Showing posts with label Anu Aggarwal. Show all posts
Showing posts with label Anu Aggarwal. Show all posts

Aashiqui's tagline was ‘love makes life live’ and today, I am spreading love and teaching people about it-Anu Aggarwal

It’s the love of people that is making me come back to showbiz: Anu
Deep Saxena (HINDUSTAN TIMES; April 25, 2023)

After being away from the world of showbiz for over 25 years, actor Anu Aggarwal has decided it’s time for a comeback.

Currently in search of the right script, the Aashiqui (1990) actor says, “I will be signing after decades, so it has to be a great script! Until now, I wasn’t listening to narrations at all, but now I am. I’m also interacting with people in the business. An announcement will be made as soon as I lock the project,” says Aggarwal, who even had a fashion shoot done for her comeback.

Last seen in the 1996 film Return Of Jewel Thief, the actor met with a major accident in 1999, as a result of which, she was in a coma for almost a month. After recovering, she took the spiritual route and turned into a motivational speaker, besides running her foundation for children in need. Ask what made her consider returning to films, and Aggarwal says it was the audience’s love.

When an episode of the reality show Indian Idol 13 chopped out her scenes, several internet users chimed in to show their support for the actor: “After whatever happened in the show, I voiced my opinions on the social media, and I asked people to forgive them (the makers). I started getting long messages. It was very inspiring, and I realized ki logon ke dilon main mere liye kitna prem hai! I was moved, and I decided that I needed to make a comeback. Over 80% of my Instagram followers are younger people, who have seen my films on YouTube or OTT. Along with that, they connect with my ideology.”

Content with her journey so far, the 54-year-old feels she understands life better today: “My journey has been so magical. After the accident and the new birth, I had better understanding about life. The film’s (Aashiqui) tagline was ‘love makes life live’ and today, I am spreading love and teaching people about it.”

Prem Chopra, Padmini Kolhapure, Anu Aggarwal, Poonam Dhillon remember Saawan Kumar Tak

Anu Aggarwal

Actors Prem Chopra, Padmini Kolhapure and Anu Agarwal, who had worked with the filmmaker, share some fond memories
Rachana Dubey (BOMBAY TIMES; August 27, 2022)

Producer-director-lyricist Saawan Kumar Tak, who was admitted to a suburban hospital in critical condition, passed away on August 25. He was cremated in the presence of close family members on August 26 in Mumbai.

The filmmaker, 86, succumbed to a lung infection, for which he was being treated for the last couple of days. He was known for films like Sanam Bewafa and Souten.

Padmini Kolhapure, who played central characters in his films like Souten and Preeti, says, “We had a great rapport, which extended beyond the journeys of these movies. We stayed in touch — over the years he came to watch my play and we would meet and talk. He was a lovely human being and so full of life.”

Anu Agarwal, who was in her 20s when she headlined Khal Naaikaa, recalls, “Saawan ji was always very respectful. I was a young girl, with Aashiqui’s success behind me. He chose to cast me in the film over so many senior and more reputed leading ladies. He showed a lot of faith in me and made people see me as an actress who could deliver a good performance in a tough role like that. The industry’s perception of me changed after that. I will always be grateful to Saawan ji for that.”

Prem Chopra, who was at the funeral, adds, “We did five-six films together. When he told me recently that he wanted to make his next film, I had told him to go easy with things. He had so many creative pursuits. He took highs and lows in his stride and never stopped his work. He was an involved and evolved filmmaker. And a dear friend.”
---------------------------------
Padmini Kolhapure and Poonam Dhillon pay tribute to the filmmaker, 86, who died on Thursday
Rishabh Suri (HINDUSTAN TIMES; August 27, 2022)

Padmini Kolhapure
Actor Padmini Kolhapure, who worked with late filmmaker Saawan Kumar, as a child actor in Saajan Bina Suhagan (1978) and later in Souten (1983), says, “I remember great things about working with him. I used to call him Saawan uncle, because I was a kid back then. But when I did Souten as a leading lady, he said, ‘Khabardaar mujhe uncle bola toh!’ So, I started calling him Saawan ji.”

The actor, 56, adds that he always treated her like family. “We also did a film called Preeti (1986) together, which featured me and (late actor) Rajiv Kapoor, whose birth anniversary was also on August 25, and Saawan ji passed away on the same date. Life is unfortunate. The last time I met him was around 2019. He didn’t even call me and just came home,” says Kolhapure.

Poonam Dhillon
Poonam Dhillon worked with Saawan Kumar in his 1984 directorial, Laila. The actor says, “He went so suddenly. But I am glad he didn’t have to suffer. I did one film with him, but whenever we met, he was very affectionate. He stayed close to my house, and once in a while, we would bump into each other.” The 60-year-old adds,

“He was a charming, poetic man. The songs he wrote, his thought process, his dialogues... he was a very erudite man with great command over language. Whatever he made — films or songs — always had something catchy.”

I had just eight lines in Aashiqui; I had to act through my eyes-Anu Aggarwal



Anu Aggarwal talks about giving up stardom and choosing to serve people after a near-fatal accident
Rishabh Suri (HINDUSTAN TIMES; October 22, 2021)

If there’s a film that can define overnight stardom, it has to be Aashiqui (1990). Both its leading actors — Rahul Roy and Anu Aggarwal — received instant fame, but while Roy continues to act, Aggarwal stepped back from showbiz a long time ago. She is now a motivational speaker and also runs a foundation focused on mental health.

Her life has been a roller-coaster ride — from taking up acting in school, where she even directed a play, to instant fame in Bollywood to now having a life dedicated to helping people. “I can’t take any credit for this (success). It was all my karma,” says the 52-year-old, who adds, “Films came my way naturally.” In fact, she reveals that what she has had to work hardest for is “to be a single woman, and live life on my own terms, till date”. “Rest of it — success, money, fame — just came naturally. It’s like it was thrown on my lap,” she says.

After Aashiqui released, a host of offers came her way, but she took her time signing them. She calls that phase “amazing”. “It was a fresh thing, that a girl got to say this in a film: ‘Main apne pairon pe khada hona chahti hoon’. That was one of the eight lines I had in the entire film! I had to act through my eyes, and I thought that was a huge achievement. I also modelled internationally. It’s been a great run,” says Aggarwal, a Delhi University alumna.

But it all changed overnight as well. On October 2, 1999, her car met with a near-fatal accident. “It was unexpected, like most things are in life. I went into a coma, and the doctors thought I wouldn’t survive. But when they had given up, I started to heal. I was already a yogini and I started to apply an alternative yoga therapy to myself to heal,” she reveals.

This life-altering event also prompted her to turn into an author, and currently she is readying for the launch of her second book. She says, “The first one was not a biography, that I’m a star, listen to me; it was a human story. After my near-death experience, I realised I had to help people as much as I could. Most of my time is spent on making people’s lives better.”

While film offers are still coming her way, she says the reason she cut down on films, even before the accident, was that she felt the industry “could do a lot more”. “We make thousands of films a year... Why can’t we bring out positive films? That’s what I felt then. Today, there are a lot of alternative films being made. So, maybe there’s a story I may want to do, as the whole scenario has changed. It’s more to my liking now than it was then,” Aggarwal concludes.

Shah Rukh Khan's character in Darr Rahul was written keeping me in mind-Rahul Roy


Himesh Mankad (MUMBAI MIRROR; February 4, 2020)

Rahul Roy, Anu Aggarwal and Deepak Tijori came together on The Kapil Sharma Show to celebrate 30 years of their 1990 musical hit, Aashiqui. The trio took a walk down the memory lane to reminisce about the good ol’ days. Rahul, who became an overnight sensation post Aashiqui’s release, revealed that he didn’t get any work for six months after it. “But suddenly I was offered almost 49 films and I didn’t know which to take and which to leave,” he confessed adding, “I remember Yash Chopra ji had called me for a narration. I was pre-occupied with other films and couldn’t take up the offer as many of the projects I had signed on were already on floors and filmmakers were fighting for my dates.”

When prodded, the actor replied, “Well, the film was Darr, which later went to Shah Rukh Khan and shaped his career. His character Rahul was written keeping me in mind. I still have the big regret of not signing that film.” Rahul also admitted that back then, opting out of the industry was his choice. “I went out for a good nine years, and that was my choice. So I can’t really complain,” he maintained.

Vishesh Films turn 30; Bhatts throw a small bash & screening of Begum Jaan


Vishesh Films' anniversary was a nostalgia trip that doubled up as the first preview screening of their upcoming Partition-drama
Sanyukta Iyer (MUMBAI MIRROR; April 3, 2017)

Friends, family and former colleagues converged at a suburban studio on Sunday, to raise a toast to Vishesh Films which completed a three-decade run. The bash began at 7pm with Salim Khan cutting a two-tier cake moulded like a film reel and a clapboard. Bhatt protégés Deepak Tijori, Anu Aggarwal, Shraddha Kapoor, Aditya Roy Kapur, Anupam Kher and Patralekha cheered from the sidelines, along with Anu Malik and Hansal Mehta. Mukesh Bhatt's producer-son Vishesh who'd organised the do told Mirror, “We live in a transitory world so it's important to celebrate such priceless moments. We decided to bring together everyone who has been a part of my family's landmark journey.“

Mahesh Bhatt, the designated host for the evening, ushered in his guests into a special screening of their upcoming production, Begum Jaan. He recalled how after the back-to-back successes of Saaransh and Naam, they were sitting in Salim Khan's house when he told Mukesh that it was the right time for them to turn producers. “It was because of him that Vishesh Films was born,“ he exulted, adding that it was important to re-create the moment with people who had impacted his journey.
--------------------------
Aashiqui meets Aashiqui 2
MUMBAI MIRROR (April 3, 2017)

Mahesh Bhatt was in school when he met Lorraine Bright, who was studying at a suburban orphanage close to where he lived. It was love at first sight. When they were caught, Lorraine was asked to leave.Her beau got her a room in YWCA and enrolled her for a typing course, which later got her a job. After landing two ad film offers, he asked her to marry him. She accepted, changed her name to Kiran Bhatt and they had two kids, Pooja and Rahul. Their love story translated on screen as Aashiqui, Bhatt's biggest musical success. 25 years later, the Rahul Roy-Anu Aggarwal-Deepak Tijori story got a sequel, featuring Aditya Roy Kapur and Shraddha Kapoor. Rahul was MIA but Deepak and Anu turned up to celebrate the day. Now, Aashiqui 3 is being penned by Bhatt's daughter, Shaheen.

Anu Aggarwal recounts, car accident, coma, lovers in new book

Anu Aggarwal
Dropped-out-of-sight Anu ‘Aashiqui’ Aggarwal returns to the public eye with a veracious memoir 'Anusual' that zips between multiple personas punctured by 29 days of coma. Exclusive extracts
MID-DAY (July 26, 2015)

Exactly a year after the super-hit sequel to her super-hit debut opened in theatres, Aashiqui actress Anu Aggarwal is back in public attention. She may call the timing karmik coincidence.

She won’t meet for an interview. Her time is reserved for teaching Mumbai’s slum kids AnuFun Yoga, a healing module she developed after years of experimenting with Vipassana, Craniosacral therapy and Tantra across ashrams in Uttarakhand and Kutch. She teaches it for free. Sanyas mandates that she live frugally, rid herself of the burden of possession. Sometimes, that means shorning her waist-length hair to ear-length; at others, it is to sell off her sea-facing Worli apartment, leaving with 11 cartons — 10 of them ready to be sent to Dharavi NGO Zaroorat.

It also means she must forgive.

Following a near-fatal accident that left her in coma for 29 days, three years of determination and therapy allowed her to get back on her feet. Her doctor decided the 12-inch metal plate that held her fractured humerus together, can go. The mini-surgery turned into nightmare when he snapped her radial nerve, leaving her right hand paralysed. “So, if I closed my eyes there was no thumb. I had no first finger. No second finger. No third finger. No fourth finger. No tiny smallest finger. And I had no nails. I did not have a palm. I did not feel the skin on top of my palm. I had no skin even above the palm. My wrist was decapitated. I had no hand and no lower arm. I had no elbow. I had no upper arm,” she said. The next morning, she sent the surgeon a Dutch plate, a gift to ease his guilt. “The damage to the nerve and the arm is healing but not fast enough”. She learnt to use the fork with her left hand.

The benevolence and sobriety has come after a life of satiety. She lists her lovers with the matter-of-factness of a supermarket bill.

An Anglo-American jazz musician; a Giorgio Armani supermodel; a cool-headed Wall Street financier; an Australian-Jewish landowner; a venture capitalist and sax player from Texas; a German lingerie-maker; a loaded Nigerian “who preferred the most natural sexual acts to be performed with both of us standing up straight”. And finally, Swamiglee, the guru who rechristened her Anandapriya, making her his Tantric partner. This, until she learnt to orgasm with plain breathing. After a month’s practice of extending the breath between the outgoing and incoming breaths, suddenly one day, she stopped breathing. Her shaking body felt as if she were watching it from outside.

This out-of-body experience hits her often, (possibly why, in several sections of the book, she refers to herself in the third person), especially in the time after the near-fatal accident.

Aggarwal left behind Paris, and her art dealer-restaurateur boyfriend, Laurent, to act in Mahesh Bhatt’s love story, Aashiqui (1990), that he had spent a year writing with her in mind
Select excerpts:
The early morning was filled with a heavy deluge of untimely rain. Chowpatty, one of the busiest thoroughfares in south Mumbai, was under police security. The birth anniversary of Mahatma Gandhi was on a Saturday this time... Returning home from the US consul general’s party, Anu was lacerated by metal. Cut by broken glass. Pulped inside the grunting car that was shaken by the stormy wind. Mercilessly reduced to a bloody mass of defeated bones; crushed and cracked, Anu would still breathe, however sparingly.

The policemen were astonished when they saw the white Mercedes take three 360-degree James Bond-kind of turns before flopping down next to the turbulent sea. It was only when they saw a female body slither out of the driver’s seat that they rushed to pick up her body, which looked electrocuted. Her feet fell on the broken glass of the windscreen; blood oozed out of her soles.

And later, when the insurance guys checked the battered car, they began to look for loopholes to save money as the smashed condition of the car meant full insurance coverage...

In the Intensive Care Unit the hands of Dr Kartik were folded behind the white apron. Head bent, he examined Anu who lay there like a corpse. On a crisp white sheet she was wired down to the hospital bed.
Asleep in peace.

And even when Anu wakes up — if she does from the comatose state — her gestation period will be three years.

Bedridden, the vegetable case will need to be taught the alphabet again. Death, in those three critical years, is almost inevitable...

A CT scan detected many multiple fractures in the body:

Clavicle — multiple fracture of the right collarbone; Humerus bone in the upper right arm — multiple fracture; Unstable pelvic fracture; Bladder rupture; Jaw—multiple fracture, dislocated; Basilar skull fracture; Temporal bone fracture of the ear; Ribs, mandible — hairline fracture; Sinuses smashed; Forehead fracture suspected; In the orbital region that holds the eye, fracture suspected; Nasal bone fracture suspected; Inner ear fracture, causing labyrinthitis, a disorder of the inner ear. Head injury: damage caused to the underlying blood vessels; Brain bleed.

With damages so disastrous I lay painlessly asleep in the hospital’s fresh linen. It was suspected I would cop it any second, it was a question of when...

A 12-inch-long silver metal plate is implanted in me to support the broken humerus. There are eight steel screws around the incision, to hold it. Then the skin is needled, sutured and stitched up — twenty-eight horizontal stitches are visible — from shoulder down to elbow.

Apparently, in the next quick surgery, they gashed the skin, prodded all internal organs to check for internal damage, stitched up a ruptured bladder. A vertical mark resulted that looked like a serpent — with its head just below the breast, it stretched all the way down and ended with its tail just above the vagina.

‘Lucky you. Your daughter has no internal breakages…the spinal cord is intact,’ Dr Shekhar informed my father, polishing his glasses. Pa heaved a sigh of relief: she will not be a Christopher Reeve-kind of a case — the actor who played Superman and who, as a result of a fall in an equestrian competition, had to have the base of his skull reattached to the spinal column with wire, titanium, and bone grafted from his hip.

‘Only her bladder ruptured, but we surgically enclosed it. Don’t worry, your daughter can bear a child, have babies,’ Dr Shekhar assures.

In the current situation that is the least of Ma’s concerns. She wants to see her bubbly daughter alive again.

I wake up.

Dr Kartik exclaims in glee:
—You are alive! This is a miracle.
—Alive?

Was I not alive when, during the first surgery, I scanned my own body from the outside?

9 a.m. Light changes, that’s all. They call it ‘morning’. You exist regardless. You are a part of eternity. My eyes flash open to intense activity — three attendants in white uniform hurriedly wheel a stretcher into the room. Methodically, they adjust the stretcher parallel to the bed. There is an absence of sound. Everything is distant, far away. ‘My’ body, which I have no association with, is lifted. I curiously watch it being raised above the bed, and then placed on the sharp green of the stretcher.

The stretcher moves fast down the corridor, then is stationary inside the lift.

I am motionless.

Delicate, like a newborn.

Filled with childlike wonder.

The earth a mystery.

We are in the Magnetic Resonance Imaging (MRI) room. The MRI is a type of scan that uses strong magnetic fields and radio waves to produce detailed images of the inside of the body. The radiologist, Dr Anirudha, points to the image and continues:

A Computerized Tomography, of the base of skull, is performed; there is fluid in both mastoid air cells, right mastoid fracture is noted, right sphenoidal polyp is noted.

The conclusion: there is fluid in both mastoid air cells, there is a right mastoid undisplaced fracture.

Whatever.

The radiologist is exuberant...

A pale smile accompanies his voice:
— Apart from the skull, there was a crack on your forehead, in the orbital region that houses the eye. We needed to recheck it for a fracture but we could not do it as too many other parts of your body required immediate attention...

That is why that area is shrunken, like a hollow cave, benumbed. Half the forehead is paralysed and is smeared with black ash. And I cannot understand what they say — I have difficulty hearing. The Bell’s Palsy-ridden face does not show the inward smile. I live out of the body more than I do in it...

You go out for dinner one drizzly night but do not return; you disappear from your home instead. Return only a month and some odd days later and not know your house is ‘yours’. And since you do not know you left it, you are not returning either. You are here as for the first time — you feel only a vague acquaintance with it. Amnesia skirts the film star, now worn-out, depersonalized. A special medically advised bed is what I lie on.

Dr Kartik visits, tells Ma: She had hysterical post-traumatic amnesia. Damaged hippocampus in the brain means she will not be able to imagine a future, because when a normal human being imagines the future, they use their past experiences to construct a possible scenario.

Anu lives in the now, in the present moment.

Extracted with permission of HarperCollins Publishers India from Anusual by Anu Aggarwal

Aggarwal left behind Paris, and her art dealer-restaurateur boyfriend, Laurent, to act in Mahesh Bhatt’s love story, Aashiqui (1990), that he had spent a year writing with her  in mind