Showing posts with label IMPPA. Show all posts
Showing posts with label IMPPA. Show all posts
CBFC’s fast-track certification route may be gone, but the industry isn’t ready to let it go
9:54 AM
Mohar Basu (MID-DAY; June 10, 2026)
Barely two years after the Central Bureau of Film Certification (CBFC) introduced its Tatkaal certification facility to fast-track film clearances, the Ministry of Information & Broadcasting has abolished the mechanism. Now, several producers’ bodies are seeking its return in a restricted form, arguing that an emergency certification route remains essential for films facing unforeseen delays.
According to CBFC insiders, discussions are underway among guilds, producers’ associations, and trade stakeholders to persuade the ministry to retain the provision for exceptional circumstances rather than scrap it entirely.
“The consensus is that the scheme was being misused, but that doesn’t mean it should disappear completely. There are genuine situations where a producer has no control over delays and needs an expedited certification route,” a CBFC insider told mid-day.
Stakeholders insist they are not seeking a return to the earlier system, under which Tatkaal applications became increasingly common. Instead, they want a limited provision that can be invoked in cases involving court litigation, delayed post-production work, certification disputes, and other last-minute contingencies.
Industry insiders point to recent examples. Earlier this year, Parasakthi received its censor certificate just a day before release after scrutiny by a Revising Committee. Jana Nayagan also became the subject of legal proceedings over alleged certification delays before the Madras High Court directed the issuance of a certificate. While neither case involved the Tatkaal mechanism directly, certification issues can escalate dangerously close to release.
“Nobody plans to submit a film late,” said a producer associated with a leading industry body. “But visual effects get delayed, revising committees ask for modifications. In such situations, an emergency certification window becomes a necessity.” With the Tatkaal facility gone, certification would take around 22 to 48 days.
The Tatkaal scheme allowed producers to fast-track certification by paying three times the standard examination fee. The Indian Motion Picture Producers’ Association (IMPPA) opposed the additional cost, with president Abhay Sinha arguing that smaller and regional producers were being pushed into an expensive process to secure timely certification. IMPPA instead proposed a capped emergency quota system requiring documented proof and approval from senior CBFC officials.
'Operation Sindoor' title finally allocated to a film
3:13 PM
The fight to register the official film title on India’s historic tri-service military strike on terror camps in Pakistan has finally come to an end
Yashika Mathur (HINDUSTAN TIMES; May 7, 2026)
On the first anniversary of Operation Sindoor today, as India marks the triumphant strike against the Pakistan-based terror camps, production house Bihar Film Company has secured the official rights to use the title Operation Sindoor for a film. The company is backed by Ankit Singh and Sangram Singh.
The title had drawn massive interest, with over 150 applications submitted to the Indian Motion Picture Producers’ Association (IMPPA).
Confirming the development, IMPPA president Abhay Sinha says, “There were several applications for this name, but it was allocated to the first applicants who wished to register it.”
Among others who applied was filmmaker Vivek Agnihotri, who had earlier announced that he had acquired the rights to make a film based on the book Operation Sindoor: The Untold Story of India’s Deep Strikes Inside Pakistan by Lt Gen KJS ‘Tiny’ Dhillon. “Vivek Agnihotri has been given two titles, Kashmir Files 2 and The Night of Operation Sindoor,” says Sinha.
--------------------------------------------------------
The title has been given to Bihar Film Company by producers Ankit Singh and Sangram Singh. There were several applications for this name but it was allocated to the first applicants who wished to register the title.
- ABHAY SINHA, PRESIDENT, IMPPA
No filmmaker has been given the Operation Sindoor film title yet-IMPPA
4:23 PM
Niharika Lal (BOMBAY TIMES; April 22, 2026)
Last year, after the Army’s press conference on Operation Sindoor, producers rushed to register film titles on the operation, prompting industry bodies to urge applicants to stop registering variations. The producers, however, did not stop.
Almost a year on, more than 150 titles related to Operation Sindoor are still pending.
Abhay Sinha, president of the Indian Motion Picture Producers’ Association (IMPPA), shares that no producer has yet been allotted the title. He explains, “We have over 150 applications for ‘Operation Sindoor’ and its variations, but none has been approved. As the volume of applications for a single title was so high, we decided to defer a decision. There are also five to seven film title applications for the Pahalgam attack.”
Studios that have announced projects on the operation have continued to follow up with the body, he said.
A decision is expected at a meeting next week, where titles will be allotted, which is on a first-come, first-served basis. Trade analysts and industry insiders say they are not aware of many films actually going into production.
Industry insiders say titles are snapped up after major incidents, but few projects move beyond the announcement stage. Despite the rush for registration of film titles, only two films on Operation Sindoor have been formally announced.
‘Producers sometimes want to register titles only for publicity’
Industry insiders say that registering titles is like a gold rush after an important incident, but what actually gets made is only a small fraction of what is registered.
T P Aggarwal, former IMPPA president, explains, “Our producers sometimes want to take advantage of publicity. They register titles only for publicity. If a big producer registers a title, it usually means they will make a film, but most of the time, after an incident, small producers from regional industries rush to register titles without intending to make a film. Sometimes they sell these to bigger banners for credit.”
Veteran trade analyst Raj Bansal adds, “Most producers just take advantage of a situation and, in a rush, register titles, but a film never actually gets made. They announce the film, and once the discussion dies down, it goes into cold storage. What gets made is a fraction of the titles registered.”
‘WE WERE DISCUSSING WHETHER ‘GALWAN’ SHOULD HAVE BEEN REGISTERED AS A FILM TITLE IN THE FIRST PLACE’
Recently, Salman Khan’s film Battle Of Galwan underwent a title change. After the Galwan attack, producers had rushed to register that title as well.
T P Aggarwal shares, “Of course, if the Army says you have to change the title, then you have to. We should not have registered a title like ‘Galwan’ in the first place. Some time back, we were also discussing that for films based on operations or sensitive geopolitical issues, such titles should not be registered. I don’t know why it was registered.”
Abhay Sinha adds, “Yes, ‘Battle Of Galwan’ was given another title, Maatrubhumi: May War Rest In Peace. But as we do not have any orders not to give titles on operations, we will proceed with our system and allot titles accordingly.”
Projects which are announced
A year later, as per official announcements, only two films are being made. Last month, filmmaker Vivek Agnihotri announced that he would be making a film on Operation Sindoor with T-Series, based on Lt Gen KJS ‘Tiny’ Dhillon’s (retd.) book Operation Sindoor: The Untold Story of India’s Deep Strikes Inside Pakistan.
He wrote on X, “Rooted in the aftermath of the Pahalgam terror attack and backed by extensive, ground-level research in collaboration with multiple wings of the Indian Armed Forces, this is a story drawn from reality – not to create noise, but to confront it: with facts, with clarity, and the magic of cinema.”
A source shares, “There are rumours that Varun Dhawan has been contacted to play a role in this film.”
A source associated with The Terror Report shares, “The Terror Report , which was announced as a film on major terror attacks in India spanning from 1998 to 2025, was originally only on the Pahalgam attack. However, to avoid a clash with the film based on Lt. Gen. ‘Tiny’ Dhillon’s book the script is being modified. At present, the film is at the scripting stage.”
Trade analyst Girish Johar says, "From industry buzz, I am not aware of any films being released in next couple of months. We have only heard about a couple of films which are at script stage."
Jana Nayagan leak row: IMPPA demands strick action against piracy, writes letter to PM Narendra Modi
8:25 AM
After ‘Jana Nayagan’ is leaked online, IMPPA shoots off letter to PM Narendra Modi urging strict action; body’s secretary notes certification delay makes films vulnerable to piracy
Upala KBR (MID-DAY; April 14, 2026)
Piracy has become a persistent issue in Indian cinema. Vijay-starrer Jana Nayagan, which has been awaiting clearance from the Central Board of Film Certification (CBFC) since December 2025, became the latest victim when the action drama was leaked last week. Disturbed by the episode, the Indian Motion Picture Producers’ Association (IMPPA) has written to Prime Minister Narendra Modi, urging him to take action against the menace.
In its letter dated April 11, the organization has not only highlighted the need for stringent measures against those aiding piracy, but also indicated how a delay in the certification process makes films vulnerable to online leaks.
When mid-day reached out to Anil Nagrath, Secretary, IMPPA, he noted that the industry has been spotlighting this issue for years.
He said, “Platforms like Telegram, torrent websites, and illegal portals like Tamilrockers are still operating. If the government has banned 36 porn sites and other digital platforms, why doesn’t it ensure the entire apparatus of piracy is taken down too?”
Nagrath pointed out that the H Vinoth-directed Tamil film couldn’t meet its January 9 release date since it was stuck at the certification stage.
“The CBFC referred it to the Revising Committee. Earlier, producers could go to the Film Certification Appellate Tribunal [FCAT], but the government shut it down. The fate of Jana Nayagan has been hanging, while scenes from the film, which has been in CBFC’s possession, have leaked online. While I’m not making a direct allegation [against the CBFC], it amounts to this only. We’re unable to tackle the problem of piracy. Producers are significant contributors to the PM’s Make in India initiative. Why not help us too? The government should find the culprits and put them in jail.”
As Salman Khan, Ranveer Singh, Rohit Shetty receive threat calls, film bodies unite to discuss urgent safety measures
10:06 AM
Mohar Basu (MID-DAY; February 16, 2026)
Leading film industry bodies met in Mumbai on Saturday (February 14) to chart urgent action following recent threat calls and extortion attempts targeting members of the Hindi film fraternity.
Representatives of the Producers Guild of India, Indian Motion Picture Producers’ Association (IMPPA), Indian Film and Television Producers Council (IFTPC), Western India Film Producers’ Association (WIFPA), and the Federation of Western India Cine Employees (FWICE) convened at the IMPPA office in Andheri at noon. Those present included Guild members Nitin Tej Ahuja and Shibasish Sarkar, along with FWICE president Birendra Nath Tiwari and senior representatives from other bodies. IFTPC president Ratan Jain could not attend but extended his support to whatever decision was taken.
The meeting follows threats targeting actors Salman Khan and Ranveer Singh, and filmmaker Rohit Shetty, among others. “This is no longer about isolated incidents. There is a palpable sense of fear. When leading actors and directors receive threats, the anxiety trickles down to every unit member, from spot boys to assistant directors. This is how Sikandar (2024) was shot following threats on Salman Khan and in the past year, the fear has only escalated,” a source told mid-day.
The bodies resolved to draft a joint letter to Maharashtra Chief Minister Devendra Fadnavis seeking immediate intervention.
“We will collectively urge the state to ensure protection not just for high-profile celebrities, but for entire film units. Shoots involve hundreds of daily wage workers. Their safety cannot be compromised,” an insider told mid-day.
The source added, “If there is disruption due to fear or extortion, it directly impacts livelihoods of workers on set. These are regular people trying to make an honest earning. Films will be impacted because fear will drive people out of the industry.”
Tussle over war films on Operation Sindoor
8:12 AM
Niharika Lal (BOMBAY TIMES; May 11, 2025)
On the morning of May 7, as the Indian Armed Forces carried out Operation Sindoor, a different mission kicked off in Mumbai’s film production circles – the race to claim Sindoor as a film title. Inside producers’ offices and association desks, phones buzzed. But the only response many got? A simple, “ Aap kataar mein hai .”
‘Everyone wants the title Sindoor’
The inboxes of the Indian Film and Television Producers Council (IFTPC), the Indian Motion Picture Producers’ Association (IMPPA), the Western India Film Producers Association (WIFPA), and the Producers Guild of India pinged with urgency. It hasn’t stopped really. “Suddenly, everyone wanted the same title – Sindoor ,” says a weary representative from one of the associations. “There’s been an overwhelming number of applications in the past couple of days for titles related to Operation Sindoor,” shared another official.
‘J P Dutta, south producers want to register the title’
Sources say, “J P Dutta’s banner JP Films has thrown its hat in the ring for Operation Sindoor. A renowned producer from the South, Dil Raju, has requested Sindoor: Ek Jung. “For a title to be accepted quickly, the trick is not to aim for what everyone else is chasing. The smartest titles are simple ones. The trick is to find something that uses the key words and still resonates,” adviced a producer.
‘There are already more than 15 applicants’
In this race, time is what matters. “The title will go to the one who applied first. But everyone else can either stay on the waiting list or get their money back. We receive title applications both by mail and as hard copies,” another representative explained, adding, “Now, when someone is walking in with a hard copy saying they want Mission Sindoor or Operation Sindoor, we tell them – don’t bother. There are already more than 15 applicants. You won’t get it.”
‘The timing of announcing a film based on Operation Sindoor may have caused discomfort’
After backlash for announcing a film based on Operation Sindoor, producer Nickky Bhagnani, brother of Pooja Entertainment’s Jackky Bhagnani, apologized in a post. He wrote, “My sincere apologies for recently announcing a film based on Operation Sindoor. Inspired by the recent heroic efforts of our Indian Armed Forces. The intent was never to hurt or provoke anyone’s sentiments. As a filmmaker, I was moved by the courage, sacrifice, and the strength of our soldiers and leadership. And simply wished to bring this powerful story to light. This project was born out of deep respect and love for our nation and not for fame and monetization. However, I understand the timing and sensitivity may have caused discomfort or pain to some. For that. I deeply regret. This is not just a film, it’s an emotion of the entire nation and a social image of the country globally. Thanks to our Armed Forces and Prime Minister Shri Narendra Modi ji who make us proud by working day and night for the country with the motto of always nation first. Our love and prayers will always be with the families of the martyrs as well as the bravo warriors who are fighting on the border day and night to give us a new morning. Jai Hind! Jai Bharat!”
Productions that applied for title registration
- Aditya Dhar Films
- John Abraham’s production house
- JP Films (J P Dutta’s banner)
- Vivek Agnihotri’s production house
- Madhur Bhandarkar’s production house
- Ashoke Pandit’s production house
- Super Cassettes
- Mahaveer Jain Films
- Bombay Shows
- Mumbai Films
- Almighty Motion Pictures
Rush among filmmakers to register Operation Sindoor as a title
10:32 AM
Within hours of India’s precision strikes in Pakistan and PoK, the four film bodies reveal receiving over 20 applications to register the title
Yashika Mathur (HINDUSTAN TIMES; May 9, 2025)
India’s precision strike at nine terror hideouts in Pakistan and Pak-occupied Kashmir was followed by a frenzy in the film industry as producers scrambled to register the title Operation Sindoor and Mission Pahalgam.
As the process goes, producers must register titles through any one of the four film bodies — Indian Motion Picture Producers Association (IMPPA), Western India Film Producers Association (WIFPA), Indian Film and TV Producers Council (IFTPC), or Producers Guild of India. Sources tell us that IMPPA received 12 applications, WIFPA got two, and Producers’ Guild received 10 applications so far.
“The time of registering a title gets stamped. The four film bodies then exchange letters to confirm which filmmaker filed the first application. The result is declared in the next meeting.”
- Ashoke Pandit, Producer and IMPPA member, early applicant
“I’ve applied in the film and web series section under languages across the country. I’m thinking of my Operation story with women leading it, the way Colonel Sofiya Quraishi and Wing Commander Vyomika Singh briefed the country about the operation.”
- Vishal Saroye, Filmmaker
‘Shouldn’t make such films within 1-2 years of military operations’
Without confirming the number, J D Majethia, chairman, Television & Web Wing of IFTPC, says that several applications have been filed with the organization. However, he feels such films shouldn’t be made within one-two years of such military operations: “Manoranjan ke liye climax theek hai but in that process we end up showing our intelligence agencies’ investigations, sharing the big secret of planning process and intelligence agency of our country with enemies.”
Trademark wanted?
A source tells us that several filmmakers have also applied for the trademark of Operation Sindoor. While a title can only go to one filmmaker, a trademark means that several filmmakers can make the film on the same subject. Mukesh Ambani’s Reliance Industries was one of the proprietors, but later withdrew the application. A part of their statement read that it was filed by a junior person without authorization.
I&B Ministry mandates that movies are submitted to CBFC with subtitles and audio description from September 15
8:16 AM
Singham Again and Pushpa 2: The Rule are among the releases impacted by this directive
To make films accessible for visually and hearing impaired, I&B Ministry mandates that movies be submitted to CBFC with subtitles and audio description from Sep 15
Upala KBR (MID-DAY; August 16, 2024)
In January, the Ministry of Information and Broadcasting (I&B) floated a draft of accessibility guidelines that aims to make cinemas more accessible to the visually and hearing impaired. Now, as one of the first steps towards its implementation, the I&B Ministry and the Central Board of Film Certification (CBFC) have issued a directive that all films will have to be submitted to the CBFC with accessibility features for persons with hearing and visual impairments. From September 15, the body will not accept applications that don’t fulfil these criteria.
Abhay Sinha, President, Indian Motion Picture Producers’ Association (IMPPA), says the directive was shared with the body in the first week of August when the CBFC held a meeting with Sushma Shiromanee, Vice-president, IMPPA.
The mandate applies to Indian as well as Hollywood offerings. Sinha states, “It was a sudden decision, but a welcome one as this means the visually and hearing impaired can also enjoy movies at theatres. We informed all our members through a letter on August 10. It has become compulsory to submit all films for certification with accessibility features like subtitles, audio file and audio description.”
Per the implementation schedule, all feature films, which are to be certified in more than one language, would be required to provide at least one accessibility feature each for the hearing impaired and visually impaired from mid-September. Feature films submitted for the National Film Awards, the International Film Festival of India (IFFI) and other film festivals organized by the I&B Ministry must include closed captions and audio description with effect from January 1, 2025.
While the rule doesn’t apply to releases before September 15, Sinha reveals that the IMPPA has requested the CBFC to make exceptions in the case of certain regional movies.
“We have requested that regional movies [Punjabi, Bengali, Marathi and Bhojpuri] be exempted from this directive as the cost of production becomes high for them. We haven’t included south movies in our request.”
Producer bodies to meet celebrity talent management agencies to find ways to reduce movie budgets
8:09 AM
Eyeing to reduce film budgets, producer bodies to meet talent management agencies next week to discuss cutting down on entourage costs; want to encourage mid-budget movies for higher returns
Mohar Basu (MID-DAY; June 8, 2024)
Almost halfway into the year, Bollywood’s report card doesn’t look encouraging. So far, Hindi cinema has seen a handful of hits, including Shaitaan, Crew, Article 370 and Madgaon Express, while many tentpole movies had an underwhelming run. The lull has compelled producers to take stock of the situation. Next week, members of the Indian Motion Picture Producers’ Association (IMPPA), Producers Guild of India, Active Telugu Film Producers Guild, and Tamil Film Active Producers Association are set to meet six leading celebrity talent management agencies, for a third round of meeting. The agenda is clear—find ways to reduce the budget of movies.
While stars’ skyrocketing fees have long been a concern, the impending meeting will focus on cutting down entourage costs. A senior celebrity manager, who attended the last meeting held in May, told mid-day, “Our suggestion is to revert to the post-COVID norm, where an actor has an entourage of three.”
The manager reveals that the suggestion came from one of their clients, a senior star who shot three big films during the pandemic. “The star started out in the ’90s when entourage wasn’t a thing and vanity vans were reserved for megastars like Mr [Amitabh] Bachchan. He said that even today, a team comprising one spot boy, one make-up man and one additional hand is enough for him. For a female actor-host, we’ll consider an entourage of four.”
A senior member of the Producers Guild, who spoke to us on condition of anonymity, said that filmmakers have been struggling with budgets in the post-pandemic market. The high entourage costs came to the forefront with a recent episode.
“I agree that entourage cost is a part of the problem and not the whole issue. But recently, a studio’s CFO was shocked to see a Rs 7 lakh monthly bill from a make-up person. The CFO’s salary was lower than that! This can be brought under control,” he said.
Another subject that the producers will touch on at the meeting is to boost small and mid-budget movies. The months gone by have shown that they have generated high returns.
An IMPPA official said, “The box-office run of Crew, Madgaon Express and Article 370 has been good. Producers must seek high-concept films, spend more on writing, and pay reasonable fees to the stars and crew. We will also talk to OTT heads to widen the gap between theatrical and OTT release [in the hope that people will visit theatres]. Otherwise, people may stop visiting cinemas.”
IMPPA, other film bodies to take it up with talent agencies on entourage costs in burdening film productions
8:21 AM
Yashika Mathur (HINDUSTAN TIMES; June 4, 2024)
The discussion around the increasingly visible role of entourage costs in burdening film productions precipitated a meeting between four film bodies — including the Indian Motion Picture Producers’ Association (IMPPA), Producers Guild of India, Active Telugu Film Producers Guild and Tamil Film Active Producers Association — and five major talent agencies: Collective, Matrix, Exceed, YRF and DCA.
“They plan to regroup in another couple of weeks. In the interim, the agencies are expected to discuss the matter with their clients, says a source, adding, “In the meeting, all parties acknowledged the issue of the unpredictable costs associated with actors coming on-board projects.”
Could capping these costs help, or be proposed in the meeting? “Right now, all options are on the table. Just having a blanket cap would be difficult. The requirement of different scale of films is different,” says the source.
“Cutting these costs is the only way to go about it. In 2022, when we (Telugu film industry) went on strike, this was the reason. We demanded things like one pay cheque, and that staff payment be done by the artistes only,” says producer Abhishek Agarwal.
“Let’s not only blame the actors, but also star directors, star DOPs. You go on a set with everyone who is a big name and there will be just 30-40 people that are part of their entourage and they are not actually part of the filmmaking process. All costs that do not show up on screen do need to be brought in check,” says producer Kunal Kohli.
Producers’ bodies rejoice as Maharashtra government announces free shooting in state from April 1
9:00 AM
Bhool Bhulaiyaa 3 is among the many films being shot in Maharashtra
Producers’ bodies rejoice as Maha govt announces free shooting in state from April 1, making it attractive filming destination
Upala KBR (MID-DAY; March 28, 2024)
On March 16, the Maharashtra government announced that shooting of films, documentaries, web series and advertisements will be allowed free of cost on government land in the state from April 1. The decision signals that the state is conducive to film production, making it an attractive and budget-friendly location.
Abhay Sinha, president, Indian Motion Picture Producers’ Association (IMPPA), says, “IMPPA was trying to convince the Maharashtra government to do something as producers were running to Uttar Pradesh, which offers huge subsidies. This move will help producers reduce their budgets, and will support the film industry’s growth in the state.”
While shooting will be free of charge, a nominal security deposit of Rs 40,000 for commercials, Rs 1 lakh for TV shows, and Rs 2.5 lakh for films and series will be required. Producers will be able to go through a single-window clearance to shoot anywhere in the state. The new scheme, however, doesn’t cover projects being shot in Film City, Goregaon, and the Film City in Kolhapur.
Sinha adds, “This will be applicable not only for Hindi and Marathi films, but for regional language movies as well.”
Trade analyst Atul Mohan is glad that the state government has kicked off the initiative. He says, “Uttar Pradesh, Madhya Pradesh, and Jammu & Kashmir have been offering incentives to producers. I guess it’s better late than never.”
Frenzy over Chandrayaan movie titles in Bollywood
8:30 AM
Vinay MR Mishra (BOMBAY TIMES; August 25, 2023)
Hindi filmmakers are already queueing up to get film titles inspired by the successful landing of Chandrayaan 3 on the moon registered. Mumbai-based Western India Film Producers Association reveals that they have already received two requests for titles, including Chandrayaan 1 and 2, after India’s historic achievement on Wednesday.
Anil Nagrath of the Indian Motion Picture Producers Association (IMPPA) shares, “We have been getting requests for titles based on Chandrayaan 3 for the last four weeks. We have received 12-15 title requests, including Chandrayan Ki Yatra. Excitement toh hai. Many people didn’t even wait for the event to happen, at least the ones who were smart were quick to make a move.”
Suresh Amin, Indian Film and Television Producers Council (IFTPC), shares, “Everything is sold out. Mission Chandrayaan, Chandrayaan 3, Chand Ki Khoj Mein and Hindustan Ki Shaan Chandrayaan are among the titles that have been come in for registration. Now, it will take almost 15 days for these titles to get approved. We send such request lists to all the (producers) associations, and if there is any objection, then we do not grant the title.”
This isn't the first time, when a frenzy around situational titles has been witnessed. A similar situation happened during the pandemic when makers lined up to register titles around Covid. Suresh reveals, “We started getting requests for titles from 6 pm Wednesday. So far, we have received 8-10 requests. I’m certain all over India, an estimated 100 title requests revolving Chandrayaan would have been received.”
While he refuses to name any makers, who may have registered the titles, he says, “These are all big producers requesting for these titles. However, I guess only two or three movies will be made out of these requests.”
Khalnayak was supposed to be an art cinema with Nana Patekar; Anil Kapoor was keen to play the antagonist-Subhash Ghai
8:29 AM
Vinay MR Mishra (BOMBAY TIMES; August 11, 2023)
30 years ago, on August 6, the nation was taken by a storm, when the theatres played ‘Nayak nahi khalnayak hoon main’. Sanjay Dutt immortalized Ballu Balram on celluloid, while filmmaker Subhah Ghai once again reminded the world that no one could do a ‘larger than life cinema’ better than him in Bollywood back then. Three decades later, Subhash says, “We used to pray that even if it runs for 25 weeks, we would be happy. 30 saal chala diya ishwar ne!”
‘Khalnayak was supposed to be an art cinema’
“The idea of Khalnayak germinated from Ravan. Back then, iss pe kisi ne film nahi banayi thi. Not many are aware that when I started out with the film, I was making an art cinema with Nana Patekar. Khalnayak was an out and out art cinema story about his character moving from Pune to Mumbai. My writer’s told me ‘Why don’t you make a commercial movie and make it larger than life’. That is when we went all out.”
Anil Kapoor was keen to play khalnayak
Khal Nayak’s casting is a story within itself. Subhash was only certain about one actor – Jackie Shroff. “Ram was, of course, Jackie Shroff. It was the easiest character to cast. I was very clear about him. Anil Kapoor was keen to play the antagonist. He came to my home twice or thrice. He said, ‘Subhash Ji, I am very keen to do this role’. I told him, ‘Ye tujhe suit nahi karega. Tu jayega, main jaaunga and film bhi jaayegi’.”
While a few speculated that even Aamir Khan had reached out to Subhash to play the titular character, the director refutes the speculations: “Aamir wanted to do Saudagar. But I was looking for a new face and he was already a star.”
Was tensed about Choli Ke Peeche before its release
The movie’s music, composed by music duo Laxmikant-Pyarelal was a massive hit, selling over 10 million copies. Subhash reveals he anticipated the sad song O Maa Tujhe Salaam, sung by Jagjit Singh, to be a chartbuster. However, it was the title track and the most controversial song Choli Ke Peeche that went on to become hugely popular. “The lyricist (Anand Bakshi) asked me, ‘Kis tarah ka mujra hona chahiye?’ I thought about it and told him to skip the mujra and instead think of a folk song, because the character has to make Ballu believe she comes from a rural setting. Raat ko unhone mujhe phone kiya with the lyrics and I was shocked. I said, ‘No we cannot make this’. He started laughing. He made me hear the second stanza – Yeh Dil main dungi apne yaar ko…and I told him that he was compensating. But yes, I was quite tense, so we decided to make it an artistic song. The song in itself is a scene. There were so many organizations who protested the song. But I always asked them to listen to it in its entirety. Today, the song has gained cult status and is enjoyed by youngsters.”
‘Sanjay’s imprisonment was very disturbing for me’
During the filming of the movie, the film’s main lead Sanjay Dutt was arrested. “It was big shock for me and very disturbing. Subhash confesses. He adds, “I couldn’t imagine that this would happen. I was very close to Dutt sahab (Sunil Dutt, Sanjay’s father and actor). We had to take the situation as it was. I told Sanjay, ‘Tu jo bhi hai sach bol dena, sach ke siwa kuch mat bolna’. The worst thing was the protests. Everyone was saying, ‘terrorist and real-life villain ko Subhash Ghai le raha hai’. But all of that saved us a lot of money (laughs), as I cut down on my promotional budget. The movie was even discussed in the parliament.”
‘When you become a success, you should be ready to accept that you will make many enemies’
Not many are aware that on the same date, alongside Khalnayak, another film was released, Khal-Naaikaa, starring Jeetendra and Jaya Prada. “When you become a success, you should be ready to accept that you will make many enemies”, says the director.
He further explains, “I could see the enmity coming from various places. Millions were happy when Trimutri flopped. One day I got to know that someone was releasing the movie Khal Naaikaa on the same date. Bohot hungama hua. I spoke to IMPPA (The Indian Motion Picture Producers Association) and they said that they will release their film on the same date, and I can move my date if I want. The last week before the release was a very tough time for me. There were 45 people at that IMPPA’s meeting, and they were all against me. I have faced many such hurdles in my life.”
Ameesha Patel, Sunny Leone respond to non-payment of dues issue
8:19 AM
Syeda Eba Fatima (HINDUSTAN TIMES; July 31, 2023)
Actors Ameesha Patel and Sunny Leone were summoned on July 25 by the Indian Motion Picture Producers’ Association (IMPPA) on an issue of non-payment of dues. The actors failed to appear and IMPPA has given them seven days to repay the entire amount. Ameesha had taken Rs. 65 lakh from producer Haresh Patel and Sunny was paid Rs. 21 lakh by producer Vinod Bachchan for a movie.
Spokesperson, Sunny’s legal team:
With the highest regard for IMPPA, we want to clarify that this is a miscommunication. We had informed them of the postponement [in Sunny’s appearance] with proof that, for the last six months, IMPPA was postponing the case. This was the first time we postponed it and notified them of our prior schedule. We have all the documents to prove we are not at fault.
Vinod Bachchan, Producer:
Yeh case kaafi time se chal raha hai but woh (Sunny) meeting me nahin aa rahe hai. Bahut baar humne try kiya hai. Now IMPPA is looking into the matter.
Kunal Goomer, Ameesha’s representative:
There is no truth to the news. I don’t know what IMPPA is and what they do in Bollywood other than make news.
Haresh Patel, Producer:
I didn’t want to take the legal route, but this has been going on for seven years. Ameesha and Kunal asked for more time as they said she was going through a tough time. I even asked to be paid back in instalments. They have returned Rs. 14-15 lakh till now. When I met Kunal, he gave me a letter saying they will clear all the dues by March 2022 but they blocked me. Kunal has misbehaved with me as well. I have now filed criminal charges against Ameesha in Gujarat.
Abhay Kumar Sinha, President, IMPPA:
Sunny Leone’s husband (Daniel Weber) responded to our query, saying they’ve already given back Rs. 18 lakh. We’ve asked for more details. Ameesha Patel’s team said their legal team would talk to us. If the actors fail to appear before IMPPA or pay back the amount, they won’t be allowed to shoot anywhere as per IMPPA laws.
IMPPA puts money where the mouth is
8:42 AM
Rohit Shetty and Ajay Devgn
After reiterating importance of helping its members, association decides to fund education of kids whose producer-parents are no longer financially adept
Upala KBR (MID-DAY; August 28, 2022)
Leading from the front when making a case to provide financial help to industry folk hit by the pandemic, the Indian Motion Picture Producers’ Association (IMPPA) has decided to fund the education of those children whose producer-parents are financially unstable. IMPPA senior vice president Ashoke Pandit reveals that financial aid for educational purposes will be provided to the children till they graduate.
“The newly elected executive committee has decided to provide free education to the children of those producers who cannot afford it. The initiative, led by our president Abhay Kumar Sinha, can be availed by any producer who finds it difficult to get his children educated. He is excited to implement these measures. It is the first time that a film body will take up such an important initiative of children’s education. It is the duty of an organization to stand by its people.”
Highlighting that unlike popular opinion, every producer is not as financially sound as “Karan Johar or Aditya Chopra”, he states that several producers, particularly those who make small films, or regional offerings, have been struggling. “Many producers have shut shop, and hence cannot provide for their kids’ education. From the entire list of producers that we have, almost 40 per cent are now not active,” he says of the organization that has 7,000 producers listed in its database.
The system of providing educational aid, says Pandit, will be transparent, and names of parents receiving aid will not be made public. “We are writing to all the members and inviting applications. The committee will check them and the fees will be immediately paid to the schools or colleges. The funds will come from the IMPPA Trust. For now, we don’t require additional funding from our members. We have also issued an accident insurance policy worth one lakh rupees, for every member of IMPPA.”
This isn’t the first time that the committee is offering aid to its members. During the pandemic, the association had extended financial help to daily wage workers, and 1,200 needy producers. They provided free vaccination for its staff. The association counts Rohit Shetty, Ajay Devgn, Sanjay Leela Bhansali, Shah Rukh Khan, Salman Khan, Sameer Nair, and Bhushan Kumar, among its members.
Rajesh Sapte suicide: Producers' body meets top cops to rein in unions
7:59 AM
After art director alleges union harassment and dies by suicide, producers’ body meets top cops to rein in unions; draws up new rules to protect workers’ interests
Upala KBR (MID-DAY; July 22, 2021)
On July 9, mid-day had reported that cine bodies had sprung into action after Pune-based art director Rajesh Sapte accused Film Studios Setting All Mazdoor Union treasurer Rakesh Mourya of harassment and died by suicide (Underbelly of showbiz comes into focus, July 9). In the two weeks since, Vishwas Nangare-Patil, joint commissioner of police (Law & Order) and Shirin S Lokhande, additional labour commissioner, have initiated a dialogue with the Indian Motion Pictures Producers’ Association (IMPPA) to rein in the union bodies that have been found to dabble in illegal recovery of workers’ wages.
T P Aggarwal, IMPPA president, reveals that the body had a virtual meeting with Nangare-Patil and other top cops days after Sapte’s demise, followed by another discussion with Lokhande on July 12. During the meetings, it was highlighted that in violation of the Wages Act 1936, the daily-wage workers’ remuneration was being routed through the unions. It was also pointed out that these unions harassed producers to hire members from their organisation, and disrupted their shoots if the demand was not met.
“The cops told us clearly that if any threat or extortion bid is made by a union member, the producer should immediately register an FIR, following which strict action will be taken against them,” says Aggarwal, indicating that such sub-groups were formed under the umbrella brand of Federation of Western India Cine Employees (FWICE). “The FWICE [spawned several] associations in a short time, with the same members being selected in key positions. They were doing this to control the producers’ bodies.”
The meetings have resulted in the IMPPA drawing up new rules, in adherence with the labour laws, that will have to be followed by filmmakers on the set. A salient change is that here on, producers will have to deposit workers’ remuneration in their respective bank accounts, thus cutting the union out of the chain. He adds, “Producers will also have to issue ID cards to those working on his set. [That way] union representatives won’t be allowed to enter the premises.”
CINTAA urges leading cine bodies to include 5,000 background actors in film workers’ vaccination drive
8:14 AM
(From left) CINTAA secretary Amit Behl; Aditya Chopra
Upala KBR (MID-DAY; May 18, 2021)
Weeks after Yash Raj Films’ head honcho Aditya Chopra pledged to bear the inoculation expense of 30,000 film workers belonging to the Federation of Western India Cine Employees, the coordination committee of Cine and TV Artistes’ Association (CINTAA) has noted that background actors should be included in the drive. Amit Behl, senior joint secretary, CINTAA, reveals that the body recently sent an e-mail to four unions — Producers’ Guild, Indian Film and Television Producers’ Council (IFTPC), Western India Film Producers’ Association (WIFPA) and Indian Motion Picture Producers’ Association (IMPPA) — to this effect.
“We have also requested [television channels] and producers, including Aditya Chopra and [Salman Khan’s] studio, to [focus on] the actors as well. The number of [daily-wage] workers on a set is minuscule due to the bio-bubble; the bulk of the unit are the supporting cast. Actors are [vulnerable] as they can’t wear PPE suits or masks in front of the camera,” states Behl, adding that 5,000 artistes are part of CINTAA.
Confirming the mail’s receipt, T P Aggarwal, IMPPA president, says the inoculation plan hasn’t progressed further due to the shortage of vaccines in the country. “When we get the vaccines, CINTAA members will be inoculated too. That said, when IMPPA can pledge to pay for producers’ jabs, why can’t CINTAA dip into their funds instead of asking the producers?”
Bollywood production houses try for mass vaccines; no luck
8:08 AM
The film industry has realised that only through rigorous and planned vaccination drives can it hope to get back on its feet again
Sugandha Rawal (HINDUSTAN TIMES; May 14, 2021)
After the second round of lockdown, getting back to work in Bollywood might require more than just a negative report, with the industry looking at widespread vaccination drive to restart activities. Though the Maharashtra government has temporarily suspended vaccination for 18-44 group, there are many production houses that are looking at procuring vaccines in bulk for their staff.
This comes after several actors, including Madhuri Dixit Nene, Anil Kapoor, Farhan Akhtar, Radhika Madan and Riteish Deshmukh, got their vaccine shot.
Actor Tamannaah Bhatia feels it’ll not only enable the industry to churn out content, but also support daily wagers. “From an industry perspective, it’ll help them get back on their feet and keep economic activity going. I hope the government, in due course of time, will address this,” says the actor.
According to Shibasish Sarkar, CEO, Reliance Entertainment, it is “impossible” to think about getting back to work without vaccination. “There’s no permanent solution to it, unless you can get your team vaccinated,” he says.
As vaccination drive picks up, some from industry have started to put out appeals to the Maharashtra government, urging them to let them get industry members inoculated.
While the Indian Motion Picture Producers’ Association (IMPPA) has written to Chief Minister Uddhav Thackeray to set up a vaccination centre for its members, Federation of Western India Cine Employees (FWICE) also has requested the state government to provide vaccines for its artists and workers. Yash Raj Films (YRF) head Aditya Chopra has requested the CM to allow the company to purchase 30,000 vaccines. One stop vaccine centre is important, too, points out J D Majethia, Chairman, TV division of IFTPC. “We’ve written to the government to make a centre in Film City,” he says.
Nitin Tej Ahuja, CEO of Producers Guild of India says, “We’ve been in talks with government departments and private bodies to facilitate mass vaccination camps for film fraternity.”
No ‘shortage’ of roadblocks
Though vaccination might seem as a potential way out, many point that the scarcity of the life saving drug is making it a tough path.
“Today, availability of vaccines is the biggest challenge. We’ve been talking directly with the manufacturers, hospitals and even laboratories, to get access to it. We haven’t been able to get it, but we’re trying to see if we can get a certain level of quantum, which can cover our staff,” Sarkar says.
To this, Birendra Nath Tiwari, President of Federation of Western Indian Cine Employees, adds, “The shortage is the biggest problem abhi. Ussi wajah se kafi aur log bhi ruke hue hain. We hope to get clarity on getting stock till May end. In fact, I might ask Salman Khan to also pitch for vaccination.”
That said, lyricist Javed Akhtar stresses that vaccination doesn’t mean letting go of other safety precautions.
“It can become safer to work when everybody is vaccinated. But even after the jab, there's no guarantee that nothing will happen to you, so one has to be careful,” he cautions.
Film bodies want to resume work in IPL-like bubbles
8:12 AM
Cine bodies in talks with tech companies to shoot in stricter bio-bubble, as followed by IPL teams, if lockdown extends beyond May 1
Upala KBR (MID-DAY; April 17, 2021)
After the new restrictions issued by the state put all shoots on hold, leading film bodies made a plea to CM Uddhav Thackeray to allow a few concessions to the entertainment industry. The associations are also working with filmmakers to explore the possibility of bio-bubble shoots, along the lines of the IPL, if the lockdown extends beyond May 1.
Besides making a plea to the CM, the cine bodies are simultaneously working with filmmakers to explore safe modes of shooting in these trying times. While some productions have already explored bio-bubble, the associations are considering implementing the stringent bio-bubble practice of the ongoing Indian Premier League 2021, on movie sets, in the near future. Ashok Dubey, general secretary, FWICE, says, “If the lockdown extends beyond May 1, we wish to submit a proposal to the CM to allow filmmakers to shoot in a bio-bubble, [along the lines of the IPL]. Some big studios are filming outside Maharashtra; those who cannot do that, wish to follow the IPL format.”
Some associations have apparently initiated talks with SenseGiz Technologies, which is ensuring the safety of cricketers and support staff in the current season, to avail their facilities. The league’s safety norms are far more stringent than those followed on bio-bubble shoots. A trade source reveals, “Besides accommodating the cast and crew at the same hotel, the safety solutions will include geo-fencing, historic contact tracing, securing real-time data about violations and identifying them through devices on the set and in the hotels.” Despite these protocols, the cricket league has had its share of players coming down with the infection.
Anil Nagrath, IMPPA, however, points out that it can be afforded only by a few producers. “Most units are working on a shoestring budget. Shoots have become a costly affair due to the safety restrictions. The IPL bio-bubble will double a producer’s expenses.”
Sushant Singh Rajput’s death inspires film titles
8:20 AM
Titles include Sushant, Sushant Singh Rajput – Biography, and The Unsolved Murder Mystery – Rajput
Niharika Lal (BOMBAY TIMES; August 24, 2020)
From Galwan Valley to coronavirus, filmmakers have been registering film titles on all the current developments. Now, they are registering titles related to the Sushant Singh Rajput case, too. Even as the CBI is probing the case in Mumbai, the late actor’s life and untimely death have inspired filmmakers, who are lining up to block titles related to his name.
The film registration offices have received several film titles related to the SSR case. A source from a producers’ association informs, “We’ve received applications for three film titles related to Sushant Singh Rajput. The requests that we have received are for Sushant Singh Rajput — Biography, Sushant, and The Unsolved Murder Mystery — Rajput.”
-----------------
‘REJECTED TWO TITLES BASED ON VIKAS DUBEY’
People called Vikas Dubey’s death in an encounter by the UP Police filmi, and now, producers are planning films and web series on him. A source from a producers’ association says, “The titles we’ve received are Most Wanted Vikas Dubey, Do Nail Vikas Dubey,Vikas Dubey Kanpuria, and Baahubali Vikas Dubey.” T P Aggarwal, President, IMPPA (Indian Motion Picture Producers Association) confirms receiving titles on Dubey. He says, “We’ve received two applications for film titles related to Vikas Dubey, and we’ve rejected both.”
Subscribe to:
Posts (Atom)