Showing posts with label Kohinoor. Show all posts
Showing posts with label Kohinoor. Show all posts
Behind perfect shots, hard work for Bollywood’s animal advisers
8:22 AM
Posted by Fenil Seta
Priya Kothari (THE TIMES OF INDIA; December 16, 2024)
Pune: When Basanti in the movie Sholay said, "Chal Dhanno, aaj teri Basanti ke izzat ka sawaal hai," the horse galloped away from Gabbar's gang. It wasn't Basanti's order that Dhanno followed, but the behind-the-scenes command of the trainer. Tuffy, the Pomeranian from Hum Aapke Hain Kaun, stole the show by playing cupid to reunite Madhuri Dixit and Salman Khan's characters.
With an increasing number of ad films, documentaries, OTT shows and films involving scenes with animals, there is a huge demand for professional animal consultants to bring perfect animal performers to the silver screen.
Mumbai-based Nasir Khan, 52, runs Animals Films. He has been an animal advisor for 30 years. "My grandfather and father were also in the same field. They worked with Raj Kapoor, Raaj Kumar and many other actors in films like Kohinoor, Pakeezah etc to bring animals to the screen. I have lost count of how many movies I have helped supply animals for," he said.
Each animal advisor or consultant has a huge network of suppliers, trainers, permission agents and breeders they work with.
On receiving a request from the film director or team, the animal consultant works with the director to explain what kind of animal or breed would be best suited for the role, the sequences that could be shot and the timelines for approvals from the Animal Welfare Board.
"We make it very clear from the beginning about what the animal can or can't do so that the animal doesn't suffer if there are high expectations. We also inform the team how the animal should be kept on set and what would be the requirements," Chennai-based Vijay A R, owner, Tamed Pets, said. He has worked on movies like Kabali, Monster and others.
Shankar Narayan Iyer, who runs Alternate Solutions, has been in the field for over 30 years. In his career as an animal consultant, he has often been referred to as Kuttewala or Kabootarwala because of the work he did.
"One of my toughest assignments was to collect 500 rats for a film. The director was paying me Rs 100 per rat, so I took up the assignment thinking that it was good money. I spent many nights looking through gutters for rats. Collecting the rats, cleaning them and presenting them to the team was another challenge in itself," he recalled.
Shankar has done over 300 films and TV commercials. He owns 25-30 dogs, which he keeps at his Badlapur home and has a network of trainers, suppliers to cater to any other requests.
Despite the 3D animal computer graphics, a form of digital art that creates realistic representations of animals, advisors said that demand for real-life animals/birds has picked up post the pandemic.
To prevent cruelty to animals during shoots and to ensure that endangered species are not used, filmmakers need to take pre-shoot permissions from the Animal Welfare Board of India. Documents like the basic application letter, fees, pre-shoot fitness certificate of animals and letter of authorization need to be submitted to the Animal Welfare Board of India before the shoot.
A post-shoot NOC also has to be procured before the film/TV commercial is aired. The board has also imposed a ban on using endangered birds, animals and reptiles in films.
During the year 2022-23, the Board processed and issued pre-shoot permission to 656 films, ad-films, serials out of 876 and post-shoot certificate (NOC) to 1102 films, ad-films, serials out of 1,356, said the annual report of the Animal Welfare Board.
"Animals or birds are typically hired for a specific number of days and the sequences of the entire film are shot in those days. We have to bear per day rental charges of the animals, approval fees and other costs associated with re-take of the scenes etc. Sometimes, we use a combination of computer graphics and real animals in movies," a director working at a production house in Mumbai said.
The cost for renting out dogs for instance, ranges between Rs 6,000-10,000 per day and depending on the breed, work required. "All my dogs have been given basic training like saluting, attack techniques, sitting in a specific way etc. It becomes expensive to maintain the dogs if I don't have too many shoots during the month," Satish Kunder, a dog trainer, who has 10-15 dogs across popularly sought after breeds like German Shepherd, Labrador, Cocker Spaniel, Golden Retriever, Beagle, Shih Tzu etc.
A core part of being an animal advisor is being able to deal with patience, compassion, and a deep respect for animal's natural instincts. It is these unsung heroes who ensure that every chosen furry, feathered, or scaled performer strikes a chord with audiences.
Dilip Kumar will remain the greatest actor ever of Hindi cinema
8:49 AM
Posted by Fenil Seta

Box Office India Trade Network
One of the greatest legends of Indian cinema, Dilip Kumar, passed away at the age of 98 due to a prolonged illness. Dilip Kumar started his career in just before Independence in 1944 with JWAR BHATA and had a defining career of around 55 years and a film count of only 56 films.
His first film JWAR BHATA released in 1944 and success was not too far away as films like JUGNU (1947) and SHAHEED (1948) scored at the box office after which there was no looking back. Although these things are always arguable, the fact is that Dilip Kumar is the greatest actor that the Indian screen has ever seen. The biggest actors who have come after have imbibed from him and even the actors today who may not even be aware that they are being inspired by Dilip Kumar but who they think they looking up to was in all probability inspired by Dilip Kumar. Basically acting in India all started from this man.
There was a phase in the late 40's and early 50's that his films were working only because the audience was coming to see his acting. These slow films which we can call towards the dark side were working just because of the histrionics of Dilip Kumar as no one before had seen such acting. The masses were lining up in cinemas across India to see films which may not be offering huge entertainment but they did not care as all they wanted to see was the histrionics of Dilip Kumar. This was the period where Dilip Kumar got the tragedy king tag. This has never happened with any other actor as they had to be backed by a genre or more commercial elements to pull through and this holds till today.
These films were becoming HITS due to the histrionics and then there were the BLOCKBUSTER films like AAN, AZAAD, INSANIYAT, NAYA DAUR, MADHUMATI, PAIGHAM and KOHINOOR which were more in the commercial element of those times and smashed box office records. These films created Dilip Kumar the Superstar The likes of AAN, AZAAD and INSANIYAT also set the precedent for that big budget Hindi commercial potboiler which was to dominate Hindi cinema for years and still does.
The peak of the career came in the early 60's with films like MUGHAL-E-AZAM (1960) and GUNGA JUMNA (1961) which created history and remain today among the biggest BLOCKBUSTERS of Hindi cinema. The performance in GUNGA JUMNA is also probably the greatest ever by an actor in India. The workload slowed after that though the big HITS still came with RAM AUR SHYAM (1967) and GOPI (1970) but it was difficult now to fit into that traditional hero format due to age.
Dilip Kumar took a break for a few years and then did something that no actor ever managed to do before or after as he returned as more of a character actor. But this character actor was the main lead of these films and drove those films to huge success. Films like KRANTI (1981), VIDHAATA (1982), KARMA (1986) and SAUDAGAR (1990) all were were BLOCKBUSTER films and all driven by Dilip Kumar despite playing older characters. There were others like DHARAM ADHIKARI and KANOON APNA APNA which also saw average success. This was the part of his illustrious career which sets him apart from all other actors as no one else has managed to get such success as a character artist. It has to be said that you have to be a Dilip Kumar to get such roles without being the hero and there has only been one Dilip Kumar.
Simply put Dilip Kumar will remain the greatest actor ever of Hindi cinema unless we see some miracle over the next 100 years.
Mother India actress Kumkum passes away at 86; Naved Jafri pays tribute
8:23 AM
Posted by Fenil Seta

MID-DAY (July 29, 2020)
Mother India actress Kumkum breathed her last on July 28 at the age of 86. The veteran actress was part of a number of yesteryear hit films like Mother India, CID, Kohinoor, Ujala, and Naya Daur, among others.
Late veteran actor Jagdeep's son, Naved Jafri, took to Twitter to pay respect to the actress. He wrote, "We have lost another gem. I have known her since I was a kid and she was family, a superb artist and a fantastic human being, innalillahe wa innailaihe raajeoon. Rest in peace kunkum aunty #ripkumkum #kumkum"
Kumkum hailed from Hussainabad in Sheikhpura district, Bihar.
Her most memorable film appearances include Mr X In Bombay, Mother India, Kohinoor, Ujala and Naya Daur.
She also starred in the first Bhojpuri film, Ganga Maiyya Tohe Piyari Chadhaibo, in 1963.
But her popularity rests mostly on the songs that were picturised on her, be it Madhuban Mein Radhika Nache Re, from Kohinoor (1960), Kabhi Aar Kabhi Paar from Aar Paar (1954) or Yeh Hai Bombay Meri Jaan from 1956's CID.
She was discovered by actor-director Guru Dutt in the 1950s, who case her in Aar Paar in an uncredited role. She later earned a small role in Dutt's Pyaasa.
I was thrown out of my school in Lucknow in the eleventh grade for hitting students-Amit Sadh
10:15 AM
Posted by Fenil Seta
As told to Sanyukta Iyer (MUMBAI MIRROR; February 26, 2018)
A dialogue from the adventure-documentary Given defines how I’ve learnt
to embrace life — You don’t need magic to catch a big fish. You just
need to follow the stars, listen to the people you meet and catch some
waves. Today, that’s how simple it all is to me. But I wasn’t always
like this.I was a damaged, troubled youth with severe anger issues. I was thrown out of my school in Lucknow in the eleventh grade for hitting students, throwing dusters around, stabbing people with things. I never received the love of my parents. I had grown up in a boarding school and hated everything. I complained about everyone. Between the ages of 16 and 18, I tried committing suicide four times. I was into alcohol and drugs and I was just so messed up that I didn’t know anything. I call it the ‘coma phase’ of my life because I don’t know how I survived it.
At the time, I used to work as a security guard at a showroom in Delhi’s South Extension. I was paid Rs 900 but I loved kaju barfi and would spend Rs 200 on a box. I used to be broke by the first week of the month and the other security guards from the area would take pity and feed me. When I had money, I used to sleep at the Jor Bagh community centre but that cost me Rs 25 per night, so mostly, I slept on the footpath.
Soon enough, everybody realised that I spoke English fluently and came from an affluent Army family. Three bhaiyyas from a showroom behind the one I was working at took me in and that’s when I moved on to being a cleaner, salesman and vendor. The list of odd jobs was endless. I was in charge of opening and bringing down the shutters, I sold jeans and shoes door-to-door in Delhi’s 45 degrees heat. It was a nightmare and like was my usual predisposition, I took off.
I started working as a helper in a shop but I quickly found small-town fame as a ‘Raju-like Guide’ and I pretty much excelled at it. Within weeks, I was teaching the tourists rock climbing, river rafting, rappelling and trekking. Then, I turned 20, and took off again. This time, I got on my bullet and drove straight to Mumbai — the City of Dreams.
Till date, I don’t know what Neena Gupta and Star Plus’s Sameer Nair saw in that absolutely pathetic audition I walked into six months after I had arrived in Mumbai. But they offered me the lead role — Aditya — in the teen drama Kyun Hota Hai Pyarr. Then, I went on to do another daily soap, Kohinoor. Neena Gupta always believed in me and gave me the series Guns ‘N’ Roses too. I was cocooned in my own world of shooting because I was facing the cameras every day. In that vacuum, I felt I made it big. Today, I realise how horrible I was in those shows. And then, one thing led to another and I ended up in Bigg Boss — Season 1.
Then, I wanted to be a movie star. While everybody is working for money and money is how we all survive comfortably, I learnt early in life that attaching too much meaning to money and too much emotion to success was foolish. It is always stupid when arrogance sets in. And I had blown up most of my money and was back to being broke. I sold off my house and borrowed Rs 10 lakh from my best friend’s brother. I had lost my way once again and needed to get my act together. With all the money I had left I took off for an acting course at New York’s Lee Strasberg Theatre and Film Institute. For the next two years, I completely cleaned up my act and cleansed my mind and body. When you’re discussing movies and acting day in and day out, everything else seems trivial.
I realised that every body has a certain level of purity and honesty as well as impurity and corruption. And as people, we are constantly projecting these feelings onto others. I constantly lived with the burden that I had to accomplish something in life. But when I came back from Lee Strasberg, I had made peace with my past and who I was. I stopped projecting and became comfortable in my skin. I had the right amount of hunger and hope when I auditioned for Abhishek Kapoor’s Kai Po Che. It was the first audition I gave after I returned and I bagged it.
While life at the movies has continued, last year my journey came a full circle when I was invited back to my school, post the success of Sultan. I was the Chief Guest, praised for my work, and my teachers told the students that I was thrown into one life, and I chose to make another life out of it.
And acting has been my best psychiatrist. I am blessed to be in a profession I am passionate about. Acting cleanses me, infuses me with energy and helps me evolve. Every day I spoil my three dogs, do yoga, go jogging on the beach, indulge in expensive hobbies like skiing and super-biking, go to bed at 10 pm and always arrive on set at 6am like a gladiator. Shining and rearing to go.
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