INCOMPLETE
RELEASES?
HALF-BAKED,
NO FUN
With a rise in makers dumping incomplete films in theatres, we have trade experts weigh in on the fledgling trend
Navya Kharbanda (HINDUSTAN TIMES; December 7, 2023)

Last month, Arjun Kapoor and Bhumi Pednekar-starrer The Lady Killer was reported to have hit the theatres as an “unfinished film” within five days of the trailer release. Director Ajay Bahl later clarified that his ‘confirmation’ that the film was released as incomplete was to be taken in jest, and that it was indeed “a complete film”. However, reportedly, only 293 tickets were sold on day one and showed on an appallingly low number of screens.

Shastry Viruddh Shastry and Hukus Bukus, starring Paresh Rawal and Darsheel Safary in the lead, respectively, dropped in theatres last month sans any promotions — meeting a similar fate.

OTT DEALS, BUDGET CONSTRAINTS
The most obvious reason, notes trade analyst Atul Mohan, is that producers lock OTT deals very early on, which forces them to release films in an as-is state. “If they don’t deliver the film on time, the deal would get cancelled. Time se shoot nahin hua hoga aur overbudget ho gaya hoga, so makers might not want to put in more money. Agar usey Rs. 5 milna hai and Rs. 4 kharch ho chuka hai toh promotion vagerah mein nuksaan ho jayega,” says Mohan.

Stating that makers run out of funds and have to abandon projects midway and release them in a half-baked state, film expert Omar Qureshi says: “After the pandemic, a lot of indie makers ran out of funds and the confidence of their financier real fast. It was tragic for Hukus Bukus and Shastry Viruddh Shastry. There should be more support from state governments to incentivize filmmakers with smaller budgets.”

To makers, it might appear lucrative to salvage costs through such rushed releases, but trade analyst and producer Girish Johar alerts that it is a worrying trend. “Everything is getting wasted — the cast, technicians, even producers. Everyone is losing. Producers not taking it seriously and releasing films half-heartedly raises questions about credibility and loss of faith among the audience,” opines Johar.

But exhibitor Akshaye Rathi feels that the trend is “circumstantial”. “Producers run out of finances midway or post production. Only one out of 100 films has a fate like that. It could be the availability or the dates of the star involved or disputes between the producers and directors,” he explains.

Box-office collections
Hukus Bukus - Rs. 4 lakh
The Lady Killer - Rs. 1 lakh
Shastry Viruddh Shastry - Rs. 6 lakh


INCOMPLETE
RELEASES?
HALF-BAKED,
NO FUN