Showing posts with label Viveck Vaswani. Show all posts
Showing posts with label Viveck Vaswani. Show all posts
We need stakeholders, not employees-Viveck Vaswani
9:27 AM
Posted by Fenil Seta

Producer, media-educator Viveck Vaswani fires fresh salvo in the new year on what’s ailing Bollywood; prohibitive prices of multiplex tickets, included
Viveck Vaswani (MID-DAY; January 2, 2025)
There’s a definite crisis in the Hindi film industry. Films aren’t working as they should. South Indian cinema has taken over the Hindi market.
OTT is the easier alternative to excel in. For one, every middleclass home has a big-screen TV. And you can eat your home-cooked snacks, fresh off the air fryer. We need audiences to come back in droves, into cinemas—to see Hindi films!
Why’s that not happening, in the way it should? Here’s the real deal, straight from logic.
I’ve witnessed enough actors/producers/directors escape from their one primary responsibility—you’ve got one job—to make films, that sell tickets!
Yes, independent cinema; yes, cinema as art; yes, cinema that has a voice; yes, noir; yes, abstract; yes, brave new cinema; yes, cinema for festivals; yes, niche cinema… Why not, yes, cinema, that sells tickets?
Because everybody in this generation knows cinema, that is taught at film school—cinema in theory, cinema as technology. Yet, technically, anybody can be a filmmaker, or actor, without that one basic qualification—knowledge of the audience!
They don’t buy tickets themselves; why should their audience? Why not straightforward entertainment, then? Why not understand what made Raj Kapoor and Vijay Anand tick, with their audiences?
Their retrospective tributes ran to full houses across the country in 2024, defying all logic. Why not great music, created by human beans, not machines and synthesisers? Because everybody is evading the real reason for the collapse—simply, enough tickets are not being sold!
OTT is free; watching films on gadgets is free. But it’s not only about the filmmakers. The other side of this coin is equally and completely scary!
Let’s now look at the prohibitive cost of multiplex tickets, that is equally to blame for the decline in ticket sales.
A country where merely over two per cent of the total population pays income tax means that almost 98 per cent percent of the population earns an average of, roughly speaking, between Rs 15,000 to Rs 40,000 per month. How can they pay Rs 250, Rs 360, Rs 500, upwards, per ticket? They can’t!
So, the multiplex chain caters to only about two per cent of the country; what about the rest? Are they not entitled to see big cinema on the big screen?
But ’plexes are shutting down the single screens, and most of the lower and middle class audiences are watching films, four to seven weeks post the cinema release, on OTT. Or, especially the kids, hacking sites and watching films they pirate.
The ’plex sells popcorn and beverages at humongous prices. And mine their real-estate—by showing hours of ads, through parking charges, and asking producers/distributors to pay to show promotional material of their films.
The production sector doesn’t know their audience; the exhibitors are not in the business of cinema, they’re in the food and real estate business.
Now, what?
The basic difference between South Indian cinema industries and the Hindi film industry is one word—the bulk of that industry is made up of ‘stakeholders’ of the business. The bulk of the Hindi film industry is made up of employees!
There are very few stakeholders left in Bollywood: Aditya Chopra, Rakesh Roshan, Suneel Darshan are three that I can name offhand. They own their films.
So, let’s go back to the drawing board: let’s create a simpler ticket-pricing package; let’s keep our ownership, and become stakeholders. Let’s have a stake in the success of each film we make, each ’plex we build, each deal we do! Let’s be makers, and then go back to the cinemas.
The audience will come!
30 years of Karan Arjun: Salman Khan, Shah Rukh Khan are still the biggest superstars-Rakesh Roshan
10:21 AM
Posted by Fenil Seta
Renuka Vyavahare (BOMBAY TIMES; November 17, 2024)
A true-blue Bollywood revenge-reincarnation drama of the 90’s, Karan Arjun’s deeply emotional tale and casting coup made it iconic. Till date, it continues to be the only blockbuster co-starring superstars Shah Rukh and Salman Khan as leads. Slated to re-release in theatres after 30 years, on November 22, filmmaker Rakesh Roshan spoke about his celebrated film, need for its comeback and spilled some precious trivia in a chat with Bombay Times. Excerpts…
Why re-release Karan Arjun after 30 years, a film that has seen huge success already?
Despite the film releasing 30 years ago, both Salman and Shah Rukh are still the biggest superstars. That was a big bonus for me to re-release Karan Arjun. People want to see them together on the big screen in full-fledged roles. Their fans will love it. Kajol is actively doing films, the film’s music and dialogues continue to be a hit. So, I thought, lets re-release this on a bigger scale worldwide in over 2000 screens. I also want to see if the emotions that worked back then, will they work today? Agar picture dobara chalti hai, matlab emotions abhi zinda hai. Nahi chalti hai, toh its symbolic of the change this generation expects. It’s a test for me as a filmmaker.
If you were to make a sequel or a reboot, who would you cast in lead roles?
I won’t remake Karan Arjun or make a sequel but If I were to think of an alternate jodi for the movie today, I would cast Hrithik as Karan and Ranbir Kapoor as Arjun.
It’s not easy to cast two superstars as parallel leads. There’s always that fear of insecurity, rivalry and one upmanship popping in. How did you deal with this pressure as a filmmaker?
Before the shoot commenced, I sat with them together, face to face narrated them the whole story and dialogues with emotions. I told them jo bhi kehna hai, ab boliye, set pe matt boliye. Main jo bhi bolta tha woh karte thay. And I made sure dono characters mein koi unnis bis ka pharak na ho. Dono bis hi thay. Maine kaafi naapa hua tha woh sab. I had been an actor, so I knew yeh musibat aa sakti hai. At scripting level itself I made sure they were equal roles. There was no one upmanship or upper hand.
What made you think of Salman and Shah Rukh for these roles?
Salman’s physique was exceptionally good. None of the actors in those times had that built. He started that fit body trend. Also, I find his eyes arresting. I wanted someone for Karan’s role, joh chup chaap rehta hai par uski aankhen bolti hai. He fit the bill. I had worked with Shah Rukh in King Uncle (1993) and liked him immensely in Fauji so I wanted him to be Arjun. King Uncle (1993) could have been SRK’s debut film but that’s a long story.
What happened there? Why didn’t King Uncle turn out to be his debut film?
I was the first person to sign Shah Rukh, give him the cheque. I asked him to join the film industry. When I signed SRK for King Uncle, Amitabh Bachchan was supposed to play the titular part in that film but for some reason he couldn’t do it, and Jackie Shroff eventually played that role. This caused the delay and in the meanwhile his other films released first which he had signed after King Uncle. If it wasn’t for the delay, King Uncle would have been his debut film. I knew his potential. I liked him the moment I saw him in Fauji (TV serial). I remember seeing him for the first time at a restaurant. He was with Viveck Vaswani. They were eating. I walked upto him and said I really liked him in Fauji. I asked him if he would be interested in movies. He said no (smiles). I left my telephone number with him and said if he changes his mind, he can give me a call. He called the next morning. Then and there I gave him the cheque. I don’t know why he said no the first time. He was a kid then and maybe he thought later that it was a good role and an opportunity to work with Amitabh Bachchan that changed his mind.
Reincarnation, dramatic transformation, powerful comebacks have been recurring themes in your movies. What drew you to it?
For a common man, these ideas work because he also wants to do something in life. My failure as an actor perhaps drew me closer to ‘zero se hero’ banna theme. People used to say they found me pleasant as an actor, but my acting career never took off. My film Kaamchor (1982) was a hit, Jaya Prada went on to become a huge star, but it did nothing for me. Despite the film’s success, I didn’t get many offers so I thought may be God wants me to do something else. Maybe I was destined to be a filmmaker and Hrithik became a huge star, so I got to live my acting dream through him.
A film standing the test of time is its real success. Looking back, did you feel Karan Arjun would achieve that?
When I was conceptualizing this film, 80-90 per cent of my team didn’t approve of it. It felt like I was swimming against the tide because I believed in it. ‘Sir yeh kya bana rahe ho’ they would ask but when they saw my sincerity and passion, they surrendered to my vision. Reincarnation was a hot theme back then but only in love stories. Ma-bete ka angle wasn’t explored as much. Ek ma Bhagwan se kehti hai ke uskay bete maare gaye aur usko unko lautana padega, her prayers being answered is the theme of Karan Arjun and what made it what it is today.
None of your films would be complete without the music of Rajesh Roshan, your brother. Take us through this relationship.
We belong to a musical family. Music is in our blood. If he made something that I didn’t like, I would openly criticize. Kyunki hum bhai thay, hum jhagda kar sakte thay. I had that freedom. If I worked with others, I couldn’t tell them yeh bakwaas hai. I had to sugarcoat my words, so I preferred working with him. That openness and our warring nature brought out the best in us and benefited the film’s music.
Will we see you donning the director’s hat anytime soon?
We are working on Krrish 4 and we will be announcing it once things are clearer. Also, I will continue naming my films starting with K (smiles).
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As the 1995 smash hit Karan Arjun lines up for re-release, director Rakesh Roshan on the ideal cast for a reboot and how Shah Rukh Khan didn’t buy into the reincarnation plot
Priyanka Sharma (MID-DAY; November 18, 2024)
One’s blockbuster re-releasing in theatres can be a sweet reminder of the long way they’ve come in their career. But filmmaker Rakesh Roshan is still feeling the Friday jitters, ahead of the November 22 release of Karan Arjun (1995). “It’s a test for me and filmmakers to see whether those emotions work with today’s younger generation,” he explains.
Jitters or not, the director agrees that a re-release is the perfect way to celebrate the Salman Khan, Shah Rukh Khan and Rakhee-starrer’s 30th anniversary that is due in January 2025. Very few films since have been able to bring the two Khans together in the same frame. “Shah Rukh and Salman are still the biggest superstars. The film is talked about even today. There are memes of the dialogues, ‘Bhaag Arjun bhaag’, and ‘Mere Karan Arjun aayenge’,” says Roshan, proud of how the film has found a place in pop culture.
One could attribute it to the film’s story that was gripping yet demanded suspension of disbelief—two brothers, essayed by Salman and Shah Rukh, are killed mercilessly by their menacing uncle and take birth again to seek revenge. Will the theme of reincarnation hold today?
Roshan thinks so. “Even if I made this story today, people might have believed it because it’s a fairytale. Make what you think is not possible. The audience knows it’s not possible, but they get immersed in the storytelling.” He further reveals that Shah Rukh didn’t buy into the reincarnation plot. “Though he wasn’t convinced with the plot, he wanted to do it. After the film became a hit, he said, ‘I was absolutely wrong.’ Then, he also made Om Shanti Om [2007],” Roshan laughs.
The director made Karan Arjun with two up-and-coming stars, something that many filmmakers today believe is next to impossible. “Singham Again has five heroes,” Roshan cuts in. In fact, he has a simple mantra that he thinks would convince stars to headline a two-hero film. “If you want to make a two-hero film, you make it balanced. In Karan Arjun, I made sure both the characters had equal meat. I’ve been an actor. So, I knew that if I was offered a film where my role was even slightly weak, I wouldn’t do it.”
So, if he made Karan Arjun today, who would he cast? The director admits that revisiting the movie won’t organically come to him at this stage. “If someone wants to revive the film, I’m up for it. There are many actors who will be magical on screen together. For Karan Arjun, Hrithik [Roshan] and Ranbir Kapoor would be my choices,” he grins.
Dhoom director Sanjay Gadhvi no more; Bollywood mourns ‘untimely’ death
8:42 AM
Posted by Fenil Seta

THE TIMES OF INDIA (November 20, 2023)
Mumbai: Director Sanjay Gadhvi, whose action films ‘Dhoom’ and ‘Dhoom 2’ took GenNext by storm, died after reportedly suffering a heart attack during his morning walk on Sunday. He took ill at his apartment building Green Acres in Lokhandwala Complex, Andheri, and was taken to Kokilaben Ambani Hospital where doctors pronounced him dead.
Gadhvi was 56 years of age and about to celebrate his 57th birthday three days later on November 22. He is survived by wife Gina and two daughters. His older daughter Sanjina told PTI, “He passed away at 9.30 am this morning at his residence. We are not sure what it is, but it is most likely a heart attack. He wasn't unwell. He was perfectly healthy.” The final rites will be performed at Oshiwara crematorium at 10.30am on Monday.
Gadhvi made his first film ‘Tere Liye’ in 2000 which met a lukewarm response. However, his fortunes turned with the action thriller ‘Dhoom’ (2004) and later ‘Dhoom 2’ which starred Abhishek Bachchan and John Abraham in the first movie and Hrithik Roshan in the second.
The director also won acclaim for ‘Mere Yaar Ki Shaadi Hai’ and ‘Kidnap’. In 2012, he directed ‘Ajab Gazabb Love’ and made ‘Operation Parindey’ in 2020.
His actors and crew members expressed shock at his death. Hrithik Roshan said, “Deeply saddened by the loss of my dear friend Sanjay Gadhvi. Forever grateful for the moments we shared. He was instrumental in bringing out the Aryan in me. Couldn't have done it without him. Rest in peace my friend. You will be missed.”
John Abraham wrote, “(I) remember the times I spent with you on the film closest to my heart, Dhoom. May the angels always ride with you. Rest in peace.”
Abhishek Bachchan posted two photographs and said he had spoken to Gadhvi just last week. He said, “I took this photo of Sanjay whilst we were filming the climax of Dhoom 2 in South Africa. We made two films together Dhoom and Dhoom 2. Sanju, when I spoke to you last week and we were reminiscing about our shoots and memories I would never have imagined even in my craziest dreams that I would have to write a post like this.”
He added, “I'm shocked beyond belief. You had faith in me, even when I didn't. You gave me my first ever hit! I can never ever forget that or be able express what it meant to me. I will cherish your friendship always. Rest in peace my brother.”
Actor-director Viveck Vaswani said, “RIP. He started his career with me, assisted me, even when there was no film. The struggle to get ‘Patthar Ke Phool’ made was a battle in which he was an active participant. We saw movies daily, we talked about Manmohan Desai, Yash Chopra, Hrishikesh Mukherjee.”
Tanaaz Irani's husband Bakhtiyar Irani will play this role in Zabaan Sambhalke reboot
8:28 AM
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Zabaan Sambhalke, in which Tanaaz Irani's character was struggling with her Hindi, now has husband Bakhtiyar doing the same in the reboot
Anju Maskeri (MID-DAY; August 19, 2018)
In 1993, when actor Tanaaz Irani made her television debut as the big haired Jennifer Jones in Zabaan Sambhalke, her husband Bakhtiyar was a student of Std 8. The show, inspired by British comedy Mind Your Language, was about a harried Hindi teacher portrayed by Pankaj Kapur, a hapless bunch of students and their attempts at navigating the mazes of the Hindi language.
"While watching the show, I hadn't in my wildest thoughts, imagined that I would go on to marry one of the students," says Irani, when we meet the couple at a suburban mall. We have intercepted their Pateti shopping plans, but the duo is more than happy to talk about the show that is so special to them.
Back to the classroom
The popular Doordarshan sitcom, which ran from 1993 to 1998, is now set for a reboot as a webseries. Directed by its original maker Rajiv Mehra, it will see a fresh cast with Sumeet Raghavan essaying Kapoor's role, and the students will be played by Irani, Ashwin Mushran, Rupali Bhosle and Meenakshi Chand. "I had auditioned for two characters; one was a Dubai Sheikh and the other a Parsi. Having lived in the Middle East for several years, I could mimic their mannerisms well," he says. But as fate would have it, Irani will play a quirky character from his own community. "But unlike me, he's a bit too flirtatious, almost a lech," he says. "In television you are forced to tone it down. Here, you can say things as is. Expect a lot naughtiness, double entendre and gaalis," he says. For the role, Irani had to shave off the facial fuzz and take off the multiple ear piercings. "I had to look chikna. It feels weirdly naked to be without a beard," he says.
Earlier this year, his wife Tanaaz received a call from director Mehra informing her about the show. "I was confident that he wanted to cast me once again. But when he said he wanted Bakhtiyar and not me, I did a double take. I almost begged him to take me back," laughs Tanaaz. Back then, she was a young 22-year-old theatre actor from South Mumbai with little ambition of making a foray into television or films. It was through producer Viveck Vaswani, also her co-actor in the show that she bagged the role. "He had seen me in the play Bottoms Up and thought I would fit in well with the character of an Anglicised girl struggling with Hindi. And I did because I didn't have to try hard to be bad at Hindi. I was that bad!" she laughs.
Developing friendships
Tanaaz, who was familiar with most of the actors of Zabaan Sambhalke courtesy her theatre stint, believes it was their easy off-screen equation that worked onscreen. "We would all get food from home – I'd get mutton biryani – and then sit together and eat," she recalls. Bakhtiyar, however, is still breaking ice with his co-actors. "During the original series, there were no cellphones or social media. Nowadays, once the shoot is done, people go back to their phones. You don't talk as much," he says.
But once the camera rolls on, the atmosphere is akin to a classroom under Mehra's watchful eyes. While there is discipline, there are also jokes to lighten the moments. "I remember they would keep putting pencils in my hair and I would never know. Also, nobody wanted to sit behind me because my huge mop would overshadow them," she says. Kapur, she recalls, was like a teacher. "He was strict and he commanded respect. I was made to stand outside the class for real many times for my pranks," she laughs.
Three of the original cast members are no more, including Tom Alter. "When we were told that they are pulling the plug on the show, I cried and so did Kapur. We had become family," she says. Tanaaz is yet to see the rushes of the new show. "I can't wait to watch. It's like life has come a full circle."
Brett Lee's Bollywood debut UnIndian to release in India on August 5
7:44 AM
Posted by Fenil Seta
BOMBAY TIMES (June 29, 2016)
After impressing us with his
bowling prowess on field, Australian cricketer Brett Lee is set to show
his acting chops on the big screen. The pace bowler makes his Bollywood
debut with UnIndian, a romcom costarring Tannishtha Chatterjee.
Directed by Anupam Sharma, it charts the unlikely romance between an
Indian single mother Meera (Chatterjee) and Australian teacher Will
(Lee) that sends her family and the Indian expat community into a tizzy.
Besides Gulshan Grover and Supriya Pathak in pivotal roles, the film
also has special appearances by Australian and Indian artistes including
Pallavi Sharda, Akash Khurana, Tiriel More, Tammy Bartaiya and John
Howard. Actor-producer Viveck
Vaswani is the senior advisor for its Indian release and distribution.
Produced by Lisa Duff, Nitika Thakur and Sharma, the movie has been funded by Australia India Film Fund & Screen Australia and is being presented by Krian Media, which creates, produces, markets and distributes content across the world. Its founder and CEO, Ranjit Thakur, says, “UnIndian is a romcom crossover film which will be loved by the Indian audience. The humour adds great value to the story and Brett is outstanding. It is different from the regular content on screen and is just the flavour we need. We are proud to be associated with this project.“
While the trailer is out on social media, the film will release across India on August 5
Produced by Lisa Duff, Nitika Thakur and Sharma, the movie has been funded by Australia India Film Fund & Screen Australia and is being presented by Krian Media, which creates, produces, markets and distributes content across the world. Its founder and CEO, Ranjit Thakur, says, “UnIndian is a romcom crossover film which will be loved by the Indian audience. The humour adds great value to the story and Brett is outstanding. It is different from the regular content on screen and is just the flavour we need. We are proud to be associated with this project.“
While the trailer is out on social media, the film will release across India on August 5
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