Showing posts with label Coolie. Show all posts
Showing posts with label Coolie. Show all posts
Its going to be a tough road ahead for films from the South
3:13 PM
Posted by Fenil Seta

Box Office India Trade Network
The past few years has seen films from the South score and even break records which was a rarity earlier but it has been presented as some sort of dominating wave which has left Hindi cinema behind which is very far from the truth. Whatever the struggles of Hindi films, it will remain the biggest film industry in the country simply because of the POTENTIAL audience it has in sheer numbers. Its a different matter that this potential audience has not been reached generally over the last few decades or so.
This so called pan India thing is just not there, no matter how much the media shouts as the majority of these so called pan India films bite the dust. But the ones which get though are talked about. It is going to be even tougher now for this South content as generally its built on sequels. The first film gets appreciation and then the second one gets the numbers but this game is just not valid for South films but all films.
The sequel thing will run its course as it cannot go on forever due to over supply be it from Hindi cinema or South. Hollywood has already seen this happen. There was this South wave in the 80's but it was slightly different as it was banners and directors from the South making films in Hindi with Hindi film stars and it lasted 3-4 years before normal service was resumed. Also that was actually a wave while the present is more media made.
The problem the South films will face are expectations because of this media made wave and their huge budgets and how they open when they are not sequels. The wider audience responds when its a sequel to an appreciated film but outside that, its just a few areas where there is a ready audience.
Below are the opening day collections of South films in Hindi when not sequels and they pretty much say it all with just a handful which can be called good opening and mainly Prabhas starrers who has a following in certain Hindi belts. There are not many films to get even 5 crore nett till date and it will be similar films going forward which history shows is always dwindling returns. The road is only going to be tougher from here.
1. Saaho - 25,82,00,000
2. Kalki 2898 AD - 20,86,00,000
3. RRR - 19,38,00,000
4. Salaar - 15,73,00,000
5. Devara - 7,13,00,000
6. Game Changer - 6,83,00,000
7. The RajaSaab - 5,03,00,000
8. Baahubali: The Beginning - 4,92,00,000
9. Coolie - 4,14,00,000
10. Radhe Shyam - 4,09,00,000
Major film distributors squeeze rivals in fight for box-office gold
8:02 AM
Posted by Fenil Seta
Big players seen using unjust tactics to deprive smaller peers of shows in single-screen theatres, multiplexes, say experts
Rajesh N Naidu (THE ECONOMIC TIMES; October 28, 2025)
At a time when box office performance has become increasingly hard to predict, the battle over pre-theatrical releases in the Hindi film industry has intensified, as major distributors use unfair tactics to limit smaller rivals from securing enough shows in single-screen theatres and multiplexes, trade analysts, producers and independent distributors told ET.
In recent months, reports of tussles over screen and show allocations have surfaced among distributors of major releases such as Coolie and War 2; Kantara: A Legend Chapter – 1 and Sunny Sanskari Ki Tulsi Kumari; and Thamma and Ek Deewane Ki Deewaniyat.
“Sharing of screens and shows on the release day between distributors of competing films has been a long-standing issue. However, of late, it has become too aggressive and ruthless. Today, big and established distributors make almost every possible effort to deprive relatively smaller distributors of competing films from getting a fair number of shows and screens,” said Rajesh R Nair, producer of Hindi films such as Kaminey and Adipurush.
One of the unfair tactics major distributors have reportedly used is threatening single-screen owners and key multiplexes to withhold their films, both current and upcoming, if they allocate shows to competing titles backed by smaller distributors.
“In recent months, industry insiders have shared that big distributors have been threatening single-screen theatre owners and multiplexes that they would not supply them current and future inventory of films if they allocate shows to distributors of competing films,” said film distributor and trade analyst Shaaminder Malik.
Big distributors, with their strong reputations and deep pockets, have the advantage of backing a steady pipeline of theatre-worthy films. These strengths give them an edge over mid- and small-sized distributors when negotiating the number of screens and shows with single-screen owners and multiplexes.
Industry estimates show India has more than 9,900 screens, 55-57% of which are single screens.
“Big distributors have been even stipulating the number of shows their films must get on the release date to theatre owners. All this is at the expense of competing films of relatively smaller distributors,” said Malik.
Industry observers said such tactics by major distributors reflect growing nervousness about how their films will be received.
“Each story is different and appeals to a different audience, so in a sense it’s not a competition. Unjust tactics by big distributors to thwart relatively smaller distributors of competing films from getting sufficient screens and shows on the release day reflects their lack of confidence in the films they are backing,” said Bibhabari Rath Assudani, founder, Motion Mind Ventures, a company that helps filmmakers in critical stages of film-making such as financing and distribution.
Experts, however, pointed out that such tactics offer no long-term advantage, as exhibitors typically adjust show schedules after the opening weekend in favour of films that draw stronger audience interest.
“Ultimately, these tactics of big distributors are short-term strategies. After the opening weekend, only the film which has received high audience preference wins irrespective of the fact whether it is backed by a big or small distributor. Exhibitors promptly change the programming of shows in favour of films preferred by audiences given the capital-intensive nature of the business,” explained producer Rajesh R Nair.
Agreeing with Nair, Suniel Wadhwa, co-founder & Director, Karmic Films shared, “Multiplexes are far more data-driven now. By Sunday of an opening weekend of releases, show allocations automatically tilt toward the film that holds occupancy and momentum. In that sense, market correction plays a critical role in which film will get more shows after the opening weekend of releases.”
Fenil's Bollywood Talk # 896
7:33 AM
Posted by Fenil Seta
WAR 2 CRASHES; COOLIE UNDERPERFORMS IN HINDI
The last two Independence Day weeks, in 2023 and 2024, were terrific and generated a lot of moolah at the box office. This year, however, hasn't been disappointing for the Hindi markets. This is particularly due to War 2's performance at the ticket window.
War 2 was expected to open at Rs. 35 crores; even this was an underwhelming number. Sadly, War 2's opening was just Rs. 28 crores. On top of it, the word of mouth was poor. But the jump on Independence Day gave hope. This is when the film earned Rs. 45 crores. But on Saturday and Sunday, it dropped to Rs. 26 crores and Rs. 26.75 crores, respectively.
The hope was that War 2 would collect around Rs. 13-14 crores on Monday, that is 50% of its Thursday and Sunday collections. However, War 2 crashed on Monday; it earned just Rs. 6.75 crores. The five day earnings stand at Rs. 132.50 crores. The film will hopefully collect Rs. 150 crores by the end of the first week and around Rs. 175-180 crores in its lifetime. For a film with a budget of Rs. 200-250 crores plus, these numbers are shocking.
Coolie, meanwhile, collected Rs. 4.25 crores in the Hindi version on the release day. The growth was modest on the second day (Rs. 6 crores), while on Saturday and Sunday, it was as much as on Thursday.
Coolie also dropped on Monday, collecting Rs. 1.25 crores. It is expected to collect around Rs. 25 crores by the end of Week 1. The lifetime will be around Rs. 32-33 crores. The Tamil version has also underperformed as the word of mouth was not mixed.
No major film is scheduled on Friday, August 22. As a result, both films will continue to get some collections. From August 29, their shows will be drastically reduced.
(Crisp) Movie Review: COOLIE by FENIL SETA
2:28 PM
Posted by Fenil Seta
Coolie's story is a bit messy and complicated. But the impact is made by Lokesh Kanagaraj's mass appealing direction and well written characters. The film has several moments that will lead to applause and keep the interest going. However, as mentioned above, the writing is an issue and should have been better for a greater impact. Rajinikanth rocks the show and it's fascinating how he manages to rock the show at this age. Nagarjuna rocks the show with his rare antagonist act. Soubin Shahir (Dayal) is a surprise of the film. Shruti Haasan lends able support while Sathyaraj is decent in a small role. Speaking of cameos, Upendra is first rate while Aamir Khan is terrific. All in all, Coolie is a timepass mass entertainer.
My rating - *** out of 5!
My rating - *** out of 5!
Fenil's Bollywood Talk # 895
11:18 AM
Posted by Fenil Seta
COUNTRY GEARS UP FOR WAR 2 VS COOLIE
Tomorrow, two of the biggest films of the year, War 2 and Coolie, will be released and the excitement for both is significant. War 2 belongs to the popular Yash Raj Films (YRF) Spy Universe and stars Hrithik Roshan, Jr NTR and Kiara Advani. The makers haven’t given out the story and at a recent promotional event, both the male actors assured that the real plot of the film will surprise the audience. From the assets, it looks like a big-scale action entertainer. Interestingly, it is directed by Ayan Mukerji and there’s curiosity to know how he has helmed a film of this sort.
However, the excitement is limited. The trailer and teaser didn’t work as intended. Many feel that there has been a fatigue with such slick action films and that it looks repetitive. The songs haven’t become chartbusters. As a result, the advance booking has been just okay.
War’s first part, which released in 2019, opened at Rs. 50.61 crores. It is unlikely that War 2 can reach this mark on its first day. It is expected to open around Rs. 35 crores with an outside chance of the film hitting Rs. 40 crores. If the reports are positive, the next day will be huge due to the Independence Day holiday. This is when War 2 can collect not just Rs. 50 crore plus but even cross the Rs. 60 crore mark. A four-day weekend in the range of Rs. 150 crores and Rs. 200 crores will be ideal. However, if word of mouth is not encouraging, it can prove detrimental.
Coolie stars Rajinikanth in the lead role with Aamir Khan in a cameo. It is all set for a record opening in the original Tamil version, especially in the home market of Tamil Nadu and overseas. Not much was expected from its Hindi version. But it will be a surprise, looking at the advance booking. Despite opposition from War 2, it has managed to secure good showcasing as it became clear that there’s a demand to see the film.
Coolie in Hindi will open at Rs. 4 crores and can go upto Rs. 5-5.50 crores. If reports are on its side, it can have an extended weekend of Rs. 25 crores plus.
Tomorrow, two of the biggest films of the year, War 2 and Coolie, will be released and the excitement for both is significant. War 2 belongs to the popular Yash Raj Films (YRF) Spy Universe and stars Hrithik Roshan, Jr NTR and Kiara Advani. The makers haven’t given out the story and at a recent promotional event, both the male actors assured that the real plot of the film will surprise the audience. From the assets, it looks like a big-scale action entertainer. Interestingly, it is directed by Ayan Mukerji and there’s curiosity to know how he has helmed a film of this sort.
However, the excitement is limited. The trailer and teaser didn’t work as intended. Many feel that there has been a fatigue with such slick action films and that it looks repetitive. The songs haven’t become chartbusters. As a result, the advance booking has been just okay.
War’s first part, which released in 2019, opened at Rs. 50.61 crores. It is unlikely that War 2 can reach this mark on its first day. It is expected to open around Rs. 35 crores with an outside chance of the film hitting Rs. 40 crores. If the reports are positive, the next day will be huge due to the Independence Day holiday. This is when War 2 can collect not just Rs. 50 crore plus but even cross the Rs. 60 crore mark. A four-day weekend in the range of Rs. 150 crores and Rs. 200 crores will be ideal. However, if word of mouth is not encouraging, it can prove detrimental.
Coolie stars Rajinikanth in the lead role with Aamir Khan in a cameo. It is all set for a record opening in the original Tamil version, especially in the home market of Tamil Nadu and overseas. Not much was expected from its Hindi version. But it will be a surprise, looking at the advance booking. Despite opposition from War 2, it has managed to secure good showcasing as it became clear that there’s a demand to see the film.
Coolie in Hindi will open at Rs. 4 crores and can go upto Rs. 5-5.50 crores. If reports are on its side, it can have an extended weekend of Rs. 25 crores plus.
Big-budget releases set stage for showdown at box office
10:12 AM
Posted by Fenil Seta
Hindi–South face-offs to test recovery; Southern films may cut Bollywood earnings by 10–15%
Rajesh N Naidu (THE ECONOMIC TIMES; July 28, 2025)
Mumbai: A clash for box office share between big-budget Hindi and southern films in the next few months will put the theatrical revival of Bollywood to the test, say producers and trade analysts.
Three big southern films - Coolie (Tamil), Kantara: Chapter 1 (Kannada) and The Raja Saab (Telugu)-are scheduled for release in the second half of 2025. Their release dates clash directly with Bollywood movies War 2, Ikkis, Sunny Sanskari Ki Tulsi Kumari and Dhurandhar.
With each of these films having an estimated budget of Rs. 150-400 crore, the stakes are high.
The second half of 2025 began on a promising note for Bollywood with the unexpected success of the mid-budget Saiyaara, which has raked in Rs. 175 crore in box-office collections since its July 18 release. But the market dynamics will be different for the upcoming releases. This is the first time since the pandemic when the release dates of big southern films are clashing with Hindi films of similar scale.
"Post-pandemic, the lines between regional and Hindi films have blurred," said producer and film business expert Girish Johar. "Today, audiences want the best content. So, if there is a formidable southern film aimed at a pan-India audience ... it does impact the box office potential of the competing Hindi film."
Bollywood producers often avoid clashes with southern films, as loyal audiences of southern films shun Hindi movies to watch their favourite stars on screen. A blockbuster pan-India film form the south could reduce the box office potential of a competing Hindi film by 10-20%, according to trade experts.
"When tentpole films clash, the impact at the box office is far deeper than just opening-day collections," said Suniel Wadhwa, co-founder and director of Karmic Films. "Screens are shared. Show timings are compromised. In north India alone, a high-stakes clash can mean a Rs. 20-40 crore loss in revenues for each film."
Revenue from digital, satellite and overseas rights will also take a hit, say distributors. They suggest a solo release of a big-budget Hindi or southern film as a practical solution.
"A well-timed solo release can improve legs at the box office, optimize holdover weeks and elevate a film from a Rs. 300 crore hit to a Rs. 500 crore blockbuster," said Wadhwa.
"Clashes are always bad for business," said Rajesh R Nair, the producer of Hindi films such as Kaminey and Adipurush. Southern films are tracking well, especially Kantara: Chapter 1, one of the most awaited sequels, he said. He also expects strong competition to the upcoming Bollywood movies from Rajinikanth's Coolie and the Prabhas-starrer horror-comedy: The Raja Saab.
Some trade analysts believe that the timing of these releases may work in their favour, as these will be released on public holidays when footfalls are usually high in theatres.
"Also, the genres of these competing films are different. These films will be accommodated," said Girish Wankhede, a movie trade analyst. But in the long run, he said "only the content of these films will work".
While the success of Saiyaara was encouraging, theatres also recorded noteworthy contributions from Hollywood films such as Superman, Jurassic World: Rebirth and The Fantastic Four: First Steps. Apart from Indian films, Hollywood movies such as Zootopia 2 and Avatar: Fire And Ash are also scheduled for release in the second half of 2025.
According to media and entertainment research firm Ormax Media, the second half of 2025 is likely to contribute 52% to the all-India box office revenue of Rs. 13,500 crore estimated for 2025.
Coolie becomes most-anticipated film, Lokesh Kanagaraj credits it to Rajinikanth and Sathyaraj reunion
8:34 AM
Posted by Fenil Seta

As Coolie tops IMDb’s list of the year’s most awaited films, director Lokesh Kanagaraj attributes it to Rajinikanth and Sathyaraj’s reunion
Mohar Basu (MID-DAY; July 9, 2025)
We’re halfway into 2025, and the past six months have given us varied films — some memorable, others lacklustre. As we enter the year’s second half, IMDb’s mid-year data has revealed Rajinikanth’s Coolie as the most anticipated film among the Indian audience. The lists, set to be released officially on July 10, are based on the page views of over 250 million monthly visitors to the site.
The anticipation around Coolie is natural — it brings together superstars Rajinikanth, Nagarjuna, and Aamir Khan under the direction of Lokesh Kanagaraj. The director believes there is another reason why the actioner is awaited.
“The reunion of legends Rajinikanth and Sathyaraj after 38 years has created magic on screen. This recognition reflects the excitement our fans have shown worldwide,” he said. In the list of anticipated films, Coolie is followed by Hrithik Roshan and Jr NTR’s War 2, and Prabhas’s The Raja Saab.
The data also reveals that Chhaava, led by Vicky Kaushal, has been the most popular film of 2025 so far, as determined by votes. Laxman Utekar, who directed Chhatrapati Sambhaji Maharaj’s biopic, is elated to have his film at the top spot. “What makes this recognition special is that it comes directly from the fans,” he shared. Tamil dramedy Dragon, Shahid Kapoor’s Deva, Ajay Devgn’s Raid 2, and Suriya’s gangster drama Retro round off the top five.
You’ll see a new Aamir Khan in Coolie and be shocked-Nagarjuna
8:55 AM
Posted by Fenil Seta

As Aamir Khan’s first look from Coolie drops online, co-actor Nagarjuna on how the audience will be ‘shocked’ by the superstar’s performance
Priyanka Sharma (MID-DAY; July 7, 2025)
What does it take to bring Rajinikanth, Nagarjuna, and Aamir Khan together on screen? A powerful script, and Lokesh Kanagaraj at the helm. Ahead of the August 14 release of Coolie, the makers dropped Khan’s first look from the actioner last week. The image of a bulked up Khan blowing a cigar has left fans intrigued. Nagarjuna, who plays the antagonist in the film, says that the actor’s performance in his cameo will shock the audience.
“Aamir and I don’t have scenes together. We have two different chapters in the film. But I saw his work afterwards; his performance is brilliant. You’ll see a new Aamir and be shocked,” says the South superstar.
Coolie is among the most anticipated Indian films of 2025, courtesy not only the cast, but also Kanagaraj who is known for his gritty storytelling. Nagarjuna is thrilled about his maiden collaboration with the director.
“This was a fun experience because of how different it is from what I’ve done so far. Being the main antagonist, I had many scenes with Rajini sir. It’s him against me!”
Lately, the actor has been busy with post-release promotions for Kuberaa, which released alongside Sitaare Zameen Par. Asked whether he has watched the acclaimed film, he says, “It’s not coming on OTT, so I have to take the effort to go and see it! I have known Aamir personally for years. I like his work. In fact, I loved Taare Zameen Par [2007], and I hope I will enjoy Sitaare as much.”
Aamir Khan to star with Rajinikanth, Nagarjuna in Coolie
8:16 AM
Posted by Fenil Seta

HINDUSTAN TIMES (April 17, 2025)
Actor Rajinikanth’s next, action thriller Coolie, is already creating buzz, as it will bring together some of the biggest names in Indian cinema. Apart from Rajinikanth, the film also features Tamil superstar Nagarjuna Akkineni and Kannada star Upendra Rao. And now, it has been revealed that Aamir Khan too will have a cameo in the Lokesh Kanagaraj film.
Upendra confirmed the news during an event. In a video circulating on X, he said, “I did not ask Lokesh (Kanagaraj) garu anything, but when he told me the story, I said it was enough even if I it means just standing next to him (Rajinikanth) for a few minutes. If I’m Ekalavya, he’s my Dronacharya. If he gave everyone entertainment, he gave me enlightenment.”
When asked if he shot with Nagarjuna and Aamir also, he said, “Yeah yeah, we have combination scenes together. (sic)”
Bachchan Darshan: 42 years of a hero worship like no other
7:50 AM
Posted by Fenil Seta

Techie to labourer, Jaipur to Suriname and ‘Sholay’-loving to the ‘Piku’-doting, a diverse set gathers outside Amitabh Bachchan’s Mumbai bungalow, Jalsa, every Sunday – a testament to both the unique celebrity of the Bollywood megastar and the relationship with fans he has cultivated like no one else in Tinsel Town. Much before BAE & BFF became special relationship terms, Bachchan had the EF
Sumitra Deb Roy & Hemali Chhapia | TNN (THE TIMES OF INDIA; April 28, 2024)
The clock inches toward 5.30 pm and the crowd gets restive. It’s a sultry Sunday evening, beachgoers at Juhu are sipping on tender coconuts, chauffeurs lounging outside bungalows. But this street in suburban Mumbai that hosts Bollywood’s most famous address is bustling with anticipation. Jalsa, true to its name, is preparing for a weekly festival of sound and light. To make the wait bearable, large pedestal fans rotate air gently in the direction of the visitors. Water coolers stand ready to quench their thirst; many have journeyed from remote corners of the country.
Cries of ‘Ganpati bappa morya’ can be heard. It’s an affectionate shout-out to Mumbai’s presiding deity who is considered a remover of obstacles. Cameras are flashing. Suddenly, at a mere suggestion of movement from within, a roar erupts. From behind grand gates, the social media team emerges with cameras to document the moment when real life will intersect with a world of fantasy. Some wave frantically as lenses train to capture the euphoria.
At the appointed time, the traffic halts for the impending spectacle. “It’s a scene reminiscent of ancient kingdoms heralding the arrival of their revered monarch,” says Avnish Ravikanth, a Juhu resident who often strolls by on Sundays to catch a glimpse of the “living legend”. He’s only half joking.
Finally, the gates open, and to the accompaniment of screams, shouts and laughter, Amitabh Bachchan, 81, walks up and climbs a wooden dais. He’s wearing a jacket and looks taller. He smiles, waves with one hand and then the other, greets everyone with a “namaskaar”, points specifically to those at the rear to acknowledge their presence, even gestures that he’s willing to sign autographs later. The moment is fleeting but Pooja Vishnoi, a 28-year-old techie visiting from Jaipur, remembers the experience afterwards as “a whirlwind of admiration and awe”.
‘What A Comeback!’
Gopal Bhatia, a 56-year-old resident of Kalyan who often escorts relatives visiting from north India to the Sunday darshan, believes that the blend of real-life persona with on-screen characters is what cements Amitabh Bachchan’s status as a superstar even today. A businessman himself, Bhatia can identify with the resilience with which the actor bounced back from bankruptcy after his talent agency-cumevent managing firm, Amitabh Bachchan Corporation Ltd (ABCL), tanked in 1999. It’s a story that’s been told and retold and has a narrative that vindicates the faith of every admirer. “He had creditors at his door. Yet he resurrected his career and reached even greater heights of stardom. How can one not be inspired by such a comeback?” says Bhatia.
Indeed, Bachchan is a man of comebacks, the one who returns to avenge his mother, or fulfil an oath made to a loyal friend, regardless of the price to be paid. The legend of his resurgence begins with a near fatal accident in 1982 on the sets of Coolie. A serious injury in the gut led to an emergency sur gery at St Philomena’s in Bangalore (now Bengaluru) after which he was flown to Breach Candy hospital in Mumbai, where he was declared “clinically dead for a couple of minutes,” in his own words, before doctors managed to revive him with massive doses of steroids. The 81-year-old’s darshans on Sundays began then as a thanksgiving for the blessings of his well-wishers.
This weekly ritual has now woven itself into the social fabric of the city for four decades, a testament to the enduring adoration for an icon. It has no parallel or precedent anywhere: the Marlon Brandos and Clint Eastwoods of Hollywood have never expressed so much gratitude to their fans; Kollywood filmgoers have elected their idols as chief ministers but neither demanded nor received an emotionally transactional relationship; even in Bollywood, at the height of Rajesh Khanna’s fame, the frenzy of fans outside his sea-facing bungalow on Carter Road was rarely reciprocated. Among the present lot, Salman Khan and Shah Rukh Khan wave and blow kisses to the multitudes outside their homes on a special occasion like a birthday, but that’s about it.
The Extended Family
Bachchan’s appearances have the air of a social engagement. The gathering includes the Extended Family (EF), as it’s known. Some are familiar faces to him. Prashant Kawadia, a Mumbai suburbanite, who has achieved a milestone of attending over 240 such darshans, says, “Bachchan has a unique way of cherishing and nurturing his admirers, which sets him apart.”
Kawadia has attended several episodes of the quiz show ‘Kaun Banega Crorepati’ anchored by the actor. Years back, when Bachchan hosted a party for ardent fans — he addresses them as “EF” in his blog posts — Kawadia was among the 14 Indian invitees and 10 overseas guests.
According to him, no star possesses the magnetic appeal that his idol exudes — the impact extends to public causes he champions. Born in 1979, Kawadia’s life took a significant turn when he contracted polio as a toddler. Back then in India, children from affluent backgrounds or those in urban areas were among the fortunate ones to receive a vaccine. In 2002, during a surge in polio incidence, Bachchan became brand ambassador for the “Do Boondh Zindagi Ki” campaign that played a pivotal role in eradicating the disease in India. “Since 2011, no babies have been born with polio — a remarkable accomplishment. What greater gift can a star offer to the world?” says Kawadia.
If those regaled by the actor’s charisma in the dark of an auditorium or the solitude of their homes feel a sense of kinship, Bachchan relates to them just as much. In May 2023, the actor shared thoughts on how he would hurry back from work to be present at the gates of Jalsa (GOJ) at the chosen hour. “Rush rush rush .. !! Rush through the work and the day to be presentable at the GOJ .. and made it in enough time to be at the box .. and to greet and send the love for the well-wishers of the Sunday.”
There is even an occasional lament when fewer people show up. Post-Covid, the star wrote, “I do observe though that the numbers are in lesser magnitude and the enthusiasm has lessened and the screams of joy now transferred to the mobile camera .. and that is more evident now an indication that time has moved on and nothing lasts forever.” It seemed as much a comment on the transient nature of stardom.
Multi-Generational Fan Base
What could Pooja Vishnoi, 28-yearold techie from Jaipur, S K Marvada, middle-aged painter from Bhuj, Belgian-born chartered accountant Sonia Saharan, and Lekhraj Kasabh, labourer from Pathankot, possibly have in common? They represent a cross-section of weekly visitors at the gates of Jalsa. Evidently, the shape-shifting nature of Bachchan’s craft speaks to a diverse and multi-generational audience.
While older generations continue to relish classics like Sholay, Namak Haram, and Namak Halal, the more recent Piku, Pink, Wazir, and Paa captivate millennials. With more than 200 movies, numerous songs, overseas concerts, public awareness campaigns, brand advertisements and the KBC TV quiz show which he has hosted non-stop since 2000 (barring a season in 2007 done by Shah Rukh Khan), it’s a career that can be feted for its longevity alone: he has been in business since 1969 when he lent his baritone to Mrinal Sen’s Bhuvan Shome.
His powers of reinvention and his ability to discern changing tastes are spoken of by collaborators. He knew the Angry Young Man that he played repeatedly was a thing of the past by the mid-90s; it was replaced by a more realistic, restrained and sometimes magisterial presence. Vishnoi, the techie from Jaipur whose favourite films are Pink and Piku, says, “The love for Bachchan spans generations in my family. It’s a shared passion that I can discuss with my parents. Sometimes, my father even reenacts his iconic scenes.” She had carved out time from her work schedule to visit Jalsa during a brief three-day stint in Mumbai.
Others have travelled across the globe. A quartet of friends from Belgium, Holland and Suriname have come with a large banner that reads, “Autograph please. We are here from Belgium.” Sonia Saharan says the allure of Bachchan was something she experienced growing up in Belgium. Saharan and her Dutch friend, Sharmila Mitrasing, recall their families going to great lengths to source video cassettes and DVDs of his blockbusters. “His films are wholesome. There’s always a lesson to be learned.”
‘My Wait Will End Today’
Finally, when the moment arrives and Bachchan appears with folded hands, the feeling it evokes in many is the nostalgia of a bygone era when movies like Khuda Gawah, Hum, and Agneepath captivated them with larger-than-life narratives and charismatic performances. An overwhelmed Lekhraj bows down. It is the end of his journey.
Dressed in a suit with a woollen scarf and polished shoes, ‘Jai Amitabh Bachchan’ tattooed on his forearm, this tempo driver from Pathankot had travelled to Mumbai weeks ago to meet “tauji (father’s elder brother)”. He even took on odd jobs on construction sites and restaurants in the city to sustain himself because Bachchan had failed to turn up for two Sundays in a row due to travel commitments. “I have seen all his movies, some of them more than 50 times.”
He is carrying albums with pictures of the actor and letters written by him. There are photos of every October 11 celebration when he ordered cakes to mark the actor’s birthday. “Not only has he written back to me, but also sent photo frames of his family. Which superstar would go to the extent of doing that?” He cries, squats on the floor and after the crowd disperses, he moves towards the gates of Jalsa to touch his head to the ground.
The finale is, of course, provided by Bachchan himself later. Offerings from fans like Lekhraj are signed and returned, to show he cares. There’s a line immortalised by the superstar – “Mard ko dard nahi hota”. In Bachchan’s case, nothing would be further from the truth. He has doubts about whether fans will turn up next Sunday. “Will they .. won’t they .. ? The eternal question mark before the GOJ,” he said once in a blog. “That Chaplin question .. the presence at the Academy Awards for a Lifetime Achievement presentation for him, after returning to USA, from a sort of exile, being labelled a Communist, which was a misnomer .. and the ask as he stands backstage to be brought on and decorated ..‘will they clap for me ..’?
(Text from Amitabh Bachchan’s tweets and blog posts has been reproduced unedited)
Rishi Kapoor's first film Bobby was a 500-crore grosser at the average ticket rate of 2018
8:26 AM
Posted by Fenil Seta

Box Office India Trade Network
Rishi Kapoor is among the ten actors in the Hindi film industry to have given 25 HITS as male lead in the 100 year history of Hindi cinema. The other nine being Dilip Kumar, Dharmendra, Rajesh Khanna, Jeetendra, Amitabh Bachchan, Mithun Chakraborty, Salman Khan, Akshay Kumar and Shah Rukh Khan. This is not counting the HITS given as character artistes which will add to the numbers. These actors are the biggest that the Hindi film industry has ever seen.
The biggest BLOCKBUSTER of Rishi Kapoor is BOBBY (1973) which was also his first film as main lead. The film will have business of 500 crore nett plus based on its footfalls at the average ticket rate of 2018. The film was a huge craze celebrating around 30 silver jubilees across the country. In Mumbai it went silver at Metro and Broadway while in Delhi it hit 25 weeks at Regal and Moti. The film actually had a late release in Delhi as the initial release came in Mumbai and East Punjab circuits and both circuits saw record breaking initial. The East Punjab centres of Haryana like Gurgaon and Rohtak saw groups of youths coming from Delhi (where the film was yet to be released) to watch the film only to struggle for tickets. But the East Punjab exhibitors were famous for allowing the theatres to go over capacity by putting seats up on the sides and aisles which meant some of the Delhi crowd was able to watch.
Many of the Rishi Kapoor blockbusters are musicals and this is where the actor scored heavily. A sign of a popular actor in India is the comfortabilty in songs and Rishi Kapoor excelled here. The songs are the toughest part in Hindi cinema because it is very easy to look out of place and very few have managed to succeed here and this is proven by the fact that every generation has so few genuinely popular actors. Actually in India its the ability to perform in songs that separates the greats with the others. Its one of the reasons that in the 100 year history of Hindi cinema that many actors have been called great by the media but the audience never put them on the same pedestal and this will continue in the future also as the audience demands the near perfect hero. All the actors in the 25 plus HIT group above were supremely comfortable in songs whether they could dance or not;
The list of Rishi Kapoor films which will have a value of 200 crore nett or today is below. All the films listed below will have a classification of SUPER HIT or higher. The numbers are apprx and grouped as the films have not been entered into the database to get the exact number.
500 crore plus
1. Bobby (1973)
400 crore plus
2. Coolie (1983)
3. Naseeb (1981)
300 crore plus
4. Amar Akbar Anthony (1977)
5. Laila Majnu (1976)
250 crore plus
7. Hum Kisise Kum Naheen (1977)
8. Prem Rog (1982)
9. Kabhi Kabhie (1976)
10. Sargam (1979)
11. Nagina (1986)
200 crore plus
12. Kaatilon Ke Kaatil (1981)
13. Henna (1991)
14. Chandni (1989)
15. Deewana (1992)
Tulsi Ramsay was ahead of his time-Puneet Issar
8:39 AM
Posted by Fenil Seta

Puneet Issar talks about filmmaker Tulsi Ramsay, who passed away on Friday
Ismat Tahseen (BOMBAY TIMES; December 16, 2018)
Tulsi Ramsay, King of Bollywood’s horror genre with films like Purana Mandir and Veerana, passed away on Friday. Talking about their equation, actor Puneet Issar, says, “Tulsi Ramsay has been my mentor. In 1982, he and his brother Shyam Ramsay, came to me for Purana Mandir. I was doing Coolie then for Manmohan Desai, and after that Coolie accident, the brothers came to me saying, 'Mr Puneet, we would like to work with you. We want to make this film Purana Mandir. The film had Mohnish Bahl and Aarti Gupta, too'. It became a super duper hit and ran for almost 100 weeks non-stop. Today, it’s considered a cult film. I also did a 3-D film called Saamri for them. Tulsi was a very fine human being and the Ramsays are a very good family — seven brothers into cinema. He and his brothers were ahead of their times; they had started doing horror in 1978-80, which is a big thing. They are the pioneers as far as horror films are concerned. Tulsi’s passing away is sad news, but that I guess is life. I pray that God rests his soul in peace and gives his family the strength to cope up with the situation.” Sonam Kapoor, Rhea Kapoor give a twist to iconic Bollywood characters with their new collection
8:05 AM
Posted by Fenil Seta
Nayandeep Rakshit (DNA; August 6, 2018)
Sonam Kapoor aka Sonam K Ahuja and Rhea Kapoor have already come up with diverse themes — from the nostalgic ’80s to kites, balloons, mogras, emojis and Relaxistan — as part of their clothing line Rheson. Now, they will launch a new collection, which is inspired by famous Bollywood films.
Says a source, “It will be called ‘Movie Posters’. Rhea and Sonam came up with the idea of giving a fresh take to some iconic Hindi film characters from the ’80s and ’90s. Since both of them are ’80s kids and belong to a film family, cinema has played a huge role in their growing up years. One day, they just happened to crack this idea and the whole team loved it.” Adds the source, “What makes this range different is that it asks the question — ‘What if all heroes were heroines?’ The sisters, who are known for their sartorial flair, wanted to curate a line dedicated to movie posters of iconic male superstars but envisaging them all as women. It will include T-shirts, shirts, sweatshirts, dresses and jackets.”
It will comprise six characters. “They have given a new spin to their father’s Mr India character, too. When Anil Kapoor saw it, he loved it. They will also have a gender reversal of Amitabh Bachchan’s Coolie avatar,” informs the source. A few days ago, Sonam wore the Mr India sweatshirt at the airport.
Relax, it was an accident-Amitabh Bachchan to Puneet Issar after Coolie accident
7:30 AM
Posted by Fenil Seta
Roshmila Bhattacharya (MUMBAI MIRROR; December 22, 2015)
July 26, 1982... it was Puneet's first day on the sets and his first shot. They were canning a well rehearsed action sequence in which Bachchan and he were supposed to trade punches. A mistimed jump and a punch that should have been dodged took the Big B down with a ruptured intestine. And made Puneet Issar infamous!
"He'd been rushed from Bangalore to Mumbai's Breach Candy Hospital for an emergency splenectomy. I read newspaper reports of his deteriorating condition and panicked," reminisces Puneet, who was invited by the actor to the hospital. "I went with my wife who donated blood for him. He had always been my hero and seeing him so weak and ill, weighing hardly 50 kgs, I was guilt-stricken."
Bachchan realised what Puneet was feeling and tried to convince him he wasn't at fault. In a hoarse whisper he narrated how, for a Prakash Mehra film, he was supposed to throw a glass at Vinod Khanna. The timing went awry during the take and the glass hit Vinod on the chin, cutting it open. He needed four stitches but reassured Bachchan, pointing out that it had been an accident.
"I understand what you are going through and I can only repeat Vinod's words to me. Relax, it was an accident," Bachchan told Puneet, putting a comforting arm around his shoulder and walking him to where fans and the media waited to convince everyone that the "kid" was not to blame.
Once, when Puneet was exiting the hospital, a group of ladies stopped him to enquire about their idol's health. "Do you know someone tried to kill him, if that person ever comes in front of me, I'll kill him," insisted one of them, little realising that the young man, who was suddenly intent on making a quick, exit was the 'culprit'.
Six months later, Bachchan returned to work at Chandivali Studio. They started from where they had left off. This time everything went off well. And Puneet continued to learn from the man he idolised. "Once, I saw him sitting in a corner of a stifling hot studio in Chennai, wrapped in a blanket, going over his lines and wondered if he wasn't feeling hot. He said he would if he thought about it, it was all in the mind," smiles Puneet, remembering how between shots, they would play cricket, with him trying to get Desai out. "If Manji hadn't become a movie maker he would have been India's no. 1 batsman."
Coolie opened on November 14, 1983, to a rousing reception. The fight sequence was frozen at the point of impact with a superimposed message. Desai rewrote the ending with Bachchan's character cheating death on screen too.
Puneet, the monster who had almost killed the demi-God, continued to be flooded with hate mail. Several makers dropped him and it was a six-year struggle for the actor till he got a call to audition for BR Chopra's TV serial, Mahabharata. Puneet, who was a speech, diction and method acting professor at Roshan Taneja's acting school, impressed the veteran director and landed the role of Bheem. "But I wanted to play Duryodhana; that was the performance-oriented role and would give me a chance to break out of the image of a fighter. I finally convinced them to let me play the eldest of the Kauravas. We started shooting towards the end of '88 and finally my luck turned. I'm still remembered for that near-fatal hit but now people agree that it wasn't deliberate. It was destiny," he signs off.
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