Showing posts with label Sudesh Bhosle. Show all posts
Showing posts with label Sudesh Bhosle. Show all posts

25 Years of Major Saab: Sona Sona was an impactful inclusion in my song list for concerts-Sonu Nigam

Sona Sona was an impactful inclusion in my song list  for concerts:  Sonu Nigam
Soumya Vajpayee (HINDUSTAN TIMES; June 26, 2023)

Besides actor Amitabh Bachchan’s iconic dance steps, the song Sona Sona from Major Saab (1998) is remembered by music aficionados for its playback. As Major Saab clocks 25 years, singer Sonu Nigam talks about the cult song, which also featured vocals by singers Sudesh Bhosle and Jaspinder Narula. “I didn’t have a lot of songs at that time so Sona Sona was a very impactful inclusion in my song list for concerts,” shares Nigam.

The singer recalls being in the studio when the track, composed by late music director Aadesh Shrivastava, was played to Bachchan. 

“Aadesh bhai shared a very informal and personal relationship with Bachchan sahab. They both spoke throughout in a very funny and strange nasal tone and I was awestruck,” says Nigam, adding, “I was asked to open the song before Sudesh ji took over for Bachchan sahab. The atmosphere was festive. I remember I had pointed out to Dev Kohli ji (lyricist) that he was using the words Peg Patiala again in this song, as I had just sung a song written by him for Anand-Milind (composer duo) and the words were Roop Tera Hai Kudiye Peg Patiale Da. He then replaced it with Ye Ishq Piya La.”

Sona Sona was an impactful inclusion in my song list  for concerts:  Sonu Nigam

Kumar Sanu and Kavita Krishnamurti go down memory lane on Ishq's 25th anniversary: ‘The songs will live on for 100 years’

‘The songs will live on for 100 years’
Soumya Vajpayee (HINDUSTAN TIMES; November 28, 2022)

Singer Kumar Sanu enjoyed recording songs such as Neend Churai Meri and Kaise Kahoon Kaise Ho Tum from the 1997 hit. “Ishq’s songs are timeless. They will continue to live on for the next 100 years. Aaj kal aise gaane bante nahin hain jahan lyrics, composition aur voice sab perfect ho,” he says.

Sanu credits composer Anu Malik for his way of working. “An interesting thing about working with Anu ji was that we would always have arguments. Neend Churai Meri, which was a huge hit, was no exception. Whenever I found some parts tough, I’d request that he alter them, but he wouldn’t oblige. I felt the arguments were very healthy, and those challenges were fun to overcome. It was not an easy song to record. It was very well written, and every singer’s part stood out. The moment the song was wrapped up, I knew it would create magic,” Sanu shares.
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Soumya Vajpayee (HINDUSTAN TIMES; November 28, 2022)

Singer Kavita Krishnamurti feels proud that even after two and a half decades, the music of Ishq continues to stay relevant. “Anu Malik (composer) is a friendly, relaxed music director. So, working with him was always full of masti,” recalls the 64-year-old. She goes on to share a fun anecdote from the recording days: “Back then, all the singers would record together, which made it memorable. For the song Mr Lova Lova, there were four microphones at Sunny Super Sound for all four singers (Udit Narayan, Abhijeet Bhattacharya, Sudesh Bhosle and Krishnamurti). Since we are all good friends, we would make fun of each other.”

The singer feels the way the songs were recorded and composed in the ’90s hugely contributed to the longevity of the tracks: “Songs from films [of that era] are still liked by people as the tunes are melodious, and [as for Ishq], the lyrics written by Dev Kohli ji were matched so well with the tunes.”

‘We made fun of each other while singing Mr Lova Lova’

Amitabh Bachchan: The voice that launched a thousand dreams


On His 80th Birthday, TOI Traces The Rise And Rise Of An Artiste Who Keeps Reinventing Himself
Mohua Da (THE TIMES OF INDIA; October 11, 2022)

Actor. TV show host. Occasional singer. Phenomenon. Amitabh Bachchan, who has towered over the world of entertainment as much as the cultural scene for nearly five decades, turns 80 today.

The ‘Big B’ isn’t limited to his roles—he’s been voted ‘greatest star of stage or screen’ in a BBC poll, became the first living Asian to have a wax statue at Madame Tussauds, was conferred France’s highest civilian honour, and carried the Olympic torch. Likewise, he underscores the famous ‘baritone’, which has its own separate identity.

In its latest outing, the voice—that has launched a thousand brands, drawn tourists to Gujarat, rendered Holi parties incomplete without ‘Rang Barse’—is a household companion who wishes you ‘happy birthday’ and delivers jokes, poetry, even weather updates, all at the tap of a mic and the wake word ‘Amitji’, which brings alive a smart home assistant.

Alternating between rumbling to nonchalant, a pivotal facet of the screen persona has been the sonorous voice that make the most mundane words rich with possibility. Curiously, Bachchan’s stint in cinema as a faceless narrator took off before his career as an actor. After an unsuccessful attempt to land a job at All India Radio, his voice made its debut when filmmaker Mrinal Sen used it for the sutradhar (narrator) in Bhuvan Shome (1969).

The voice box has spawned a cottage industry of soundalikes, prompting the actor to copyright it after a tobacco manufacturer allegedly copied it to promote their gutkha. However, there are impersonators Bachchan himself encourages. Remember ‘Jumma chumma’ or ‘Sona sona’, songs that people think the actor sang?

Sudesh Bhosle takes it as a compliment. “I recorded them in front of Bachchan saab, it’s he who personally recommends me for some of his songs and supervises the recording,” says Bhosle who draws on the actor’s body language. “I need to place my hands on the waist and droop my shoulders to get his iconic ‘hain’.”

Chetan Sashital who dubs commercials in Bachchan’s voice, says he achieves the soundscape by “breathing deeper from the diaphragm… it’s incorrect to define his voice as just a baritone. It’s how he modulates, breathes, pauses and his sharp diction that allows him to switch from a commanding tone one heard in Deewaar to a raspier Sarkar to a grouchy Mirza.”

Both fill in at Bachchan’s behest “when he’s unavailable or his throat isn’t in good shape or after written or oral permission from him.” “His voice is his intellectual property and we have to guard against any mischief or misuse,” says Sashital.

Bhosle adds, “I check with his office to ensure it’s not a brand that is trying to get me because they can’t afford Bachchan saab.”

The industry exists in regional languages too. Some of Kerala’s best mimics are known for their Bachchan impressions. Be it late Kalabhavan Abi who would dub for Malayalam versions of the actor’s ads or Ashraf Thalassery who was his duplicate in the Malayalam movie ‘Guppy’.

It is perhaps his ability to tease out emotions from every word in a “resonant deep vocal timbre,” says sound designer Bishwadeep Chatterjee. “No matter how much he modulates by raising or dropping the pitch, there is incredible consistency in his vocal persona. Never too thin, nor too soft,” says Chatterjee who has worked on several Big B films. “He is so passionate about his dialogues, voiceovers or singing that he’s built a state-of-the-art recording studio in his house.”

There’s science as well to this unique vocal imprint. In the last two years, studies have indicated that taller men are perceived as more formidable, partly because their voices are lower in pitch. Research at Pennsylvania State University confirmed that tall men had lower frequencies partly because longer vocal tracts and larger vocal folds generate lower, more resonant voices while another study by an anthropologist at Boston University found men with low, resonant voices are more likely to be perceived as “attractive, masculine, respectable, and dominant”.

All hold true for the 6.2ft tall actor whose ‘baritone’ was the overwhelming answer to a survey on whose voice people wanted to hear if they dialled a call centre.

Asha Bhosle, S P Balasubrahmanyam, Sonu Nigam & others come together to raise funds for relief work


Eighteen singers have joined forces to raise funds for relief work with a three-day virtual concert
Himesh Mankad (MUMBAI MIRROR; April 11, 2020)

After actors, filmmakers and film bodies, 18 singers, including Asha Bhosle, S P Balasubrahmanyam, Udit Narayan, Kumar Sanu, Sudesh Bhosle, Hariharan, K J Yesudas, Sonu Nigam, Kailash Kher, Salim Merchant, Shankar Mahadevan, Anup Jalota, Kavita Krishnamurthy, Alka Yagnik, Pankaj Udhas, Shaan and Talat Aziz, have joined forces to fight the Coronavirus pandemic.

Sudesh, whose line-up includes Amitabh Bachchan hits like “Shava Shava” and “Jumma Chumma”, informs that the decision to hold a digital concert from their respective houses to raise funds for PM-CARES was taken a week ago. “The PM’s Office is supporting us in this concert, and we are appealing to the people to contribute in whatever way possible, even if it’s just a rupee,” says the veteran singer.

He goes on to share that Akshay Kumar was the host of the opening show, which started with the blessings of Lata Mangeshkar. “The performers have been divided in batches of six. We have all done our bit to help those in need, but that’s just a small contribution. Through this concert, we will raise donations for the government. When it’s (the pandemic) behind us, we will do more concerts to raise funds for rehabilitation,” Sudesh added.

Sonu, who will perform from Dubai, is yet to choose his setlist. “There are so many stalwarts (participating in the show) that I don’t want to talk about my own set. Lataji and Ashaji will be there to bless us. It wouldn’t be a long session, but more like a T-20 match,” he signs off.

I was the first person to imitate Amitabh Bachchan-Sudesh Bhosle


There is a lot more to Sudesh Bhosle than just being the voice of Big B
Noyon Jyoti Parasara (BOMBAY TIMES; January 29, 2016)

We hear RD Burman asked you to get your passport along the first time he met you...
(Laughs) I used to do a lot of shows with a group called Melody Makers. In one of our shows, we had Ashaji (Bhonsle) in the audience. When we met in her studio, she said she liked the way I sung dada's (SD Burman) song and asked me to record it. She took that to RD Burman. Panchamda thought I sounded exactly like his father. I got a call from his office and they asked me to come and meet him, along with my passport. When I reached there, I was told that Panchamda wanted me to accompany him to Hong Kong for a concert, where he wanted me to sing dada's songs! At that concert, Panchamda promised me that the first number he would record after reaching India would be with me. That's how I got my first break in Zalzala.

You are known as Amitabh Bachchan's voice. When did you realise you sound like him?
I was in Higher Secondary when I watched Muqaddar Ka Sikandar. Next day, I randomly used a dialogue of Amitabh Bachchan from the film on a girl. She did not hear it, but my friends did and thought I sounded exactly like Mr Bachchan. One of them came home with a tape recorder and started asking me questions in Dev Anand's voice and asked me to reply in Amitabh Bachchan's. From then on, I imitated Mr Bachchan whenever I got a chance. At that point, he was the biggest star and I was the first person to imitate him, while others were imitating stars like Dev Anand, Raj Kapoor and Dilip Kumar.

Who did you mimic first?
KL Saigal. Then I imitated Kishore Kumar and SD Burman. The first actor I imitated was Om Prakash, and then Ashok Kumar.

What are the boons and curse of being able to sound like a particular actor?
The boon is people love you. Like how a joker is the centre of attraction in a circus, in a concert, the mimicry artiste steals the show. And because I could sing and act in different voices, I did my own shows. But the curse is that I lost my identity. People don't know what Sudesh Bhosle sounds like. I have sung for Jackie Shroff, Mithunda, Anil Kapoor and Govinda, but only the ones that I rendered for Amitabh Bachchan were big hits.

You started as an artist, making posters for films along with your father.
My dad, NR Bhosle, was a famous painter and he had done the posters of films like Mughal-e-Azam and Dosti. I joined him in 1974 when I was just 14. I would say my best work, also my first, were the posters I made for Rajesh Khanna's Prem Nagar.

What do you think is the future of mimicry in the country?
Mimicry artistes never got the respect they deserved. But because of Johnny Lever, they are being respected today. And I think he is the number one in India and will always be. If any one can make you laugh for three hours, it is only Johnny Lever.

I did lose my identity. I was just the ‘voice of Amitabh Bachchan’-Sudesh Bhosle


Sudesh Bhonsle with family
Sudesh Bhosle takes to stage, singing in the one voice that the world recognises him for. Wife Hema and their kids make the production a family affair
Aastha Atray Banan (MID-DAY; October 4, 2015)

"At one point, I did lose my identity. I was just the ‘voice of Amitabh’. No one offered me jobs to sing for any other actor,” says the soft-spoken Sudesh Bhosle when we meet him and his family at their Goregaon home on a hot Thursday afternoon. “But then, I realised that I was an entertainer, and the job of an entertainer is to give the audience what it wants. It wants Amitabh Bachchan songs, sung in Amitabh’s voice. So, that’s what it gets,” says the 53-year-old, who has been singing for almost 30 years now.

Sudesh has sung with the likes of Kishore Kumar and dubbed for Sanjeev Kumar but earned his fame when he sung Jumma Chumma De De for Bachchan in the 1991 movie Hum. Ever since, he has sung for the veteran in almost all his movies, the last one being the February release, Shamitabh. Now, he is touring India with his production Amitabh Aur Main. The next show scheduled is for October 10, a day before Bachchan’s birthday, at Sion’s Shanmukhananda Hall.

Expectedly, Sudesh will deliver Bachchan hits, in varied moods, including Rim Jhim Ghire Sawan and Khayike Paan Benaras Wala and the more recent Jhoom Barabar Jhoom. Bachchan, Sudesh says, was supposed to attend the show but is busy. “But, he has given his blessings and approved all content.” The show is a family affair with Sudesh’s wife Hema (47), and their son Siddhant (21) and daughter Shruti (23) pitching in with individual talents, both on and back stage.

Siddhant will take the stage, singing along with his father, giving old classics a modern twist, adding guitar riffs and edgy arrangements. Hema, as producer, is responsible for logistics, but also plays the piano. Hema used to play with her father Ashok Saraf’s band, Melody Makers in the 80s, and that is where she met Sudesh. Shruti, a JJ School of Art graduate, handles the set design with the company Dot Line & Space, and is responsible for styling her father and brother.

It’s because of her, Shruti quips, that her father looks well turned out on stage. “He is very laidback about his look but I keep coaxing him. The last time, he wore a red coat on my insistence. That’s new for him. It’s us women who make all the noise. These two just want to sing.” The family laughs, but agrees.

The brain and motivation behind the production — the first show kicked off in May — is Hema, who eggs everyone on. “She is the one responsible for the concept and ensuring that everything runs smoothly,” says Sudesh.

Sudesh is a competent mimicry artiste, and can do a mean Sanjeev Kumar and Ajeet, but since 1991 when he sang for Bachchan in Ajooba, his career has been tied-up with that of the actor. “First, I sang Ya Ali Ya Ali in my own voice. Laxmikantji (of Laxmikant-Pyarelal) told Shashi Kapoor, the director, that I could imitate Amitabh’s voice and sing in it. When Amitji heard the song, he said now that he has found someone who sounds like him, he won’t sing again. But, he has started singing again,” he laughs. “He is a good singer and he knows music. And he has the first right to his own voice!” The show, the family admits, attracts a largely older audience.

But, the Bhosles want to make it hip. This is where Siddhant comes in. The singer and guitarist of Red Seems Right, who wants to be an international popstar some day, says, “I add guitars riffs to make the songs feel modern. I also do mash-ups, and sing them my own voice. Not a lot of young people come for the show, but that will change.” Sudesh adds, “Youngsters may not know the likes of Shashi Kapoor or Rajendra Kumar, but they all know Bachchan.” Yet, they play to a packed hall on most nights, says Hema. “I think along with the songs, people also love when Sudesh mimics Bachchan. He says the dialogue before My Name is Anthony Gonsalves, and then the Kabhi Kabhie dialogue. People really connect with that.”

Even though it’s Bachchan who is his muse right now, Sudesh was a Kishore Kumar when growing up. That he worked with him was a landmark event. “I did shows with him, where I used to be the host. We even used to sing together. I am his biggest fan.” That being said, it’s Amitabh Aur Main that is the mainstay for this family now. Sudesh says shyly, “Even Lataji has said that if she had to sing Yeh Kahaan Aa Gaye Hum, she could do it either with Amitji or me. No one else will do.”

In March, the family is set to take the production to America where, they are sure, it’ll do well. “Audiences in the States react even better than those here. It’s because it reminds them of home,” says Hema. “They laugh, they shout and they cry. It’s like we are bringing a part of India to their doorsteps."