Showing posts with label Shravan Kumar. Show all posts
Showing posts with label Shravan Kumar. Show all posts

I learnt that there are different rate card for girls-Meera Chopra


Section 375 actor Meera Chopra chronicles what she learnt during her prep for cop act in upcoming web show, Kamathipura
Sonil Dedhia (MID-DAY; September 26, 2019)

Having earned accolades for her act as a rape victim in Section 375, Meera Chopra has trained her focus on her next, Kamathipura, a series that dabbles in the flesh trade. Essaying the part of a cop in the web show, Priyanka Chopra Jonas's cousin says she had to frequent the red-light area to acquaint herself with it.

"As a cop posted in that place, I had to familiarise myself with the area. My team took me to Kamathipura for three days, and we travelled across places like gully no 12 and 13, where access for the common folk is restricted," says the actor, who investigates a spate of murders in the area for the Amazon Prime series, helmed by Shravan Kumar.

While it was meant to be an educative affair for her act, the prep, Chopra admits, often posed facts that rendered her unnerved. "At times, I'd see [troubled] girls willing to be bitten by snakes in a bid to get intoxicated. I learnt that there are different rate-card for girls. Those standing on the ground floor are 'cheaper' than those on the floors above. For me, it was shocking. I never even imagined that a place like this existed in Mumbai."

The success of Section 375, she says, has been a validation of sorts for her. "I've been waiting for this acceptance for a long time. Often, I would be tempted to do projects against my will, merely for the sake of visibility. But, I always decided to wait for the right offer."

Shraddha Kapoor marks Children’s Day with origami in Mumbai and a kiddie film festival in Hyderabad


Sanyukta Iyer (MUMBAI MIRROR; November 15, 2017)

Children’s Day for Shraddha Kapoor began on a disarming note, with mom’s Shivangi’s homemade poha. “She also packed fruits for my car ride to Prabhadevi after calling me a naughty kid,” the actress beams, adding that it made her morning. It also proved to be the perfect ocassion as the 30-year-old actress finished reading Tuesdays with Morrie, American writer Mitch Albom’s emotional memoir.

Shraddha spent the morning at an origami workshop organised by the NGO Pehlay Akshar, making birds and boats with students of a municipal school. She also judged a fancy dress competition, discussing each character with the kids and writing down dialogues for them.

In the evening, the actress jetted off to Hyderabad to join I&B minister Smriti Irani and Children’s Film Society CEO, Shravan Kumar, as chief guests of the 20th International Children’s Film Festival. “I feel so lucky to be a part of a festival that has programs like the ‘Little Directors’ which gives kids from rural India the opportunity to explore their creativity,” Shraddha says.

She also interacted with the international talents in the festival’s non-competitive section, which included SIV Sleeps Astray from Sweden, Pitch from Russia, Sky from The Netherlands, Nelly’s Adventure from Germany, Anthems: A Journey Around the World from Canada and Wintry Spring from Egypt.

Bajrangi Bhaijaan child actor Harshaali Malhotra also sang “Sun Sathiya”, from Shraddha’s ABCD 2, for the actress. No child’s play, this.

Children's Film Society of India organizes free film fest for kids; looks at grooming budding storytellers


Sanyukta Iyer (MUMBAI MIRROR; April 30, 2016)

From Shilpa Ranade's animated Goopi Gawaiya Bagha Bajaiya to Seemaa Desai's directorial debut, Pappu Ki Pugdandi, the Children's Film Society of India (CFSI) has been producing films for over 60 years. Few of these will be screened at their free-of-cost summer film festival for kids, held in Mumbai, Delhi, among other cities.

“We have partnered with NGOs like Salaam Baalak Trust and Action India, which bring over 200 students to the screenings and have invited municipal schools to join in. We are also accepting all kinds of viewing requests from organisations to get as many children as possible on board,“ Dr Shravan Kumar, Festival Director and CEO, CFSI, which has produced national and international award-winning films as well, told Mirror.

Taking the initiative a notch higher this year, the film society has launched a new app for children to learn filmmaking. “Anyone can get on the app. If there are over 25 children or more, we organise workshops at a place convenient to them. CFSI members and students of the Film and Television Institute of India take over teaching duties,“ Shravan adds.

Moreover, a new segment, 'Little Directors', is being added to CFSI's annual calendar, where children can compete with their films. “It was nice to see a packed house at our three-day screening event at Siri Fort auditorium on Friday afternoon. We screen only two films daily from a long list, including ­ Gattu, Krish Trish and Baltiboy, Kaphal, Gauru and Kima's Lode. We hope more kids join us in the journey,“ he says.

Censor Board to 'Get Hard' with Hollywood films?

Hollywood
Subhash K Jha (DNA; August 20, 2015)

With recent Hollywood films like Get Hard, Vacation and 50 Shades Of Grey getting the full censorial treatment, is it time for Hollywood to get seriously worried about its future in India? In fact, Get Hard and 50 Shades Of Grey have decided to stay out of India altogether.

We asked the CEO of Central Board of Film Certification — Shravan Kumar to comment on the future of Hollywood films in India. He says, “It is not possible for me to comment on their voluntary decision, since I am not privy to the reasons behind the same. But, I can only state that there’s an elaborate process of certification in place at CBFC and any apprehension of creative dilution is unfounded.”

There are songs that have not been censored but have double meanings that children are watching today, while regular cuss words that are a part of society have been banned. How does the censor board decide on such issues?

Explains Kumar, “The guiding principles of certification laid down under section 5B(2) are available on the CBFC website wherein it is clearly enunciated that a film is judged in its entirety from the point of view of its overall impact keeping in mind the period, contemporary milieu and the level of audience. These are followed by the members of the committee at EC (Examining Committee) and RC (Revising Committee) individually in their recommendation and are also adhered to at the time of making collective decision by the Board. If there are any deviations, then the system provides for remedy and there is also an alternative recourse to appeal to FCAT (Film Certification Appellate Tribunal). Putting restrictions on creative freedom is beyond the scope of certification. Due care is also taken to appreciate artistic expression and human sensibilities as well.”

Manish Desai turns interim CEO of Censors as Shravan Kumar goes for 6-week IT training


Shravan Kumar takes off for six weeks, Manish Desai to officiate for him
Roshmila Bhattacharya (MUMBAI MIRROR; June 25, 2015)

On Wednesday, rumour mills were buzzing that Shravan Kumar, the officiating CEO of the Central Board of Film Certification (CBFC), had quit over differences with Chairperson, Pahlaj Nihalani. But when Mirror traced him to Bangalore IIM he informed that he'd been promoted as Commissioner of Income Tax and was undergoing a six-week training.

"I'm going through an advanced mid-career training programme till July end. I have not left the CBFC or the CFSI (he's also the CEO of the Children's Film Society of India). In fact, I have also been nominated to the FTII society in the capacity of an expert representing the activities of the government," he said.

Manish Desai who is the Press Information Bureau Director (Information) has been given additional charge of CEO, CBFC, in the interim. However, Shravan Kumar was categorical that he continues to be the CEO of the CFSI with additional charge of CEO of the CBFC. "In my absence Manish Desai will officiate as CEO, CBFC," he said.

An ad has apparently been placed asking for applicants for the post of CEO of the CBFC. When quizzed on the subject, Shravan pointed out that this ad was first placed around six months ago and again around two months ago as part of a government procedure.

"After the previous CEO, Rakesh Kumar, was arrested and suspended, I was asked to take additional charge of the CBFC to tide over the crisis. But the post is still technically vacant and the ministry has to keep advertising for a suitable candidate," he explained.

Why doesn't he apply for the post officially? "That won't be necessary," he retorted.

Would like to return to the CBFC after his training is over? "Of course," he asserted. "I was brought in to bring efficiency and transparency into the system through an on-line system of certification which is in an advanced stage of being implemented. I'd like to see it through and also cement the initiatives I proposed in the CFSI."

Pahlaj Nihalani is unfazed by the change in CEO. "What does it matter, work is work. Shravan Kumar is a nice guy, so is Manish Desai," he said.

Nandini Sardesai, a senior member of the Censor Board, hopes that now there will be a long-pending meeting of all the members. "There was one scheduled on June 9 in Delhi which all the outstation members had been invited to. But four-five days before, we were told that it had been postponed. I've spoken to Manisha bout this. We are supposed to have four meeting in a year but we have just had just breief one when Pahlaj Nihalani was introduced to us. We need to have one to discuss several issues," she said.

I'll happily give up my job-Pahlaj Nihalani, Censor Board chairperson


Pahlaj Nihalani says he will leave the chair but he is not going to cow down to his critics
Subhash K Jha (DNA; May 16, 2015)

Censor Board member Nandini Sardesai has leveled charges of authoritarian and unauthorized conduct during the reivision committee's censor certification of Anurag Kashyap's Bombay Velvet against Pahlaj Nihalani, the chairperson of the Censor Board. Nihalani responds to the charges

The charge: Being high-handed
Pahlaj Nihalani
: I've said this before and I say it again. I am not answerable to board members. They are answerable to me. I am answerable to the Information & Broadcasting ministry. Nothing at the censor Board is being done without the knowledge of the Ministry.

The charge: Films are delayed
PN
: From the time I've taken taken over as chairperson I've made sure that not one film is delayed or cut unnecessarily. Every single film since I came in, has been viewed and judged according to specific requirement. I've made sure all films, promos and trailers are certified without delay.

The charge: Producers are unhappy
PN
: I am a film producer myself with more than 40 years of experience. I am still making films. I know every producer and his problems. In what capacity is she talking of producer's problems? How does she know what the producers have to go through? I know what it is like to go through release delays. I'd make sure no film gets delayed at the censor board.

The charge: Ignored colleagues' inputs.
PN
: I am completely within my rights to induct the panel members for the Revision Committee. Yes, this person did ask me several times that she would like to be on the RC for Bombay Velvet. Her keen interest in re-viewing the film made me wonder. I chose the members of the RC keeping in mind the guidelines applicable to the film and what is best for the film. It isn't mandatory for me to appoint a particular board member to see a film just because he or she wants to watch it.

The charge: Decisions taken unilaterally.
PN
: I am doing nothing unconstitutional. I am not going to report all my moves to my board members or to the media. I'd like to tell my board members that expressing internal grievances in the CBFC on public platforms is a complete breach of protocol. Only Mr Shravan Kumar, the CEO of the CBFC, is supposed to act as our spokesperson. Others are speaking out of line. Take away my job. I'll happily give it up. But you can't take away my dedication to my responsibilities and duties as the chairperson of the censor board as long as I am here. And I am always accessible to hear grievances. If some elements still want to create a noise let them have their fun. I am not going to be cowed down.

Highway makers seek review by CBFC after Doordarshan ban


Ankur Pathak (MUMBAI MIRROR; April 24, 2015)

Mirror was the first to report (March 28, 2015) that the Central Board of Film Certification has refused to give a 'U' certificate to Imtiaz Ali's Alia Bhatt-Randeep Hooda starrer thus preventing its telecast on national broadcaster Doordarshan.

Now, Mirror has learnt that after being refused the certificate by the Revising Committee - two of the Board members had problems with the film's depiction of child molestation - producer Sajid Nadiadwala has asked for a re-review of the film.

A source close to the development told Mirror, "The entire team of Highway was quite upset by the Board's snub. A file was sent to them about the cuts required but when two of the Board's member mentioned that there was a thematic problem with the film, no amount of trimming could have solved that."

And while CBFC chairperson Pahlaj Nihalani could have gone with the majority's decision, he has instead chosen to form a Re-Revising Committee for the critically-acclaimed film. "It should be screened next week with a fresh set of members," a source told Mirror.

According to DD's programming code, only films certified as 'U' can be aired on the channel while Highway released in theatres with a 'U/A.' A Revising Committee saw the film - a trimmed version with all expletives taken out - and while a majority was okay with giving a U certificate, the decision wasn't unanimous.

Confirming this, CBFC spokesperson Shravan Kumar told Mirror, "Yes, the Board has decided to re-watch the film and a Committee will be shortly formed for the screening."

Children's Film Society of India ties up with Toronto International Film Festival


The global initiative aims at involving children to write, direct and produce short films
Ankur Pathak (MUMBAI MIRROR; April 24, 2015)

After the Toronto Film Festival partnered with the Mumbai Film Festival to bring Canadian cinema to Indian shores (Mirror, Feb 26, 2015), they have now extended support to the Children's Film Society of India (CFSI).

Mirror has learnt that the annual Golden Elephant Film Festival organised by the CFSI will see TIFF playing an instrumental role in bringing movies made by children (8-18) from all across the globe to the Mumbai extravaganza that starts from November 14. Presently, the Golden Elephant's competition is restricted to films only from India.

Confirming this, Shravan Kumar, the CEO of CFSI told Mirror, "The idea is to ingrain the idea of cinema in their consciousness right from an early age. I started the pilot project last year and we got a fantastic response. I spoke about the same at TIFF Kids that recently concluded and they've agreed to come on board for this unique initiative with us."

Elaborating on the project's details, Shravan revealed that the participants will be technically aided by the Film and Television Institute of India. "They will be provided with the equipment and tools required for editing. We were quite impressed with the kind of content children came up with in the previous instalment, this year with a globalmix, it will only get better."

He said that the programme encouraged students from all walks of life and different socio-economic status to come together, thus breaking the stereotype that filmmaking is only for the 'elite.' "It's the most democratic form of media and to see it through the lens of say, a 10-yearold, is just magical," he concluded.

Coming soon: Tatkal censor certificates, Digital application process


Seema Sinha and Mohar Basu (BOMBAY TIMES; April 16, 2015)

If one has to believe the Central Board of Film Certification (CBFC) chairman, Pahlaj Nihalani, the film producers will be soon allowed to apply for tatkal certification so that their films are cleared at short notice. “If passport and visa can be made available on tatkal basis, why can't we certify films at a short notice,“ asks Nihalani dramatically. He adds, “We have already started giving certificates for promos on an urgent basis; at times on the same day or at best the next day.“ Reacting to this, producer Mukesh Bhatt says, “It's a welcome move but we only hope that tatkal means tatkal. The time frame should be honoured or else they should refund our money.“

After being embroiled in a series of controversies, it appears that the CBFC is gearing up to be more systematic and efficient. Another step the statutory body plans to take is to go completely digital. While the online system to apply for film certification began about six months back, Nihalani, who took over as the chairman of CBFC in January this year, has decided to act on it fast. “Within three months the entire certification process will be done online. There won't be any need for producers to visit the CBFC office. It will benefit the producers.“

Nihalani said that even today there are producers who are not fully in the loop on the certification process. “They don't come with the proper final product, and they at times manipulate,“ adds the chairman.

Sounding more upfront, CBFC CEO, Dr Shravan Kumar says that the online process will not encourage filmmakers (who try to pull strings) to go directly to the I & B Ministry in Delhi or even try to communicate with officials in Mumbai. Further, hinting at the arrest of former CBFC CEO, Rakesh Kumar in an alleged bribery case, August last, the present CEO says, “With the system going digital there will be full transparency. There will be no interface with the middlemen, which is one of the most reported ills of this organisation. After a producer applies for certification online, he will be intimated about the next stage, which is the examination process and when he has to come and show his film and further interact with the committee. Everything will show online. He will also have the opportunity to track his application from his office/home. This way 99% of the issues will be sorted out,“ says the CEO.

New Censorship Certification Law may make way for age-wise classification

Alongside a U/A certificate, there could also be 12+ and 15+ categories
Seema Sinha (BOMBAY TIMES; March 14, 2015)

We at the Times of India have always been in favour of abolishing archaic laws that hamper filmmakers' freedom of expression. And we have been championing this cause by asking for the right certification so that the film industry can go about its business without having to constantly worry about films being banned or being put through the grind of censorship.

Currently in the line of fire, the Censor Board of Film Certification (CBFC) and its new chairperson Pahlaj Nihalani continue to make headlines. There are reports that suggest that the board members are even attempting to make their own set of guidelines. In a nutshell, the rift between the filmmakers and the Board is becoming increasingly evident. Following the recommendations of Justice Mudgal Committee report, India may also shortly adapt the universally accepted method of certifying movies by age-wise classification and categorisation and thus modifying the current U/A certificate.

As per sources in the CBFC, it has been suggested to have 12+ and 15+ alongside U/A and in all probability, the Central Board of Film Certification will be renamed as Central Board of Film Classification. A new bill has been tabled in Parliament and is likely to be passed. “There is nothing like censorship now. That word is passé. While certifying, we want to categorise and classify as per content for the benefit of cinema goers. We would only like to do value addition like an expert group,“ said Shravan Kumar, CEO, CBFC.

“It will be close to the film rating system used in the United States and the world over to rate a film's suitability for certain audiences, based on its content. It gets difficult to differentiate between junior college and students at a slightly higher level. So, this move will impact those students who have just entered college. Implementing it initially may be difficult, but we will have to educate the exhibitors,“ he added.

The filmmakers have obviously welcomed the new development. Says Mohit Suri, “Actually U/A doesn't mean anything and the difference between U and A is too huge. Audience should be given the choice to watch what they want to, people are responsible. The new law is a big leap of progress.“ Says Abhinay Deo, “I personally propose this system; it is fair and square rather than randomly banning films. Let us filmmakers make the kind of films we want and the CBFC can decide what age group can watch it.“ Adds Mahesh Bhatt, “After all deliberations, we are finally taking some action. But one needs to study the fine print. What will be acceptable to the Censor Board for these age-wise 12 + and 15 + categories is still not clear.“

However, the exhibitors stand divided. Says Manoj Desai, exhibitor, “As it is, college students come and fight with us and abuse us at the gate when we don't let them in for strictly adult film, the new law with age-wise classification will further increase our problem.“ Vinay Choksi, another exhibitor, however, is positive. He says, “It is a good move. In Mumbai, only multiplexes are going by censor certificate, whereas single screens are not. They don't check. Multiplexes are very strict. So if a person is 18 but doesn't look it, he/she is not allowed unless they provide age proof. Now, they will get to watch the content they are entitled to.“

Indian children's film Pappu Ki Pugdandi heads to Toronto International Film Fest


Sanyukta Iyer (MUMBAI MIRROR; March 10, 2015)

Director Seemaa Desai was surprised when her fantasy drama, Pappu Ki Pugdandi, was selected for the 'Kids' section of the Toronto International Film Festival, 2015. "It's not a hard-hitting film, the kind that gets selected to festivals," a candid Desai told Mirror.

The 90-minute film revolves around a little Pappu who comes from a lower middle class family and faces adjustment issues in his new school. It follows his unconventional journey and his interactions with his 'special' friend, Genie.

"The take-away for the children is that there are no shortcuts to happiness and one has to identify one's own strength," says Seemaa.

She insists that she was clear from the start that she did not want the film to have a 'preachy' tone, like the dark indie films that tour festivals. She wanted an entertaining film with songs and action. "I got Rohit Shetty's action director, Sunil Rodrigues, to design the stunts. There's an over-the-top action sequence with children flying and a 'good genie' bashing up an evil one. There's also a song crooned by Mika Singh. I am looking forward to a commercial release," says Seema.

The film produced by the Children's Film Society of India, opened at the National Film Festival in Delhi with a screening for 1800 kids. It will next be screened at the TIFF on April 7.

"I had no superstar to bring in the audience, so gathering appreciation from international film festivals will boost its prospects. We want to watch films which have been praised by foreigners," she reasons, adding that it was filmmaker Amole Gupte, Dr. Shravan Kumar, CEO, CFSI, and director Kundan Shah who took the decision to enter the film in the competition.

In the past, childrens' films like Gattu, which got a Special Mention from the International Jury at Generation Berlinale, 2012, and Kaphal, which won the National Film Award (NFA) for Best Children's Film, have fared well commercially.

Fifty Shades Of Grey NOT banned in India


Seema Sinha (BOMBAY TIMES; March 8, 2015)

The Central Board of Film Certification (CBFC) has refuted news that the film adaptation of the erotic novel, Fifty Shades Of Grey, has been banned in India.

Reportedly, the examining committee of the Censor Board recently watched the watered-down version and found it too provocative for Indian audiences.“Many mainstream films don't get clearance in the first step. The producers can appeal against the decision and go for the revising committee's opinion.Even if the revising committee gives a verdict refusing certification, an appeal can be made to Film Certification Appellate Tribunal (FCAT). The film is in the process of certification and they have to revert to us,“ said Shravan Kumar, CEO, CBFC.

Added a member of the Board, “The film has not been banned. Only the government can ban the film, the CBFC cannot. There is no reason why it shouldn't release in India.“

The film's producers were not available for comments.

NH10 finally cleared with adult certificate and minimal cuts

Roshmilla Bhattacharya (MUMBAI MIRROR; March 5, 2015)

Mirror (March 3) had earlier reported about a split in the Examining Committee of the Central Board of Film Certification (CBFC) over the Anushka Sharma starrer, NH10, and its possible certification. After a screening on Monday, some members were ready to pass the film with a few cuts and an Adult certificate while others maintained that film had plenty of violence and abusive language, and shouldn't be certified at all.

Following this, the producers took the film to the Revising Committee who watched the film on Wednesday and cleared it with an 'A" certificate. "NH10 has been passed with a few audio cuts and a video cut that does not damage the film at all. They saw it completely in context and even appreciated it. It was a very reassuring revising committee," said Anurag Kashyap, who has co-produced the film with Anushka.

His business partner, Vikas Bahl, was equally jubilant. "The RC's decision was unanimous. They understood what we were talking about and saw the larger picture," he said. "Even the visual cut was minimal. The scene was retained, we were just told to edit it a bit. And many of the cuss words too have been retained." This decision has gladdened not only the film's makers but the film fraternity too. The development comes after the February 26 meeting of the Minister of State for I & B, Rajyavardhan Rathore with a Bollywood contingent, which included Anurag Kashyap, Mukesh Bhatt and Siddharth Roy Kapur. They were told by the minister to "ignore" CBFC Chairperson Pahlaj Nihalani's order banning the use of certain cuss words and expressions.

The chief's diktat also banned glorification of blood, violence against women and double meaning dialogue. NH10 is the story of a woman's revenge, is peppered with expletives and gore. CBFC CEO, Shravan Kumar, points out that the idea is to disseminate information through the process of certification to a cinema loving population about the film's content so it will facilitate the choices they make. "The idea is not to curb the creative freedom of the filmmaker," he maintained.
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The Censor Board's revising committee granted an adult certificate to Anushka Sharma's first home production 'NH10' on Wednesday, effecting nine cuts in all.

The screening chaired by Board chief Pahlaj Nihalani told the makers that he was being "liberal" with the certification as it dealt with an important subject of women empowerment, says the film's director, Navdeep Singh.

"Initially, they asked for 30 audio and video cuts, but we justified our position and the cuts came down to nine. There was an argument over the word kutti which I insisted on retaining, but Mr Nihalani just didn't agree, so we decided to comply as we don't have the time to take the film to a higher forum," he adds Navdeep states he has no issues with an 'A' certificate. "We knew it was coming the day we started the film," he says.

The film as submitted to the Board last week, but the examining committee saw it only on Monday. A source says, "Three members on the panel objected to the violence, more than the cuss words, arguing it was unfit for public viewing. Two others were willing to clear the film with an 'A' certificate with a few cuts."

Given this deadlock, the producers then took the film to the revising committee, which finally cleared it today. It was initially planned for a March 6 release to pre-empt the problem of having issues of cuss words which could have landed them in trouble with the Censor Board. Its trailer has not been screened on television for as its content has been adult-certified too.

The film is based on a young couple, Anushka and Neil Bhoopalam, whose road trip goes awry after an encounter with a group of violent criminals. Darshan Kumar will be seen in a negative role.

Censor Board's cuss-word list put on hold; Pahlaj Nihalani refuses to comment

Roshmilla Bhattacharya (MUMBAI MIRROR; February 24, 2015)

The Censor Board of Film Certification on Monday put on hold a controversial decision of its chairman Pahlaj Nihalani to ban the use of 28 words and expressions in films.

The decision was taken after a fivehour meeting of the Board where a majority of the members objected to Nihalani issuing the list of Hindi and English cuss words without consulting them.

Nihalani's list, which also ordered that film dialogues refer to the city as Mumbai and not Bombay, had led to a wave of protests in the film industry. Nihalani order was so arbitrary that it in just one sweep it banned the use of the 15 Hindi and 13 English words and expressions across all categories of film certification - A (adult), UA (under parental guidance) and U (unrestricted public exhibition).

Nihalani's order stated that words like 'maarna', 'lena', 'bajana', if related to sex, should also be deleted. It also instructed that glorification of bloodshed, violence against women and use of double-entendre will not be allowed.

The Board members on Monday argued that Nihalani had no right to issue such a diktat without consulting them. "The list should have been cleared by the Board first and then sent to the Information & Broadcasting Ministry for its final decision," said a source present in the meeting.

Many Board members objected when Nihalani said that as a filmmaker he never felt the need to use cuss words in his films. He was told he could not use his own preferences and prejudices to take decisions on the Board's behalf.

The Board would now meet sometime next week to reconsider the list. In the meantime, the films that suffered cuts based on Nihalani's list can seek a fresh review.

When Mirror contacted Nihalani on Monday night, he said: "Since you are referring to a Board meeting, I cannot comment on it. Shravan Kumar (the CEO of the CBFC and its spokesperson) will issue a press release on Tuesday."

Despite repeated attempts, Shravan Kumar chose not to comment.

If filmmakers want changes in censorial policy they should approach I&B ministry directly-Pahlaj Nihalani


Censor chief Pahlaj Nihalani on the directive issued to producers on cusswords to be bleeped out in films
Subhash K Jha (DNA; February 16, 2015)

Following the outcry against Pahlaj Nihalani's list of banned words in films issued on Friday, which includes a long list of expletives, Nihalani spoke up to explain why the list (which includes 13 English and 15 Hindi words) had to be sent out, and to whom. 

DONT KNOW HOW: Nihalani says, "Firstly, I don't know how the list came out in the public domain. We didn't send out the list to the media or even to members of the censor board." 

WASN'T ME! "It is meant to provide a safety platform to film producers. These are words that are banned as per the guidelines provided by the I&B ministry. I didn't prepare the list on my own and send it out. These are words on which there is a blanket-ban from long before I came in. So why this hue and cry over them? And again I repeat, the list is not prepared by me." 

GOVT'S ORDERS: "It's not the Censor Board but the Maharashtra government which has ordered that 'Bombay' no longer be used in any public platform. If filmmakers don't want to read the writing on the wall, it's not my fault." 

MY JOB: Nihalani is very clear on his protocol and professional duties as the CBFC chief. "My job is to implement guidelines, not formulate them. If filmmakers want changes in the censorial policy they should approach the I&B ministry directly. I'd be most happy to follow any alterations in the rules. But until then, the abusive words remain banned." 

THIS GUY! Without naming Ashoke Pandit, Nihalani condemns the filmmaker and Censor Board member for going public against the list of banned abusive words. "This censor board member was till recently crying himself hoarse over the alleged vulgarity in the AIB event. Now he's defending the use of the same words in our films. It's very confusing which side he's protesting from. Also, he has no authority to speak out in public in his capacity of the CBFC board-member. We've an official spokesperson Mr Shravan Kumar (the CBFC's CEO). Unfortunately this gentleman (Ashoke Pandit) has taken on himself to speak for the Censor Board when he isn't authorised to." 

I GET IT! Nihalani says his job is to make the process of censorship as easy as possible for film producers. "I'm a producer myself. I've two films on the floors right now. I understand what the producers go through to release their films. If they have clear guidelines spelt out to them their lives and our job becomes much easier."

NO IN-BETWEENERS: "The CBFC has now facilitated the direct censoring of film posters. Producers can now submit their posters directly to us instead of going through film federations, a process that the producers have often called tedious and unfriendly."

Presenting first edition of National Children's Film Festival


Hiren Kotwani (BOMBAY TIMES; November 12, 2014)

In a bid to expand children's film market in India and abroad, Children's Film Society of India (CFSI) has organised the first edition of the National Children's Film Festival (NCFF). Kickstarting on Children's Day (November 14), the festival will be held for three days in Delhi. Seemaa Desai's Pappu Ki Pugdandi will be the curtain-raiser, while Shortcut Safari, The Goal, CFSI-produced Kummatti, Mahek Mirza, Krish Trish And Baltiboy 3 and Ek Ajooba will also add to the kids' delight. The festival has also incorporated Prime Minister Narendra Modi's endeavour on cleanliness and kept 'Swachhata' as its central theme.

Bollywood A-listers like Amitabh Bachchan, Ajay Devgn and Sonakshi Sinha have extended their good wishes. Shravan Kumar, CEO, CFSI, says, “We're committed to create quality content in the children's segment, which would not only be insightful for children, but also encourage them to consider filmmaking as a career option. Our films have been recognised at the National Award ceremony and have travelled to international festivals.“

While their productions Gattu and Goopi Gawaiiya Bagha Bajaiyya were screened at film festivals in Berlin and Toronto respectively, Kaphal has won the National Award under The Best Children's Film category . The 18th International Children's Film Festival (ICFF, also known as The Golden Elephant) saw a record 894 entries from 75 countries and 123 Little Director entries.

State govt fails to allot plot near Film City to Children Film Society of India


Gattu (2012) was the first CFSI film to be released commercially in India
Bharati Dubey (MID-DAY; October 8, 2014)

The Children Film Society of India (CFSI), which runs from a rented building in the city, is anxiously awaiting an official nod to set up its own complex. A plot of land near the entrance of Film City Studios in Goregaon had long been identified for the purpose but the allotment is pending. Shravan Kumar, CEO of CFSI, said they had approached chief minister Ashok Chavan, the then Minister for Cultural Affairs, in 2008 for the allotment of five acres in Film City.

“The Board of the Film City Studios approved in principle the allotment of land to CFSI. In 2009, they conveyed that the land measuring 1640 sq ft was identified for the complex subject to certain conditions so that the business of Film City is not affected. CFSI agreed and conveyed the same to the state government,” said Kumar.

Kumar adds, “We had sent them a detailed project plan and had a meeting, too, but the approval for allotment and handing over the land is still awaited from the state government’s side. I am planning to pursue the proposal further.’’ He now contemplates to meet Film City authorities. “The State Government has initimated us that Film City Corporation will also share their proposal on the land allotment,” he said.

Pic: Gattu (2012) was the first CFSI film to be released commercially in India