Showing posts with label Spider-Man: No Way Home. Show all posts
Showing posts with label Spider-Man: No Way Home. Show all posts

When we are together, we act like kids again-Tom Holland, Zendaya


Newlyweds Tom Holland and Zendaya speak about growing up together on set, sharing the screen again, and the food memories they carry from every project
Puja Talwar (HINDUSTAN TIMES; July 27, 2026)

Nearly a decade after the franchise that brought them together, Hollywood star couple Tom Holland and Zendaya will be seen in the fourth film Spider-Man: Brand New Day, on the heels of The Odyssey. During the London leg of promotions, the newlyweds spoke to us. Excerpts:

After five films over a decade together, what’s something that has not changed?
Zendaya: When we are all together, we start acting like kids again! We bring out a childish joy and youthful, reckless abandon in each other. Yes, we have all grown a lot, but we are still the same kids from the very beginning.
Tom: I agree.

Does Tom surprise you?
Zendaya: Yes, it’s pretty much with these two (Tom and co-star Jacob Batalon). I never know what they will do when they get together, and then they start riffing off each other. I never know where or in which direction they could go. Most of it gets left on the cutting-room floor since it’s not usable. It’s about never knowing what fun things you’re going to find in a scene.
Tom: Yes, pretty much, and most of it is not usable. But there’s always that little bit of gold in there.

And how does Zendaya surprise you, Tom?
Tom: I think in exactly the same ways. We’re actors who really love to have fun on set, try new things, think outside the box, improvise and keep everyone on their toes.

Is there pressure or excitement about being a part of a universally loved franchise?
Tom: Both of those things are true. In some circumstances, pressure is a privilege; we’re really lucky to be a part of these films. Understanding that there is great anticipation and excitement for these movies is a great motivator. And we have always taken the responsibility of representing these characters to heart.

Do you have a pre-release ritual?
Zendaya: I associate different movies with different foods. I’ll find a food and that’s all I will eat through the whole shoot. On No Way Home (2021), I had the same pasta every day for months. For Brand New Day, I had these potato things with a little dipping sauce every day. For Dune (2021), I ate so many peanut butter and jelly sandwiches. Early Euphoria (web series, 2019-2026) had so many Cool Ranch Doritos. It’s just funny that you get stuck on a food, and that represents the film for you.
Tom: I really don’t have a ritual, but I do carry a lot of Peter Parker with me.

How much have the characters influenced you?
Tom: Maybe I try to live my life a little bit like Peter, in the sense that he’s just super positive all the time. Being positive is something I really work towards and try to imbibe.
Zendaya: I like MJ’s weird, oddball energy.

Fenil's Bollywood Talk # 724

WILL DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS BREAK SPIDER-MAN: NO WAY HOME’S RECORD?

The Marvel Cinematic Universe has become a very huge brand, as we all know. Their last film, Spider-Man: No Way Home was released in December 2021. In India, it created a huge craze and opened at a huge Rs. 32.75 crore. The film managed to collect more than Rs. 215 crore in its lifetime despite the third wave.

Now, the next Marvel film, Doctor Strange In The Multiverse Of Madness, will be released tomorrow. Yet again, the excitement is tremendous, though not at the level of Spider-Man: No Way Home. One of the major reasons for the hype is that Doctor Strange was a part of Spider-Man: No Way Home. Also, he has been loved for his contribution to the Avengers films. As a result, viewers now know him and want to see what he’s upto in the new film.

In a rare instance, the team of Disney opened the advance booking of Doctor Strange In The Multiverse Of Madness way back, on April 8. In other words, viewers were given a chance to buy tickets a month in advance! Believe it or not, several shows got full 27 days before the film’s release. As time passed, more and more theatres opened up the advance. Last week’s major releases, Heropanti 2 and Runway 34, have flopped. Realizing that these films would not get a lot of shows in Week 2, the advance booking of Doctor Strange In The Multiverse Of Madness opened in full swing across the country from Saturday. The tickets were sold out in most properties, especially for the shows on Friday, May 6.

However, Doctor Strange In The Multiverse Of Madness will face some challenges. It has got far too many shows. The film is running almost everywhere and in certain multiplexes, shows start from 12:30 am with the last show at 11:55 pm! As a result, more than 30-40 shows are being played of the film in many theatres. Hence, there’s too much supply while the demand is there but not as much. The exhibitors, however, are simply following the Spider-Man: No Way Home model. But Spider-Man: No Way Home had an insane craze as it featured as many as 3 Spider-Man’s. So, even those who are not Marvel fans were excited to see it. Doctor Strange In The Multiverse Of Madness doesn’t have any such USP.

Nevertheless, the opening is expected to be more than Rs. 27-28 crore. It can even cross the Rs. 30 crore mark, with an outside chance of crossing Spider-Man: No Way Home’s first-day collections. Spider-Man: No Way Home had a superb word of mouth. If Doctor Strange In The Multiverse Of Madness also has similar kind of reports, it can work big time. Even if reports are negative, it’ll have a healthy lifetime as the collections in the first weekend itself would be around Rs. 90-100 crore.

All India circuit comparison: Pushpa: The Rise - Part 01 vs '83 vs Spider-Man: No Way Home

83, Spider Man, Pushpa: On the occasion of New Year's, films made a big bang, know the collection of films
Box Office India Trade Network

There were three huge releases in December 2021 and after around ten weeks all of them have practically consumed their runs. The three films have benefitted from open runs as films generally stopped releasing at the end of December due to restrictions in practically all states across the country.

PUSHPA: THE RISE - PART 01 has emerged the best performer as it has crossed the 275 crore nett mark and SPIDER-MAN: NO WAY HOME was next best with 215 crore nett plus. '83 was a disaster with a little over 100 crore nett. All these three films were released in many languages across the country and so its a like for like comparison. 

The box office in India is split into five zones (North, East, South, West and Central). North is Delhi/UP and East Punjab and SPIDER-MAN: NO WAY HOME was the leader here. East is West Bengal, Bihar, Assam and Odisha and again SPIDER-MAN: NO WAY HOME leads. South is Nizam/Andhra, Mysore, Tamil Nadu and Kerala and here as expected PUSHPA: THE RISE - PART 01 was easily the best and that was expected. West is Mumbai/Gujarat and here SPIDER-MAN: NO WAY HOME just edged out the Allu Arjun-starrer but its a huge achievement by PUSHPA: THE RISE - PART 01 to be so close to the Tom Holland-starrer. 

Central is CP Berar, CI and Rajasthan and here PUSHPA: THE RISE - PART 01 came out on to due to the insane business in CP Berar.

The comparative figures of all three films across India is as follows and includes all formats of the films.

Mumbai
Spider-Man: No Way Home - 49,50,00,000
Pushpa: The Rise - Part 01 - 47,97,00,000
'83 - 37,00,00,000

Delhi/UP
Spider-Man: No Way Home - 38,50,00,000
Pushpa: The Rise - Part 01 - 14,41,00,000
'83 - 19,01,00,000

East Punjab
Spider-Man: No Way Home - 13,75,00,000
Pushpa: The Rise - Part 01 - 3,88,00,000
'83 - 10,27,00,000

Rajasthan
Spider-Man: No Way Home - 6,75,00,000
Pushpa: The Rise - Part 01 - 4,99,00,000
'83 - 4,03,00,000

CP Berar
Spider-Man: No Way Home - 7,20,00,000
Pushpa: The Rise - Part 01 - 13,28,00,000
'83 - 3,78,00,000

CI
Spiderman: No Way Home - 6,15,00,000
Pushpa: The Rise - Part 01 - 5,26,00,000
'83 - 2,82,00,000

Nizam/Andhra
Spider-Man: No Way Home - 21,50,00,000
Pushpa: The Rise - Part 01 - 1,21,50,00,000
'83 - 5,60,00,000

Mysore/Karnataka
Spider-Man: No Way Home - 20,00,00,000
Pushpa: The Rise - Part 01 - 20,50,00,000
'83 - 8,75,00,000

Tamil Nadu
Spider-Man: No Way Home - 22,50,00,000
Pushpa: The Rise - Part 01 - 20,00,00,000
'83 - 4,83,00,000

Kerala
Spider-Man: No Way Home - 11,25,00,000
Pushpa: The Rise - Part 01 - 10,00,00,000
'83 - 60,00,000

West Bengal
Spider-Man: No Way Home - 12,00,00,000
Pushpa: The Rise - Part 01 - 5,54,00,000
'83 - 6,98,00,000

Bihar
Spider-Man: No Way Home - 3,15,00,000
Pushpa: The Rise - Part 01 - 4,14,00,000
'83 - 1,70,00,000

Assam
Spider-Man: No Way Home - 2,00,00,000
Pushpa: The Rise - Part 01 - 1,08,00,000
'83 - 1,13,00,000

Odisha
Spiderman: No Way Home - 2,25,00,000
Pushpa: The Rise - Part 01 - 3,91,00,000
'83 - 1,17,00,000

TOTAL
Spider-Man: No Way Home - 2,16,50,00,000
Pushpa: The Rise - Part 01 - 2,76,46,00,000
'83 - 1,07,67,00,000

No new releases force theatres to shut shop

Titas Chowdhury (HINDUSTAN TIMES; January 9, 2022)

G7 Multiplex’s Gaiety Cinema in Mumbai has been shut down temporarily since film releases have been indefinitely postponed due to the surge in Coronavirus cases. Many other cinemas all across the country have followed suit, with a few theatres in Tamil Nadu, Karnataka, Rajasthan and Uttar Pradesh running at 50% capacity. Theatres in West Bengal are currently screening Spider-Man: No Way Home, Pushpa: The Rise - Part 01, '83 and a regional film.

Manoj Desai, executive director of G7 Multiplex and Maratha Mandir Cinema says, “For how long can we continue screening films that released three-four weeks back?” Rajender Singh Jyala, CPO, Inox Leisure Limited shares that they had “done a business of over ₹1,000 crore in December, which was as good as in the pre-pandemic era” and all hopes were pinned on January, which was supposed to see the release of RRR, Radhe Shyam and Valimai. 

Better policies are needed for theatres, feels Meenu Singh, AGM, Legend Cinemas, whose Haryana outlet has been forced to shut down. Whereas, Satadeep Saha, director, SSR cinemas Pvt Limited, says, “If the government asks us to shut down, we will or else we’ll continue to run even if we have to with one show of each film.”

Mass film hai toh theatre mein chalegi is not how things are working evidently-Varun Dhawan


Rachana Dubey (BOMBAY TIMES; January 2, 2022)

For Varun Dhawan, 2022 is a special year for several reasons. To begin with, he’s completing a decade as an actor and a year of marriage. He’s also at an interesting point in his professional journey where he’s eager to experiment and break new ground with every passing film, and if all goes well, even make his debut on the digital platform. In a chat with BT, he spoke about all of the above and more. Excerpts: 

In the last decade, we have seen you deliver several noteworthy films and memorable performances, how do you see 2022 unfold for you?
I feel most of last year was spent completing films that had either already started or were committed to. A lot of people were forced to stay home, and I was one among them. This year, hopefully I should be able to do a lot more work and be on the sets doing what I love the most — shooting films. With Coronavirus cases escalating again, it’s going into that zone where you will have to deal with things, but hopefully, work should not stop this time. I wish to get out and work a lot more. Today, I have become more selective about my professional choices, but let’s see if that makes a difference.

You have two releases lined up this year, Bhediya and JugJugg Jeeyo. The medium of release is fast becoming fluid where a film, originally planned for a theatrical release opens on a digital platform. Does that bother you as an artiste?
As human beings, any change will bother us initially, but all changes are not necessarily bad. Times have proven that both mediums can co-exist. Sooryavanshi and Spider-Man: No Way Home have proved that when there is something exceptional and compelling, the audience will rush to theatres. I do feel that cinema, as it is, has gone through many changes and people’s choices have also changed a lot. Today, you have to give the audience something massive and different, something solid to come into theatres. Mass film hai toh theatre mein chalegi is not how things are working evidently. OTT platforms are a constant for now and they’re definitely here for the future. As an actor, it doesn’t bother me where my films release. When you’re not ready for it, it might bother you a bit. But in the changing scenario, every movie getting off the ground is being made with the thought that it could release anywhere — on the big screen or the flat-screen in your house. We can no longer pre-decide that yeh picture toh idhar hi jayegi. And it’s okay as long as you reach your target audience. We have to make do with the fact that there was a pattern of release which has now changed. It doesn’t matter where a film opens as long as the work is mounted correctly. The idea is that wherever these films release, people should be able to enjoy them. Of course, we wish to see both Bhediya and JugJugg Jeeyo opening in theatres. Today, the notion about what works in theatres is changing. Also, the theatrical business is moving towards becoming extremely binary where the big hits will be humongous and the ones that don’t do well, will be left far, far behind. In these times, films and their underlying thought have to be universal. That is the aim with which I approach every film now.

With several leading actors opting for planned digital debuts, we’d like to know if you also have something in the works that will mark your foray into the OTT space this year?
Let’s see... is all I can say right now. I am really not in the capacity to say anything more because so many things were planned and are being planned, but this pandemic can move things around as we all have seen. So, right now, even jokingly I can’t make any announcements. Besides, I am contractually bound to not break any news at the moment.

You shot two films in the midst of the pandemic. Do you find the way of functioning in the new normal challenging?
The greatest challenge today is to battle the risk at which you put your health when you step out to work. Everyone who is getting out of their homes is putting themselves at risk because all of us will, in some manner, be surrounded by people. Coping with that part is difficult and thinking of ways to stay healthy while shooting today is a challenge. But having said that, I am exceptionally eager to get back to a set and start shooting. I am raring to go. The pandemic and the time I have seen in the last year has made it so clear to me that this work is what I love. I love cinema and I love being on a set and doing my work. In the last year alone a lot of content has been consumed across the spectrum — domestic and always be something new out there. So, we have to do our best to protect our theatres at this time and put out the best we can on OTT because the world is watching us.

Have the last two years given you the time to introspect and zero in on what you’d like to focus more on in the time ahead?
I’ve done a lot of introspection in the last two years with the worlds of cinema that I have seen here. The older I get the more variety I want to give a shot to. I want to try and explore things. When you see both the films that I have this year, I do hope that you can see the range that I can deliver and the work doesn’t disappoint the audience. It is challenging to be in this business today but then, what’s not? There’s no point otherwise. I perform the best when there is chaos around me. I like uncertainty in the air, and when I am not at ease. I don’t like getting complacent. I don’t feel comfortable sitting in one place. I want to go out there and tell people that this is not it. There is a lot more left in me. Wait for it.

Fenil's Bollywood Talk # 706

LAST FRIDAY OF THE YEAR TO BE A DISAPPOINTMENT AS JERSEY GETS POSTPONED

All was going well as the Coronavirus cases in the country were dropping steadily. The cinema business, too, had come on track with films like Sooryavanshi, Spider-Man: No Way Home and Pushpa: The Rise - Part 01 emerging as super hits. Sadly, the Omicron variant entered the country, and has led to a significant rise in the number of cases. Nevertheless, the fear of the virus isn’t there like last time and life was going as usual. In states like Madhya Pradesh, Gujarat, Uttar Pradesh etc, night curfew was introduced, mainly to avoid gathering of people post evening during the festival of Christmas and during New Year’s Eve. The business was slightly impacted but no one was complaining.

But then on Monday, December 27, the government of Delhi decided to shut down cinemas with immediate effect. Shahid Kapoor-starrer Jersey was all set to release on December 31. An hour after Delhi’s Chief Minister Arvind Kejriwal made the announcement, Jersey’s producers revealed that their film has been postponed indefinitely. A few people wondered if this was the right call. After all, just Delhi city was shut; the rest of the country is functioning. However, what’s the guarantee that other states won’t follow suit and shut down theatres in their respective territories? Last year, the producers of Angrezi Medium burnt their hands when they decided to release the Irrfan Khan-starrer in cinemas on March 13, 2020, despite the Covid-19 threat looming over their heads. Within 72 hours, most states shut down the theatres and the business of that film was disastrous.

Hence, it can’t be ruled out that the makers of Jersey must have also feared that if the crucial state of Maharashtra shuts from Thursday or over the weekend and so do the other important states, the film will bomb at the ticket window.

Meanwhile, the Omicron cases continue to increase in most parts of the country. In Mumbai, the capital of Maharashtra, the number of cases were around 600 on December 24 while on December 29, the number jumped to around 2500! Such a huge jump has been rare. The good news is that most cases are asymptomatic or mild and don’t require oxygen beds or even hospitalization. A few voices in the medical and scientific community are predicting that Omicron can be a blessing in disguise because though it’s more virulent, it’s also less likely to cause severe illness or even death. Hence, a prediction is made that very soon, herd immunity will be achieved and the pandemic will come to an end.

Sadly, no credible organization or government can afford to put their gear down over these beliefs. One needs scientific evidence and it’ll come in a few weeks. The industry stakeholders do understand that the government will need to put some restrictions in place. They are asking various state governments to not shut down cinemas; instead, they are requesting them instead to reintroduce the rule of 50% occupancy in cinemas in states where 100% occupancy is allowed. Also, they are also requesting that only fully vaccinated individuals be allowed inside cinemas.

Sadly, there’s no guarantee the state governments will listen to the rule, especially the Maharashtra government which has been strict in putting restrictions. Despite cases jumping to 2500+ in Mumbai, the government hasn’t told cinemas to halt operations. However, as seen in the past, if cases continue to rise exponentially, cinemas can be told to stop functioning. If this happens in a lot of states, the fate of the upcoming films can be in limbo. Next week, January 7, sees the release of arguably the most expensive film of Indian cinema, RRR. The makers are going ahead with the promotions as scheduled. However, everyone associated, including exhibitors, are prepared for any eventuality.

It is an established fact that the chances of one getting infected with Covid-19 in a cinema hall is negligible. Also, it’s bewildering to see that political rallies are allowed in a state like Uttar Pradesh, where a night curfew is in place. These rallies attract lakhs of people and where wearing of masks, social distancing etc goes for a toss. Even weddings are permitted and so are restaurants and pubs. Masks are required to be put down in these situations and it can lead to a spread of Covid-19 as compared to a cinema hall where viewers have to wear a mask compulsorily. Hence, the way cinemas are shut in the first sign of rise of cases is highly unjustified but the industry sadly, is yet to develop a spine to question the authorities over this logic.

Cinema shutdown in Delhi will impact major Bollywood releases, say stakeholders


Industry stakeholders say the move will lead to ‘irreparable losses’, and urge the govt to instead introduce safety measures such as allowing only double vaccinated audiences
Niharika Lal (BOMBAY TIMES; December 30, 2021)

The Delhi government’s order on Tuesday shutting down cinema theatres and multiplexes, in view of the sharp rise in omicron cases in the city, has come as a big jolt to the industry that was just getting back on its feet. An exhibitor says, “We have seen packed theatres this month for films like Spider-Man: No Way Home. The last week of the year is when people prefer going out and watching films. This will be a huge revenue loss for cinemas. ”

‘CINEMA SHUTDOWN COMES AT THE BUSIEST TIME OF THE YEAR’
Theatres in the rest of the country, including other parts of NCR and Mumbai, remain open for now. However, with Coronavirus cases rising across the country, exhibitors fear more cities will soon introduce restrictions and lockdown measures.

Akshaye Rathi, director, Aashirwad Theatres, and an industry expert, says, “This is the holiday season, when kids are on winter break, and business is robust across the sectors, including cinemas. It’s unfortunate that a sector is being closed at this specific time of the year, especially taking into account the scenario in the last one-and-a-half years when cinemas were closed for months. Be it Delhi, or other state governments who are contemplating lockdown, authorities need to find a more pragmatic approach. For example, only allowing double vaccinated audiences to enter cinemas, and other such measures.”

Girish Johar, a producer and film business expert, asks, “Why only cinemas? Cinemas are not being treated as a business. After Sooryavanshi opened big, people were coming back to the cinema. We have seen how Spider-Man: No Way Home changed everything and is now clocking around 200 crores at the Indian box office, which is a big deal. So, what now? Thoda gire, thoda uthe, phir se ye chot. We really hope Delhi gives some relaxation to cinemas.”

Rajendra Singh Jyala, Chief Programming Officer, INOX Pvt Ltd, adds, “Whether it was Spider-Man or '83, theatres had good occupancy, and moviegoers came out to watch these films because they found cinemas to be safe. We’ve worked so hard to gain this confidence. This year-end week is one of the busiest weekends for cinemas. In fact, even on Monday-Tuesday, we had over 50% occupancy in cinemas across NCR, which is a good number for weekday occupancy. We had almost 100% occupancy last weekend. While a few moviegoers may go to watch films in Noida and Gurgaon as Delhi cinemas are closed, this shutdown will adversely affect not just the business of films which are currently running, but upcoming releases, too.”

CONSIDER DOUBLE VACCINATION, REINTRODUCE 50% CAPACITY, BUT RETHINK SHUTDOWN: MULTIPLEX ASSOCIATION OF INDIA
The Multiplex Association of India has urged the Delhi government to consider introducing a double vaccination requirement to enter cinemas, instead of a complete shutdown. Kamal Gianchandani, President, Multiplex Association of India, said in a statement, “The Delhi Government’s decision to shut down cinemas in Delhi while enforcing the ‘yellow’ alert of the Graded Response Action Plan (GRAP) has caused massive uncertainty and could lead to irreparable damage for the Indian film industry. After being allowed to reopen, cinemas have already demonstrated an ability to operate safely for the public and employees via usage of enhanced ventilation systems, hygiene, and other safety protocols. Not a single outbreak of COVID-19 anywhere around the world has been traced to a cinema. While we fully understand the need at the government’s end to take necessary preventive measures, we’d request that cinemas should get equal treatment with comparable industries and institutions.”

“Instead of closing the cinemas, we’d urge the Delhi government to consider introducing a double vaccination requirement to enter cinemas, as is the case in some of the other states (including Maharashtra). Alternatively, the seating capacity restriction of 50% can be reintroduced at cinemas. We call on the government to recognise the unique social, cultural and economic value of the Indian film industry, and to provide the support it so desperately needs to survive this unprecedented period,” the statement added.

DELHI’S THE SECOND-BIGGEST MARKET FOR BOLLYWOOD; THIS WILL IMPACT FUTURE RELEASES: INDUSTRY EXPERTS
Producer and film business expert Girish Johar says that the closure of cinemas in Delhi can have a ripple effect. “The reason is that Delhi is one of the top two cities from the revenue point of view of Bollywood films. I don’t think that producers will release films when they are on tenterhooks.” 

Akshaye Rathi, director, Aashirwad Theatres, and an industry expert, says, “The biggest territory for Bollywood films is Maharashtra, which is already operating at 50% capacity. Now, with the second biggest market – Delhi – shutting down, it is too much of a compromise revenue-wise for producers to continue releasing films, especially films which do well in Hindi-speaking markets. For a film like Valimai, there may not be that big of an impact because its main market is Tamil Nadu, but for an RRR or Prithviraj, it is a very tricky situation.”

Makers of Shahid Kapoor-starrer Jersey, have already postponed its release while upcoming films like Prithviraj and John Abraham’s Attack may also be impacted.

Fenil's Bollywood Talk # 705

WILL ’83 BE 2021’S BIGGEST HIT?

The cinema business is now almost on track after theatres were allowed to reopen in October. Sooryavanshi was the major Hindi film to release, on Diwali, and it has emerged as a huge hit, collecting more than Rs. 190 crore. The films that released after this film like Bunty Aur Babli 2, Antim, Satyameva Jayate 2, Tadap and Chandigarh Kare Aashiqui didn’t work at the box office. And now, ’83 is all set to release and the film carries a lot of promise. If all goes well, it’ll emerge as the second biggest hit of the year after Sooryavanshi.

’83 is based on Indian cricket team’s unbelievable victory in the 1983 World Cup. It stars Ranveer Singh in the role of Kapil Dev and Deepika Padukone as his wife. Pankaj Tripathi, Saqib Saleem, Tahir Raj Bhasin, Ammy Virk, Nishant Dahiya and others also feature in this film and play real-life characters. The film was supposed to initially release on April 10, 2020. But due to the Covid-19 pandemic, it was postponed to Christmas 2020 followed by June 4, 2021. It now finally releases tomorrow, that is, December 24.

’83 has tremendous hype right from the beginning. The subject is very promising and close to the hearts of Indians. Even those who are not interested in cricket are looking forward to seeing it as it’s a classic underdog story. Moreover, the film is devoid of sex and violence. As a result, audiences of all kind and all ages will be watching it.

However, ’83 faces challenges. While the buzz in the mega cities like Mumbai and Delhi is strong, in the rest of the country, the hype is limited. The promotions haven’t been strong. Also, the film has faced issues in getting screens. Reliance Entertainment, the producers of ’83, had told exhibitors that if they want to screen ’83, they’ll have to do so for 2 weeks without sharing shows with any other film. The same order was given to theatres during Sooryavanshi, which was also released by Reliance. Then, the exhibitors had no choice as they were dying to show a film. Hence, they agreed and gave zero or very less shows to Eternals, which had clashed with Sooryavanshi.

This time, the exhibitors don’t mind missing out on ’83 as the last week’s releases – Spider-Man: No Way Home and Pushpa: The Rise - Part 01 – are doing excellent business. Also, they haven’t forgotten the treatment meted out to them during Sooryavanshi. And looking at the low buzz and low advance of ’83 in cinemas where the bookings had commenced, the theatres were okay with not showing ’83.

Although the latest news is that ’83 team has bowed down and have agreed exhibitors show sharing with other films, the damage is slightly done. A few theatres opened up the advance booking of the upcoming week with Spider-Man: No Way Home and Pushpa: The Rise - Part 01. Hence, the overall screen count might be low although reportedly, Reliance is trying its best to get a wide release.

Sooryavanshi had collected Rs. 26 crore on Day 1. ’83, sadly, won’t be able to have such kind of a day-1 figure. The opening is expected to be in the range of Rs. 10-15 crore. However, the press saw the film on Monday and the verdict is unanimous. Also, it’s a film best enjoyed in cinemas. With Saturday being Christmas Day, when collections increase substantially, ’83’s day 2 figures can be huge if all goes well. Then it’ll have to sustain in the weekdays and in the second weekend, during the New Year Holiday weekend. If public indeed accepts the film wholeheartedly, then it’s lifetime can cross that of Sooryavanshi and thus, it’ll emerge as 2021’s highest grosser.

(Crisp & SPOILER-FREE) Movie Review: SPIDER-MAN: FAR FROM HOME by FENIL SETA

Spider-Man: No Way Home is a fun-filled entertainer with an incredible plot. The film starts with a bang and then sadly, drops. Thankfully, the film rises once Peter Parker collaborates with Doctor Strange to ‘undo’ the blunders. However, the best is reserved when the three Spider-Man’s come together. This part is unique and the dialogues and the situations are sure to give you your money’s worth and satisfy the fan in you. The film suffers majorly due to overload of expectations. I did the mistake, like millions others, of expecting it to be another Avengers: Endgame, and this is not that kind of a classic film. A few developments are also difficult to digest. Speaking of performances, Tom Holland is more serious this time but still as lovable. Zendaya is terrific as expected but one wishes she had more to do. Benedict Cumberbatch rocks in his part. Jacob Batalon is likeable and raises laughs. Jon Favreau and Marisa Tomei lend able support. J K Simmons has an important part and is great in an Arnab Goswami-type of a role. Alfred Molina takes the cake among all the villains (I am not mentioning others as I have not seen the film’s trailers and hence don’t know, how many of them have been unveiled so far). And finally, Tobey Maguire and Andrew Garfield are like the icing on the cake. All in all, Spider-Man: No Way Home is a treat for the fans!

My rating - **** out of 5!

Fenil's Bollywood Talk # 704

WILL SPIDER-MAN: NO WAY HOME CROSS THE Rs. 30 CRORE MARK ON DAY 1?

The much-awaited superhero film, Spider-Man: No Way Home is all set to release tomorrow and the advance has surprised and shocked the trade and industry. Everyone knew that the craze is tremendous. Yet, no one was ready for the scenes on the ticketing app, BookMyShow, from Sunday evening onwards. As soon as the bookings commenced in most theatres, shows began to get sold out in no time. The demand is such that exhibitors had to hold shows as early as 6:00 am, 5:00 am and believe it or not, even 4:00 am!

Shockingly, the exhibitors have hiked up prices enormously. Certain cinemas are charging as high as Rs. 1000 and even Rs. 2000. Yet, these seats were sold out within minutes! It proved how eager audiences are ready to be back in cinemas and that for an exciting product, they are willing to dig deep into their pockets.

So why is there such a tremendous craze for Spider-Man No Way Home? Firstly, it belongs to the exciting Marvel Cinematic Universe, which has a loyal fan following of its own. Out of the Marvel superheroes, Spider-Man is probably one of the most loved or maybe the most favourite of the viewers. All the previous Spider-Man films have opened well and done record business. And this time, the excitement has gone many notches higher as Tom Holland, the actor playing the current Spider-Man, will be joined by the actors who played the superhero in the earlier films - Tobey Maguire and Andrew Garfield. This factor has made viewers very curious and excited as they cannot wait to see all three Spider-Man's in one frame.

One of the earlier Marvel films, Avengers: Endgame, also had similar craze and it opened at Rs. 53.50 crore. Spider-Man: No Way Home will not have such a record opening. However, it’s sure to collect more than Rs. 25 crore. On day 1, Sooryavanshi earned Rs. 26 crore and it remains to be seen if Spider-Man: No Way Home can break this record. A few trade pundits are confident that it'll cross even the Rs. 30 crore mark.

The other release of the week, meanwhile, is Pushpa. It’s a Telugu film starring Allu Arjun but will get a huge release in the dubbed Hindi version. It looks like an exciting actioner set in the jungles. In Andhra Pradesh and Telangana, it’ll give a tough fight to Spider-Man: No Way Home. Though a lot is expected from the dubbed Hindi version, it’ll struggle to find an audience. Similar hopes were placed on the Hindi version of 2021’s first big hits, the Tamil film Master, starring Vijay. But it earned just Rs. 3-4 crore in the Hindi version. Pushpa, hopefully, would go beyond that number.