Showing posts with label Srikanth. Show all posts
Showing posts with label Srikanth. Show all posts

Kartik Aaryan, Yami Gautam, Mammootty, Dhanush headline the winners at the 72nd National Film Awards

Yami Gautam in ‘Article 370’; (right) Kartik Aaryan in ‘Chandu champion’

Priyanka Sharma (MID-DAY; July 19, 2026)

Firsts are always special, but they mean even more when they come as National Awards. Yami Gautam and Kartik Aaryan bagged their first National Awards in the Best Actress and Best Actor categories for Article 370 and Chandu Champion, respectively, at the 72nd National Film Awards, announced on Sunday. Aaryan shared the honour with Malayalam superstar Mammootty for Bramayugam.

Article 370 emerged as one of the biggest winners, also taking home Best Feature Film and Best Music (Songs) for composer Shashwat Sachdev.

Sachdev said, “I came into cinema with no inheritance, only a deep love for music, so this National Award feels like a beautiful pause to look back at every uncertain day, quiet sacrifice, and every person who stood by me.” Tamil film Amaran won three awards — Best Director, Best Music Direction, and Best Editing.

Rajkummar Rao-starrer Srikanth won Best Hindi Film. Director Tushar Hiranandani told mid-day, “Actually, for Srikanth, the only award that I won before was in Moscow. I was not even nominated in any other category, in any other awards. At last, I feel happy. I dedicate this to my mom and father-in-law, who passed away before the release.”

For Randeep Hooda the win for Best Debut Director for Swatantrya Veer Savarkar came as a surprise.  Reacting to the big honour, he said, “This film asked more of me than anything I’ve ever done. The journey was filled with challenges at every juncture, but I’m glad we saw it through and overcame each of those.”

List of winners
Best Feature Film: ‘Article 370’
Best Actor: Kartik Aaryan (‘Chandu Champion’) and Mammootty (‘Bramayugam’)  
Best Actress: Yami Gautam (‘Article 370’)  
Best Director: Rajkumar Periasamy (‘Amaran’)  
Best Supporting Actor: Sanjay Mishra (‘Bhakshak’)
Best Supporting Actress: Ropashree Varkady (‘Mithya’) and Sachana Namidass (‘Maharaja’)  
Best Popular Film Providing Wholesome Entertainment: ‘Kalki 2898 AD’  
Best Debut Director: Randeep Hooda (‘Swatantrya Veer Savarkar’)
Best Film Promoting National, Social, and Environmental Values: ‘Captain Miller’
Best Hindi Film: ‘Srikanth’

Rajkummar Rao breaks silence on viral look that left fans concerned

Raj breaks silence on viral look that left fans concerned

Amid online chatter, Rajkummar Rao sets the record straight on his recent physical transformation
Renuka Vyavahare (BOMBAY TIMES; February 17, 2026)

Rajkummar Rao’s recent appearance at the Bolti Khidkiyaan film fest set social media abuzz. The actor looked noticeably different from his usual self – a few kilos heavier, with thinner hair and a slightly haggard appearance – sparking widespread concern online. Fans on social media were quick to jump to conclusions, with unverified claims and chatter about his health and career doing the rounds.

When we reached out to Rajkummar, the actor told us, “It’s strange how people can jump to conclusions and get judgemental without even checking the facts. I gained around 10 kg for the upcoming biopic Nikam (based on Ujjwal Nikam, the special public prosecutor and politician, known for handling high-profile cases), for which I had to look older. I am also in the transition phase where I am preparing for Sourav Ganguly’s biopic. For that part, I need to lose weight, so I am between certain look tests and that’s how I showed up for the event. There is nothing to worry about. I am simply navigating two demanding biographical roles and hence, the change in my appearance is striking.”

The actor added, “For Bose, I went half bald. During Srikanth, I became the character even when cameras weren’t rolling. My focus is always on fully embodying the character I am playing.”
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HINDUSTAN TIMES (February 17, 2026)

On Monday morning, Rajkummar Rao put speculation to rest after his recent appearance sparked concern online. Taking to Instagram, the 41-year-old actor explained that the noticeable weight gain and altered hairline were part of his preparation for his upcoming biopic on Rajya Sabha MP Ujjwal Nikam.

“It has demanded me to change physically, which I love doing. I’m not a believer in prosthetics as long as I can achieve the look through my hard work, be it gaining weight, looking old (to play a certain age) or to make my hair thin,” he wrote.

Rajkummar gained around 10 kg for the role: “I was eating two pizzas, a lot of sweets and my favourite aloo parathas, biryani, and not using anything glam to look like the part.”

The actor added that he is currently in the “transition phase”, losing the extra weight for a biopic on “our very own Dada”, former Indian cricket team skipper Sourav Ganguly.

Notably, this is not the first time Rajkummar has undergone an extreme physical transformation for his role. “Everyone told me not to go half bald for Bose: Dead Or Alive (2017), or not to stop eating and lose so much weight for Trapped (2017), or not to behave like a visually impaired person even when cameras weren’t rolling during Srikanth (2024),” he wrote, adding, “Hopefully, when you see Nikam, you will be able to see all that hard work... Will always work the hardest to engage you, entertain you through my work.”

It can’t be that everything is spent on the star in a film-Rajkummar Rao

‘It can’t be that everything  is spent on the  star in a film’

Rishabh Suri (HINDUSTAN TIMES; July 14, 2024)

Actor Rajkummar Rao criticizes celebrities who earn large sums of money while crew members receive inadequate compensation. Aware of the many debates happening currently, he makes a case for the crew working on a project. He argues for fair treatment in film economics: “We need to balance the film’s budget. Everyone deserves fair pay, especially writers who are crucial to storytelling.”

Rao also prioritizes storytelling over excessive demands on producers: “We shouldn’t burden producers. Our focus should be on telling the story well; money should be spent on that. It can’t be that everything is spent on the star in a film.” 

After his success in Srikanth, where he portrayed entrepreneur Srikanth Bolla, the actor sees promise in smaller film budgets: “This year has been great with Srikanth, Mr & Mrs Mahi, and a couple of other films working. All you need is a great piece of content, and people will welcome it with open arms. It’s a wonderful sign for our cinema.”

Half Yearly Classification 2024: Kalki 2898 AD and Munjya are the biggest hits of the year

Kalki 2898 AD to Fighter, Deepika Padukone’s first looks WOW the audiences
Box Office India Trade Network

The box office has been a struggle in 2024 and there has been no big BLOCKBUSTER in the first half of the year. The last month in the first half proved to be good with the two biggest HITS of the year (MUNJYA and KALKI 2898 AD) coming in this month.

KALKI 2898 AD is the biggest HIT of the first half and it could have been even bigger if the mass circuits continued how they started as then the film could have been looking at the 300 crore nett mark or thereabouts. But post the weeeknd collections started to drop in B and C centres and single screens. However, the bigger centres have sustained extremely well.

MUNJYA is the sleeper HIT of the year driven by BLOCKBUSTER business in Maharashtra. The film will finish up with business of around 100 crore nett which would be unthinkable before release although the trailer was decent due to the creature. The film is the biggest original Hindi film of the year so far.

SRIKANTH was also another surprise winner in the second quarter which took full benefit of the open run in May and had a solid sustained run for weeks. SHAITAAN and ARTICLE 370 were the HIT films of the first quarter while TERI BAATON MEIN AISA ULJHA JIYA and CREW also did well. 

The second half is likely to see a BLOCKBUSTER with PUSHPA 2 - THE RULE but it is a film from the South and the Hindi film industry will also need to deliver one or two big HITS just to build confidence. If that doesn't happen, it will be pretty much a disaster year.

The half yearly classification for 2024 is as follows.

All Time Blockbuster
-

Super Blockbuster
-

Blockbuster
-

Super Hit
1. KALKI 2898 AD
2. MUNJYA

Hit
3. SHAITAAN
4. ARTICLE 370

Semi Hit
5. TERI BAATON MEIN AISA ULJA JIYA
6. CREW
7. SRIKANTH

Average
8. FIGHTER
9. MADGAON EXPRESS

Below Average
10. SWATANTRYA VEER SAVARKAR
11. LAAPATAA LADIES

Fenil's Bollywood Talk # 833


MR & MRS MAHI IS IMPRESSIVE; WILL MUNJYA MANAGE TO SCORE AT THE BOX OFFICE?

The box office came back to life last week with the release of Mr & Mrs Mahi, starring Rajkummar Rao and Janhvi Kapoor. The first day was aided by Cinema Lovers Day, when most theatres sold tickets for just Rs. 99. The industry expected the film to open at Rs. 5 crores but we had predicted that the figure could go higher. And that’s what happened. A day before release, the advance booking picked up big time.

Mr & Mrs Mahi ended up opening at a huge Rs. 6.75 crores. Since so many people saw the film on the first day, there was a small drop in the next two days. The Saturday and Sunday collections were Rs. 4.50 crores and Rs. 5.50 crores respectively. The film held well on Monday, collecting Rs. 2 crores and Rs. 1.65 crores on Tuesday. The first week's collections are expected to be around Rs. 23 crores.

If Mr & Mrs Mahi holds strongly on the second Friday, then it can cross Srikanth’s collections. That film’s lifetime earnings are expected to be around Rs. 47-48 crores. Srikanth got three open weeks, which Mr & Mrs Mahi sadly won’t get.

Meanwhile, the big release this week is Munjya. It is a part of the horror comedy universe that also comprises Stree and Bhediya. It stars Sharvari and Abhay Verma along with Mona Singh in a supporting role. The film’s release happened suddenly. Around two weeks ago, the makers announced that the film would be released on June 7. The teaser and trailer were dropped digitally and no event took place of the film at all. Sharvari, however, extensively promoted the film. Her gorgeous avatar during promotions and her sensuous avatar in the song ‘Taras’ from Munjya have been noticed. Munjya is also special as the lead character is completely done through CGI.

However, the awareness of the film is very limited. The trailer hasn’t clicked well and the reason why people are somewhat excited is because of the horror genre and also as it's connected with Stree and Bhediya. The opening is expected to be around Rs. 1 crore.

The Hollywood release of the week is Bad Boys: Ride Or Die. The previous film of the series, Bad Boys For Life, collected around Rs. 10 crores in its lifetime in India, which is a healthy total. But the buzz for this film seems limited. It might grow if word of mouth is positive. It’s a mass film and hence, its Hindi version also has a chance.

The depiction of South in Bollywood is usually wrong-Jyotika

the depiction  of South in Bollywood is usually wrong, says jyotika

While Jyotika is happy that she’s had two Hindi film releases recently, the actor hopes to go beyond stereotypes; admits that she’s now looking for longer and more meaningful roles
Akash Bhatnagar (HINDUSTAN TIMES; June 4, 2024)

Jyotika has made a return to Bollywood this year with two back-to-back films, Shaitaan and Srikanth. “The comeback was a surprise for me. It happened very organically. For 25 years, there was no sound and suddenly these two films made such noise,” she says. The actor made her Hindi film debut with Doli Saja Ke Rakhna (1998).

But all these years, Tamil cinema kept her busy, with films such as Raatchasi (2019), Udanpirappe (2021) and Chandramukhi 2 (2023) to her credit. She believes she has returned to Hindi films during the “best phase” of Indian cinema.

“But, in Bollywood, I’m still waiting for the kind of roles I am used to doing in the South. I chose these films as they are beautiful stories, but I am looking for more as an actor, in terms of the length of my role in a film,” she elaborates.

Jyotika admits that the Hindi film industry often sticks to stereotypical portrayals of people from down South in their films. “I agree that some things are over-the-top in the South; we love idli-sambar and action films, but how it’s depicted is definitely overdone. It might be done in good spirits, but frankly, they do get it wrong most of the time,” she asserts.

Recalling the days when she started doing films down South, the actor says, “I saw people weren’t watching a lot of Hindi films there. In Bollywood, people would make fun of the South with (actor) Rajinikanth memes.” But she admits that things are changing. “On the set of Shaitaan, (actor) R Madhavan and I were treated with a lot of respect. Ajay (Devgn, actor) made us feel equal to him. They recognized we are big artistes and not just regional actors,” says the actor.

She shares that venturing into Tamil cinema wasn’t a choice. Accepting that the failure of her first Hindi film “was upsetting”, she adds, “There were many female actors who came in around that time, including Kareena (Kapoor Khan), Rani (Mukerji) and Preity (G Zinta). They were the lucky ones whose films worked.”

While she did look for some work in Bollywood after her debut, it felt futile: “It wasn’t working out. Your first film has to be a hit for the actor in you to be recognized. After that, I did one film in the South, which didn’t do well either, but they recognized my talent. That is a little difference I saw in both the industries.”

Alaya F reacts to polarizing response to her role in Bade Miyan Chote Miyan

Alaya on polarising response to her role in Bade Miyan Chote Miyan

Rishabh Suri (HINDUSTAN TIMES; May 30, 2024)

Alaya F is ecstatic about the positive reaction to her latest film, Srikanth, starring Rajkummar Rao, which has inched its way to being labelled a hit. “The response is really special. I don’t think I’ve experienced this sort of reaction to anything before, and it feels incredible to be part of a story that so many people were excited to watch,” she gushes.

However, just before this success came a film that was a first for her in many ways: Bade Miyan Chote Miyan, her first big-budget masala potboiler, as well as the first to receive polarizing reviews. At the box office, the multi-starrer movie underperformed, and viewers had mixed feelings about her role in the film, finding her to be either charming or annoying. Reflecting on the experience, Alaya chooses to look on the bright side: “I got a lot out of the movie. It was a unique experience to see that sort of response.”  

Alaya, who has starred in films such as Freddy (2022) and Jawaani Jaaneman (2020), continues, “My character was pretty polarizing. That was quite different for me, as my characters (so far in other movies) are normally not. [But] people really enjoyed seeing me in a commercial space, which is great for an actor because I want to continue to do all types of cinema.”

And what about the film’s collections? Did that affect her? Alaya replies, “The film still made money, just not as much as it should have. But a lot of people saw it, compared to many of the other films I’ve done.”

Fenil's Bollywood Talk # 831


WILL BHAIYYA JI AND FURIOSA BRING SOME RESPITE?

Srikanth completes two weeks today and is doing quite well at the box office. As predicted last week, it’ll cross the Rs. 40 crore mark in June, which is a huge result for this film. Meanwhile, this week’s release might also surprise as they have mass appeal.

Bhaiyya Ji stars Manoj Bajpayee in the lead and it’s his 100th film. The actor is seen in an action avatar this time and it looks quite impressive. The film is directed by Apoorv Singh Karki and his last film, Sirf Ek Bandaa Kaafi Hai, became a surprise hit on OTT last year. Hence, there’s hope that the actor-director duo will once again create magic.

Bhaiyya Ji’s teaser caught attention but the subsequent promo and trailer haven’t lived up to it. Also, some feel that it looks like a B-grade film. However, this very factor can go in its favour, especially in the mass centres. Bhaiyya Ji is expected to open around Rs. 1 crore and might go a bit higher to Rs. 1.50 crore.

Furiosa: A Mad Max Saga, meanwhile, was released today and is a prequel to the cult action film, Mad Max: Fury Road. The earlier part has a following in India. Also, this series is known for stunning action scenes and this will pull in a section of the audience. However, the buzz is limited and also, it’s A-rated. Hence, the business will be there but not significant. It is expected to open around Rs. 1 crore and can grow in the weekend if the target audience accepts it. A Rs. 15-20 crore lifetime will be great for this film.

Fenil's Bollywood Talk # 830


NEW RELEASES BRING SOME RESPITE AT THE BOX OFFICE

After the major debacles of Bade Miyan Chote Miyan and Maidaan, the expectations for last week’s releases, Srikanth and Kingdom Of The Planet Of The Apes, were not much. But both these films have surprised and would collectively collect around Rs. 30 crores by the end of their first week.

Srikanth, starring Rajkummar Rao, had some buzz due to a good trailer and the song ‘Papa Kehte Hai’. Yet, the industry and trade expectation was that it would open at around Rs. 1 crore. However, it opened at Rs. 2.25 crores, which brought cheer in the trade. The opening is not huge but we need to consider that last month, a big-budget film like Maidaan opened at just Rs. 4 crores. Keeping that in mind, Srikanth’s opening was impressive.

Srikanth jumped to Rs. 4 crores on Saturday and Rs. 5 crores on Sunday. On Monday, it dropped to Rs. 1.65 crores which is not bad. The first week’s collections will be around Rs. 17 crores. There’s no major competition this Friday and if it manages to collect more than Rs. 10 crores in Week 2, it’ll have a healthy lifetime of around Rs. 35 crores or even Rs. 40 crores.

Kingdom Of The Planet Of The Apes, meanwhile, opened better than Srikanth. It started with collections of Rs. 3 crores. But the collections on Saturday and Sunday were flat – Rs. 4 crores. It has however held well on the weekdays and its first-week collections might be around Rs. 18-19 crores. This film, too, can cross the Rs. 30 crores mark if it holds as strongly in Week 2.

The major Hindi release this week is Kartam Bhugtam, starring Shreyas Talpade and Vijay Raaz. It’s directed by Soham Shah of Kaal fame. The buzz, sadly, is negligible and will face a tough time at the box office. The Garfield Movie, meanwhile, can surprise. The other Hollywood release, If, might work in certain pockets on the weekend.

(Crisp) Movie Review: SRIKANTH by FENIL SETA


Srikanth tells the story of a very successful man; what goes in the favour of the film is that people hardly know about Srikanth Bolla. Hence, every step of his life, depicted in the film, makes for a great watch. Director Tushar Hiranandani treats the film in an entertaining manner. He doesn't make it depressing and hence, it's a film with a widespread appeal. The courtroom and airport scenes are too good. On the flipside, the narrative takes a sharp turn in the second half and it might make viewers a bit unsettled. No back story is given of Jyotika; Alaya F is introduced all of a sudden and we never know about her roots. The film is too fast-paced at times and the climax speech should have packed a punch like it happened, for instance, in Pad Man. Rajkummar Rao, however, is outstanding. He gets into the skin of the character and how. Jyotika is adorable and does full justice to her wonderful part. Sharad Kelkar, as expected, is dependable. Alaya F is much better here than she was in Bade Miyan Chote Miyan. Srivinas Beesetty (Srikanth's father) and Anusha Nuthula (Srikanth's mother) do well but are hardly there. Jameel Khan (APJ Abdul Kalam) is apt for the role. Bharat Jadhav (Judge) leaves a mark. 'Papa Kehte Hai' and the theme song stand out. All in all, Srikanth is worth watching for the plot, treatment and Rajkummar Rao's award-worthy performance.

My rating - *** ½ out of 5!

Fenil's Bollywood Talk # 829

 
WILL SRIKANTH BRING RESPITE AT THE BOX OFFICE?

The last one month has been dismal at the box office. There was no significant release the previous Friday. This week, however, will see the release of an important film – Srikanth. It stars Rajkummar Rao in the role of Srikanth Bolla, a visually impaired industrialist. It is directed by Tushar Hiranandani of Saand Ki Aankh fame and he has not made the film depressing. Instead, it tells the story in an entertaining manner. The film also stars Jyotika, who was recently seen in the very successful film, Shaitaan. Sharad Kelkar and Alaya F also feature in Srikanth.

The makers tried their best to enhance the buzz. They even incorporated the recreated version of the song ‘Papa Kehte Hai’. Though the awareness of the film is there, the excitement is very limited. Many have opted for a wait-and-watch strategy and would throng the cinemas once the initial reports are out. The lack of any release can also pull more people.

Srikanth is expected to open at around Rs. 1 crore. If all goes well, there should be a 100% jump on Saturday and Monday collections hopefully would be more than the first day. If that happens, the film will have a long, clean run.

The other major release is Kingdom Of The Planet Of The Apes. It is the fourth part of a globally successful franchise. But in India, none of the earlier instalments have worked. Nevertheless, due to lack of release and big scale, Kingdom Of The Planet Of The Apes might open in the same range as Srikanth or it might also go beyond the latter.

Lastly, Deepak Tijori’s Tippppsy releases tomorrow but because of negligible noise and very limited shows, its box office collections won’t be much.

I was clear it cannot have a sad spin. I wasn’t okay with a documentary treatment-Srikanth Bolla

Rajkummar Rao with Srikanth Bolla. Pic/Yogen Shah

Initially wary of having his biopic, Bolla says Srikanth treats his journey from visually-challenged student to industrialist as a ‘celebration of life’
Mohar Basu (MID-DAY; May 6, 2024)

Having your life story unfold on screen can be among one’s happiest moments, but Srikanth Bolla found it equally difficult to part with his story. Reason? Bolla, who became a successful industrialist despite being visually challenged, believes one has to be mindful of how such a story is told.

“It’s a story that must be told with caution. Limelight is tough. Also, once your biopic is on celluloid, it’s your responsibility to uphold the life you’ve reflected on screen,” says Bolla, who was the first international visually-impaired student in management science at Massachusetts Institute of Technology and went on to set up Bollant Industries in 2012.

Reaching the zenith hasn’t been easy. His journey will be chronicled in Srikanth that sees Rajkummar Rao play the titular role. Bolla admits that initially, he was “not interested at all” in Tushar Hiranandani’s directorial venture.

“I’m very shy as a person. I stay away from the media. But Tushar chased me down relentlessly. He got in touch with my business partner [Ravi Mantha] and convinced me that he wants to tell the story with love and optimism. I was clear it cannot have a sad spin. I wasn’t okay with a documentary treatment. Against all odds, a life can be lived well. I wanted the film to be happy and successful like my life. Everyone has some problem or the other, but it’s my response to the problems that [is shown in] the movie. People think this film is about the education system disadvantaging people. That’s a part, but the larger story is more than that. It’s not an attack on anyone; it’s a celebration of life.”

The May 10 release, also starring Jyotika and Alaya F, benefits from Rao’s presence. Bolla, who went to the set a few times during the shoot, says the actor has his heart.

“Tushar told me he’d cast someone I resonate with. Raj is self-made. He is hard-working and has success that is well-earned. I heard from people that he has nailed my mannerisms perfectly; I think he has done a stunning piece of work. He had a set number of dates for the film, but the way he went above and beyond was moving.”

Before diving into Srikanth’s promotions, Rajkummar Rao to wrap up Vicky Vidya Ka Woh Wala Video

Video abhi baaki hai

Before diving into Srikanth’s promotions, Rajkummar to wrap up Vicky Vidya Ka Woh Wala Video with 10-day stint in Madh Island and city hospital
Upala KBR (MID-DAY; April 11, 2024)

Rajkummar Rao is gearing up for his first release of 2024 with Srikanth. But before he dives into the biopic’s promotions, the actor will have to make a quick trip to the ’90s. Rao, who leads Vicky Vidya Ka Woh Wala Video, a social comedy set in the ’90s, wrapped up an extensive schedule in Uttarakhand last week. Now, director Raaj Shaandilyaa is readying for a 10-day stint in Mumbai with Rao and leading lady Triptii Dimri, after which it will be a wrap on the film.

In late January, the director kicked off the project in Uttarakhand with the entire cast that includes Mallika Sherawat and Vijay Raaz.

A source from the creative team says, “Raaj likes to wrap up his projects fast. While a chunk of the comedy was shot in Rishikesh and Dehradun, only a part is now left to be filmed in Mumbai. Over the weekend, Rajkummar will prep to slip into the character again.”

Vicky Vidya Ka Woh Wala Video follows the pandemonium that breaks out in a small town when a couple’s intimate video tape goes missing. The source adds, “After the scandal, the couple comes to Mumbai in search of help. The unit will shoot in south Mumbai, Mira Road, Film City and Madh Island. While a dramatic scene will be canned at a hospital in Grant Road, another sequence is set in a cemetery.”

Producer Bhushan Kumar says, “We’re thrilled to wrap up shooting in Uttarakhand on schedule, and eager to continue the journey in Mumbai.”