“I am obsessed with how I portray India on screen,” says John Abraham. The actor recently played the role of a diplomat (The Diplomat, 2025) and a police officer (Tehran, 2025). Earlier, he has portrayed an IAS officer in Parmanu and a police officer in films like Force and Batla House. On the other hand, he has also been part of comedy films like Housefull 2 and played the quintessential antihero in Pathaan. In a recent chat, the actor-producer speaks to us about how he occupies two different worlds depending upon whether he is wearing a producer’s hat or an actor’s hat.

John says that he occupies two cinematic worlds depending upon which hat he is wearing. As a producer, he wants to make a difference with the kind of films he produces, and as an actor he loves action and comedy films.

“As a producer, I can’t produce a Housefull (2010) kind of a film. But as an actor, I did a Housefull 2 (2012). As a producer, there are a lot of films that I cannot do. I’m not equipped to do them. But as an actor, I fit in. Like Pathaan (2023) – it is too big a film for me to even fathom producing at this point of time. That’s for the calibre of an Aditya Chopra, who can conceive and make a film like that. As an actor, I want to do films like Pathaan because I enjoy the space. I enjoy doing films like Dostana (2008) and Desi Boyz (2011). Maybe at some point I’ll transition to producing these big-budget films, but at this point – no! So, as an actor, it’s a different mindset and as a producer, it’s a different mindset.”

John adds that even when he’s making commercial films, there’s intention behind it. “Commercial films toh karni hi hai. As John Abraham the star, action is inseparable. But I also crave depth.”

Speaking at the Sushma Swaraj Institute of Foreign Service, John says that he keeps rejecting offers worth crores for endorsing pan masala brands or to dance at weddings. “The decision of whether you want to do certain things in your career that actually do not speak for who you really are – that’s a moral choice and a subconscious choice. Pan masala, for example. They give us a lot of money. But would I endorse pan masala? I wouldn’t. Again, I’m not pointing a finger at people who do. I’m talking about what is right and wrong for me. I would not do it because I think it is possibly dangerous for someone’s health. I made a choice that I won’t dance at marriage functions. Now, is it right or wrong? It’s not wrong. Actors do it. Nothing wrong with it. The Beyoncés of the world are coming to dance at our weddings here. It’s a personal choice. But would I do it? No,” he says, adding, “There are certain moral choices I make in my life as a person that probably go against the grain of my job.”

John says that he is fully aware of his image as an action star. He says, “You can’t fake sincerity. You must live the role. With The Diplomat, the compliment I cherished the most was people saying, ‘Only your facial muscles acted.’” To essay the role of diplomat J P Singh in the film, John met him multiple times, observed him and exchanged notes.

He says, “Diplomats are incredibly sharp. Our diplomats like Mr S Jaishankar, J P Singh – they command such respect. I met many real officers and was awestruck by their calmness and dedication.”

Talking about Tehran he says, “I research a lot, I know what I’m presenting. We were very careful with Tehran. We showed all sides with fairness. My grandfather came from Iran in 1939. My mother still speaks Farsi. I had to learn it for the film. So there’s an emotional connection. It’s in my blood.”