Showing posts with label Zoya Hussain. Show all posts
Showing posts with label Zoya Hussain. Show all posts
Men will brush past your chest on public transport-Zoya Hussain
4:17 PM
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Priyanka Sharma (MID-DAY; September 23, 2026)
With ‘Hunkkaar - The Roar’, actors Fatima Sana Shaikh, Aneet Padda, and Zoya Hussain have come together to tell the story of a 17-year-old who accuses a self-proclaimed Godman of sexual assault. Even as Hussain is happy that the JioHotstar series examines blind faith and demands consequences for sexual assault, it’s not lost on her that “the endless list” of microaggressions that women face goes unchecked.
Sharing an uncomfortable situation, the actor told mid-day, “You are taking public transport, and the men will stand extremely close to you and brush past your chest or bum. This is an everyday occurrence.”
Hussain added that misogyny is not something that women experience only outside their homes. “When somebody comes home for some work, they will speak to my partner way more respectfully than to me. There are so many microaggressions. It’s part of being a woman in this world,” she rued.
In sharp contrast to her attitude and beliefs is her role in ‘Hunkkaar’ — Hussain plays a disciple of the Godman. The actor said yes to the role as she saw it as a chance to learn about people who have blind faith. “On reading my part, my immediate feeling was why is she saying nothing, why is she obeying. But it explains itself. I have fortunately stuck with strong roles. So, it was interesting to explore this.”
Now we have stereotyped the independent woman-Zoya Hussain
10:55 AM
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Asserting that the industry has to take strides to enhance the portrayal of female characters, Zoya Hussain on why it took her a while to return to screen with Manoj Bajpayee’s Bhaiyya Ji
Mohar Basu (MID-DAY; May 23, 2024)
Four days after Zoya Hussain watched Sirf Ek Bandaa Kaafi Hai did she get a call to star in Bhaiyya-Ji opposite Manoj Bajpayee. Hussain made her debut with Anurag Kashyap's Mukkabaaz and then followed it up with Laal Kaptaan opposite Saif Ali Khan.
"I was very intimidated when they called for this film. I wasn't sure I could match his prowess. But when I met him, I realized he is very funny. This film is the rare time that I was on a set that was so happy. I really got a dream team to work with," she tells us.
But in the past seven years, despite a shining performance in one of Hotstar's most-loved shows Grahan, Hussain has been branded as picky. When we sit down with her, we ask why it took so long to see her in a Bollywood film again.
"It's not that I am so picky. I think because of Mukkabaaz, I got stereotyped. It was assumed I would only do these types of roles. I am not from Mumbai or industry or modelling. All my opportunities come organically. Apoorv Singh Karki and Manoj sir saw my film, thought I am good, and gave me a call. I have turned down some commercial films because in many of those offered to me, the female character is an accessory. There was literally nothing to do. I don't want to do such films because that's not a narrative I wish to contribute to. I am not saying stories have to be female-oriented. But why can't character driven good stories come to me. In this film, we haven't revealed my character yet. But when people watch, they will get to know why this movie was fulfilling for me. The film is set in a small town but this isn't an average subservient girl's part."
Hussain faults the writing of female parts in Bollywood and says the parts by and large are either sexy glam girl or helpless.
"This is a casting problem as much as writing people. When you write these characters, you look for women to fit these moulds. Writing has to be diverse. For decades we serve the male gaze where the protagonist is a man, ensemble of men and the women are thrown in as an afterthought. They are not well rounded characters. Now we have an attempt to have more female characters but now we are falling into the opposite trope and now we have stereotyped the independent woman. It doesn't mean she is smoking, drinking and rebelling. Rebels can be conservative too. Writing and casting departments have a lot of work to do."
Hussain has been through her own share of personal struggles which has hindered her from getting bigger projects greatly.
"I didn't make a big splash because all my work came out in Covid. I feel it all fell under the radar. It is taking a little longer than it takes for people who have a modelling background or industry support. They are more visible. It is tough to stay happy and motivated. In terms of casting, I faced a lot of struggles initially. A woman studio head told me in my first year - you are dusky, you are curvy, you'll be in indie type movies. It still makes me angry. Most actresses are tall and thin. In our industry - colour or size inclusion is still in its tokenist phase. That has to change. I am very rebellious about not wanting to change myself. I keep my head down and work. Now I am working alongside Manoj Bajpayee, and it is a reaffirmation that I am talented enough to work with him. Working with him helped my career, my confidence and my craft."
Calling them technicians makes them seem non creative-Jim Sarbh, Zoya Hussain
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Actors Zoya Hussain and Jim Sarbh’s new talk show turns the tables, putting actors in the interviewer’s seat to speak to composers, editors and make-up artists
Mitali Parekh (MID-DAY; January 14, 2024)
There is a certain perverse delight in hearing actor-producer-director, SoBo boy-gone-movies Jim Sarbh talk about how much research he had to do as preparation and how he had to learn to not interrupt people when they were speaking. And assess what kind of questions made for interesting answers and which did not.
This has been in preparation for Crew Cut, co-actor Zoya Hussain and his new endeavour on YouTube that takes the audience into conversation with technicians in the business. “I like the term crew better than technicians, because it makes their contribution seem, well, technical and not creative,” says Sarbh, whom we saw most recently as Adil Khanna in Made In Heaven and in Rocket Boys as Dr Homi J Bhabha. “Often, they are the ones with a sense of entirety about the project, a sense of visual storytelling matched only by, perhaps, the director. As actors, we only know a section of the project.”
Sarbh confesses to be “endlessly curious” about filmmaking and is constantly speaking to music composers, sound artistes, cinematographers about their craft, or wondering how the set designers on Gangubai [Kathiawadi] gave the walls that patina so evocative of age and decay. “If a costume designer has put two pens in the pocket of the character (as for Rocket Boys), I need to know why,” he says. “Are they different coloured? Which colour would Dr Homi Bhabha use for what? Is it because he has many documents to sign and doesn’t want to run out of ink.”
Hussain, also, has been “fascinated by what film [the actual reels] look like, shadows, lights, the nostalgia. I romanticised light and how long takes made you feel. As I gained a better understanding of things, I gravitated towards how cinematographers make the visual language of a film. The intake while we watch a movie, way more than we realise, is thanks to them.”
Fascinated as much as both were by these aspects, they knew the general populace may not be drawn to these conversations, so they reeled in more recognisable friends to spotlight these heroes with their fame. So, actor Vidya Balan speaks to long-time collaborator, costume designer Niharika Bhasin who won the National award for Costume Design for The Dirty Picture. Rasika Duggal quizzes editor Namrata Rao (Fan, Mrs Chatterjee VS Norway, Made In Heaven), Hussain speaks with make-up artist Ayesha Seth (Queen, Slumdog Millionaire), and Sarbh himself chats with cinematographer Harshvir Oberoi (Rocket Boys, Kathal) and music composers Naren Chandravarkar and Benedict Taylor (Udta Punjab, Nil Battey Sannata).
In waiting are sound designer Resul Pokutty (Slumdog Millionaire, Highway), make-up and prosthetic artist Preetisheel Singh (Padmavat, Bajirao Mastani), costume designer Maxima Basu, music composers Dub Sharma (Gully Boy, Made In Heaven) and Achint Thakkar (Rocket Boys, Scam 1992), editor Sanjukta Kaza (Tumbbad, Bhediya, Paatal Lok) in the wings with actors Kalki Koechlin, Ali Fazal, Arjun Mathur, Vivek Gomber and Tillotama Shome.
“We just reached out to people we know first, and then kind-of-know, and then don’t-know-but-want-to-know,” says Hussain about the process of pairing actors and technical experts. “And almost everyone was thrilled to participate,” says Sarbh. “There was the matter of getting dates, but that’s just technical.” Balan, for instance, was so immersed that she had memorized the three sheets of questions handed to her to conduct the interview seamlessly.
While Hussain says “there wasn’t much prep” as an interviewer, Sarbh admits at first getting into the technicalities of the craft such as the type of lens used, etc and then realising as he saw the episode, that it didn’t make for engaging conversation for everyone. “What was interesting was the minutea of the vision. For example, for Rocket Boys, two timelines converge and I asked Oberoi what was the overriding emotion he was trying to evoke at this point of conversion. He said ‘death of the utopian ideal’. Two decades into independent India, which was built on non-violence and a dream of a great country, the country was besieged. We had lost a war with China, things weren’t great with [East and West] Pakistan, and Bhabha and Sarabhai had to now build a bomb.”
Besides these technicalities, Hussain wanted to know the human elements: Why they picked the profession, what inspires them, what they like outside of work, who they are, some jokes, lots of advice, and how their brains just cook up things. “It’s been lovely to see what technical aspects of film viewers are fascinated by. It’s also just lovely to be a silent participant to watch and listen to energies come together,” she says.
After being screened at Indian Film Festival of Melbourne, Akshay Oberoi’s Bad Egg to stream on festival’s website
8:49 AM
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Hiren Kotwani (MID-DAY; August 11, 2022)
The pandemic continues to inspire filmmakers to tell different stories set against such unprecedented circumstances. Director Mehak Jamal, who has previously co-written Love Hostel, is set to showcase one such narrative with Bad Egg at the Indian Film Festival of Melbourne (IFFM). After the screening at the festival on August 13, the 28-minute short, starring Akshay Oberoi, Zoya Hussain, Jim Sarbh, Sheeba Chaddha and Shruti Sridharan, will stream on the official website till August-end only in Australia.
Excited about the screening, Oberoi says, “Mehak is a talent to watch out for, who deserves all the glory and success. The film will be a great beginning to bigger and better things for her. It’s all credit to Mehak that our short has been selected for a screening at the IFFM.”
Interestingly, Bad Egg was the first film Oberoi shot for when filming resumed post the lockdowns. “I think it was gutsy to make this film [at such a time]. Short films don’t have big budgets, so we all had to be responsible as a team and work in tandem,” adds the actor.
Without divulging much about the film, Oberoi promises the story is “full of mystery and unpleasant surprises”. “I’m looking forward to the audience response at the IFFM 2022.”
Bad Egg is about a how a daughter unfolds the mystery behind the kidnapping of her sister.
Is something brewing between Jim Sarbh and Zoya Hussain?
8:19 AM
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Vinay MR Mishra (HINDUSTAN TIMES; May 4, 2022)
Actors Jim Sarbh and Zoya Hussain could be more than just co-stars. If the latest buzz is to be believed, Sarbh and Hussain are the newest lovebirds of tinsel town.
An insider from the industry shares, “The two have been going out quite often, of late. Jim was last known to be dating a lawyer. But that was three to four months back. Now he is often seen with Zoya. It’s new, but the two are not shying away from holding hands at parties and social gatherings. Clearly, something is brewing between them.”
Both the actors are known for keeping their dating lives incredibly discreet. However, the insider adds, “They might come out in the open about [their relationship].”
From what we have gathered, although Sarbh, 34, and Hussain, 31, first shared the screen three years ago in singer Prateek Kuhad’s Cold/Mess music video, they started going out as recently as the beginning of this year.
Hussain and Sarbh refused to comment on their equation, despite repeated attempts. They were last seen in another music video by Kuhad, titled Into The Night in 2019.
Ashwiny Iyer Tiwari, Abhishek Chaubey and Saket Chaudhary team up for Netflix anthology Ankahi Kahaniya
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Uma Ramasubramanian (MID-DAY; August 18, 2021)
From exploring the complexities of relationships in Ajeeb Daastaans to the breezy Feels Like Ishq, filmmakers have brought us varied shades of romance with the two anthologies. Now, Netflix India is ready to roll out another anthology, Ankahi Kahaniya. Directors Ashwiny Iyer Tiwari, Abhishek Chaubey and Saket Chaudhary will take us through the winding paths of love and longing as actors Abhishek Banerjee, Zoya Hussain, Kunal Kapoor and Rinku Rajguru bring their stories to life in the RSVP Movies production.
Tiwari is no stranger to romance, having helmed the delightful Bareilly Ki Barfi (2017). The director says her latest outing will blur the lines between reality and fantasy. “I want to challenge myself as a storyteller with every story. [With my latest offering], I hope to captivate the imagination of movie lovers with questions of untold emotions that every human goes through,” she states.
For his short film starring Rajguru and Delzad Hiwale, Chaubey of Udta Punjab (2016) fame has gone back to the ’80s. It is as much an ode to the innocence of young love as it is to Mumbai’s single-screen cinemas.
The filmmaker says, “When you’re young and caged in Mumbai, looking for love is a sweet escape. What’s better than finding it at the movies, however fleetingly?”
Chaudhary counts himself lucky to be part of the anthology as he says, “Love stories have always been one of my favourite genres.”
Randeep Hooda unable to recollect last 48 hours
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That’s the premise of the actor’s next film, which is set to kick off in Scotland with cast and crew from the United Kingdom
Avinash Lohana (MUMBAI MIRROR; August 13, 2019)
Randeep Hooda has been a busy guy. After wrapping up Imtiaz Ali’s #AajKal, featuring Kartik Aaryan and Sara Ali Khan, the actor is gearing up for the Sanjay Leela Bhansali-produced yet untitled thriller in October with Mukkabaaz actress Zoya Hussain. Now, Mirror has learnt that Randeep has given his nod to another thriller, the tentatively-titled Rat On The Highway. It will be directed by debutant Vivek Chouhan.
“Randeep plays an advertising professional who is unable to recollect the last 48 hours of his life. He is in the middle of a highway, trying to piece it all together. This film was originally conceived by Sunil Saini, Sunny Deol’s manager. I really liked the concept and suggested we reach out to Randeep as we needed an actor par excellence. Fortunately, he loved the script too,” informs filmmaker Mohaan Nadaar.
The film kicks off in Scotland soon. Randeep will reach the location three days early for a workshop. “We start shooting in Arbroath (a former royal burgh and the largest town in the council area of Angus in Scotland) with all permissions in place. Randeep has been working on his look with the director who has 25 years of experience as an ad filmmaker. He’s worked on this film for the last three years,” adds Mohaan.
Besides Randeep, the entire cast and crew is from the United Kingdom. They will be shooting with three cameras, with Randeep mouthing lines in both Hindi and English. Most of the filming will happen at night with the makers hoping to wrap up the actor’s portions in 24 days.
Zoya Hussain to star opposite Randeep Hooda in Sanjay Leela Bhansali's mystery thriller
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Zoya Hussain cast opposite actor in filmmaker’s yet-untitled production
Avinash Lohana (MUMBAI MIRROR; August 7, 2019)
Mirror had earlier reported (April 25) that even as Sanjay Leela Bhansali is gearing up to take his next directorial, the Salman Khan and Alia Bhatt-starrer Inshallah, on the floors, he has roped in Randeep Hooda to play the leading man in his yet-untitled production. We have now learnt that Zoya Hussain, who made her Bollywood debut with Anurag Kashyap’s Mukkabaaz, has been paired opposite the actor.The film marks the directorial debut of Balwinder Singh Janjua, who has previously written the Arjun Kapoor and Anil Kapoor-starrer Mubarakan, Kapil Sharma’s Firangi and more recently, the Tushar Hiranandani-directed Saand Ki Aankh featuring Taapsee Pannu and Bhumi Pednekar. “Zoya fit the role perfectly and has already begun prepping for her part. After a few rounds of workshops and reading sessions, she will start shooting in the first week of October in Delhi with Randeep,” informs a source close to the development. A mystery-thriller with comic undertones, the film sees Randeep in the role of a cop and has lots of twists and turns.
While Randeep recently wrapped up shooting for Imtiaz Ali’s tentatively-titled #AajKal with Kartik Aaryan and Sara Ali Khan, Zoya will next be seen in the Rana Daggubati-starrer multilingual, Haathi Mere Saathi.
This is Bhansali’s fifth production in the recent times, after Tuesdays And Fridays, featuring Anmol Thakeria and former Miss India International Jhataleka Malhotra, Malaal, which introduced Jaaved Jaaferi’s son Meezaan and Bela Segal’s daughter Sharmin, Abhishek Kapoor’s film on Balakot air strike and Inshallah.
Manav Vij replaces R Madhavan in Navdeep Singh's Saif Ali Khan-starrer?
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Natasha Coutinho (MUMBAI MIRROR; March 26, 2018)
Mirror had earlier reported (March 6) that R Madhavan was forced to drop out of the Navdeep Singh directed historical drama after he was injured in the gym. Now, Mirror has learnt that Udta Punjab and Rangoon actor Manav Vij has stepped into his shoes. The film also features Saif Ali Khan.
According to a source close to the development, Madhavan was scheduled to join the unit during the Rajasthan schedule in March. The rest of the cast had already started shooting in Desuri in February. As part of his prep, he started taking horse-riding lessons and training in action when he hurt his shoulder and had to undergo surgery followed by two months bed rest. Now, Manav will be undergoing the same training. Right now, he is working on his get-up.
“Meanwhile, leading lady Zoya Hussain, who made her debut with Anurag
Kashyap’s Mukkabaaz, is being coached in sidesaddle-riding and is
already a pro. The first schedule of the yet-untitled film was wrapped
up in Pali. They will be returning to Rajasthan and are expected to be
shooting in Bhilwara and Udaipur, followed by long schedules in Uttar
Pradesh and Mumbai. Deepak Dobriyal will also be joining the cast in an
important role,” adds the source.The Saif and Madhavan onscreen reunion had created a lot of buzz as they were coming together 17 years after Rehnaa Hai Terre Dil Mein.
Madhavan was also forced to step out of Rohit Shetty’s Simmba due to his injury. The actor recently tweeted, “Hey folks. So I am a huge crazy fan of Rohit Shetty and his films. As is my son. It breaks both our hearts that I’m not able to be a part of this film because of my injury. I’m well on my way to recovery but this is a huge opportunity and excitement lost.”
Sonakshi Sinha joins the cast of Navdeep Singh's next?
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The actress joins Saif Ali Khan and R Madhavan near Desuri village where they are filming Navdeep Singh’s historical
Natasha Coutinho (MUMBAI MIRROR; February 23, 2018)
Mirror had recently reported (January 23) that Saif Ali Khan and R Madhavan will be reuniting for a historical, 17 years after they teamed up for Gautham Menon’s romantic-drama Rehnaa Hai Terre Dil Mein in 2001. Zoya Hussain who made her debut in Anurag Kashyap’s sports drama Mukkabaaz plays the leading lady. Now, Mirror has learnt that the Aanand L Rai production, being directed by NH10 director Navdeep Singh, has a new addition to the cast. Sonakshi Sinha has now been roped in and has already begun filming in Rajasthan where a major portion the film will be shot.
A source close to the development says, “Sonakshi will be playing an interesting cameo in the yet untitled film. She is the surprise element which is why the makers are keeping her part and look tightly under wraps for now.”
The actress plays the lead in another Aanand L Rai production, Happy Phirr Bhag Jaayegi, where she joins Diana Penty, who featured in the original, and Punjabi actor Jassi Gill who is making his Hindi debut with the romcom. The first part of the franchise with Ali Fazal, Abhay Deol, Diana and Jimmy Shergill released in August 2016.
The source informs that Saif, along with other actors, was in Rajasthan last week to kick off the shoot. “It is being shot near Desuri village presently and will move to other parts of the state. Deepak Dobriyal will also be joining the cast in an important role. This will be followed by long schedules in Mumbai and Uttar Pradesh in the coming months,” adds the source, reminding that Sonakshi and Saif had earlier teamed up for Tigmanshu Dhulia’s 2013 action drama Bullett Raja.
Saif and Madhavan have trained in sword-fighting and horse-riding as part of their prep for the period drama. They will require a lot of prosthetics and the team has been working on heir look for a long time. Navdeep was earlier supposed to direct Kaneda, a gangster drama for Anushka Sharma’s production house, featuring the actress, Arjun Kapoor and Diljit Dosanjh. After several delays, he opted out of that project to concentrate on this film.

Mirror had recently reported (January 23) that Saif Ali Khan and R Madhavan will be reuniting for a historical, 17 years after they teamed up for Gautham Menon’s romantic-drama Rehnaa Hai Terre Dil Mein in 2001. Zoya Hussain who made her debut in Anurag Kashyap’s sports drama Mukkabaaz plays the leading lady. Now, Mirror has learnt that the Aanand L Rai production, being directed by NH10 director Navdeep Singh, has a new addition to the cast. Sonakshi Sinha has now been roped in and has already begun filming in Rajasthan where a major portion the film will be shot.
A source close to the development says, “Sonakshi will be playing an interesting cameo in the yet untitled film. She is the surprise element which is why the makers are keeping her part and look tightly under wraps for now.”
The actress plays the lead in another Aanand L Rai production, Happy Phirr Bhag Jaayegi, where she joins Diana Penty, who featured in the original, and Punjabi actor Jassi Gill who is making his Hindi debut with the romcom. The first part of the franchise with Ali Fazal, Abhay Deol, Diana and Jimmy Shergill released in August 2016.
The source informs that Saif, along with other actors, was in Rajasthan last week to kick off the shoot. “It is being shot near Desuri village presently and will move to other parts of the state. Deepak Dobriyal will also be joining the cast in an important role. This will be followed by long schedules in Mumbai and Uttar Pradesh in the coming months,” adds the source, reminding that Sonakshi and Saif had earlier teamed up for Tigmanshu Dhulia’s 2013 action drama Bullett Raja.
Saif and Madhavan have trained in sword-fighting and horse-riding as part of their prep for the period drama. They will require a lot of prosthetics and the team has been working on heir look for a long time. Navdeep was earlier supposed to direct Kaneda, a gangster drama for Anushka Sharma’s production house, featuring the actress, Arjun Kapoor and Diljit Dosanjh. After several delays, he opted out of that project to concentrate on this film.
Saif Ali Khan, R Madhavan reunite for a historical, directed by Navdeep Singh & produced by Aanand L Rai?
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The actor-duo has come together for a period film that is set to roll in Rajasthan in the first week of February
Natasha Coutinho (MUMBAI MIRROR; January 23, 2018)
A source from the film reveals, “The shoot kicks off in Rajasthan, where the story is set, in the first week of February. Since it’s a period film, Saif and Madhavan will be training in sword-fighting and horse-riding. They will require a lot of prosthetics and the team has been working on their look for a long time. Last week, there was a final look test in Mumbai and the film is ready to roll now.”
Buzz is, Zoya Hussain, who was introduced in Mukkabaaz, has been signed on as the female lead. Deepak Dobriyal is also a part of the cast.
Navdeep was earlier supposed to direct Kaneda, a gangster drama for Anushka Sharma’s production house featuring the actress, Arjun Kapoor and Diljit Dosanjh. But the filmmaker reportedly opted out of the project to concentrate on this film.
Maharashtra Bandh: Serial shoots disrupted, actors stuck on the sets, media interactions cancelled
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Shooting and media interactions cancelled, disrupted as protestors wreak havoc during the bandh on Wednesday
Natasha Coutinho and Avinash Lohana (MUMBAI MIRROR; January 4, 2018)
Sidharth Malhotra and Rakul Preet Singh were to rehearse for a promotional track in Neeraj Pandey’s upcoming Republic Day release Aiyaary at Feroz Khan’s suburban studio on Wednesday but the plan was cancelled at the last minute owing to unrest in the city. “The shoot was scheduled for January 4 at a Panvel college with approximately 5,000 students in attendance but has now been pushed to January 8,” informs a source close to the film in which Rakul plays an IT professional while Sid is an army officer.
Director Anurag Kashyap, producer Aanand L Rai and the Mukkabaaz cast of Vineet Kumar Singh, Zoya Hussain and Jimmy Sheirgill also had plans to assemble in Andheri for promotions on Wednesday but it was cancelled as well.
Schedules of TV shows, Bhabhiji Ghar Par Hain, Ishqbaaz, Yeh Rishta Kya Kehlata Hai, Haasil and Kasam Tere Pyaar Ki were also stalled due to the agitation. “We had a 9 am shift at Film City in Goregaon and some of the crew had arrived. But by the time the actors were to come in, the protests were nearing the studio with demonstrators stopping them from entering the location, so we asked everyone to go home. We have postponed the shoot by a day,” Yeh Rishta… producer Rajan Shahi told Mirror.
Shubhangi Atre, who plays the titular role in Bhabhiji…, said that shooting for her show was disrupted by rioters. “We were shooting master scenes when protestors landed on our Naigaon sets and demanded a shutdown,” she informed. Meanwhile, Pranitaa Pandit of Kasam Tere Pyaar Ki revealed that their shoot, at Killick Nixon studio in Andheri East, was also halted by miscreants. “A few hours into the shoot, we were mobbed by a gang of unruly men who forced their way into the premises. We rushed to the vanity vans and were holed up for hours even as they continued to damage everything in sight including vehicles and shooting props.”
Star Plus’s top-rated show Ishqbaaz suffered a similar fate. “We had a rather challenging day with telecast deadlines looming above. One of the schedules was canned due to growing unrest in Malvani but some of us continued to work in Madh Island,” show lead Nakuul Mehta shared.
Nikita Dutta of Sony’s Haasil had to return home even before making it to the sets. “We had an 11 am shift in Kanjurmarg and I live in Bandra. I was stuck on the highway for an hour. Then, I was informed that the shoot has been called off because nobody could reached the sets. It took me four hours to get off the highway and return home,” she added.
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Chaya Unnikrishnan (DNA; January 4, 2018)
Mumbai was on the edge yesterday due to a bandh called by some political groups and protesters causing disruptions by pelting stones and shutting shops at various places. Consequently, the shoot of several serials was affected across the city — while some were cancelled, others like Piya Albela shifted their timings. Serials that cancelled their shoots include Haasil, Ikyawann, Kasam Tere Pyaar Ki, Ishqbaaz, Meri Hanikarak Biwi, Bhabhiji Ghar Par Hai, Vani Rani and Kundali Bhagya, among others. While some actors who managed to reach the sets early in the morning shot for their serials unhindered, others despite being on the sets had to call for a pack-up as mobs barged inside the studios and forced them to shut down!
Sanjay Kapoor, who plays the lead role in Dil Sambhal Jaa Zara, reached the sets at Kanjurmarg at 8 am and shot for an episode. “It was fine in the morning, but later everything shut. So, even though I reached the set, my lunch from home got stuck. Even the food that’s served on the sets was unavailable, so we had to shoot without food. But the show must go on,” he says. However, for those who were shooting in Killick Nixon in Sakinaka it was nothing short of a nightmare! Ssharad
Ssharad Malhotra who is seen in Kasam Tere Pyaar Ki had reached the sets in the morning and was putting on his make-up when there was disruption. “I heard a lot of commotion, there was a mob of around 200-300 people outside the studio gates demanding we shut down the shoot. So, the producer called for a pack-up, but still the situation was frightening. They were pelting stones at cars and I saw buses burning,” he recounts clearly shaken up.
For Manit Joura, who was shooting for Kundali Bhagya, it was a scary experience. “I am facing this kind of a thing for the first time. When I reached the sets at 9 am, everything was fine. But, suddenly a mob barged onto the sets with lathis. The shoot was cancelled, but we were stuck as the mob was stopping vehicles and throwing stones and pieces of wood. We were advised to stay put and as a security measure the main door was chained. It was a very bad situation,” he says.
Pranav Misshra of Aisi Deewangi Dekhi Nahi Kahi also reached Future Studios in Jogeshwari only to have the shoot disrupted. “There was tod-phod outside the studio, and shops were forcibly shut down. There was a mob outside. It was saddening and I was worried about the situation. The government officials need to take strong measures to control these things,” he quips. Namish Taneja of Ikyawann was lucky. He was on his way to Film City for the shoot, when he got a call from the executive producer advising him to return home as protesters were not allowing anybody to enter the premises. “Thankfully I reached home safely,” he says relieved.
Nikita Dutta, who was travelling to Powai for the shoot of Haasil left home at 10 am and was stuck in traffic for four hours! She says, “I stay in Bandra but I couldn’t even reach the airport in one hour. I informed the producers that I’ll be late. However, within half-an-hour I got a message saying the shoot is cancelled. But there was such a huge traffic jam that I couldn’t even take a U-turn. Also, mobs ghearaoed my car and weren’t letting me go, finally after going round and round, I reached home around 1.30 pm. I was scared because there was nobody with me.”
Her co-star Vatsal Sheth, on the other hand, was about to leave the house when he got the message that the entire unit is stuck at Hiranandani and shoot has been cancelled. Since his in-laws weren’t well he went with them to the hospital but got stuck in the traffic on the way back. “My house is just five minutes away, but I had to take a detour as the protesters were obstructing vehicles. I have nothing against protests, but they should be peaceful,” he shares.
Ishqbaaz producers canned one shoot at Malvani as there was unrest there but another unit continued to shoot at Madh Island. Nakuul Mehta who is part of the serial says, “The problem of closing down the shoot midway is the danger of travelling on roads for the rest of the unit. It’s challenging as we have deadlines and telecast to meet. Hoping Mumbai can find a peaceful end to this without any more damage,” he says.
Producer Sumeet Mittal whose two serials Dil Se Dil Tak and Yeh Un Dinon Ki Baat Hai were being shot at two different places was happy that the former’s shoot was not affected. “That was shot in an enclosed compound at Mira Road, so there was no problem. But Yeh Un Dinon Ki Baat Hai’s shoot is in Film City, which got affected. Since we have a bank of episodes for a couple of days, it’s not an issue,” he informs.
According to J D Majethia, head of the TV unit of the Indian Film & Television Producers Council (IFTPC), the areas where mobs had a strong presence, the shoot was affected, elsewhere it continued uninterrupted. “However, the TV industry is strong and all the telecast deadlines will be met,” he signs off.
Mumbai was on the edge yesterday due to a bandh called by some political groups and protesters causing disruptions by pelting stones and shutting shops at various places. Consequently, the shoot of several serials was affected across the city — while some were cancelled, others like Piya Albela shifted their timings. Serials that cancelled their shoots include Haasil, Ikyawann, Kasam Tere Pyaar Ki, Ishqbaaz, Meri Hanikarak Biwi, Bhabhiji Ghar Par Hai, Vani Rani and Kundali Bhagya, among others. While some actors who managed to reach the sets early in the morning shot for their serials unhindered, others despite being on the sets had to call for a pack-up as mobs barged inside the studios and forced them to shut down!
Sanjay Kapoor, who plays the lead role in Dil Sambhal Jaa Zara, reached the sets at Kanjurmarg at 8 am and shot for an episode. “It was fine in the morning, but later everything shut. So, even though I reached the set, my lunch from home got stuck. Even the food that’s served on the sets was unavailable, so we had to shoot without food. But the show must go on,” he says. However, for those who were shooting in Killick Nixon in Sakinaka it was nothing short of a nightmare! Ssharad
Ssharad Malhotra who is seen in Kasam Tere Pyaar Ki had reached the sets in the morning and was putting on his make-up when there was disruption. “I heard a lot of commotion, there was a mob of around 200-300 people outside the studio gates demanding we shut down the shoot. So, the producer called for a pack-up, but still the situation was frightening. They were pelting stones at cars and I saw buses burning,” he recounts clearly shaken up.
For Manit Joura, who was shooting for Kundali Bhagya, it was a scary experience. “I am facing this kind of a thing for the first time. When I reached the sets at 9 am, everything was fine. But, suddenly a mob barged onto the sets with lathis. The shoot was cancelled, but we were stuck as the mob was stopping vehicles and throwing stones and pieces of wood. We were advised to stay put and as a security measure the main door was chained. It was a very bad situation,” he says.
Pranav Misshra of Aisi Deewangi Dekhi Nahi Kahi also reached Future Studios in Jogeshwari only to have the shoot disrupted. “There was tod-phod outside the studio, and shops were forcibly shut down. There was a mob outside. It was saddening and I was worried about the situation. The government officials need to take strong measures to control these things,” he quips. Namish Taneja of Ikyawann was lucky. He was on his way to Film City for the shoot, when he got a call from the executive producer advising him to return home as protesters were not allowing anybody to enter the premises. “Thankfully I reached home safely,” he says relieved.
Nikita Dutta, who was travelling to Powai for the shoot of Haasil left home at 10 am and was stuck in traffic for four hours! She says, “I stay in Bandra but I couldn’t even reach the airport in one hour. I informed the producers that I’ll be late. However, within half-an-hour I got a message saying the shoot is cancelled. But there was such a huge traffic jam that I couldn’t even take a U-turn. Also, mobs ghearaoed my car and weren’t letting me go, finally after going round and round, I reached home around 1.30 pm. I was scared because there was nobody with me.”
Her co-star Vatsal Sheth, on the other hand, was about to leave the house when he got the message that the entire unit is stuck at Hiranandani and shoot has been cancelled. Since his in-laws weren’t well he went with them to the hospital but got stuck in the traffic on the way back. “My house is just five minutes away, but I had to take a detour as the protesters were obstructing vehicles. I have nothing against protests, but they should be peaceful,” he shares.
Ishqbaaz producers canned one shoot at Malvani as there was unrest there but another unit continued to shoot at Madh Island. Nakuul Mehta who is part of the serial says, “The problem of closing down the shoot midway is the danger of travelling on roads for the rest of the unit. It’s challenging as we have deadlines and telecast to meet. Hoping Mumbai can find a peaceful end to this without any more damage,” he says.
Producer Sumeet Mittal whose two serials Dil Se Dil Tak and Yeh Un Dinon Ki Baat Hai were being shot at two different places was happy that the former’s shoot was not affected. “That was shot in an enclosed compound at Mira Road, so there was no problem. But Yeh Un Dinon Ki Baat Hai’s shoot is in Film City, which got affected. Since we have a bank of episodes for a couple of days, it’s not an issue,” he informs.
According to J D Majethia, head of the TV unit of the Indian Film & Television Producers Council (IFTPC), the areas where mobs had a strong presence, the shoot was affected, elsewhere it continued uninterrupted. “However, the TV industry is strong and all the telecast deadlines will be met,” he signs off.
Actors (Clockwise from top left) Vatsal Sheth, Sanjay Kapoor, Ssharad Malhotra, Manit Joura, Nakuul Mehta, Pranav Misshra, Namish Taneja and Nikita Dutta
Indians get into sports for government jobs-Anurag Kashyap
7:55 AM
Posted by Fenil Seta

Sonil Dedhia (MID-DAY; December 21, 2017)
Anurag Kashyap’s Mukkabaaz may revolve around a boxer, but as is true of his films, this one too has multiple layers to it. Through the journey of his protagonist, a boxer who belongs to a lower caste, Kashyap addresses one of the biggest social evils of the country — casteism. He also trains the spotlight on how people from lower strata are attracted to the field of sports not for the love of the game, but for their own agenda.
“We all know the status of boxing in India. Professional boxing has started only recently here. Boxers in India come from a certain strata of the society. People from lower strata get into sports to change their lifestyle, to upgrade themselves, to get government jobs. So there is not just casteism, but also reverse casteism,” he analyses.
One with a proclivity for nuances, Kashyap says he knew early on that he’d showcase the female lead of Mukkabaaz, played by Zoya Hussain, as a mute character. “The heroine is a metaphor for the women in Uttar Pradesh, where my film is set. They hear everything, but don’t speak up.”
The film, which stars Vineet Kumar Singh in the central role, won applause at the Toronto Film Festival. “My worry was how the audience out there will react to different elements of boxing in India. I was surprised that it found an audience in the West.”
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