Showing posts with label Chehre. Show all posts
Showing posts with label Chehre. Show all posts

The years when no one wanted to work with me were excruciatingly painful-Rhea Chakraborty

‘THE YEARS 
WHEN NO ONE 
WANTED TO 
WORK WITH ME 
WERE PAINFUL’

Actor Rhea Chakraborty speaks candidly about her break from acting, the pain of being sidelined and why stepping back on set now feels healing
Natasha Coutinho (HINDUSTAN TIMES; February 8, 2026)

After nearly seven years away from acting, actor Rhea Chakraborty returns to the screen with filmmaker Hansal Mehta’s upcoming series. Her comeback follows a prolonged period of legal battles and public scrutiny following the death of actor Sushant Singh Rajput in June 2020, whom she had dated from early 2019 until his passing.

Opening up about the emotional struggle of being away from her acting career, she says, “Letting go of this dream of acting, which I had worked towards for over a decade, took many sessions of therapy. I had to stop thinking about it because I couldn’t have it; I didn’t get acting opportunities.”

Rhea’s last theatrical release was Chehre (2021); she later appeared in the reality show Roadies (2023, 2025) and hosted her podcast Chapter 2 (2024-26). Yet, she was largely away from mainstream acting. The 33-year-old adds that the break was not by choice: “I had to pause, with discomfort and pain. Maybe I wouldn’t have been ready immediately after what happened anyway, emotionally, mentally, or physically. The years when no one wanted to work with me were excruciatingly painful. God and the universe have given us all resilience; we just have to tap into it. Had it not been for my friends and family, I don’t think I would have come out of it the way I did.”

Actor Rhea Chakraborty gets emotional as she recalls how her female friends stood by her through her most difficult phase. “My girl friends have shown me what true friendship is. To be loved for no reason and at the cost of their lives and livelihoods being in trouble is phenomenal,” she says, calling singer-actor Shibani Dandekar “like a sister.”

Rhea reveals Shibani lost brand work for publicly supporting her; something she learnt only later. “I’m grateful to have such women in my life, who lift each other up. On one hand I saw the worst side of humans but on the other side I also experienced the most beautiful side of humanity,” she adds.

Speaking about finding joy again, she continues, “Normalcy is a gift that I’m seeing after a long and difficult period in my life. The gift is being able to walk on the street without being harrowed… I’m enjoying the little things.”

On working with an OTT platform for the first time, Rhea, who was last seen in MTV Roadies: Double Cross (2025), says she appreciates the structure. “Earlier, out of chaos would come order. That’s no longer the mandate of the industry,” she notes, adding that there’s now “space for every kind of actor” and a stronger focus on performance and craft rather than stereotypes.

Reflecting on internet trolls, she says she has reached a point where it no longer affects her deeply: “Social media is not real life and cannot dictate who loves you.”

Asked if her past has made her wary of love, Rhea says she’s open to finding love again. “Therapy saved my life… I swore no matter where life takes me I will never be jaded. I still believe in love, it’s beautiful, powerful and love is the answer. Love makes the world go round,” the actor shares.

On future plans, including producing films, she says, “I never thought I would own a brand… I’m in the office from 10 am to 7 pm on most days.” While she hopes to help others eventually, she adds, “At the present moment I’m wearing my oxygen mask before I help others.”

Rhea was arrested by the Narcotics Control Bureau (NCB) in 2020 in a drug-related probe linked to the late actor Sushant Singh Rajput death scase and spent 28 days in jail before being granted bail.

I wanted to pay tribute to Amitabh Bachchan's legacy-Anand Pandit

Anand Pandit: Wanted to pay tribute to Amitabh Bachchan's legacy

Chehre producer pledges meals to 8,000 underprivileged kids and 800 hearing aids to senior citizens
Mohar Basu (MID-DAY; October 11, 2022)

Producer Anand Pandit counts himself lucky to have worked with Amitabh Bachchan. Having collaborated with the megastar on Chehre last year, the producer says that the veteran actor’s passion for his craft remains unmatched. “At a time when most people would be content to wind down and enjoy the fruits of their labour, Mr Bachchan is at the peak of his powers as an actor,” he says.

As Bachchan turns a glorious 80 today, his long-time friend has decided to mark the milestone with a special gesture. Pandit has pledged to distribute 8,000 meals today in orphanages across Mumbai and Gujarat. He will also donate 800 hearing aids to senior citizens and kids in Mumbai. Helping others is a lesson he has learnt from the legend, says the producer.

“As a fan, I watched every Bachchan film, and then had the privilege of working with him. What I have learnt from observing him is that human beings have an immense power to not only achieve extraordinary success for themselves, but also to inspire others to dream big and achieve glory. The impact he has had on others through his life and work is immeasurable. I wanted to pay tribute to the man and his legacy with this gesture.”

Fenil's Bollywood Talk # 696

CINEMA HALLS TO FINALLY OPEN IN MAHARASHTRA THIS FRIDAY!

The day is finally around the corner. Two days from now, on October 22, theatres will finally be allowed to resume operations in the crucial state of Maharashtra. We have spoken in this column about how the Maharashtra government has been quite unfair to the film industry. The state contributes nearly 30% of all India business. Hence, without Maharashtra, it was not practical to release a Hindi film. It was no surprise that only 3 major Bollywood films released post the second lockdown – Bellbottom, Chehre and Thalaivii. The first two announced the release dates with the hope that Maharashtra would open up by August 15.

What shocked many was that the cases have been declining steadily almost everywhere in Maharashtra since June. The same month, the government announced a very practical plan of starting theatres and other businesses in cities or districts with least positivity rate. As a result, cinema halls opened in some towns for a few weeks. But this plan was taken back after fears of Delta Plus. Meanwhile, from July onwards, theatres were allowed to open in several states. By mid-August, except for Maharashtra, Kerala and some minor states, cinemas were operational all over the country.

The industry sadly was too scared to openly speak about their anger. Nevertheless, they continued having meetings with the government. Finally, on September 25, chief minister Uddhav Thackeray agreed to open cinemas but from October 22. The industry was overjoyed. However, a few wondered why can’t the theatres start immediately. Also, there were fears that the government might push this date if the cases increase due to the festivals. Moreover, cinema hall owners were also worried that if the government doesn’t allow shows at night, then it can affect the business. The last bit worried the producers too.

But fortunately, the cases reduced instead of increasing. The government didn’t play any mischief and cinemas are opening on October 22 as scheduled. And earlier this week, it allowed restaurants to operate till 12 midnight and shops and malls till 11:00 pm. This made it clear that there’ll be no night curfew and that theatres can play night shows.

Since cinema halls were open in other states, a lot of Hollywood films were released and some of them even did well. Most of these films would make it to cinemas in Maharashtra from October 22. These include Venom: Let There Be Carnage, No Time To Die, Shang-Chi And The Legend Of The Ten Rings, Free Guy and Jungle Cruise. Bellbottom, Chehre, Thalaivii and a small Hindi film starring Faisal Khan, Faactory, will arrive in cinemas too. Then regional films like Doctor (Tamil), Love Story (Telugu), Honsla Rakh (Punjabi) and Qismat 2 (Punjabi) would be screened in select multiplexes.

Two Hindi films would release tomorrow across India, and also in Maharashtra. One is Bhavai, starring Scam 1992 star Pratik Gandhi. It was earlier titled Raavan Leela but its title was changed due to protests. Despite this controversy and Pratik Gandhi’s presence, there’s no excitement. The other Hindi film is Babloo Bachelor, starring Sharman Joshi and Pooja Chopra. Its trailer was poor and it’ll sink without a trace.

Finally, two Hollywood films are also arriving in cinemas tomorrow. While The Last Duel would release across India, the much awaited film Dune would release everywhere except Maharashtra. This is because it won’t get sufficient IMAX and 4DX screens in the state as these screens will be taken over by films like Venom: Let There Be Carnage, No Time To Die and Shang-Chi And The Legend Of The Ten Rings. Hence, Dune will be available in Maharashtra from October 29.

Hence, as one can see, there are plenty of options for cinemagoers from tomorrow. Most of the films sadly won’t get sufficient footfalls but a lot of hope is riding on Venom: Let There Be Carnage as it released just last week elsewhere and did great business.

Fenil's Bollywood Talk # 692

WILL MAHARASHTRA CINEMAS OPEN SOON?

The flow of Hindi film releases has once again stopped. Bellbottom kickstarted the movie-watching season followed by Chehre and Thalaivii. The reason why no more films are releasing is because the crucial state of Maharashtra is still shut. What’s shocking is how the industry is silent. The losses are mounting and survival has become difficult for the theatre owners in the state. Yet, except for some token gestures and pleas to open cinemas, the exhibition and production sector isn’t doing much. Away from the limelight, the industry stakeholders have met the Maharashtra government officials and have requested them to allow the reopening of cinema halls. But unlike shop owners and the restaurant industry that did public protests and put immense pressure on the government, the conduct of the film industry, in comparison, is lacklustre.

However, since the past few days, some murmurs are going around in the industry and trade that cinema halls would finally be allowed to reopen in Maharashtra. While some predict that it’ll happen in the first week of October, some have claimed it can happen as early as next week.

The Ganesh Chaturthi festival was celebrated from September 10 to September 19 in Maharashtra. Though the government put a lot of restrictions on the celebration, people were still free to go to each other’s houses and even travel out of town. Some experts predicted that the cases would increase once the festival ends. However, till now, there has been no major upsurge in cases. Hence, the buzz is that once the state government realizes that the cases are in control, they’ll allow the theatres to restart by next week or a week later.

On the other hand, the skeptics don’t want to keep any hope. They argue that even in August, Maharashtra health minister Rajesh Tope had assured that the theatres will open soon. But that didn’t happen. In June’s first week, the government introduced a level-based reopening model. As per this strategy, the cities and districts with the least cases were put in Level 1 category and these places were allowed to open theatres. As a result, theatres had opened in Malegaon and Aurangabad. But in 20 days, this level-based formula was thrown out of the window due to fears of the Delta Plus variant. Many were shocked how this level-based model, which seemed very sensible and practical, was abruptly ended within a couple of weeks.

Hence, the government can’t be trusted. There’s a possibility that cinemas might not open in October. The government didn’t give any reason why it didn’t open theatres in September and even the industry got too scared to speak about it openly. Also, in September first week, a newspaper article in The Times Of India had reported that the government is looking at opening drama theatres first, in the first week of November, and then they’ll decide on the theatres and multiplexes! If this is what the government implements, the industry would lose out on the Dussehra holiday (October 15) as well as the Diwali holiday (November 5). This would prove catastrophic and one can only hope that the theatres open as soon as possible.

Filmmakers don’t want their films to release unless they can in Maharashtra-Komal Nahta

Vishnu Vardhan Induri: People unwilling to return to theatres

Despite recent offerings faring well, filmmakers unwilling to release movies in limited theatres; Hollywood offerings make the most of lack of competition
Mohar Basu, Uma Ramasubramanian (MID-DAY; September 18, 2021)

Not too long ago, Akshay Kumar was hailed by industry folk for leading from the front and facilitating a theatrical release of his film, Bellbottom. However, despite a notable collection of Rs 30-crore — collected from theatres across India, where a 50 per cent occupancy clause was in place — the development hasn’t encouraged other filmmakers to follow suit.

Mid-day has it that the recently released offerings have been unable to recover costs. Kumar’s Bellbottom, which also began airing on Amazon Prime Video this week, earned about Rs 30-crore, but trade pundit Atul Mohan puts the predicted figure of a pre-pandemic film of this nature at Rs 150-crore. 

“Roughly, 30 per cent of the national box office [collection] comes from Maharashtra, 20 per cent of which comes from Mumbai and Thane alone. Mumbai is where buzz around a film is generated. Because the centre is shut, exhibitors are not particularly interested in [showcasing] films. Bellbottom, Chehre and Thalaivii are doing [well], but the industry isn’t picking up pace. Among the factors contributing to this failure are the ticket prices, which are too high for a post-pandemic era. There’s also a great deal of fear among viewers, who are willing to wait for an OTT release that follows within weeks.”

When establishing how the film’s subject affects its collection, Kangana Ranaut’s Thalaivii serves as an ideal case in point. The film’s primary market was South India. Rs 3.85 crores of the Rs 5 crores generated by the film, he says, came from this market.

Producer Vishnu Vardhan Induri says that while he didn’t expect promising collections from a theatrical release, the film warranted a big-screen airing. “People are unwilling to return to theatres. Our focus was still trained on the digital and satellite platforms. Kangana has a huge fan base, and many people would have watched it, had it aired in Mumbai. We were not expecting great collections. We knew it was not going to screen in multiplexes.”

The development has taken a toll on Bollywood. With news of a third wave intensifying, and city cases averaging 500 a day, cinema halls are not expected to open soon. Trade sources set the expected date in November, ahead of Diwali.

Trade analyst Komal Nahta says, “Filmmakers don’t want their films to release unless they can in Maharashtra. There is no Hindi film screening in the forthcoming fortnight.”

Hollywood flicks, in the interim, are making the most of the lack of competition. Daniel Craig’s much-awaited No Time To Die is set to hit screens on September 30, with The Boss Baby: Family Business, House Of Gucci and Resident Evil: Welcome To Raccoon City following in the weeks that will follow. It is believed that the first Hindi film will be Tadap, in December.

Fenil's Bollywood Talk # 691

FLOW OF HINDI RELEASES STOPS ONCE AGAIN; HOLLYWOOD AND REGIONAL CINEMA TO DOMINATE

The Akshay Kumar-starrer Bellbottom was released in cinemas on August 19 and it was the first Hindi film since April 2021 to arrive on the big screen. Its release date was announced when cinemas are opening up in many states. It was assumed that the crucial state of Maharashtra, which contributes 30% of the revenue, would also open up by August 19. Sadly, it didn’t and it affected Bellbottom’s performance. Chehre arrived next, on August 26 and it was also released with the idea that Maharashtra would have opened up by then. Finally came Thalaivii on September 10. Its release was planned at a time when it became clear that Maharashtra is not opening up. Yet, the Kangana Ranaut starrer released since it is also releasing in Tamil version and the state of Tamil Nadu has allowed theatres to resume operation.

Sadly, all three films have flopped at the box office. Bellbottom was expected to collect at least Rs. 50-60 crore but its lifetime will now be around Rs. 30 crore. Chehre won’t be able to even cross the Rs. 5 crore mark while Thalaivii won’t go beyond Rs. 7-8 crore. The word of mouth of all three films was positive but these films were not properly marketed. Also, audiences were not excited to see it.

On the other hand, a Hollywood film, Shang-Chi And The Legend Of The Ten Rings, had a surprise opening and is about to reach the Rs. 30 crore lifetime. The two Punjabi films, Puaada and Chal Mera Putt 2, have done extraordinary business. However, the industry has chosen to ignore this part. They have focused only on the dismal performance of the three Hindi films and have decided to not release any major film till Maharashtra is open.

As a result, for the next three weeks at least, no significant Hindi film is releasing on the big screen. The Hollywood films and regional films will now dominate cinemas for a while. Tomorrow, three Hollywood films will release – Free Guy, Don’t Breathe 2 and Old. The first two has a slight chance of pulling audiences. Shang-Chi And The Legend Of The Ten Rings will continue to dominate the business in the coming week too. The next week will see the release of Qismat 2, the sequel of a super-hit Punjabi film Qismat, and the Hollywood entertainer, Jungle Cruise, starring Dwayne Johnson. Finally, on September 30, the James Bond film, No Time To Die, will finally arrive in cinemas and its expected to do huge business in India.

All of Bollywood is sitting in Mumbai, so it feels like we are being victimized-Anand Pandit


PVR ECX, a multiplex at Citi Mall, Andheri West, has remained shut since the first week of April 2021. Theatres across Maharashtra have been kept out of the state government’s unlock plans, until further orders. Pic/Satej Shinde

With Bellbottom and Chehre makers taking leap of faith to release their films in theatres despite 50 per cent occupancy cap and Maharashtra lockdown, industry says it may be time to show pluck. As one maker puts it, after all, we make movies for theatres. They survive, we survive
Jane Borges (MID-DAY; August 29, 2021)

In December 2020, over two months after the Centre had given its nod for movie theatres to reopen, theatres in Andhra Pradesh and Telangana were still relying heavily on Hollywood productions like Christopher Nolan’s Tenet to revive from the losses the industry had suffered due to the extended Coronavirus lockdown. A surprise Christmas Day release, Solo Brathuke So Better, a romantic comedy starring Sai Dharam Tej, nephew of film actor-politician Chiranjeevi, proved to be a glimmer of hope. 

Hyderabad-based Balgovind Raj Tadla, partner at two single screen cinemas, Sudarshan and Devi, says the crowd’s reaction almost felt like a “revenge-response to COVID-19”. “The movie garnered a lot of media attention,” he recalls.

It also set the stage for three big January 2021 releases, Red, Krack and the Telugu-dubbed Tamil film Master that had superstar Vijay in the lead. All three did phenomenally well with Krack leading the race. But it was Uppena, another romantic drama, which stole the show, collecting over Rs. 150 crore when it released in theatres in Telugu-speaking regions in February, followed closely by Jathi Ratnalu.

Tadla, who is also joint secretary of the Telangana State Film Chamber of Commerce, says this is when film producers and exhibitors predicted an upward swing. But, the second wave that swept the country soon after, came as a huge blow. “At this point, only 10 per cent of the big ticket films had been released. The rest were still waiting it out. [Actor] Pawan Kalyan’s Vakeel Saab was going to be the next big release. It hit theatres on April 9, but despite someone like Pawan in the lead, people didn’t turn up at the theatres.”

Another dry spell due to the more devastating second wave, put theatres out of business again, before cinema halls started opening up by end of July. “I would say that we are still in the first 20 minutes of the film. We are yet to get into the story. It will take another 20 days for us to see where this goes. It should pick up, unless of course, COVID haunts us again.”

The confidence the film industry in the South has shown right from the beginning of the unlock phase has been unparalleled, considering its more popular sibling, Bollywood, has been holding its cards close to its chest, daring only a few odd releases since March 2020. This changed last week, when Akshay Kumar’s spy thriller Bellbottom released in theatres across India. The film hit the screens on August 19 and at the end of the first weekend, it had made around Rs. 15 crore gross in India. It became the first superstar-backed Bollywood film to be released in the pandemic. According to news reports, the movie will release on OTT in September. 

Amitabh Bachchan and Emraan Hashmi’s Chehre, which released last Friday, is the next big ticket film to have hit the screens. What makes these new releases significant is that, in a first, they won’t be screened in Maharashtra due to Coronavirus pandemic restrictions, which is home to the heart of Bollywood, and contributes a lion’s share of the box office revenue.

Film exhibitor Vishek Chauhan, who is based out of Bihar’s Purnea, where he runs Roopbani, the oldest single-screen theatre in the district, says releasing Bellbottom, in such a climate, was “a very gutsy move” by the makers, producers and Akshay Kumar, as well.  “Maharashtra is more than 25 per cent of Bollywood’s market. So, effectively they were left with just 75 per cent of the market to begin with. Out of this, Kerala, Tamil Nadu and Assam theatres are still shut. That means the producers lost another five per cent. Add the 50 per cent occupancy cap, and curfew and other restrictions in some select cities and districts, and that left them with just 25 to 30 per cent [of their targeted audience],” says Chauhan, adding, “One might say that they didn’t make enough at the box office. But, for us that Rs 13-15 crore was pure gold. It has helped get the audiences back, and is now enabling cinemas to plan ahead.”

Though Bellbottom producer Jackky Bhagnani was unavailable for comment, Chehre producer Anand Pandit reiterates why production houses need to show more chutzpah. The film, directed by Rumy Jafry, was originally slated for release in July 2020. With cases peaking in March this year, it was pushed to August. “The narrative, storyline, and cast [of the film] lent themselves to the big screen. Watching it on the iPad or smart phone wouldn’t have justified the experience that we were trying to create for our viewers. I didn’t want to throw away such a film for Rs. 5-10 crore more [on OTT],” explains Pandit.

He says that filmmakers and producers shouldn’t forget that it’s the theatre industry that made Bollywood what it is today. “They have been by our side for the last 70-odd years. At one point, theatre was the only avenue to release films. Today, because of the pandemic, there are over 10 lakh people, connected to the business, struggling to keep afloat. Many have even lost their livelihoods. I think, those who can, should come out and extend their support by releasing their films in theatres.”

Not all risks are worth taking. Director Sanjay Gupta says he learnt it the hard way. Gupta’s Mumbai Saga featuring an ensemble cast of John Abraham, Emraan Hashmi, Kajal Aggarwal, and Prateik Babbar, made it to the big screen on March 19 this year. “We announced the release just a month prior, in February. At the time, the cases were down, and the second wave was nowhere around the corner. We were confident about our film, and also the fact that people would return to the theatres. Looking back, I think we were probably over-confident about the public’s mood,” he says.

When the film released, the second wave had just about begun. “We hadn’t expected COVID-19 cases to rise exponentially. A lot of theatres had opened just to screen our film. It was too late for us to back out by then.”

Having said that, Gupta feels that some measures need to be taken to ensure that the theatre chain survives. “Ultimately, we make movies for theatres. And if they survive, we survive. Most cinema halls have been shut for over a year-and-a-half. At some point, we need to resume. That’s the sentiment with which we had gone ahead. Unfortunately, it didn’t work out, and we suffered.”

According to box office numbers available on bollywoodhungama.com, the movie, which had a production budget of Rs 50 crore, made a gross of Rs 19.68 crore in India and Rs 2.61 crore overseas; its worldwide gross collection was estimated at Rs 22.29 crore. The movie later released on Amazon Prime.

Chauhan says now that most theatres are open, they’d need movies to keep the business going. Post Chehre, there will be a long gap. Kangana Ranaut’s Tamil political drama Thalaivii, based on the life of J Jayalalithaa, will arrive in theatres only on September 10. Bollywood is yet to make further announcements of any new releases. A few odd Hollywood films can help theatres tide through the lean phase, but what after that, asks Chahaun.

Sony Pictures Films India has announced its Hollywood line-up, with Don’t Breathe 2 releasing on September 17, and Spider-Man: No Way Home on December 17. There are a slew of Bollywood films that are ready, but a decision on their release hasn’t been taken for now.

Vivek Krishnani, managing director, Sony Pictures Films India, says that in the last few years the entire “content fabric” has changed. “There are only certain kinds of films, which drive people to the theatres. And this kind of content has to tick off certain boxes. First, it has to have mass appeal. Next, it has to be good enough for people to leave their houses, get into their cars, go to the cinema, find parking, and buy tickets. During the pandemic, we’ve noticed that people have started evaluating their own approach of going to the cinema, and that’s probably because of the kind of exposure they have had to diverse content on OTT. If they are going to be taking the effort to come to a movie theatre, they need to be rewarded for that effort with content that is different and exciting enough, and which they cannot get on the smaller screen. This [consumer behaviour] has forced us to rethink our own creative strategies,” he says, while discussing what parameters they consider, when choosing which film goes for OTT, and which film should wait it out for the big screen.

He alludes to the record turnout that the Tamil film Master saw, when it released on January 13. “People went into the cinema in a big way. Our release Godzilla vs. Kong also had a humongous box office earning, despite releasing in March. What we have seen is that when theatres are open, and the right content comes along, there is but a natural tendency for people to go into cinemas and consume this content. It’s held true in the past, and I don’t see why it won’t in the future.”

Krishnani, however, isn’t sure about the hybrid model, which is being widely discussed ever since Salman Khan’s Radhe released simultaneously across multiple platforms, including theatres outside of India, and via pay-per-view. The film’s collection in India till July 13 was at Rs 1.85 lakh, as it was released on the big screen only in three cinemas, that too in the state of Tripura, bollywoodhungama.com reported. 

“A hybrid model is where the movie runs in theatres and is also being offered as a premium video on demand (VOD). The VOD usually comes at a very expensive price point. This model hasn’t been embraced in India yet. And I think, the jury is already out on what it does to the theatrical revenue. Another issue is that in India, we aren’t used to paying for a one-time watch; we’d rather opt for subscriptions.”

There’s also the issue of piracy, which Krishnani, admits has spiralled with the OTT boom, thus, bringing about newer challenges for content creators. Delaying Hollywood releases in India doesn’t make sense for a similar reason, as most films have already released globally, and pirated content then becomes available online.  

“The truth is that there has been a sharp increase in content consumption [during the pandemic], and that’s because accessibility has increased. Though [OTT] subscriptions have grown, it is but obvious that there’s an audience that’s not paying for this. We do not have metrics to prove this, but this is something we have been able to infer,” says Krishnani.  

Sony Pictures Films India is waiting to release Major, a Telugu and Hindi co-production, which is based on the life of Major Sandeep Unnikrishnan, who was martyred in the 26/11 attack at the Taj Mahal Palace Hotel. “It’s a cinematic experience, because of the story, visuals, and the emotions it draws. I think it is important for stories like this one to be seen in a theatre.”

What’s then, holding back producers and filmmakers from releasing these films?

Shibasish Sarkar, Group CEO, Reliance Entertainment, says that the opening of theatres in Maharashtra will be key to deciding the future of big releases. “The situation is still quite uncertain. While theatres in a majority of the states have opened up, it’s not the case with Maharashtra, which is 25-30 per cent of our market [depending on the film]. At least for pan-India, Hindi films, it is quite a challenge to go ahead and release a film, without Maharashtra. So, while I think we will see a few-odd [Hindi] releases in the coming months, a majority of them are going to wait it out for Mumbai and the rest of Maharashtra to open.”

The release of Kabir Khan’s biographical sports film '83, starring Ranveer Singh in the lead, which has been co-distributed by Reliance Entertainment, has been postponed thrice already. “It was first set to release on April 10, 2020, then we had planned a December Christmas release last year, before pushing it to June 4 of this year. Right now, we are clear that we won’t make any announcement, until and unless there is a semblance of normalcy,” he says, adding, “When I say normalcy, the basic expectation would be that Maharashtra opens up. Only if that happens, can we even have a discussion. Otherwise, there will be no point in doing this exercise all over again. For us, it doesn’t make sense, creatively or business-wise, to ignore 30 per cent of our market.”  Director Rohit Shetty’s Sooryavanshi, starring Akshay Kumar, is also hanging in the balance for the same reason.

Pandit feels that by keeping theatres in Maharashtra shut, the state government is depriving “cinema owners the opportunity to revive their businesses”. “All of Bollywood is sitting in Mumbai, so it feels like we are being victimized. The [state] should, [on the contrary] be supporting the industry,” says Pandit.

Tadla, whose theatres in Hyderabad have been open for nearly a month now, however, has seen a worrying trend of late. Bell Bottom got a luke warm response in his city. “Suddenly, it feels like the audience has lost the habit of movie-watching. I think the second wave was damaging, and that has made people more cautious and wary. We [cinema-owners] are obviously concerned. There was a time, when, even if a movie wasn’t good, it would run for about four weeks at least.”

The digital boom, he feels, has made the audience less tolerant. Today, the fate of a film is sealed is one weekend.

(Crisp) Movie Review: CHEHRE by FENIL SETA

Chehre is an interesting thriller that rests on an unconventional plot. The opening song is bizarre but thankfully, the film is engaging from the very start. The characters are introduced very neatly and how the young chap gets conned into playing a dangerous ‘mock trial’ game with the veterans is very convincing. The intermission point is too good and the second half starts off well. But later, it becomes lengthy and also predictable. The 13-minute long monologue of Amitabh Bachchan in the climax is never-ending and goes off track, thus testing the patience of the viewer. It should have been shorter and more powerful like ‘No Means No’ ideally. Speaking of performances, Amitabh Bachchan, as always, is terrific. He has worked hard on the character and it shows. Emraan Hashmi is the scene-stealer. He has given several memorable performances but this is one of his best. In fact, he is the best performer in Chehre! He also looks quite dashing. Annu Kapoor is dependable and brings his touch to the part of the defence counsel. Dhritiman Chatterjee and Raghubir Yadav have minimal dialogues but leave a mark. Krystle Dsouza puts up a confident act. Rhea Chakraborty initially appears a bit caricature but later she proves her worth. Siddhanth Kapoor is fine in a small role. Samir Soni looks dull. All in all, Chehre, despite the minuses, is a good one-time watch, and definitely has the big screen appeal.

My rating - *** out of 5!


Maharashtra would have been a great addition because it makes up for 30% of the business-Emraan Hashmi


Relieved to have shed the serial kisser tag in the past few years, Emraan Hashmi says upcoming films, starting with 'Chehre', will explore his potential to the fullest
Uma Ramasubramanian (MID-DAY; August 27, 2021)

In March, when few filmmakers were betting big on theatres, Emraan Hashmi’s Mumbai Saga pursued a big-screen release. Five months and the second wave of the Coronavirus pandemic later, producers continue to take the safety net of OTT premieres. Hashmi, in contrast, is theatre-bound again with Chehre.
  
Surely, the decision comes with its share of risks — movie halls in Maharashtra have yet to reopen — but the actor is ready to take the gamble. “Maharashtra would have been a great addition because it makes up for 30 per cent of the business. But we want to put the film out there before anything else happens. There is [little] doubt that India will go through the third wave,” he says, aware that box-office figures are of little consequence at the moment.

Numbers, in fact, have rarely influenced Hashmi’s decision over the past decade as he attempted different subjects. The serial kisser tag has been thankfully left behind. “I don’t get those offers at all,” he says, relieved. “Cinema in itself has changed. People have upped the [bold] quotient now. Back then, a kiss had shock value; now, the shock value is much more in OTT [projects]. The scripts offered to me right now are the kind of cinema I always wanted to do.”

A discussion about the actor often invites remarks about how his potential has remained untapped in Bollywood. Does he share the sentiment? “Every actor’s talent is untapped. You need a good director to bring out another side of you. You are only as good as the script and the director. If I have a mediocre movie, I will by default be mediocre in it. That said, you will see different facets of me in my upcoming films.”

That includes his latest murder mystery, which sees him rub shoulders with Amitabh Bachchan. “On the first day, I was a bit nervous to face him. I had to work doubly hard to match up to him.”

Fenil's Bollywood Talk # 688

BELLBOTTOM FAILS TO SET THE BOX OFFICE ON FIRE; PRESSURE BUILDS ON CHEHRE

The first big Hindi film post pandemic, Bellbottom, finally released in cinemas last week, on Thursday, August 19. The crucial state of Maharashtra has been shut and hence, nobody expected huge numbers. The expectation was that it should open at around Rs. 5 crore. Shockingly, it took an opening of just Rs. 2.75 crore. Friday collections were the same while it collected Rs. 3 crore on Saturday. On Sunday, the film showed growth and earned Rs. 4.50 crore. The Monday collections were around Rs. 1.80 crore. The first week collections are expected to be under Rs. 20 crore and that’s not a good number even for its weekend collections, despite the absence of Maharashtra.

So what went wrong with Bellbottom? When a film is about to be released, the makers first need to create awareness. Viewers need to know that a particular film is releasing, that too in cinemas. And then they need to generate excitement. In the case of Bellbottom, the makers failed on both these fronts. On social media, they made noise but that’s not enough. On ground, many didn’t know Bellbottom is releasing, that too in theatres. A lot of exhibitors and single screen owners confirmed that viewers were unaware of its release on the big screen. Even when it came to creating excitement, the makers didn’t go all the way. The trailer was good but for many, it was not that appealing. Songs help a lot in adding to the buzz. But Bellbottom's songs were forgettable. Akshay’s earlier film in this space, Airlift, had benefited as it had hit songs like ‘Soch Na Sake’ and ‘Dil Cheez Tujhe Dedi’. A hit soundtrack was missing here. Moreover, Akshay Kumar and his team barely did any television show appearances, something that works big time nowadays. They gave minimal interviews.

The underperformance of Bellbottom has given a much needed lesson to the filmmakers. Make sure the awareness of your film reaches to the lowest common denominator and that social media won’t do that for you. Sadly, the fear in the industry is that the debacle of Bellbottom would be used as an excuse by the filmmakers to further opt for the digital route to release their films. They’ll argue that viewers are scared to come to cinemas. They’ll ignore the fact that people are going to overcrowded restaurants and flights, which they wouldn’t have done if they were scared of the virus. The filmmakers will ignore certain trends in Bellbottom’s performance, that it grew well in Gujarat and other cities on Sunday. They’ll also ignore how the Punjabi film Puaada, released a week before Bellbottom, is doing extraordinary business.

Meanwhile, tomorrow, another Hindi film, Chehre, is up for release. It was initially scheduled to release on April 9, 2021 but was postponed due to the second wave. The trade is obviously scared about its fate because this is a much smaller film than Bellbottom. Hence, if Bellbottom couldn’t open well, what can one hope from Chehre? This thriller stars Amitabh Bachchan, Emraan Hashmi, Annu Kapoor, Dhritiman Chatterjee, Raghubir Yadav and Krystle DSouza. It also stars Rhea Chakraborty but she was shown just for a few seconds in the trailer. She is not giving any interviews as it can go against the film. Shockingly, Emraan has given very few interviews while Amitabh hasn’t till Tuesday August 24. The awareness for Chehre’s release, hence, is negligible. The opening will be less than Rs. 1 crore. One hopes it's around Rs. 50 lakhs as anything less than that would be very disastrous.

Right now, it is not about the collections; it is about getting the audience back to theatres, says Bellbottom director Ranjit M Tewari


Akshay Kumar paves the way as Bollywood’s first theatrical release since second lockdown Bellbottom earns Rs 9 cr in three days; trade hopes more movies follow suit
Mohar Basu, Uma Ramasubramanian (MID-DAY; August 23, 2021)

Someone had to make a start after the slump that cinemas have been in since the second lockdown in April. In this case, Akshay Kumar did. Last week, Bellbottom became the first Bollywood film since April to pursue a theatrical release. All eyes have since been on the thriller to gauge if more movies can take the big-screen route.

With Mumbai and certain parts of Maharashtra yet to reopen their movie halls, Bell Bottom’s first weekend collections are understandably underwhelming. But trade analyst Taran Adarsh points out that in the current scenario, business is not the top priority, changing behaviour patterns is. “Hats off to Akshay and Vashu [Bhagnani, producer] for showing the confidence to release the film amid the pandemic! It will now need a continuous [supply of] fresh content, like Sooryavanshi, '83 and Thalaivi. The next big film is Amitabh Bachchan’s Chehre. It will take time for people to return to theatres because it’s no longer a habit,” says Adarsh.

He adds that the Ranjit M Tewari directorial venture has collected approximately nine crore in the first three days — a respectable figure, given the constraints. “We lost 30 per cent of the revenue from Maharashtra. Plus, there are restrictions in terms of show limitations. In a normal scenario, Akshay’s films earn around Rs 13 to 14 crore per day. But right now, it is not about the collections; it is about getting the audience back to theatres."

Trade analyst Ramesh Bala doesn’t share Adarsh’s optimistic view. “The film has performed below expectations. People aren’t going back to movie halls, or have assumed it will drop on an OTT platform soon,” he says, noting that the lack of urgency to watch a film is a sign of the changed viewing pattern. “The lack of results shouldn’t deter other directors. With KGF: Chapter 2 postponed to April 2022, filmmakers are waiting for the market to recover so that they can make the most of their projects.”

Experts hope theatres in major centres will reopen soon and revive the box office


Juhi Chakraborty (HINDUSTAN TIMES; July 22, 2021)

A long lull, followed by a spurt of releases and again uncertainty — this is how one can describe the Bollywood box office so far this year. Even as 2021 began on a promising note with theatrical releases of Ramprasad Ki Tehrvi, Madam Chief Minister, Roohi, Sandeep Aur Pinky Faraar, Mumbai Saga and Saina, the second wave of Coronavirus made it impossible to release any film since March. It has meant a lacklustre first half, but will the second half prove any better for Bollywood?

Trade expert Taran Adarsh is looking forward to cinemas reopening in major centres. “Until the Mumbai circuit and Delhi cinemas open up, business won’t be on track. Even Bellbottom that was to release on July 27, had to be pushed again,” he says.

Producer Anand Pandit, who has Chehre ready for release, expects vaccinations to make a difference. “Hopefully, in the second half of the year, we can see production work regaining some normalcy, theatres reopening, big-ticket films releasing and the industry finding its feet,” he shares.

The fear of another disruption has filmmakers wary of planning for the second half. “There’s so much uncertainty, how can we plan?” says filmmaker Anees Bazmee, adding, “We need an audience. The theatres that reopened aren’t getting returns, so they aren’t keen to release new films.”

Siddharth Anand Kumar, of Saregama India Ltd, says though the sense of normalcy the industry registered in the beginning of 2021 was erased by the second wave, there’s hope. “The calendar looks promising with entertainers like Sooryavanshi, '83, KGF 2 and Attack queued up for theatrical release. I think Diwali will be a turning point, if we don’t see a third wave and the current pace of vaccination sustains,” he observes.

And some believe the Hindi film industry will get a much-needed confidence boost from Hollywood. Exhibitor Akshaye Rathi says, “There are a lot of big Hollywood films lined up for release...it’ll take a couple of them to get the ball rolling.”

We’ll be able to release Chehre latest by August-Anand Pandit


While theatre shutdown continues in Mumbai, maker of Big B-Emraan’s Chehre procures U/A certificate in hope of big-screen outing
Mohar Basu (MID-DAY; July 9, 2021)

Amitabh Bachchan and Emraan Hashmi’s Chehre was scheduled to hit the marquee on April 9, but the plan went awry due to the second lockdown. Even as the theatre shutdown continues across Mumbai, it is heard that producer Anand Pandit and director Rumy Jafry have procured a U/A certificate from the censor board. Having bided his time with the mystery thriller, Pandit is now eager to present the film to the audience.

“I’m confident that we’ll be able to release the film latest by August. We don’t have a promotional plan yet. Multi-city tours are out of the question, and social media promotional activities have become the new norm. We hope that with the population getting steadily vaccinated, people may feel confident about going to theatres,” he says.

The team has yet to zero in on a release date, depending on the reopening of cinemas and the situation across the country. Pandit adds, “At what capacity the theatres open is also a crucial factor. Once a significant number of theatres are functional, other films will also line up for release.”

Shah Rukh, Salman & Aamir Khan have been through high and lows and yet kept moving forward-Emraan Hashmi


Kavita Awaasthi (HINDUSTAN TIMES; May 2, 2021)

As someone who is secure in his talent and being, Emraan Hashmi says he enjoys working with actors, especially the established names.

Talking about his working relationship with John Abraham, he says while he’d at first met the actor socially, he didn’t know him well until they worked together in Mumbai Saga. “It is heartening to work with someone like John, who is a gem of a person, a professional... He doesn’t get into the politics of things. He likes to switch off when his job is done. We connected well as we don’t roam around with the baggage of our fame and the work we have done,” says Hashmi.

The actor is also awaiting the release of Chehre, co-starring Amitabh Bachchan, that got postponed due to the rising cases of Coronavirus. Admitting that he had a fanboy moment during their first meeting, Hashmi gushes, “I’d get those first-day jitters of meeting your hero, someone you idolise. But he puts you at ease and is so giving as an actor. I respect him as an actor because even after so many years, he still has the fire and the drive.”

While he has done two-hero films, he has not yet acted with the Khan trio — Aamir, Salman and Shah Rukh. He says, “I worked with SRK, who produced the web show, Bard of Blood, and I’ve met Salman and Aamir on occasions as well. They have stood the test of time and have been through high and lows and yet kept moving forward… It is a tough industry, and to be on that level and keep things going and constantly fuelling that fire is an inspiration for me. Their body of work has impacted me as an artist on a subconscious level.”

Ajay Devgn-Sidharth Malhotra starrer Thank God deferred again


Having resumed filming in January, Thank God delayed again; producer Pandit says safety of crew most crucial
Mohar Basu (MID-DAY; April 21, 2021)

While he awaits the theatrical release of his production, Chehre, starring Amitabh Bachchan and Emraan Hashmi, producer Anand Pandit’s other project, Thank God, has also been affected by the second wave of the Coronavirus pandemic.

A shooting stint of the Ajay Devgn, Sidharth Malhotra and Rakul Preet Singh-starrer was slated for this month, but has now been deferred due to the lockdown. 

“We had planned another schedule in the end of April, but given the prevailing situation, production has come to a standstill. We don’t know how things will pan out in the coming days, so we can’t think of making any plans. Everyone needs to take the necessary precautions and follow the guidelines. Safety of all is of utmost importance,”  says Pandit.

After Total Dhamaal (2019), Indra Kumar wields the directorial baton again with Thank God. There had been talk of the slice-of-life comedy and the cast since 2019. It finally went on floors only this year.

On January 7, Devgn had confirmed on social media that he was part of the film, which would kick-start its first schedule on January 21.

“We shot with Sidharth and Rakul. Ajay was to join later as he was keen to wrap up his directorial venture, Mayday first,” adds Pandit. Malhotra had shared from the set a sneak peek, which saw him in the role of a cop. 

“We will have to juggle dates yet again when we begin anew,” says Pandit who is co-producing Thank God with T-Series, Kumar and Ashok Thakeria.

“It’s a wait-and-watch situation for filmmakers till the current crisis ebbs.  I would also like to give Chehre the theatrical release it deserves,” adds Pandit, who also backed the recently released drama, The Big Bull, starring Abhishek Bachchan.

Bollywood's release calendar goes for a toss, yet again


With theatres shut in Maharashtra till April 30, the film industry is staring at a bleak future
Rishabh Suri (HINDUSTAN TIMES; April 7, 2021)

The year 2021 was looking like the year of Bollywood’s resurgence. Announcements for new films were being made one after the other, shoots started and were wrapped up. But the pandemic refuses to slow down, and hence in Maharashtra theatres have been shut till April 30. This in turn has led to filmmakers rethinking about their releases.

Rohit Shetty has postponed the already delayed Sooryavanshi again. What happens to the rest of the biggies — Thalaivi in April, Radhe: Your Most Wanted Bhai and Satayameva Jayate 2 in May, and so on? Does the entire year seem set for a reshuffle?

Experts and makers believe so. Anand Pandit, who had delayed the theatrical release of his Amitabh Bachchan starrer Chehre, says, “We have only 52 Fridays a year, and there are usually 300-400 films. Entire April and May will go, films will start releasing only after June.”

Rajender Singh Jyala, Chief Programming Officer, INOX Leisure, says while south releases are on track so far, Hindi films will change their dates. “We don’t know when the theatres will reopen. Once that clarity comes, then the re scheduling will happen,” he says.

Release sans Maharashtra?
Jyala adds that these are tough times for theatres. “There is no income. The government has expedited the vaccination drive. It’s unlikely that makers will choose to release big film in other states barring Maharashtra. Smaller films, yes, maybe. Maharashtra contributes 30-35% of all India box-office. Films will release, but not those on a bigger scale. For that, Maharashtra theatres have to reopen,” he explains.

Exhibitor Akshaye Rathi says, “Films releasing in April or early May will reconsider their plans. Given the fact that Maharahtra is shutting down, it’s possibly the biggest market in terms of box-office revenue. With that out of the equation, no producer would want to release in other belts. The impact of Maharashtra is on the other parts of the country as well and is damaging.”

OTT ROUTE INSTEAD?
Will filmmakers who can’t wait anymore for theatres to reopen, opt for OTT releases instead? The mounting costs for delaying a release might compel some. But Pandit, whose film The Big Bull will premiere on a streaming platform, reasons, “I don’t think any OTT player will be able to match the numbers for big films like Sooryavanshi. There was no economic reason behind me releasing TBT on OTT. We are a zero debt company. Chehre would be a beautiful experience, that is why we are holding on to it for a theatrical.”

Trade expert Atul Mohan says, “It’s not assured that cinemas will reopen on May 1. There is no clarity about extension. Hindi films won’t release elsewhere. They can’t afford to lose such a big market.”

Chehre will definitely have a theatrical release-Rumy Jafry


Onkar Kulkarni (BOMBAY TIMES; April 7, 2021)

Amidst the pandemic, while cinema halls were struggling to receive better footfalls, there were some filmmakers who took the risk of releasing their movies in theatres, and there were others who were ready to roll out their projects too. One such film was Chehre starring Amitabh Bachchan and Emraan Hashmi. The film, directed by Rumy Jafry, was set to release on April 9. However, with the recent announcement of theatres being shut till April 30, due to rising Coronavirus cases in Maharashtra, this film, along with a few others, has pushed its release date.

Talking about it, Rumi says, “We have made a good film, so it is necessary to be a little patient. Having said that, it is going to be the producer’s call about when to release the film, but yes, we, including Mr Bachchan, decided ki film release hogi toh theatre mein hi hogi. It will definitely have a theatrical release.” When asked if they have come up with another date for the release, the filmmaker says, “Well, not yet. It’s too early to say anything.”

Fenil's Bollywood Talk # 667

APRIL SUDDENLY TURNS DRY; 2 FILMS TO STILL TRY ITS LUCK TOMORROW

Last week, we mentioned that the rising cases of Coronavirus led to the indefinite postponement of the Hindi version of Haathi Mere Saathi. It was scheduled to release on March 26. In the last 8 days, a lot of other films got pushed. Bunty Aur Babli 2, scheduled for April 23 release, has been delayed indefinitely. 2 days back, the makers of Chehre too made it clear that they’d release when the situation would be better. This also became crucial after Maharashtra declared a night curfew, starting as early as 8:00 pm. As a result, the last show in a theatre needs to be held at 5:15 or 5:30 pm.

Interestingly, the last week also saw the release of Godzilla vs. Kong and it did phenomenally well. Our projection went completely wrong – we had predicted a weekend of around Rs. 10 crore. But the film surprisingly opened at a huge Rs. 6.25 crore when it released on Wednesday March 24. It ended up collecting Rs. 32.25 crore in 6 days, including healthy collections on Monday, the day of Holi. These are the best collections for a Hindi and English film since the beginning of a pandemic and ideally, it should have cheered up the trade and industry. However, when one sees the collections minutely, one realizes that a major chunk of the earnings came from the South. The cases in the South are not that high and the cinema business there is more or less normal. An average Hindi film meanwhile does limited business in the South. It relies majorly on West and North to score and these areas were doing poorly since the cases began to increase significantly. The not-so-great performance of Mumbai Saga and Saina also indicated that releasing a Hindi film in this scenario would not be able to fully perform as per its potential.

As of now, now only two major films, Thalaivi on April 23 and Sooryavanshi on April 30, are scheduled for release. However, it is being said that Sooryavanshi is definitely getting postponed as it’s a big film and in such conditions, it’ll prove to be a commercial flop in cinemas.

However, two Hindi films, both small budget ones, will be releasing tomorrow despite the challenges. The first one is Flight. It stars Mohit Chadda, Pavan Malhotra, Zakir Hussain, Viveck Vaswani, Shibani Bedi, Pritam Singh and is directed by Suraj Joshi. The film has an unknown star cast and yet, it has grabbed some eyeballs. This is because it’s trailer is very thrilling. It tells the story of a man trapped in a mid-air flight! Despite the fact that the trailer impressed people, the excitement is obviously minimal. The rising cases will also prove detrimental to an extent. But on the positive side, if it’s a good film, it can grow through positive word of mouth. And it’ll have a long run in cinemas now that hardly any film is releasing.

The other film releasing tomorrow is Koi Jaane Na. It stars Kunal Kapoor and Amyra Dastur and is a suspense saga. It is directed by actor Amin Hajee, of Lagaan fame. The film was shot around 2 years back and is finally seeing the light of the day. This movie features Aamir Khan along with Elli AvrRam in the song ‘Har Funn Maula’. This song has been noticed but many have not been able to realize that it’s a part of the film. Hence, while the song is known, the film is still unknown for most people. Just like Flight, it’ll open to poor houses but might have a chance if public reports are encouraging.

The minute we see the cases dipping, we will take a call on Chehre's release date-Anand Pandit


Amid talk of theatre shutdown, the release of Big B’s Chehre deferred; makers of Thalaivi, Sooryavanshi on wait-and-watch mode
Mohar Basu, Uma Ramasubramanian (MID-DAY; March 31, 2021)

Amitabh Bachchan and Emraan Hashmi-led Chehre was slated to hit the marquee on April 9. However, with Maharashtra reporting 31,000-plus fresh Coronavirus cases on Monday and chief minister Uddhav Thackeray indicating a second lockdown by the weekend, producer Anand Pandit has deferred the mystery thriller’s release. The producer says the decision felt right given that theatres are likely to be shut in the second round of lockdown. 

“I have always lived by the maxim of ‘safety first’. Given the rising number of cases, it is only right that we delay the release of Chehre. The minute we see the cases dipping, we will take a call on the release date,” says Pandit.

Considering the Rumy Jafry-directed venture has already been delayed by a year, is he contemplating a digital premiere in light of the recent developments? “At this point, we are not looking at an OTT [premiere]. Amit ji and Emraan applauded my decision to postpone the release. We are on the same page when it comes to audience safety. Amit ji said that viewers must enjoy the film without any fear.”

April has two big-ticket offerings in Kangana Ranaut-led biopic on J Jayalalithaa, Thalaivi, and Akshay Kumar’s cop drama Sooryavanshi. If the imminent lockdown in Maharashtra runs till April-end, it will directly impact the fate of the two films. A trade source reveals, “The makers of Thalaivi will stick to the April 23 date because the cases are under control in Tamil Nadu and Andhra Pradesh, which are big markets for the trilingual. The team of Sooryavanshi is waiting it out and will take a call only by mid-April.” 

Thalaivi producer Shaailesh R Singh declined to comment. Shibasish Sarkar of Reliance Entertainment, which is backing Sooryavanshi, remained unavailable.

Amitabh Bachchan reminds you nothing should be taken for granted-Emraan Hashmi


Counting himself lucky to work with screen idol Amitabh Bachchan in Chehre, Emraan Hashmi on how veteran’s passion for cinema rubbed off on him
Mohar Basu (MID-DAY; March 27, 2021)

Emraan Hashmi has no qualms in acknowledging that the decision to be part of Chehre was prompted by the fanboy rather than the artiste in him. After all, the Rumy Jafry-directed mystery drama offered him the rare opportunity of working with Amitabh Bachchan. “The man is a megastar with four decades of relentless work behind him. Indian cinema begins and ends with his name. In my formative years, I looked up to him. On set, he would be sitting next to me, unaware of how he has shaped my worldview,” says the actor.

After seeing Bachchan’s passion for cinema, one inevitably wonders if they will have the same drive at 78. Hashmi asserts that his commitment to the craft runs deep. “I have ambition, but I don’t know whether it will be enhanced, or fade away after 35 years. I aspire to have his drive. I remember we were stuck in a blizzard in Slovakia, and he didn’t go back to his car for five hours, instead shooting with us. He reminds you that nothing should be taken for granted.”

With the entertainment industry hitting the pause button in 2020, it gave Hashmi time to reflect on his two-decade career and brought about a shift in his perspective, which will soon reflect in his choice of projects. “Four years ago, I was doing films at a higher frequency. But I don’t want to be offered similar scripts. It takes time for fresh [stories] to come your way,” says the actor, who had a masala potboiler in Mumbai Saga, and will follow it up with Harami and the third instalment of Tiger.

Ask him about the fate of the second season of Bard Of Blood, and he says, “It’s easy to adapt a book, but trickier to extend it beyond the pages. There was a lot of writing, and tearing of pages. At the moment, it’s not happening. But Netflix and Red Chillies are the best people to crack the idea and take it further.”