We did not know about Fighter or Tejas; by then, we were making Operation Valentine-Varun Tej
8:58 AM
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Ranbir Kapoor was there on sets for more than 12 hours a day to give cues-Anshul Chauhan
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Fenil's Bollywood Talk # 802
10:17 AM
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The last week was bittersweet for the industry. Tejas tanked horribly and it’ll be a miracle if it manages to collect around Rs. 8 crores at the box office. Sajini Shinde Ka Viral Video was a bigger disaster as it collected just Rs. 7 lakhs on the first day. The film will struggle to reach even Rs. 60 lakhs in its lifetime.
However, 12th Fail has emerged as one of the biggest surprises of 2023. Not much was expected from it but on the first day, it collected Rs. 1 crore. It saw an insane jump as it collected Rs. 2.40 crores on Saturday and Rs. 2.85 crores on Sunday. Monday was better than Friday when the film collected Rs. 1.10 crores. On Tuesday, collections increased to Rs. 1.25 crore instead of dropping. If all goes well, it’ll end up collecting nearly Rs. 25 crores. Pre-Diwali is a very dry period for films and 12th Fail and Vijay’s Tamil film Leo have proved to be good fillers in cinemas before the big festival.
Tomorrow will see the release of Aankh Micholi. It stars Paresh Rawal, Abhimanyu, Mrunal Thakur, Sharman Joshi, Divya Dutta, Vijay Raaz, Abhishek Banerjee, Grusha Kapoor and Darshan Jariwala and is directed by Umesh Shukla of OMG Oh My God and 102 Not Out fame. The shoot of this comic caper was completed in March 2020, just before the lockdown. The film took a long time to release and is one of the most delayed films after Brahmastra and Maidaan. It was going to be released on October 27 but was pushed by a week as the previous Friday was crowded.
Aankh Micholi seems like a fun, old-school entertainer but the awareness is near-zero. Hence, it’ll struggle to open just like last week's films. With just 9 days left for Diwali, the aam junta will be busy with pre-Diwali chores, shopping etc than watching a film. Hence, the lean period coupled with negligible buzz will prove detrimental. However, the film will find takers on television later on.
The other Hindi release of the week is The Lady Killer. It is directed by Ajay Bahl of BA Pass and Section 375 fame and stars Arjun Kapoor and Bhumi Pednekar. The film will be released in hardly 3-4 theatres in Mumbai and a few more cities. It is a token release since the makers have recovered the amount from the sale of digital and TV rights. But as per the conditions, they need to give it a theatrical release. As a result, it’s a case of releasing it on the big screen for the heck of it. The makers aren’t promoting it at all and have simply uploaded the trailer of the film. Arjun and Bhumi reportedly are upset with such a release and have not posted about the film on their social media handles.
Lastly, Shastry Virudh Shastry will also arrive in cinemas. It has got a better release than The Lady Killer but it won’t matter much.
Studios fail to take up movies; theatres pay the price
8:27 AM
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(Crisp) Movie Review: TEJAS by FENIL SETA
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My rating - ** out of 5!
Fenil's Bollywood Talk # 801
9:01 AM
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TOUGH 2 FRIDAYS AHEAD BEFORE THE BIG DIWALI WEEKEND
The pre-Diwali period has kicked in. Several films will try their luck tomorrow and the week after in theatres. Sadly, none of the films seem exciting to the audience and only a positive word of mouth can save them.
The big release of the week is Tejas. It stars Kangana Ranaut as an Air force officer and is Ronnie Screwvala’s first theatrical release after 4 years. The trailer is interesting and the awareness about the film is there but the curiosity is limited. Moreover, Kangana’s track record has suffered a beating due to back-to-back debacles. As a result, the film will open in the range of Rs. 1-2 crores. There can be a 100% jump in earnings on Saturday if the public accepts the film. Once that happens, it’ll have a smooth run till Diwali.
The next major release is 12th Fail. It is directed by Vidhu Vinod Chopra and stars Vikrant Massey in the lead. It is based on the real-life story of a man who grew up in a backward area and aspired to clear the tough IPS exam. The film has received acclaim from all quarters, including the media. But the awareness is quite limited. Zee Studios has backed the film and they have given it an extensive release. The opening is expected to be around Rs. 40-50 lakhs. This film, too, can show an increase in collections if word of mouth can spread fast.
Lastly, Sajini Shinde Ka Viral Video stars Nimrat Kaur and Radhika Madan. Until a few weeks back, it was named Happy Teachers’ Day. Radhika in an interview stated that acclaimed director Sriram Raghavan suggested that the film be renamed Sajini Shinde Ka Viral Video for a better impact. The trailer is quite intriguing. Sadly, many are not even aware that a film of this name exists, though the makers have tried their best to make noise. The screen count seems limited and it remains to be seen which one opens better - Sajini Shinde Ka Viral Video or 12th Fail.
Lastly, the big Hollywood release is Killers Of The Flower Moon, directed by globally renowned filmmaker Martin Scorsese. It stars Leonardo DiCaprio and Robert De Niro. Due to the casting and Scorsese’s association, the film will definitely find a tiny section of the audience. Expect near-sold-out or even housefull shows in certain theatres at least in the weekend. The only minus point is that it’s too long with a run time of 3 hours 26 minutes.
Jalebi's debacle was devastating; that is when my anxiety about film releases kicked in-Varun Mitra
8:37 AM
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Tejas team builds mock fighter jets in Mumbai for Lucknow schedule
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I don’t see theatres opening till October-Ronnie Screwvala
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Ronnie Screwvala, who has 12 films in pipeline, predicts cinema halls won’t run to full capacity till there’s a vaccine; says industry looking at tough 18 months ahead
Himesh Mankad (MUMBAI MIRROR; June 19, 2020)
Do you think the appetite for films will change in the post-Coronavirus era, with a clear demarcation between the big screen and small screen cinema?I think it’s all about the storytelling and not screen size. At the moment, we’re battling the virus and 18 months away from the post-Covid era. For the next year or year-and-a-half, people will be wary of risking their health for a cinematic experience. But films will not go away and neither will theatres. It’s a strong window, but things will change and we will have to work 10 times harder on the creative content, storytelling and scale to bring the audience into the cinema halls again.
Does that mean smaller films will find it difficult to get screens?
No, if you have a gem of a story, it’s a big film already. People go to theatres because they don’t want to wait eight weeks. It has never been cinema v/s OTT as each one augments a market and grows.
When do you expect cinema halls to open and a constant flow of big releases?
Mumbai and Delhi, which account for 65 per cent of the box-office, are the worst-hit cities right now. Until they open up, nobody will want a release in only Pune, Nagpur and Kanpur. Makers of big films will wait to see if people are coming back to the cinemas. I don’t see some of them arriving this year. I don’t see theatres opening till October and even when they do, they won’t run to full capacity until the vaccine arrives. Entertainment will be the last priority for people. Next year, one will feel the pinch because there will be a drought of releases as few new films will roll for the next six-seven months, so there won’t be any more fights for the weekends. There aren’t too many films in the waiting, and you will see the gap over the next 18 months.
Do you think this is the right time to renegotiate on ticket rates, VPF (Virtual Print Fee) and other issues with theatre owners?
I have strong views on this, that’s why I got into the Competition Commission. Unfortunately, there is no unanimity.
You have backed films like Rang De Basanti, Khosla Ka Ghosla, A Wednesday and Aamir which were way ahead of their time. What gave you the courage and conviction?Rang De Basanti was one of the first films we made, it could have been before its time, but it was not. Jodhaa Akbar was an expensive film, but again it broke the mould. People thought Aamir, A Wednesday and Khosla Ka Ghosla were small, but they worked big time. Anurag Basu narrated just 40 lines of the Barfi! script to me, look how the film turned out to be. Of all our films, only Swades was before its time, but it was a gem of a film.
Next up: The Immortal Ashwatthama with Vicky Kaushal, a fantasy trilogy based on the Mahabharata. Tell us about that…
The way forward for the millennial audience is not in retelling history, but in the way it is told. You need to romanticise history, let imagination take flight and put it in the context of the future. Our problem is that we don’t think big. I am sick and tired of everyone saying this film earned Rs 100-Rs 200 crore over the last 10 years. They should now cross Rs 500 crore, otherwise there’s no reason to make films. Baahubali showed us the potential of our market. It was a scaled-up film, but at heart, it had a strong story.
The Immortal Ashwatthama will reunite you with Uri: The Surgical Strike director Aditya Dhar and lead Vicky Kaushal. Any pressure?We will have a blast. Aditya has such clarity of vision and Vicky is a stupendous, versatile actor. And I have the ability to look at things three years from now. The film is in prep now and will roll next year.
You also team up with Kangana Ranaut on Tejas, set against the backdrop of the Indian Air Force.
We wanted to make a film on the army so Uri happened. Tejas is not a sequel to Uri, because that was a true story and this isn’t. But it is on the same lines and on the same scale.
Will Taapsee Pannu’s sports drama, Rashmi Rocket, lose money due to the delay in production?
Prep cost is never a waste, we will be more ready when we start. Safety is the priority now.
Abhishek Chaubey is writing the biopic on hockey legend Dhyan Chand…
(Cuts in) We have 12 films in planning right now, we’ll discuss them at the right time.
Any change in your outlook as a producer in the post-Covid era?
I will be more aggressive now.
Check out Kangana Ranaut's rocking first look from Tejas
8:32 AM
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After commemorating the Indian Army with Uri: The Surgical Strike, producer Ronnie Screwvala’s next is an ode to the Air Force
MUMBAI MIRROR (February 17, 2020)
Holding a mirror to today’s times, where women continue to explore their immense and untapped potential, RSVP’s next military film, Tejas is the story of a daring fighter pilot, essayed by Kangana Ranaut. The Indian Air Force was the first of the country’s defence forces to induct women into combat roles in 2016. The movie takes inspiration from this landmark event.
Written to evoke pride in our forces and our country, the story of Tejas reinforces the argument that when it comes to serving the nation, both men and women are equally capable of doing so with utmost fervour. And all they need is the right opportunity and a determined spirit.
Integrity, courage and honour are the three pillars on which the story of Tejas is based. The script is crafted to make audiences feel the adrenaline rush that India’s brave soldiers experience on a daily basis, without even once thinking of personal gain or needs. Following one of its core themes, the film brings an exhilarating account of what women can achieve when given a chance. Written and to be directed by Sarvesh Mewara, this is RSVP’s second film after Uri: The Surgical Strike that salutes the forces and aims to inspire the country at large.
“We made an army-based film with Uri: The Surgical Strike. Tejas is our dedication to the brave fighter pilots of the Indian Air Force, who always put the country first,” beams Ronnie Screwvala, adding, “We are excited and honoured to share this brave story with viewers and hope it inspires many more women to join the Air Force.” Kangana, who plays the protagonist of the movie, states, “Very often, the sacrifices made by our brave women in uniform go unnoticed by the nation. Tejas is a film where I have the honour of playing the role of one such Air Force pilot who puts country before self. I hope we instill a sense of patriotism and pride in the youth of today with this movie. I’m looking forward to the journey with Sarvesh and Ronnie on this one.”
Sarvesh sums it up saying, “When your debut film has Ronnie Screwvala as the producer and Kangana Ranaut as the lead actor, going all out to chase your dreams feels worth it.” Tejas is set to go on floors this summer and release in April 2021.
Kangana Ranaut to play Air Force pilot in Tejas
2:19 PM
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Actress to fly with a Ronnie Screwvala production in July; is delighted to be getting into uniform
Hiren Kotwani (MUMBAI MIRROR; January 24, 2020)
Kangana Ranaut, who has never shied away from backing feminist causes and is always open to heroine-centric subjects, has now signed up to play an Air Force Pilot in Tejas. It is being produced by Ronnie Screwvala with Sarvesh Mewara as the director.Kangana confirmed the news, saying, “I’ve always wanted to play a soldier and have been fascinated with the Armed Forces since childhood. I’ve never held back my emotions for our jawans and spoken openly about how strongly I feel about their heroism. They keep our country secure and our people safe. So, I’m very happy to be doing this film.”
Before she begins filming in July, the actress will require extensive prep. “I will undergo intense training before the shoot starts. My director has decided to get professional trainers on board,” says Kangana, who signed the film just two weeks ago. “Right now, I’m too deep into Thalaivi (the biopic of former Tamil Nadu Chief Minister Jayalalithaa). After that, we’ll get to Tejas, which we will start this year itself,” she added.
Having been a part of a period battle in her last Republic Day release, Manikarnika - The Queen Of Jhansi, the actress is keen to get on to a battlefield in contemporary times. Describing herself as a “born fighter at heart”, Kangana, when prodded on her inspiration for the part, replied, “Wing Commander Abhinandan Varthaman. I followed his story closely—from the time we got the news of his capture to his release and return home. He’s a true hero in the way he handled the situation.”
For someone who has always stood for women’s empowerment, as reflected in her screen avatars, Kangana asserted that it is high time people acknowledge the significant contribution of women in the armed forces. “I’m thankful to Ronnie sir and Sarvesh who have come to me with this extraordinary script that celebrates the heroism of our soldiers,” said the actress, admitting that she “was dying to get in a uniform”. “Being in uniform will be one of the biggest highlights of my life,” Kangana says.


