Showing posts with label Sujoy Ghosh. Show all posts
Showing posts with label Sujoy Ghosh. Show all posts
Sujoy Ghosh on decade-long Kahaani 2 plagiarism row: “It was one battle after another”
10:43 AM
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Niharika Lal (BOMBAY TIMES; May 3, 2026)
It was like one battle after another, and winning this case was like winning an Oscar” – that’s how Sujoy Ghosh describes his decade-long battle in court over the plagiarism accusations against his film Kahaani 2: Durga Rani Singh (2016) . Now, after the case was quashed last month, he is revisiting the ordeal.
At a discussion hosted by the Screenwriters Association in Mumbai, Ghosh recalled the nightmare that the case caused.
‘IP IN OUR COUNTRY IS TREATED AS A CRIMINAL CASE’
Ghosh, who wrote and directed the film, said the complainant had first approached the SWA, which found no connection between the two scripts. He then went to court, allegedly concealing this. Ghosh said he discovered the SWA verdict later after missing the email and submitted it in court, adding that the complainant was a serial litigator.
He shared, “In 2016, we had just released Kahaani 2: Durga Rani Singh, which is the sequel to Kahaani, and Robin da (Robin Bhatt), who was part of the SWA, called me and said, ‘ Arey tune kuch kiya kya?’ I said, ‘What did I do?’ He said, ‘There is a gentleman who is accusing you of copying his script.’ I didn’t take it seriously because I had not. So I said, ‘No, I didn’t,’ and I gave all my details to Robin da.”
He explained, “I didn’t realize it. I didn’t take it seriously because it’s like somebody tells you, ‘you killed that person.’ ‘No, I haven’t!’ Why should I take it seriously? And that was my biggest mistake. And then suddenly, I had a criminal case against me because IP in our country is treated as a criminal case. So if I accuse you of plagiarizing – and that’s a big word – then a criminal case can be filed. Initially, I didn’t take it seriously. It’s like a little snowball that starts gathering momentum. It piles up, grows bigger, and before you realize it – boom! It has hit you. I was like, ‘yeh kya ho raha hai?’ It was one battle after another. It kept growing. The Supreme Court also took a lot of time. And thanks to the court, we got a judgment stating that whenever someone accuses another of copying any work, certain steps must be followed before making such a claim.”
Background
After Kahaani 2 was released, a case of copyright violation was filed against writer-director Sujoy Ghosh. The complainant, Umesh Prasad Mehta, had written a script for the film Sabak. He alleged that Ghosh had copied that script for Kahaani 2. A criminal complaint followed, and a June 7, 2018 summoning order by the Chief Judicial Magistrate triggered a legal battle that lasted nearly a decade.
In March 2026, the SC quashed the copyright infringement case, noting that Ghosh’s script had prior registration and that the complaint was baseless. Ghosh told the SC that the complainant was a serial litigator. He added that the complainant had approached the SWA, which found no similarity between the scripts and cautioned the complainant, but he allegedly concealed this verdict before proceeding with the case.
‘Would suggest fellow writers – don’t take such complaints lightly’
Writer Preeti Mamgain, who was hosting the session, and writer Jyoti Kapoor, then convenor of the SWA in Sujoy’s case, explained that regardless of who files a complaint – producer, director or writer – the SWA calls both parties. “We listen to both sides. Jo bhi verdict hota hai, we send it to both parties,” they said.
Mamgain added, “We have had cases where someone went directly to court, and the court sent the script to us.” Sujoy said, “The biggest mistake I made, which I would suggest to all fellow writers, was not taking it seriously. I didn’t give it the seriousness it deserved. There is no point in thinking you are safe because you know you are innocent.”
Shah Rukh Khan to play don and mentor to Suhana Khan in King
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With Tyrewala’s dialogue draft complete, the Shah Rukh-Suhana starrer King gears up for a high-octane shoot in Hungary, kicking off in January 2025
Upala KBR (MID-DAY; September 29, 2024)
The wheels are in motion for one of next year’s most anticipated films, starring Shah Rukh Khan and daughter, Suhana. The first schedule will kick off in January. Abbas Tyrewala has completed the dialogues for King, a film directed by Sujoy Ghosh, which will mark Suhana’s big screen debut following The Archies (2023) that released on Netflix.
The story focuses on two individuals who come together under difficult circumstances. “With shades of grey, Shah Rukh plays a don and a mentor to Suhana’s character. He helps her navigate her way through the crime-infested world while testing her survival skills against their common enemy, played by Abhishek Bachchan,” reveals a source.
Pre-production will commence in October. “Abbas Tyrewala of War 2 fame has completed the first draft of the dialogues. Shah Rukh, Suhana, Abhay Verma, who plays her love interest, and Abhishek will kick off the first schedule in Budapest. The makers are in discussions with some of Hollywood’s top action directors for the film. Siddharth Anand, who has designed the action sequences for King, will also serve as the creative producer,” the source adds.
Anirudh Ravichander will compose the music for King. According to the source, he has already created the background score for the announcement video.
“The film will be announced on Shah Rukh’s birthday [on November 2]. The father-daughter duo has begun training for their action sequences,” says the source, adding that the filmmakers selected Budapest in January because it’s the coldest time of the year in the Hungarian capital. “[The film requires] the dull and grey climate brought upon by the rainy and sometimes snowy region in January.”
We’re all coming together to create a cool, massy, action-packed film with a strong emotional core-Shah Rukh Khan
8:24 AM
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HINDUSTAN TIMES (August 16, 2024)
Actor Shah Rukh Khan recently won hearts worldwide with his Lifetime Achievement Award at the Locarno Film Festival 2024 in Switzerland, where he also delivered a masterclass. In an interview with Variety, Khan teased about his future projects and confirmed that he is currently preparing for his upcoming action-drama King, in which he plays a gangster.
He described the project, which is being helmed by Sujoy Ghosh, as a “massy, emotional film”.
The actor shared, “It’s an action drama, a Hindi film. I’ve been eager to do a film like this for seven or eight years. We felt Sujoy was the perfect choice because we wanted it to be emotionally compelling. We’re all coming together to create a cool, massy, action-packed film with a strong emotional core.”
The film also stars Suhana Khan and Abhishek Bachchan in key roles. Following King, Shah Rukh is anticipated to start work on another project, Tiger vs Pathaan. This film is part of filmmaker Aditya Chopra’s spy universe, which includes Pathaan, Tiger 3, War 2, and Alpha.
SHAH RUKH KHAN IS BACK AS THE LION KING
Meanwhile, Shah Rukh Khan is returning as the Lion King in the Hindi version of Disney’s photorealistic animated musical-drama The Lion King. Khan voices the adult Mufasa, while his sons Aryan Khan and AbRam Khan lend their voices to Simba and young Mufasa, respectively. The film is set to release on December 20.
Shah Rukh Khan, Suhana Khan’s thriller will go on floors by January 2024 in Mumbai
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Mohar Basu (MID-DAY; November 20, 2023)
It will be a busy December at the Khan household as Shah Rukh Khan gears up for Dunki’s release, his daughter Suhana Khan makes her acting debut with The Archies, and son Aryan Khan takes his maiden directorial venture to its last leg. The new year will certainly begin on a special note for the superstar and his actor-daughter as they face the camera together.
Earlier, the duo were to kick off the shoot of their yet-untitled next, to be helmed by Sujoy Ghosh, in October. But now, mid-day has learnt that the Siddharth Anand-backed spy thriller will go on floors by January-end or February 2024.
What exactly caused the change? Several factors, we hear. A source reveals, “Initially, Sujoy’s plan was to take the film on floors right after the late September release of Jaane Jaan. But the script required some more finishing touches, with the writing team perfecting every beat. They are aware of the high expectations around the movie, since it sees the superstar share screen space with his daughter for the first time. Shah Rukh and Suhana too have been tied up with promotions of their respective films. By December-end, the two will start the table reads, and the film will roll latest by February.”
The first leg will be shot in Mumbai.
Vijay Varma trained hard for those sequences. You cannot fake martial art moves-Sujoy Ghosh
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Vijay Varma, who is a fan of Jackie Chan and Bruce Lee, on how Jaane Jaan fulfilled his desire of doing martial arts on screen
Upala KBR (MID-DAY; September 30, 2023)
In a gripping scene in Sujoy Ghosh’s Jaane Jaan, Vijay Varma and Jaideep Ahlawat take on each other at a martial arts class. The physical fight symbolizes the battle of wits between Varma’s cop character Karan and Ahlawat’s Math teacher character Naren in the murder thriller. Varma, who describes himself as a “couch-friendly guy”, says that he had to undergo a two-month training in martial arts to be able to pull off the sequence.
“Two of the toughest scenes for me were my opening [fight] sequence, and the face-off with Jaideep. I had undergone immense training for these stunts. From being a couch-friendly guy to hitting the gym every morning, going for yoga retreats and following a strict diet, I altered my lifestyle for the film,” says the actor.
Since dropping on Netflix last week, the Kareena Kapoor Khan-led film has been receiving wide praise. It fulfilled Varma’s desire of seeing himself performing martial arts on screen.
“I’m glad the audiences have given Jaane Jaan so much love. I’ve always admired Jackie Chan and Bruce Lee, and hoped I could perform stunts like them some day. This film made it possible.”
When adapting Keigo Higashino’s The Devotion of Suspect X for the screen, Ghosh saw Varma’s character as a charming cop. The director is impressed that the actor not only worked out rigorously to attain a lithe frame, but also picked up martial arts.
“We needed Vijay to be an athletic martial arts expert who is a police officer, but his superpower is his charm. He charms his way into everything. He had to portray physicality with intelligence because his character is sharp and focused. Vijay trained hard for [those sequences]. You cannot fake martial art moves. Everything shown is raw and real.”
By the way Kareena Kapoor delivers scenes, you know she is a mom-Sujoy Ghosh
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As Kapoor makes her OTT debut with Jaane Jaan, director Sujoy Ghosh praises her for bringing life experiences to her role of a fiercely protective mother in the moody thriller
Upala KBR (MID-DAY; September 23, 2023)
She has been your classic big-screen movie star, her stardom going hand-in-hand with her acting prowess over the past 22 years. How does one then convince Kareena Kapoor Khan to trade the allure of the big screen for OTT? With a solid script, says Sujoy Ghosh. On Thursday, his directorial venture Jaane Jaan dropped on Netflix, marking Kapoor’s foray into digital entertainment.
“I didn’t have to convince her. Kareena has an uncanny acumen for scripts. When she read Jaane Jaan’s script, she knew this is what she wanted to walk in with, as her first digital appearance. I’ve gone to Kareena with many scripts, but this worked for her,” smiles Ghosh.
In the Jaideep Ahlawat and Vijay Varma-led moody thriller, based on Keigo Higashino’s popular novel, The Devotion Of Suspect X, Kapoor plays a single mother in Kalimpong who becomes a prime suspect in a murder. Ghosh admires how she brought her own interpretation to the role.
“Kareena brought a lot of her life experiences to Jaane Jaan — like looking after her children while being a working woman, and her fierce protectiveness towards them. By the way she delivers the scenes, you know she is a mother. This is not to take away from her as an actor. In a sequence, where Vijay tells her he is leaving for Mumbai, the way she looks at him is brilliant. I didn’t have to explain much to her about the scene, she just got it.”
There’s something else about her that has left him impressed and intrigued. “I’ve never seen Kareena mug up her dialogues on the sets. The whole day she’d shoot with me, then go home to be with her family. So, I want to know when she learns her lines,” he asks, laughing.
The director’s love for mystery thrillers has seen him work with Vidya Balan on the Kahaani franchise. Does he find any similarities between the two actors?
“Both are in a league of their own. It’s impossible to compare them. [A similarity between them] is that they are so dedicated to their craft. They immerse themselves into every role they play. They treat acting like something holy; they won’t take it for granted.”
Next, Ghosh is set to helm an action-thriller starring Shah Rukh Khan and his daughter Suhana. While he is tight-lipped about the project, we ask him if he is considering making Kahaani 3. “Not right now, but if I have a good script later, yes. I can make up to Kahaani 10, but I need a good script.”

I’m running to keep up with the audience-Sujoy Ghosh
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Filmmaker Sujoy Ghosh speaks of adaptations, choosing too-pretty-to-leave Kalimpong as location and keeping up with audience tastes in the build-up to his Kareena Kapoor-starrer Jaane Jaan
Sucheta Chakraborty (MID-DAY; September 10, 2023)
“It was a doomed love story and I loved it because the only other love story I could think of in comparison was King Kong,” filmmaker Sujoy Ghosh tells us about his upcoming Netflix film Jaane Jaan, which is based on the 2005 Japanese novel The Devotion Of Suspect X by Keigo Higashino. It’s a book brought to him years ago by friend and screenwriter Kanika Dhillon. He recalls being drawn to it instantly.
“You don’t know whether it’s a good story or a bad story, but it’s a story you have identified with,” he explains. “It really got to me because I saw characters in that book who were big [and] honourable. It was something I was not used to. In Japanese culture, honour is a very big thing and [people are] big hearted. I wish I was like Naren [Jaideep Ahlawat’s character]. I wish I had that kind of honour instilled in me, the values, beliefs and morals that he has.”
Since Anukul, Ghosh’s 2017 short film starring Parambrata Chatterjee and Saurabh Shukla, based on a short story written by Satyajit Ray, this is the first time that Ghosh has adapted a story for the screen. “I was dying to,” he tells us excitedly.
“These people are experts in what they do. They’re born to write stories. I would love to have all my films based on books if I had my way.”
Aranyer Din Ratri, Bengali author Sunil Gangopadhyay’s novel, which was famously adapted for the screen by Saytajit Ray in 1970 has been on his mind for long. “But it is too scary.” There is the burden of responsibility and the need to be loyal and respectful to the source material because there is the looming sense of someone having worked very hard to put the story together. “I shouldn’t be messing with a story just because I can.”
Rabindranath Tagore’s short story Kabuliwala is a work he says he hopes to adapt one day. “I will do it before I retire,” Ghosh smiles. “Have to do one Tagore, at least.”
Jaane Jaan is set in the hill town of Kalimpong in West Bengal, a location that Ghosh has used previously in 2016’s Kahaani 2: Durga Rani Singh. But the Kalimpong of the new film is different. “That’s how it should be,” he insists.
“Even the Kolkata of Kahaani versus the Kolkata of Te3n [which he produced] versus the Kolkata of Bob Biswas [which he wrote and co-produced] are different. At least I hope they are. That’s the whole trick. You should shoot in the same city, but the city should also be a character. The city should reflect the story that you’re telling. My world is very important; it should be a character in the film.”
Misty and far away from the city bustle, Kalimpong in the Himalayan foothills, Ghosh tells us, lent itself perfectly. “I feel any character within a story is believable if the world in which they are is believable. Now, if you’re showing somebody who’s academically inclined, who wants a quiet life, who is looking to restart her life, you would need a world which is smaller. It’s a smaller community where people know each other.”
His own familiarity with the terrain also undoubtedly contributed to his choice. He recalls a time when he and a friend hired a car and went to Kurseong and from there to Kalimpong and Darjeeling. “We kept falling in love with the places and didn’t want to leave, and then my wife had to call us back,” he laughs. “I could do a whole film by the banks of the Teesta.”
While creative concerns and a director’s sense of discipline remain largely the same while making a film for the OTT space, what changes for Ghosh is the way the film is presented.
“If I know that you’ll see my film on a mobile, an iPad, a computer or a television screen, my framing would change a little,” he says, explaining that for a theatrical film he can include more wide shots. “I try to keep that in my mind, but don’t let it dictate me. In Jaane Jaan, you’ll know that the framing is a little different from, for example, a Badla or a Kahaani.”
The process he finds pushes him to think differently, an important requisite “to move with the times”. “We have to learn to serve people who watch films on their mobiles. Whether we like it or not, they do.”
Ghosh began his filmmaking career in 2003 with the ‘cool’ indie musical comedy Jhankaar Beats and has since gone on to make several hit thrillers starring industry A-listers. The biggest change in his life he feels, however, is technology.
“When I started out, technology was never a faculty of filmmaking. Now, it’s as important as editing or cinematography or directing because you have so many possibilities if you know how to harness technology in your film, to create the world, to tell your story. And it’s changing rapidly. A lot of my friends do some amazing things with technology and I don’t know how to, but I would love to learn.”
There is also the matter of the audience’s evolving tastes. Ghosh says that at the time when he started out, people were not that exposed to global cinema. “But now, I’m competing with the evolution of taste. When you see my film, your benchmarks are different. You’re not just seeing a film, you’re also assessing it. Technically, is it sound? How well has he shot it? How good is the VFX? If I give you a lazy film, you’ll be able to spot it a mile away. Their expectations and demands from a film are changing, and I am just running to keep up with them.”
I would chase Sujoy Ghosh every year, telling him to make Jaane Jaan-Jay Shewakramani
9:34 AM
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Producer of Hindi cinematic adaptation of The Devotion of Suspect X says novel’s emotional crux is why its multiple adaptations have been lapped up by cine-watchers across the globe
Mohar Basu (MID-DAY; September 5, 2023)
Engrossing as its narrative is, Keigo Higashino’s Japanese mystery novel The Devotion Of Suspect X has inspired four cinematic adaptations—the 2008 Japanese movie, Suspect X, the south Korean edition, Perfect Number, that followed two years later, the 2019 Tamil offering, Kolaigaran, and the Chinese version. Even as an English adaptation is expected to be underway, film aficionados will be able to enjoy the Hindi version, Jaane Jaan, this month.
Producer Jay Shewakramani couldn’t put his faith in anyone other than Sujoy Ghosh when it came to adapting the story for an Indian setting.
“The beauty of this narrative is that, inherently, it is a love story. Emotions are universal. Sujoy [Ghosh] adapted it to be based in the mysterious town of Kalimpong. Pick any Sujoy-film, and you’ll see how easily he roots his characters in the local setting. For instance, [his previous film] Badla was adapted from a Spanish movie, and was shot in Scotland. Even then, it was steeped in Indian values. He knows how to make a true-blue Indian story,” says Shewakramani.
Higashino’s tale explores the lengths to which one can go to protect those they love. It follows a brilliant mathematician, Yasuko Hanaoka, who inadvertently becomes involved in a murder. Consumed by her love, her neighbour, Ishigami, a fellow mathematician, deftly plans to help her cover up the crime. As the police investigation ensues, a riveting battle of wits between Ishigami and the brilliant detective Kusanagi unfolds. Call it fate, or a stroke of luck that the film that now stars Kareena Kapoor Khan was initially set to feature her actor-husband Saif Ali Khan in a narrative that was expected to have the protagonist’s gender reversed.
“Saif and I had just [come up with] the idea of the film, Jawaani Jaaneman. Sujoy was to do the film then [with producer Ekta Kapoor], but it never materialized. I would chase Sujoy every year, telling him to make the film,” he says, as subsequent reports of the film’s narrative being all too similar to Ajay Devgn’s Drishyam began to make their way online.
Khan had expressed his apprehensions at the time. However, during the lockdown, Shewakramani says he finally managed to get Ghosh’s nod to roll with it. This time, they took the film to Kapoor, who had heard about it from Khan for several years.
“She loved it instantly. The story convincingly fits into the Indian milieu. We started the film towards the end of the lockdown. The story begins in Kalimpong and Darjeeling. Because hill stations are socially distant, the larger chunk of the shoot was wrapped up, smoothly. In Bombay, we had a shorter schedule.”
While a Sujay Ghosh-directed venture that features Kapoor would be considered an offering apt for a theatrical release, Shewakramani says he found the perfect home for the film on the web platform. “It was always planned as a Netflix movie. There is a thrill that we experience when our film simultaneously releases in 250 countries at once.”
The worst thing I could do is to try and better the original-Sujoy Ghosh
3:08 PM
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Adapting Blind from a Korean film of the same name, creative director Sujoy Ghosh says filmmakers must treat source material with respect when remaking it
Mohar Basu (MID-DAY; July 8, 2023)
We’ve come to expect taut thrillers from Sujoy Ghosh. The latest from his stable is the Sonam Kapoor Ahuja-led Blind. Ghosh serves as the creative director and producer on the movie, which is an adaptation of the 2011 Korean film of the same name. The filmmaker is no stranger to adaptations—only four years ago, he gave us Badla (2019), which was based on the Spanish hit, The Invisible Guest (2016).
So, what’s the cardinal rule of adapting well? “I communicate with my audience through my film, like [I do on] a mobile. For me to speak to you on the phone, the line has to connect first. It’s important that my film connects with you. The world we set our story in and the characters must work,” he says.
Ghosh then highlights a mistake that many make when adapting—of trying to be cleverer than the original. “The toughest part is to be faithful to the source material. I am remaking because I love the original. The worst thing I could do is to try and better it. That is a big no-no for me. What is the point of falling in love with one person and marrying someone else? Do not mess with the source material just because you can. If the film could have been bettered, the original writer would have done it. So when you get something good, treat it with respect,” emphasizes the filmmaker, who has another adaptation in the pipeline with The Devotion Of Suspect X.
Shome Makhija’s directorial venture Blind, which premiered on Jio Cinema yesterday, sees Kapoor as a visually-impaired woman who witnesses a murder by a serial killer, essayed by Purab Kohli. Then on begins a cat-and-mouse chase between the two. With Korean content making waves around the globe since Parasite (2019), one might assume that Ghosh is jumping on the bandwagon. But he refutes it.
“The action quotient in Korean films is mind-boggling, but some of those films are devoid of any emotion, and rightfully so. If you are fighting 100 men with one axe, do you have the time to feel any emotion? But if you added a dollop of emotion in that, it could be a neat Indian film. There is a lot of potential in Korean content to be adapted in Indian films, but one will have to work hard to achieve [the right balance].”

It was a no-brainer for me to do Blind as Sujoy Ghosh is the producer-Sonam Kapoor
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Sonam, who returns to the screen after four years with Blind, on how she jumped at the chance of working on a Ghosh thriller
Mohar Basu (MID-DAY; July 6, 2023)
"I’m glad people have liked the trailer. That’s half the battle won,” says Sonam Kapoor Ahuja, gearing up for this week’s release, Blind. The actor had gone missing from our screens since The Zoya Factor in 2019, barring a cameo in AK vs AK (2020). She knew she wanted a powerful story to mark her return. Her search ended with director Shome Makhija’s Blind. An adaptation of the 2011 Korean film of the same name, the thriller sees Kapoor as a visually-impaired police officer in pursuit of a serial killer, essayed by Purab Kohli.
Kapoor says she gave her nod to the Jio Cinema offering primarily because of producer Sujoy Ghosh. A fan of his whodunit Kahaani (2012), she calls him the master of gritty thrillers in Hindi cinema. “It was a no-brainer for me to do the film because Sujoy Ghosh is the producer. He has a fantastic track record with edgy, gritty thrillers, and I jumped at the idea that he would be the captain of the ship. He has led the film creatively since its conceptualization,” says the actor.
Slipping into the role of a visually-impaired woman wasn’t easy for the leading lady. The film’s director recently told mid-day how the actor was trained by two visually-impaired coaches to ensure authenticity in her performance (She’d do one rehearsal with her eyes closed, July 1). An actor must submit themselves to the role and creators, asserts Kapoor.
“As an actor, I trust my producers and directors completely. I’m glad that I found a producer in Sujoy, who is the master of this genre. It was a tough role, and I have given my all to play Gia with sensitivity and grit.”
I’d rather be a log of wood in a good director’s film-Vijay Varma
7:48 AM
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Feeling ‘seen’ with Dahaad and Lust Stories 2, Vijay on how working with a like-minded director is more important to him than being the lead
Mohar Basu (MID-DAY; July 3, 2023)
Vijay Varma is on a hot streak. In only a year, the actor shone bright in Darlings (2022), Dahaad and now Lust Stories 2. “I feel on top of the world,” he smiles, when we sit down to chat with him. The actor made waves this summer with his intense depiction of a serial killer in the widely acclaimed Dahaad, following it up with the Netflix anthology that dropped this weekend.
Tell him he has come a long way since his breakout turn in Zoya Akhtar’s Gully Boy (2019), and he reflects, “There is so much content coming out every week, across languages. When everyone stops to look at my show, it’s amazing. I finally feel seen. It feels like I’m moving in the right direction. While these may seem like dangerous stories, I want to continue doing them.”
Unheard stories excite him. Varma’s second criterion is directors. He admits his good work is the result of finding like-minded filmmakers. “I’d rather be a log of wood in a good director’s film than be the lead in a movie made by a filmmaker I don’t admire. I am glad Sujoy Ghosh thought of me for The Devotion Of Suspect X and Lust Stories 2. He is teaching me so much, including Bangla,” he laughs.
While their segment in Lust Stories 2 received mixed reviews, the actor stands by the storytelling. “A short film is challenging because a lot of it is on paper, but there’s time constraint. It’s an actor’s job to internalize the character.”
Over the past year, there has been intense scrutiny on OTT content. As an actor who gravitates towards risky stories, does he find himself curtailing his choices? “I’ve shot stuff that sometimes doesn’t make it to the edit because the maker feels it doesn’t serve his story. Filmmakers know what can or cannot get them in trouble. Actors surrender to the script and the makers’ vision. Censorship is not always from the outside; makers have their own moral compass. I’m working with some of the finest directors in the country, and they are far more intelligent in handling censorship than actors.”
We can’t end the chat without asking him for an update on The Devotion Of Suspect X, which sees him alongside Kareena Kapoor Khan and Jaideep Ahlawat. Varma teases us, saying, “Uska dhamaka jaldi aayega.”

You draw a line between lewdness and love-Sujoy Ghosh
8:23 AM
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Serving up a thriller in Lust Stories 2, director Sujoy Ghosh on how he relied on his judgment at every step while exploring the subject of lust
Mohar Basu (MID-DAY; June 28, 2023)
In a tender scene in Sujoy Ghosh’s segment from Lust Stories 2, leading man Vijay Varma plants a kiss on the forehead of his ladylove, played by Tamannaah Bhatia. How does that fit in an anthology with lust as its central theme?
“Kissing a forehead can go down south too, pun intended,” says the director, who has whipped up a thriller within the premise. The Netflix anthology brings together directors Ghosh, R Balki, Konkona Sen Sharma and Amit R Sharma.
Telling a story about lust foremost requires sensitivity. Ghosh says he was mindful of his interpretation of the subject. “At every step during the writing process, you are taking judgment calls, drawing the line between lewdness and love. We shouldn’t do things just because we can. That’s what I kept telling myself. That’s my only censorship during the writing period.”
Did he have to curb his instinct at any point, given the immense scrutiny on OTT offerings now? “We did all that our characters had to. Every creator is a slave to their story. For example, if I feel a story demands nudity and I can’t show that for some reason, I will skip making that film. I will look for another story. There is no middle ground. Fortunately, the CBFC and I have had a pleasant run so far.”
Early on, the director knew that creating a safe space for his actors was of utmost importance while filming the intimate scenes. “We brought in intimacy coordinators to correctly choreograph the scenes. If there isn’t an on-paper mandate, there should be one. I want to provide a sense of security to my actors and give them a safe space to perform.”
After the short film, Ghosh —known to have a knack for thrillers—will display his skills in the adaptation of Keigo Higashino’s bestseller The Devotion Of Suspect X. The Kareena Kapoor Khan, Jaideep Ahlawat and Varma-starrer comes years after Drishyam, which had glaring similarities with the Japanese novel.
Considering Drishyam has become a successful franchise over the years, is there a pressure to make his offering different? “I won’t comment on other people’s films. We have worked on our script to make a film that hopefully everyone will love.”

With Lust Stories 2, we didn’t want to titillate, and that’s a value we have stood by-Ashi Dua
8:52 AM
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Lust Stories 2 creator Ashi says that while having a female director on board was crucial to her, each filmmaker organically told a woman-led story
Mohar Basu (MID-DAY; June 20, 2023)
When Lust Stories dropped on Netflix in 2018, India hadn’t witnessed too many homegrown anthologies. But creator Ashi Dua was willing to bet on the format, having previously tasted success with Bombay Talkies (2013). Five years and an International Emmy nomination later, Dua is ready with Lust Stories 2, which brings together directors Sujoy Ghosh, Konkona Sen Sharma, R Balki and Amit R Sharma.
“Casting [the right] directors is key to an anthology, and getting everyone together is hard. Thematically, we were in sync, but the brief was to experiment. Sujoy took the idea of lust and made a thriller. Amit went to Rajasthan and made a story about a family. Balki did a wacky story. Getting Konkona was the toughest. She had not directed anything after A Death In The Gunj [2017]. When I went to her, she came up with a cool story,” smiles Dua.
For the creator, having a woman director on board was non-negotiable as it would bring the female gaze to one of the stories.
“I was clear we needed at least one female filmmaker, if not two. To see things from female writers’ and directors’ perspective was important to elevate the idea. Another important facet is to have directors who tell stories sensitively. We don’t need to show sex to reflect lust. We didn’t want to titillate, and that’s a value we have stood by.”
The upcoming anthology stars Kajol, Neena Gupta, Vijay Varma, Tamannaah Bhatia, Mrunal Thakur and Tillotama Shome, among others. What’s interesting is that all four segments are led by women. Dua says it happened organically. “When we finished the shorts, we realized that all protagonists were female and not by design. The male actors have great roles, but each film is led by a woman.”

When I told Saif I would voice Black Widow, he said, ‘You have to do it because no one else can’-Kareena Kapoor
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Joining cast of Wastelanders as Black Widow, Kareena says Marvel audio series is her attempt at doing unusual projects at this stage
Priyanka Sharma (MID-DAY; February 14, 2023)
First things first, Kareena Kapoor Khan admits that she is not a Marvel fanatic. But the promise of playing the spirited Black Widow can lure the best of us. “Black Widow is fierce, powerful, intelligent, and calculative. She has a boss lady vibe. I resonated with it,” smiles the actor, who will voice the iconic character in the Hindi adaptation of Marvel’s audio series Wastelanders.
Her excitement was only furthered by actor-husband Saif Ali Khan, who plays Peter Quill in the project. “Saif is a huge fan of this world. When I told him that I would voice Black Widow, he said, ‘You have to do it because no one else can.’”
Besides the duo, Masaba Gupta, Jaideep Ahlawat, Sharad Kelkar and Mithila Palkar will form the voice cast of the Audible series. Relying on one’s voice to attract an audience is presumably tough, especially for stars who are known for their visual appeal. Kapoor understands the challenge, but after over 20 years in the movies, she derives pleasure from risky opportunities.
“We have a fabulous director [Mantra Mugdh] who will guide us in the process. This being a Marvel world, it has a lot of action. I don’t know how we’ll [convey it], sitting in a cubicle,” she laughs.
To Kapoor, Wastelanders is an attempt at expanding her range. At this stage, the actor doesn’t want to do it all; instead, she wants to cherry-pick projects. So, while she has a thriller in Sujoy Ghosh’s The Devotion Of Suspect X, she also has a moody mystery in Hansal Mehta’s next.
“Now, I don’t feel the need to be seen everywhere. [I have] been there, done that. In The Devotion, I was excited to work with Sujoy, Jaideep and Vijay [Varma] because they come from different cinematic worlds. In Hansal’s film, the cast is from the UK, and the film is in English. It’s about trying to do different things. [It’s not] about chasing success, but chasing the desire to get better with every film.”
Kareena Kapoor ended the sense of awkwardness within five minutes-Jaideep Ahlawat
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Collaborating with Kareena in her next, Jaideep on apprehensions of approaching actor of her stature
Priyanka Sharma (MID-DAY; November 28, 2022)
Despite the acclaim that he has received for his acting stints in shows like Pataal Lok and Bard of Blood, Jaideep Ahlawat, like any other cinephile, recalls being apprehensive about his first interaction with Kareena Kapoor Khan. Given that Kapoor is “such a big star”, he set foot on the sets of The Devotion Of Suspects X adaptation with the belief that building a bond with her would require a fair share of effort.
“She ended the sense of awkwardness within five minutes,” recalls the actor, stating that Kapoor would encourage him to read lines with her to break the ice, while working on Sujoy Ghosh’s directorial venture.
The yet-untitled Netflix film, which marks Kapoor’s streaming debut, is an adaptation of Japanese author Higashino Keigo’s bestselling 2005 novel, and follows Kapoor as a single mother, who, along with her daughter, commits a crime.
Kapoor’s dedication to her craft, he says, is evident in the questions that she asks her directors. “She is committed, and would come prepared with her lines. She would ask [Sujoy] why certain dialogues were being included in the script. She would voice her suggestions if she felt that she could emote certain scenes better in the absence of dialogues. She is an actor who constantly thinks about her character.”
Saif Ali Khan told me, ‘You better be on your toes. Jaideep Ahlawat and Vijay Varma are at the top of their game’-Kareena Kapoor
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Kareena on the joy of working with Jaideep and Vijay, two actors at the top of their game, in The Devotion Of Suspect X
Uma Ramasubramanian (MID-DAY; August 8, 2022)
Kareena Kapoor Khan is the happiest when facing a camera. More so when she is on director Sujoy Ghosh’s set. The actor, who wrapped up the shoot of The Devotion Of Suspect X adaptation in June, says that she thoroughly enjoyed the creative collaboration with the director, and co-actors Jaideep Ahlawat and Vijay Varma.
“I miss being on Sujoy’s sets. [Working on that set] every day was like getting a chance to feel the [joy of] working with Jaideep and Vijay. It added a new dimension to me,” says the actor.
With the Netflix film, she was assured of a gripping script right at the onset. The movie is a screen adaptation of Keigo Higashino’s bestseller of the same name, which revolves around a single mother who accidentally kills her ex-husband. A battle of wits follows as her mathematician neighbour helps her cover up the crime, staying a step ahead of the investigating police officer. The apt casting, she says, has elevated the material further.
“I was excited when Sujoy told me he was casting them. I instantly said I am on [board]. Saif [Ali Khan, actor-husband] told me, ‘You better be on your toes. These two actors are at the top of their game.’ They truly are flawless.”

Kareena Kapoor, Sujoy Ghosh to kick off Mumbai leg of The Devotion Of Suspect X next week
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After elaborate schedule in Darjeeling, Kareena and director Ghosh to kick off Mumbai leg of The Devotion Of Suspect X next week
Mohar Basu (MID-DAY; June 4, 2022)
Kareena Kapoor Khan spent the summer in the picturesque locales of Darjeeling and Kalimpong, as she shot for the screen adaptation of The Devotion Of Suspect X with co-stars Jaideep Ahlawat and Vijay Varma. Now, the trio have returned to Mumbai for the next leg of the murder mystery. It is heard that director Sujoy Ghosh has set the stage for a three-week schedule in the city.
A source reveals, “Over this week, the team did workshops for certain key sequences. The shoot will begin next week at Mehboob Studios in Bandra, where the production design team has built a set. While Sujoy has lined up mostly indoor scenes for this stint, some crucial portions will be shot outdoors.” Ghosh is keen to wrap up the movie before the Mumbai monsoon hits its peak in July.
The Netflix film is an adaptation of Japanese author Keigo Higashino’s bestseller of the same name, which revolves around a single mother who accidentally kills her ex-husband. A battle of wits follows as her mathematician neighbour helps her cover up the crime, staying one step ahead of the investigating police officer.
Karisma Kapoor shoots in Kolkata, Kareena Kapoor in Kalimpong
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Ruman Ganguly (BOMBAY TIMES; May 14, 2022)
Earlier this week, we told you that yesteryear actress Helen is making a comeback with a crime drama. Now, Karisma Kapoor is in Kolkata to shoot for the Abhinay Deo-directorial. The actress is staying at a luxury heritage property on the city’s outskirts. Actor Surya Sharma, who is also part of the cast, is staying at the same property.
Helen will also be coming to Kolkata for the shoot, said a source, revealing that the team will be staying in the city for a month. A part of the shoot will take place in north Kolkata as well.
A source close to the team told us, “Karisma Kapoor is a lovely, young-hearted, amicable person with no starry air. She is busy shooting from morning to night, and she loves the shoot location.”
A neo-noir crime drama, the OTT series titled Brown — The First Case is based on Abheek Barua’s book, City Of Death, and went on the floors recently.
Meanwhile, younger sister Kareena Kapoor Khan will also be shooting for an OTT project directed by Sujoy Ghosh in West Bengal’s Lava for the next seven-eight days. On Wednesday, Kareena took to Instagram and shared a photo from the film’s set in Kalimpong district. “Day 1-Kalimpong. . . Devotion of suspect X,” she wrote in the caption.
Kareena Kapoor to begin shooting for The Devotion Of Suspect X in Darjeeling next week
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Sources say Kareena, Jaideep and Vijay to kick off Sujoy’s murder mystery The Devotion Of Suspect X in Darjeeling next week
Mohar Basu (MID-DAY; April 27, 2022)
Over the past year since the birth of her second son Jeh, Kareena Kapoor Khan may have sifted through numerous scripts, but it is only now that she is ready to report to a film set. The actor will take The Devotion Of Suspect X — director Sujoy Ghosh’s screen adaptation of Japanese author Keigo Higashino’s acclaimed work of the same name — on floors next week. It is heard that the first schedule will be conducted in Darjeeling.
A source reveals, “It’s a two-week schedule in the hill station that will see Kareena, Jaideep Ahlawat and Vijay Varma film key scenes. Meanwhile, a part of the production design team will erect a set in Mehboob Studios. The Mumbai leg will kick off by May-end, with Sujoy hoping to shoot a chunk of the film before the rains hit the city.”
The Japanese bestseller revolves around a single mother who accidentally kills her ex-husband. What follows is a battle of wits as her neighbour helps her cover up the crime, staying one step ahead of the investigating cop. The Hindi adaptation is slated to stream on Netflix next year.
I am excited about my OTT debut and eager to start work on the project-Kareena Kapoor
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In an exclusive chat, Kareena opens up about her acting comeback after second baby
Sugandha Rawal (HINDUSTAN TIMES; March 16, 2022)
For a long time, there’s been buzz around actor Kareena Kapoor Khan’s OTT debut. And, in an exclusive chat with us, she’s confirmed that her first web project will be Netflix’s screen adaptation of Japanese author Keigo Higashino’s acclaimed work, The Devotion Of Suspect X, helmed by director Sujoy Ghosh. This also marks Khan’s return to the acting world after delivering her second baby, Jeh, last year.
“I’m very excited to be a part of this project for several reasons. This film will mark my streaming debut and it’s my return to acting after my second child with a stellar cast and crew,” Khan says, adding that the layered narrative of the murder mystery convinced her to take the plunge.
She explains, “The film is a screen adaptation of a global bestseller. It has so many aspects to it — murder, mystery, thrill and much more, which put in the hands of our inimitable director Ghosh is something I am keen to start work on. I’ve seen his films and I love his work. I love that he has his own method and style and is so sure of what he wants to do. Every actor appreciates a director with a vision.”
The freedom to push boundaries as an artiste is something that got Khan curious about the web. “I am excited about my OTT debut and eager to start work on the project. I’m a huge consumer of content on OTT and I’m blown away by the quality of content available that suits every kind of audience. The web world is not new in our house, especially with Saif (Ali Khan, actor-husband), who starred in one of India’s most well-known shows, Sacred Games,” she says.
Lauding the medium for writing a new script for creative voices, especially women, Khan adds, “The films and series (on OTT) these days are more content driven than they used to be, which offers creators, actors and viewers the freedom to experiment, engage and experience an ocean of new stories. And women are definitely leading the way when it comes to this space. The scripts written for them have no confines and that, to me, is the most exciting part.”
The 41-year-old will feature alongside actors Jaideep Ahlawat and Vijay Varma in the project that is yet to go on floors: “I am looking forward to working with them. Both of them are such fine actors.”
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