SHANTANU ON
DIRECTORIAL DEBUT:
I ENJOYED IT, OPEN
TO MORE PROJECTS

As composer Shantanu Moitra steps behind the camera for the first time, he talks about the commonality and difference between music and filmmaking
Soumya Vajpayee (HINDUSTAN TIMES; June 27, 2025)

Composer Shantanu Moitra has added another feather to his hat by turning filmmaker. He has directed and produced an upcoming docu series on YouTube, which features a six-part, sit-down conversation with singer Kaushiki Chakraborty.

Sharing why he decided to turn director, the 57-year-old says, “I wanted to become an entrepreneur and a storyteller. I wanted to break this whole pattern of someone calling to offer me a work opportunity. That made my brain start ticking and I thought I wanted to try something else.”

Titled Pankh, his maiden directorial outing is music driven, as it’s a live autobiography and album on Kaushiki’s life. “Over the years, there have been lots of stories that I wanted to share with the world. And what better vocalist to voice that feeling of mine than Kaushiki Chakraborty. I believe if you’re really passionate about anything, then you are the best person to execute it. That is why I took this leap of faith and got into direction,” says Shantanu.

As someone navigating music and filmmaking now, the musician accepts that there’s a lot of commonality and differences between the two crafts. “Before I compose a song, I have a gifted power to hear the track in my head, which includes the songs I’ve composed for Parineeta (2005) or 3 Idiots (2009). That’s something I experienced as a director too. I could see it and had a clear vision before I started directing it. That’s the commonality,” he says.

He adds that the greatest difference between the two crafts is the turnaround time. “As a composer, the turnaround time from the moment I hear a song in my head to execution is less, as I record it immediately after calling the right people. However, in case of a film, there are many departments and people you’re dependent on. Hence, the gestation period from when I think of an idea to when it finally manifests is huge,” says Shantanu, who is a “huge fan” of filmmakers Satyajit Ray, Werner Herzog and Hrishikesh Mukherjee. “Ray’s love for black and white, and his vision for imagery is something that I have used in Pankh,” he ends.