Showing posts with label Gaiety-Galaxy. Show all posts
Showing posts with label Gaiety-Galaxy. Show all posts
Gaiety-Galaxy closure: Why Mumbai’s iconic Bandra theatre complex has shut down
9:46 AM
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V Narayan (THE TIMES OF INDIA; September 8, 2026)
Mumbai: Following an FIR registered by the Bandra police against the management and owner of the iconic Gaiety Galaxy, DCP (West Zone-2) Mohit Garg said action was taken after police learnt that management had violated Maharashtra Cinemas (Regulation) Rules and had not renewed the licence for five years.
The FIR was registered under Bharatiya Nyaya Sanhita Section 223 for disobedience of an order promulgated by a public servant.
Under the rules, cinema halls and public performance venues receive a permanent operating permit, often called Form C, valid for one year. Annual renewal requires payment of fees of about Rs 2,000 and inspections and safety clearances, including a fire safety NOC, structural stability certificate, electrical and PWD clearances, and approval from Mumbai Police's local licensing branch. Failure to pay fees or obtain certification can result in immediate suspension of shows.
Section 223 provides for up to six months' simple imprisonment and a fine of up to Rs 2,500 if disobedience causes or risks obstruction, annoyance or injury to lawfully employed persons. If it causes or risks danger to human life, health or safety, punishment may extend to one year and a Rs 5,000 fine.
Co-owner Manoj Desai disputed the claim in comments to an online news outlet, saying burnt or damaged theatre cables had caused the shutdown rather than a licensing dispute. He did not respond to TOI's repeated calls and text messages on Monday.
Gaiety Galaxy, opened in 1972, is a prominent single-location Mumbai cinema with longstanding links to Bollywood audiences.
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Madhulika Ram Kavattur (MID-DAY; September 8, 2026)
Moviegoers were shocked to learn on Monday that Bandra’s iconic G7 Multiplex, commonly referred to as the Gaiety-Galaxy cinema complex, on 30th Road had been shut by the Mumbai Police’s Special Branch after the previous day’s last show, with about 12 small notices pasted to the walls of the premises announcing the closure. The messages read in Marathi, “This cinema hall has not renewed its licence. Hence, further shows are cancelled.”
According to Bandra police sources, karyakartas from a political organisation had arrived at the theatre and created a ruckus over the non-premiere of the devotional superhit Hanuman Ansh. Following repeated arguments, the karyakartas allegedly tore down posters of Mirzapur The Movie, after which the police were called. After reaching the theatre, the police registered a case against those involved.
As part of the procedure, the police also checked the theatre’s documents and found that its licence had not been renewed since 2021-22. Therefore, the police directed the theatre management to shut the premises for non-compliance.
“Given that the theatre did not have a valid licence, we ordered the management to shut it down immediately,” a senior police official told this newspaper. Another senior officer told mid-day, “All theatres need an entertainment licence to function. It is issued by the Mumbai Police Headquarters near Crawford Market in Fort. Gaiety-Galaxy’s licence had not been renewed since 2021-22, which is why a notice was served.”
Asked about the informal appearance of the notices posted on the walls of the theatre, the official said, “We only issued the formal notice to the theatre; we are not the ones who have put the notices on the walls. The management of the theatre has put those up.”
Theatre management speaks
Manoj Desai, the executive director of G7 Multiplex, told mid-day, “Some of the cables in the theatre got burnt, so we need to replace them before we can resume our shows. We are arranging for new cables from Lohar Chawl in South Mumbai, and until the work is completed, the screens will remain shut. The timing is certainly unfortunate, especially with the kind of films currently playing, but maintenance of the screens is paramount. We have to ensure that everything is functioning properly and safely before we reopen. It is purely a technical shutdown and nothing more than that.”
Trade talk
Girish Wankhede, trade analyst, told mid-day, “Gaiety-Galaxy has around seven screens, so the loss can be quite substantial. On an average, one screen can do around 1 to 1.5 lakh from a show, of which the cinema’s share would be roughly 50,000. So, for a day, you are looking at a loss of around 2.5 lakh per screen. Across seven screens, that can work out to around Rs 17 to Rs 18 lakh a day, and if the shutdown continues for seven days, you are looking at a loss of over Rs 1 crore. What makes this particularly unfortunate is the timing. It has happened at a bad time of the week, when films like Toxic and Mirzapur The Movie, which are very mass-oriented, are playing. Gaiety is the kind of cinema where these over-the-top potboilers and mass films draw a strong crowd, so the owner is losing out on an important period of business.”
Nostalgia hits
While news of the theatre closing slowly spread via word of mouth and the internet, a few people who were clueless showed up to the theatre around noon on Monday.
Mandira Das, who had come from Bhayander with her husband and their son, said, “I had checked the ticket booking platforms before leaving from my home, but it wasn’t showing any available shows, so I thought it was a glitch. But when I showed up here and saw the building and the street in front of it was so silent, I realised something was off, and then I saw the notice which was posted on the walls.”
Das and her family have a very specific ritual while going to the theatre in Bandra. She explained, “Most of the fancy multiplexes have strict rules about kids and A-rated movies, and we wanted to watch Mirzapur, so we came here to our go-to theatre. We usually buy some fast food, sneak it in, and enjoy the movie. Afterwards, we go to Bandstand to enjoy the breeze, but today our plans have been derailed. I just hope they resolve the issue soon.”
A Bandra resident who had been living in the area for years now, Rohinton Polishwala, said, “Gaiety-Galaxy is a very strong memory for me from my childhood. I used to go there often till 12 or so years ago. Now that I have a family and everything, we prefer PVR; but back in the day, the theatre was an essential part of any Bandra resident’s life. I hope that they are back in business soon.”
History behind the theatre
G7 Multiplex started with three theatres — Gaiety, Galaxy, and Gemini. The two biggest screens, Gaiety and Galaxy, have a combined capacity of around 1800 seats.
In the late 1990s, four more theatres were added to the complex — Grace (a preview theatre), Gem (next to Galaxy's stall), Glamour (between Galaxy's stall and balcony), and Gossip, which has a separate entrance at the back.
Inputs by Aishwarya Iyer and Mohar Basu
Maatribhumi delay leaves theatres without annual Salman Khan boost on Eid; focus now on 7 Dogs
10:13 AM
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Mohar Basu (MID-DAY; May 24, 2026)
The uncertainty around ‘Maatrubhumi’ is beginning to frustrate exhibitors across Mumbai. According to trade insiders, the Salman Khan-starrer was expected to capitalize on the Eid holiday corridor before delays pushed its release further down the calendar.
“Everybody internally assumed Eid was the target,” says a source familiar with the discussions. “But once the film missed the window, people realized the timeline may not be straightforward anymore, given the lack of clearances.”
At Mumbai’s iconic Gaiety Galaxy, the absence has been particularly noticeable. Khan’s Eid releases have historically transformed the theatre into a carnival, with fans thronging early morning shows. “There’s a certain fanfare that only a Salman opening brings,” an insider adds.
Ironically, the immediate excitement for fans now comes from Khan’s cameo in ‘7 Dogs’. The film is set to release across Middle Eastern territories, including Saudi Arabia and the UAE, on May 27, while Indian distribution talks continue. mid-day had earlier reported on Khan joining the project during a shoot in Saudi Arabia’s AlUla. (Arabian tales for Salman- Feb 20).
“People are desperate to see Salman on the big screen again, so there is genuine interest, but it might not release on Eid,” says an insider. “Early reports suggest Salman has a 21-minute role and big action sequences.”
‘7 Dogs’, directed by Adil El Arbi and Bilall Fallah, stars Egyptian actors Karim Abdel Aziz and Ahmed Ezz alongside Monica Bellucci. Salman Khan and Sanjay Dutt appear in extended special appearances.
Kangana Ranaut's mangalsutra mystery solved
9:55 AM
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Yashika Mathur (HINDUSTAN TIMES; May 23, 2026)
Actor Kangana Ranaut’s latest spotting sent the internet into a frenzy after eagle-eyed netizens spotted a mangalsutra around her neck while she hurried out of Mumbai’s Gaiety Galaxy on Thursday, sparking rumours of a secret wedding.
However, the mystery now stands solved. We have learnt that the look was from her upcoming film Queen 2, for which she has already begun shooting in Mumbai. “Kangana had to rush out for a dentist appointment and didn’t get time to change out of costume,” a source tells us, adding, “She is not married. The mangalsutra was simply part of her look in the film.” The insider further reveals that Kangana was unaware paparazzi were waiting outside the venue.
Amid the growing speculation, Kangana also addressed the buzz on Friday through her social media, writing: “I am filming in and around the city every single day, some one clicked this random picture with character make up and now I am getting so many phone calls, but what is the big deal about the married woman look? Actors play all kinds of roles, I won’t marry secretly I promise.”
The viral spotting has now inadvertently confirmed that Queen 2 is officially underway. While the sequel is expected to revisit themes of self-discovery and independence, sources say it will not directly continue the original storyline. Unlike the first film, which unfolded largely across Europe, the sequel is reportedly being shot across multiple Indian cities.
Ranveer Singh’s Dhurandhar: The Revenge sees sky-high ticket prices, up to Rs 2600 in multiplexes
10:31 AM
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Ticket prices of ‘Dhurandhar The Revenge’ premium shows at multiplexes in Mumbai and Delhi soar upwards of Rs 2K, even as single screens cap it at Rs 300
Mohar Basu (MID-DAY; March 13, 2026)
‘How much did you get your ticket for?’ That has been the question among Ranveer Singh fans as Dhurandhar The Revenge opened its advance booking on March 7. Ticket prices for paid previews and weekend shows have hit a high — in Mumbai, the prices at multiplexes start from Rs 400, going up to a whopping Rs 2600!
Industry insiders say that the demand for the film’s paid preview has pushed multiplexes to aggressively price their premium formats, especially those offering recliner seats or IMAX format. “Such shows are priced between Rs 2200 and Rs 2500 in the Inox outlets of Borivali, Malad, and Nariman Point,” said a source from Inox. Meanwhile, the Luxe show of PVR Icon in Lower Parel has taken it a notch higher to Rs 2600.
However, the strategy has been different for single-screen theatres across the country. According to exhibitors, filmmaker Aditya Dhar’s studio has requested affordable pricing.
A source from Seble Cinemas in Delhi told mid-day, “Single screens have been asked to maintain accessible pricing so the core audience isn’t alienated. Morning shows are being sold at around Rs 220, while late-night shows are capped at roughly Rs 300 depending on the theatre.”
Several single-screen owners in Mumbai confirmed that Rs 220 is the standard fare. Manoj Desai, executive director, Gaiety Galaxy and Maratha Mandir, shared, “Multiplex audiences are willing to pay more, while single screens rely on volume. This approach allows the film to capitalize on demand in big cities without alienating its core audience in smaller centres.”
Buy now or regret later
Inox sources suggest that from March 19, tickets for certain shows will be priced at Rs 3100 and Rs 3500 respectively for top Mumbai and Delhi theatres.
Trade Analyst Girish Wankhede told mid-day, “Such steep rates were expected. Given the film’s hype, the high-end tickets will be priced between Rs 3000 and Rs 3500. This will continue till the opening weekend.”
Why Abhishek Bachchan couldn't sleep the night before Refugee premiere
9:47 AM
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Abhishek Bachchan rewinds to the star-studded première of his debut film at Liberty cinema
Letty Mariam Abraham (MID-DAY; July 25, 2025)
"It feels like yesterday,” smiled Abhishek Bachchan, recalling his film debut 25 years ago with Refugee (2000). The première of Refugee, held at Mumbai’s iconic Liberty cinema, will remain an indelible, landmark moment. The evening marked that he was ready to follow in the footsteps of his successful parents, actors Amitabh and Jaya Bachchan, but more importantly, it signified the beginning of a new identity for him.
The date of his first première is at the top of his mind: “June 29, 2000,” he rattled off. The mix of nervousness and excitement meant he “couldn’t sleep the night before the première.”
Première day dawned with light showers, and Abhishek believed it to be an auspicious omen. As evening fell, all roads led to Liberty cinema. Opened in 1949, the first film to debut at the theatre was Mehboob Khan’s Andaz, starring Dilip Kumar, Nargis, and Raj Kapoor. On this evening, one of Kapoor’s granddaughters Kareena Kapoor Khan was making her debut alongside another star kid from a legacy family.
At the première hosted by filmmaker J P Dutta, the Bachchan and Kapoor families were in attendance as was the who’s who of the industry. Abhishek shared, “I remember everyone [from the] film industry and the media was there. I walked in [and the first person] I met was Yash Chopra, who hugged me and gave me advice. I remember who was sitting next to me and how the show finished.”
Even as the show ended, the night had just begun for Abhishek, who went to celebrate his foray into Hindi cinema, with his friends. “We went to the Regal Room at the Oberoi Hotel. A dinner and party were hosted for the première. I was there until early in the morning with my friend Sikander [Kher].”
What he did next is the moment he remembers the most vividly. “While driving back at 7 am, we stopped at Marine Drive. I stood there for a while and took in the moment that I was going [to be an actor]. We also returned to Liberty to see if people had queued up to watch the film.”
That morning started the career of the actor, who would go on to have a long run at the movies; with memorable performances in Yuva (2004), Guru (2007), and Manmarziyaan (2018), among others, and who would foray into OTT before his peers did.
Of course, that morning, Abhishek didn’t know any of this. All he had was one question: Is the audience liking his movie? He laughed as he recalled, “[Later in the day], I called Bebo and told her we should do theatre rounds [to gauge reactions]. We went to Gaiety-Galaxy and Chandan Cinema.”
I’ll continue to slash ticket prices if that results in more people coming to theatres-Manoj Desai
8:15 AM
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Syeda Eba Fatima (HINDUSTAN TIMES; November 18, 2022)
Manoj Desai, executive director of G7 multiplex and Maratha Mandir Cinema, recently announced that he will be slashing the ticket prices of both their single-screen theatres, as the management is fed up with the poor performance of Bollywood films in recent times.
Speaking to us, Desai reveals that following this announcement, he got calls from several multiplex owners who complained about the decision. “I know multiplexes won’t cut their ticket rates. In fact, they’re not liking this step taken by us. I won’t take names, but I got a few calls from people saying things like, ‘Aap prices kam kar lete ho to humein nuksaan hota hai’. But, it doesn’t affect me. I’ll continue to slash ticket prices if that results in more people coming to theatres. It’s better than having vacant seats in the cinema hall,” he says.
Desai believes in bringing people from all walks of life to the theatre: “Multiplexes are for rich people who want to spend thousands on tickets and food. Jis public ko paise ki padi nahin hai, wo wahan jaakar enjoy karlein. However, for families where 4-5 log ho, unka toh poora salary chala jayega ek film dekhne mein. I want Gaiety Galaxy and Maratha Mandir to be the places where people continue to come for experiences.”
After suffering huge losses during the pandemic, he was pressured by distributors to raise the prices in the last four months, but poor film performance has added to the misery. “We are suffering because movies are failing. Hum pehle bhi rate nahin badhaate, but distributors ne dadagiri chaalu kari,” says Desai.
He informs that the prices of Gaiety and Maratha Mandir will be reduced from ₹140 and ₹170 to ₹130 and ₹150 as of November 21. The changes will be implemented in all other G7 theatres beginning today.
Though he is optimistic that the decision, taken by him and managing director Arun Nahar, will result in increased attendance, he is disappointed that Bollywood is not producing any good films: “It’s only the South films that are working. Kantara still has shows with 100% occupancy.”

For Brahmastra we are expecting massive bookings despite September 9 being Anant Chaturdashi-Manoj Desai
8:14 AM
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Rubbishing rumours that Gaiety-Galaxy has shut down after back-to-back duds, owner says he is counting on Ranbir-Alia’s Brahmastra to end dry spell
Mohar Basu (MID-DAY; September 5, 2022)
Those staying in the Bandra-Andheri stretch will tell you how Friday movie nights mean a quick drive to Gaiety-Galaxy, Bandra’s popular single-screen theatre. For actors and filmmakers too, G7 Cinemas has long become the yardstick of their movies’ mass appeal. Naturally then, recent rumours of the movie hall shutting down sent shockwaves across the industry and among cinephiles. Reports stated that following the poor performance of Aamir Khan’s Laal Singh Chaddha, Akshay Kumar’s Raksha Bandhan, Liger and Dobaaraa, Manoj Desai — executive director of G7 Cinemas — decided to temporarily bring down the curtain on Gaiety.
However, when mid-day contacted Desai, he rubbished the rumours. “The theatre is fully functional,” he asserted, although admitting that the past two-and-a-half years have been hard on the Bandra hotspot.
Single-screen theatres across the country have been struggling to stay afloat since the pandemic-induced lockdowns. While exhibitors hoped that things would improve this year, Bollywood has not seen a hit besides Gangubai Kathiawadi and Bhool Bhulaiyaa 2.
Desai laments, “Nothing after Bhool Bhulaiyaa 2 has worked. The running cost of the theatre is so humongous that if a show is selling less than 15 tickets, it’s not worth it. Now, all our hopes are pinned on Brahmastra. We will run the film across all screens of Gaiety-Galaxy. The film will be allotted three shows at Maratha Mandir as well.”
While exhibitors are counting on Ranbir Kapoor-Alia Bhatt’s ambitious superhero project to turn the tide, single-screen theatre owners are at a disadvantage. In an unusual move, distributors enabled multiplexes across the country to open Brahmastra’s advance bookings on Friday, since they bring higher revenue.
The benefit hasn’t been extended to single screens, which will open their booking windows only today. As per early trends, the three multiplex chains — PVR Cinemas, INOX and Cinepolis — have sold around 50,000 tickets, of which over 30,000 are for the opening day.
Desai is perturbed by the discrimination. “The multiplexes get an upper hand. Such politics has to end. I don’t see a problem if single screens and multiplexes start advance bookings together. That said, we have 2,000 seats [across the two theatres], and are expecting massive bookings despite September 9 being Anant Chaturdashi.”
Pushpa: The Rise - Part 01 brings cheer to BO collections even as theatre owners fear implications of restrictions
8:28 AM
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Allu Arjun’s offering brings cheer to BO collections even as theatre owners fear implications of restrictions
Mohar Basu, Uma Ramasubramanian (MID-DAY; January 11, 2022)
Box-office collections had barely begun to see an up-tick when the fresh set of curfews were imposed in Maharashtra amid soaring Coronavirus cases. With this state imposing a night curfew, and Delhi continue to down the shutters of its cinema halls, losses are being incurred by not only film producers, but also theatre business-owners.
Manoj Desai, executive director of G7 multiplex and Maratha Mandir, says that the night curfew will impact business since late night shows were running to packed audiences. “It’s been a full house for our night shows within the permissible 50 per cent occupancy. Now we will have to stop that. A lot of viewers prefer the 9.30 pm show that ends at 12.00 midnight, but those shows have been cancelled. We don’t even have new releases, so we are airing reruns of '83, and Pushpa: The Rise - Part 01 among others,” he says, adding that the Allu Arjun starrer’s performance has been surprisingly pleasant. “Despite releasing on OTT, the film is going strong. We have around four shows of Pushpa, all of which have attracted large crowds.”
Trade analyst Taran Adarsh says that at the end of its fourth weekend, Pushpa earned Rs 80.48 cr.
Ranveer Singh’s 83 too, despite soaring cases in Mumbai, continued to pull crowds and clock numbers that match its previous week record. Adarsh reveals that it has crossed the Rs 100 crore mark at the domestic box office. A trade source says, “83 hasn’t fared as expected but due to the lack of other releases, it is enjoying a free run.”
Meanwhile, producers are revisiting the release dates of their films. As reported earlier, both Attack and Prithviraj are rumoured to be moving their film from the scheduled Republic Day release. Though there is no official announcement yet, trade sources say Shaabash Mithu and Badhaai Do will also revisit their dates. A new slate will be arrived at only after the ongoing wave is behind us.
No new releases force theatres to shut shop
8:42 AM
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Titas Chowdhury (HINDUSTAN TIMES; January 9, 2022)
G7 Multiplex’s Gaiety Cinema in Mumbai has been shut down temporarily since film releases have been indefinitely postponed due to the surge in Coronavirus cases. Many other cinemas all across the country have followed suit, with a few theatres in Tamil Nadu, Karnataka, Rajasthan and Uttar Pradesh running at 50% capacity. Theatres in West Bengal are currently screening Spider-Man: No Way Home, Pushpa: The Rise - Part 01, '83 and a regional film.
Manoj Desai, executive director of G7 Multiplex and Maratha Mandir Cinema says, “For how long can we continue screening films that released three-four weeks back?” Rajender Singh Jyala, CPO, Inox Leisure Limited shares that they had “done a business of over ₹1,000 crore in December, which was as good as in the pre-pandemic era” and all hopes were pinned on January, which was supposed to see the release of RRR, Radhe Shyam and Valimai.
Better policies are needed for theatres, feels Meenu Singh, AGM, Legend Cinemas, whose Haryana outlet has been forced to shut down. Whereas, Satadeep Saha, director, SSR cinemas Pvt Limited, says, “If the government asks us to shut down, we will or else we’ll continue to run even if we have to with one show of each film.”
After Salman Khan condemns fans bursting crackers in theatres during Antim screening, Gaiety-Galaxy beef up security
6:43 PM
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Uma Ramasubramanian (MID-DAY; November 29, 2021)
In a country where fans have odd ways of expressing their love for their cine idols, from bathing film posters in milk to performing pujas before a screening, another joins the list. Over the weekend, a video that showed Salman Khan’s enthusiastic fans bursting crackers inside a theatre as Antim: The Final Truth played out on the screen, went viral.
The superstar was far from amused — condemning the act, he urged his fans not to carry firecrackers in the movie halls and appealed to cinema owners to bar such hazardous material inside the premises.
With the incident coming as a shock to many exhibitors, Manoj Desai, executive director of G7 multiplex has beefed up the security at the Bandra property.
“I was shocked when I saw the video. It’s highly risky as the theatre could have caught fire, and many could have died. We have tightened the security at our cinemas so that we don’t have a similar incident,” says Desai, whose Gaiety and Galaxy are popular among the single-screen audience.
Overnight, he has expanded his security personnel. “I have increased the security at the main gate. Additionally, I have hired more manpower so that the checking of bags and people happens more thoroughly.”
Desai is thrilled that first Sooryavanshi, and now Antim have brought the audience back to theatres. “The shows are running house-full [at 50 per cent seating]. I hope [we’re allowed to operate at] 100 per cent occupancy soon.”
Almost 30 per cent advance booking of Sooryavanshi is done across seven shows-Manoj Desai
8:20 AM
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With theatres operating at 50 per cent capacity, Gaiety-Galaxy owner says advance booking of Sooryavanshi has opened on strong note
Uma Ramasubramanian (MID-DAY; October 23, 2021)
Theatres across Maharashtra reopened yesterday after a seven-month shutdown. While some had doubts whether cinemas would have a fighting chance in the current scenario, the advance booking of Sooryavanshi appears to have quelled all apprehensions. Gaiety-Galaxy, one of the most popular theatres in Mumbai, has witnessed a strong response to the advance booking of Akshay Kumar’s cop caper that is slated to hit the screens a fortnight later, on Diwali.
“It’s the biggest film to release post the lockdown. We were expecting a decent response. Now, looking at people’s enthusiasm for the film, we are hoping to register [strong] footfall,” says Manoj Desai, executive director of G7 multiplex and Maratha Mandir cinema.
He lays out the plan, “We will have eight shows in Gaiety-Galaxy, and three in Maratha Mandir. The safety norm prescribes 50 per cent occupancy. As of now, almost 30 per cent booking is done across seven shows.”
Considering the past 18 months were hard on cinemas, Desai hopes the film will be a “game-changer.”
Around 30 people in the first show for Suraj Pe Mangal Bhari, says mid-day reader Vijay Shah
8:29 AM
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As Mumbai cinemas reopen after eight months, mid-day reader Vijay Shah gives a first-hand account of watching Suraj Pe Mangal Bhari at Gaiety
Uma Ramasubramanian (MID-DAY; November 16, 2020)
Watching a film at Gaiety has been my weekly ritual since 1972 when I was a school boy. So, one can imagine how hard the theatre shutdown was on a cinephile like me. As the Bandra theatre opened its doors on Sunday, I went to catch the first day, first show of Suraj Pe Mangal Bhari. Before the pandemic, if you headed to Gaiety on a Sunday, you were bound to see the 'Housefull' signboard hanging well before a show would commence. Yet, today, there were around 25 to 30 people in the first show.
The implementation of safety norms began right at the entrance of the theatre — our temperature was checked before we were allowed inside. Elevators were shut to avoid crowding; we took the stairs while maintaining one-arm distance. We had to use hand sanitiser before stepping inside the auditorium, where alternate seating was employed as per the state government's guidelines. One could feel the mood in the auditorium lift as soon as the opening credits rolled on the screen; there were a few stray hoots and claps. While we had to mandatorily wear masks during the show, a staff member made rounds to check whether the rules were being followed.
Any Gaiety regular will tell you how people flock to the refreshment counter during the intermission to have the samosas that have become as iconic as the theatre itself. However, in the new normal, we had to stand at the designated spots while the canteen staff — wearing masks, face shields and gloves — handed our food to us. Since the new rule bars the audience from carrying their food inside, we had to stay put in our spots in the refreshment area and have our meal before heading back for the second half.
After the show ended, the staff began sanitising the auditorium as we exited the area. It was surreal to see only few people at the theatre. Once the Khans and Kumars are back on the screen, I hope the audiences will enthusiastically return to the cinemas.


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