Showing posts with label I Am Kalam. Show all posts
Showing posts with label I Am Kalam. Show all posts
Back in 2010, when I first visited Cannes I had no support system as such-Nila Madhab Panda
8:23 AM
Posted by Fenil Seta

Nila Madhab Panda, who has been attending the Marché du Film at Cannes for the past 13 years, decodes what the Film Market is all about
Niharika Lal (BOMBAY TIMES; June 5, 2022)
The Marché du Film at the 75th edition of the Cannes Film Festival saw huge participation from India. Nila Madhab Panda, who has been attending Marché du Film since 2010, spoke to us about the importance of attending the film festival and the film market, and how attending Cannes can help young filmmakers. Talking about the breakthroughs so far, Nila said that this year, a lot of foreign producers have shown interest in Indian projects.
‘BY TAKING FILMS BY YOUNG FILMMAKERS TO CANNES’ FILM MARKET,THE I&B MINISTRY PROVIDED A SUPPORT SYSTEM’
This year, at Marché du Film, there were projects from India in sections like special screening, pitches, and Goes to Cannes. Nila says, “Back in 2010, when I first visited Cannes I had no support system as such. But this year, by taking several films by young filmmakers to Cannes’ film market, what the I&B Ministry did was to provide a support system to young filmmakers. Some of these films were by debut filmmakers. And Cannes is the best place for networking for a filmmaker. At Marché du Film, they can get their work recognised on an international scale. Besides, the market gives us a chance to get our films selected in international film festivals and distributed in cinemas across the world.”
‘THE FILM FEST PROVIDES A PERSPECTIVE TO FILMMAKERS’
Nila points out that even at the Marché du Film, the careers of filmmakers have been launched because of the exposure they get and the networking they can do here. He adds, “Beyond this, the Cannes Film Festival provides a perspective to filmmakers. You get to understand the viewpoints of film industries from across the world, and you get a fair idea about catering to the international audience. You get a lot of insights. I am a regular at film festivals across the world and have been a regular at Cannes, that’s why I feel this exposure to the film market will help independent filmmakers even in their future projects.”
‘SHOOTING IN INDIA IS CHEAPER THAN SHOOTING IN EUROPEAN COUNTRIES’
Nila says that even for European filmmakers shooting in India is cheaper than shooting in European countries because of expensive location prices. He says, “I know a Polish filmmaker who was planning to shoot somewhere in Asia, and she was thinking of filming in Thailand or somewhere, but after looking at what India is offering in terms of incentives and locations, she has now decided to shoot her film in India.”
India was in focus at the Marché du Film, this year. Talking about how being the ‘country of honour’ brought India under the spotlight, Nila says, “The outcome is incredible. This year, at India Pavilion, there were queues of foreign filmmakers to enter the venue. I’m part of an international producers’ network and several foreign producers have shown interest in Indian pitches, projects, and even filming in India.”
‘WITH NEW INITIATIVES, THERE’LL BE A JUMP IN CO-PRODUCTIONS’
Nila says co-productions are a norm for European filmmakers. He says, “But we have had very few co-productions in India like The Lunchbox and Sir. With recently announced initiatives by I&B Ministry for co-production projects, I believe we will get to see a jump in co-productions. This year, one of the things which happened at Cannes was ‘action oriented dhamaka’. It is a great business model, too. For example, if an Indian filmmaker collaborates with a Sri Lankan filmmaker, then there are possibilities for the film to gain traction in both countries, and get a Sri Lankan film release in India.”
‘YOU BUILD CONNECTIONS AT CANNES,AND THEN YOU SET MEETINGS AND FOLLOW-UP’
Recalling his first visit to Cannes in 2010, Nila says, “I first came to Marché du Film with I Am Kalam. A special screening was organized at the India Pavilion, and Barbara Broccoli, producer of the James Bond series, came to the pavilion to watch my film. I had earlier worked on a documentary Stolen Childhoods (2005), which she had produced, so I had invited her for the screening. Over the years, I have presented several projects at the Marché du Film. One may not see immediate results, but you’ve to follow up after Cannes. You build connections at Cannes, and then you set meetings and follow-up. People know people, and that’s how it works out.”
WHO VISITS CANNES’ MARCHÉ DU FILM?
- Filmmakers who want to pitch their films
- Those aiming to create partnerships through co-productions
- Those who need financing or a postproduction partner
The confusion starts happening when we, the entertainers, become revolutionaries-Gulshan Grover
8:11 AM
Posted by Fenil Seta

Rishabh Suri (HINDUSTAN TIMES; February 2, 2022)
Actor Gulshan Grover has been in the film business for four decades, and he loves his job. He only wants to focus on it, rather than trying to change things, either in the industry or society. “The Hindi film industry is an entertainment business. Our basic introduction is that we are entertainers. The confusion starts happening when we become society changers or revolutionaries,” says the veteran.
He adds, “That change (from being entertainers to activists) has happened in the recent years. Some people do that well, as they have the capacity and opinion on things.”
But the 62-year-old, who was last seen in the film Sooryavanshi (2021) and the second season of the web show Your Honor Season 2, says he likes being just an entertainer. “While I have worked in a film like I Am Kalam (2011), which was on education, I am not an activist. I cannot go and stop all children from working. I can’t provide funds for every child to get educated. It’s the job of some [other] people,” the actor says.
The actor is certain that he only wants the ‘entertainer’ tag for himself, since in his own words, he doesn’t have the aptitude, capacity or talent to be anything else.
Grover quips, “I can’t even change things in my own house or building, how can I change things (anywhere else)? Each person has different qualities, and unfortunately, I don’t possess that (the capacity to bring about a change in society). I have an aptitude for acting, and I am happy to be just that and nothing else.”
I initially turned down I Am Kalam as its budget was equal to my fees-Gulshan Grover
8:12 AM
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Niharika Lal (BOMBAY TIMES; December 2, 2019)
Speaking on the first day of the Times LitFest Delhi, Gulshan Grover, whose film I Am Kalam (2011) won multiple awards, told the audience that he had initially decided not to do the film, but after hearing the storyline, he was so impressed that not only did he change his mind but he decided to do the film for free. Gulshan said, “When I was offered I Am Kalam, I decided not to do the film because the budget of the entire film was equal to my fee. But when I heard the story, I was so impressed that I decided to do it for free. I have huge respect and love for the producers of the film, and Nila Madhab Panda, our director.”
In reply to a question about his inclination towards villainous roles, Gulshan said, “I have been offered a hero’s role several times but I always turned them down. I never wanted to be a hero.” He added, “When I came to the film industry (in the ’80s), the actors didn’t want to change their look for a film. They didn’t even want to put on a fake moustache while playing the role of a police officer. I was the one who changed this by experimenting with my looks, and now actors like Aamir Khan go through the process of changing their looks to make the character look real.”
Talking about the work he has done in foreign films, the actor said, “When I went to Hollywood, our films used to be screened at film festivals. They didn’t know much about Bollywood, be it Amitabh Bachchan’s films or Dilip Kumar’s, which has now changed.”
APJ Abdul Kalam was a true hero of modern India-I Am Kalam director Nila Madhab Panda
7:46 AM
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Nila Madhab Panda, the director who made I Am Kalam speaks about his encounters with the departed visionary
Subhash K Jha (DNA; July 29, 2015)
The death of the former President Of India, Dr APJ
Abdul Kalam on Monday has plunged the nation into a state of mourning.
National award winning director Nila Madhab Panda whose I Am Kalam was a
homage to Kalam’s vision of a child-literate India, met the great
visionary on several occasions for the film.
Nila recalls the gentle intellectual giant with much affection. “I came from a similar background as Dr Kalam, where basic education and survival were an issue. Then when I became a filmmaker, I made feature length documentary for Barbara Broccoli. For this documentary, I met lot of street children. The thing that haunted me the most was their dreams. I had seen the dreams in the eyes of these children I met on the streets, railway stations, brick factories and brothels.”
That’s when Nila began planning his film on Kalam. “I used to read a lot on Dr Kalam. I always thought of making a film which can inspire children, and tried to think of a hero, who can inspire. Ab hero isss desh mein hain kitney, aur kahaan? I felt the most inspiring living hero for our children was Dr Kalam. He was a true leader, a true hero.”
Remembering his first meeting with Dr Kalam, Nila grows emotional. “The first thing he said to me was, ‘Come come, you have a great smile, it means you have a good soul.’ He held my hand and asked me, ‘Are you married?’ I said yes. Then, he asked, ‘Are you with family after marriage or separated from family?’ I said, my family is in the village, but I am in the city because of my profession. It was then that Dr Kalam made a beautiful statement, which I can never forget. He said to me, ‘Joint family means growth, prosperity, love, trust, blessings unity....nuclear family ..you are finished.” Nila also can never forget the time he spent with Dr Kalam during and after he made the film. “Apart from being a president or scientist, Dr Kalam’s understanding of modern India and its cultural heritage was unmatched by any other living leader. He was a star which you can’t touch but can feel in every sphere of activity,” he says.
Nila’s film will remain a cinematic legacy of the great man’s reach and influence. He says, “I simply made a film on his philosophy and his statements, and it became a super hit. You know, he was not into self-congratulation, so instead of talking about himself after my film he said ‘Good you are spreading some good message for the new generation’. Our generation never met Mahatma Gandhi, Lal Bahadur Shastri or Jawaharlal Nehru. But we are lucky and proud to have had such a great living legend in our midst. A true hero of modern India.”
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