Border 2 composer Mithoon breaks silence on Javed Akhtar's comments on recreating songs: 'Will always be a part'

As Javed Akhtar terms the recreation of old songs ‘creative bankruptcy’, Border 2 composer Mithoon says tracks like Sandese Aate Hain will always be part of the franchise’s soul
Priyanka Sharma (MID-DAY; January 26, 2026)

The year couldn’t have begun on a more celebratory note for Mithoon. January reverberated with the sounds of his songs from Border 2. People around him might have a different opinion on recreations, but as the composer-singer sits for a chat with mid-day, he is only filled with love and pride about revisiting the classic tracks of Border (1997) for the sequel. Excerpts from the interview.

How did your first meeting with director Anurag Singh go?
Bhushan Kumar [producer], Anurag Singh, and Nidhi Dutta [writer and producer] said they were planning a sequel to Border. Some things are non-negotiable. For example, everybody in the room knew that Border 2 would be incomplete without a couple of elements — one is Sunny [Deol] sir. The second is its iconic songs like Sandese Aate Hain and Toh Chaloon. Everyone felt I should be given the task of recreating them. But I was clear from day one that I wanted Anu Malikji’s approval because those two songs are owned by him, and Javed [Akhtar] saab, who has written them. Anuji agreed. That set the ball rolling.

How did you navigate the pressure of recreating these songs?
I don’t relate to pressure. Whether it’s an original song or a recreation, I don’t feel pressure because if you let it get to you, the battle is lost there itself. These are songs that people still relate to. In fact, there could be a Border 3, 4 or more [instalments], these songs will always be a part of its ethos.

Javed Akhtar revealed that he refused to write Border 2’s lyrics as he felt that recreating old songs is a sign of creative bankruptcy. How do you view it? 
Javed saab is entitled to his opinion. But there are new characters in this movie, and they needed a fresh perspective. That is where the director and all of us felt the necessity to add a couple of new antras to the track. Again, it was in sync with the song.
 
So, do you disagree that using old songs for a sequel equals creative bankruptcy?
I do. I recreated Udd Jaa Kaale Kaava and Main Nikla in Gadar 2 [2023]. It’s what the story demands, and certain songs are etched into certain stories forever.