Showing posts with label Ajay Devgn interview. Show all posts
Showing posts with label Ajay Devgn interview. Show all posts
Our films need to catch up with the younger generation-Ajay Devgn
9:56 AM
Onkar Kulkarni (BOMBAY TIMES; May 25, 2023)
In a career spanning over three decades, Ajay Devgn has done a variety of films across genres and what has helped him stay relevant is the fact that the actor has kept up with the changing times. Ajay, who is tech savvy, also strongly believes that in that department, we need to constantly upgrade ourselves and up the game to connect with the younger generation. Having young children one in his teens (Yug) and the other a young adult (Nysa) – gives him a better understanding of the thought process and views of the young audience.
He says, “Not just them, but all the younger people around who you connect with can give you an understanding of that. You need to understand that with changing times, feelings and emotions are also changing. The way we express ourselves emotionally has also changed,” says Ajay, who cites an example saying, “These days when you have an argument with your child, you say one line and they get your point. You don’t have to give them a lecture like we had to earlier.”
Ajay says, “When doing scenes in films, you have to get practical too. You can’t have 20 dialogues to represent an emotion in a scene when you can convey it with just one line. So, it’s important to grasp that; the problem arises when you become rigid.”
Ajay adds, “This generation is watching films in 2X (double the speed). They are mentally much faster than you. Our cinema has to catch up, otherwise, they will get bored, and we will be left behind. Also, when you give them the logic behind what you are doing, it works for them. I was talking to Yug and his friends one day and asked them, ‘What do you like about The Avengers? That’s all fake, yaar!’ And they gave me a scientific justification for every character. They want everything with logic, even in the films they watch. The masses have also become very smart. If you give them logic with entertainment, it could work.”
Whenever I design my action scenes, I ensure that I don’t copy a shot from any Hollywood film-Ajay Devgn
8:34 AM
Onkar Kulkarni (BOMBAY TIMES; March 30, 2023)
After enjoying the success of Drishyam 2, Ajay Devgn is all set to ace the action space once again with his film Bholaa. The action-packed entertainer, which hits the screens today, boasts of jawdropping action scenes, including a thrilling sixminute bike-truck chase scene. Like Ajay says, action by itself doesn’t work without strong emotions backing it, which is what fuels his latest directorial project. In a chat with Bombay Times, the actor-filmmaker talks about his father, action director Veeru Devgan, being the source of inspiration all his life, how he believes that technology has to be used efficiently in our cinema and his vision as a filmmaker. Read on:
This is your fourth film as a director. Most directors are known for certain kinds of film, which becomes their space. In your case, the common facet in your movies (Shivaay, Runway 34, Bholaa) is that it is high on technical expertise and finesse. That’s one strength you are using effectively in your storytelling…
Runway 34 was completely different from Shivaay, and Bholaa is completely different from the rest of them. I want to make films of different genres. Technology is there only to enhance the drama of the film and storytelling, and I use it accordingly. I never use technology only because I am tech-savvy.
You have said that you want to create an entire Bholaa world. Does that mean that you are looking at creating a franchise with a universe of its own around the character?
That’s the idea. The film ends on a note leaving scope for continuation. But everything also depends on how the film does. You can’t continue with the idea if it doesn’t work. The intention is that we bring in more characters and things like that ahead.
At a time when remakes are not really working at the box office, your last film Drishyam 2, which was a remake, was a huge success. One of the reasons behind its success, the makers said was that they didn’t redo the film as is, but narrated the same story in a different way. So, when you are talking about creating a Bholaa world, are you doing it from an entirely fresh perspective?
Yes, it’s something new and wasn’t a part of Kaithi (Tamil film). When you see the film, you will realize that we have only picked up the story idea and adapted it. When you make remakes shot-to-shot, it’s a different thing (the results are different). But when you adapt it the way you want in terms of its characterization, drama, emotions and treatment, then it’s different. You start following your own path, which can lead you anywhere. What I have done is, I have merged it from real to surreal. All the positive characters in the film are very real, but all the negative characters are from a crazy world, not really the Mad Max (franchise) kind of a world, but in the larger-than-life kind of a zone.
Everyone is talking about the six-minute biketruck chase scene. How do you ensure that the action in your films take a leap with every project – in terms of visual impact, technical expertise and VFX?
I have inherited it from my father (action director Veeru Devgan). I have learnt most of it from him. He used technology at a time when it wasn’t available. He took it to a point where people were amazed at how he did a particular scene at that particular point. Now that I have the support of technology, I can take it forward and create something where even people who are exposed to technology will turn around and wonder how this was created. Whenever I design my action scenes, I ensure that I don’t copy a shot from any Hollywood film. In most of our movies, you see the action sequences and know that this is something you have seen in a Bond film, or a Mission Impossible. So, when you create something different, there is no reference point, and it becomes tougher to execute.
This action sequence that you are talking about was very risky. We needed some top-notch bikers, so we flew in some international ones, and some from Pune and rehearsed for three months. To capture the chase, cameras needed to be closer. It was riskier, and so we designed the equipment accordingly keeping safety in mind.
Do your children, Yug and Nysa, enjoy watching action films?
My son does. The bottom line is that every action has to have an emotion attached to it, else even a well-executed sequence will not connect with the audience. It is the drama and emotion behind the action which is important. Action alone doesn’t work; it is the emotion behind the action that makes it work and good directors know how to use it well. If you see KGF - Chapter 2, there was an emotion behind the action and that’s what worked. Back home, Yug loves action, but Nysa is not interested. Yug watches a lot of anime too. He’s started to watch a lot of films, and he’s waiting to see Bholaa.
Recently, you posted a pic of Yug and you arm wrestling for fun and the caption read, “Akeli ek ladai jise har baap haarna chahta hai (The only fight in which every father wants to lose).”
See, now that’s an emotion. The thought was not arm wrestling, but it was about the emotion that every father wants his son to do better than him. Today, they say – here comes Ajay Devgn, but after 20 years, I would like to hear, 'Here comes Yug’s father'. That’s the mindset of every parent.
Bholaa looks like a film that is rooted in our culture, there is an Indianness to it. Do you believe that these stories, coming from our culture and history will make our cinema stand out?
To an extent, yes, I agree. Well, it’s not just the Indianness, but there’s more connect when you showcase your own culture in your film. Also, if the audience begins to feel that the hero’s character is one of them and the world (story setting) is their own, then it works better. In India, we are not making films on subjects like aliens because there has to be a connect. You make a film for your own market. We have grown up on supernatural mythologies, we have our epics like Mahabharat and Ramayana, which have every kind of character you can think of in this world. You see foreign directors picking these things and justifying their films, including Avengers or Avatar. All this is our own, and if we are not using it, then it’s our loss.
The meme campaign and other constant chatter about Drishyam has kept the film alive in the audience’s memory-Ajay Devgn
7:46 AM
Harshada Rege (BOMBAY TIMES; November 17, 2022)
Ajay Devgn is known to be a man of few words, but he is also one with varied interests. His filmography, which clocks over 100 films, includes movies of various genres. Extremely passionate about cinema, he is one of the few actors among his contemporaries who ventured into not just film production, but also direction. Among the most-loved films starring the actor is Drishyam, which had him playing Vijay Salgaonkar, a protective father who will do anything to protect his family. He locked horns on screen with Tabu, a combination that created some serious movie magic. With Drishyam 2, which releases on Friday, Ajay returns to the thriller space, this time, taking on Tabu as well as Akshaye Khanna.
In a conversation with Bombay Times, the three-time National Award-winner talks about the annual meme fest on October 2 that has kept the Drishyam franchise fresh in people’s minds, the relevance of remakes in today’s time and telling the stories he wants to as a director. Read on…
Every year on October 2, there is a meme fest online about the events that pan out in Vijay Salgaonkar’s life on October 2-3 in Drishyam. That has, in a way, kept the film fresh in people’s minds, though the film released in 2015. Are you aware of those memes, and do you feel that it has added to the anticipation about the film?
I am fully aware of the memes on social media about October 2-3. You are right. This meme campaign and other constant chatter about Drishyam has kept the film alive in the audience’s memory. Even if I miss the memes, a friend or co-worker ends up forwarding them to me. Drishyam is associated with good memories for the most part. It was a very good film; it dealt with the right emotions of a man going to any length to protect his family. Tabu and I are both very invested in this film. The only sad thing is that our director Nishikant Kamat is not with us. The director of Drishyam 2, Abhishek Pathak, has also done a good job of taking the franchise forward efficiently.
While Tabu and you were seen sparring in Drishyam, at the core of both the characters is the love for their family — Vijay is protecting his family, while Meera is trying to seek revenge for her son’s death. Would you say that both are correct in their own space and grey in certain zones?
Tabu and I are at loggerheads in the film because she’s a cop and I’m a suspect. However, she’s a mother first and is absolutely right in being concerned about her own family. Likewise, I’m a father. For me as well, family comes first. The interesting thing about Vijay Salgaonkar is that, for him, the actual truth is just one — he will protect his family at any cost. He is not thinking of himself as virtuous or as a hero. He is a father who has chosen to handle a sensitive situation in a way he deems correct. For him, his wife and two daughters come first. Drishyam 2 helps define Vijay Salgaonkar better.
Drishyam 2 featuring Mohanlal was released at a time when people had started watching a lot of content in other languages on OTT platforms during the pandemic. Is that one of the reasons to introduce new characters in this film, like that of Akshaye Khanna?
It was Abhishek’s (Pathak) idea to bring in the additional character of Akshaye Khanna. When he narrated the script to me with the addition of Akshaye, I thought it was very good. I have no idea why some changes were made to the script. I am an actor and if I am convinced that something is working for a script, I go along with it. Akshaye is a fabulous co-star and a stupendous actor. Working with him has always been worthwhile.
We are at a point where the thrust is on pan-India movies, with actors who have done films in certain languages now exploring other film industries. In such a scenario, how relevant will remakes be?
Remakes are not a new phenomenon. They have been made since the 50s-60s. Questioning their relevance in the time of pan-India films is valid. But to say remakes don’t work or will not work is invalid. When a movie is remade with an equally favourite big star from their own region, the actor’s faithful audience or fan base will flock to see the remake. Hollywood remakes so many films with a different set of actors after a gap of a few years. People see both versions. The debate is not whether the film is a remake or not, but whether the film is a good one or not.
Your first worked with Tabu in Vijaypath (1994). In recent times, you have explored various genres together — be it the thriller space in Drishyam (2015) or comedy in De De Pyaar De (2019). As actors and as friends, how do you reflect on your equation?
The good thing about my friendship with Tabu is that we do not need to reflect on it. The bond is deep, and we can pick up from where we leave it each time. On screen, I share a wonderful equation with her because she is a brilliant performer.
Hardly any of your contemporaries have directed films, something that you have been doing consistently, along with your acting assignments. What drives you to get into the director’s chair?
I started my film career as an actor, but at heart, I am a director. I love the process of filmmaking. There is no planned interval between my making films. If a story compels me to tell it, I will.
Recently on National Cinema Day, when the ticket prices were lowered, we witnessed massive footfalls at the theatres. As a producer, would you consider adopting that strategy for one of your films?
I own a chain of theatres. If it is economical and if all theatres across the country reach a price consensus, then perhaps my theatre chain may also think about it. These are business decisions. I do not wish to say something without giving deeper thought to it. Besides, the ones who run my business should answer this.
Would you consider directing your daughter Nysa in a film if she told you that she wants to pursue a career in acting?
My daughter has not mentioned to me (at least yet) that she wishes to join the movies. So, everything else is hypothetical.
If Nysa decides to pursue a career in the film industry, we will always support her-Ajay Devgn
8:22 AM
Ajay Devgn says his daughter is yet to make a career choice, but he and Kajol will back her in whatever she decides to do
Rishabh Suri (HINDUSTAN TIMES; August 17, 2022)
Of late, many young star kids are making inroads into the film industry, including actor Shah Rukh Khan’s daughter, Suhana Khan, producer Boney Kapoor and late actor Sridevi’s younger daughter, Khushi Kapoor, actor Sanjay Kapoor’s daughter, Shanaya Kapoor and actor Amitabh Bachchan’s grandson, Agastya Nanda, among others. Hence, actor-couple Ajay Devgn and Kajol are often asked if their daughter, Nysa Devgan, would follow in her parents’ footsteps, too.
While rumours around the 19-year-old making her acting debut have been doing the rounds for a while now, Ajay says she hasn’t made up her mind, yet. “She is just a teenager. She hasn’t told Kajol or me what her final career choice would be. As of now, she is studying overseas. If she decides to pursue a career in the film industry, it will be her choice. As parents, we will always support her,” says the 53-year-old.
The Runway 34 actor adds that premature speculations are pointless. “These are bridges you cross when you come to them. You cannot discuss this a day too early or a day too late. It will be Nysa’s decision all the way,” Ajay asserts.
In Ajay’s case, it was his father, late action director Veeru Devgan who wanted his son to get into films. “My father had a dream for me. He wanted me to become an actor. So, I worked hard towards achieving that dream and I am grateful to God, my fans and my parents’ blessings that things worked out for me,” says Ajay, as he goes on to express his desire to be like his dad.
He adds, “My father was a self-made man, who became a legend. I have seen him work really hard to get to where he reached. And, till the end of his life, he respected his profession and his fellow workers. He was also a family-oriented man and he provided us with the best. If I am able to follow in his footsteps, I will be happy. It is all I can ask for.”
Tanhaji: The Unsung Warrior is special because it came together so beautifully; awards don’t add pressure-Ajay Devgn
8:45 AM
Harshada Rege (BOMBAY TIMES; July 24, 2022)
Tanhaji: The Unsung Warrior, which Ajay co-produced, also won the Best Popular Film – Providing Wholesome Entertainment Award.
Reflecting on it, Ajay says, “As the producer of the film, it gives me immense joy to receive the award for the Best film that has provided wholesome entertainment. Tanhaji was exactly that. It is a good story of friendship, loyalty, family values and sacrifice. It has strong national sentiments, super VFX and a holistic approach in entertainment. I must share the honour with my director Om Raut, my co-producers and co-actors. Most of all, I thank my creative team, who has contributed handsomely to making this a blockbuster and now a National Award-winner.”
The film was Ajay’s 100th film as an actor. Does that make this victory more special? “Honestly, all films are special,” he says, adding, “I’m so passionate about my cinema, it’s hard to choose the 100th film above the 99th one. Yes, I agree that Tanhaji: The Unsung Warrior is special because it came together so beautifully.”
The actor had announced that the film marked the beginning of the Unsung Warriors franchise. Ask him if this win gives his plans a boost further, and he says, “The Unsung Warriors franchise is definitely on. We are working on it and already have one in the pipeline. However, a franchise like this needs a lot of patience and research. So, the progress will be slower than in the case of regular cinema.”
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Honoured with the National Award for 'Tanhaji: The Unsung Warrior', Ajay on not pandering to characters with the scope to garner wins
Hiren Kotwani (MID-DAY; July 24, 2022)
His absence at most award galas is proof enough that Ajay Devgn is not one to fawn over titles. However, there’s a special place in his heart for the National Award trophies he has garnered over the years. While shooting in Hyderabad for his next directorial venture, 'Bholaa', he learnt about being honoured with the Best Actor gong for 'Tanhaji: The Unsung Warrior' (2020) at the 68th National Film Awards. This would be Devgn’s third National Award after 'Zakhm' (1998) and 'The Legend Of Bhagat Singh' (2002).
The Saif Ali Khan and Kajol-starrer also won awards in the Best Popular Film Providing Wholesome Entertainment and Best Costume Design categories. Expressing that he doesn’t orchestrate films with the aim to win an award, Devgn says, “Awards are a reiteration of a job well done. So, whenever it comes, it motivates you to better yourself with every film. [However], they don’t dictate my choice of roles or movies. Films are a lifetime passion.” Drawn to essay characters that exhibit valour, strength, and sacrifice, the actor believes that choosing such roles gives him a “different high”.
While he essays most roles with ease, the period action drama was no cakewalk for Devgn, who also presided as the producer of the film. “I had to just feel the fire in my belly to [play Tanhaji], but the role of a producer was more challenging. It took months for pre-production and post-production work. Any project that involves VFX means mega-budgets, patience, and perseverance,” says the actor.
Ask him why the film deserved a national award, and the actor-filmmaker is quick to point out that it provides wholesome entertainment. “It has strong national sentiments, superb VFX, sincere performances, and honesty in every department. From grand sets, and well-researched costumes, to music that played on loop, 'Tanhaji' had everything. And it appealed to everyone from six to 60.”
Giving credit where it is due, Devgn applauds director Om Raut and costume designers Nachiket Barve and Mahesh Sherla for their contribution to the project. “When any aspect of cinema gets appreciation—it’s terrific. Nachiket and Mahesh worked closely with Om and me and [they deserve] the credit.”
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Rishabh Suri (HINDUSTAN TIMES; July 24, 2022)
After Zakhm (1998) and The Legend Of Bhagat Singh (2002), this is Ajay Devgn’s third National Award for Best Actor. This time, he has won the prestigious award for his 2020 historical drama Tanhaji: The Unsung Warrior, in which he featured with his wife, actor Kajol, as well as actors Saif Ali Khan and Sharad Kelkar.
In an exclusive interview after winning, Devgn tells us: “I have the highest regard for the National Awards. And, I’m humbled and happy to receive my third mention as Best Actor. My congratulations to Suriya (who shared the Best Actor award with Devgn for his movie, Soorarai Pottru) and all the other winners of the various categories.”
His first reaction upon hearing the news was: “I smiled, said a thank you to someone up there, and folded my hands in a namaste. Then, I silently thanked my parents.”
Ask him if such a high honour makes him feel more responsible as an actor as well as a filmmaker, as he is also a co-producer of Tanhaji.., and he says, “Awards and box-office success don’t necessarily add pressure or a greater sense of responsibility at this stage of my career. I’ve completed 30 years in Indian cinema. Surely that must stand for something. After a point, responsibility is there through and through. Cinema is my lifeline.”
The movie was one of the rare examples that ran in theatres for weeks, got terrific word-of-mouth, and translated into box-office collections. He says, “The movie upheld the balance of good writing, clear storytelling, sincere performances, grand VFX, good costumes, great music and vision.”
The way the world is evolving, strictness has no place in parenting-Ajay Devgn
8:26 AM
Ahead of Father's Day, the actor says he is a liberal dad, who likes to be friends with his kids, Nysa and Yug
Rishabh Suri (HINDUSTAN TIMES; June 18, 2022)
To the world, he’s a star, but at home, Ajay Devgn is just like any other dad. The actor dotes on his kids — Nysa (19) and Yug (11). Speaking of parenting, Devgn likes to be a friend to his children.
“Parenting is a full-time passion. You must be protective about your kids, but you also need to be friends with them. The need to instil good values and discipline in them is definitely important. But, the way the world is evolving, strictness has no place in parenting. When I was growing up, my father (late Veeru Devgan, action choreographer) was a strict man. However, I understood the reason behind his strictness. Kajol’s (actor and wife) parents did a fantastic job bringing her up,” the 53-year-old tells us ahead of Father’s Day tomorrow.
A key aspects of his strong bond with his children is having heart-to-heart conversations with them. “Kajol and I explain to them what is right and wrong, and allow them to imbibe things. Of course, they make mistakes and disobey, at times. But, when that happens, there are more conversations. Both Kajol and I are grounded as people, despite our celebrity status. We want our children to be grounded, too,” he says.
With social media becoming so popular in the current times, star kids are often exposed to the limelight at a young age. Case in point: Nysa’s photos pop up quite frequently online whenever she steps out. Devgn says, “When times change, you can do nothing. Social media is the order of the day. There is no escaping it. Why should it be any different for my kids?”
The only advice he has for his kids is: “Do the right thing, become the right person.”
Our equation is such that I can tell Amitabh Bachchan anything that I want to and he doesn’t mind it-Ajay Devgn
8:31 AM
Ajay Devgn explains why his directorial outings are far and few
Titas Chowdhury (HINDUSTAN TIMES; April 25, 2022)
Actor-filmmaker Ajay Devgn’s Runway 34 marks his third directorial venture after U Me Aur Hum (2008) and Shivaay (2016). Though he has been acting in films quite frequently, his directorial outings have been far and few. He attributes the long gaps to being extremely selective about them. “I always try to direct films that aren’t easy to make, technically, be it Shivaay or Runway 34. I like movies that challenge me during the making. If there’s a story that inspires me so much that I feel like telling it myself, I direct it. Otherwise, there’s no point,” he says.
Going forward, Devgn wants to try his hand at different subjects. “I would like to try different things and someday, direct a very small film, too. I think ‘Ajay Devgn’ doesn’t only mean big films,” he explains.
Besides being his directorial, Runway 34 also sees Devgn play the lead, Captain Vikrant Khanna, in it. Quiz him if the director and actor in him ever came in conflict while filming, and the 53-year-old says, “It happened very rarely. As an actor, I grasp a character depending on what I am thinking as a director. So, it organically works in favour for the actor in me, too.”
What makes the thriller even more special for him is that he got a chance to direct actor Amitabh Bachchan in it. But the latter’s stature or stardom never came in the way of directing him or giving him inputs, reveals Devgn. “I’ve known him ever since I was a child. We have worked together on many films and we share a great rapport. Our equation is such that I can tell him anything that I want to and he doesn’t mind it. We are very comfortable with each other,” ends Devgn.
We need to do more multi-star cast films with people from across film industries. That is the way to go-Ajay Devgn
8:30 AM
Madhureeta Mukherjee (BOMBAY TIMES; April 25, 2022)
He made a smooth landing as an action star 31 years ago. Ever since, Ajay Devgn has steered his career in different directions — exploring genres, new territories, a range of roles, and basically, chalking his own flight path. The actor, with a vision and talent that gives him wings to fly, is all set for the release ofhis next, Runway 34, this week. The film, where he will be seen as a pilot, is also produced and directed by him. Ajay talks to us about the changing times in cinema and how we need to step up, rethink and even re-route our plans if that’s what it takes to move ahead. Sit back and read on…
In recent times, we have seen you portray real-life characters with a lot of conviction and finesse. When it comes to such parts, you can only take a certain amount of creative liberty, as you can’t really create your own world, but instead inhabit the one that has existed. Would you say that it’s far more challenging, and it comes with a degree of risk?
Yes, there are lines drawn and it is challenging. For instance, in a film like Runway 34, I know that I can’t break into a song any time I like. The challenge is good in a way because you know that you can’t miss a beat. You are stuck in a line and you have to follow that and be as creative as possible within that space. Yes, there is a risk and we have to get it right as there is a lot of dignity attached to such characters. Runway 34 is inspired by true events, but of course, it is dramatized for the movie. It was an incident that happened in 2015, we followed the basics, but didn’t get into the backstory of the characters, we created our own. When you have a great story to tell, you just go ahead with it.
Sometimes, facts are stranger than fiction, and suddenly, you read and hear about something and realise that we couldn’t have thought of something like this in the purely fiction space, so that makes it very interesting.
In the past, you have spoken about how you don’t delve too deep into a role as a part of prep, instead, you try to get the feel of the character and just dive in. Has that trait in you changed, especially given that you have been bringing real-life characters (like Tanhaji: The Unsung Warrior and Bhuj: The Pride Of India) alive on screen?
That has not changed really. Maybe my concentration has increased, but my prep time is the same. I think about the character, feel it and then it all comes automatically. That is the process I have always followed. I know that there is another way of doing this, some people get into method acting, and there is nothing wrong with that. To each his own. I prefer this process as I like being spontaneous. If I get into a certain method and rehearse a part too much, I believe I will lose my spontaneity. It will start seeming fake to me, and I will stop feeling. I don’t want that to happen.
After U Me Aur Hum and Shivaay, this is the third venture that will see you as a director, actor and producer. When you switch between these extremely demanding roles and responsibilities, what mind space are you in? Does it totally consume you?
I have a great team, and also, I am never a producer on the set. I just shoot my film the way I have planned it. On the set of this film, I was more of a director than an actor. As an actor, too, I was clear about what I am going to do. If you have clarity on what you want to achieve every day at work, then it’s all about the hard work that happens on set, even when you are playing these multiple roles.
You have worked with Amitabh Bachchan previously on various projects as a co-actor, but what was it like to give him commands like ‘action’ and ‘cut’? Is there anything new that you learnt about him as a director on this project?
We share a great rapport, and he’s always an inspiration. When he is on set, he does not move from his mark. Even when I would tell him that I needed half an hour for lighting, and that he could go back to his van, he would say, “No, I will sit here.” He would sit on his mark, keep rehearsing and stay in character. If he is supposed to start shooting at 11 am, he is on set at 9 am, and then there is panic amongst the crew. The kind of effort he puts in is outstanding. At his age, he has health issues, but when he walks on set, he is younger than you, quicker than you and is completely prepared, even if he has 20 pages of lines. He inspires you to direct him. It’s like the frame changes when he comes in front of the camera. He never questions you as the director and if you have imagined something, the result is far better than you expected.
Talking about your recent films, we saw you in Gangubai Kathiawadi, in a brief but extremely impactful role. In RRR, too, you had a cameo, but even S S Rajamouli stressed during interviews that your character was as important as the leading parts…
(Cuts in…) Thinking about the length of your character in a film is an outdated thought now. You need to come in and make an impact, that’s all. That’s what happens in Hollywood. It’s changing here, too, and I think people will start doing that more.
Do you see superstars in Bollywood teaming up for films like we have seen in the past?
It should happen (smiles).
You have collaborated with filmmakers from the South. Lately, there have been in-depth discussions on how South cinema is doing phenomenally well and how Bollywood needs to up its game. Your thoughts?
It boils down to the numbers. And the numbers in the south are really huge. If you were to analyse it — look at the number of theatres across north centres as compared to the South markets. Their reach (South) is a lot more. We know of probably four films from the South which have worked, but there are several that have also not done as well. What also works for them is that they manage to promote their films better as there is a lot of unity there, and unity in every way. Even the stars there are unified, from what I have seen as an outsider and my interactions with them. They are united, and they work as one force, not for a particular film, but for the industry.
There is also a lot of talk about how we (as in India) need to project ourselves as one big film industry…
I agree, we should do that. It should be the Indian film industry and not Bollywood, Tollywood, etc.
To achieve that, what needs to change?
We need to be more open-minded and break the divide between South and North, and start working together. We need to do more multi-star cast films with people from across film industries. That is the way to go.
In the thick of the pandemic, there was a cloud of doubt amongst many about whether theatres will be able to get back on their feet again? Did you ever have such fears?
Never! I know that OTT is here to stay, but the theatrical experience is something else, and that cannot change. The difference is that today your film has to be a theatrical experience like Runway 34 is. There are some films that are good stories, and you might prefer to watch them on OTT. So, to draw audiences to the theatres, you have to start making films which will be a theatrical experience for them. That is what has changed today.
Do you think that the rise of OTT has changed the dynamics of stardom and the way it has been perceived for ages? And also eased the pressure off actors who are constantly expected to deliver at the box office?
The pressure has not eased. Look, it was never about getting work because if your films worked or didn’t, there was always some work. It’s about how you maintain your quality, and that pressure will always be there. With OTT coming in, that pressure has gone up as we have a new generation of great actors who have come in. And it’s not about competing with them or about stardom, but when you see them perform so well, you feel the need to pull up your socks. So that’s a good thing. If we step up, we will move with the times, else we will become redundant. If we sit back and say, ‘I know how to do this and I know everything’, then we can’t move ahead. You have to see how the newer actors are performing, and they come really, really well-prepared. We were not so prepared when we came into the industry. Today, the mindset has changed, and this generation is far more evolved. What we were thinking at 18, they are thinking at 10. The sensibilities have changed, and the audience has so much more exposure to international content now, so you can’t mess up with the quality of your content.
I prefer helming films that are not easy to make-Ajay Devgn
8:41 AM
From creating a claustrophobic 6x6 cockpit for key scenes to directing Bachchan, Ajay Devgn discusses taking on double duty for Runway 34
Hiren Kotwani (MID-DAY; April 21, 2022)
For someone who initially aspired to be a director until fate took him down a different road, Ajay Devgn doesn’t take his place behind the camera as frequently as he would like. But when the material of Runway 34 was being developed, the actor instinctively knew he wanted to helm it as well. “When flights [encounter] turbulence, the drama of what the pilots go through is interesting. When I started working on the script, the drama came out effectively,” says Devgn.
The aviation thriller sees him as a pilot who is being investigated after his flight has a close shave. “My character is grey; he is intelligent, but does things his way. Initially, you feel he has done everything wrong, owing to his arrogance. But slowly, things start unfolding.”
Devgn’s third directorial venture also stars Amitabh Bachchan and Rakul Preet Singh. Directing Bachchan is every filmmaker’s dream. Having shared screen space with the megastar in several movies, did Devgn wonder about directing him some day? “I can’t go to him with a movie, saying, ‘Sir, mere liye yeh role kar lijiye’. He is a legend. So, you have to give him a character that justifies his stature. Considering the character in Runway 34, and the conflicts between our parts, I could not see anyone else in that role. I would have been lost if he hadn’t said yes to the film.”
Every movie is a learning experience. When asked about the lessons he applied from his previous directorial ventures, U Me Aur Hum (2008) and Shivaay (2016), the actor-director says, “The first two films were more personal. U Me Aur Hum was about a husband-wife [relationship], while Shivaay was about a father-daughter bond. Runway 34 is based on a true incident. I prefer helming films that are not easy to make. It’s not easy to shoot in a cockpit. We created a 6x6 cockpit for key scenes. I didn’t want a bigger space as it would look fake. I wanted the claustrophobia to come across on screen. Filming in such a tight space, and yet retaining the thrill was challenging.”
Even as he counts the days to the Eid release, Devgn has begun work on his next directorial offering. “I’m working on a script. [It may roll] next year, or the year after. It will be an action-drama.”
I just hope and pray things don’t take a turn for the worse. People’s health and pockets must not suffer-Ajay Devgn
8:28 AM
Worried about the Coronavirus pandemic situation, Ajay Devgn hopes the industry doesn’t suffer again
Rishabh Suri (HINDUSTAN TIMES; January 1, 2022)
The New Year has begun on a shaky note for the film industry and actor Ajay Devgn is hoping that things get better. “As of just a few days ago, Delhi was put on yellow alert. Other Indian states have indicated new lockdown restrictions. Sources say the Omicron variant may dampen the beginning of 2022 plans for most people around the globe. This puts all of us, including the entertainment industry, on a back foot. I just hope and pray things don’t take a turn for the worse. People’s health and pockets must not suffer,” says the 52-year-old.
The year looks busy for him, with his directorial project Runway 34 scheduled for release in April, and his much-anticipated web debut, Rudra: The Edge of Darkness, likely to release in March. He will also start shooting for a couple of projects, including Singham 3.
His film, Tanhaji: The Unsung Warrior remains the highest grosser for Bollywood in over two years. It released in January 2020, just when the Covid-19 scare was spreading across the world. Does he see such times coming back?
“Tanhaji: The Unsung Warrior dominated the box office for two years. There are films that made massive money in the middle of the pandemic, too, so I am hopeful. I’d say another film will come and break records. S S Rajamouli’s (filmmaker) RRR shows great potential. Rohit Shetty’s (filmmaker) Sooryavanshi raked in Rs. 196 crore in the middle of a pandemic,” says the actor.
Devgn has spent over three decades in the film industry. Sharing what has kept him going all these years, the actor quips, “Exercise, cinema, family time are all inspiring. Discipline and dedication become a way of life after a point. There are things that are out of our control, like the pandemic. But, we can’t afford to be shirkers.”
I'm just getting warmed up for the next 30 years-Ajay Devgn
8:17 AM
Ajay Devgn looks back at his journey of three decades and shares how debuting with Phool Aur Kaante turned things around for him
Rishabh Suri (HINDUSTAN TIMES; November 22, 2021)
In 1991, actor Ajay Devgn entered everyone’s hearts, riding on top of two motorcycles in the film Phool Aur Kaante. Today, as the 52-year-old completes 30 years as an actor, he says he is all “warmed up for the next 30”. Excerpts...
Sustaining in showbiz for three decades wouldn’t have been easy. Correct?
You are right, it is herculean. Sustaining in any field for three decades needs constant evolving, and a certain level of maturity — not just in age, but also in craft. It needs constant experimenting, and learning closely from the colleagues and filmmakers you work with. It’s a never-ending process. I look back at the last three decades as one terrific journey, in which I’ve made countless mistakes and struck innumerable home runs. Either way, I am happy.
When you started out, were you sure about making it big, as an actor?
Frankly, it was my father’s (late Veeru Devgan) dream to launch me as an actor. I was just required to focus on realizing his dream. Whether I’d be successful or not is a thought I didn’t toy with at that stage. No one can enter the films planning stardom. You have to work hard and pray your destiny carries you forward. When Phool Aur Kaante became the craze it did, I was catapulted to stardom. I was immature, young, unprepared for stardom.
How was it working in the film?
Kuku Kohli, my director, set out to make a volatile love story with two newcomers — Madhoo Shah and me. He picked up the best music directors of that time, Nadeem-Shravan, brought in my father for action choreography and had a stalwart like (actor) Amrish Puri, who played my father and the antagonist. So, I had to just play my part. I was raw and consumed by delivering the kind of action my father wanted.
Your entry on top of two motorcycles became a rage. How did that go?
I can’t recall the exact feeling I experienced when I stood astride those two motorcycles. However, I know it was a moment of complete madness. Three decades ago, we didn’t use body doubles and safety nets. We just went for it. It was a leap of faith.
I stay sane by being disconnected and focusing on work-Ajay Devgn
8:12 AM
As he brings real-life chapter to screen with Bhuj, Ajay Devgn on dealing with social media verdicts that influence a film’s fate
Uma Ramasubramanian (MID-DAY; August 14, 2021)
Over a year after playing Maratha warrior Tanhaji Malusare in Tanhaji: The Unsung Warrior (2020), Ajay Devgn has embraced another real-life character with his recent release, Bhuj: The Pride of India. Before stepping into the shoes of Indian Air Force squadron leader Vijay Karnik for the war drama, the actor says his only concern was that he “shouldn’t wrong” the real-life hero. “In such cases, I try to be more honest to the character and not make it too filmy. When one fights for the nation, they don’t brag about it. So, that honesty should reflect [in my portrayal]. You can’t make a film without taking some creative liberties, but we have kept it subtle,” says Devgn. With the Abhishek Dudhaiya directorial venture, the actor intends to familiarise the current generation with the unsung heroes.
The war drama, which focuses on a chapter of Bhuj during the 1971 India-Pakistan war, dropped on Disney+ Hotstar yesterday. With movies taking the OTT route, social media verdicts have replaced box-office collections as the new-age barometer. How does he react to social media becoming a critical factor in a film’s success? “The deciding factor is the film eventually. Having said that, social media does hamper [a film’s run] sometimes. We can’t do much about it because in today’s day and age, everybody has become [an online critic].”
Devgn admits he has little patience for trolls, and uses social media to the bare minimum. “I don’t have Twitter or Instagram installed on my phone. So, I don’t keep myself updated about what people are saying online. I think that’s the best way to be. You have to trust your judgment, and that of people around you. I stay sane by being disconnected and focusing on work.”
With promising projects in Maidaan and Mayday, Devgn is enjoying the current phase of his career. He notes that nuanced roles are now being written for mature actors. “If you see around the world, stories are being written for mature actors because such characters offer more depth. Now, it is difficult for youngsters to get [interesting stories].”
Cinema, at least the kind that I’m doing, has just one destination: a theatre near you-Ajay Devgn
8:17 AM
The actor says it was a better time when he didn’t have to choose between OTT and theatres
Rishabh Suri (HINDUSTAN TIMES; June 6, 2021)
Two of Ajay Devgn’s productions — The Big Bull and Tribhanga — have already premiered on OTT platforms amid the ongoing Coronavirus pandemic and both received good response, too. Clearly, the actor-producer believes in the potential of the web space.
However, he’s someone who has been a quintessential big screen hero all his life, and also owns a theatre chain. How does he look at the face-off between OTT platforms and theatres in the future, when the Coronavirus situation gets better? Will he make it a point that each of his film gets a theatrical release only?
“Cinema, at least the kind that I’m doing, has just one destination — a theatre near you. I want the films I’m doing to be enjoyed on the big screen. I cannot debate on the merits of cinema halls versus OTT platforms, because the reality is that both will coexist,” admits the De De Pyaar De (2019) actor.
The 52-year-old goes on to add that of course he wants theatres to retain the importance they hold, both for the actors and audiences.
“As the owner of a theatre chain, I want cinemas to flourish. I want my staff to have employment and be happy, though what I want may be different from the reality. So, one can only hope and pray that we come back to a pre-Covid phase, where we had no tough choices to make,” says Devgn, who has been in the film business for three decades now, and has cemented himself as one of the most popular actors.
From quirky comedies such as the Golmaal franchise, to intense dramas like Omkara (2006) and hit actioners like the Singham series, the superstar has never really stuck to any one genre.
And he calls it a “well thought of strategy” that he never wanted any one image for himself.
He tells us, “I’ve been like this from the start of my career. I jumped from commercial to middle-of-the-road cinema, from art-house films to over-the-top comedies. If you’re an actor, you must go through the entire gamut. And, there’s not one kind of cinema that I enjoy. Every genre has takers.”
Even now, a variety of films including Maidaan, MayDay and Thank God feature on his upcoming list. Besides full-fledged projects, Devgn would also be seen making special appearances in Gangubai Kathiawadi, RRR and Sooryavanshi.
The actor continues, “Forget the past, what I’m doing now is also a mixed bag. Maidaan is a biopic with a football-backdrop, MayDay is an aviation thriller. I’m eagerly looking forward to the next instalment of Singham. And, when Golmaal happens, once again, there’ll be a mad hatter’s party, as we know franchises like Singham and Golmaal have their ever-so-faithful audience.”
I was completely gung ho about normalcy. But, this second wave has got me worried-Ajay Devgn
8:13 AM
Ajay Devgn was among those who had resumed shooting, hopes the pandemic is overcome soon
Rishabh Suri (HINDUSTAN TIMES; April 25, 2021)
It has been almost a week since Maharashtra announced a 15-day shutdown and shoots were stalled amid the second wave of Coronavirus. However, until recently, a host of actors had been busy shooting and releasing new projects, and Ajay Devgn was leading from the front. He had completed almost two months’ shoot for his directorial, MayDay, which brings him together with Amitabh Bachchan, and his upcoming film, Maidaan.
Ask how does the year look for him now, and he says, “In January I was hopeful. I had completed 60 odd days of MayDay without a hitch and I got into shooting for Maidaan and Gangubai Kathiawadi (a special appearance). I shot for a couple of commercials, too. I was completely gung-ho about normalcy. But, this second wave has got me worried.”
Pinning all his hopes on the vaccination programme, the 52-year-old hopes the vaccine will bring relief. He tells us, “Covid-19 is like a Damocles sword hanging over our heads. Masks, face shields, sanitisers, getting the unit tested every 48 hours, it’s a huge challenge. Since the vaccine is now a reality, we’re hoping things will change.”
Talking about work, Devgn has in the past also helmed the action thriller Shivaay (2016) and U, Me Aur Hum (2008). So, what out of acting and directing excites him more? “All aspects of cinema thrill me,” he says, adding, “Acting has its own charm especially when you work with filmmakers who are masters of their craft.”
But he confesses he’s constantly in ‘director’ mode. “I can’t stop thinking how a shot should be taken, whether I am taking it or some other director is. I enjoy technology, I love VFX. Making a motion picture is a work of passion. I cannot choose between acting and filmmaking because I enjoy both,” concludes Devgn.
I don’t even cut a cake on my birthday-Ajay Devgn
8:30 AM
Turning a year older today, Ajay Devgn says cinema for him is as exciting as it was when he made his debut 30 years ago
Rishabh Suri (HINDUSTAN TIMES; April 2, 2021)
He was 22 when he entered the film industry as an actor with Phool Aur Kaante, and 30 years later, Ajay Devgn stands as one of the biggest stars in the Indian film industry. Turning a year older today, he’s in the busiest phase of his career, with three films set for a release in 2021 — Maidaan, Sooryavanshi (in which he has a special appearance) and RRR, apart from also directing MayDay. He takes out time from his busy schedule to talk about his three decades in films, and missing his father, late action director Veeru Devgan. Excerpts:
Are you a birthday person? Do you get excited about the day?
No, not at all. I’m shy. I don’t even cut a cake! Of course, cakes are cut in office, at the shoot and in my home. But I usually get my children or my nephews to do it.
I’m going to be 52 this year. And, it’s hard to say — I get excited about a birthday. With the Coronavirus pandemic, things are even more restricted. I know my mother and my wife will make it special by inviting my sisters, their families and cousins over. It’s a template we follow on the birthdays of all family members. The fan clubs do their own form of celebration. I must say, it is a day to say thank you to everyone, especially fans and well-wishers.
The day must be more special, after all 2021 is your 30th year in Bollywood. How do you look back upon these three decades?
Had we not been in the middle of a pandemic, I may have had some people suggesting we do something to mark my three decades in the industry. However, now caution is the key word today. All celebrations must be low-key and responsible.
Looking back, I would say time has flown. Each and every film has taught me something. What is wonderful about being an actor or for that matter, a creative person is – age doesn’t define your creative parameters. You can still be learning and learning more.
I love the fact that at 90-plus, a filmmaker like Clint Eastwood is doing some extraordinary work as a filmmaker. His is an example that comes to mind. Closer home, there is Amitabh Bachchan. I’m directing him in MayDay. And, I can’t tell you how inspiring he is. His discipline and dedication to his craft; his enthusiasm are infectious qualities. I don’t know what the future holds. I would if I could ask to be like these legends. Not so much for the ‘legendary’ aspect. But more for their complete involvement with cinema. Cinema excites me. It’s more the creative aspect that I enjoy and the commercial aspect is a bonus.
Do you have any fond birthday memories?
As I said I’m not much of a birthday person. I wish my dad (Veeru Devgan) was around on this special day. I wish that everyday actually.
What is your birthday plan this time around? Any wish?
My wish is for everyone across the globe. I hope this pandemic ends soon and life eases back to normal. It would be a Utopian state but then — what’s the harm in hoping for the best.
If any actor or filmmaker tells you that box office doesn’t matter, he/she is lying-Ajay Devgn
8:22 AM
The actor says OTT platforms have been godsend during the pandemic; adds that people now visit theatres only if the film is worth their while
Rishabh Suri (HINDUSTAN TIMES; February 5, 2021)
Sustaining a position at the top for 30 years is no small feat. Ajay Devgn has managed to do just that, with his swag intact. His last film Tanhaji: The Unsung Warrior (2020) was his 100th film but he is still raring to go not just as an actor but also a maker in 2021.
You started off at a time when a film’s success meant its run time in theatres. Even until they shut down due to Coronavirus, it was about opening day or weekend collections. Do you feel it has become too much about numbers?
There are several trophies marking the golden and silver jubilees of yesteryear films in my office. Most of them were given to my father, Veeru Devgan who was an A-grade action-director. They are a reminder of the golden period in cinema when films ran uninterrupted for 50 and 25 weeks. In recent years, theatrical revenues have worked on a hit and run basis. It has nothing to do with the pandemic. It is because we have so many other avenues to consume our entertainment. Naturally, you will only visit a theatre if a film is worth your while.
How important are box office numbers to you today?
If any actor or filmmaker anywhere in the universe tells you that box office doesn’t matter, he/she is lying. OTT doesn’t give us that joy but the good thing is it takes our films to a worldwide audience. In situations like the Coronavirus pandemic, it is godsend.
You are now working on your next directorial, MayDay. What made you decide to take over the reins as a maker again?
I’m born to films and I love films. Even when I’m idle, I only thinking of films. MayDay is a script that excites me. I want to tell a story that has heart and thrills. I’m also fortunate to have Amitabh Bachchan in it. Directing a legend like him was on my bucket list.
You are always pitted against other superstars. How do you perceive the rat race?
If you are a commodity, you will always be compared. Initially comparisons matter. They even make you bitter. But after 100 films, comparisons only help in making you better. You recognise your USP and then you work at enhancing it. Indian cinema had superstars in the days of Dilip Kumar and Amitabh Bachchan. They ruled for decades. After that, every Friday brought a new superstar.
I am a seasoned player, I have seen so many highs and lows-Ajay Devgn
8:21 AM
As an actor-producer, even though Ajay Devgn had many reasons to be happy about 2020, he had his moments of anxiety and frustration
Rishabh Suri (HINDUSTAN TIMES; December 30, 2020)
The year 2020 was his year, going by the professional high he achieved. Ajay Devgn’s Tanhaji: The Unsung Warrior remains the only highlight for Bollywood in a year which saw it being affected by the Covid-19 pandemic. His film was the sole blockbuster of 2020. The 51-year-old was also among the first few A-listers to get back to work with his next directorial MayDay. Excerpts from an interview:
Not only was Tanhaji: The Unsung Warrior a career high for you, it also changed the way we look at historical epics. Did you anticipate this response?
I’m ecstatic with the box-office of our film. No, I wasn’t expecting it to break records. It is my 100th film. In a career spanning 29 years, I have seen so many highs and lows, accolades and brickbats, that I never go into a film thinking it will break records. I’m a seasoned player. I do a film because I believe in it.
With Tanhaji: The Unsung Warrior, I knew we had a strong story, good dialogues and a bunch of effective actors. I then combined it with spectacular VFX, done by my company.
2020 was quite an eventful year. How would you sum it up?
I don’t know what to call 2020. You can it eventful or you can call it uneventful. By the time we adjusted to the lens through which to look at the Coronavirus pandemic our viewpoints changed. Through the year, I had many reasons to be happy. For instance, January gave me Tanhaji: The Unsung Warrior, December gave me MayDay. In between, like the global fraternity, I had moments of anxiety and frustration. Work came to a stand still. My family life was disrupted. It was a complete mix of emotions.
It was a big change, from Hindi film industry’s business point of view as well. Do you agree?
We took a big hit because theatres closed. My own chain of theatres up North is bleeding. I say a prayer each day for the industry and for our business. It is not for me alone, but for the thousands whose direct means of livelihood come from cinema. I hope we are able to bring back the blockbuster days to the box-office because it will take many blockbusters to infuse life into our failed economy.
What do you think was it about Tanhaji: The Unsung Warrior that really clicked?
It combined a good story of bravery and valour with spectacular VFX. That made it work.
Ajay Devgn urges fans to stay calm with new song on #CoronaCrisis
8:32 AM
Madhureeta Mukherjee (BOMBAY TIMES; April 25, 2020)
Ajay Devgn has been using his social media handles to interact with people and keep conversations going about the challenges that come with the ongoing pandemic. Fear has gripped us all, and while we sit cooped up at home during the nationwide Coronavirus lockdown, there are many artistes, including some of our own celebrities, who are trying to instill hope and positivity among people. Today, Ajay has launched a special song titled Thahar Ja, which speaks about the need to not just stay at home, but to also stay happy and calm.
The song that features Ajay has been shot in his home by him. It also marks the debut of his nine-year-old son, Yug Devgn, as his assistant director. Talking about how it all came together, Ajay says, “Anil (Verma) is our in-house writer and has written songs for Tanhaji: The Unsung Warrior, too. He had written these lines, and I liked the idea. The song is more about mental health and happiness. Through the song, we are trying to explain to the common man that... you have been working all your life for your family, so now, for the sake of their safety, you have to stay at home. So, thahar ja apno ke liye.” He adds, “The common man needs to work and feed his family, but right now, everyone needs to calm down, stay safe and sane at home. That is really important.”
Ajay has also worked on the concept of the video for the song composed and sung by Mehul Vyas. “It was shot simply with whatever resources were available at home. Later, I sent it to the editor and told him what kind of shots I wanted in the video. Everyone, who was part of this, worked on it from their own homes. Given that I didn’t have a team to shoot it, I asked my son, Yug, if he wanted to be a part of it as my assistant director. When we shot it, all through the day he was working with me and running around the house. He was excited to see his name in the credits,” says the actor.
In real life, I cut off from a negative person-Ajay Devgn
8:40 AM
Ajay Devgn on 20 years of marriage, and why — and how — he hardly ever loses his cool
Raghuvendra Singh (TIMES LIFE; March 22, 2020)
How different is Kajol on the set and at home?
(Smiles) She’s the same person on the set and at home.
How would you describe your equation with Kajol through the years?
We’ve been married for 20 years. With time, your relationship matures. Your understanding of each other grows. Life eases out. She knows exactly what my habits are, what I’m seeking from life, just the way I know about her. We’re happy being with each other and giving space to each other as well. The balance comes with time gradually, which is good for a marriage.
How has Kajol changed through the years?
(Smiles) There’s no drastic change in her. She’s the same person she was. Earlier, people would say that Kajol says it the way it is. She does that even today. The only difference is that she has become more mature. She understands things better. She reacts in a better way.
Is there any particular value that appeals to you, and you want your children to imbibe it?
I spend a lot of time with my children. I want them to be true and honest to themselves. If they’re honest to themselves, they’ll be honest with us. I want them to respect others and themselves. I tell them that every day. That covers everything. If you respect yourself, you carry yourself with dignity. When you respect others, you uphold your culture. That’s the basic foundation.
Yug seems to be interested in photography. His clicks on your social media pages are interesting…
No, nothing like that. He’s way too young. He plays football, does parkour and indulges in photography as well. Like any kid, he enjoys it all. When he grows older, he’ll be able to decide what he wants to do.
What about Nysa?
She’s in the eleventh class. She has a lot of options to choose from. Children should be allowed to pursue what they like. But we do discuss what’s good for them. The final call is theirs. If you study something, you should be able to enjoy the process. If you force something upon children, they will neither enjoy it nor succeed.
In an industry thriving on PR, you don’t seem desperate for attention.
I’m like this only. I believe once you’ve done your job, you should shut up. People have ears, eyes, mouth… They can understand everything. It’s their job to talk, not yours. Touchwood! People meet me with respect. I feel happy about it. You gain nothing by shouting from the rooftops. Whatever you achieve is temporary. And I don’t believe in temporary things. They never last.
Can we get to know the real Ajay Devgn from your social media handle?
(Smiles) You won’t be able to know. I only comment on what needs to be commented upon on social media. But it’s always the truth. For instance, during elections, I urge people to vote. I wish all on Diwali. If a tragedy is disturbing, I write about it. Jo dil se nikalta hai, woh bol deta hoon. At times, there’s pressure to post something... but I don’t give in to that pressure. Sometimes my team asks me to post something because I haven’t in a while. But I don’t do it just for the sake of it. What I have worn today or what colour I like, why should I post about that?
You are known to be a prankster. We never see that side of you on social media?
Yaar, we all have our personal lives. We do masti mazaak with people we’re comfortable with. Recently, on Diwali my entire family was together. So I clicked a picture and shared it spontaneously. But if you have to post something every day then that’s succumbing to pressure. That’s also a kind of promotion. If you post anything, there always will be positive and negative reactions. If I write something genuinely and it invites a negative reaction, I know that I believe in what I wrote. I stick to that.
How do you keep yourself away from negativity?
I don’t pay attention to it. I don’t bother about it. If I read something unsavoury about myself, I don’t pick up the phone and ask my publicist to look into it. Sometimes, he comes and tells me, ‘Sir yeh chhapa hai.’ I say, ‘Yes I read it.’ The topic is over. In real life, I cut off from a negative person. If I’m working with such a person, then I keep it to the point. Na baat karne ki zaroorat hai aur na jhagda karne ki.
Your father, Veeru ji (Devgn), passed away recently. What do you miss about him?
Yaad toh aati hai. Every day, some moment or the other reminds me of him… more so when I go to his room. Few days ago we had a pooja at home. I miss the usual things he did or said. There’s a picture of him in my office. The moment I enter, I see his frame. Dad couldn’t see the new office. It became operational after his demise.
Apparently, you are soon reuniting with Sanjay Leela Bhansali…
It’s too early to talk about it. We’re in talks but let’s see what happens. It’s like asking someone, are you married. No? Okay, how many children do you have? (Laughs) Bhai shaadi toh ho jaane do pehle. Let’s lock that first.
If you had to remake one of your films, which one it would be?
It would be my first film, Phool Aur Kaante (1991). I’ve thought of a new way of presenting it. I will co-produce it with someone. I’m looking for a fresh face for that. The approach will be different but the emotional texture will be retained.
I always joke that the only genre I’m uncomfortable with, is porn-Ajay Devgn
8:39 AM
Tanhaji may have given Ajay Devgn his career’s highest grossing film, but the 100-film-old actor still feels he’s a misfit in the industry
Kunal Guha (MUMBAI MIRROR; February 9, 2020)
You can tell it is Ajay Devgn from afar just by the way he walks. But he insists that his gait isn’t “cultivated”. We’re in a tent on a hill in Powai, where the star is in the midst of shooting his next, based on the life of legendary football coach Syed Abdul Rahim. Devgn’s latest release, Tanhaji: The Unsung Warrior, the 3D rendered biopic on the 17th century Maratha warrior has rocked the box office (260.67 crores and counting) — and become his highest-grossing film.
The 50-year-old actor, dressed in a plain grey shirt and dark trousers, has a cool 100 films under his belt. And over the years, he has remained a consistent star, steadily adapting to the times. What really sets him apart, however, is his peculiar ability to remain aloof in an industry as insular as Bollywood. “I am not completely fit to be in this industry in that sense,” he confesses, explaining how he could never keep up with the networking game — and “couldn’t care less” even if it curbed his options.
Unlike many of his contemporaries, who meet expectations rather than confound them, Devgn rarely does what’s expected of him. A determined recluse, he admits how hard he strives to limit his off-screen appearances to just film promotions, and how he’s “allergic” to interviews, socialising with peers, and social dos. “I’ve always stayed the way I am… on my own terms and conditions,” he says. “If I can get whatever little success from this, I am happy with that.”
A flying start
Devgn made his debut with Phool Aur Kaante (1991), a film that catapulted him to overnight stardom. He was 18 at the time and having “a wild time”, when his father, the late veteran action director Veeru Devgan, pulled him out of college and threw him into the deep end of the industry. “Before acting, I assisted Shekhar Kapur [director]. Initially, I was more drawn to editing, direction and writing,” he says. “I was certain that if my first film doesn’t work, I wouldn’t roam around with my portfolio, asking for work.”
Over the years, Devgn’s talent has been recognised. He won National Awards for his compelling turns in Mahesh Bhatt’s taut political drama Zakhm (1998) and Rajkumar Santoshi’s The Legend of Bhagat Singh (2002). But by his own admission, he finds it unbearable to sit through his films when they air on TV. “Even in those films that have won awards I feel that I could’ve done better,” he says.
He isn’t, however, his fiercest critic. Devgn often turns to his 16-year-old daughter Nysa for a reality check. “If I’ve recorded a song, I make her listen to it and there are times she’s told me, ‘This kind of music doesn’t work today’,” he says. Surprisingly, he refrains from talking shop with his wife and actor Kajol. But does she have a favourite film of his? “I’ve never asked her,” he says. “But in an interview, she once named Company [2002].”
From goofy comedies (Golmaal) and romantic dramas (Hum Dil De Chuke Sanam) to Shakespearean adaptations (Omkara), Devgn has straddled a gamut of genres, even while recording sporadic success. What has stuck with audiences, however, is his image of a brooding action hero. “I’ve not built myself like that. Maybe it’s my personality that extends across the screen,” he says. “Also, before Ishq, I wasn’t really offered anything else”. Today, he prefers to “rotate genres to kill the monotony”. “As an actor, you can’t be too picky,” he says. “I always joke that the only genre I’m uncomfortable with, is porn.”
No regrets
That Devgn turned down superhits like Karan Arjun (1995), doesn’t bother him. “I don’t even regret those that I did to maintain friendships, which I knew wouldn’t work and were flops,” he says. What about his contemporaries and how their careers panned out? “I get along with most stars of my day. They’re around because they all have something to offer. And you can also be a superstar and not be a great actor, but know how to carry yourself. Even that’s something.”
Known for being inaccessible to the media, Devgn says he wasn’t always as reticent. “From raising my hand on them to sharing a drink and sorting things out, it’s been like any other friendship,” he says, adding that the proliferation of the media has made it difficult to retain that personal rapport he once shared. “Once they even linked me with a heroine who I had never met socially or even spoken to over the phone.”
As producer, Devgn greenlighted a diverse range of films, including the Nana Patekar-starrer Aapla Manus (2018). His checklist of evaluating a potential film is basic. “The story should connect with the audience, make one laugh, cry or engage with the characters.” This theory isn’t always foolproof, he says. “Raju Chacha, for instance, taught me that I need to control my expenses,” he says of the box office dud, which launched his production house in 2000.
Devgn is also known for his military-like discipline towards his fitness goals. We ask him whether he begins his day with half-a-glass of almond milk and a few dates, which catches him off guard. “Who told you?” He adds that he accompanies it with a heavy breakfast, and tries to “avoid carbs in the evening”.
At present, the actor has his hands full with biopics and is currently working on three — Bhuj, Maidaan and Chanakya. The choice of subjects, however, was “entirely based on merit”. “Look at Tanhaji, for instance. Why create fictional characters with that kind of heroism, emotion and vibe, when there are figures in history who offer all this.”
We’re joined by publicity design veteran and Devgn’s collaborator for over two decades, Rahul Nanda. He praises the actor’s ability to keep a straight face “even when life is stressful”. “Life doesn’t give you stress, people do,” the actor blurts out in his trademark deadpan style.
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