Showing posts with label Chiranjeevi. Show all posts
Showing posts with label Chiranjeevi. Show all posts
Janhvi Kapoor condemns ‘deeply violating’ morphed video of Chuttamalle
10:40 AM
HINDUSTAN TIMES (October 6, 2026)
Actor Janhvi Kapoor has condemned the morphed video featuring her and Jr NTR’s song Chuttamalle from their 2024 film Devara. The sexually explicit, AI-generated video has also sparked debate online over the misuse of AI.
Janhvi addressed it with a note on Instagram Stories on Sunday, calling “the criminal misuse of technology to objectify women and circulate fictionalized content without consent deeply violating, bordering on sexual assault”.
Janhvi emphasized that the issue goes beyond this specific video: “It is about the larger reality of being a woman, the gaze, the judgement, the constant negotiation for safety, and the feeling that our boundaries somehow remain open to interpretation. That threat has now expanded into the digital sphere, when we have not even adequately addressed the very real, physical fear that continues to disrupt the lives of women every day.”
The actor also thanked fraternity members Jr NTR, Chiranjeevi, Vijay Deverakonda, and Khushbu Sundar for coming out in her support. Earlier, Jr NTR had called the morphed video “shameful beyond words”, writing, “To the scumbags behind this morphed Chuttamalle video, I will not spare any of you. I will take every possible legal action against those who created it and those who are spreading it.”
Even when I had my Mercedes back home in Kolkata, I used to travel in autos in Mumbai-Jisshu U Sengupta
9:30 AM
Chandrima Pal (BOMBAY TIMES; October 5, 2026)
On a day Kolkata nearly drowned, Jisshu U Sengupta glided in at an upscale lounge, dapper in his boots and trench coat. Evidently, his interpretation of festive dressing has its own rule book. Just like his career choices. In between prepping for a US tour with his band, juggling work in Bengali, Hindi, and Telugu theatricals and OTT, and prepping for a massive two-part film project this winter, he was at his leisurely best as he sat down with Calcutta Times for an adda over a double-shot espresso.
You haven’t had long-form conversations with the media in a long time. Why is that?
I’ve always believed my work should speak for itself – not just in the last three or four years, but always. I’ve avoided giving in to the media too much. I’m not a great speaker, and I believe that about myself. Saying “I’m a good actor” doesn’t make me a good actor. Saying “I’m a good drummer” doesn’t make me a good drummer. Some colleagues are very vocal, and that’s needed too. But I’m happy in my own cocoon. I talk to myself, and that gives me peace. I’ve never planned anything in my life.
The work you do for the South film industry, and the work you’ve done for OTT and Hindi projects, are very different – one is larger than life, the other hyper-real and tightly scripted. How do you make that switch?
I’m not a trained actor. My father was a theatre actor, and my mother used to say one actor in the family was enough (laughs). I was rather into cricket and music. By default, I’m here today talking to you primarily as an actor.
Unlike a lot of actors who design their script and character before going to set, I’ve never done that. I read the script. Ritu da (Rituparno Ghosh), who was my mentor, once asked if I put any thought behind what I do. I said no. Wherever I’m shooting, everything from the people around me to the cup of tea in the frame helps me do what I do. He heard me out and then told me, that while my approach wasn’t wrong, it would help if I got into the character’s headspace – understand his backstory, take him back to his childhood, parents, and heartbreaks, and work my way to who he is today.
From that day, that’s exactly what I’ve done. I build the character’s story in my head. I realized if you don’t believe in the character, you can’t act. The best way to act a character is not to act, but to behave. I try to behave.
Your trajectory in Bangla cinema is something people have watched evolve. But by the time you moved to Mumbai and later started doing South films, you were almost a complete package by then. Would you agree?
People think it’s easy to go to Mumbai and get work – that if you meet the right people, it’ll just happen. It doesn’t work that way. Even when I had my Mercedes back home in Kolkata, I used to travel in autos in Mumbai. I did that for years, and it helped.
People assume because you’ve done well in one film industry, people elsewhere will automatically know you. They don’t. When you go and ask for a role, you’re just an actor asking for a role. If you fit the bill, you get it. If you don’t, you don’t.
You are also reuniting with Nandita-Shiboprosad for Bohurupi: The Golden Daku?
Posto was my first film with them – a great father-son story built around a true story. Then I did Baba Baby O which was unusual as well. The first Bohurupi was a huge hit, and I had big shoes to fill – Abir’s shoes. He did a brilliant job, I was quite unsure about stepping into this role, but Shibu convinced me. And I also genuinely believe Shiboprosad is a great actor. I’ve told him this to his face and behind his back too. I don’t know why he does not pursue acting more.
Shiboprosad is a brilliant actor. Had he taken it up seriously, most of us would be totally out of work. He is that good.
What was the turning point in this journey?
Honestly, I have no idea (smiles). There was no calculation behind it. I wanted to be at it – if I wanted to achieve something, I had to keep showing up. That’s how I ended up doing Telugu films. I did Manikarnika with Krish, who’s now a great friend. He asked if I wanted to do a Telugu film, and I said I didn’t know the language. He said that didn’t matter. From that day to this, I’ve done around 18-19 Telugu films with Chiranjeevi sir, Ravi Teja, Venkatesh sir, Nani, and Nithiin. Funnily enough, a lot of people think my name is Jishu Sen Gupta and that I’m a Telugu actor. When people around me speak in Telugu, I simply smile and nod my way through it.
That’s the beauty of this industry. Every day is a new day. If I carry the baggage of what I’ve already done, I’m weighing myself down. Honestly, I believe I’ve done nothing in life, and I mean it.
I’d love to win a National Award someday. There have been awards I haven’t even gone to collect, and ones I have picked up. It feels brilliant being recognized as best actor, but that glory is only for that moment. The next day is a new day. That award isn’t going to fetch me three more awards – I still have to work hard for that.
This has been an interesting year for you — a lot of exciting projects, back-to-back Bangla releases after a long time. What do you look for now when you say yes to a Bangla project?
This applies to everything, and it’s something Ritu da taught me. He once asked me whether I wanted to be an actor or a hero. I said I wanted to be an actor. He explained that if you choose to be a hero, your time span is limited, but an actor can act until he dies.
He told me: “When offered a character, imagine taking him out of the story. Does the story still move without him, or does it get stuck? If it can move without him, don’t do it. But if the story doesn’t work without that character, take it – because that one scene will give you another frame.” That’s exactly how I’ve chosen scripts ever since. I never wanted to be a hero. I wanted to be an actor.
Do you think the response to Abhhiman, your first Bangla production under your Why So Serious banner could have been different? It didn’t quite land the way it should have, isn’t it?
It did average business, and it could have been better. I’ve learnt a lot, and so has Saurav (Das). We could have marketed the film differently – it was a father-son story, and we marketed it as a rockstar’s film. The film could also have been a little shorter. We’re going to fix these mistakes the next time we produce a film.
Bangla cinema is going through a fair bit of churn right now. Do you see yourself playing a role in shaping its future?
If I get the opportunity, of course I will. This is where I grew up, where I earned my first bread, butter, and chicken tandoori. I’d give my life for it. Think about it – name me one state in India that has mountains, snow, forests, a river, an ocean, red soil, and the world’s biggest mangrove forest, all in one place. We have all of it. The rest of the Indian film industry should come here and explore it.
Yes, there will be competition. Bangla cinemar pashe daran – I think that’s rather silly. Amra jani amra kothay dariye acchi. But we don’t do enough about it. We need to fix that.
On a more introspective note — where are you in your head these days, in terms of your personal space and journey?
I’ve grown up a lot in the last few years. I never really knew who I was, but I’ve at least understood that there are certain things I need to work on, let go of, and face. These last couple of years have given me that time and space to understand myself – to let go of habits and arrive at the person I wish to be.
Would you say you are a work in progress?
Absolutely. Every person has shades of grey. At least once a day, you look in the mirror and know where you’ve gone wrong. I have my own justifications, but I know exactly where I’ve been wrong, and where I’ve been right. People are quick to judge, but no one has stepped into my shoes and walked the paths I’ve walked. So first do that, and then judge.
I wanted to play cricket for India; I couldn’t. I wanted to play the drums at Wembley Stadium; I’ll probably never get to. That would be an achievement.
It’s rare for men in showbiz to talk about their emotional journeys. There’s a certain image to protect, and vulnerability to hide.
Because that’s how our world has conditioned us – “boys don’t cry.” Amra etai shune eshechi. I don’t subscribe to that, though. I’ve gone to a psychiatrist. I’ve taken therapy. It’s helped me a lot. We only really talk about what women go through with mental health, which is ok. But men go through instability too, and we just don’t talk about male mental health.
I lost my father when I was 21. I started working at 16, earning at 17, and by 19 I was taking on responsibility for my family – no one really talks about that. It’s still difficult, taking care of so many people. Carrying those responsibilities, a man goes through a lot – EMIs, due dates, and people who judge you without paying your bills. And I have my desires too.
I’ve failed so many times, and I’ve learnt from every failure. Men cry. I cry. On my bad days, I miss my daughters and I cry. That’s okay. Why should I hide that just because I’m a man? I don’t buy that anymore. This is who I am.
We see you on screen, the glamorous side of you, but your inner journey isn’t something we usually pause to think about.
Honestly, I don’t want anyone thinking too much about it, and I don’t want suggestions from anyone either. Respect is the only thing I actually work for. In fact, the only thing all men want is just a bit of respect, and we’ll do anything.
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JISSHU’S HISTORY & CHEMISTRY WITH SRIJIT
Srijit Mukherji, says Jisshu, is a director “who’s experimented with me the most, and I’m grateful to him for that. I am a director’s actor. But Srijit has pushed me further than most.” Here’s what he had to say about his projects with the director:
Rajkahini: One of my biggest turning points. I actually said no initially, but he insisted. It was a small role, but I won pretty much every award for those ten minutes.
Zulfiqar: Got me some of the best reviews of my career. Koushik Sen and I got the most critical acclaim among all the actors in that film.
Dawshom Awbotaar: Not a great film for me. I remember getting a late at night call from Srijit, and I told him to stop overworking himself, that he’s capable of doing much more. He said I didn’t understand the economics of filmmaking. We argued. But yes he has given me some of my best roles.
Goenda Kanai Charan: The premise comes together with so many of Srijit’s own passions — food, travel, everything. Honestly, that character is largely Srijit himself. When he grows old, he’s going to become Kanai. It’s really his own future coming onto the screen.
Srijit will go to any extent to convince you about what he wants, and he’ll make you believe he’s right. He will not leave the table until he has won the argument.
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Music has helped me find my calm. when everything is moving so fast, it makes me take a step back, sit somewhere, and just be in the moment. my love is divided into three parts – cricket, music, and acting – and each gives me happiness and peace
Industry demands stricter anti-piracy laws and accountability after Jana Nayagan’s leak
10:28 AM
HINDUSTAN TIMES (April 12, 2026)
The alleged online leak of Jana Nayagan, the much-anticipated political thriller starring Tamil superstar-turned-politician Vijay, has sparked outrage across the film industry, with Rajinikanth and Suriya leading calls for accountability and stricter anti-piracy measures.
Directed by H Vinoth, the film is widely seen as Vijay’s final cinematic outing before his full-time entry into politics. It was reportedly leaked online on Friday, triggering strong reactions across the fraternity.
Rajinikanth took to social media to express anguish over the breach. Writing in Tamil, he called the leak “a cause for shock and pain” and urged film bodies to raise their voice, while asking the government to identify those responsible and impose strict punishment. “Such crimes must not be allowed to continue,” he said.
Suriya termed the incident “heartbreaking and unfair”, making an emotional appeal to audiences. “An entire team’s passion reduced to this. Please don’t watch, share, or discuss the film here. Respect their work,” he said, adding that he stands with the film’s team and condemns the act.
Several others in the industry, including Chiranjeevi, have also extended support, urging audiences to watch the film legally in theatres. Production sources said civil and criminal proceedings are being initiated against those responsible for the leak.
Kamal Haasan’s take
The actor offered a sharper critique, linking the leak to delays in the certification process. The film has reportedly been caught in a prolonged legal tussle with the Central Board of Film Certification. “The leak of Jana Nayagan is not an accident, it is the result of systemic failure,” he said, adding that delays create fertile ground for piracy. Haasan stressed that piracy goes beyond politics and directly harms the creative ecosystem. “It endangers the work of hundreds of artists and technicians, and the investments of honest, tax-paying producers, exhibitors and theatre owners,” he said, calling for accountability, timely certification and real-time takedowns.
The second coming: From Sunny Deol to Akshaye Khanna, mature actors score big at the box office
10:14 AM
Actors aged 50-70 are delivering the goods across Hindi, southern cinema as acting skills trump media gimmicks
Rajesh N Naidu (THE ECONOMIC TIMES; February 5, 2026)
Mumbai: Men with dad bodies, crow feet and grey hair around balding pates are barrelling the cinema box office with gravitas, character and depth. They are also charging hefty premiums while crashing the youngsters' rave in cinema halls and OTT platforms. Films starring mature actors aged 50-70 have recorded impressive box-office collections across Hindi and southern cinema reflecting audiences' growing preference for acting skills and character depth over stardom hype and social media gimmicks, leading producers and distributors told ET. The "second innings" of these actors have turned the match.
In recent years, mature actors such as Sunny Deol (68), Chiranjeevi (70), Nandamuri Balakrishna (65), Venkatesh (65) and Akshaye Khanna (50) have either delivered solo hits or contribute meaningfully to noteworthy hits, giving a run for the money to younger peers.
Notably, these mature actors today are charging fees in the Rs. 15-50 crore range, considerably higher than Rs. 2-10 crore they charged at the prime of their careers, trade analysts said.
Films such as Border 2 (India collection: Rs. 335.7 crore), Dhurandhar (India collection: Rs. 1,004 crore), Mana Shankara Vara Prasad Garu (India collection: Rs. 245 crore), Daaku Maharaaj (India collection: Rs. 108 crore) and Sankranthiki Vasthunam (India collection: Rs. 225 crore) are prominent successes of these mature actors.
"It is impressive that films of mature actors are recording above Rs. 100 crore at the box office almost consistently. After Gadar 2 and Jaat, Sunny Deol delivered another winner in Border 2 at the age of 68 in today's highly unpredictable times," explained Shaaminder Malik, film distributor and trade analyst.
Producers attribute the captivating charisma of these long-established stars as a fundamental reason for their success.
"Across languages, actors in their 50s and above are delivering extraordinary performances. Films today demand larger-than-life, deeply rooted Indian characters. These mature actors who have distinct personalities are showcasing these elements with conviction and gravitas. Audiences are returning to theatres because these actors bring in certain authenticity," said Sunil Bohra, co-founder, Bohra Bros.
These actors have long-established connections with multiple generations of audiences, which works for them.
"These stars attract a wide and multi-generational audience. In a time when younger actors are over-exposed across platforms, the familiarity, trust and legacy of these mature stars work in their favour," shared Suniel Wadhwa, co-founder and director, Karmic Films.
He said that today's audiences are less focused on actors' age. They value depth of talent, presence, nuances, and suitability for roles.
Producers said that the emergence of credible larger-than-life stories such as Dhurandhar have worked in favour of these stars.
"The wave seems to have shifted from south to Hindi film industry. Directors in Hindi film industry are making credible larger-than-life films. These films are working as audiences are responding to them. These mature actors are talented. Today, the difference is they are getting the right roles which exploit their talent," explained producer Rajesh R Nair.
These stars' flexibility in accepting roles which are beyond their 'set image', opportunities from streaming platforms, and almost constant social media buzz around them have worked for these stars, producers said.
The North Vs South divide suits politicians, not artistes-Kunal Kapoor
8:43 AM
Divya Shree (BOMBAY TIMES; July 8, 2025)
Kunal Kapoor, best known for his breakout role in Rang De Basanti, is set to make a comeback in Telugu cinema as the antagonist in Vishwambhara, starring opposite Chiranjeevi. At the same time, the actor is also gearing up for Nitesh Tiwari’s highly anticipated Ramayana in which he’s set to appear in a key role along with Ranbir Kapoor, Sai Pallavi, Yash, and Sunny Deol.
“It’s a little early to talk about Ramayana, given that the release is still far off. But I believe it will be something very special — a cinematic experience worthy of such an integral part of our culture and history,” he says. In a candid conversation with Hyderabad Times, the actor opens up about his admiration for Chiranjeevi, his views on fitness and emotional well-being, and the evolving synergy between film industries across regions.
‘Chiranjeevi sir has this ability to make everyone feel like family’
Reflecting on his time shooting for Vishwambhara with Chiranjeevi, Kunal says, “Chiranjeevi sir is just incredible, both on and off screen. His work ethic is absolutely humbling, and he approaches every film with the energy of a newcomer, even after doing over 150 films.”
Kunal says it was the Megastar’s passion that left a lasting impression on him. “Legendary status isn’t just about talent; it’s about showing up every day with love for the craft. And that’s exactly what he does. Plus, he’s got this amazing ability to make everyone feel like family on set. I went in intimidated and came out inspired,” he notes.
‘The North-South divide shouldn’t exist for storytellers’
Kunal, who has worked across industries, sees the growing synergy between regional film industries as one of Indian cinema’s biggest strengths.
“Whether I’m shooting in Mumbai, Hyderabad or Chennai, the essence is the same. We’re all storytellers. The North vs South narrative serves politicians, not artistes. Each region brings something unique. Be it storytelling style, visual texture, or cultural flavour. When we combine all of that, we’re not just making films that connect within the country, but ones that resonate globally. The cross-pollination that’s happening right now is very exciting. It’s no longer about regional cinema, but Indian cinema. And the world is watching,” he remarks.
‘You can have six-pack abs and still be an emotional wreck’
Known for his impressive physical fitness, Kunal believes true wellness goes far beyond the surface. “Fitness isn’t just about looking good. It’s about feeling balanced, emotionally and mentally. People often overlook the emotional side of fitness. But that’s just as important. If you’re mentally scattered, it shows — on screen and off. You can have six-pack abs and still be an emotional wreck. Your body and mind are roommates. If one is struggling, the other will too,” he says.
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Balancing work and fatherhood in this industry can be tough. Sometimes you’re away for weeks at a stretch. But the flipside is, between projects, you get stretches of real quality time that most other professions don’t allow for
"I'm scared that Ram Charan might have another girl": Chiranjeevi draws ire for misogynistic comments
11:11 PM
HINDUSTAN TIMES (February 13, 2025)
Actor Chiranjeevi sparked controversy after expressing his disappointment over not having a grandson during a film launch event in Hyderabad on Tuesday. While the Telugu actor’s seemingly playful comments drew laughs from the audience, social media users lambasted him for his “misogynistic” remarks.
The 69-year-old said, “When I’m at home, it doesn’t feel like I’m surrounded by my granddaughters; it feels like I’m a ladies’ hostel warden. I keep wishing and telling (son, actor) Ram Charan, ‘At least this time, have a boy so that our legacy continues.’”
He added, “But his daughter is the apple of his eye... I’m scared that he might again have a girl.” Ram (39) and his wife, entrepreneur Upasana Konidela (35) welcomed their daughter Klin Kaara, after 11 years of marriage. Meanwhile, Chiranjeevi’s daughters, Sreeja and Sushmita Konidela, have two daughters each.
Reacting to Chiranjeevi’s comments, one X user wrote, “Very sad use of words by Chiranjeevi garu. Girls carry the legacy forward the same as boys do or even better. Comments like these take us backwards (sic).” Another fan’s post read, “Your recent statement came across as misogynistic... Are you uncomfortable with the possibility of your son and daughter-in-law having another girl child? Or was it ‘remark’ made in ‘jest’?”
Interestingly, while announcing Klin Kaara’s birth in June 2023, the actor had called her a “little mega princess”.
In Veeram, I was given a role that no one in Hindi cinema was offering me end at the time-Kunal Kapoor
2:47 PM
M Priyanka Goud (HYDERABAD TIMES; September 27, 2024)
Kunal Kapoor, who began his Bollywood journey as a lead actor nearly two decades ago, is now making a mark in the south film industries, particularly in antagonist roles. Following his performances in Veeram (Malayalam) and Devadas (Telugu), Kunal shared that he feels more satisfied in his career, especially when portraying negative characters.
In an exclusive interview with Hyderabad Times, he spoke about his upcoming Telugu film Vishwambhara, where he stars alongside Chiranjeevi. “Playing an antagonist is more exciting than the protagonist. There are no rules to follow. For a long time, I was stuck in certain roles, but it’s incredible how south filmmakers are seeing me in a whole new way now,” he said.
‘BACK IN THE DAY, I HAD VIDEOTAPES OF CHIRANJEEVI’S AAJ KA GOONDARAJ & PRATIBANDH’
Working with Chiranjeevi sir has been an absolute pleasure — he’s among the kindest and most supportive co-stars. He’s truly a legend, both on and off the screen. I’ve always been a huge fan of Chiranjeevi garu. Back in the day, I had a vast collection of videotapes, and Aaj Ka Goondaraj (Gang Leader in Telugu) along with his Hindi debut Pratibandh were part of it. The last film of his that stood out to me was Sye Raa Narasimha Reddy. Though he’s a Megastar on screen, he’s incredibly down to earth in real life. I remember during an action scene, I felt a slight twinge in my shoulder, and the first thing he asked was, ‘Is your shoulder okay?’ It’s rare to meet someone of his stature who is so thoughtful and concerned about everyone on set.
‘AUDIENCES SEEM TO PREFER ANTI-HEROES OVER TRADITIONAL ONES’
When I started, the roles I was offered were all very similar. Back then, a hero was expected to fit a certain mould, but now even the idea of a hero has changed. Audiences seem to prefer anti-heroes over traditional ones, and I feel fortunate to explore these grey-shaded characters, especially in south films. In the Malayalam film Veeram, I was given a role that no one in Hindi cinema was offering me end of the year.at the time. Director Jairaj saw something in me that the Hindi film industry didn’t, and I’m enjoying this new phase as an actor.
‘IT’S AMAZING TO SEE PEOPLE APPRECIATING FILMS BEYOND THEIR LANGUAGE’
This is an incredible time for actors and technicians, with collaborations across industries becoming more common. South films like Baahubali, RRR, and Kalki 2898 AD have broken language barriers and are being watched nationwide. As an actor, it’s exciting to explore diverse roles in different regions. The content today is outstanding — like the Tamil film Maharaja, which became the most-watched film, largely thanks to OTT platforms making it accessible to wider audiences. It’s amazing to see people appreciating films beyond their language. Everywhere I’ve been, from Bombay to Hyderabad, people have been praising Vijay Sethupathi sir’s performance in that film.
‘I have an exciting lineup of films ahead’
I’m working on Jewel Thief with Saif Ali Khan and Jaideep Ahlawat, followed by a mythological project, Ramayana, alongside Ranbir Kapoor and Sai Pallavi, with shooting starting soon. I’ve also ventured into writing and recently completed a script for an action-packed vigilante series, which is set to begin production by the end of the year.
After becoming a father, it feels like something inside me, like a software inside me has rebooted-Ram Charan
10:27 AM
Madhureeta Mukherjee (BOMBAY TIMES; June 16, 2024)
He roars on the big screen, and triumphs at the box office. He’s witnessed the glory of the Oscars with RRR, which catapulted him into a pan-India star. But the role that Ram Charan is revelling in the most now, is playing daddy to his baby girl, Klin Kaara Konidela, who turns one soon. He rarely sits down for an interview, but on his first Father's Day, we had the superstar gushing about his li’l girl and admitting that he’s “addicted” to her in an exclusive conversation with us. Of course, the chat wouldn’t be complete without the mention of his own role model, his father and superstar, Chiranjeevi. Here’s to superstars playing super dads in their real-life roles. Read on…
This is your first Father’s Day, how does it feel? Have you settled into this new phase of fatherhood?
During the first six months, I felt nothing, except a sense of responsibility and the fact that a new member of the family had joined us. I was amazed at the bond that a mother and child share and I just could not replicate that. Then I spoke to a friend of mine who is also a senior parent, and he told me that it happens and it’s normal to feel that way and that he didn’t feel that kind of connect with his second child until nearly a year after her birth. Now that Klin is interacting and recognizing people, she misses me when I am not at home…the whole ball game changed. I feel left out when I am not around her, so I don’t feel like going out.
So, I assume that you plan your work schedules around her routine?
Yes, for the next couple of years, I will plan my schedules around her, at least till the time she starts school. I don’t want to miss a single moment with Klin. I have worked hard for 15 years, and now I want to be back home by 6 pm. I tell my producers that this is how it is going to be. When I see her, my heart lights up. I just don’t feel like going to work. I don’t even let her go for a shower in the morning. I’m like, what, babies don’t need a shower! I’m that addicted to her.
What’s your favourite activity with her?
I feed Klin at least twice a day, I love doing that. I do my readings with her, too. Upasana (wife) is a fantastic parent, but when it comes to feeding her, no one can beat me. I can get her to finish the whole bowl of food, I have some superpower when it comes to this.
Your superstar father, Chiranjeevi, is such a loving father. How is he as a grandfather?
When he’s with Klin, he becomes like her older sibling. He lets her hit him, punch him… it’s really cute to see that side of my father. He says, “Don’t call me grandfather, it’s so boring, call me Chirutha.” In Telugu, Tha (Thatha) means grandfather, and he adds Chiru to it. Chirutha also means Cheetah in our language. Just seeing my parents enjoy their time with Klin fills me with joy. You know it’s been a 10-year-long wait for Upasana and me, so we are all so happy. Klin has brought so much of luck into our lives.
At one point, raising a child was believed to be a woman/mom’s domain, but that mindset is changing. Today, dads are very involved, they want to take paternity leave and participate equally in most aspects. Do you see that change around you?
I feel a lot of change has come about now with exposure and awareness. In the early years of a child’s life, it is crucial to provide them with a sense of security, where they feel cared for and not neglected. These are the foundation years, if we don’t focus on this now, later, this can turn into attention-seeking habits. So, I take her to play school, go to swimming classes with her, and take her to my readings so that we are part of each other’s routine.
Which is the one trait of your father that you admire the most and want to imbibe?
It’s the way my father communicates and expresses himself. Ask anyone in the family and they will tell you that the number one quality of Mr Chiranjeevi is his communication and sense of appreciation for any kind of job well done. He would tell me, ‘In my growing up days as a struggling actor, I used to wait for people to appreciate me and say, Hey, Chiru, you did a good job.’ So, when he thinks someone deserves appreciation, he goes ahead and expresses it. Sometimes, at parties, my actor friends come up to me and tell me, ‘Hey Ram, your dad called me.’ I don’t even know he’s done that. He takes time out to reach out to my friends, whether it is Mahesh Babu or NTR Jr, to show them his appreciation for their work.
Chiranjeevi was recently awarded the Padma Vibhushan. In his thank you speech, he said, “I’ve done so little and yet, you have given me this great recognition and honour.” Would you say that apart from his talent, what makes him a superstar is his humility and how grounded he has always stayed?
What he said is true. He didn’t say it so because it’s the right thing to say. He truly believes in what he said, and I can see it in the way he lives his life. He still wakes up at 5 am and competes with me in the gym. He doesn’t do it because he’s an actor, he does it for himself, to stay fit and healthy. He’s meeting more directors. He’s the busiest actor right now. He’s signed four films, and I am doing only one or two films (laughs). I don’t think my father is getting older, he’s reverse ageing.
So, Klin is growing up amongst so many role models on both sides of the family.
Absolutely! Personally, I feel that if she explores her mother’s side, it will be great because we have so many actors on my side, we are so confused with so many releases in a year, and we are all fighting for release dates. Now I don’t want to fight with my daughter in this space (laughs).”
Has fatherhood made you look inwards? Made you want to better yourself in various aspects?
I think that’s what children do to us. At first, it is our parents who tell us how to be. And then, it’s our children who guide us in a certain way. The last one year has been a very interesting phase for me – from becoming more responsible, not just in my career and with regards to earning more for my family, but overall, as a person. I think my mind and body are functioning differently. After becoming a father, it feels like something inside me, like a software inside me has rebooted.
Do you ever feel the pressure of taking your father, Chiranjeevi’s legacy forward?
The good or bad part about me is that I don’t know how to take pressure. In fact, when a movie hasn’t done well, I have had a party. And when RRR became a success, I remember that for one week, I didn’t come out of the house. I was relieved, relaxed and just enjoyed family time. So, with me, it’s a contrast. In the same way, when I see someone like my father in the house, I don’t know how to react to it. I believe what I am doing today and right now is what is important. I think I do what is right as a son, father, brother…for that day. And if I can achieve it every day, I think I will achieve it in the years ahead.
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‘My father is my inspiration and a living role model’
Talking about what he truly admires about his father, Ram says, “My father’s communication skills, dedication towards his work and his discipline are exemplary. He tells me, ‘I don’t care how successful you are, Ram, you have to take care of your dedicated staff around you. Secondly, however big or old you are, make sure you are disciplined, because even on your bad days, your discipline will see you through.’ He’s my inspiration and a living role model. It is difficult to live with a man like that (laughs).”
I have modelled the eyes of Hanuman ji on Chiranjeevi sir’s face-Prasanth Varma
8:17 AM
With his film breaching the Rs 150 crore mark, Hanu-Man director says employing technology helped him make his limited-budget film seem larger than life
Upala KBR (MID-DAY; January 22, 2024)
With its worldwide gross income breaching the Rs. 150 crore mark, Prasanth Varma’s mythological superhero film Hanuman (Telugu), starring Teja Sajja, Amritha Iyer and Varalaxmi Sarathkumar, has proved to be a dark horse. The director, who mounted the production on a limited budget of R40 crores, vouches for the power of VFX when highlighting how technology enhanced it.
“We used VFX only when it was required to elevate the experience, because the focus was on evoking the right emotions. We planned the shoot such that the film appeared to be driven by VFX, even though that’s not the case,” says Varma, further addressing speculation on whether Chiranjeevi played a cameo as Hanuman in the movie.
“I couldn’t find the courage to ask Chiru sir to do so. Hence, I used VFX. I have modelled the eyes of Hanuman ji on Chiru sir’s face.”
Varma admits that he finds the reception to his film rather surreal. “Our initial opinion was that if we only recovered the money that was invested in the film, we’d have the chance to make one more film with that amount,” he laughs, and adds, “Now that the film has done well, we plan to make a Prasanth Varma Cinematic Universe—one of our own desi superheroes; those deeply rooted in our culture.”
His next edition, he reveals, will be titled Jai Hanuman. “There will be interesting characters who will lead every story, including Indradev, and Parushuram ji. Each main character of Indian history and mythology [will be presented to] the current generation. In this universe, Hanuman is from Andhra Pradesh, and the other superheroes will be from places like Kerala, Meghalaya, and Kolkata. The idea is to bring different superheroes from different languages and places, and yet, it will be dubbed in Telugu.”
As many as 20 scripts, he shares, are currently being written for this endeavour. “As we want to showcase six superheroes in phase one, their stories are ready. They are part of a parallel universe called Akhanda Bharat. The stories for Jai Hanuman and two more films are ready. We can start three films at the same time, with three different directors and technicians. We want to give opportunity to new talent.”
Varma’s film managed to set the cash registers ringing, even though he claims he got less than a 10 per cent-share of seat allotment in theatres, given that the film clashed with Mahesh Babu’s Guntur Kaaram. “That was heart-breaking. But we were always confident about the film.”
My story would’ve been different if I’d started today as an actress-Shriya Saran
10:39 AM
Onkar Kulkarni (BOMBAY TIMES; December 30, 2023)
In Hindi cinema, Shriya Saran doesn’t have as many films to boast of in her filmography, but in the South film industry, the actress made a mark long before we started cheering for pan-India films. When it comes to Bollywood, it is the Drishyam franchise that the audience identifies her with. In a chat with us, Shriya talks about how she wished she had got similar recognition in Hindi cinema, the opportunities the OTT medium offers and more.
‘B-Town thought I had South Indian features’
Talking about starting her career down South, Shriya, who hails from Haridwar, says, “I wanted to do South films because I felt the industry was very welcoming. They thought my features were a mix of South and North, whereas the industry folks in Mumbai thought I looked very South Indian.” Even though she has worked with top stars from the South, Shriya points out that she didn’t get the much-needed recognition as an actor in Bollywood.”
‘My work in the South industry never reached the Hindi audience’
Explaining why her work didn’t reach a wider audience, she says, “Today we are living in the times of OTT, which wasn’t the case back then. Jo main kaam South mein kar rahi thi, woh kaam Bollywood audience tak pahuchta nahi tha. Back then, we didn’t have access to movies across languages, the way we have today, thanks to OTT platforms. And South films did not release pan-India at that time. This is why people in Mumbai didn’t know much about my work. My professors from my college in Delhi refused to accept that I was an actor down South. My father had to convince them and tell them that I was working with stars like Chiranjeevi and Nagarjuna, so that they could consider my low attendance in college and allow me to sit for my exams.”
‘Earlier, there was a lot that was lost in translation’
Shriya, who was seen in S S Rajamouli’s Oscar Award-winning pan-Indian film RRR (2022), is glad that the audience is receptive towards different kinds of cinema in various languages now. “Earlier, there was a lot that was lost in translation, which doesn’t happen today. Thanks to people like Mani Ratnam sir, who I guess was one of the first filmmakers to have released a film in multiple languages. Even Shankar sir (maker of films like Sivaji: The Boss, Enthiran and 2.0) did that. All cinema is under one umbrella today,” says Shriya, who hoped her films like Sivaji: The Boss (2007), Manam (2014), Chatrapathi (2005) and Tagore (2003) had a pan-India release.
She adds, “These films were pan-Indian films as they were not limited to one kind of audience. The subjects they revolved around were pan-India. Drishyam, too, was a pan-India story, where the idea was about protecting your family.”
‘OTT has certainly shown us a shift in storytelling’
Talking about the changes digital platforms have brought about and what she misses about the earlier times, she says, “I wish OTT platforms were there when I started off because the actors working today have such amazing opportunities. The audience base is massive, and even with one show, you can go places. OTT has certainly shown us a shift in storytelling. I feel that if I had started out in today’s times, in the presence of OTT, social media and pan-Indian films, my career would have been a different story. Having said that, those days were also magical, beautiful and raw in their own way.”
‘It’s been a major shift for my husband Andrei’
Shriya married her Russian boyfriend, Andrei Koscheev, in 2018. She shares, “It’s been a major shift for him. He’s a sales head with a corporate firm and travels from Andheri to Thane to his office every day. It’s a very different life for him. He had a countryside house overlooking a lake and mountains, drove a convertible car and even went sailing. However, he loves his time in India. He only eats Indian food now, like roti-sabzi and also loves golgappas.”
Amitabh Bachchan's 80th birthday: Kaun Banega Crorepati team shoots special episode with Ustad Amjad Ali Khan
8:24 AM
To mark Bachchan’s 81st b’day tomorrow, KBC team shoots special episode that sees Ustad Amjad Ali Khan; Vidya, Chiranjeevi and Vicky wish the megastar
Upala KBR (MID-DAY; October 10, 2023)
There are numerous ways in which Amitabh Bachchan has touched the lives of his fans and friends—sometimes through his films, and at other times, through his benevolence. And there can’t be a better occasion than his birthday to thank the megastar for it. Ahead of his 81st birthday on October 11, the Kaun Banega Crorepati (KBC) team shot a special episode that has Vidya Balan, Chiranjeevi, Vicky Kaushal, Anupam Kher and Boman Irani conveying their warm wishes to him.
For the episode that will be aired tomorrow, the team brought in sarod maestro Ustad Amjad Ali Khan to surprise the actor.
“Ustad Amjad Ali Khan presented a medley of songs. Then, to the megastar’s surprise, actors Vidya, Chiranjeevi, Vicky, Anupam and Boman wished him through video messages. While he has worked with Vidya on Paa [2009], Te3n [2016] and many more, he had a guest appearance in Chiranjeevi’s Sye Raa Narasimha Reddy [2019]. Big B recently collaborated with Anupam and Boman on Uunchai [2022]. All of them spoke warmly about how he had inspired their love for acting,” reveals a source.
The legend was teary-eyed by the outpouring of love. “Usually I am the one who gives people tissues, but now, it’s my turn,” he quipped, before adding that he holds the birthday celebrations on the KBC set closest to his heart. Last year, Jaya and Abhishek Bachchan had featured in the special birthday episode.
IFFI salutes Chiranjeevi as film personality of the year
8:07 AM
Swati Mathur (THE TIMES OF INDIA; November 21, 2022)
Panaji: Telugu superstar Chiranjeevi was declared the Indian Film Personality of the Year at the 53rd edition of the International Film Festival of India that opened to audiences in Goa on Sunday.
Announcing Chiranjeevi’s name at the government’s marquee film festival, Union information and broadcasting minister Anurag Thakur said the award is an acknowledgment of the actor’s multi-decade contribution as an actor, dancer and producer in Indian cinema. The 67-year-old former Rajya Sabha MP who was conferred the Padma Bhushan in 2006, forayed into politics with the Praja Rajyam Party in 2008, which he later merged with the Indian National Congress.
Regarded as one of the most influential Telugu artists, Chiranjeevi also served as the Union minister of tourism from 2012 and 2014. Opening to star-studded performances by Varun Dhawan, Kartik Aaryan and Sara Ali Khan, among others, in its 53rd edition, IFFI will have several firsts.
The IFFI Film Bazaar, a platform that facilitates meetings between film writers and producers will take a leaf out of the Marche Du Cannes, where India was the Country in Focus, and will include 40 pavilions from countries like Russia, France and Dubai, apart from Indian states like Bihar, Punjab, Gujarat, Tamil Nadu and Maharashtra.
“India is a country full of stories. No other country can offer such stories and also the manpower, which is skilled and less expensive. . . The festival also serves as a major platform for regional filmmakers to showcase their work. ‘RRR’, a regional film, has become an international film. The movie has not only done business but has also showcased the power of Indian storytelling,”
Thakur said, narrating an instance where Tim Watts, assistant minister for foreign affairs of Australia, said he watched ‘RRR’ with English subtitles. Thakur said 40% of films showcased at the festival are either directed or fronted by women.
Kisi Ka Bhai Kisi Ki Jaan: Slugfest in the slums for Salman Khan
8:27 AM
Massive slum set erected at Golden Tobacco Factory for final two-month leg of 'Kisi Ka Bhai Kisi Ki Jaan'; Salman to film action set-pieces designed by 'KGF' stunt directors
Mohar Basu (MID-DAY; September 14, 2022)
With the December 30 release date looming large, the shoot of Salman Khan-led 'Kisi Ka Bhai Kisi Ki Jaan' is moving at a brisk pace. Director Farhad Samji has kicked off the final leg of the action drama at Golden Tobacco Factory in Vile Parle. It is heard that the studio has been booked for the next two months as Khan and the director film crucial scenes of the movie, which also stars Venkatesh, Pooja Hegde, Jassie Gill, and Asim Riaz.
An insider reveals, “Late last month, Salman shot a dance number with Chiranjeevi for 'God Father' at this studio. The production design team of 'Kisi Ka Bhai Kisi Ki Jaan' utilized the time to build the set of a Mumbai slum at the same venue. As soon as the song was wrapped up, Salman dove into the shoot of the actioner.”
Interestingly, the film was to go on floors in April with the slum schedule. The required set was erected in Film City at the time, under the supervision of then-producer Sajid Nadiadwala. The source explains, “After creative differences emerged between the superstar and Sajid, the set was pulled down. Now, a similar set-up has been built at the current venue.”
Most of the movie’s action sequences will be canned during this schedule. Keen to bring defining stunts to the big screen, Khan has brought south action director duo Anbumani and Arivumani — together known as Anbariv — on board.
“Salman thoroughly enjoyed the style of action they displayed in the two instalments of KGF. Plus, he shared a great equation with them on 'Radhe: Your Most Wanted Bhai' [2021]. He thought that Anbariv would be the perfect fit for his next since they understand what appeals to the masses and design stunts for the front-row audience.”
While the filming of the December offering is expected to go on till October-end, the edit and VFX work are simultaneously underway.
Anbariv worked with the actor on Radhe
Salman Khan joins Chiranjeevi for dance number shot over a week at a Rs 4 crore set in Mumbai
8:40 AM
Salman, who plays a mercenary in God Father, joins Chiranjeevi for dance number shot over a week at a sprawling Rs 4 crore set in Mumbai
Upala KBR (MID-DAY; August 24, 2022)
What can top Salman Khan shaking a leg on screen? The actor shaking a leg with south superstar Chiranjeevi. Last month, mid-day had reported that the production team of God Father had begun erecting a set at the Golden Tobacco factory for a special song (Two films come together for Salman, July 18). Now, it is learnt that the two superstars recently filmed the dance number over a week, under the supervision of choreographer Prabhudheva.
In God Father, which is an adaptation of Malayalam movie Lucifer (2019), Khan has stepped into the shoes of Prithviraj Sukumaran. Khan — who has an extended cameo — plays mercenary Zayed Masood, who is a close associate of a powerful politician, essayed by Chiranjeevi. While the original film did not have a song featuring the two characters, director Jayam Mohanraja specially requested for a track to be created that would do justice to the star power of Chiranjeevi and Khan.
A source reveals, “It’s a gangsta song — a rap-cum-clubhouse number composed by Thaman S. The makers have spared no expense to make it a grand affair. Art director Suresh Selvarajan built a sprawling set of about Rs. 4 crore at the Vile Parle studio. Prabhudeva has given signature steps to each actor, and designed the song in such a way that their camaraderie reflects on screen.”
The source adds that though Prabhudheva was busy with his commitments in Chennai, he flew down to Mumbai, at Chiranjeevi’s behest. “The song is shot against the backdrop of a vintage European palace, complete with domes and chandeliers. Over 150 international dancers were roped in for the shoot.”
When I saw Junaid act, I thought mera chance gaya-Aamir Khan
8:31 AM
Ready with 'Laal Singh Chaddha' after four years, Aamir reveals that son Junaid was initially considered to lead the film until the writer suggested otherwise
Uma Ramasubramanian (MID-DAY; August 2, 2022)
It’s difficult to imagine any other actor in a role essayed by Aamir Khan. Such is his ability to make every character his own. But things are different with 'Laal Singh Chaddha'. With director Advait Chandan’s adaptation of 'Forrest Gump' (1994), Khan steps into a role immortalised by Tom Hanks. The scrutiny, then, will be more intense — a fact that the superstar was aware of as he dedicated the last four years giving shape to his passion project. Today, he sits content with his creation, as the film is barely 10 days away from release.
The past few years were admittedly not easy on Khan. “To play this character, I had to get into his mind. I am 57, and had to play a 22-year-old. I had [to depict] the different stages of his life. To get that innocence [of youth] was tough,” he begins.
His obvious point of reference to play the endearing protagonist was Hanks in the original film. But the superstar surprises us when he says that he found another source of inspiration — son Junaid Khan. “Since it was a tricky film, I told Advait that I wanted to see a test shoot. I suggested that he shoot seven to eight scenes with Junaid. When Kiran [Rao, producer] and I saw the test shoot, we were blown away by Junaid’s performance. He had become Laal. I thought mera toh chance gaya,” he laughs.
The actor then showed the 20-minute test shoot to his friends in the industry, trying to gauge whether Junaid would be a better fit than him. “Almost 98 per cent of them said, ‘You should take Junaid for the role.’ So, I shaved my beard that I had grown for six months. We decided to make the film with him. But Atul [Kulkarni, writer] and Adi [Chopra] said no to the idea. [They reasoned] that it’s not a plot-heavy film; since it’s an episodic film, a newcomer won’t be able to carry it. Junaid too said, ‘Your budget is high. You can’t cast a newcomer like me.’ So, I was back on the project. But in those eight scenes, Junaid had picked the sur. I got the film’s sur from him.”
The drama, also starring Kareena Kapoor Khan, will be released in Hindi, Tamil, and Telugu. Recently, the actor-producer held a special screening for S S Rajamouli, Chiranjeevi, Nagarjuna and Sukumar in Hyderabad. Khan says their feedback was enlightening. “They liked it. In fact, all of them had a common [input]. We made the change, and realised that the change was very important.”
I am happy that Salman Khan is shooting on the set of Acharya-Suresh Selvarajan
8:28 AM
As Chiranjeevi offers his Acharya set free of cost to Salman to shoot Bhaijaan, the production designer on the larger-than-life set
Upala KBR (MID-DAY; June 12, 2022)
In May, mid-day had reported that Salman Khan would soon commence a month-long schedule of Kabhi Eid Kabhi Diwali (KEKD) at Kokapet where a massive set of a village was erected (Kabhi Mumbai, kabhi Telangana, May 28). Now, we have learnt that the set is a part of the fictional temple town of Dharmasthali, which had been specially created for Chiranjeevi-Ram Charan’s April release, Acharya. Chiranjeevi and Khan have long been friends, with the latter even making a cameo in the south superstar’s next, Godfather. Sources say as a mark of appreciation, Chiranjeevi has allowed Khan to shoot KEKD at the elaborate set, free of cost.
Designed by production designer Suresh Selvarajan before the first lockdown began, the set is said to cost over Rs 20 crore and is surrounded by a river, scenic hills, a temple and a tribal village. More than 1,000 construction workers were reportedly involved in building the property. Considering the set-up remained unaffected over the past two-and-a-half years of the pandemic, Chiranjeevi and his family decided against dismantling it even after the shoot of Acharya was wrapped up. Instead, they decided to rent it out for movies.
A source says, “Salman is close to Chiranjeevi and his family. When the south superstar approached him for the cameo, Salman was adamant about not taking his fee. So, Chiranjeevi returned the favour by throwing open his Dharmasthali-themed set for Salman’s home production. KEKD director Farhad Samji had done a recce earlier and felt the premises suited their demands. The team has made a few modifications to lend it a village ambience.”
Selvarajan, who previously handled the production design for Om Shanti Om (2007) and Agneepath (2012), says that the preliminary work of building set model and making blueprints took four months, followed by another three months of construction. “It took us 20 acres and more than Rs 20 crore to make the set on Chiranjeevi sir’s land in Kokapet. I come from the temple town of Chidambaran, so [it influenced my design] of the fictional town. I am happy that Salman is shooting on the same set now. The temple town has a gurukul, gaushala, streets and junctions. [It is built in such a way that] the team can make whatever alterations they want to.”
Production designer Suresh Selvarajan and Chiranjeevi
Stills of the set of the fictional temple town Dharmasthali and the village
If south films have made 3 times amount of money that Hindi films are making, why does this divide exists-Shruti Haasan
8:27 AM
Citing reason behind being turned down for Bollywood film, Shruti on how success of Baahubali, RRR have done little to bridge gap between industries
Upala KBR (MID-DAY; April 26, 2022)
Asserting that a female Bollywood actor with prominent roles in films starring Shah Rukh Khan, Salman Khan, or Akshay Kumar would be sought-after in any Indian film industry would be a justified analysis. However, Shruti Haasan would testify that Bollywood doesn’t seem to be equally welcoming of revered female actors from other film industries. Haasan may have a line-up of projects with the south Indian film industry’s megastars — Prabhas (Salaar), Chiranjeevi (Mega 154) and Nandamuri Balakrishna (NBK107) — but is still frowned upon when being considered for a Hindi film.
Haasan says, “Several southern technicians, like DOP’s and action choreographers, have been working in Hindi movies for years. They don’t blow their trumpets. They complete the work quietly, and return home. That is the work ethic. [This rift] cannot exist in 2022. If south films have made three times the amount of money that Hindi films are making, one wonders why this divide exists?” she asks, referring to movies like Baahubali, RRR, and Pushpa, which found several takers in consumers of Hindi cinema too.
A recent incident has left a particularly bad taste in Haasan’s mouth. “I met [a team] for work in a Bollywood movie, and they said, ‘Oh! But you belong to the south.’ I told them [about my parents], that I made my debut with a Hindi film, I speak the language fluently, and live in Mumbai. When I was shooting for the Hollywood series Treadstone in Dharamshala, I met young monks who had seen all my Telugu films which were dubbed in Hindi. People know Tamil, Telugu, and Kannada actors. The audience is leading the way. They are the ones buying the tickets and making the movies blockbusters.”
While the success of films like Baahubali and KGF: Chapter 2 has played a significant role in erasing the lines demarcating the industries, Haasan says a large chunk of the responsibility also falls on the shoulders of the common man. “We must change how we communicate with people of different cultures. The way we say, ‘Gujarati log aise hote hai’, ‘Tamil log accounting karte hai’, ‘Punjabi log khana khaate hai’ is stereotypical, and should not happen in 2022. Our beauty is in our diversity. Isn’t it sad that we tear down people over differences? Cinema can pave the way for the celebration of these differences.”
Three years ago, I shared Bajrangi Bhaijaan's sequel idea with Salman Khan-K V Vijayendra Prasad
8:32 AM
Recounting how Khan had not responded to his story pitch in 2018, Bajrangi Bhaijaan writer says sequel announcement came as a pleasant surprise
Upala KBR (MID-DAY; January 14, 2022)
Salman Khan took his fans by surprise during a promotional event for RRR last month, when he announced that a sequel to Bajrangi Bhaijaan (2015) is in the works. As it turns out, the sentiment was not restricted to the superstar’s admirers alone. The news about Pawan Putra Bhaijaan — as Khan has christened the sequel — came as a bolt from the blue for K V Vijayendra Prasad, the veteran writer who penned the much-loved 2015 hit. “Salman’s announcement came as a total surprise,” laughs Prasad, well aware of Khan’s spontaneous nature.
Happy as he is that the actor has put the sequel on the fast-track, the noted writer reveals that talks of a second instalment had, in fact, begun in late 2018. “Three years ago, I shared a sequel idea with Salman bhai. At the time, I didn’t get a yes or no from him. I didn’t know whether he had liked the story as he did not say anything, nor did he respond later. That is why I had never spoken about Pawan Putra Bhaijaan.” Though a bit late, Khan gave his nod to the project in a grand fashion — on the stage and in the presence of the RRR cast.
Bajrangi Bhaijaan, which also starred Kareena Kapoor Khan, Nawazuddin Siddiqui and Harshaali Malhotra, was helmed by Kabir Khan. While the director is self-admittedly averse to the idea of creating sequels, the buzz is that he will resume his place behind the camera for the upcoming instalment. “I don’t know who is directing the sequel. It is up to Salman bhai and him. While it is a natural assumption on my part to think Kabir will, and I would want him to as he did a wonderful job in Bajrangi Bhaijaan, I have no role in the decision-making process,” says the writer.
mid-day has learnt that the actor intends to meet Prasad next month, to develop the script further. A trade source reveals, “After Salman’s announcement, a mutual friend called Prasad sir to inform him that the actor will be Hyderabad-bound in February to shoot a cameo and dance sequence for Chiranjeevi’s Godfather. He is likely to meet Prasad then.”
Tollywood resumes post production from today
7:50 AM
P Pavan (MUMBAI MIRROR; May 22, 2020)
A week ago, reports claimed that two British shows, Top Gear and Eastenders, are to resume shooting by June-end, while in the US, California Governor Gavin Newsom said on Wednesday that the state is mulling reopening production. Closer home, the FWICE (Federation of Western India Cine Employees) is seeking Maharashtra Chief Minister Uddhav Thackeray’s permission to resume work (Mirror, May 20). Before that, Telangana government has given the go-ahead to the Telugu film industry to resume post-production work from today.
On Thursday, some of Tollywood’s bigwigs, including Nagarjuna, S S Rajamouli, Allu Aravind, Suresh Babu, and Dil Raju, assembled at actor-politician Chiranjeevi’s residence in Hyderabad for a meeting with Minister T Srinivas Yadav, who assured the group that an order to resume production would be issued. Work in film and TV industries across the country came to an abrupt halt on March 23 in the wake of the Coronavirus outbreak.
Prabhas, Rajinikanth, Pawan Kalyan, Allu Arjun, Chiranjeevi, Mahesh Babu, Ram Charan show the way forward
8:26 AM
Himesh Mankad (MUMBAI MIRROR; March 28, 2020)
Amidst the Coronavirus pandemic, the South film industry has come forward to lend its support to the state and central government. Not only are the big names urging people to stay indoors, but they have also donated money to relief funds working to support the country’s health care system.
Leading the pack is Baahubali actor Prabhas, who contributed Rs 3 crore to the Prime Minister Relief Fund and Rs 50 lakh each to CM relief funds of Andhra Pradesh and Telangana. The actor recently returned from Georgia after the shoot of his next period romance with Pooja Hegde was halted due to coronavirus scare.
Telugu actor-politician Pawan Kalyan has donated Rs 1 crore to the PM’s relief fund and Rs 50 lakh each to both the Andhra Pradesh and Telangana CM relief funds. Ram Charan, on the eve of his birthday on March 27, informed that he was contributing Rs 70 lakh. His actor-politician father, Chiranjeevi, has pledged Rs 1 crore to as financial aid for daily wage workers and lower income groups in the country, including the Telugu film industry. Tamil Nadu’s Thalaiva, Rajinikanth, has pledged Rs 50 lakh to the Film Employees Federation of South India (FEFSI) for the daily wage workers.
Another Telugu actor, Mahesh Babu, has also contributed Rs 1 crore to the CM Relief Funds of Andhra Pradesh and Telangana. He has made an appeal for donations “because every contribution will make a tremendous difference”. He posted a video of his daughter, Sitara, educating masses on the golden rules in the fight against the deadly virus.
Allu Arjun is equally optimistic that India will overcome this crisis together if we stay home, practice hygiene and self-isolation. He had donated Rs 1.25 crore to the people of Andhra Pradesh, Telangana and Kerala.
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