Showing posts with label Zombivli. Show all posts
Showing posts with label Zombivli. Show all posts

Sonakshi Sinha opens up on negativity over her marriage: "We were focusing on us and our loved ones enjoying the big day"

Sonakshi Sinha: ‘Focused on us and close ones enjoying the day’

New bride Sonakshi on her seven-year relationship with Zaheer, and how their joy strengthened them to ignore negative chatter around their shaadi
Priyanka Sharma (MID-DAY; July 15, 2024)

In the past 14 months, we’ve seen Sonakshi Sinha play five dramatically different women. While her maiden web series Dahaad (2023) saw her as a police officer from an oppressed caste, Heeramandi: The Diamond Bazaar featured her as a ruthless courtesan and her revenge-seeking daughter. Over the weekend, we met two more versions of Sinha, as she played a double role again in Kakuda.

Is the variety of roles by design? Absolutely, the actor assures us. “It’s intentional. As an actor, I want to keep playing different roles. That’s what has kept me enthusiastic about my work after 14 years in the industry,” she says.

The change is all the more marked as Sinha, in the early years of her career, was often questioned about being part of hero-centric stories. But now, she stands proud as she fronts important stories.

“My hunger as a performer started increasing the day I switched gears. That hunger kept getting bigger and bigger; that’s why I [kept] choosing roles that were central to the plot and portrayed women in a strong light.”

Kakuda fits right in that plan. The ZEE5 horror comedy, also starring Riteish Deshmukh and Saqib Saleem, has been helmed by Munjya maker Aditya Sarpotdar. As much as Sinha loved the script, she had to take a beat before saying yes.

Reason? “I don’t even watch horror films because I am a scaredy cat,” she laughs. “But when I read this script, I could immediately see myself playing both Indira and Gomti. Aditya is a fantastic director. I loved his Zombivli [2022].”

If her professional life is flourishing, things are even more blissful on the personal front. Last month, she got married to long-time partner Zaheer Iqbal. The two had kept their relationship under wraps for seven years. Was it difficult to keep it away from the media glare? “It wasn’t. I am a low-key, private person. So, it happened organically. Also, I believe in keeping things that are close to my heart, close to my heart.”

In the days leading up to their wedding, the couple maintained their private demeanour, as rumours abounded about the Sinha family’s apparent displeasure over her shaadi.

“It was a happy time for me and for us. So, we were concentrating on that. When you are happy within yourself and with each other, and you are each other’s biggest strength, it gets very easy to drown out the noise. So, that’s what we did. We were focusing on us and our loved ones enjoying the big day.”

Zombivli's team talks about creating zombie epidemic in middle-class Mumbai

Marathi movie Zombivli's team talks about creating zombie epidemic in middle-class Mumbai

The team behind the first Marathi zombie film say their biggest challenge was placing a gory genre aced by Americans and Koreans in middle-class Mumbai
Nidhi Lodaya (MID-DAY; January 30, 2022)

A suburb in Thane district has become the seat of a fantastical phenomenon that was born as far back as 17th century in a Caribbean country. Marathi film director Aditya Sarpotdar is proudly taking credit for helming the first zombie film in Marathi, and that too, based on a story set in Dombivli. Zombivli, which released on January 26, stars Amey Wagh, Vaidehi Parashurami and Lalit Prabhakar, and is the story of Sudhir (Wagh), an engineer who, with his pregnant wife Sapna (Parashurami) moves into a housing colony that’s plagued by acute water shortage. The storyline leads up to a zombie attack which is sparked in a hospital due to infected water.

Historians say that the first references to the walking dead culture could date back to Ancient Greece where bodies were found held down by rocks. But it became popular in Haiti when West African slaves were brought to work in the sugarcane fields, and although death seemed dearer than the conditions they lived and worked in, the slaves resisted suicide for fear of turning into zombies, human in form, physically strong, but soulless and devoid of self-awareness. Their only aim, to feed on human flesh.  

Sarpotdar, who has previously directed The Sholay Girl, Classmates, Satrangi Re and Mauli, says he was keen to keep the gore in check to make the tale a convincing one. He threw in humour, calling the horror comedy effort “zom com”. While Hindi films are seeing the genre slowly picking up in popularity with the success of Go Goa Gone, Stree and Roohi, Marathi cinema hasn’t had a serious brush with it. The mix of humour and thrill is one that he believes holds the promise of success. But it is a challenge “because, it is very difficult to scare the audience by building up the tempo to a moment of fear and then suddenly making them laugh.”

This, according to Sarpotdar is possible if you create a convincing world in which to place the characters. The humour crept in naturally because the universe in which the film is based is unfamiliar with zombies, and the manner in which the characters react to the walking dead, is unique and funny.  

While one of the first references to a zombie film can be traced back to the 1930s, it’s the early 2000s when the genre once again took hold inspired by Japanese low budget films that were aping video games. 

Sarpotdar was clear that he wouldn’t make the prosthetics and makeup over the top. “We wanted to make our zombies convincing for the Indian audience. They should not be grossed out; they should find them intriguing.”

Their reference for the execution were Korean zombie films, but more specifically, The Train to Busan (2016). However, the biggest challenge continued to be getting the makeup and look right. Yasmin Rodgers, the makeup artist who worked on the film, says, “Indian skin tones are dark unlike the Koreans who have fair skin. So, when we were creating the effects on the body, we realised that they were getting lost.”

She worked at making the “veins visible”. We did a lot of look and camera tests and tried different shades of green and red for the veins,” says Rodgers, who worked with a 15-member makeup crew. It would take about an hour to get a zombie ready and some scenes required as many as 80.

Sarpotdar says getting the makeup right makes the job of the special effects team a bit easier. For VFX artiste Ryan Mascarenhas, “my biggest challenge was to get the whitening of the eyes right.”

It was a first for many on the cast too, most of them have never worked in a fantastical film. Prabhakar had to learn to work with an out-of-control right hand his character had. “Getting the body language right was quite tough,” he says of the emotionless stance. “We also came up with some new words that sounded like cuss words but actually weren’t.”

That the film was born during the Coronavirus pandemic and shot between June and October 2020, meant that the team worked while having to honour lockdown restrictions. They chose not to shoot in Dombivli, they settled for Latur in Maharashtra. “A lot of the sequences have background replacements because we could not shoot in Dombivali since the Coronavirus cases were high in the area,” says Sarpotdar.

Director Aditya Sarpotdar (third from left) with the cast

Director Aditya Sarpotdar (third from left) with the cast

Fenil's Bollywood Talk # 710

ALA VAIKUNTHAPURRAMULOO’S RELEASE CANCELLED; BADHAAI DO’S RELEASE ANNOUNCED
 
In our last week’s Bollywood Talk, we had informed that Allu Arjun’s 2020 film, Ala Vaikunthapurramuloo, will be released in Hindi in cinemas on January 26. However, the release was cancelled after Manish Shah of Goldmines Telefilms, who holds the rights of the film, had to change his mind. Reportedly, the producers of Shehzada, the Hindi remake of Ala Vaikunthapurramuloo, felt that their film would be affected if Ala Vaikunthapurramuloo would release in cinemas and do well at the box office. Hence, Allu Aravind, the producer of both Ala Vaikunthapurramuloo and Shehzada, flew down from Hyderabad to meet Manish Shah.
 
Manish Shah later told a website that Kartik Aaryan, the lead actor in Shehzada, threatened to walk out of the remake if Ala Vaikunthapurramuloo’s Hindi version would release in cinemas. Shehzada’s makers then put out a statement in the media that Kartik has been a thorough professional and that he has made no such threat. Nevertheless, Allu Arjun’s Hindi fans were disappointed. His recent film, Pushpa: The Rise - Part 01, was fresh in everyone’s minds and hence, they wanted to see more of him. Thankfully, for them, they’ll still get a chance to see Ala Vaikunthapurramuloo in Hindi. The film will now premiere on television on February 6.
 
However, the exhibitors were shattered when Ala Vaikunthapurramuloo’s release was cancelled in Hindi. There has been no Hindi film release since December 24 and they were looking forward to the 2020 flick as it would have got them considerable footfalls. But now with its release being stalled, they don’t know how long they can continue to run cinemas. Most of them, especially the ones in the North, are playing Pushpa: The Rise - Part 01. But with each passing week, its footfalls are naturally declining.
 
Thankfully, there’s been a ray of hope. Badhaai Do, starring Rajkummar Rao and Bhumi Pednekar, has been announced for a February 11 release. It was supposed to be released on February 4. But unlike other films, it has not been indefinitely pushed and got postponed only by a week. It has given an assurance that more films would be announced for a theatrical release in February. This will mainly happen after the Delhi government announces that it is relaxing curbs from next month. The capital city was the first one to shut theatres, in December-end. If it opens, then the release dates of several films will be announced one after the other. Hence, after a disastrous January, one can expect Bollywood films to finally take off and generate some sort of business in February.
 
Meanwhile, the theatres in Maharashtra have a reason to smile. The Marathi film, Nay Varan Bhat Loncha Kon Nay Koncha, was released on January 14 and was a decent success. Meanwhile, the first Marathi zombie film, Zombivli, was released on January 26 and its opening has been fantastic. The film was released at a great time and got a wide screen count, which would have not been possible had it been released in normal times alongside Hindi movies. The theatres in Maharashtra are now sorted for a few weeks as Zombivli will continue to draw audiences thanks to the hype and great word of mouth.

(Crisp) Movie Review: ZOMBIVLI by FENIL SETA

Zombivli is the first Marathi zombie film or zom-com and is a complete crazy ride. The film starts off on a bit of a dry note. Once the characters and the setting are introduced, the makers then waste no time and very soon, the film zaps you into the world of the zombies in Dombivli. The comedy is very well inserted and the nail-biting moments are also nicely executed. Aditya Sarpotdar’s direction is first-rate and the production design and look of the film are very rich and appealing. On the flipside, the film seems a bit long in the second half. The humour also takes a backseat at places as the narrative gets a bit serious. The fight scenes in the end have a comic feel but the humour quotient could have been more. But these are minor shortcomings and the makers achieve what they set out to make. Amey Wagh (who had a crucial role in Asur) is terrific and raises maximum laughs. Vaidehi Parshurami (who was seen in Simmba as Aakruti Dave) plays her part with confidence. Lalit Prabhakar delivers a memorable performance and the comical trait of his character is novel. Janaki Pathak, Trupti Khamkar, Vijay Nikam and others do well. All in all, Zombivli is a great effort and do watch it in cinemas if it has released in your city.

My rating - *** ½ out of 5!

Fenil's Bollywood Talk # 709

FINALLY A RAY OF HOPE IN THESE UNCERTAIN TIMES

The box office has once again got affected after all the January releases got pushed due to the third wave of Coronavirus. The Delhi government shut down cinemas from December 28. The filmmakers feared that other crucial markets would also follow suit and hence, they postponed their releases. Thankfully, the third wave has turned out to be milder than the previous two waves. Cities like Mumbai and Delhi are clearly past their peaks. In the smaller cities and villages, the new Omicron variant reached at a later stage. Hence, these places are yet to reach their peak. Nevertheless, it is expected to happen before January ends and in February, the cases are bound to fall drastically on an all-India level.

Now that it’s clear that the third wave is not as devastating, everyone is expecting certain restrictions like the night curfew to go away from February 1 or at least from February 15. Until this imposition is there, big or even mid-sized films will shy away from releasing their films. Assuming from February 1, states like Maharashtra, Gujarat, Rajasthan, Uttar Pradesh etc allows shows at night and Delhi reopens cinemas, then some movies might release in theaters from February 25. If restrictions are lifted from February 15, then even the month of February would have no Bollywood release.

Till last week, the exhibitors were wondering how they’ll continue to function with no new film playing. Many contemplated shutting down for a month. However, the developments in the last 7-8 days have changed the minds of many. To begin with, the Marathi film, Nay Varan Bhat Loncha Kon Nay Koncha, directed by Mahesh V Manjrekar, turned out to be a crowd-puller. The film got into a controversy over its adult content and it helped the film to generate curiosity. The collections slowed down on the weekdays as the word of mouth was mixed. However, the film has not crashed, indicating that it’ll draw audiences in the second weekend too.

Up North, the Punjabi film Shooter is doing very well, not just in Punjab, but even in Uttarakhand and Uttar Pradesh. The Telugu films are continuing to release, due to lack of restrictions. Tomorrow, a Malayalam film, Hridyam, will be released and the advance booking seems superb. Kerala has not gone for a night curfew and hence, several Malayalam films are up for release.

And on Monday, a sudden announcement was made that Allu Arjun’s 2020 Telugu blockbuster, Ala Vaikunthapurramuloo, will release in Hindi in theatres on January 26. The much-loved film has never been aired on TV or digital in Hindi. Moreover, the super-success of Pushpa: The Rise - Part 01, also starring Allu Arjun, is fresh in everyone’s minds. Hence, the decision was taken to release Ala Vaikunthapurramuloo in cinemas. This has spread cheer among exhibitors in Gujarat, Rajasthan etc who were waiting for a big Hindi film to release. As for Maharashtra exhibitors, it’s a double celebration as a Marathi zombie film, Zombivli, would release alongside Ala Vaikunthapurramuloo on January 26.

Confirmed reports have also emerged that if Ala Vaikunthapurramuloo is a hit, more dubbed films would release in cinemas in February. At this rate, the exhibitors will be in a comfortable position, especially if audiences throng in huge numbers to watch these South entertainers.

What lies ahead in 2021: Bollywood stares at release backlog, stale factor and revenue loss

Juhi Chakraborty (HINDUSTAN TIMES; April 19, 2021)

The Coronavirus pandemic related woes don’t seem to end for the film industry as once again it has led to curfews, restrictions, shutdown of cinemas and shoots. Obviously, there’s no clarity on the film releases, even those which are already delayed by a year.

“We don’t know how long the situation of curfews and partial lockdowns will continue. We don’t even know if there will be full-blown lockdown. So everything is now on the back-burner,” shares Shibasish Sarkar, Group CEO of Reliance Entertainment, which has films such as Sooryavanshi and ’83.

Noting how the plans for every filmmaker have gone for a toss, Sarkar adds, “This is exactly where we were last year at this time. Bollywood is a ₹18,000 crore industry, and that was until 2019. Last year, the business was wiped off by two third percentage. This year, too, there’s no scope for improvement.”

The backlog is a big worry for many, as there’s a massive amount of uncertainty attached to when things will finally resume normalcy. Filmmaker Anand Pandit, who delayed the release of his film Chehre, says, “I understand the backlog will put a major damper; it’s a very tough time for the film industry, but films are least of people’s concerns right now.”

Siddharth Anand Kumar, Vice President, TV & Films, Saregama feels that everyone was getting lulled into a sense of complacency thinking we were going to come back to normal. “Producers who can hold in terms of holding on to their revenue will hold, like we have seen huge films like Sooryavanshi and ’83 hold on for a long time. We had Zombivli releasing on April 30, which is a Marathi film which we pushed it because it has to be watched in theatres,” Kumar explains.

And all this delay means that some of the films have been ready for a year or more, but haven’t made their way to theatres, which is causing the fear that the content is getting stale and might end up looking dated upon its release.

However, Pandit doesn’t see that as a risk. “A film looks dated only when it takes a long time to make a film, like five or seven years. Then the technology, the dialogues and fashion becomes a bit obsolete. But otherwise it doesn’t.”

And now with the prolonged delays, is there still the same level of excitement among the audiences?

Trade expert Komal Nahta, says. “Please don’t be mistaken that the audiences don’t care anymore about theatrical films. They’re worried about their safety, but once they feel safe, cinemas will thrive. People are saying that they are getting to watch films on OTT, so they don’t care but they are wrong. Cinema viewing in theatres is an age old habit. How can that be replaced?”

Big films that are/were set for a release between April-June
- Sooryavanshi
- Radhe: Your Most Wanted Bhai
- Satyameva Jayate 2
- Bellbottom
- ’83
- Jhund
- Shamshera
- Bunty Aur Babli 2
- Thalaivi

Marathi filmmakers change release plans after stricter COVID-19 guidelines in state


Mihir Bhanage (BOMBAY TIMES; April 12, 2021)

We had reported a few days ago that Marathi filmmakers, who had initially locked Fridays in April for their theatrical releases, had been thinking of postponing the releases of their films owing to strict Coronavirus regulations in the state. While some had deferred releases already (Zombivli, Free Hit Danka), the makers of Bali and Jhimma were ready to stick to their scheduled release dates. Then, the Maharashtra govt announced the night curfew and weekend lockdown, which included closure of cinemas halls and malls till the end of April.

Result? Three more Marathi films – Jhimma, Bali and Godavari – that were to hit screens this month have been postponed.

Jhimma director Hemant Dhome and Bali producer Kartik Nishandar had earlier told us that they were willing to go ahead despite the double-trouble of lesser shows and 50 per cent seating, because they didn’t want to delay their films any further. But, in a video shared a few days ago, the team of Jhimma said, “The film was ready, the teaser was out, and people were looking forward to watching it on the big screen. But the rising cases of COVID-19 and newer restrictions have led us to take a short break from meeting you at the cinemas. But, we’ll see you soon.”

Bali was touted to be the first Marathi film with a big star, Swwapnil Joshi, to hit screens after cinemas resumed functions a while ago. Speaking to us, Swapnil shared, “Honestly, now it’s all a game of wait and watch. We will release Bali in cinemas only, but when, well that’s a question we don’t have an answer to. Everything depends on the government guidelines. Till then, patience is the only virtue we need to abide by.”

Another much-awaited film that was eyeing an April 30 release was Godavari. The Nikhil Mahajan-film with Jitendra Joshi, Gauri Nalawade, Neena Kulkarni and Vikram Gokhale in pivotal roles, too, was deferred a few days ago with Nikhil and Jitendra sharing a heartfelt message about the same on social media. “The film is very close to all of us and we were looking to release it one day before Maharashtra Day (May 1). But, not anymore. Looking at the rising cases, restrictions and closure of cinemas, we are not even announcing a new date right now. Godavari has been postponed indefinitely and we’ll decide on a date when things are better,” Nikhil told us.

In the current scenario, it looks unlikely that filmmakers will announce new release dates anytime soon. Even if restrictions are eased in the coming months, there’s a backlog of films waiting to release. Filmmaker who’ve made their films only for the big screen aren’t contemplating OTT releases yet, but only time will tell if that decision will change.

Will COVID-19’s second wave drown Marathi filmmakers’ release plans?


Mihir Bhanage (BOMBAY TIMES; April 5, 2021)

While operating at 50% capacity and with all mandatory safety protocols in place, cinema halls have seen some new releases and decent BO collections. However, the rising number of Coronavirus cases in the state have led to the Pune civic authorities shutting, cinemas, malls, restaurants and hotels for a seven-day period. Certain restrictions have been in place for a while in other parts of the state as well.

This has led some April film releases to be postponed, due to lower footfall and lesser shows. The Amitabh Bachchan-Emraan Hashmi-starrer Chehre, which was to release on April 9, has been postponed, as has been Bunty Aur Babli 2, featuring Saif Ali Khan, Rani Mukerji and Siddhant Chaturvedi, which was slated for an April 23 release. The Hindi version of Haathi Mere Saathi, featuring Rana Daggubati and Pulkit Samrat was deferred last month, but it’s Tamil and Telugu versions got a theatrical release. There are unconfirmed reports of Rohit Shetty’s Sooryavanshi not meeting its April 30 release, but there has been no official confirmation about the same till the time of going to press.

With filmmakers deciding to play the wait-and-watch game, some Marathi releases from this month have been deferred, too.


NO POINT IN RELEASING A FILM IN THE CURRENT SITUATION: ADITYA SARPOTDAR, DIRECTOR
Touted to be the first zombie film in Marathi language, Zombivli features Amey Wagh, Vaidehi Parshurami and Lalit Prabhakar. Director Aditya Sarpotdar said, “In a situation where cinemas, including single screens, are not fully functional, I don’t think it’s advisable to release a film now. So, we are postponing the release of our movie indefinitely. When cinemas resume functions at full capacity and when people are mentally prepared to watch a film, we’ll think about the release. But we will have a theatrical release for sure.”


WANT MAXIMUM REACH FOR OUR FILM, BUT THAT’S NOT POSSIBLE RIGHT NOW: SUNIL MAGARE, PRODUCER
Free Hit Danka was supposed to release along with another Marathi film, Bali, and promotions were on in full swing for the same on social media. However, the makers have decided to postpone the release. Producer Sunil Magare told us, “We had all intentions of releasing the film as scheduled. But things are changing unexpectedly every few days. With the spike in cases, health should be everyone’s priority. Plus, looking at the response we got for the film’s teaser and songs, we feel that maximum people should be able to watch it, which is not possible right now. So, we are postponing the release and will announce a new date soon.”


PEOPLE NEED ENTERTAINMENT AND WE WANT TO PROVIDE THAT: KARTIK NISHANDAR, PRODUCER
The Swapnil Joshi-Pooja Sawant-starrer horror film Bali, directed by Vishal Furia, is the first big Marathi film to release after cinemas reopened. And the team is ensuring they stick to their schedule. Producer Kartik Nishandar said, “We had gotten an offer from an OTT platform for Bali during Diwali last year. But ours is a big screen release and we wanted to keep it that way. People need entertainment in their lives and filmmakers need to bring the business back on track. Of course, if occupancy was at 100% or if all cinemas were open, the response would’ve been even better. But even in the current capacity, we are not pulling out the film from theatres.”


WILL POSTPONE THE RELEASE ONLY IF A COMPLETE LOCKDOWN IS ANNOUNCED: HEMANT DHOME, DIRECTOR
Hemant Dhome’s upcoming directorial, Jhimma, shares its release with the Kangana Ranaut starrer Thalaivi. And like the latter, he is in no mood to shift the release any further. “Every other business is operating, so I don’t see why the entertainment industry shouldn’t, of course by taking all necessary precautions,” said Hemant. When asked if the early closing mandate will affect the number of shows, he replied, “Who knows, we might even get more shows because there will be only two films releasing that day. We all need to learn to live with COVID-19. What if for the next two years, the virus isn’t eradicated? Will we stop functioning for that long? We need to take all necessary precautions and keep going, because it’s a matter of livelihood for everyone. If the government announces a complete lockdown, then there will be no option for us but to defer the release. Until then, we are meeting you in cinemas on schedule.”

RELEASES THAT HAVE BEEN POSTPONED
- Haathi Mere Saathi
- Chehre
- Free Hit Danka
- Zombivli
- Bunty Aur Babli 2

After government's nod to 100% occupancy in cinemas, Marathi filmmakers gear up to release films on big screen


Preeti Atulkar and Anup Satphale (BOMBAY TIMES; February 7, 2021)

While the I&B Ministry has issued revised SOPs for cinemas, allowing them to operate at full capacity, the state government, till the time of going to press, was yet to give a goahead to multiplexes and single screens with regards to the 100% seating capacity. However, the centre’s decision has made Marathi filmmakers hopeful of bringing the audience back to theatres as they gear up for long-pending theatrical releases and new projects.


FILMS READY; MAKERS ARE WAITING FOR GREEN SIGNAL FROM STATE
Digpal Lanjekar, whose period drama Jungjauhar (above) wrapped up shooting just before the Coronavirus lockdown in March last year, says he wanted to release the film in 2020, but couldn’t. He says, “We were waiting for the government’s nod to 100 percent occupancy. Jungjauhar is a film that needs to be watched with friends and family. With the new development, our team is now finalising a release date, and the film will hit the big screens soon.”

Another period film, the Pravin Tarde directorial Sarsenapati Hambirrao, is also ready for release and the makers have breathed a sigh of relief with the new directive. Tarde says, “Ours is a big budget and big screen film. So, it was obvious that we’d release it in theatre. The 100 per cent occupancy will allow viewers to enjoy the historical saga as it should be. At the same time, it will also help makers in making fair returns at the Box Office.” The team is planning to release the teaser on February 19 and eyeing a June release, as of now.

WILL BIG BOLLYWOOD RELEASES RESULT IN A LONGER WAIT FOR REGIONAL FILMS?
Due to the COVID-19 pandemic, many films that were supposed to release around the summer vacation time last year were postponed. Among them, prominently, were the Akshay Kumar-Katrina Kaif starrer Sooryavanshi, directed by Rohit Shetty, and Kabir Khan’s '83, with an ensemble cast headlined by Ranveer Singh. With the new directive, it’s obvious that these films will be eyeing release dates soon. So, will that result in regional films being pushed further?

Aditya Sarpotdar, who has three films, Zombivli, Maheshcha Badla and Unaad, ready for release, feels that though releasing a film to full occupancy immediately is tempting, he is not willing to pit his films against the big Bollywood outings. “We will wait for movies like Sooryavanshi, Satyameva Jayate 2 and Radhe to release, and then present ours. These movies will reinstate movie goers’ faith in cinema halls, and sort of normalise the process of watching movies on a big screen again. Subsequently, it will benefit regional cinemas. All my films will be spaced out between June and November,” he says.