Ever since the first glimpse of Ramayana dropped, the film’s costumes have become a talking point. Social media has been abuzz with debates over its modern styling, with many questioning why Sita (Sai Pallavi) is seen wearing blouses, unlike traditional depictions of mythological characters. Memes comparing Kaikeyi’s look (Lara Dutta) to television serial characters have also gone viral.

Costume designers Rimple and Harpreet Narulah, known for their work in films such as Padmaavat and Heeramandi: The Diamond Bazaar, aren’t surprised with the scrutiny.

“We knew conversations and comparisons were inevitable,” says Rimple, adding “An epic like Ramayana has lived in our collective consciousness for generations. There will always be opinions about the casting, costumes, visual effects and what people believe is right or wrong. We were prepared for that. What has kept us grounded is our honesty towards our craft.”

Addressing the biggest criticism — Sita’s blouses — Rimple says, “When I close my eyes and think of Goddess Sita, I don’t think about archaeological authenticity. I wanted my Goddess, the one sitting in my mandir, to look like the image that has lived in my consciousness. That was a deliberate choice.”

She adds that there are no surviving costume references from the Treta Yuga that can conclusively say what people wore.

“Research is the foundation of costume design, but interpretation is what makes it art. There aren’t preserved garments from that period that we can simply recreate. We’ve all grown up seeing calendar art, miniature paintings, temple imagery and Raja Ravi Varma’s interpretations. Ramayana itself has been interpreted differently across cultures and countries. This is our interpretation,” she explains.

Talking about Lara Dutta’s Kaikeyi look, Harpreet shares, “The green in her costume represents motherhood, while the deep maroon reflects the emotional strength and darkness of the decision she has to make. She is torn between her own son and Ram. Every colour was chosen with intention. Sometimes people react too quickly before understanding the thought behind it.”

He signs off saying, “This is our attempt to make an ancient epic speak visually to a new generation. There’s thought behind every thread. We want to appeal to viewers — don’t decide before you see it. Watch it, experience it and then form your opinion.”