Showing posts with label Sunir Kheterpal. Show all posts
Showing posts with label Sunir Kheterpal. Show all posts
Stars aligning for a reel good 2026 in Bollywood
9:04 AM
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A slate of Hindi, regional and Hollywood films lined up for release may help sustain 2025’s box office momentum
Rajesh N Naidu (THE ECONOMIC TIMES; January 8, 2026)
Mumbai: Bollywood's getting ready for a blockbuster year. Shah Rukh Khan, Salman Khan, Aamir Khan, Ajay Devgn, Sunny Deol, Ranbir Kapoor all have releases lined up, in what's going to be the most superstar-heavy lineup of films since before the pandemic. A broad range of big-budget Hindi titles are scheduled to hit theatres, complemented by a strong slate of regional movies and Hollywood offerings.
Down south, Rajnikanth, Vijay, Yash, Prabhas, and Kamal Haasan have movies coming up, apart from which Mammootty and Mohanlal will be seen together in a movie (Patriot) for the first time in 17 years.
Producers, distributors, and trade analysts are predicting a record haul, extending the buoyant momentum after a reassuring 2025. Net box office receipts may surge 25-30%, reaching Rs. 14,052 crore to Rs. 14,614 crore in 2026, from Rs. 11,242 crore last year, going by some of the more conservative estimates.
"2026 could be the year of highest box office collection for the Indian film industry," said Vikram Malhotra, founder and CEO, Abundantia Entertainment. "Beyond the conventional big-star films, 2026 will be about films which will connect deeply with audiences. I see sleeper hits become monsters at the box office. In addition, genre experiments will find takers."
A key reason for the industry optimism is the wide array of movies lined up this year. These include Ramayana, Love & War, Lahore 1947, King, Battle Of Galwan, Drishyam 3, Dhurandhar 2 and Border 2. Highly anticipated regional films include Jailer 2, Jana Nayagan, Toxic. Hollywood films such as The Odyssey, Dune: Part Three, Moana, Avengers: Doomsday, and Spider-Man: Brand New Day are also expected to boost box office receipts.
"Even by conservative estimates, the Indian box office collection may grow at least in the range of 25-30% in 2026 compared to 2025 because of diverse offerings across Hindi, regional and Hollywood," said Girish Johar, film producer and industry expert.
Big Year Ahead
The number of superstar releases is another reason for the optimism. "2026 is indeed a big year," said Navin Shah, joint MD, EMC Solutions Worldwide, a leading company in branded entertainment. "It is important to note that most superstars such as Ranbir Kapoor, Shah Rukh Khan, Salman Khan, Aamir Khan, and Sunny Deol have either one or two releases in a single year. This is happening after a long time."
Trade analysts predict the share of Hindi films in net box office collection to climb to 45-50% this year, from a historical average of 35-40%. Premium ticket pricing will also drive growth.
"There is at least one notable film which is either VFX-driven spectacle or has a big superstar in every quarter of 2026," said Shaaminder Malik, film distributor and trade analyst. "This provides room for premium ticket pricing, especially for formats such as IMAX and 4DX, thereby boosting total box office collection."
Growing Gen Z attendance at movie theatres is also boosting industry confidence, said producers. "Apart from a fantastic lineup, a big positive for the industry is the theatre attendance of Gen Z audience, which increased by 25% in 2025. This trend is likely to continue in 2026," said Sunir Kheterpal, producer, Athena E&M.
Film companies, streamers go by the book to avoid legal hassles
10:45 PM
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Push writers to turn their non-fiction story ideas into books ahead of developing them into films or web series
Rajesh N Naidu (THE ECONOMIC TIMES; January 1, 2026)
A new trend is emerging in India’s entertainment industry: reverse engineering content.
Increasingly, streaming platforms and film producers are asking writers who approach them with non-fiction script ideas to first write and publish a book, before deciding whether to turn it into a web series or film. Since writing a book on a non-fiction subject would often need extensive research, this approach helps makers avoid future legal disputes and controversies over content and intellectual property ownership, said writers, producers and IP agencies.
“Instead of waiting for a bestseller, producers and IP agencies are encouraging writers to develop books as screen-ready IP from day one,” said writer Anirudhya Mitra. “The book becomes a development tool and not the finished product.”
When Mitra pitched a script idea on the assassination of Rajiv Gandhi to Applause Entertainment in 2021, the production house asked him to write a book first. Publisher Harper Collins India came on board and published the book, ‘Ninety Days: The True Story of the Hunt for Rajiv Gandhi's Assassins’ the following year. A web series titled ‘The Hunt: The Rajiv Gandhi Assassination Case’ was subsequently made and aired on Sony LIV in 2025.
Alisha Kay’s Devgarh Royals trilogy and Srishti Chaudhary’s Lallan Sweets are among other examples where ideas pitched as scripts have been published first as books. These are currently being adapted into visual content.
“The rationale behind asking writers to convert script pitches into books is legal cushioning. A writer's due diligence and research about a subject save makers from unforeseen legal hassles or controversies,” said Sidharth Jain, founder of IP agency The Story Ink.
Publishers are keen on participating in this exercise, as a web series or film provides their books publicity.
There is also a great deal of audience interest in non-fiction ideas, which shows that platforms and producers are catering to an already existing demand.
Platforms asking writers to write books based on their pitches is nothing but catering to this demand, said scriptwriter Jaidev Hemmady.
Publishing a book first helps limit legal liabilities in case of any litigation and helps in creating awareness about these ideas, he said.
“Also, streamers are not that comfortable with toying with or considering original fiction ideas given the uncertainty of their reception among audiences," added Hemmady.
Even cinematically, this approach is beneficial as it gives makers an idea of what is filmable. “So, it can be a good testing ground for web series or films,” said veteran filmmaker Vipul Amrutlal Shah.
Producers say this approach could gradually become a trend.
“As we seek more rooted Indian content, it is likely that we will see more book to screen adaptations from Indian literary material going forward,” said Sunir Kheterpal, producer, Athena E&M.
Indian movies ditch the formula to get Mojo back, net box-office collection up by 12% in 2025
9:09 AM
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Net collections of the film industry rise 12% in 2025 as audiences lap up diverse fare ranging from romance to animation
Rajesh N Naidu (THE ECONOMIC TIMES; December 29, 2025)
The Indian film industry saw broader and diverse success across genres, themes and movie lengths in 2025, with audiences favouring strong storylines over star casts, industry executives told ET.
Net box-office collection of the Indian film industry grew to Rs. 10,453 crore in 2025, up by 12% from 2024, data gathered by ET from the website of box office research firm Sacnilk showed. For Hindi films, net box-office collection grew by 20% to Rs. 4,792.7 crore.
Experts said there was a palpable shift in the way audiences responded to films.
"Today's audience has a mind of its own. The control has shifted in the hands of audiences in terms of what, when and where they will watch content. They are clear about this," said Vikram Malhotra, founder and CEO of Abundantia Entertainment.
"These elements have reset and defied the norms in which Hindi films will be made. The success of Dhurandhar, which is the highest grosser of 2025 (net Rs. 668 crore), is a key example. It was written off much before its release. But audiences have lapped it up."
Producers said that audiences showed an inclination towards watching films in theatres and were not "particularly" focused on the "length" of films.
"There has been increasing traction for rooted stories speaking inclusively to the Indian heartland as well. And contrary to earlier belief of keeping a film's length to around two hours, 2025 has shown that the length of a film does not matter to the audience," said Sunir Kheterpal, producer, Athena E&M.
In 2025, 14 Hindi films, most of which were over two hours log, grossed more than Rs. 100 crore at the box office. In comparison, 2024 had 10 films which grossed more than Rs. 100 crore. The smash hits of 2025, such as Saiyaara, Mahavatar Narsimha, Lokah Chapter 1: Chandra, Tere Ishk Mein, Chhaava and Dhurandhar, showed that audiences across geographies preferred "stories" over star cast and that a film's size has a little role to play in its success.
"2025 proved that scale alone doesn't guarantee success. Several big-ticket titles underperformed, while mid-budget, content-led films quietly delivered returns," said Suneil Wadhwa, co-founder and director, Karmic Films. "2025 wasn't about volume. It was about conviction, clarity of positioning and timing."
In addition to these aspects, consistent failure of solely business-focused franchise films, and increasing success of films across genres such as romance (Saiyaara), animation (Mahavatar Narsimha), anime (Demon Slayer) and mythology (Chhaava) are a few developments which showed that audiences are looking for value-for-money entertainment and not just a visit to theatres.
Lastly, 2025 also saw the standout performance of Hollywood films such as F1: The Movie, Avatar: Fire And Ash, Mission: Impossible – The Final Reckoning and Jurassic World: Rebirth. Consequently, the net collection of Hollywood films in India grew by 42% from 2024 to Rs. 673.2 crore in 2025.
Stars coming down from sky-high fee to get movies rolling
8:38 AM
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Actors take pay cuts on project-by-project basis to help get films off the ground amid several box-office failures, tough funding situation
Rajesh N Naidu (THE ECONOMIC TIMES; October 7, 2024)
Mumbai: A-list actors, known for their box office appeal, are stepping back and adopting a more realistic approach by lowering their fees on a project-by-project basis to help get films off the ground in today's challenging funding environment and amid a string of high-profile failures, according to several film producers.
Several top names have cut their rates by up to 30% compared to what they charged during the pandemic, a sign of the times and a necessary move to keep the industry moving forward.
Generally speaking, an A-list actor's remuneration forms more than 50% of the cost of production of a film.
Girish Johar, a producer known for Hindi films like Jazbaa (2015), Rustom (2016), and Tadka (2022), said, "Today, there is a clear focus on the cost of films. Many A-list actors have become more realistic and are reducing their fees by up to 30% on a project-to-project basis. This way, at least films are getting started."
Some A-list actors are now also agreeing to take 20-30% of their fees upfront and the remaining 60-70% from the film's profits, say industry experts.
The failure of top films like Bade Miyan Chote Miyan, Maidaan and Fighter has also forced production houses to look closely at costs and their film slates.
"The number of films each production house is making has decreased. The mantra now is to create fewer, bigger, and better films," said the founder and group CEO of a leading talent management agency.
"Increasingly, the industry is following skin-in-the-game strategy to kick-start films. A-list actors who have reduced their fees take a basic fee and secure a large part of remuneration from the profits of a film."
Producers noted that this approach, where A-list actors take a smaller upfront fee, eases the burden of raising funds for films and creates a win-win situation for all stakeholders.
Sunir Kheterpal, a film producer at Athena E&M, known for films like Badla (2019), Kesari (2019), and Dobaaraa (2022), said, "The current business ecosystem has made a collaborative commercial structure necessary, where talent comes in at a fixed cost but shares in the upside when a film succeeds at the box office."
He added that this more cooperative approach among key stakeholders-financiers, studios, talent, producers-is an organic response to the industry's current state of affairs.
Given that star fees account for a significant portion of the costs, when an A-list actor reduces their fee and accepts only a basic amount, the producer then faces the task of raising funds solely for meeting movie-making costs.
Suniel Wadhwa, cofounder of Karmic Films and a veteran film distributor known for titles like Three of Us (2022), All India Rank (2023), and Lal Salaam (Hindi, 2024), said, "The situation in the industry is worrisome. Costs are being closely monitored on all fronts. Today, only those projects are moving forward where A-list actors have reduced their fees and are taking a smaller basic amount. This makes it relatively easier for producers to raise funds for the film's production costs."
Rakul Preet Singh, Neena Gupta to play domestic help in Ameeri
3:46 PM
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With Rakul and Neena-led comedy Ameeri examining the rich-poor divide, sources say actors play domestic help to Chunky and Simone’s snooty couple
Upala KBR (MID-DAY; March 15, 2024)
Last November, it was heard that Rakul Preet Singh and Neena Gupta were set to collaborate on a comedy, although details of the project were scarce at the time. Now, mid-day has found out that the film, tentatively titled Ameeri, is a sharp look at the rich-poor divide in society. The slice-of-life comedy sees Singh and Gupta play domestic help while Chunky Panday and Simone Singh portray an uber rich couple.
Ashish R Shukla, who previously directed the popular thriller series Undekhi (2020) and Richa Chadha-led Candy (2021), has helmed the Sunir Kheterpal production. We hear the project went on floors in Alibaug last November and was wrapped up in February.
A source reveals, “It’s a wild, fun movie that examines the glaring difference in the lifestyles of the rich and the poor. Simone and Chunky play a snooty, powerful married couple from the upper crust of society in a metropolis, while Rakul and Neena play their disgruntled, underpaid domestic help. After being continuously mistreated by their employers, the two decide to take matters into their own hands and change their situation. Hilarity ensues as the two classes clash against each other. Through its tongue-in-cheek humour and laughs, the movie notes how amid the constantly widening social divide, the elite turn a blind eye to the needs of the underprivileged.”
The film is said to be an adaptation of a 2009 Panamanian satire that struck a chord with Kheterpal, who felt that the theme would resonate with the Indian audience. The source adds, “Ameeri has everyday incidents that Indian viewers across different strata will relate to. While Neena ji and Chunky have always been known for their comic timing, Rakul and Simone have matched them spark for spark.”
Currently, the cast—also including Anant V Joshi, who was seen in Kathal and 12th Fail (2023) —are dubbing their portions, after which the team will release a teaser sometime in May. We hear the makers are planning a theatrical release in the second half of 2024.
I got the right launchpad in Bollywood with The Body-Vedhika Kumar
9:07 AM
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Hasti Doshi (BOMBAY TIMES; December 11, 2019)
Actress Vedhika Kumar says she is ready to give her best in her first Bollywood film, The Body, after having done 22 films in multiple languages down South, which include Kannada, Tamil, Malayalam and Telugu. The actress, who has hits like Kanchana 3, Paradesi and Shivalinga to her credit, talks to Bombay Times about her debut in Hindi films, the experience of working with Emraan Hashmi and Rishi Kapoor, among others. Excerpts...
You are doing your first Hindi film, The Body, after having worked in the South film industry for around eight years. Didn’t the thought of exploring Bollywood cross your mind earlier?
I started my acting career very early. I was still completing my schooling when I began my career in the South film industry. I was doing well there while also completing my studies. Bollywood has been on my wishlist for a long time, and I got the right launchpad with The Body. Besides, I also felt that I should gain some experience there and then do Hindi films.
Have you ever been offered Hindi films before The Body?
I was offered a few scripts, but they never excited me as the scope for performance was very limited. They were not the kind of debut vehicle I wanted to launch my Bollywood career with. So, when The Body came my way there were many things that seemed to work in my favour and one of it was the film’s script. I play Ritu (Emraan’s love interest), who is like a girl-next-door and is a character that I can totally relate with. Secondly, it has such fine actors like Rishi Kapoor sir and Emraan Hashmi. It’s a great opportunity to work with some of the best in the industry, so there was no way I could miss it. Besides, there’s a lot of freshness in the character that I play, which is that of a college girl. This is the way I wanted to be presented in my first film.
Do you think that your experience as an actor in the South film industry worked in your favour in bagging this film?
There is no formula for bagging a film, you just work through whatever is given to you and aim for the best. Having said that, the experience that I gained while working in South films has been an advantage. The director of The Body, Jeethu Joseph, is aware of my work and films in the South. So, when I met him and Sunir Kheterpal (the producer of the film), they felt that I fit the role perfectly and that’s how things fell into place.
What was the experience like to work with Emraan Hashmi and Rishi Kapoor in the film?
I am a huge admirer of Emraan and his work. His movies have great music and this film is no different. He is down-to-earth and made me feel comfortable from the word go, so it never felt like I was working with him for the first time. I had a different impression of Emraan in my head. I thought that he would be intense and serious, like he is in some of his films (laughs!). I haven’t shared screen space with Rishi sir in the film, but I did meet him, and he took the entire team out for dinner. It was a really sweet gesture to include me in their plans as well. These are small moments that I am going to cherish.
Showbiz is known to be a tough space to survive in, so how did you handle the ups-and-downs in your career?
For me balancing my films and studies was difficult, but once I put my heart into something, then I give it my all. I didn’t know much about South film industry and how it worked, so initially, a few things didn’t work in my favour. It wasn’t a smooth journey for me, but eventually, I was approached for mainly performance-oriented, strong author-backed roles where I got to work with and interact with National Award winners like Bala sir (Palanisamy), Vasantha Balan, A R Rahman as well as Raghava Lawrence. I have also been part of hit films like Kanchana 3, Paradesi and others. I believe that there should be a graph to my career, so that it teaches me to make better choices.
Do you feel this film will help open more doors for you in Bollywood?
I am already receiving a warm welcome in Bollywood and meeting the best of people here. I have also been offered a few projects and one of them will be announced very soon. I am ready to do all kinds of films as I don’t want to be stereotyped. I have done roles that are poles apart in South cinema, and that is what I am aiming for in Bollywood, too.

IAS officer Durga Shakti Nagpal's bravado comes to big screen
10:19 AM
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MID-DAY (December 9, 2019)
After bringing the 1897 Battle Of Saragarhi to the big screen earlier this year, Sunir Kheterpal, the producer of Kesari, has greenlit a film based on the life of IAS officer Durga Shakti Nagpal, who currently serves as the officer on special duty to Agriculture Ministry.Nagpal burst into the national spotlight in 2013 when she blew the lid on the illegal sand mining mafia in Gautam Budh Nagar in Uttar Pradesh. This led her to getting stuck in a political conflict, with the Uttar Pradesh government suspending her for allegedly demolishing an illegal mosque wall in Greater Noida. After a growing demand from various political parties and public for her suspension to be revoked, Nagpal was reinstated to duty with full honour. Khetarpal has teamed up with Romeo Akbar Walter maker Robbie Grewal for the movie.
The duo is currently in talks with several female actors for the central role. "Our priority is providing entertainment to audience while not compromising on powerful content. With the story of Durga Shakti, we want to make the audience aware of this ideal hero," says Khetarpal. Looking forward to roll the project in mid-2020, Grewal says it's a "privilege" to narrate Nagpal's story.
Kriti Sanon to front Rahul Dholakia's upcoming thriller
7:56 AM
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Avinash Lohana (MUMBAI MIRROR; June 19, 2019)
After Laxman Utekar’s Hindi directorial debut Luka Chuppi, Kriti Sanon is gearing up for three releases this year—Farhad Samji’s Housefull 4, Rohit Jugraj’s Arjun Patiala and Ashutosh Gowariker’s Panipat. Now, Mirror has learnt that after directing Shah Rukh Khan in Raees, National Awardwinning filmmaker Rahul Dholakia is making a film featuring the 28-year-old actress. The yet-untitled thriller will draw inspiration from real-life stories for a fictional set-up in Mumbai. The Sunir Kheterpal production will go on the floors in August.Confirming the news, Kriti said, “I had been waiting for the right female driven film to come my way and this one ticked all the boxes. I play a media professional for which the research has already started. I can’t wait to start shooting for this film. It’s an entertainer with a powerful core idea and will connect with audiences without being preachy.”
The film, which will be shot in a start-to-finish schedule, has been written by author-turned-screenwriter Bilal Siddiqi, while a top VFX studio from South Korea is being brought on board for the film which is heavy on visual effects. Rahul, who is also co-producing the film, is excited to work on the thriller. “This idea was pitched while it was being developed and we realised that there is an exciting thriller format that this story lends itself to. It’s a cracker of a script and Kriti is the ideal choice for the protagonist,” he asserted.
Sunir further informed that the film is currently in the pre-production stage. “The team will be conducting a week-long workshop which will start by the end of July,” he revealed, adding that the film will release in the first half of 2020.
Taapsee Pannu, Anurag Kashyap reunite for a yet-untitled thriller that kicks off by the year-end
9:06 AM
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Avinash Lohana (MUMBAI MIRROR; March 12, 2019)
After Anurag Kashyap’s 2018 love story Manmarziyaan, in which she played the feisty heroine Rumi, Taapsee Pannu is reuniting with the filmmaker again. Mirror has learnt that after playing protagonist alongside Bhumi Pednekar in Anurag’s production Saand Ki Aankh, the actress will front his next directorial, a yet-untitled supernatural thriller, which will go on the floors by the year-end and will be shot in a start-to-finish schedule.Confirming the news, Anurag said, “Taapsee keeps me on my toes and is on a mission to make me take on challenges. I have never done anything like this before, so I am looking forward to it.”
Taapsee, who had hit it off with Anurag while working on Manmarziyaan, admitted that she knew she would reunite with the director soon. “But I didn’t know it would happen so soon. We had been discussing stories and this one received a resounding ‘yes’ from everyone. I am looking forward to it as I have not explored the supernatural genre in Hindi films yet,” the actress said.
The film is produced by Sunir Kheterpal who admits that the trio has been brought together by superlative material. “It just gets better given the genre and the talent attached,” he added.
While speaking to Mirror earlier (February 15), Taapsee had revealed that she had found a close friend in Anurag. “We are two brutally honest people and too lazy to hide things from each other or make up stories. Don’t be surprised if we work together again,” she had said.
Meanwhile, Anurag is presently exploring locations for their new film as the setting will play an integral role in creating the right atmosphere.
Amitabh Bachchan, Taapsee Pannu reunite for Sujoy Ghosh's murder mystery?
7:58 AM
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Duo is heading to London and Scotland in June to kick off Sujoy Ghosh’s next
Natasha Coutinho (MUMBAI MIRROR; May 16, 2018)
After Shoojit Sircar’s courtroom drama Pink, Amitabh Bachchan and
Taapsee Pannu are reuniting for Sujoy Ghosh’s next. Produced by Sunir
Kheterpal, the film is tentatively titled Badla.A source close to the development informs that the shoot kicks off in the second week of June. “It is a month-long schedule and they will be filming in London and Scotland. The film is a murder mystery which revolves around the duo and Taapsee’s love interest who is a businessman.”
Sujoy had earlier directed 75-year-old Bachchan in his 2009 fantasy-adventure, Aladin, which also featured Riteish Deshmukh and Jacqueline Fernandez, and was the creative producer on Ribhu Dasgupta’s 2016 thriller, Te3n, with Big B, Vidya Balan and Nawazuddin Siddiqui.
Amitabh Bachchan and Taapsee Pannu to reunite for Sujoy Ghosh's Badla?
8:06 AM
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Avinash Lohana (MUMBAI MIRROR; April 2, 2018)
After Shoojit Sircar’s National Award-winning 2016 film Pink, Amitabh
Bachchan and Taapsee Pannu are set to reunite for Sujoy Ghosh’s next
directorial. While shooting for the courtroom drama, the actress had
impressed the Big B by pulling off a 13-page scene in one take.“The film produced by Sunir Kheterpal is tentatively titled Badla. A crime thriller, it is expected to roll in mid-June. Mr Bachchan has liked the script but is yet to sign on the dotted line but Taapsee has already committed to the project. The makers have already started work on the prep,” informs a source close to the development.
Sujoy had earlier directed the 75-year-old veteran in his 2009 fantasy-adventure, Aladin, which also featured Riteish Deshmukh and Jacqueline Fernandez, and had produced Ribhu Dasgupta’s 2016 thriller Te3n with Big B, Vidya Balan and Nawazuddin Siddiqui. Bachchan’s next is Umesh Shukla’s 102 Not Out with Rishi Kapoor while Taapsee has been shooting for Anurag Kashyap’s Manmarziyaan with Abhishek Bachchan and Vicky Kaushal.
Emraan Hashmi, Rishi Kapoor sign up for a horror thriller
5:35 AM
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Viacom18 Motion Pictures and Azure Entertainment have joined hands to produce the actor’s next
MUMBAI MIRROR (February 19, 2018)
Viacom18 Motion Pictures, the studio behind Bollywood’s biggest films like Queen, Gangs of Wasseypur, Toilet - Ek Prem Katha and the most recent Padmaavat, is presenting an as-yet-untitled horror thriller, being produced by Sunir Kheterpal for Azure Entertainment. The film features Emraan Hashmi and Rishi Kapoor in key roles.
The film marks the debut of ace Malayalam director Jeethu Joseph in Bollywood. Jeethu is best known for the Mohanlal-starrer, Drishyam, which was subsequently remade into four Indian languages and is one of the top two biggest grossing Malayalam films of all time.
“Directing a Hindi feature film has been on the anvil for some time and I have been waiting for the right story. This crime mystery thriller with elements of horror has excited me tremendously and we have got the perfect casting for the two protagonists. I am looking forward to start the film at the earliest,” asserted Jeethu.
Emraan is equally excited. “It will be a riveting, nail-biting treat for fans of the genre and with Jeethu at the helm, I’m confident the film will be a game changer,” he promised.
Sunir Kheterpal, CEO, Azure Entertainment, exulted, “Jeethu Joseph is a superlative directing talent and we are proud to be producing his Hindi feature film debut. Viacom18 Motion Pictures has a great track record of backing content-driven films and we are happy to collaborate with them.”
Ajit Andhare, COO, Viacom18 Motion Pictures, added, “Ever since we produced Drishyam, a Hindi remake of Jeethu Joseph’s original masterpiece, we have been looking for a subject to make with him in Hindi. This amazing crime thriller, developed with Azure, is a story with which we are looking forward to creating the same kind of magic that the audience experienced with Drishyam.”
This is the real story behind Kriti Sanon replacing Taapsee Pannu in a film with John Abraham?
7:37 AM
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Nayandeep Rakshit (DNA; September 19, 2017)
After Hrs was the first to tell you that John Abraham and Taapsee Pannu were being paired opposite each other in a thriller adapted from the Spanish film The Invisible Guest. Now, we can confirm that Kriti Sanon has replaced Taapsee in the film to be directed by debutante Lakshya.
It’s not a date issue or price issue that led to this change, as it is, in most cases. There’s a tale behind this development. Says a source, “The film is being jointly produced by John Abraham Entertainment, KriArj Entertainment and Sunir Kheterpal. There was a disagreement between the makers regarding the female lead.”
Sunir, who had the rights to the Spanish thriller, had promised the role to Taapsee much before KriArj came on board. John, who has previously produced Rocky Handsome for Sunir, was in agreement with the choice of the leading lady. But once KriArj came on board, they wanted a change. Debate and discussion followed and it was decided that Kriti is a better choice for the role. John also agreed and then the film was offered to Kriti, who came on board.”
This won’t be the only film that Kriti will be doing with KriArj. “Prernaa Arora and Arjun N Kapoor loved Kriti’s performance in Bareilly Ki Barfi and they have signed her for one more film they will produce now,” adds our source. The film rolls this year end.
John Abraham becomes master of Lerdit martial practice thanks to Rocky Handsome
8:07 AM
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Sanyukta Iyer (MUMBAI MIRROR; January 17, 2015)
John Abraham is already a master of the top three martial arts which originated in Thailand - Karate, Taekwondo and Muay Thai. He has now added another to the list after a two-week workshop in Lerdit, a practice used by the Royal Thai Army. He uses it to brutal effect in his upcoming thriller, Rocky Handsome.
Co-producer Sunir Kheterpal says, "His action director and trainer Kesha with a 10-member team filmed an action sequence in Thailand and sent it to us. We reviewed it and then John flew down to train for the sequence. The sequences took 72 days to finish and were finally shot at Ramoji Studios, Hyderabad."
Four larger than life action sequences were filmed in Thailand. In one, John had to take on a group of 10-12 baddies without any weapons. "Kesha did not use sound effects. The noises you will hear are not the 'dhishoom dhishoom' kind but John's fists punching the men," informs a source from the sets.
A native Thai, Kesha, did not speak English or Hindi and used a translator to communicate with John. But by the end of the shoot, the action director was happily speaking English, all thanks to John. "They became buddies and soon Kesha didn't need a translator anymore," the source added.
The team is now likely to head to Rajasthan for two songs sequences and a final fight. "John will take on the drug mafia in the desert," said the source.
The film is an adaptation of the 2010 Korean hit The Man From Nowhere, in which the drug mafia kidnaps an eight-year-old girl and puts her neighbour with whom she shares a unique bond on the path of revenge.
"The film begins with the little girl teasing John, 'Eh, Handsome' which explians the 'Handsome' in title," the source adds.
Irrfan Khan is clueless that he's out of Tigmanshu Dhulia's Yaara
8:02 AM
Posted by Fenil Seta
Roshmilla Bhattacharya (MUMBAI MIRROR; September 27, 2014)
Mirror (February 27) was the first to report that Tigmanshu Dhulia is making a film on friendship, love and betrayal titled Yaara, featuring Irrfan Khan, Vidyut Jammwal, Amit Sadh, and Shruti Haasan. The film is an official remake of Les Lyonnais, a 2011 French drama directed by Olivier Marchal.
After initially denying the news, Tigmanshu confirmed that it was a story of two friends and their relationship over a period of 35 years. He also revealed that Manoj Bajpayee and Irrfan Khan will be playing the older buddies while Amit Sadh and Vidyut Jamwal would be seen as their younger avatars. Explaining why he had opted for two sets of actors, Tigmanshu reasoned that the audience will not accept Manoj and Irrfan as 25-year-olds or Amit and Vidyut as 50-year-olds.
Eventually Manoj dropped out of the film and Tigmashu decided to step into his shoes.
Now, buzz is, even Irrfan has opted out of the film and Amit and Vidyut will play both the roles. When Mirror contacted the actor, he insisted that he was still "open to the project" and was waiting for Tigmanshu to return from the second schedule to get clarity on his role. "I'm okay with the idea but I have no clue how they have developed my track," he said.
However, Sunir Kheterpal, who is co-producing the film with Tigmanshu, was categorical that Irrfan was no longer a part of the cast. He informed that the lead protagonists, Vidyut, Amit and Shruti, are playing characters who are in their mid-20s and mid-40s.
"Before starting the first schedule in Dehradun in June, the makers took the call to cast the same actors to play different ages as it would have a better connect with the audience. A 20-year age gap does not warrant casting different actors for the same characters," he argued.
When Mirror updated Irrfan on the same, he sounded surprised by the developments. He graciously added: "If Tishu is going with another actor he must have strong reasons for doing so. The decision will not come in the way of our friendship. It's not a given that I have to work in every film he does or vice versa. We have never commercialised our friendship."
Shruti Haasan in John Abraham's Rocky Handsome; releasing on Feb 6, 2015
7:54 AM
Posted by Fenil Seta
Roshmilla Bhattacharya (MUMBAI MIRROR; April 7, 2014)
In an interview to Mirror (December 30, 2013), hours before he flew out to Los Angeles to quietly tie the knot with girlfriend Priya Runchal, John Abraham had excitedly spoken about his next home production, Rocky Handsome. The actor described it as “Force to the power of 10”. But he promptly laughed off the vision of another Hulk with tattooed biceps and a 12-pack saying, “This time Nishi (director Nishikant Kamath) wants a lean killing machine.”
Now Mirror has it that Rocky Handsome is an official remake of South Korea’s highest grossing film of 2010, The Man From Nowhere. The stylised action-thriller follows the journey of a lone crusader, played by Won Bin, who goes on a murderous rampage against the drug mafia when the only person he cares for, a seven-year-old girl, is taken from him, along with her mother.
“It’s a universal story and its USP is the emotional connect between the protagonist and the child. We bought the rights and took it to John who loved it, so did Nishi,” says Sunir Kheterpal, whose company, Azure Entertainment, is coproducing the film with John’s JA Entertainment.
While the original, one of the most critically acclaimed action films to come out of South Korea in the last decade, was a gritty piece of cinema, the Bollywood version will be more commercial and will have some song and dance thrown in. “It will have four songs composed by ensemble music directors, like Vicky Donor. But the highlight of our film is the action. We are getting action directors from abroad—Eastern Asia—for the stunts,” said Kheterpal.
Rocky Handsome rolls in May in Goa. Added Khetarpal, “We’ve locked February 6, 2015, as the release date. The film co-stars Shruti Haasan and an eight-year-old girl whose identity we wouldn’t like to reveal at the moment.”
Abbas-Mustan to direct Saif Ali Khan in The Count of Monte Cristo remake
7:49 AM
Posted by Fenil Seta
Roshmilla Bhattacharya (MUMBAI MIRROR; March 21, 2014)
Alexandre Dumas’s 1844 literary classic, The Count Of Monte Cristo, has anchored on Bollywood shores after numerous international adaptations.
The story of a wronged man, who unearths a treasure on his way to revenge and true love, will be directed by Abbas-Mustan and produced by Sunir Kheterpal of Azure Entertainment.
A source close to the developments told Mirror, “Saif Ali Khan will be playing a businessman in this film. There will be two heroines opposite him; one will be a younger actress and another six years older than him.”
Kheterpal confirmed the news saying, “Yes, we are working on an adaptation of the novel with Saif in the lead. The revenge drama is right up Abbas-Mustan’s alley. The film is still untitled and will release in 2015.”
Mustan added that film will not be an outand-out adaptation as the story and screenplay are their own and different from that of the novel’s.
“We gave Saif a one-and-a-half hour narration before he left for Mauritius for the shoot of Humshakals. He liked it and after he returned we met him with a bound script,” says the filmmaker who’s waiting for the actor to return to Mumbai from Phantom’s Chandigarh schedule, to work out the film’s details.
The director duo has worked with the actor earlier in Main Khiladi Tu Anari and the Race franchise. But as Mustan points out, the first one was a two-hero film with Akshay Kumar and in Race and Race 2 too he shared the screen with two heroes—Akshaye Khanna and Anil Kapoor in the first and Anil and John Abraham in the second.
“This is a solo hero project. Tentatively, we should roll in October, after Phantom opens on October 2. But there could be a two-three months time lag,” Mustan says.
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