjab, which didn't have any takers before you got on board. Like you said, Chetan also attracts a lot of negative reactions...
I don't want to work with biases; that's a myopic way of looking at life. I knew HG would work with the masses. It is the Naagin (TV serial) of my films. I remember waking up to articles about how regressive it is. And, the same people watch Game Of Thrones and Harry Potter. Naagin is our folklore, it's rooted in India, but there was no respect for it. However, despite being panned by critics, that show got me ratings and this film got me box office numbers.
After some of your films flopped, reports said you were going slow on production. Has HG paved the way ahead for re-strategising?
I won't deny that we're going slow on production. Now, I want to be making, selling and promoting only the movies I believe in. I have Veere Di Wedding with Kareena Kapoor Khan and Sonam Kapoor, Laila Majnu with Imtiaz Ali as its creative director, and a film with Gattu (cousin, director Abhishek Kapoor), which has an interesting subject. That's enough for now. Apart from these films, I'll take a call depending on the subject. Otherwise, I'm focusing on my app ALT Balaji and digital content. I don't want to say I have huge plans. What saddens me about the industry is that people refuse to accept each other's success. They feel happy about other's failures and your own peers pull you down. They don't realise that when a film flops, the industry also suffers.
Impatience is the bane of our generation-Arjun Kapoor
2:21 PM
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Upala KBR (DNA; May 17, 2017)
In the midst of frenetic promotions for his next film Half Girlfriend, one notices a certain vulnerability in Arjun Kapoor, beneath his veneer of practicality. He’s a lot like Madhav Jha, the character he plays in his next release. While Arjun is very clear about not discussing his next films as the producers will announce it, he is open to talking about his love life or the lack of it. Over to Arjun on love, the presence of half-girlfriends in his life and why he can’t afford to fall in love right now.
Have you ever been madly in love like Madhav Jha?
I have, but that would be undermining the emotions I felt, if I felt my love was not as passionate as his. Love is passion. Each cell, bone and part of your body has to ache, each breath you take, has to vibrate with the love you are feeling!
You are a passionate person…
Of course, I am! Relationships are unique and so is the feeling of love. But yes, I have loved truly, madly and passionately…
How close to Madhav are you? There’s a vulnerability, yearning and sensitivity in him…
Correct. Essentially, that is the strength of the character, the milieu that the story is set in and the kind of world that he comes from. When you see the film, you will know that these are the emotions we want people to tap into. I won’t say that he’s similar to me because that would be a lie. My upbringing is in a city, my thought processes are very differently cultivated over the course of my different experiences.
And?
Madhav is from a simpler place with more complex issues in terms of making a daily living and the hardships that he faces. There’s a big disparity. Our upbringing is different. The sensitivity that he has — I would I say I relate to it, but the profession that I am today and the kind of work that I do, one also becomes a bit cold and detached to many things. He’s also a very vulnerable soul…
He reminds me of you… vulnerable on the inside and yet you are very practical on the surface.
True, that’s me as a person. I am like that, so my façade would be that practicality always rules over emotions because that is the way I have been conditioned. Madhav reacts out of emotions. He is very practical in his thinking but his emotions are very visible and evident so that makes him vulnerable. And he’s not somebody who is discovering himself like dekhte hain zindagi mein kya hoga? He’s a person with a good plan in mind — to help his village and his state get better. Madhav is very clear at that young age.
What about you?
When I was his age, I was not as clear, and just took life as it came. But the one commonality which I do find is the emotion of the mother in the film. Obviously, I think that would go for most characters that you play if you have a parent in the film you are emotionally connected to. It was there in Ishaqzaade, where I had a mother taking care of me also. That string does tug at my heart if I think about Madhav.
Did you remember your mother during the making of the film?
In a very organic way. That remembering happens on all days — good and bad days. There’s not a single day that I don’t miss her. That’s a different chapter in my life and cannot be confined to one answer, interview or discussion. Yes, that is something that drew me to Madhav and to play him a certain way. I don’t think doing a scene or shot is the only way of remembering your loved ones. There is so much more to that.
After 2 States, now HG. Are you a poster boy for Chetan Bhagat’s books?
I wish I was a poster boy for Chetan (laughs) — then I could have been in his other films, too. It’s not as if we have sat in a room and decided how to make these two films. It’s happened from the director’s side. To give credit where it’s due, Chetan is a very intelligent writer when it comes to understanding his readers and the Indian thought process. If more directors are adapting Chetan’s novels and their vision connects with mine, I would be more than happy to continue this journey. But at the end of the day, the director is very important. For Chetan and me to come together, again and again, has more to do with Mohit Suri and Abhishek Varman rather than anything else.
Do you believe in the concept of a half girlfriend where you love someone but she just wants to be a friend?
This word has been articulated now through this film. It didn’t exist before this, as a lot of situations and relationships that have happened in our lives where you have felt a lot more than just a friend for somebody, but it has not culminated in a real relationship because of circumstances or just not being able to speak to the other person and tell them what you feel. I don’t think that in normal day-to-day life, we’d tell someone, ‘I want to be your half-girlfriend’. Circumstances create that situation. There’s an understanding that makes you pine for that person beyond friendship. But commitment cannot happen due to circumstances.
Are you in love?
Yes… I am in love with myself (grins) and that’s the best way to be I think right now. I have given my work so much importance that I have not allowed love to seep in and that’s been the case for me for the last few years. I am ready for love and yet I am a bit scared about change. I have got so comfortable about leading this mad life that sometimes I wonder if I will allow anyone in an if they will be able to survive this madness? Prioritising, the practicality of a relationship, taking out time, nurturing it — sometimes I wonder if I am capable of all this. When you find the right person, all that happens so...
Is your generation afraid of commitment?
Definitely. More than the past generation, for sure. And that’s purely out of seeing relationships not working over a course of years. In the cities, it’s a lot more so. No relationship is easy — there are good times and bad times and you have to nibhaao it as much as possible. Falling out of love is a very real thing. It can happen and maybe tumhara utna hi tha time saath mein… But the parting is also important in a correct way where it’s organic enough and the partners are understanding. Who doesn’t want an amicable parting? If you truly feel something for the other person, give it time. A lot of people of my generation are impatient. The first chance we get, we bail ourselves out of the situation. That is our generation’s problem — the impatience of things not being in place, but to each his own. I am no institute on love and relationships. Relationships teach you life lessons. If you made a mistake in one, don’t go and make it in the other.
The more you try to escape heartbreak, the more it will haunt you-Shraddha Kapoor
8:32 AM
Posted by Fenil Seta
Incomplete relationships are beautiful, but bittersweet: ArjunOur generation is afraid of dealing with their emotions: Arjun
Neha Maheshwri (BOMBAY TIMES; May 15, 2017)
Her idea of love is being
inspired by fairy tales, but he prefers rational about romance. She is
emotional, while he is practical to a fault. They may be poles apart, but
together, Shraddha Kapoor and Arjun Kapoor exude an effortless
chemistry and camaraderie. In a candid chat with BT, the actor and his 'Half Girlfriend' talk about their upcoming film, the beauty of
incomplete love stories and the complexities of modern
relationships. Excerpts...
The title of your film is rather unconventional. So, what does the term 'half girlfriend' mean?
Arjun: I think Chetan Bhagat (whose book Half Girlfriend the film is based on) has cracked it perfectly. It's a term for relationships that don't culminate in anything definite. Sometimes, we may feel an emotional connect with people who don't end up as our partners. Not always do we give relationships a tag. Half girlfriend is not a frivolous term, it's an emotional one.
Shraddha: Sometimes, adverse situations cut short relationships; hence, the word 'half'.
Arjun: Incomplete relationships are sometimes beautiful. Painful, but bittersweet.
Is it difficult being friends with the person you are madly in love with?
Arjun: It's not easy, but how you deal with it also depends on your age. As we grow older, we don't want to lose those few who we rely upon emotionally. And so, we make peace with the fact that the other person doesn't reciprocate our feelings. In our film, both Madhav and Riya (Arjun and Shraddha's characters) have feelings for each other, but circumstances don't allow them to be together.
Shraddha: Some people can be friends with the object of their affection. It depends on the ability to deal with one's feelings.
Have you ever had a half girlfriend or boyfriend?
Arjun: Yes. And the film will resonate with many because most of us have been in that situation.
Shraddha: The best way to recover from that phase is by crying your heart out, spending time with yourself and turning to people you trust and love. It's alright to brood. You should face the hurt instead of trying to escape it. The more you try to escape heartbreak, the more it will haunt you.
Arjun: Our generation is afraid of dealing with their emotions. It's best to face it and not brush it aside. Or else, it might manifest in other ways. Relationships are complex. Making peace is difficult, but you have to give it an honest try.
Are you very emotional? Do you break down easily?
Arjun: I would love to cry, but it's not easy for me. There have been times when I've cried inside, but had a smile on my face. My sister (Anshula) often tells me that I should just let it out. Maybe it doesn't come naturally to me because from an early age, I've kept my feelings bottled up. Also, I would rather rationalize a situation than get emotional about it.
Shraddha: There are times when I feel the need for a good cry, but I am not able to do so. Crying can be cathartic and refreshing at the same time. I recommend it to everyone.
Why do you think modern relationships are becoming so complex?
Arjun: Relationships have always been complex. It's just that the complexities are more visible today. Earlier, the problems were hidden behind closed doors, but now, they are out in the open. While we have acknowledged the problem, we don't have a solution. There is awareness, but no answer.
Shraddha: Yes, relationships have always been complicated, it's just that the reasons have changed over the years. For example, earlier, some parents would lock up the girl to stop her from meeting her lover. That may not be happening today.
Arjun: I am sure it still does, in some places at least.
Do you think that today, love has changed from being unconditional to convenient?
Arjun: We were talking about it recently, and Mohit (Suri, director) mused that true love does stay. He talked about how, after several upheavals, he had realised that Udita (Goswami, his wife) was the one for him. I don't have a PhD in love, but I agree that the younger generation is a tad impatient and inconsistent when it comes to relationships. Having said that, there are enough examples to prove that there is pure love as well, which helps you sail through trials and tribulations. There are people willing to work things out and not just walk away.
Shraddha: Nowadays, people think a lot about themselves and so, the threshold for tolerance has reduced. Walking away becomes an easier option.
Arjun: Sometimes, realisation that it wasn't love to begin with strikes and you fall out of it. It's human tendency.
Shraddha: The very thought of falling out of love with the person I want to spend my life with frightens me. I have a fairy tale idea of love.
The title of your film suggests, 'friend se zyada, girlfriend se kam...' Do you think women may object to it?
Arjun: No, I am sure that the film will not offend anyone. Even if someone raises an objection, we will respect their opinion.
Shraddha: Chetan wrote it from the girl's perspective. According to the story, Riya asks Madhav to accept her as his half girlfriend.
Talking about women's perspective, Arjun, you have been particularly close to the women in your family. What's your view on feminism?
The most beautiful aspect of our democracy is that everybody is entitled to their opinion, but nobody should enforce their views on others. We should agree to disagree. However, thanks to the social media culture, the paraphernalia surrounding an issue gets so much attention sometimes that the actual point is lost. While giving opinions, one forgets the topic. A point of view should be expressed for the benefit of the society, not to get noticed or be heard because that's how negativity breeds. I am all for equality and I also believe that women are more powerful than men in many ways. They are the nurturers, and they possess the beautiful ability to give while men, unfortunately, are takers by nature. I believe that women should be able to make choices freely and independently, just like men.
Is equality something that we only preach and not practise?
Arjun: It is used selectively. For me, equality is about respecting women, which doesn't happen too often in our country. We have to tackle that first. Can you believe that even today, there are many schools where girls don't have access to toilets? Shouldn't we have co-ed schools in villages too, where girls and boys can study together? We cannot scream about bringing a change without addressing inequality at the grass-roots level.
Shraddha: Disparity is at its worst in remote parts of the country. Forget equality, many a time, women are treated inhumanely. Something needs to be done about that. We need to respect each other irrespective of our gender.
In the film, Riya comes from a dysfunctional family. Arjun, your parents separated when you were really young. Having grown up in a broken family, could you connect with the character more?
Arjun: I have never used that term to describe my life. Yes, life is complicated and mine has been hard, but in a different way. So, I couldn't relate to Riya's dysfunctional family .
Shraddha: Dysfunctionality is not just about a failed marriage or parents getting divorced. It is more about a family that lives in toxicity and lacks communication.
On a lighter note, Arjun mimics a lot of actors. Shraddha, did he mimic your father (Shakti Kapoor) on the sets?
Shraddha: He did, but by accident. Instead of saying 'ouch', he once said 'aaoo' (a la Shakti Kapoor). Arjun, you didn't even realise you did it (laughs).
Arjun: Yes, I stamped on her foot and said, 'Aaoo' (imitates Shakti).
A lot of young actors are quite vocal on social media. Though you both are out there, we don't see you doling out advice/opinion...
Arjun: I don't always check my social media accounts, especially when I am shooting. I don't ponder over each and everything happening on social media. Also, I don't always feel the need to share my opinion with the world because it can be misinterpreted. Social media can destroy your thought process if you give it too much importance. You need to know when to walk away. If my opinion on social media could change the system, I would have put in way more effort, but it is bound to get lost amidst so many opinions.
Shraddha: I only use it when I feel like. I am not too attached to social media.
The title of your film is rather unconventional. So, what does the term 'half girlfriend' mean?
Arjun: I think Chetan Bhagat (whose book Half Girlfriend the film is based on) has cracked it perfectly. It's a term for relationships that don't culminate in anything definite. Sometimes, we may feel an emotional connect with people who don't end up as our partners. Not always do we give relationships a tag. Half girlfriend is not a frivolous term, it's an emotional one.
Shraddha: Sometimes, adverse situations cut short relationships; hence, the word 'half'.
Arjun: Incomplete relationships are sometimes beautiful. Painful, but bittersweet.
Is it difficult being friends with the person you are madly in love with?
Arjun: It's not easy, but how you deal with it also depends on your age. As we grow older, we don't want to lose those few who we rely upon emotionally. And so, we make peace with the fact that the other person doesn't reciprocate our feelings. In our film, both Madhav and Riya (Arjun and Shraddha's characters) have feelings for each other, but circumstances don't allow them to be together.
Shraddha: Some people can be friends with the object of their affection. It depends on the ability to deal with one's feelings.
Have you ever had a half girlfriend or boyfriend?
Arjun: Yes. And the film will resonate with many because most of us have been in that situation.
Shraddha: The best way to recover from that phase is by crying your heart out, spending time with yourself and turning to people you trust and love. It's alright to brood. You should face the hurt instead of trying to escape it. The more you try to escape heartbreak, the more it will haunt you.
Arjun: Our generation is afraid of dealing with their emotions. It's best to face it and not brush it aside. Or else, it might manifest in other ways. Relationships are complex. Making peace is difficult, but you have to give it an honest try.
Are you very emotional? Do you break down easily?
Arjun: I would love to cry, but it's not easy for me. There have been times when I've cried inside, but had a smile on my face. My sister (Anshula) often tells me that I should just let it out. Maybe it doesn't come naturally to me because from an early age, I've kept my feelings bottled up. Also, I would rather rationalize a situation than get emotional about it.
Shraddha: There are times when I feel the need for a good cry, but I am not able to do so. Crying can be cathartic and refreshing at the same time. I recommend it to everyone.
Why do you think modern relationships are becoming so complex?
Arjun: Relationships have always been complex. It's just that the complexities are more visible today. Earlier, the problems were hidden behind closed doors, but now, they are out in the open. While we have acknowledged the problem, we don't have a solution. There is awareness, but no answer.
Shraddha: Yes, relationships have always been complicated, it's just that the reasons have changed over the years. For example, earlier, some parents would lock up the girl to stop her from meeting her lover. That may not be happening today.
Arjun: I am sure it still does, in some places at least.
Do you think that today, love has changed from being unconditional to convenient?
Arjun: We were talking about it recently, and Mohit (Suri, director) mused that true love does stay. He talked about how, after several upheavals, he had realised that Udita (Goswami, his wife) was the one for him. I don't have a PhD in love, but I agree that the younger generation is a tad impatient and inconsistent when it comes to relationships. Having said that, there are enough examples to prove that there is pure love as well, which helps you sail through trials and tribulations. There are people willing to work things out and not just walk away.
Shraddha: Nowadays, people think a lot about themselves and so, the threshold for tolerance has reduced. Walking away becomes an easier option.
Arjun: Sometimes, realisation that it wasn't love to begin with strikes and you fall out of it. It's human tendency.
Shraddha: The very thought of falling out of love with the person I want to spend my life with frightens me. I have a fairy tale idea of love.
The title of your film suggests, 'friend se zyada, girlfriend se kam...' Do you think women may object to it?
Arjun: No, I am sure that the film will not offend anyone. Even if someone raises an objection, we will respect their opinion.
Shraddha: Chetan wrote it from the girl's perspective. According to the story, Riya asks Madhav to accept her as his half girlfriend.
Talking about women's perspective, Arjun, you have been particularly close to the women in your family. What's your view on feminism?
The most beautiful aspect of our democracy is that everybody is entitled to their opinion, but nobody should enforce their views on others. We should agree to disagree. However, thanks to the social media culture, the paraphernalia surrounding an issue gets so much attention sometimes that the actual point is lost. While giving opinions, one forgets the topic. A point of view should be expressed for the benefit of the society, not to get noticed or be heard because that's how negativity breeds. I am all for equality and I also believe that women are more powerful than men in many ways. They are the nurturers, and they possess the beautiful ability to give while men, unfortunately, are takers by nature. I believe that women should be able to make choices freely and independently, just like men.
Is equality something that we only preach and not practise?
Arjun: It is used selectively. For me, equality is about respecting women, which doesn't happen too often in our country. We have to tackle that first. Can you believe that even today, there are many schools where girls don't have access to toilets? Shouldn't we have co-ed schools in villages too, where girls and boys can study together? We cannot scream about bringing a change without addressing inequality at the grass-roots level.
Shraddha: Disparity is at its worst in remote parts of the country. Forget equality, many a time, women are treated inhumanely. Something needs to be done about that. We need to respect each other irrespective of our gender.
In the film, Riya comes from a dysfunctional family. Arjun, your parents separated when you were really young. Having grown up in a broken family, could you connect with the character more?
Arjun: I have never used that term to describe my life. Yes, life is complicated and mine has been hard, but in a different way. So, I couldn't relate to Riya's dysfunctional family .
Shraddha: Dysfunctionality is not just about a failed marriage or parents getting divorced. It is more about a family that lives in toxicity and lacks communication.
On a lighter note, Arjun mimics a lot of actors. Shraddha, did he mimic your father (Shakti Kapoor) on the sets?
Shraddha: He did, but by accident. Instead of saying 'ouch', he once said 'aaoo' (a la Shakti Kapoor). Arjun, you didn't even realise you did it (laughs).
Arjun: Yes, I stamped on her foot and said, 'Aaoo' (imitates Shakti).
A lot of young actors are quite vocal on social media. Though you both are out there, we don't see you doling out advice/opinion...
Arjun: I don't always check my social media accounts, especially when I am shooting. I don't ponder over each and everything happening on social media. Also, I don't always feel the need to share my opinion with the world because it can be misinterpreted. Social media can destroy your thought process if you give it too much importance. You need to know when to walk away. If my opinion on social media could change the system, I would have put in way more effort, but it is bound to get lost amidst so many opinions.
Shraddha: I only use it when I feel like. I am not too attached to social media.
My real self bleeds into my films and I find closure after that-Mohit Suri
8:06 AM
Posted by Fenil Seta
Renuka Vyavahare (BOMBAY TIMES; May 13, 2017)
Filmmaker Mohit Suri may
have the heart of a wanderer, but it doesn't overpower the quiet
certainty of his mind. His
confidence in desi stories and his craft doesn't necessarily roar, but
he knows its worth. In many ways, he exudes the vulnerable and
headstrong side of Madhav Jha, the lead character of his upcoming film
Half Girlfriend (HG), which is based on Chetan Bhagat's bestseller.
Mohit lets BT in on his innate vagabond sensibility that subconsciously
inspires his intense emotional dramas...
It's common to bash Chetan Bhagat's books, but they continue to sell and inspire filmmakers...
There are not just literature students who write books, there are also storytellers who tell stories. For example, Buddha didn't speak in a divine language. He spoke Pali, which was the common man's tongue. It's not as if Chetan doesn't know what he is doing. I have read almost all his books and I could relate to them. Half our literary experts are inspired by foreign literature, so their stories are rarely about us. Even Indian filmmakers are inspired by Hollywood. We often aspire to be someone we are not, but Chetan has no such pretences. You can agree or disagree with his story, but you can't ignore it.
What made you adapt this book into a film?
I wanted to make a movie on Five Point Someone, but Chetan had already sold the rights to Rajkumar Hirani (3 Idiots, 2009). After Aashiqui 2 (2013), he suggested that we work together, and he felt that HG was the kind of story that I'll be able to do justice to.
HG is relevant to our times when English language has become a yardstick that defines class...
Even in Bollywood, actors who cannot speak Hindi are popular, but those who cannot speak English are considered low grade. You readily accept an NRI or a foreigner just because they are pretty, even if you need to dub their voice. If a French person speaks bad English with a French accent, you don't mind, but an Indian speaking English with a Hindi accent is unacceptable. We are still suffering from a colonial hangover. English is not just a language in India. It's amazing to see how people who have lived here all along flaunt American accent just because they've studied in the US for four years.
After 2 States, this is the second film based on Chetan Bhagat's book starring Arjun Kapoor. What made you choose him?
I have an emotional connect with Arjun. I don't look at him as the son of a popular Bollywood producer, but as someone who has been brought up by an independent single mother. I have seen his hardships - his battle to lose weight and doing things that people said he could never do. Madhav Jha, his character in the film, is a lot like that, too. Speak to Arjun about his past relationships and he'll say, 'Dude, do you see how I used to look? Do you think I got any girls, ever?' He doesn't say it with bitterness, but humour. All these things added up to who Madhav is. Also, I cast Shraddha in Aashiqui 2 because I remember seeing her with oil in her hair, talking to her bai in Marathi. I like people who are not Bollywoodised.
Your films are deeply emotional and often have an underlying tragedy...
I wonder how some people are always so happy. As much as happiness is a part of life, love is not just about being with someone at happy times. You love a person for his/her imperfections too and that's what Aashiqui 2 was for me. Awarapan (2007) was me questioning the existence of God. I let my thoughts reflect in my films.
So, you find them therapeutic?
Yes. However, in the case of Aashiqui 2, the film turned out to be a huge success, but I lost my father around that time. The one person I wanted to share my success with was not there, so it didn't matter to me anymore. I felt incomplete. So, even if I make a thriller now, it will be about a man in search of something.
Have Udita (wife) and your daughter changed your outlook towards life?
After having a daughter, I started respecting and valuing women more. Not that I didn't respect women before, but I couldn't express in words their contribution in my life. Madhav's character helped me change that. My real self bleeds into my films and I find closure after that. I lost my mother when I was really young. To see what Udita does for our child makes me fall in love with her all over again. It's heartwrenching to see what a mother does for her child and a daughter's love for her father.
Were you commitment phobic? Did you have any half girlfriends before marriage?
I was never commitment phobic, my problem was different. I was always in a relationship, I always had a woman in my life. Maybe it was my way of trying to compensate for not having a mother.
What do you like the most about Udita?
Udita lets me be. I am not an easy person to live with. I am obsessive about my work. The reason we have sustained this far is because of her. I have always felt that she is my soulmate despite the two of us having nothing in common. She is not passionate about films the way I am. While she is extremely family oriented, I am not since I didn't grow up with one. I didn't know what it's like to be surrounded by people with whom you are supposed to share a bond. My father was 35 and I was eight when my mother died; we were more like roommates. There were times when he had a girlfriend and I was also in love with someone and we'd share stories. There was a bond, but not the father-son kind. And, I used to work with my other family members (uncles Mahesh Bhatt and Mukesh Bhatt). So, that was also a professional relationship.
Did the failure of Hamari Adhuri Kahani (2015) affect you a lot?
Failure affects me a lot, but I cannot be the person I am today without it. I don't mull over what went wrong. I blame myself as a director if a film doesn't do well. While I don't share my success with anyone, I don't share my failure either. Success doesn't feel really great, but lows feel really low. That's why I run away to the US for a month after my film's release. I live with my best friend in Chicago, as school friends don't let failure bog you down or success go to your head. Sometimes, if people love your film, they talk to you assuming that you are a good person (smiles). They judge you by your work, my friends don't.
It's common to bash Chetan Bhagat's books, but they continue to sell and inspire filmmakers...
There are not just literature students who write books, there are also storytellers who tell stories. For example, Buddha didn't speak in a divine language. He spoke Pali, which was the common man's tongue. It's not as if Chetan doesn't know what he is doing. I have read almost all his books and I could relate to them. Half our literary experts are inspired by foreign literature, so their stories are rarely about us. Even Indian filmmakers are inspired by Hollywood. We often aspire to be someone we are not, but Chetan has no such pretences. You can agree or disagree with his story, but you can't ignore it.
What made you adapt this book into a film?
I wanted to make a movie on Five Point Someone, but Chetan had already sold the rights to Rajkumar Hirani (3 Idiots, 2009). After Aashiqui 2 (2013), he suggested that we work together, and he felt that HG was the kind of story that I'll be able to do justice to.
HG is relevant to our times when English language has become a yardstick that defines class...
Even in Bollywood, actors who cannot speak Hindi are popular, but those who cannot speak English are considered low grade. You readily accept an NRI or a foreigner just because they are pretty, even if you need to dub their voice. If a French person speaks bad English with a French accent, you don't mind, but an Indian speaking English with a Hindi accent is unacceptable. We are still suffering from a colonial hangover. English is not just a language in India. It's amazing to see how people who have lived here all along flaunt American accent just because they've studied in the US for four years.
After 2 States, this is the second film based on Chetan Bhagat's book starring Arjun Kapoor. What made you choose him?
I have an emotional connect with Arjun. I don't look at him as the son of a popular Bollywood producer, but as someone who has been brought up by an independent single mother. I have seen his hardships - his battle to lose weight and doing things that people said he could never do. Madhav Jha, his character in the film, is a lot like that, too. Speak to Arjun about his past relationships and he'll say, 'Dude, do you see how I used to look? Do you think I got any girls, ever?' He doesn't say it with bitterness, but humour. All these things added up to who Madhav is. Also, I cast Shraddha in Aashiqui 2 because I remember seeing her with oil in her hair, talking to her bai in Marathi. I like people who are not Bollywoodised.
Your films are deeply emotional and often have an underlying tragedy...
I wonder how some people are always so happy. As much as happiness is a part of life, love is not just about being with someone at happy times. You love a person for his/her imperfections too and that's what Aashiqui 2 was for me. Awarapan (2007) was me questioning the existence of God. I let my thoughts reflect in my films.
So, you find them therapeutic?
Yes. However, in the case of Aashiqui 2, the film turned out to be a huge success, but I lost my father around that time. The one person I wanted to share my success with was not there, so it didn't matter to me anymore. I felt incomplete. So, even if I make a thriller now, it will be about a man in search of something.
Have Udita (wife) and your daughter changed your outlook towards life?
After having a daughter, I started respecting and valuing women more. Not that I didn't respect women before, but I couldn't express in words their contribution in my life. Madhav's character helped me change that. My real self bleeds into my films and I find closure after that. I lost my mother when I was really young. To see what Udita does for our child makes me fall in love with her all over again. It's heartwrenching to see what a mother does for her child and a daughter's love for her father.
Were you commitment phobic? Did you have any half girlfriends before marriage?
I was never commitment phobic, my problem was different. I was always in a relationship, I always had a woman in my life. Maybe it was my way of trying to compensate for not having a mother.
What do you like the most about Udita?
Udita lets me be. I am not an easy person to live with. I am obsessive about my work. The reason we have sustained this far is because of her. I have always felt that she is my soulmate despite the two of us having nothing in common. She is not passionate about films the way I am. While she is extremely family oriented, I am not since I didn't grow up with one. I didn't know what it's like to be surrounded by people with whom you are supposed to share a bond. My father was 35 and I was eight when my mother died; we were more like roommates. There were times when he had a girlfriend and I was also in love with someone and we'd share stories. There was a bond, but not the father-son kind. And, I used to work with my other family members (uncles Mahesh Bhatt and Mukesh Bhatt). So, that was also a professional relationship.
Did the failure of Hamari Adhuri Kahani (2015) affect you a lot?
Failure affects me a lot, but I cannot be the person I am today without it. I don't mull over what went wrong. I blame myself as a director if a film doesn't do well. While I don't share my success with anyone, I don't share my failure either. Success doesn't feel really great, but lows feel really low. That's why I run away to the US for a month after my film's release. I live with my best friend in Chicago, as school friends don't let failure bog you down or success go to your head. Sometimes, if people love your film, they talk to you assuming that you are a good person (smiles). They judge you by your work, my friends don't.
Chetan Bhagat has cracked the code, making him saleable as well as relatable-Arjun Kapoor
8:00 AM
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Turning hero twice over with a film on Bhagat’s work, Arjun defends the much trolled writer, says he knows how to connect with average reader
Mohar Basu (MID-DAY; May 10, 2017)
Ever since the IIM graduate began penning stories inspired by the middle-class, literature lovers have criticized the growth of Chetan Bhagat into a writer, whose arguably average books make for easy sales. That four of his books, the latest being the young adult-romance, Half Girlfriend, have been recreated for the big screen, is reason enough to cut him some slack, feels Arjun Kapoor, who headlines the upcoming adaptation.
“Chetan is an intelligent writer, one who knows how to tap into the mindset of Indian readers. People must acknowledge he has cracked the code, making him saleable as well as relatable,” Kapoor says, adding that the Indian tapestry is obsessed with education and romance, both of which usually find place in Bhagat’s novels. “Love happens in colleges, life hits you at that age too. So, anyone who hears the synopsis of a quintessential Chetan Bhagat novel will say this has happened to him or someone he knows. That’s where he wins and establishes a relationship with his fans,” Kapoor says about the writer, who was recently trolled on social media after reports of his book, Five Point Someone (2004) making it into the Delhi University syllabus, hit headlines.
Kapoor, it seems, fits the part of Bhagat’s urbane middle-class protagonist perfectly, given that this film marks his second outing in a Bhagat adaptation. The actor’s 2014 Indian drama, 2 States, featuring Alia Bhatt, was also recreated from Bhagat’s 2009 book by the same name. Kapoor admits he’s never read the novels, given that he goes “by the director’s vision”, but adds that multiple adaptations of his writing to film are testimony to the fact that Bhagat has done something right. “People want to see these characters take shape. His characters are everyday Joes, and I have been fortunate to play these roles. I bring fun and frivolity to the parts. He is a pan-India phenomenon, and I am happy to be his hero for the second time.”
I stir people up just by being who I am-Chetan Bhagat
8:14 AM
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That’s Chetan Bhagat’s reaction to the online controversy over his debut novel being taught at Delhi University; reveals two more of his books will be adapted into films
Sanyukta Iyer (MUMBAI MIRROR; May 5, 2017)
A month after Chetan Bhagat’s debut novel, Five Point Someone, was included in the popular fiction syllabus of the general elective course offered to second-year students under the Choice-Based Credit System (CBCS) at the Delhi University, the trolls haven’t stopped crucifying him. And the 43-year-old bestselling author, who is presently in London delivering lectures at the Imperial College and Cambridge University on the ways of modern Indian writing and film adaptations, is amused by the online outrage.
“I manage to stir people up just by being who I am,” he laughs, saying he is honoured by DU’s decision and can’t understand why for the first time the University’s syllabus is being discussed in such detail. “When teaching a course on popular fiction, wouldn’t you want students to read the highest selling English writer in the country? My books are already a part of the curriculum in many schools and colleges so it’s not a radical change after all. Of course, our elite believe good literature only existed 200 years ago and it cannot be a novel that has sold five million copies in India. I shudder when I think of how many budding writers were killed in the classroom because their language was not believed to match up to our elevated literary standards,” Chetan argues.
The author returns to Mumbai this weekend to join actors Arjun Kapoor and Shraddha Kapoor, the lead pair of Half Girlfriend (the film adaptation of his 2014 bestseller by the same name), for the relaunch of the novel with the actors on the new cover. A musical concert is also being planned in the capital with Chetan in attendance. And buzz is, he will be seen in the opening sequence of the film too?
“Not true,” Chetan asserts. “My books always open with the protagonist meeting the author, it’s a writing device I always use. But it doesn’t adapt well on screen. I never wanted to act in the film anyway,” he says matter-of-factly.
He goes on to inform that as a hands-on co-producer, he’s made multiple discussions with director Mohit Suri on how to adapt the book on screen. “This is my fifth film adaptation and understand that while I remain close to my material, I also need to detach myself when needed. I do what is right for the film and not for my ego.”
Prod him for details on the ideation and scripting stages of the film, and he admits that he suggested changes to writer Tushar Hiranandani and Mohit, being a democratic director, listened to everyone’s suggestions and incorporated the ones that worked for him.
Chetan insists that this growing camaraderie between him and Mohit could lead to another collaboration soon. Will Arjun, who also featured in the film adaptation of 2 States, join in for a hattrick? "Arjun and I are quite similar. We've both been scorned and laughed at for real and understand the nature of this business. Mohit jokes that Arjun's real half girlfriend is Chetan Bhagat!" he exclaims, adding that Half Girlfriend will pave the way forward for his upcoming productions. "I want to co-produce the film adaptations of both One Indian Girl and Revolution 2020,” he says, admitting that even though No One Killed Jessica director Raj Kumar Gupta was expected to helm the film adaptation of Revolution 2020, that deal fell through and a new film is now being developed from scratch with a new team.
Will he return as a judge in the next season of the dance reality TV show Nach Baliye? “No, it was a one-off turn. I want to experience different things in life because it makes me write better stories,” he points out, saying he's always been curious about the contestants, their backgrounds and dreams.
“Nach Baliye was a classic example of understanding the aspirations of young India. What I've learnt on the show was great research for an upcoming novel too.”
Check out prominent stars at the birthday bash of Mohit Suri
8:08 AM
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MUMBAI MIRROR (April 13, 2017)
Shraddha, who has acted in three Mohit Suri directorials, including her claim to fame, Aashiqui 2, fondly calls Mohit ‘Momdi’ while he had nicknamed her ‘Chhotu’. The 30-year-old actress had company in her Aashiqui 2 co-star, Aditya Roy Kapur, and her Half Girlfriend hero, Arjun Kapoor, who arrived with Chetan Bhagat, whose book Mohit has adapted, and his wife Anusha.
Among the guests was also Sidharth Malhotra, along with several of Mohit’s assistants and filmmakers like Goldie Behl and sister Srishti Arya, Tanuj Garg and Ken Ghosh. Mohit’s cousin, Vishesh Bhatt, arrived with wife Kanika and sister Sakshi. The conversation centred around his upcoming release. While he’s both nervous and excited, Udita, who was often on the sets, is optimistic about its fate.
Mohit Suri’s daughter is the reason why he changed Half Girlfriend's script
8:04 AM
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Upala KBR (DNA; March 28, 2017)
If you have read, Chetan Bhagat’s Half Girlfriend, you’ll realise it is a dark love story. It revolves around Madhav, a guy who studied in a Hindi-medium school from rural Bihar falling in love with Riya, who is from an English-medium school in Delhi. It also touches upon Riya’s father sexually abusing her in the past. That won’t play out in the Mohit Suri film starring Arjun Kapoor and Shraddha Kapoor.
And here’s why. Mohit has tweaked his script — so now, while it still talks about social issues, it won’t be as dark as the novel. The director admits to the change and says his daughter Devi’s birth has changed his life. “While Riya has some dark family secrets, they are not related to sexual abuse. I have moved out of that dark, sexual zone completely. I wanted it to be more of a love story and to deal with contemporary social issues relatable to women,” he says.
The novelist had no qualms about the changes being made. Says Mohit, “The minute Chetan gave me the book, I asked him if he wanted to be a part of the screenplay, but he refused saying he was too closely connected to it. While he was creatively involved with the script, he never fought over the changes we made.”
He reveals the changes he’s making to that track. “It’s about rich families and how girls are treated there so I have kept it more relevant to today’s times. The film also shows the hypocrisy in our society especially concerning women,” he shares.
He further reasons, “Maybe it’s because I have a daughter of my own today and experiencing fatherhood has wrought that change to be more socially conscious. My daughter can make me proud someday. When I see her, I feel so happy. Why can’t daughters take their family name ahead?”
Chetan Bhagat dropped from his own movie adaptation of Half Girlfriend
8:13 AM
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Novelist, who had made himself a character in his bestseller Half Girlfriend, won't feature in film version, reveals director Mohit Suri
Letty Mariam Abraham (MID-DAY; March 17, 2017)
When attempting the cinematic version of a bestselling book, filmmakers often take creative liberties, weaving in new elements or even changing the climax. For his next directorial venture, Half Girlfriend, Mohit Suri has 'eliminated' novelist Chetan Bhagat, who was a key character in the 2014 eponymous novel.
"Chetan asked me to make the movie, maybe because he thought I was the right person to convert the book to a film. (However) I have edited the narrator [Chetan] from my story. So, basically, I have cut Chetan's role from the film," says Mohit, who will make his television debut as a judge on the upcoming season of dance reality show, Nach Baliye. He, however, admits the author was supportive enough to give him a free hand with scripting and direction.
Discussing further changes that he has made to the film version starring Shraddha Kapoor and Arjun Kapoor, the director adds, "The book was written in English, but the hero cannot converse in that language, so that has been changed. There was also some sexual abuse backstory to Shraddha's character that I have tweaked."
What is her story then? "She has a dark past. But the story will concentrate more on the love [romantic equation with Arjun's character]," adds Mohit.
I would fly to New York during summers to hang out with Rohit Dhawan, Ranbir Kapoor-Arjun Kapoor
8:06 AM
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Roshmila Bhattacharya (MUMBAI MIRROR; October 10, 2016)
LONE BUT NOT ALONE
I visited New York City for the first time with my dad (producer Boney Kapoor) and Anil (Kapoor) chachu when I was around nine or 10 years old. We were on a whirlwind world tour and went to a lot of other cities whose names I've forgotten. But even as a child I fell in love with the Big Apple's magnetic energy and since then I'm always looking for an excuse to go back. You can walk there for hours, catch a movie or a play at Broadway and have a drink alone without feeling lonely because you are always surrounded by the warmth of strangers. It's a city that never sleeps... Growing up, I would fly there during summer holidays to hang out with my friends. Rohit Dhawan, Varun's brother, was studying filmmaking, I stayed with him for a couple of days. We got Hindi film DVDs home to watch. Another buddy, Ranbir Kapoor, was also in NYC studying filmmaking and method acting at the School of Visual Arts and later at the Lee Strasberg Theatre and Film Institute.
My sister Anshula graduated from the Barnard College which was American President Barack Obama's alma mater too. I helped her get settled. A private liberal arts college, it's the world's oldest women's college and the only women's college in NYC today. It was founded in 1889 as a response to Columbia University's refusal to admit women into the institution. The four-acre campus stretches along Broadway and the college boasts of language clubs, a free-form radio station, WBAR, and night carnivals. My sister made amazing friends there.
I was in NYC recently with Mohit Suri, Shraddha Kapoor, Chetan Bhagat and the Half Girlfriend team for a shoot. We shot in Times Square which always leaves me awestruck. There are so many people coming and going, watching them makes me realise just how small a part of the universe I am!
FAR FROM THE CROWDS
We also filmed at Central Park, one of NYC's iconic places. We Mumbaikars constantly crib about how there's no place to stand and stare or sit and smile in our city while the New Yorkers have built this huge park right there in the middle of their city where you can jog, stroll, cycle, boat or just savour the peace you find not too far away from the maddening crowd.
Last September I was at the Central Park with Freida Pinto representing India at the Global Citizen's Award. Hosted by Stephen Colbert, Hugh Jackman, Selma Hayek Pinault, Kerry Washington and Olivia Wilde, this advocacy-driven music concert had live performances by Pearl Jam, Beyonce, Ed Sheeran, Coldplay and Sunidhi Chauhan for an audience of 60,000.
I was there as an ambassador of WWF India to deliver a two-minute speech showcasing India's progress and the challenges that remain, speaking before global heads like the UN General Secretary Ban Ki-Moon, Bill and Melinda Gates, US Vice President Joe Biden and US First Lady, Michelle Obama. Our Prime Minister Narendra Modi was one of the guests of honour in 2015. I felt like a proud Indian.
WHAT'S COOKING?
I was in the midst of a hectic shoot and didn't have time for anything other than work, but since I know the city well I took Shraddha and some of the others to one of my favourite restaurants, Balthazar. The French brasserie located between Broadway and Crosby Street in SoHo, Manhattan, in a building that used to house a tannery earlier, is the place for celebrity spotting. Tom Hanks was leaving as I entered. We made eye contact but no small talk. Balthazar is famous for its steak au pouvre, steak frites, duck confit, butternut squash and French onion soup.
New York is also the world's pizza capital and Brooklyn has some of the best pizza joints with Di Fara's leading the way. There's also Roberta's famous for its Speckenwolf and Duck Hunt, Best Pizza which lives up to its name and L& B Spumoni Gardens whose signature dish, Grandma's Slice, you can munch on while looking at the New York skyline.
Besides Brooklyn we also filmed at the Rockerfeller Centre between 48th and 51st Streets. It boasts of the biggest Christmas tree and the best Christmas decorations. We were there on Bakri Eid and got biryani from the world's most popular food cart. For years, people have been flocking to the corner of the 53rd Street and Sixth Avenue to the 'Platter' or the 'Chicken & Rice Guy' for rice and slices of lamb slathered in a delicious white sauce.
One evening before we started shooting, we also went to a rooftop bar in the Meatpacking District where you can sip a drink and have a bite with the city spread out before you. Awesome!
FACE-TO-FACE WITH THE POPE
From clothes to movies, from Bloomingdale's Department Store to the high-end shops on Fifth Avenue, New York promises value for money. I went shopping with Karan Johar to the Palmer's Department Store once.
Last year, I was shopping at Fifth Avenue and got locked in for almost an hour inside a departmental store. Pope John Francis was holding a mass at a church close by and security was tight. I was sitting there looking out when the Pope got off to switch cars right in front of the store. It was surreal; there were thousands waiting for hours to catch a glimpse of him and here I was seeing him almost face-to-face. I felt blessed!
Women want to fly like a bird, and also make a nice nest-Chetan Bhagat
12:32 PM
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Author Chetan Bhagat tells us why it took him 12 years to write his new ‘feminist’ novel and why trolls love him
Jane Borges (MID-DAY; October 1, 2016)
It's a crazy work day at author Chetan Bhagat’s Pali Hill office. We catch him in the thick of a meeting with his all-woman team, where a frenzied discussion is on about his new release, One Indian Girl. Cardboard boxes bearing the weight of fresh copies of the new book, which soon — and to the displeasure of many — will be wiped clean off shelves, lie around the office space. Bhagat joins us immediately after the chat and, for some reason, appears bummed out. He’s had a tight week, having just returned from the shoot of Half Girlfriend — a film based on his last novel — in the US. Back in Mumbai, he’s already tied up with the promotions of his book. No breather, we think. But, appears it’s not the only reason. “You must have heard,” he asks.
Bhagat is alluding to a video he posted on Facebook a few days ago, and the massive trolling that followed. One Indian Girl, he informs us, is his first book to be written from a woman’s perspective. “And, it covers one aspect of feminism,” he says. We shall touch upon that later. Right now, it’s his video that’s drawing all our interest. It’s the same video in which he mentions how he got himself waxed to experience the pain women go through each month, to look good. “…girls, lot of respect! And to think that girls do this regularly, maybe, like every month, was quite an experience for me,” he said in the video.
It would have been a miracle if Bhagat’s trolls hadn’t caught that one. Surprisingly, he tells us that he hadn’t seen that coming. “It’s ridiculous,” he says. “It’s almost like people are trying to find a reason to pick on me,” he adds. And while all the negative talk has left him more amused, than affected, Bhagat feels the need to explain himself. “I had to write a waxing scene for this book and thought that I should get one done before putting it on paper. Like people do method acting, I did method writing. The experience was painful for me and I spoke about it. And now people are already judging the book. I find it so unfair,” he says.
Bhagat, India’s paperback king, who is usually unruffled by the copious amount of hate he receives from certain quarters, doesn’t want to take it easy this time. Why? “Because, with this book, we’ve got another chance or rather a reason, to talk about the issue of feminism,” he says, convinced. Now, seems to be the right time to turn back to the book. “Feminist novel?” we ask, again. “No, not really! It’s a book written by a man, in a woman’s voice and talks about some women’s issues. Feminism is a very broad topic and one story cannot cover it,” he says.
At the heart of Bhagat’s new novel is Radhika Mehta, a woman, who has made it big as an investment banker, but is judged negatively for being ambitious. “Her family wonders if she’ll ever find a good match, because she’s doing so well, and her boyfriend has become insecure, as she makes more money. It reaches a point where she nearly questions her own success and whether it’s all worth it,” says Bhagat. He adds that his reference point for this book was Indra Nooyi, CEO PepsiCo, who once said, “Women can’t have it all.” “She is one of the most successful executives in the world, but, when something like this comes from her, you want to go back and question a lot of things. We talk about empowering women, but when they get empowered, society doesn’t know what to do with them. I wanted to highlight this issue with my story,” he adds.
“But, I am no feminist,” he insists, between nervous giggles. “It’s a very touchy topic. And, I have already figured that I am entering a very sacred territory. A lot of people are already saying, ‘Ab yeh feminist bhi ho gaya?’ People who are experts on the subject, probably think that I am appropriating their turf. But, I am just a storyteller. My job is to take an issue and build a story around it,” he says.
“And women who have read my book, including actress Kangana Ranaut, think I have managed to get them, spot on,” he says. At this point, our curiosity has heightened. We want to know how a man can write, think and feel like a woman. Bhagat tells us it took him 12 years to get the confidence to write this novel. “Such a book had to be written from a feminist’s point of view. That was the biggest challenge,” he says.
He interviewed over a hundred women, including his ex-girlfriends, over the last couple of years, and “just let them talk”. In baring their souls, the women, says Bhagat, gave him the kind of insight that he sometimes found incredibly unsettling. Conversations about sex, included. “The thoughts that cross a woman’s mind when having sex are so different from that of a man,” he says. His book, he says, offers a glimpse into a woman’s journey towards discovering her sexuality.
“I can tell you that there are many explicit scenes,” he says, adding that he’s already predicting, ‘more hatred”’ on social media because of this. “They will focus on a few scenes, quote those lines on social media, and make a joke out of it,” Bhagat says about the people from his troll paradise. “It doesn’t feel great, but it doesn’t define me.”
Writing One Indian Girl, he says, has been his most enlightening experience yet. “I used to think that feminism is about giving women a choice. But, often women want both. They want to fly like a bird, and also make a nice nest. We fail to recognise their desires and wants,” he says. “Instead of attacking me, people should focus on giving women their due.”
Kangana Ranaut to play the lead in film adaptation of Chetan Bhagat's novel One Indian Girl
8:35 AM
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The author has found his next heroine even before his new novel, which is written from a girl's perspective, hits the stores
Sanyukta Iyer (MUMBAI MIRROR; September 12, 2016)
Speaking to Mirror from New York where he is filming Mohit Suri's Half Girlfriend, featuring Arjun Kapoor and Shraddha Kapoor, and based on his book by the same name, Bhagat recalls his conversation with the Queen star, saying, “Kangana is an icon, one of the finest actresses today. Stories and scripts mean a lot to her. She is known for her take on feminism and honest opinions, and for her to praise my book and want to do the film is a huge compliment. I am really thankful to her for joining me.“
Kangana was going to fly off to the US in the third week of September for Hansal Mehta's Simran in which she is playing a Gujarati housekeeper. She has been prepping for the character for the last two months but has now decided to postpone the Simran schedule so she can launch Bhagat's new book on October 1 before she flies off to the US. Bhagat describes his latest book, written from the female protagonist's point of view, as both powerful and controversial, much like himself.
“There were several issues that Kangana related to, including the struggles of a contemporary woman, who is forced to compromise for her career,“ Bhagat reveals. One Indian Girl is the story of an intelligent, successful girl who struggles to find love. It questions society which judges women achievers. It asks why when it comes to love; being intelligent and successful is often a drawback for women. Kangana who will be seen next in Vishal Bhardwaj's world-war romance, Rangoon, hopes to start filming Bhagat's next book adaptation towards the end of 2017.
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