Showing posts with label Anil Kapoor. Show all posts
Showing posts with label Anil Kapoor. Show all posts

Anil Kapoor is responsible for convincing me to become a part of films-Dia Mirza


Akash Bhatnagar (HINDUSTAN TIMES; July 18, 2026)

For Dia Mirza Rekhi, 2026 is a special year. She marks 25 years as an actor, and was seen in Ikka with Sunny Deol and Akshaye Khanna and opposite Anil Kapoor in Alpha. She also has web series Operation Safed Sagar in the offing.

And it all started thanks to her co-star. “AK (Anil) is responsible for convincing me to become a part of films,” the 44-year-old reveals, adding, “He met me right after my Asia Pacific pageant (in 2000). He and Anupam Kher were very keen that I do the film that they were working on, and they were the ones who helped me get my first film.”

For Dia, starring opposite Anil “felt like a beautiful full circle moment”: “The first time I met him in the lobby of a hotel in Hyderabad, he had told me, “You have so much grace, you would be so beautiful on screen, you must become an actor’.”

Dia is also all praise for Sunny and Akshaye. “I’ve done some films with Akshaye’s father (late veteran Vinod Khanna) and we shared a very special bond, and I’ve known Rahul (Khanna, Akshaye’s brother). I’d actually approached Akshaye to act in a film that I was producing, but that didn’t work out. So, it was cool to finally work with him,” she shares.

Their film also featured a scene of her slapping Akshaye. “I was terrified, and then Sunny sir was quick to jump in and say, ‘Listen, you’re playing my wife, so you shouldn’t be scared’. And I was like, ‘Have you seen Khanna sa’ab’s fan following?’” she laughs, adding, “It’s only in the last eight years that I have been appreciated and my films have done ridiculously well at the box office. The last 25 years have been preparation for what is to come.”

Jaaved Jaaferi left Naved to spend whole day hanging around n his vest, pants, spare footwear-Ravi Behl

The song, featuring (L-R) Khushboo Sundar and Jaaved Jaaferi, was composed by musicians Laxmikant-Pyarelal. Pics/Youtube, Instagram

Appearing on India’s Best Dancer 5, Jaaved Jaaferi recalls how Bol Baby Bol was among the first instances of a Bollywood villain’s entry with a dance number
Upala KBR (MID-DAY; July 11, 2026)

Jaaved Jaaferi’s chartbuster Bol Baby Bol Rock-N-Roll from Subhash Ghai’s Meri Jung (1985) is remembered even today. Appearing in an upcoming episode of the fifth season of India’s Best Dancer, the actor recalled how late choreographer Saroj Khan gave Hindi cinema a dancing villain, a rarity at the time, through the song.

Talking about how the choreographer broke Bollywood’s standard cinematic tropes, Jaaved recalled, “The kind of character that Anil Kapoor had in the film, it didn’t have scope for dancing. As a result, the flavour of high-energy dance was introduced through the villain. I think it marked the first entry of a ‘dancing villain’ in Indian cinema.”

Jaaved was joined by Ravi Behl and Naved Jafri on Sony TV’s reality show. As they walked down memory lane, Behl reminded Jaaved that he had borrowed his brother’s red shoes and trousers for the shoot. “Jaaved had actually borrowed Naved’s red shoes and pants, leaving him to spend the entire day hanging around the set in his vest, pants, and spare footwear,” laughed Behl as Jaaved added that the dance number was filmed in four days on the streets of Nariman Point and a set.

There is no formula, just a lot of guts and prayers-Akshay Kumar

Akshay Kumar


Actor Akshay Kumar reflects on the success of Welcome To The Jungle and the hunger that keeps him going after three decades
Medha Shri Dahiya (HINDUSTAN TIMES; June 30, 2026)

Actor Akshay Kumar is riding high on the success of Welcome To The Jungle. At a time when every theatrical release feels like a gamble, the film’s strong box-office run has reaffirmed the actor’s enduring connect with audiences. Equally at home in action and comedy, Kumar sits down for a candid chat, making one thing clear at the outset: “Dekh, main dil se bolunga jo bolunga, headline ya TRP ke liye nahi.” Excerpts:

You’ve completed more than three decades in the industry. What is the biggest misconception people still have about Akshay Kumar?
That I have some secret machine at home that produces four films a year! But it’s all about time management and discipline. Another misconception is that because I’ve been around for more than three decades, everything comes easy to me now. It doesn’t. Every Friday still feels like an exam result. Every film still gives me butterflies. The day I stop being nervous or excited about a new project, I think that’s the day I should retire. So no secret formula... just discipline, consistency and still having the hunger of a newcomer.

Bollywood has been going through phases where audience tastes have changed every few years. How have you stayed relevant?
Being relevant and understanding what audiences want is one of the hardest things to predict. Sometimes you need to give audiences something they didn’t even know they wanted. Following trends doesn’t guarantee success either. The trick is not to be scared. If you believe in something, go for it wholeheartedly. There is no formula, just a lot of guts and prayers.

The most important person I wish to thank for not only today but also the past 20 years is (filmmaker) Anees Bazmee ji. This man is the creator of Welcome, without his genius filmmaking none of the 30+ cast members of Welcome To The Jungle, would be standing here enjoying this weekend, especially me.

The first rule of martial arts is to never forget where you come from… I will cherish Anees ji for what he has given us all and the road he paved for so many of us.

Welcome To The Jungle is quite literally standing on the shoulders of giants. From Anees ji, Ferozji (A Nadiadwala, filmmaker), Anil ji (Kapoor, actor) and Nana ji (Patekar, actor) and now my friend Ahmed (Khan, director of Welcome To The Jungle).

Welcome To The Jungle has stormed past Rs. 65 crore in its opening weekend. The industry is happy and relieved and the audience is truly enjoying the laugh riot. What do you have to say?
Just two words: Jai Mahakal!

What lessons have you learnt from the successes and setbacks of your films?
That you can’t always trust your instincts. Sometimes you can love, admire and be excited about a project, yet it simply doesn’t connect with the audience. But I’m not the kind of actor who is only looking for blockbusters. There are so many stories to tell and so many talented artistes and technicians to work with. Some of my films over the last five years have been my favourites, and others I’m not sure even my family went to see. But I never stopped trying. Better to be relentless than too scared to make your next hit or flop.

What excites you most creatively now?
The number of hungry artistes, writers and debut directors getting opportunities excites me. Personally, having come from the background that I have, I still love good old-fashioned action, memorable dialogues and songs you can listen to on repeat. Today everything moves so fast. One minute something is viral, the next minute it’s forgotten. All you can do is try to be the best version of yourself and hope people connect with it.

Do you still get nervous before a film release? Does home production add more pressure?
I do get nervous, but not to the point where I can’t eat or sleep. Give me home-cooked food and a pillow any day of the week and I’m happy. These days, I’m more nervous for everyone else involved in the film. I’ve experienced success, failure, heartache and triumph enough times. I just want the best for everyone around me.

Many younger actors look up to your discipline and work ethic. In an industry that often celebrates overnight success, what habits are truly non-negotiable for longevity?
Be authentic. Be original. Don’t try to look, dance or act like someone else. Be a producer’s actor and remember that you’re only as big as your last hit film. Stay humble on your way up, otherwise the fall will be much more painful.

Do you take feedback from your wife and kids?
Always have, always will. You never know where the next great idea will come from.

When you look back at your journey from Rajiv Bhatia to Akshay Kumar, is there a struggle or sacrifice that still moves you emotionally?
No matter how much you do later, there is no substitute for being present in a child’s life. Luckily, my wife (former actor and author Twinkle Khanna) understands better than anyone, but it’s hard for a child to understand why Daddy has to leave home to entertain others when all he wants is to make them laugh the most.

The Welcome franchise is known for its madcap humour and ensemble chaos. What makes Welcome To The Jungle different?
The earlier Welcome films were madness in a living room. This one is madness in a jungle! We’ve taken the chaos, multiplied it by ten and dropped everyone into the middle of nowhere.

There are helicopters, action sequences, mistaken identities and so many characters that even we sometimes needed a headcount on set. What makes it fresh is that it’s not just a comedy of dialogues anymore. It’s comedy on a much bigger canvas — an adventure-comedy where something goes wrong every five minutes.

I’m ready on one foot to go on floor immediately as soon as Aamir Khan calls me up for Delhi Belly 2-Abhinay Deo

Abhinay Deo

Komal RJ Panchal (MID-DAY; June 16, 2026)

If patience is an actor’s greatest virtue, it’s a filmmaker’s absolute superpower. No one knows this better than Abhinay Deo. After a grueling three-year wait to bring the Karisma Kapoor-led crime thriller Brown to screens, he’s finally soaking in the well-deserved applause.

But the universe wasn’t done with him yet. Out of nowhere, life threw in a plot twist: right alongside the Brown buzz, a wave of nostalgia has suddenly revived the love for his 2013 television series 24 — the iconic Indian adaptation of Kiefer Sutherland’s real-time American thriller.

Deo calls it a “sweet coincidence” that the Anil Kapoor-led thriller landed on streaming platforms barely two weeks before Brown premièred on Zee5. “It’s heartening and encouraging [to see] that even after 13 years, 24 is still one of the top 10 shows [on Jio+Hotstar]. I’m getting so many phone calls from people saying they had missed it then and are discovering it now,” he smiles.

But Deo wasn’t one to rest on nostalgia. Even as 24 enjoyed a second innings, he was busy scripting the next leg for Brown.

He gambled by presenting Kapoor without make-up in a striking de-glam avatar, and it paid off. The filmmaker says he saw the role as an opportunity for the actor to reinvent herself. “I told her that if people see her in the same way they did 30 years back, they will be happy. But this was her second chance to do something that probably no one ever expected. She said, ‘I love it. I’m all game. Let’s do this’.” So, Kapoor didn’t any touch ups between shots.

Now, discussions are already underway about future instalments. “We are talking about season three of 24 and season two of Brown,” Deo reveals, while cautioning that nothing is official yet. For now, the filmmaker plans a brief pause before diving back into development. “The ideas never stop. Taking a break is important to streamline those thoughts,” he says.

On ‘Delhi Belly’ completing 15 years
The Imran Khan, Vir Das, and Kunaal Roy Kapur-starrer will celebrate its 15th anniversary on July 1. While Deo is eager to return with a sequel, he says the decision lies with producer Aamir Khan. Deo says, “I’m ready on one foot to go on the floor immediately as soon as Aamir calls me up for ‘Delhi Belly 2’.

What is No. 1? There’s always going to be someone better than you-Varun Dhawan


Madhureeta Mukherjee (BOMBAY TIMES; June 6, 2026)

Charming and full of energy, Varun Dhawan brings his infectious sense of humour to the latest episode of the Bombay Times Lounge driven by Jeep. But beyond the laughs, the actor — whose latest release, Hai Jawani Toh Ishq Hona Hai, directed by David Dhawan, hit theatres on Friday — reveals a more reflective side as he opens up about the dangers of chasing perceptions, the pressures of fame, and why staying true to yourself matters more than ever. A conversation that’s equal parts entertaining and insightful — much like Varun himself. Watch the full episode on the Bombay Times YouTube channel.

Your father, David Dhawan, created a certain grammar of mainstream Hindi entertainment in the 90s. But today’s audiences consume content, including comedy differently. When you are making a comedy like Hai Jawani Toh Ishq Hona Hai, how do you stay true to the heart and soul of those classic entertainers?
My dad always told us, ‘I never went in to make comedy films. Main entertainer bana raha tha. Main logon ko entertain karna chahta tha. Usme romance tha, emotion tha, drama bhi tha, thoda sa action bhi tha. Aur uss mein logon ko hasaa bhi raha tha. But unn emotions ke bagair, those films would not be what they were. People and maybe critics back then, labelled them as comedy, but actually they were wholesome entertainers’.

Recently, at the David Dhawan Film Festival, where they showcased Aankhen, so many of us sat together and watched the film on the big screen — it was still so entertaining and magical. The comedy is not forced, it’s not gaggy... ki yaar, yeh trend mein hai, bolenge toh yeh chalega. It’s very close to real things that happen around us. I believe comedy is basically about capturing the nuances of real life and maybe magnifying them a little bit.

You did Main Tera Hero (2014) after your debut Student Of The Year (2012). I believe during the initial years of your career, you were advised not to do a comedy & even told that it was a wrong choice.
Yes, I was told by a very popular director back then that, ‘I wanted to cast you in a film, but I feel the kind of cinema you’re doing, you can only do that. But you should not do such cinema.’

And here we are…
Yes!

Your father recently said that Hai Jawani Toh Ishq Hona Hai could be his last film as a director. Knowing that, did the journey feel more emotional for you — not just as an actor, but as a son who has grown up watching him live and breathe cinema?
At one point, we thought that he wouldn’t direct a film again because his health was down. So, Rohit (brother), my mom and I, felt he should not direct a film. He was going through a very low phase, and I remember Anil Kapoor, telling me, ‘You have to let your father get back on the sets. He has spent more time on the set than he has spent at home. His home is the set and behind the camera. We are built differently, Varun. Humne bahut kaam kiya hai, so unko khushi agar usme mil rahi hai, let him do it and as a son support him.’ Anil uncle has a similar work ethic, so I understood what he said and that made me think about it a lot. Rohit was a little bit more hesitant to let him direct again, but we knew we had to support him.

Some actors come into the industry and then along the way they figure out the dynamics of this place. You’re someone who’s grown up within this machinery. Do you think you were far more prepared to embrace fame, success and failure because you’ve seen it from close quarters?
I think no one comes prepared to deal with the ups and downs in their life. I’ve had my share of ups and downs and my moments of weakness. But what I have learnt is — you have to move on and take the next step. You can dwell over it and feel bad for yourself. You can play victim, but how long will you play victim? This is something that my dad always tells me — move on, take the next step, you have to take the next step. There’s no point sitting and blaming people for your sorrows and think…ki I’m here because usne mere saath yeh kiya, ya yeh hua mere saath. Arre bhai, tumhari bhi thodi galti toh hogi na? So, introspect, take the learnings and move on. Blaming anyone is not going to get you anywhere.

In an earlier conversation with us, you had spoken about how much of our life is spent chasing perceptions — of success, relevance, being number one. But there comes a point when that chase can feel exhausting. Have you reached a stage where you’re more at peace with yourself than with how you’re perceived?
What is number one? It means you’re better than someone. There’s always going to be someone better than you. Someone will come along and something will change. My idea is to just do my work in the best way possible and enjoy the journey. There was a time when we were all being brought up in that very individualistic mindset. I myself have moved away from it a little bit. I was running too fast and sometimes when you do that, you forget which direction you are running in.

What do you think is the most dangerous thing about fame?
It’s addictive.

There’s a pressure that comes with being an actor and a star that people often overlook. What’s the part of stardom that the audience doesn’t see?
The lonely moments that you spend with yourself. When you’re all alone in your van, when you’re all alone in your house — those are the lonely moments. Actors’ lives are very lonely, and this is something which I always discuss. I would say most actors are lonely.

That’s interesting because from the outside, an actor’s life seems anything but lonely. You’re constantly surrounded by people. Is there a danger of losing yourself in the image that others have of you?
Luckily, from the beginning, I kind of dropped the façade. I am what you see. I can’t keep pretending, because I feel my mental health will go for a toss and I will burst somewhere. I mean, if you see my earlier interviews, I was even more moohfat. Abhi thoda sa conscious ho rahe hain log because of social media and all that. But kya hi hone wala hai? Kya hi kar denge? Cancel kar denge? After a point, you’ve just got to be yourself, whether it’s good or bad — at least you’re yourself. Otherwise after some time, you won’t even know who you are.

As someone who understands the economics of cinema as much as the craft, in today’s landscape, what do you think is tougher — making a film or bringing people to buy a ticket and come to the theatre?
I feel that bringing people to come and buy the ticket is tough today. You can make a good film, and many good films are being made, but not all of them make money. It’s not like we are not making good films. I saw Superboys Of Malegaon aur mujhe bahut acchi lagi. I loved Laapataa Ladies and 12th Fail; the movie was also a hit, but it could have made even more money given that it was such a good film. Then there is a film like Dhurandhar, which is an entertaining film, it has stars and everything comes together and it does well. So, it’s possible, but not easy. It was never easy.

Driven by: Jeep
Location courtesy: Luuma House

We don't have Bollywood parties anymore; people are scared-Anupam Kher

‘WE DON'T HAVE BOLLYWOOD PARTIES ANYMORE; PEOPLE ARE SCARED’

Anupam Kher says trolling has become ‘favourite national pastime’, with celebrities being ‘scared of celebrations’ over public perception
Akash Bhatnagar (HINDUSTAN TIMES; May 20, 2026)

After performing his new play Jaane Pehchaane Anjane in Mumbai last weekend, Anupam Kher is bringing it to Delhi. The veteran actor is also fresh off a proud international moment. He won the Best Supporting Actor award at the UK Asian Film Festival earlier this month for the 2025 Indo-Canadian film Calorie.

Even after over four decades in cinema, the 71-year-old says that an award still gives him a high, especially on a global stage. He tells us, “It may sound dramatic, but actors don’t get to officially represent their country globally like how sportspersons do... Whenever I work abroad, I say ‘Bharat Mata Ki Jai’ before every project; I’m representing 1.4 billion people.”

But celebrating such wins, he feels, has become difficult now. “I was just talking to (actor) Anil Kapoor that people have stopped celebrating life and their wins because they think usko bhi log kuch na kuch bol denge,” the actor opines, adding, “We used to have such amazing Bollywood parties earlier by (filmmakers) Yash Chopra or Subhash Ghai; we don’t have them today anymore kyunki logon ko celebrate karne mein darr lagta hai, ki kahin na kahin koi kuch galat nikaal lega.”

As an example, Anupam points to the trolling faced by actor Alia Bhatt after her recent appearance at the ongoing Cannes Film Festival: “Losers who have nothing to do in life just want to get noticed by criticising something iconic. Criticism has become the favourite national pastime. I don’t get angry with them anymore, I feel pity.”

ON ‘STAYING ALIVE’ WITH THEATRE
The actor is currently busy with his new theatre play Jaane Pehchaane Anjane, which comes to Delhi this week after being staged in Mumbai last weekend. “I have been performing my one-man show Kucch Bhi Ho Sakta Hai for the last 21 years. But this is a new play, and this is the first time we have so many actors in one play,” he shares.

Based on a Marathi play, it has been turned into a musical by composer Anu Malik, with Anupam singing the title track himself. “Theatre shows me that I can still push my boundaries and it keeps me alive as a person, not only as an actor,” he adds.

ON TRAVELLING BY TRAIN
He grabbed attention online when he took the Vande Bharat from Jaipur to Delhi, in support of PM Narendra Modi’s save fuel campaign and austerity measures. In a Reel on Monday, he urged people to use public transport where possible: “Where possible, we should use public transport, do carpooling. We should avoid taking out our car for short distances... In our daily lives, we should make small changes.”

Aishwarya Rai Bachchan, Akshaye Khanna, Anil Kapoor will not be there in Taal 2-Subhash Ghai

Subhash Ghai

Upala KBR (MID-DAY; April 30, 2026)

Sequels, and then some more. That’s what Subhash Ghai is thinking of these days. Almost 27 years after Taal (1999) became a smash hit at the box office, the filmmaker revealed to mid-day that he is crafting its sequel.

Starring Aishwarya Rai Bachchan, Akshaye Khanna, and Anil Kapoor, the popular musical told the story of a talented village singer who rises to stardom after being heartbroken. So, will the sequel take the story forward? “We cannot have the same actors of Taal today as they are older. So, an extension of the original story is out. But it will be a musical love story. I want fresh faces to play the lead roles,” he said.

Those hoping to see Rai in a cameo, at least, are in for disappointment. The filmmaker said, “Mukta Arts has never had these gimmicks of having stars as cameos in their movies. So, Akshaye, Aishwarya, and Anil will not be there in Taal 2. If we require star power, we can request anyone, but the character needs to be justified.”

Ghai has been writing the love story over the past few years. Even as he has developed its world, he is certain of not directing it. He stated, “I’d like to have a well-known director to helm it. We plan to announce Taal 2 by October.”

That isn’t the only sequel Ghai is considering. He is also developing the second part to his all-star action drama, Karma (1986). “The time has come when people want to see a story’s sequel. Like in Karma, what happened to Dr Dang or Baiju [Anupam Kher and Jackie Shroff’s characters respectively]? Karma 2 is next in the pipeline.”

Suhana Khan's action sequence to be shot in Mumbai as makers cancel Dubai schedule amid West Asia tension

Suhana Khan's action sequence to be shot in Mumbai as makers cancel Dubai schedule amid West Asia tension

Sources say King makers have scrapped their Dubai leg amid the ongoing West Asia conflict
Mohar Basu (MID-DAY; March 30, 2026)

There appears to be a last-minute location shift for King, starring Shah Rukh Khan and his daughter Suhana. The unit was scheduled to shoot a large-scale desert action sequence, featuring Anil Kapoor and Suhana, in Dubai. However, the ongoing conflict in West Asia has prompted filmmaker Siddharth Anand to call off the international leg and reimagine it in Mumbai.

According to a source close to the production, the Dubai schedule was locked months in advance. “The team had procured the necessary permissions to shoot in the emirate. It was supposed to be a week-long schedule from April 9. But given the dynamic situation in the region, the makers decided not to take any risk with the cast and crew’s safety.”

Instead, the sequence will now be filmed in a Vile Parle studio, where the production design team has recreated a desert landscape.

“They’ve gone all out to match the scale that Siddharth envisioned for the set-piece. In fact, this gives them more control over action beats and lighting. The sequence begins with a chase, resulting in an intense combat.”

Anil Kapoor told me, ‘Tell me about today and tomorrow. Don’t tell me about yesterday. And I’m not kidding’-Suresh Triveni

Suresh Triveni reveals how Anil Kapoor instantly agreed to Subedaar: ‘He is not complacent at all’

Priyanka Sharma (MID-DAY; February 23, 2026)

It’s not every day in the industry that a one line idea gets a star to commit to a film. But filmmaker Suresh Triveni tells us that rarity happened when he narrated the idea of Subedaar to Anil Kapoor. “Our man said yes and then asked, ‘Kab banana hai?’” the director recounts the phone call he had with Kapoor.

The Prime Video film, also starring Radhika Madan, tells the story of a former army man (Kapoor) coming to terms with the civilian life. For his protagonist, Triveni drew inspiration from Kapoor’s iconic characters of the ‘80s.

“He is one actor, who has over the period of time, adapted himself beautifully in different roles. But we can never forget Munna from Tezaab (1988) or Mr India (1987). He has a presence, which is cinematic. So that inspired me. And I wanted to write a story of a man of the soil. That’s where it started,” he shares.

And it’s only been a joy ride for him to direct the star, not only for his dedication towards his craft but his hunger as a performer, despite his four-decade long experience in the industry.

“Anil sir does not like to be reminded about his past work. He says, ‘Tell me about today and tomorrow. Don’t tell me about yesterday. And I’m not kidding’,” the director says, adding that he has his lead star’s professionalism to thank for being able to wrap up the film in just over 40 days.

“He is so particular about the details [of the character]. Like, he’s got a book of records where he has actually noted down that what’s his hair growth and moustache growth like. He maintains a diary. His team knows that. That’s the amount of professionalism he brings to a film. Otherwise, I won’t be able to shoot a film in 44 days. It’s impossible. He is not complacent at all.”

Milap Zaveri puts Tiger Shroff, Vidyut Jammwal's actioner on hold for Harshvardhan Rane's romantic drama

Milap Zaveri puts Tiger Shroff, Vidyut Jammwal's actioner on hold for Harshvardhan Rane's romantic drama

Sources say director Milap Zaveri has hit pause on the Tiger Shroff and Vidyut Jammwal-led actioner; to kick off a romantic drama with Harshvardhan Rane
Upala KBR (MID-DAY; February 4, 2026)

Until mid-January, director Milap Zaveri and producer Bhushan Kumar were going full throttle on their next, an intense action drama with Tiger Shroff and Vidyut Jammwal. But things have a way of changing overnight in the film industry. Now, it is heard that Zaveri and the T-Series head honcho will start another project, which will see the director reuniting with his Ek Deewane Ki Deewaniyat (2025) actor Harshvardhan Rane.

mid-day has learnt that Anil Kapoor is in talks to play a pivotal role in the yet-untitled movie that is expected to roll this month.

A trade source revealed, “The makers are in the final stage of discussion with Anil. Milap will direct the actor for the first time.” What of the Shroff and Jammwal-starrer then? Apparently, the actors had started training for the actioner.

The source indicated that creative differences led to the film being put on the backburner. “Milap chose to do Harshvardhan’s movie over the other as too many creative differences were creeping in. It can happen when you cast two action heroes, but they shouldn’t interfere in the script. That said, it was an amicable parting. There was also a date clash as the makers wanted to begin the Harshvardhan movie in February, and no way would the Vidyut-Tiger film be complete by then.”

Anil Kapoor to headline Nayak sequel, reveals producer Deepak Mukut


Vinay MR Mishra (BOMBAY TIMES; January 6, 2026)

Producer Deepak Mukut has reacted for the first time to reports suggesting that he has sold the rights of Nayak to Anil Kapoor for a proposed sequel. Dismissing the speculation, Mukut told Bombay Times that the sequel is being developed jointly and that there has been no standalone transfer of rights.

“I won’t be able to talk much but I can only say that we are doing it together. We are fine with all the rumours, but we are doing it together. It is under process. We will announce it shortly,” Mukut said, addressing the chatter around the project.

Speaking about revisiting the 2001 political drama, the producer stressed the emotional and cultural weight attached to Nayak. “It is a legacy project. It’s been almost 25 years. Every film has its own destiny. When the time comes, it happens. And we realised it is a good time to do it now. We had an understanding and we are doing it together, beyond that I won’t be able to speak,” he added.

When asked about timelines, Mukut made it clear that the makers are proceeding cautiously. “Once the script is locked. Nayak is a big legacy so we will only go on floors when everything is fixed. We are trying for this year,” he said.

Directed by S Shankar, Nayak: The Real Hero starred Anil Kapoor in the role of Shivaji Rao Gaekwad, a television cameraman who is unexpectedly sworn in as the Chief Minister of Maharashtra for a day, only to take on systemic corruption with sweeping reforms. The film also featured Rani Mukerji, Amrish Puri, Paresh Rawal and Johnny Lever in pivotal roles. An official remake of Shankar’s Tamil blockbuster Mudhalvan (1999), Nayak went on to gain a cult following over the years.

While talks of a sequel have surfaced multiple times over the years, the issue of who currently holds the rights to Nayak remains ambiguous, with neither side spelling out the exact legal ownership. For now, Mukut maintains that the sequel is a collaborative effort and that an official announcement will be made once the groundwork is complete.

Dharmendra dies at 89: Timeline to the legend's stardom journey

Dharmendra dies at 89: Timeline to the legend's stardom journey

Dharmendra, whose range is the stuff of legend, passes away following month-long illness
Mohar Basu (MID-DAY; November 25, 2025)

Bollywood legend Dharmendra, 89, passed away at his Mumbai residence on Monday, November 24, following a month-long illness. His eldest son, Sunny Deol, conducted the last rites at the Pawan Hans crematorium in Vile Parle at 1:30 pm, with members of the Deol family by his side. Joining them were Amitabh Bachchan, Shah Rukh Khan, Salman Khan, Aamir Khan, Akshay Kumar, Anil Kapoor, Shabana Azmi, Abhishek Bachchan, and Agastya Nanda, among others.

The actor's health had been cause for concern since he was admitted to Breach Candy Hospital, where he was undergoing treatment for breathing difficulties, on October 31. Well-placed sources informed mid-day that it was initially described as a precautionary, routine age-related health check-up, but when his respiratory problems persisted, it indicated serious distress to his lungs. On November 1, he had been placed in the Intensive Care Unit (ICU) for closer monitoring.

On November 10, Dharmendra’s condition had deteriorated further, which is when he was put on ventilator support in the ICU. However, speculative news reports on his health led to immediate pushback from his family, who claimed he was “stable and improving.”

In the early hours of November 12, Dharmendra was discharged from the hospital. His treating physician, Dr Pratit Samdani, confirmed to the media that the family had decided to continue his recovery at home. He said, “Dharmendra-ji was discharged around 7:30 am. He will be treated at home, as the family has decided to give him treatment at home.”

On the same day, the family also issued a public appeal, requesting privacy amid swirling media speculation. They said, “Mr Dharmendra has been discharged from the hospital and will continue his recovery at home. We kindly request the media and the public to refrain from any further speculation and to respect his and the family’s privacy during this time. We appreciate everyone’s love, prayers, and good wishes for his continued recovery, good health, and long life. Please respect him because he loves you.”

According to sources close to the family, Dharmendra’s health was still fragile after leaving the hospital, with regular checkups continuing at his Juhu residence, even while prep for his 90th birthday was underway.

On the closing night of the Jagran Film Festival, collaborator and filmmaker Anil Sharma told the press, “He is doing much better than before. Please pray for him. God willing, we will celebrate his birthday on December 8, with much fanfare.” Unfortunately, this was not to be.

Dharmendra is survived by his wives, Prakash Kaur and Hema Malini, and children: Sunny Deol, Bobby Deol, Vijeta Deol, Ajeeta Deol, Ahana Deol, and Esha Deol. Dharmendra’s family said that his final days were spent surrounded by loved ones as he battled his health issues quietly.

A unique performer

Dharmendra became the template of a leading man for a whole generation. He was able to bring warmth and toughness, which rewired how heroes were portrayed in Hindi cinema through the ’60s, ’70s, and ’80s. He effortlessly transitioned from being an action hero to a romantic lead, showing why versatility is essential to stardom. 

In pop culture, Dharmendra turned into a larger-than-life figure. The “He-Man of Bollywood” label stuck partly because he embodied the classic strong-but-soft archetype. But his movies reflected his range. Sholay is the obvious crown jewel, where his chemistry with Amitabh Bachchan helped define buddy-action films. But it’s the comedies like Chupke Chupke that made him a household name. Films like Phool Aur Patthar, Dharamveer, Dreamgirl, Blackmail, Anupama, Bandini, Satyakam, and Seeta Aur Geeta showed the world how he could switch between genres effortlessly — going from small dramas to blockbuster action fare to grand romance, even supporting parts in strong films, all for a good movie in his repertoire.

His last film is the upcoming war drama Ikkis, based on the life of Param Vir Chakra awardee Arun Khetarpal. Helmed by Sriram Raghavan, it is set to release on December 25.

My parents split up, and I looked at food for solutions-Arjun Kapoor

Arjun Kapoor confirms split with Malaika Arora: 'Abhi single hoon main'

BOMBAY TIMES (November 14, 2025)

At FICCI’s Young Leaders Summit, Arjun Kapoor gave a glimpse into his personal battles — with grief, body image and mental health — and how he is healing. Excerpts...

‘NEVER WANTED TO BE AN ACTOR’
Talking about his early exposure to films, the actor shared, “My father (Boney Kapoor) was making films since I remember, and my uncle (Anil Kapoor) was one of the biggest stars in the country. I grew up around cinema. My love for films was very pure. I never wanted to be an actor. I wanted to make films. I still do. I want to produce and direct films.”

Arjun said, “Acting just happened. I went for an workshop with Varun Dhawan to see how it feels to live vicariously through another character. I started enjoying being other people except myself.”

‘OBESITY AFFECTS PEOPLE IN VARIOUS WAYS’
The actor also opened up about how his parents’ separation affected him. “I was not an obese kid, but then my parents split up, and I obviously looked at food for solutions. A lot of us have gone through that. I think it doesn’t matter what age you are; it depends on your emotions and mental wellbeing. I understand how obesity affects people in various ways. You can wake up and have a thin day and a fat day. I still have that,” he said.

‘MY MOTHER UNDERSTOOD WHAT I WAS GOING THROUGH’
Arjun shared, “My mother understood what I was going through. My sister and I both suffered where obesity was concerned. Mentally, I was a strong kid. I understood what my parents had been through at that point. So, I took life as it came, but the journey to lose weight took me four years. I had a solid foundation in my mother, she allowed me to take those three-and-a-half years to drop 50 kgs, also, I had professional aspirations.”

He further added, “My mental health actually was not triggered by obesity. I have a lot of self-confidence. But where mental health was concerned, it was my sister who started talking about it. I didn’t realize that the obstacles I had faced — obesity, making my career the way I did, my parents’ separation, and of course, the attention and eyeballs — had affected me. You become a star overnight, and suddenly you are scrutinized — the way you look, the way you talk, the way you express, the way you behave off camera, on camera, everything,” he recalled.

‘I’m a big advocate for help because I have realised its value’
Arjun shared that therapy has helped him find a balance. “The pandemic gave me a moment of realization, and I started therapy after that because I realized I’m the big brother who’s always been there — taking care of my friends, my family, but he needs help, too. I’m a big advocate for help because I have realized its value. It’s like you declutter your mind. A lot of people don’t have that outlet and suffocate. Once you let things out of your mind and express them, you realize how smart and sensible you are. The biggest problem is that vulnerable people are looked upon as weak. I think the strongest people in this world are those who are emotional and vulnerable.”

Anil Kapoor was not the first choice for the role in Meri Jung-Jaaved Jaaferi

Meri Jung is a  milestone in my career, says Meenakshi

Actors Meenakshi Seshadri and Jaaved Jaaferi recount working on the 1985 film, which marks its 40th anniversary today
S Farah Rizvi (HINDUSTAN TIMES; October 12, 2025)

For Meenakshi Seshadri Mysore, Meri Jung is “undoubtedly one of the milestones” of her acting career. “The film has been an iconic addition to Bollywood commercial cinema, and even after 40 years, people continue to like it,” she tells us.

She was still new to films when this Hindi drama, which turns 40 today, came her way. “I was very new in the industry back then and had already done the film Hero (1983) with (director) Subhash Ghai,” she says. Because of this connection, she “came on board later” for Meri Jung.

Interestingly, her role was originally different. “The original script had the leading lady playing the role of a doctor who needs legal help in a poison case. However, the director wanted a glamorous lead, and so my character was sketched as the sister of the doctor, a role later played by (actor) Beena Banerjee.”

Anil Kapoor’s character is the film’s primary focus; he plays a man seeking revenge for his father’s wrongful conviction. On the film being hero-centric, Meenakshi adds, “I knew from the very beginning that this was totally Anil’s vehicle.”

Looking ahead, Meenakshi is reviewing several scripts across formats as she prepares to return to the screen. Last year, she recreated the track Jeet Jayenge Hum Tu Agar from the film along with actor Manjari Fadnis.

My debut remains closest to my heart: Jaaved Jaaferi

For actor Jaaved Jaaferi, the 40th anniversary of Meri Jung is especially significant as it was his first Bollywood film. He says, “For anyone, his debut remains closest to his heart.” He emphasizes the uniqueness of his role: “It was not a typical masala movie villain role. Instead, Vicky was a suave, smart college student, who was much ahead of his times when it comes to portraying vileness on screen.”

The offer was a major chance, one that his father, the legendary 70s actor Jagdeep, also encouraged: “Backed by N P Sippy, directed by Subhash Ghai, penned by Javed Akhtar, and featuring co-stars like Amrish Puri ji and Anil Kapoor.”

He notes an interesting piece of trivia: “I would mention here that Anil Kapoor was not the first choice for the role; it was initially meant for Amitabh Bachchan but later went to the former. So, what more could any newcomer ask for?”

Meri Jung is a  milestone in my career, says Meenakshi

Ritesh Batra’s Anil Kapoor and Julie Delpy starrer cross-cultural romance put on hold

Anil Kapoor, Ritesh Batra’s cross-cultural romance put on hold due to THIS reason
Ritesh Batra, Siddharth, Freida Pinto, Anil Kapoor

Priyanka Sharma (MID-DAY; October 11, 2025)

In September, mid-day reported that Ritesh Batra of The Lunchbox fame was readying to take his cross-cultural romance on floors with Anil Kapoor and the ‘Before’ trilogy star Julie Delpy (In India, after sunrise, Sep 12). But there is a twist in the tale. Sources tell us that the talks between Kapoor and Batra have fallen through, causing the filmmaker to hit pause on the project.

A source told mid-day, “Anil and Ritesh were excited about their maiden collaboration. However, scheduling has played a spoilsport. Ritesh was hoping to roll the film by September-end, but Anil and his dates could not be aligned. Ritesh would rather wait than compromise on any of the story’s aspects.”

Now, Batra has decided to focus on the Netflix series, ‘Unaccustomed Earth’, an adaptation of Jhumpa Lahiri’s acclaimed anthology of the same name. The filmmaker, who will also serve as an executive producer, will helm two episodes of the Freida Pinto-starrer.

“A tender romance about a homemaker who meets her long-lost love, the story is right up Ritesh’s alley. The series has gone on floors and he is fully invested in doing justice to Lahiri’s story,” says an insider.

mid-day reached out to Kapoor’s team, who didn’t respond till press time.

My father didn't react this way when I, Rhea, Harsh were toddlers the way he reacts for Vayu-Sonam Kapoor


Onkar Kulkarni (BOMBAY TIMES; September 22, 2025)

It’s been quite some time since Sonam A Kapoor appeared on the big screen. Now a hands-on mother to Vayu, the actress has consciously taken a step back from her acting career. Her last major theatrical release was The Zoya Factor in 2019, followed by Blind in 2023, which premiered on OTT. However, the fashionista has made appearances at quite a few high-profile fashion events in recent times.

‘I have always tried to pick projects with the girl at the heart of the story, and that vision hasn’t changed’
During a conversation with us, when asked about her comeback plans, Sonam said, “I became a mother and wanted to give it as much time as possible – so that I could witness the process of seeing my son grow up. I wanted to enjoy the feeling of being a mother and it has been the most rewarding experience of my life. Now, I will be back to doing what I love doing – acting. I’m being drawn to disruptive subjects that allow me to shine. I have always tried to pick projects with the girl at the heart of the story and that vision hasn’t changed. I want to do projects where the role of the woman is layered and not unidimensional. I’m excited to come back in front of the camera and my first project post-pregnancy will roll out in the last quarter of 2025.”

‘Being a mom has made me softer, yet resilient and stronger too’
As Vayu turns three, Sonam reflects on how motherhood has changed her over the years. She shared, “I think being a mom has made me much softer, but at the same time it has made me more resilient and stronger. I have always been intuitive, but now I have become even more intuitive and in touch with myself. I am more patient. I want to tell all the mothers that you are doing okay, just take your time, enjoy each moment and don’t rush. Everyone makes mistakes and not everybody is brilliant at everything. You just have to be present.”

‘My dad’s only interested in seeing Vayu’s pics in our family group chats’
Sonam also opened up about the special bond Anil Kapoor shares with Vayu. “My father is obsessed with Vayu because all he is interested in seeing on the family group chat is Vayu’s videos and pictures. All grandparents think their grandchild is most special. It is so amazing watching my dad react this way because he definitely did not have this reaction when my sister Rhea, brother Harsh and me were toddlers,” she said.

Boney Kapoor to throw a lavish party in Bandra's Pali Hill for Shabana Azmi as she turns 75

Boney Kapoor to throw a lavish party in Bandra's Pali Hill for Shabana Azmi as she turns 75

Upala KBR (MID-DAY; September 15, 2025)

Grand birthday celebrations are admittedly not Shabana Azmi’s style. But when it’s your milestone birthday, your family and friends will certainly make it an affair to remember.

mid-day has learnt that producer and close family friend Boney Kapoor is hosting a big bash to mark Azmi’s 75th birthday on September 18. On the guest list are the veteran actor’s family — Javed Akhtar, Zoya and Farhan Akhtar, Baba and Tanvi Azmi — as well as her friends Vidya Balan, Urmila Matondkar, Richa Chadha, Tannishtha Chatterjee, Anil Kapoor, Karan Johar, and more.

Many don’t know that Boney and Azmi go back a long way. The two collaborated on his first production, Hum Paanch (1980).

A source shares, “They struck up a friendship then, and over the years, have become almost family. So, when the discussion about celebrating Shabana’s birthday came up, Boney said he would host it. The bash will be held at his Pali Hill address on September 18, and will see Azmi’s friends from films and theatre in attendance.”

Before that, her group of friends — which calls itself Dher Saara Pyaar and comprises Tanvi, Balan, Matondkar, Chatterjee, Chadha, Divya Dutta, Dia Mirza, and Konkona Sen Sharma — has a girls’ day chalked out.

The source says, “On September 17, they will have a spa day, pampering themselves. Their celebration already started over the weekend as Sandhya Mridul launched her book of poems, Untamed. That was followed by dinner.”

The group is excited to meet Azmi’s other girl gang, Carpe Diem — with whom the actor recently took a trip to Iceland — at the birthday bash (Zindagi na milegi dobara, Shabana style, Aug 21).

Ritesh Batra ropes in French actor Julie Deply as leading lady for his cross-border romantic film

Ritesh Batra ropes in French actor Julie Deply as leading lady for his cross-border romantic film

Priyanka Sharma (MID-DAY; September 12, 2025)

In June, mid-day reported that filmmaker Ritesh Batra of The Lunchbox (2013) fame was developing a cross-cultural romance featuring a mix of Indian and international cast (Shuddh videsi romance, June 28). Now, it looks like the acclaimed filmmaker has found the leads to bring alive his love story.

Mid-day has exclusively learnt that French actor Julie Delpy, known for the wildly popular ‘Before’ trilogy, is likely to star in the yet-untitled film. This news comes on the back of months-long rumours that Anil Kapoor has been zeroed in on to play the male lead.

A source says, “The film is a love story between an Indian man and a foreigner. In Julie, who is naturally charismatic on screen, Ritesh has found the perfect actor to lead his sensitive romantic drama. It aligns with the cinematic sensibility of the actor, who is known for her films that balance humour, love, and realism beautifully.”

What makes the international co-production — which has Guneet Monga Kapoor’s Sikhya Entertainment serving as one of the producers — all the more exciting is the fresh pairing of Kapoor and Delpy.

Another insider shares, “Anil, who is pursuing novel stories, is keen to be a part of Ritesh’s world. He has loved the director’s previous works, and is eager to creatively collaborate with him.” With the cast in place, the movie is expected to go on floors by the month-end.

Anil Kapoor is in talks for an upcoming action thriller by ad filmmaker Satyajeet Kadam

(L-R) Anil Kapoor with Satyajeet Kadam during an ad shoot
Anil Kapoor with Satyajeet Kadam during an ad shoot

Upala KBR (MID-DAY; September 8, 2025)

Glance through Anil Kapoor’s upcoming movies, and you’ll notice he is relishing exploring different genres at this stage. An actioner like Subedaar shares space in his filmography with the spy thriller Alpha, and a yet-untitled business drama with Hansal Mehta. What’s next for the senior actor? From what we’ve heard, a stylized action film to be directed by Satyajeet Kadam. The reputed ad filmmaker is set to make his Bollywood debut, and for his maiden feature film, he has approached Kapoor, with whom he previously collaborated on a commercial for a leading diagnostic centre.

The action thriller has screenplay and dialogues by Ajit Jagtap, who co-wrote the dialogues for Kajol’s Maa.

A source shares, “Satyajeet and Ajit recently gave Anil a narration. The senior actor was excited by the story and how his character drives the plot. He has given his share of inputs and requested them to come back with a revised draft. Though the actor has loved the story, he will give his nod after he reads the reworked draft.”

Through the 1980s and 1990s, Kapoor fronted several action movies that saw him as a morally upright character standing up against the society’s injustice. The protagonist in Kadam’s movie apparently harks back to those characters.

The source adds, “When shaping Anil’s character, the director and writer have been inspired by the heroes of his earlier movies. At the same time, they were mindful of making the part age-appropriate. It will be a nostalgia trip for Anil’s fans. Though the action borrows from the over-the-top style seen in South Indian movies, it’s designed keeping in mind the protagonist’s age and persona.”

Amitabh Bachchan, Anil Kapoor, Vikrant Massey, Vivek Oberoi are also a part of Ramayana

Kajal Aggarwal, Anil Kapoor, Adinath Kothare, Vikrant Massey, Vivek Oberoi, and Mohit Raina feature  in the film. Pics/AFP, Instagram
Kajal Aggarwal, Anil Kapoor, Adinath Kothare, Vikrant Massey, Vivek Oberoi, Mohit Raina feature in the film. Pics/AFP, Instagram 

As Ramayana’s teaser is unveiled, here is a lowdown on how filmmaker Nitesh Tiwari has roped in multiple talented and big actors, including Amitabh Bachchan, Anil Kapoor, Vikrant Massey, for crucial roles
Komal RJ Panchal, Priyanka Sharma (MID-DAY; July 5, 2025)

The curtain has officially risen on Ramayana. On July 3, Nitesh Tiwari unveiled the teaser of the two-part magnum opus, and it confirmed that the Indian audience’s optimism was well-placed. The three-minute teaser may have offered shielded glimpses of Ranbir Kapoor as Lord Rama and Yash as Ravana, but it signalled that the filmmaker was bringing a world grand in vision, rich in imagery, and most importantly, honest in its retelling of the epic.

While it’s known that Sai Pallavi, Sunny Deol, and Ravie Dubey play Sita, Hanuman, and Lakshman respectively, mid-day has learnt that Tiwari has put together a cast of over 25 actors across India for his ambitious project. It is heard that megastar Amitabh Bachchan will voice the character of Jatayu, the divine vulture that not only unsuccessfully fought Ravana, but also aided Lord Rama and Lakshman before breathing its last. While Kunal Kapoor will play Lord Indra, Indira Krishnan portrays Ram’s mother Kaushalya.

A source reveals, “Nitesh has carefully curated the cast, based on visual resemblance, the actors’ ability to transform into their respective characters, and the gravitas they bring. The cast includes Anil Kapoor, Kajal Aggarwal, Vikrant Massey, Vivek Oberoi, Mohit Raina, and Adinath Kothare. Actors across mediums have been chosen as the makers wanted to get whoever was best for the role.”