Showing posts with label Harshavardhan Kulkarni. Show all posts
Showing posts with label Harshavardhan Kulkarni. Show all posts
After FTII students are attacked over Remember Babri banner, union urges institute president Madhavan to step in
8:44 AM
Posted by Fenil Seta

After FTII students are attacked over Remember Babri banner, union urges institute president Madhavan to step in; calls for academic halt
Mohar Basu (MID-DAY; January 29, 2024)
Much has happened since right-wing activists, on January 23, barged into the Film and Television Institute of India, (FTII) campus and attacked students over a banner that read: ‘Remember Babri, death of Constitution.’ Soon, on January 26, 300 FTII alumni—that included Oscar-winning sound designer Resul Pookutty, Badhaai Do director Harshavardhan Kulkarni and film editor Antara Lahiri —penned an open letter condemning the violence against the students.
Now, the FTII Students Association (FSA) has called for an academic halt and urged the premier institute’s president, actor-filmmaker R Madhavan, to step in.
While a First Information Report (FIR) was lodged against the instigators at Deccan police station, on January 24, another FIR was registered against seven students allegedly by members of the organisation that orchestrated the attack.
A student, on condition of anonymity, tells mid-day, “[On Tuesday], they burnt the posters we had put up, hit our student body president Mankap Nokwoham and others. Now, they are levelling incorrect accusations against us—it’s being said that we had a box for suggestions on how to reconstruct Babri Masjid, which is not accurate. Two of the people named in the FIR, Mankalan Chakravarty and Nathan Chakropadhyay, don’t even belong to our campus. The registrar office has asked us to deal with the situation [on our own]. So, now, we’re going on academic halt. Our student bodies are writing to other student unions, including those of Tata Institute of Social Sciences and Satyajit Ray Film & Television Institute. It’s baffling that through it all, R Madhavan has kept mum. Thankfully, the alumni are taking care of us.”
Meanwhile, the alumni are rallying for increased security for students. A 2018 alumnus says, “We are writing to cops to make sure the security on campus is strengthened. It’s necessary to take prompt action against those who perpetrated violence against the students.”

What do you think would have happened if Hunterrr would have made Rs. 100 crores?-Gulshan Devaiah
8:25 AM
Posted by Fenil Seta

Niharika Lal and Divya Kaushik (BOMBAY TIMES; October 5, 2023)
In the big screen vs OTT debate, Gulshan Devaiah isn’t taking sides. While he believes OTT offers more opportunities, there’s no substitute for the cinematic experience, he adds. In a freewheeling chat, the Dahaad actor talks about everything from the business of cinema to having civil discussions on social media. Excerpts:
‘Cinema and OTT should co-exist and flourish together’
I love cinema and it will make me very sad if the cinematic experience is lost and is not valued anymore. I am happy that I am doing interesting work and the web series format is very liberating for storytellers – the business model is also different as you don’t have the same pressure and it is more liberating to tell long-format stories – which means more interesting work, more money, opportunities. But if this is going to be at the cost of cinema, that will make me very sad.
I have a wider reach on OTT, I have better opportunities. But sometimes achieving difficult things can be extremely satisfying. If I am able to have a blockbuster when nobody expects it, what do you think is going to happen to my career? What do you think would have happened if Hunterrr would have made Rs. 100 crores? I know it’s a slim chance but there is nothing wrong in trying. I’m not losing anything. I have a career anyway.
‘We have lost that emotional touch with cinema’
Many people do not realise that Andaz Apna Apna did not make any money and they don’t care, it is a film that is fondly remembered. Dil Chahta Hai was not really a financially successful film, but people have strong memories attached to that film, its music. Agneepath was a massive flop, but nobody remembers it as a flop because people don’t care. They loved these films. We have lost that feeling – ‘ mazaa aaya yaar yeh dekh ke’. We have lost that touch with cinema, which is becoming more about numbers.
‘It’s always the role that matters when I pick a film’
If I have genuine interest in the story and in the part, then I will do the film. Like in Badhaai Do, it was a six-minute part, it was nine pages worth of scenes for me. The director, Harshavardhan Kulkarni, is a friend, I am his supporter, and the role made complete sense to me when I read it. It was a small part but it was well written, it impacted the story, and I got to romance Rajkummar Rao. It is always the role and the story that matters most when I am selecting a film.
‘I’ve done many small- budget films and will till do more of them’
I have primarily done mid and small-budget cinema, like CandyFlip and 8 A.M. Metro. Barring Goliyon Ki Rasleela Ram-Leela, most of my films were mid-budget. Small and mid-budget films are the ones that can take risks in terms of storytelling, they can try something new. I have been a part of many small-budget films because those scripts were interesting to me. They were more interesting than big-budget films or the roles that were being offered to me.
‘Cinema is all about numbers and opening day business now’
Small and mid-budget films face bigger challenges right now in terms of business. The theatrical business model is cut-throat. Some kind of reform is needed there. With very little guarantee of return on investment, it is a gamble. Sometimes you have a good film or product, but if you don’t market it well, it doesn’t work. And if you don’t get good show timings, people may like it but won’t be able to watch it. It is very pressurizing. It’s much more difficult now that everybody has started discussing figures. Even cinemagoers who really don’t understand anything about business, they are talking about opening kitne ki lagi thi, and then they decide whether that film is good or bad. Whether they want to watch a film or not is based on whether other people are watching it. That was never the case before.
‘Can’t compete with stardom, despite brilliant performances’
There are people like Rajkummar, Manoj ji, whom I respect and I have learnt a lot from them. They give me and everybody else hope. They are not proper movie stars, I could say they are stars – people love their characters. Even when they (the audience) talk to me, they refer to Mandar Ponkshe (from Hunterrr) or Devi Lal (from Dahaad) – all characters, right? On the other hand, I have seen grown men at an airport react to Rajinikanth – it’s like they have seen God. They fall, they start to shake and shiver. They love him and not his characters. People love Shah Rukh Khan and not his characters. They love Salman and not his characters. You can not compete with that, no matter how brilliant your performances are.
‘Most people don’t expect to make deep bonds at their workplace’
In 2020, when I tweeted that “Bollywood is not a family, it never was and never will be”, the point I was trying to make is that it’s a place of work. I think some people misinterpreted that as yahan pe koi dost nahi hai. I think it helps if you change your perspective. If you don’t have expectations of it being your family, then you are able to navigate your way around it in a much better way – you don’t expect people to be your friend or family because it is a place of work. You can have wonderful colleagues with whom you get along and develop friendships and deep bonds, but that’s not the expectation that most people have when they go to work. This whole romanticization of one big family – if we don’t do that, it will probably help us have a perspective that is a bit better for our mental health.
Arts is usually filled with subjective opinions, and the sooner you accept that it is subjective I think the better you will be able to deal with failures and disappointments. Back then (in 2020), I also saw that our angst is being harnessed by others for their personal benefit. I had an issue with it, I was like my angst is my angst, you are not benefitting from it!
I got a call that a popular news anchor wants you on the show, I was like I don’t want to be on television. I am what they called an outsider, who has an okay career, who has done alright for himself but is not a massive star. So they thought maybe I would have some grudge, maybe I do, but then I will deal with it.
‘I won’t say anything on social media that I wouldn’t in real life’
I refused to believe that social media is a place where you cannot have a civil conversation. I’m very fortunate that most people engage with me constructively. I get trolled sometimes, but it’s okay. I have a thick skin for such things. Not all of us will take our freedom of speech responsibly. Some of us will be irresponsible with it. I don’t want to say anything on social media that I wouldn’t say in real life. And I would not say anything to you all that I wouldn’t put on social media.
Baadhai Do: Uttarakhand is turning into Hollywood of the Himalayas
8:43 AM
Posted by Fenil Seta
Kautilya Singh (THE TIMES OF INDIA; September 4, 2022)
You’d be mistaken if you thought that the last 10 minutes of the Ajay Devgn-starrer ‘Shivaay’ was actually shot in Bulgaria. It was in fact a prominent hotel in Mussoorie. And if you were fooled into believing that John Abraham’s ‘Batla House’ had shots of the Pilibhit market near the India-Nepal Border, no one would blame you.
It was filmed near the Mall Road and Library Chowk of the town that overlooks Dehradun. In fact, even ‘The Kashmir Files’ did not have actual shots of Lal Chowk in Srinagar. Those were shot at locations across Uttarakhand, which is emerging as a prime destination for filmmakers with its picturesque landscapes, speedy clearances, and low costs.
The number of projects – including for ad shoots, web series, and movies – filmed in the state rose from just 15 in 2015 to 217 in 2021, with many choosing the hill state instead of other exotic but expensive locations abroad. Just in the first half of 2022, the number was 98.
According to the Uttarakhand Film Development Council (UFDC), there are roughly 1,800 to 1,900 films, advertisements, and web series being made in the country each year. Uttarakhand now snags over a tenth of the total projects and its share is growing, the data shows. What’s more, in the last five years, Uttarakhand has on three occasions bagged the ‘Best Film Friendly State’ award at the National Film Awards.
On the other hand, neighbouring Himachal Pradesh, which is also a Himalayan state, granted permission for only 43 shoots in the 2020-21 financial year comprising 18 web series, 14 ads, and 11 movies. Uttarakhand has actively sought to attract filmmakers from across the country. In 2017, the state government stepped up its campaign to promote the film sector. The then CM Trivendra Singh Rawat personally met top production houses and assured them of assistance for their projects, highlighting how shooting in Uttarakhand would be an economical option.
“The film sector in Uttarakhand has grown to become a Rs 100-crore industry. To get there, the council first carried out a case study on the ‘Student Of The Year 2’ movie,” said Kalam Singh Chauhan, the former nodal officer of UFDC who played a key role in attracting production crews to the state.
“Their entire team was in Uttarakhand for 55 days and the estimated expense was Rs 14 crore. While locals landed employment opportunities, the crew made big savings as the costs would have been three-to-four times higher had the location been some place abroad.”
The state’s film policy was also changed to make way for faster clearances. Earlier, a filmmaker had to approach individual district magistrates for permission to shoot. Now, a single-window system is in place for clearances. Among other benefits, the government offered subsidies to filmmakers who shot over 75% of their projects in Uttarakhand. Subsidies were also provided for films made in regional languages and local dialects.
The outcome of these efforts can be seen in several ‘A-listers’ of the industry making a beeline for the state. Rajkummar Rao-starrer ‘Badhaai Do’, Shahid Kapoor’s ‘Kabir Singh’ and ‘Batti Gul Meter Chalu’, and Alia Bhatt’s ‘Sadak’ were all shot in the state.
“We don’t face hassles in obtaining permission to shoot. The state has turned into a favoured shooting destination,” said filmmaker Harshavardhan Kulkarni, who wrapped up shooting for his movie ‘Badhaai Do’ some months back.
Filmmaker Kunal Shamshere Malla said, “Be it permissions or other approvals, everything was hassle-free. The shooting scenario in Uttarakhand has improved greatly over the years.”
Happy with the hill state’s performance, the information department has mooted a proposal for a ‘Film City’ in Dehradun. A project with infrastructure and other facilities is in the pipeline and the state government is likely to make a major announcement by the end of the year.
Senior IAS officer and director general of information, Ranveer Singh Chauhan, told TOI, “At a recent meeting, we took a call to identify suitable land for the proposed film city, which will also have a ‘film training centre’. The growth has been phenomenal and this can turn out to be a major employment sector for our youth. ”
People told me that Badhaai Do gave them the strength to come out to their families-Rajkummar Rao
8:20 AM
Posted by Fenil Seta

Debarati S Sen (BOMBAY TIMES; June 12, 2022)
Over the years, Rajkummar Rao has been seen consistently delivering power-packed performances in content-driven, thought-provoking cinema. Not one to get trapped by stereotypes, he left the audiences impressed and moved by his performance in Junglee Pictures’ Badhaai Do. The film, which revolved around the story of a couple in a lavender marriage, was screened at the 13th Kashish Mumbai International Queer Film Festival, which concluded this week.
Speaking to Bombay Times about it, the actor said, “Festivals like Kashish are much needed today. I am glad that there are more and more films being made on the LGBTQIA+ community, because we need more voices and more awareness. There are many like Shardul (his character in Badhaai Do), who are scared to come out because of the circumstances they face, societal and family pressure. I think the way that Suman (Adhikary), Akshat (Ghildial) and Harsh (Harshavardhan Kulkarni) wrote the story it was perfect. Everything was there in the script, and so I just had to be sincere towards my character. ”
‘I LIKE PLAYING CHARACTERS THAT ARE A LITTLE COMPLICATED AND HAVE UNDERLYING LAYERS’
Rajkummar is known for pulling off, not just thoda hatke, but characters that are seldom seen in cinema. When we asked him, what was the toughest part of playing Shardul from Badhaai Do, he said, “I like playing characters that are a little complicated, and when there is an underlying layer to those characters. I like challenging myself as an actor and keep pushing my boundaries with different characters. I am still learning and still trying to grow with it. I still get very nervous before every film and that is absolutely true! It excites me to play these parts, which can challenge me because sometimes there is no arc, and there is nothing happening inside the character’s head and heart. For me, the internal journey of a character is more exciting than its physical appearance. Also, for me, this film was slightly tough because I had to build a certain kind of physique for it. Getting that kind of physique was not easy. Harsh had told me that since Shardul wanted to be a bodybuilder, you have to be in a certain shape.”
Gay characters have rarely been portrayed in Hindi films realistically and with sensitivity, but Badhaai Do’s Shardul was every bit real and believable. “Sometimes, people have preconceived notions that why is a straight guy playing a gay character. I am glad that people from the community who saw it, loved it. I have met so many people who saw the film and told me that nobody could have played it better than Bhumi (Pednekar) and me. And they thanked me that we made a film like Badhaai Do,” he shared.
‘PATRALEKHAA IS A VERY HONEST CRITIC OF MY FILMS’
Last November, the 37-year-old tied the knot with his longtime girlfriend, Patralekhaa. “I just feel very happy and complete now,” he told us when asked about life after his wedding. “Nothing really has changed for Patralekhaa and me. It has been 11 years that we have been together. It’s a beautiful feeling to be married. She is a very honest critic of my films. And Badhaai Do is her favourite film of mine. When we saw it together for the first time during the edit, she came out crying and couldn’t stop. She found it tough to control her emotions. That was the time she told me that it was her favourite film of mine,” he added.
‘I THINK I HAVE JUST STARTED, AND I STILL HAVE A LONG JOURNEY AHEAD’
Success and fame have come to Rajkummar gradually and after a lot of sweat and toil. As he moves ahead, he doesn’t let himself lose focus or forget the reason why he stepped into showbiz. “I think I have just started, and I still have a long journey ahead. I feel that first and foremost, one has to be an actor, and that was why when I was growing up, I always wanted to be an actor… I never thought about becoming a star. That’s how my journey started I began learning acting through theatre, I went to film school, and then I came to Mumbai and started doing films that I believed in. After that, things happened organically. I was never really chasing fame; I was just doing films that I really wanted to do,” he explained.
‘WHEN YOU GET SO MUCH LOVE FOR A FILM, I THINK THAT IS THE VICTORY FOR ANY ARTISTE’
The success of Badhaai Do has been thrilling for the entire team of the film. Rajkummar said, “When I saw the movie, I was happy and proud of the kind of response I was getting for the film after the release. Then we saw the kind of business it did at the box office. We were elated. We all make films so that people go and watch them, and when you get so much love for that film, I think that is a victory for any artiste... that you get respect, credibility and your producers make money as well. I think that is the best combination for any film. To date, people are watching Badhaai Do. We get so many personal messages where people share their experiences and tell us how this film has given them the strength to come out to their families. I think that our film is doing a great job. It is still trending.”
‘LOVE IS LOVE. JUST BE WHO YOU ARE’
Talking about the ongoing Pride Month, the actor says, “I think every day should be a Pride Day and everyone should have the freedom to live their life the way they want to live. We all should be there to support each other and be proud of each other’s choices. Love is love. Just be who you are.”
I was told Rajkummar Rao and I are so good in Badhaai Do that we should do another romantic film together-Gulshan Devaiah
8:30 AM
Posted by Fenil Seta

Divya Kaushik (BOMBAY TIMES; February 17, 2022)
Gulshan Devaiah — the surprise package of Badhaai Do — says he has received a phenomenal response to his character ever since the film released in theatres on February 11.
The actor, who plays Guru Narayan, a lawyer and Rajkummar Rao’s love interest in the film, adds, “The kind of love and appreciation that the film — and the character I play in it — have been receiving is wonderful. ”
He says that his part in the film was deliberately kept a secret. “Even my friends were surprised when they saw the film and me in it! No one had an idea that I was doing this film, while I also kept it under wraps, and I think that is working in our favour. A lot of people are pleasantly surprised that I suddenly appear in the story. They had some great things to say like ‘we wish there was more of you in the film’.”
In a chat with us, Gulshan talks about his chemistry with Rajkummar, working with director Harshavardhan Kulkarni again after Hunterrr (2015) and playing a character that leaves an impact on the audience despite his brief screen presence.
‘I THINK EVERYONE IS LOVING GURU BECAUSE HE IS HAPPY BEING WHO HE IS’
When Gulshan read about Guru Narayan in the script, he says what struck him was how comfortable the character was with himself. “He doesn’t have issues accepting who he is. He is a person who is happy with himself. Most of the time, we have issues because we don’t accept many things about ourselves and that makes us insecure, Guru doesn’t have any of those insecurities. Guru is secure, happy and content. He doesn’t feel that he needs to hide from society for who he is,” says Gulshan.
Gulshan adds that Guru’s character might appear for a brief period of time, but he’s a significant part of the film. “He is important to the plot of the film because it does affect Shardul (Rajkummar’s character in the movie) and changes him,” he says, adding, “The audience’s response to the character, and the chemistry between him and Raj’s character, is amazing. They are accepting the fact that there is wonderful chemistry between two men. Love is love and people are enjoying the performance for what it is without getting too judgmental about it — even if they can’t relate to it. For example, I am a straight man, but when I see a beautiful moment created between a same-sex couple, I enjoy that moment for its beauty. I am hoping that we have managed to create that kind of a beautiful relationship on screen and that’s why people are enjoying it so much. It is effective as it is able to make people forget the sexual orientation of the two people and find beauty in the relationship that they share.”
‘I WAS TOLD THAT RAJKUMMAR AND I ARE SO GOOD IN BADHAAI DO THAT WE SHOULD DO ANOTHER ROMANTIC FILM TOGETHER’
One of the best compliments that Gulshan’s received so far about his chemistry with Rajkummar in the film is that “you two are so good that you should do a romantic film together.”
The actor says that their chemistry was effortless. He explains, “When you work with good actors who are extremely professional and secure then you don’t have to try to create anything, the chemistry just shows on screen. Raj is a fine actor, trained and extremely professional, he is very secure in the place where he is, so we could create something together and it was fun. I love Raj as an actor and he is also a person who is leading by example. He is a trendsetter and source of inspiration for many, including me, so working with him was very delightful.”
Gulshan says that he got to shoot for just about two-three days with the cast and had the best experience. “I have known Sheeba Chadha (who plays Rajkummar’s mother in the film) for over 10 years, but this is the first time I worked with her. I just shot one scene with her, but I enjoyed it. I like Bhumi, I find her very cool. For me, the most fun part was shooting the pride parade scene where Bhumi and I are on a truck and I got to play some music of my choice to make Bhumi dance,” shares Gulshan.
‘I JUST TRIED TO BE AS TRUTHFUL AS POSSIBLE TO THE SCRIPT AND HARSHAVARDHAN’S VISION OF THE CHARACTER’
After Hunterrr, this is the second time Gulshan worked with director Harshavardhan Kulkarni and he says that the creative process of working on the character is slightly easier when you understand the director’s vision. “Harsh and I had made one whole film together, so I understand his sensibilities, how he directs and what he expects. The point was to stay true to the writing of the film. Even if I was making a special appearance, my job was to give my best. So I just tried to be as truthful as possible to the script and Harshavardhan’s vision,” says Gulshan.
Junglee Pictures’ Badhaai Do is directed by Harshavardhan Kulkarni, and written by Akshat Ghildial and Suman Adhikary. The film is now playing in theatres.
Chum Darang was the unanimous choice for Rimjhim's role in Badhaai Do-Ashish Khare
8:25 AM
Posted by Fenil Seta

Happy that they got “more yeses than noes” from actors for queer love story, Badhaai Do’s casting directors discuss how they roped in Chum Darang opposite Bhumi
Mohar Basu (MID-DAY; February 16, 2022)
Even as Hindi cinema is becoming braver, casting the romantic interests of leads in queer love stories continues to be a challenge. So, after watching Badhaai Do, one is compelled to seek out the casting directors who found the perfect on-screen partners for Rajkummar Rao and Bhumi Pednekar. Shiv Chauhan and Ashish Khare admit it wasn’t easy.
“It can be a challenge as it’s an image-conscious industry. But times are changing; actors now are more open to experimenting. They want to play well-written characters that give them a chance to stand out. Badhaai Do provided this opportunity. There were more yeses than noes,” recounts Chauhan.
In a welcome move, director Harshavardhan Kulkarni and the casting directors roped in north-eastern actor Chum Darang opposite Pednekar, thus taking the theme of inclusivity a step further.
Khare says, “On paper, Rimjhim was a character from the north-east. Our director’s brief for Rimjhim was simple — great actor, sparkling eyes, and a beautiful smile. We tested 200 to 250 actors across 20 cities in India, and Nepal, over eight months. Chum first auditioned in March [2020]. About 20 to 25 actors were shortlisted for the second round, then five for the final round. Chum was the unanimous choice. We have seen some plays in Delhi performed by visiting north-eastern groups. So, we were aware of the talent and untapped potential from the north-east. We had to go for it.”
Since the movie’s release, netizens have praised Rao and Gulshan Devaiah’s chemistry. It was Kulkarni’s brainwave to bring his Hunterrr (2015) actor on board. Khare says, “The factor we kept in mind was Raj and Gulshan’s age compatibility. Actors of his and Raj’s calibre can weave magic out of the written word.”
Real, relatable, flawed: Badhaai Do explores the middle-class family dynamics through the lens of humour
8:11 AM
Posted by Fenil Seta
Niharika Lal (BOMBAY TIMES; February 10, 2022)
From the taiji who has the last say in all decisions, to the oversharing buaji and that chacha/mama whose life experiences are so vast that you need not even ask for advice, they’ll just give it to you… Badhaai Do captures the idiosyncrasies, intrusiveness and everyday lives of the middle-class family, through the lens of humour. The Rajkummar Rao and Bhumi Pednekar-starrer will welcome the audience back to cinemas this Friday, and much like its prequel Badhaai Ho, the film promises to bring alive the quirks and the charm of the India family.
‘IN BADHAAI DO , WE WANTED TO RECREATE THAT WORLD OF HRISHIKESH MUKHERJEE’S CHUPKE CHUPKE AND GOLMAAL’
The light-hearted, middle-class family dynamics – penned down by the story writers Suman Adhikary, Akshat Ghildial and screenplay writer Harshavardhan Kulkarni (who is also the director) – lie at the core of the film. Harshavardhan says that they were not trying to create a humourous situation, but only keeping it real, which is where the humour comes from.
He says, “Akshat has created this humour, which is so delicate and organic. These family dialogues and situations are all from real life experiences. Watching these characters, you feel that you know them from your own life (laughs).”
Akshat says, “We wanted to create that world of Hrishikesh Mukherjee’s Chupke Chupke and Golmaal. The idea was to keep reactions realistic, while tickling viewers with relatable nuggets. We are not depicting these family members as aspirational people, but as real people with all their prejudices.”
‘IN OUR SOCIETY’S MIDDLE-CLASS SETUP, YOUR EXTENDED FAMILY LAYS OUT YOUR WHOLE LIFE PLAN FOR YOU’
Akshat and Harshavardhan find the whole advice-offering system quite funny. Akshat shares, “It is also very endearing. Woh apne aap se hi bolte hain. They think – ‘That worked for me, so it will work for you too’. I find a lot of humour in this intrusiveness because there is a lot of colour. Also, I have stayed in UP, where, everyone talks in punchlines.”
Akshat says, “We have even used some lines from our own families. I remember my taiji once told my sister, ‘Agli baar milo toh bachcha godh mein hona chahiye…’ I used that same line in the film. That family pressure you observe – pehle bolte hain settle ho jao, jab shaadi ho jaati hai phir bolenge family kar lo. They are like – ‘Haan toh? Ab aur kya karoge? Aap kitne saal ke hoge, toh aap ka hone wala bachcha kitne saal ka hoga?’ – they just lay out the plan in front of you. They think giving advice is the right, duty and job of a family member. All this seems so intrusive (to the poor chap who’s at the receiving end!), but it comes from a place of concern.”
WHY DON’T MIDDLE-CLASS FAMILIES HAVE BOUNDARIES? ‘JAGAH KAHAN HAIN!’
Referring to a scene from the trailer – where the family is seen discussing the size of the married couple’s bed – Loveleen Mishra, who plays the character of Bhumi’s mother, says, “These character references have been drawn from real-life situations. You will feel you know them. In fact, my friend once told me about a mother-in-law who was so possessive about her son that she used to sleep between her son and daughter-in-law.”
Sheeba Chadha, who plays Rajkummar’s mother, adds, “Woh (family) ek dusre ke khushi aur gham mein – ek intrusive aur ek obtrusive way mein – sab tarah se present hote hain. That’s the beauty and sometimes the undoing of our family system.”
Seema Pahwa adds that not just family members, even neighbours are intrusive. “Dilli mein aap ke padosi ko bhi aap ke ghar ke baare mein sab pata hota hai – kaun aaya, kaun gaya. Pados ke liye toh zindagi jee jaati hai (laughs). Taiji (her character in the film) ka toh phir bhi haq banta hai.”
Akshat says that one reason middle-class families are so intrusive and in each other’s business is also because the houses are so small. He explains, “We have a scene where they are deciding where to sleep, and they say – ‘Arre ismein kya hai? Ghar mein jahan saare gents sote hain, wahan so jayenge. I don’t need a separate room’. This is very regular in families. The idea of privacy and space doesn’t exist and the moment you are in each other’s physical space, you are bound to be in each other’s personal space.”
‘BE IT THE BADHAAI HO’S GRANDMOM OR BADHAAI DO’S TAIJI – SOFT POWER IN THE FAMILY LIES WITH WOMEN’
Akshat says, “Even though it’s a patriarchal setup, a lot of soft power is with the women. In Badhaai Ho (also written by Akshat), the mother had more authority than the father, and the grandmother also had a lot of authority in the family. Women are the core of the family structure.” He adds, “What you see in Shardul’s case (Rajkummar Rao’s character) is that he is the only male child among all these sisters in a joint family, and all these women decide for him.”
‘YOU’LL GET TO MEET YOUR OWN KHANDAAN IN BADHAAI DO’S PARIVAAR’
Spoiler alert: The film will remind you of your bua, chacha, tauji, taiji – and all of those other family members who are much more concerned about your life than you are… and it will make you laugh. As the cast puts it – “It will be fun for viewers to see those pressure cooker situations and hear lots and lots of gyaan – but minus all the complications, because it’s not they, but the protagonists who are the family’s target this time.”
Akshat adds that for those who have moved away from their families to different cities, such films evoke a feeling of nostalgia – “and that’s why it clicks with the audience. They grew up with these characters and every time they see them on the big screen, they identify with that chacha, tai or bua. They enjoy it because it is like going back to their roots.”
Junglee Pictures’ Badhaai Do is directed by Harshavardhan Kulkarni, and is a sequel to the multiple National Award-winning film Badhaai Ho. The film releases on February 11 in theatres.
Badhaai Do is a spiritual sequel to Badhaai Ho, it tackles a complicated situation in a family set up-Harshavardhan Kulkarni
8:16 AM
Posted by Fenil Seta

The film's director, Harshavardhan Kulkarni, shares with us the journey of this story about a middle-class Indian family, and what he hopes to achieve with it
Rachana Dubey (BOMBAY TIMES; February 7, 2022)
At what stage did you join the team of Badhaai Do?
I became a part of the film much before it was called Badhaai Do. Akshat Ghildiyal and Suman Adhikary had already written the story and they were working on it with the team from Junglee Pictures. My journey started with reading what we already had on the table, four years ago. Gradually, we found our way through the complex drama and what it intended to say. I have had a long journey with this film. I usually get bored with a story if it does not have layers and complexities, I can’t stay with it for too long. It clearly wasn’t the case here. Once we wrote the script, went into multiple drafts and arrived at the final one, Junglee Pictures felt that it could become a part of the Badhaai umbrella; a spiritual sequel to Badhaai Ho, tackling a complicated situation in a family set-up.
What did you intend to achieve with this film when you dived into it?
It’s not like some of the topics that we’re talking about in this film have never been spoken about. But the very thought of a marriage of compromise like the one between the lead pair of the film felt very tragic to me. I mean, a compromise of a marriage was their best bet – their only viable solution that could give them some sort of freedom to lead their lives as they desired. That compromise somehow gave them some control over their lives. Irrespective of the size of the families, they both belonged to traditional set-ups. From where I saw it, this was not a static film about a problem and a solution alone. It was to bring to light that sexual orientation is a part of who people are and not the definitive thing about them. Once we started putting everything into place, the narrative became fuller, and it organically became a broader story that didn’t have any one microscopic issue. Normalising the larger discourse was my intention.
Attempting a film revolving around such a sensitive subject requires understanding the psyche of the people. Did you get a chance to meet people who have led lives similar to Shardul and Sumi’s in Badhaai Do?
The basic endeavour was to understand their world as closely as possible. We read the literature to understand how these marriages of convenience function. We did try to find real couples but with no luck. Thankfully, we had a lot of support from members of the queer community; in fact, there was a script consultant from the community who was helping us understand things and put them into perspective. We wrote the char- acters from the beginning of their lives and that helped us crack their journeys well. We also got a lot of feedback from the consultant. We even shared the screenplay with select members of the queer community and even among them, they had varied opinions. They would argue among themselves. So, there is no Bible to make a perfectly-researched film. The basic sur of the narrative and characters was vetted by the right people.
Badhaai Ho, the predecessor of Badhaai Do, also dealt with a complex issue arising in a middle-class family’s life. As a director, what between the films?
Badhaai Ho and Badhaai Do are similar only on the account you mention. Both the films deal with some very complicated issues, faced by a middleclass, traditional Indian family. The idea is to blend in a bit of humour with a serious topic. The families are bigger in Badhaai Do, their interpersonal relations, their problems and the way they sort it out is magnified in Badhaai Do. They are grappling with situations that can be embarrassing, the stakes have doubled, the seriousness of the issue is twice as much. It is in a similar zone but there is nothing comparable beyond a point. Badhaai Do is about an intrusive and controlling middle-class family, soaked in traditional values. They assume control of the lives of their young ones out of the love they have for them, which can become stifling. We haven’t devised a formula to tell a story. We have just explored every idiosyncrasy of all the characters that are at play here. Even the humour here sometimes will leave you confused if you should the situation.
Layering is an important aspect of films —there is a focal point and while trying to get there, the story goes through a string of different topics, related to the main mudda writers and you have a laundry list of topics you intended to touch upon in the film?
Our endeavour was not to just think of a novel idea, which rests on acceptance and tolerance. The film had to go beyond that, where people are made to understand and realise that normalising things is the larger aim. The conversation needs to go a few steps further than just acceptance. Yes, it is a complex subject and it has many interlinked things but I don’t like broad-stroking things. In this film, it organically finds its way in. A story and characters like the ones we have, automatically take you into the deep end of the issue at hand. The idea is for people to take home what this film understand what goes behind what they see.
Badhaai Do is the first big film to open in theatres as the third wave subsides. Was waiting in the wings challenging for you?
We’ve actually waited a lot and yes, it can get frustrating. Our film was in prep mode when the first Coronavirus wave hit and shut down everything for a while. As things opened and we prepped and completed shooting, the second wave hit us. We continued to edit the film and as things opened, we finished all post-production work and just as we got ready for release, the third wave hit. And finally, we are getting on the other side. It is a little trying but everyone has gone through so much with this film. If you see it in a good way, we’re in a strong position where the team has such a strong producer who did not let this film release on OTT. It would have diluted the impact of consuming a film like this in a collective. Although I understand why people have released films on OTT platforms, I do feel that films lose their sheen when watched in a staggered manner. Shows, on the other hand, are like novels that need to be read over a period of time. The impact and the magic of watching a film in cinemas is so unique and we’re blessed that our film will be enjoyed by people together.
The actors in the film, including Rajkummar Rao and Bhumi Pednekar, have praised the manner in which you have handled a seasoned cast. What has been your experience with that?
I think they are sweet and generous people who are giving me more credit than I maybe deserve. I am a confident director but I do question things, especially when I am trying something new. I tread lightly in uncertain spaces and I don’t hide that from my cast. There’s no ego. I openly and frankly tell my actors when I am doing something new. They see honesty and drop all inhibitions and become equal participants in the process. I needed to be sure that the sur of the humour is not wrong here. Every member of the cast pushed himself or herself so hard to help me out and that, in turn, helped the film in a big way. I depend on a lot of people around me and I love seeking inputs from everyone because it’s a collective and collaborative process. I was blessed with the most brilliant actors in the business who put themselves out there to make it all work in the film. We write things that create a boundary wall of sorts. The actors use that and elevate the characters. They go a step further to make it all work. Being on a power trip is not the way to work in a team. I wanted the actors to lend an individual voice to the characters, and they just took it from the page to the screen.
Today, do you feel nervous that four years of hard work is now ready to be served to people?
I am; when I hold my film’s DCP (Digital Cinema Package), I know that the device has four years of my team and my labour locked inside. More than being nervous, we’re all happy and excited for this film to go out there and talk to people. We are creators and we know that anything can happen, but the joy of creating and getting it out for people to see is the most satisfying feeling of all.
Junglee Pictures’ Badhaai Do is directed by Harshavardhan Kulkarni, and is a sequel to the multiple National Award-winning film Badhaai Ho. The film, starring Rajkummar Rao and Bhumi Pednekar, releases on February 11 in theatres.
Just because we may be unaware about certain aspects, it doesn’t give us the license to be wrong-Harshavardhan Kulkarni
8:16 AM
Posted by Fenil Seta

Badhaai Do director says Raj-Bhumi’s film on lavender marriage doesn’t stop at accepting queer love, instead celebrates it
Uma Ramasubramanian (MID-DAY; January 29, 2022)
It’s heartening to see how far Bollywood has come in the past few years. In 2019, Ek Ladki Ko Dekha Toh Aisa Laga — which featured Sonam K Ahuja and Rajkummar Rao — gently explored the subject of same-sex love. Three years and a few brave films on the subject have paved the way for a more sure-footed offering. Rao’s next, Badhaai Do, pushes the envelope to discuss lavender marriage.
For director Harshavardhan Kulkarni, his social comedy starring Rao and Bhumi Pednekar is an attempt to take the dialogue around queer love further, nudging people to not only accept it but celebrate it. “When we started writing the film, there weren’t many [same-sex romantic dramas] that had released. Even today, it’s not enough. Finally, [these films] are reaching towards acceptance or tolerance [of queer love]. But we are way beyond that stage right now. I think today’s youth have accepted and moved on. Today, it’s about becoming their allies. That’s the major difference of our film,” asserts the director.
The movie sees the lead characters, who have yet to come out of the closet, settle into a marriage of convenience. Kulkarni says that handling such a sensitive subject involved several rounds of rewriting and being open to advice from those who knew better. “We had a script consultant on board. We were clear that just because we may be unaware [about certain aspects], it doesn’t give us the license to be wrong. Our endeavour was to be authentic. If it was a matter of doing more research, taking some more pain and more help, [so be it]. We even had sessions where we read out our script to people, and altered it [on the basis of their feedback].”
Where Pednekar portrays a physical education instructor in Badhaai Do, Rao plays an alpha male cop. Delving into the male lead’s backstory, the director says, “Raj worked hard to transform his body. The character wanted to be Mr India before he became a cop. Being an alpha male, it becomes all the more difficult for him to work in a feudal set-up and survive in this society.”

Check out exciting images from sets of Rajkummar Rao-Bhumi Pednekar starrer Badhaai Do
8:36 AM
Posted by Fenil Seta
Rajkummar Rao and Bhumi Pednekar open up about working together in Badhaai Do and shooting in the cold. Director Harshavardhan Kulkarni talks about working with the cast, and we bring you some exclusive snapshots from the film’s set
Divya Kaushik (BOMBAY TIMES; February 6, 2021)
While Rajkummar Rao is playing a cop in Badhaai Do, Bhumi Pednekar plays a PT teacher. The film happens to be the first collaboration between Rajkummar and Bhumi, and they say they are very excited about it. “Working with Bhumi is great. She is immensely talented and I’ve been following her work. There is so much growth in her as an actor. I was looking forward to working with her and I was not finding a good script. Then Badhaai Do came our way and we both jumped at the chance,” says Rajkummar.
Bhumi adds, “Raj has been a revelation for me. I thought he would be someone who’s very serious and a bit of an introvert, but he’s not like that — at least not in this film. He is a blast to work with, and a fantastic actor. Both of us were looking for the right film to collaborate on, and there couldn’t have been a better collaboration than Badhaai Do.”
Even for director Harshavardhan Kulkarni, working with the two of them has been a treat. He says, “Both of them are very hard working. They’re always trying to fine tune their craft and improve upon it, so there are some times when I say that is enough and they say, ‘let’s try a little more’. That’s been the best part about shooting with them. They also challenge me and I need to be on my toes all the time when I am working with these two.”
EXPLORING THE ‘MODERN, NEW-AGE’ DEHRADUN
Shooting outdoors in the biting cold has been a challenge for the cast, but exploring the serene and scenic surroundings are definitely a plus, says Harshavardhan, who shot at Wynberg Allen School in Mussoorie, for two days. We were informed that Badhaai Do is the first movie to be shot there in over 30 years, the last film being the Rajesh Khanna-starrer Ghar Ka Chiraag. “Shooting in Dehradun and Mussoorie has been fabulous. We are very lucky that we are shooting in the winters, and the sunlight that we capture is stunning. Most of the locations that we are shooting at are unexplored and never-seen-before spots, especially the ones in Dehradun,” informs Harshavardhan.
For Bhumi, shooting in Dehradun has been a revelation as the actress says that she always thought Doon to be a small town. “We have been shooting some parts of the film in Mussoorie, but we have shot extensively in Dehradun and it’s very pretty. The cold is intense and being born in Mumbai, I’ve never really experienced winter, so this is extreme for me. But it is exciting to shoot here as Dehradun is a fun city, as opposed to what I thought of it to be. It is not a small town — it is a city with nice cafes, malls etc. I think people haven’t really seen this part of the new-age, modern city, it’ll be very fresh for the audience with what we are showing in Badhaai Do,” says Bhumi.
Being from NCR, Rajkummar is used to cold winters, and isn’t complaining. “I love winters and I am having a lot of fun,” he says.
I am giving my body the love I hadn’t all these years-Bhumi Pednekar
7:53 AM
Posted by Fenil Seta

Bhumi Pednekar’s on a regime of less workout, no dieting & lots of sleep
Ankita Chaurasia (MUMBAI MIRROR; November 4, 2020)
Bhumi Pednekar sees the positive side to everything, even the home confinement which looks like it could stretch into the new year. But after nine films in three years, it was a much-needed break. “Everything was happening at breakneck pace. Crazy schedules where I’d sometimes start working from 3 am and wrap up after 15 hours. There were a lot of injuries and frequent illness,” she admits, saying the forced time off has been a time of healing and recovery. “I am not on any diet, I eat what I feel like and workout moderately when I feel like it. I sleep a lot and am giving my body the love that I hadn’t all these years.”
Like some of her colleagues, she had tried her hand at cooking but stopped after making her favourite dishes. Planting a kitchen garden with her mother was far more fulfilling. “I read up on the effects of climate change, re-educated myself on sustainability. We planted tomatoes, chillies, fenugreek, coriander, brinjal, bittergourd, and okra and soon, meals were coming fresh from the garden. The plants didn’t survive the Mumbai monsoons but we are re-potting now,” she enthuses.
When not tending to her plants, Bhumi’s in front of the mirror, tending to herself. “I am not a professional but I enjoy doing my own make-up and have taught myself tricks to get it right,” she shares, revealing that since they were teenagers, her sister, Samiksha, and she have been playing dress-up, and saving pocket money to buy make-up. “I got my first vanity box when I was 14. After I started working, most of my salary went into cosmetics. I’m very different from the de-glamourised characters that I play. I believe it’s important to value what God has given you,” she asserts.
The actress has been posting dolled up shots of herself which are a far cry from the role-oriented styling of the past so her fans can see the ‘real’ Bhumi. “I am using the social media to become one with my audience and it’s happening organically,” she acknowledges.
In September, the actress visited her ancestral village in Pedne and came back raving about the temples. “Grateful for our culturally enriched lineage,” she’d raved. Was it a need for divine intervention in a tumultuous year that took her on a pilgrimage? Bhumi laughs, insisting it was only the need to get out after months of being cooped up that led to the trip. “This has been a time of connecting with the family. There I learned that my grandfather had run away from the village at the age of 14 to join a theatre group. Also, my great-grandfather had been a part of the village toli that went around performing plays. So, acting has been in my genes all along,” she exults.
Bhumi resumed work from July with home-styled photo shoots, dubbing, promotions, and post-production. Shoots, she rues, are very different now as safety protocols have put an end to shared meals and whispered gossip. “You can’t even run to the monitor to check a shot now. The fact that the virus is still active always plays on your mind. As actors, we can’t wear masks all the time despite several people entering our vanity vans to prep us up, so we have to be extra cautious. I hope the fear won’t come in the way of my performance,” she says, worriedly.
But despite everything, she’s excited about her upcoming horror-thriller Durgavati, a remake of Anushka Shetty’s Telugu film Bhaagamathie. “I took it on as a challenge as the arc of the character is very diverse. Otherwise, I am scared of horror films and watch them through slitted eyes after putting idols all around the television. We were shooting at old, dilapidated places but luckily, the vibes were good, otherwise I would have been really spooked,” she laughs.
And does she feel the pressure of taking Badhaai Ho forward? “I was waiting for the right project to collaborate with Raj (Rajkummar Rao, co-star) and Badhaai Do does full justice to the franchise. Junglee Pictures has been doing some great work and I loved (director) Harshavardhan Kulkarni’s Hunterrr. This year I got the opportunity to work with Alankrita (Shrivastava) and G Ashok too and there’s a lot to look forward to in 2021,” she avers.
Prod her for details and she clams up, only saying she has signed “many” projects and is trying a mix of genres. And now that she’s savoured self-love, will she be taking more vacations? “The time for holidays is gone, I’m going to pack in as much as I can into 2021. It’s my duty to entertain so it’s going to be work, work, and more work, but no worries, it’s not going to make Bhumi a dull girl,” she chuckles.
Badhaai Do has a very big heart-Harshavardhan Kulkarni
8:21 AM
Posted by Fenil Seta
Director Harshavardhan Kulkarni prepares to take Junglee Pictures’ Badhaai Ho franchise on floors in Jan 2021; promises bigger family & more laughs in Part 2
Himesh Mankad (MUMBAI MIRROR; October 21, 2020)
Two years after their National Award-winning film, Badhaai Ho, Junglee Pictures is set to take the franchise forward with Badhaai Do. Directed by Harshavardhan Kulkarni, it features Rajkummar Rao and Bhumi Pednekar, who’ll be seen together on screen for the first time. And the director believes that getting the talented duo on board is half the job done.
“Their characters are unique in that they incorporate comedy, certain goofiness and display some quirks. I could see only Raj and Bhumi playing them. And I’m confident that the explosive chemistry between them will combust on screen,” asserts Harshavardhan.
The filmmaker, however, admits that turning a film as loved as Badhaai Ho into a franchise comes with its set of challenges that are a little bigger than directing an independent film. “Firstly, you have to write something that will be supremely exciting, not just for us, but also for the audience. In this respect, I was lucky because the writers, Akshat Ghildial and Suman Adhikary were already developing the script with Junglee Pictures, when I came on board and with the groundwork done, it took a little pressure off me,” he admits.
The 2018 comedy-drama had revolved around a 40-plus couple, with two sons, one in high school, the other a 25-year-old professional in a steady relationship. Their lives are progressing smoothly when, one day, Jeetendra Kaushik’s mother, who lives with them, taunts his wife Priyamvada. While he tries to soothe her, they get intimate and 19 weeks later, discover that another baby is on the way, much to the horror of their sons and the smirking amusement of family, friends and neighbours. Even though it touched on the taboo subject of parental pregnancy, the film did it with sensitivity and gentle humour and the response was overwhelming. “Every story has to have a heart and Badhaai Do has a very big heart,” Harshavardhan points out.
Prod him for details and he keeps it short, saying Raj is playing a tough cop while Bhumi is a PT teacher who aspires to play handball for the country. “We’re also tapping a big social issue with this film. It’s too early to reveal details. All I can say is that Badhaai Do is as much a family entertainer as Badhaai Ho, only the world we’re creating is becoming more diverse. It moves from a small town to a bigger one and then, on to something else. There’s a lot of colour and drama,” he promises.
The film goes on floors in January and Harshavardhan is in the process of locking the locations. “It’s set up in the North and winter is the best time to shoot there. It will be a mix of small town and city,” he shares. Isn’t he worried about shooting in real locations in the midst of a pandemic? He justifies the decision, saying they will be taking all precautions, and following all government-notified SOPs. “We are all concerned and will take good care. Even during the recce, the team was tested before we left on our travels and we stayed together in a bubble. Even for reading sessions, we are doing everything possible to minimise the risk of catching the virus,” he says fervently.
Badhaai Ho featured Ayushmann Khurrana and Sanya Malhotra as Kaushik’s elder son Nakul and his girlfriend Renee, Gajraj Rao and Neena Gupta as the pregnant couple, Surekha Sikri and Shardul Rana as the motherin-law and younger son, and Sheeba Chaddha as Renee’s mother. “There are many more family members this time around because, as they say, the more, the merrier. We’ll have a mix of known actors and fresh faces who’ll become big names after this film. Be assured, it’s going to be a kadak ensemble,” he states.
Amrita Pandey of Junglee Pictures is equally excited about the franchise and looking forward to the shoot early next year. “The director and his team, along with the writers, have creatively reimagined some of the elements keeping in mind the current scenario,” she says, reiterating that government guidelines and safety and hygiene protocols will be strictly followed. “We’ve deployed a specialised Covid sanitisation team to ensure that sets, equipment, vehicles and the living areas of the cast and crew are sanitised and fumigated regularly. Plus, there will be an isolation space on standby for emergencies. We understand that people who are key to filmmaking are coming together to make Badhaai Do happen, so it is essential for us, as producers, to make sure everyone feels safe on our sets.”
Badhaai Ho is back, this time as Badhaai Do
8:24 AM
Posted by Fenil Seta

After the National Award-winning blockbuster Badhaai Ho, Junglee Pictures brings the second part of this franchise titled, Badhaai Do
BOMBAY TIMES (March 9, 2020)
As the name suggests, Badhaai Do is a family comedy that revolves around an unlikely relationship and promises double the fun and emotions. While the story and characters of Badhaai Do are different from that of Badhaai Ho, there is an endearing common theme between both the films.Helmed by prolific ad filmmaker and director of Hunterrr (2015), Harshavardhan Kulkarni, the film will bring on the screen the fresh pairing of National Award-winning actor Rajkummar Rao and powerhouse performer Bhumi Pednekar. Rajkummar plays the role of a Delhi cop, who is the only male police officer in a mahila thana, while Bhumi plays the role of a school PT teacher, much to her family’s stress. Unlike each other, yet made for each other, the film is the about the goofups that follow when they meet and their lives intertwine in more than one way.
Director Harshavardhan Kulkarni says, “I have always admired the kind of films that Junglee Pictures has made, so when they came to me with this social comedy, I was instantly on board. Just like the delightful Badhaai Ho, the milieu of this film remains the same, but with a fresh set of characters and a completely new, zanier situation.”
Akshat Ghildial, who wrote Badhaai Ho and won awards for its crackling dialogues, is penning this one too, along with Suman Adhikary whom the idea originally came from. Akshat said, “Suman came up with this interesting idea, and since I have a great relationship with Junglee, I shared it with them. They liked it immediately. And then, Harsh came on board. We had great fun developing it and hope that the audience has an equally good time watching it.”
Talking about her role, Bhumi says, “Badhaai Ho is one of my favourite films in recent times, and it is really exciting to take this franchise forward. For me, the script is one of the best that I have ever come across, and I immediately wanted to do this film. My character again is strong, independent and author-backed, and it gives me a lot of scope to bring a very different and cool character to life. This time, too, the film will say something extremely relevant and relatable, but in a hilarious manner. I’m also excited to share screen space with Raj for the first time.”
Rajkummar adds, “I have played a cop before, but never with this perspective. I look for layered characters and this is a perfect match. My character is surrounded by strong women at home and work, and that adds immense depth to his personality. Junglee Pictures’ Bareilly Ki Barfi was a fabulous experience for me. Badhaai Do is a reunion in many ways.”
Amrita Pandey, CEO, Junglee Pictures, said, “Junglee Pictures believes in telling rooted Indian stories that not only entertain you, but also move you in many ways. Badhaai Ho was just that for us. And that being a high-concept comedy, it was logical for us to expand the canvas to tell more such stories. Cultivating the right synergy on films like these is the key, and with Akshat and Suman’s writing and Harsh’s vision, Badhaai Do is really one of the best stories for us to tell.”
The film is all set to go on floors in June and to release by early next year.
---------------------
Headlined by Bhumi Pednekar and Rajkummar Rao, the Junglee Pictures production will be directed by Harshavardhan Kulkarni and goes on the floors in June; is targeting an early 2021 release
MUMBAI MIRROR (March 9, 2020)
After Junglee Pictures’ 2018 sleeper hit, Badhaai Ho, bagged two National Awards, Best Popular Film Providing Wholesome Entertainment and Best Supporting Actress (Surekha Sikri), Mirror (August 12, 2019) had reported that producer Junglee Pictures is all set to take the social-comedy forward with a second instalment. We have now learnt that Bhumi Pednekar and Rajkummar Rao will headline the second part in the franchise, titled Badhaai Do.Directed by prolific ad filmmaker and Hunterrr director Harshavardhan Kulkarni, Badhaai Do is a family comedy, which revolves around an unlikely relationship. The earlier film revolved around accidental parental pregnancy, the lady in question being the 40-plus mother of two boys in their 20s and was universally liked and feted. While the story and the characters will be different from that of the first part, the two films are connected by a common theme. While Raj plays a Delhi cop, the only male cop in a mahila thana, Bhumi essays the role of a school PT teacher, much to her family’s stress. Unlike each other, yet made for each other, the film is about the goof-ups that follow when they meet, and their lives intertwine in more ways than one.
Confirming the news, Bhumi says, “Badhaai Ho is one of my most favourite films in recent times and it is really exciting to take this franchise forward. For me, the script is one of the best that I have ever come across and I immediately wanted to do the film. My character again is strong, independent and author-backed, and it gives me a lot of scope to bring a very different and cool character to life. This time too, the film will say something extremely relevant and relatable but in the most hilarious manner. The film has its heart rooted in family values. With each character I have portrayed I have tried to push the envelope and I look forward to doing that with this role too. I am excited to share screen space with Raj for the first time. He is an artiste I have always wanted to creatively collaborate with.”
Rajkummar, a National-Award winning actor too, is delighted to be a part of the project. “I have played a cop before but never with this perspective. I look for layered characters and this one is a perfect match. My character is surrounded by strong women at home and at work and that adds immense depth to his personality. Harshavardhan and Bhumi are both dear friends and extremely talented artistes. Junglee Pictures’ Bareilly Ki Barfi was a fabulous experience for me. So, Badhaai Do is a reunion in many ways,” says Raj.
Harshavardhan informs that he has always admired the kind of films that Junglee Pictures have made. “So, when they came to me with this social comedy written by Akshat (Ghildial) and Suman (Adhikary), I just flipped and was instantly on board. Just like the delightful Badhaai Ho, the milieu of this film remains the same but with a fresh set of characters and a completely new zanier situation. I am so looking forward to this edition being brought to life by Rajkummar and Bhumi, two of the most talented actors,” says the director.
Akshat, who wrote Badhaai Ho and won awards for its crackling dialogues including Filmfare’s Black Lady, is penning this one too, along with Suman, whom the idea originally came from. “Suman came up with this interesting idea and since I have a great relationship with Junglee, I shared it with them. They liked it immediately. And then, Harsh came on board. We had great fun developing it and hope that the audience has an equally good time watching it,” Akshat says.
Junglee Pictures CEO, Amrita Pandey adds, “Junglee Pictures believes in telling rooted Indian stories that not only entertain you but also move you in many ways. Badhaai Ho was just that for us. And that being a high-concept comedy, it was logical for us to expand the canvas to tell more such stories. Cultivating the right synergy on films like these is the key, and with Akshat and Suman’s writing and Harsh’s vision, Badhaai Do is really one of the best stories for us to tell. With fantastic actors like Rajkummar Rao and Bhumi Pednekar, Junglee Pictures is really excited to take the franchise of Badhaai Ho forward with Badhaai Do.”
Badhaai Do is set to go on floors in June and will release by early 2021.
Hunterrr 2 will be wilder, crazier and completely different from part 1-Gulshan Devaiah
7:50 AM
Posted by Fenil Seta
Sanyukta Iyer (MUMBAI MIRROR; September 1, 2015)
Harshavardhan Kulkarni is busy penning a sequel to his directorial debut, Hunterrr, which will bring Gulshan Devaiah and Radhika Apte back together in reel life, a year after the two tied the knot in the film.
"My character, Mandar, was a terribly insecure man in Part 1, till he found Tripti (Radhika Apte) who accepted him with all his flaws. In the sequel we will not go down the rocky track of the married couple fed up of each other. We saw that already in Tanu Weds Manu Returns," points out Gulshan, admitting that the director has discussed not one but two storylines with him. "The screenplay is currently being written and the film should roll by January. It will be wilder, crazier and completely different from the first film."
Hunterrr released in March 2015 and most of the characters and the ensemble cast from the original adult comedy will be retained. "But we're still figuring out how and where they will fit in the new 100-minute script," Gulshan says.
The actor reveals that the makers had initially thought of making it as a TV mini series. But since we don't have online formats like Netflix in India, Kulkarni decided to make it as a film. "He is categorical that if even one person feels that the screenplay is not good before we roll, he'll trash the project without a second thought," insists the Bengaluru-born actor who is remembered as Karan 'KC' Choudhary in Shaitan.
There was a plan to take Shaitan ahead too, without Gulshan, whose character dies in the original. "But that sequel didn't work out and luckily, I now have another franchise-worthy project in hand," smiles Gulshan who is currently filming the dance-drama Cabaret, with Richa Chadha.
Sidharth Malhotra hangs out with the Hunterrr gang
7:51 AM
Posted by Fenil Seta
BOMBAY TIMES (March 17, 2015)
Despite having no revealing
scenes in its trailer, Hunterrr has the perception of
being an explicit sex comedy. The story revolves around Mandar Ponkshe,
played by Gulshan Devaiah, whose teenage curiosity turns into an
obsession for sex, but things start to change when he falls
in love.
The makers of the movie organised a special screening for Sidharth Malhotra and a few friends, as they feel it's the kind of film best enjoyed with close buddies. Sid agrees, “The best thing about Hunterrr is that it's nostalgic and fun. It reminded me of my friends, who are 'hunters' in real life. I wish this film was made earlier, so that they could have picked some tricks from it.“
The film's director Harshavardhan Kulkarni, who also wrote Hasee Toh Phasee, says, “It is a s coming-of-age story, set in a milieu that I am aware of but its emotions are universal.“ Anurag Kashyap, who is one of the producers of the film, adds, “Harsh tells a great story, which is personal, relatable and real. Most people will be able to identify with it.“
Hunterrr, produced by Phantom Films, Shemaroo Entertainment, Bala Ind & Entertainment, Tailormade Films and Falco, releases March 20.
The makers of the movie organised a special screening for Sidharth Malhotra and a few friends, as they feel it's the kind of film best enjoyed with close buddies. Sid agrees, “The best thing about Hunterrr is that it's nostalgic and fun. It reminded me of my friends, who are 'hunters' in real life. I wish this film was made earlier, so that they could have picked some tricks from it.“
The film's director Harshavardhan Kulkarni, who also wrote Hasee Toh Phasee, says, “It is a s coming-of-age story, set in a milieu that I am aware of but its emotions are universal.“ Anurag Kashyap, who is one of the producers of the film, adds, “Harsh tells a great story, which is personal, relatable and real. Most people will be able to identify with it.“
Hunterrr, produced by Phantom Films, Shemaroo Entertainment, Bala Ind & Entertainment, Tailormade Films and Falco, releases March 20.
Subscribe to:
Posts (Atom)






