Showing posts with label Sky Force. Show all posts
Showing posts with label Sky Force. Show all posts
Gulf widens as UAE refuses to entertain 'sensitive' Hindi films
10:40 AM
Emirates offer strong box-office potential, but films banned over geopolitical reasons in the region seen hurting distributors, producers
Rajesh N Naidu (THE ECONOMIC TIMES; January 26, 2026)
Mumbai: A growing number of Hindi films are missing out on theatrical release in the UAE, and with it a key source of good box-office revenues, overseas distributors and domestic producers told ET. After Sky Force, The Diplomat and Dhurandhar last year, Border 2 is the latest Bollywood film that has been banned in the Gulf nation where 35-38% of the population is of Indian origin.
"The UAE is a big market in terms of box-office potential," said Pranab Kapadia, founder of Moviegoers Entertainment, a major overseas distributor of Bollywood films. "Malls are a big part of the culture in the region. Due to the hot climate, people prefer to visit malls, which in turn boosts footfalls in film theatres. A big film which is well-received can easily earn 25-40% of its overseas revenues from the UAE region."
For a non-event or non-spectacle film, the UAE market contributes 15-16% of the total revenues in the overseas markets, experts said.
A fundamental reason behind the banning of certain Hindi films in the Gulf region is the divisive geopolitical elements contained in them, producers said.
"The criterion of the UAE authorities is clear. They don't want to disturb the peace and harmony of the multi-cultural or cosmopolitan fabric of the region," said Anjum Rizvi, a veteran film producer. "So, even if they have an inkling that a certain film may create chaos in the region, they don't release it." Veteran producers said makers of films are mostly aware of this.
"Producers are well-aware of what to expect from the censor/classification boards of each of the major international territories. They factor in the risk and adjust box-office potential upfront when making and releasing such films," said Shariq Patel, former CEO at Zee Studios.
It's a significant risk. Hollywood and Indian films each form 40-50% of the UAE box office collection, followed by Arabic films, experts noted. "The Gulf countries have emerged as a structurally critical overseas market for Indian cinema, not a peripheral one. For large-scale Indian films, the Gulf has become one of the most decisive overseas markets," said Suniel Wadhwa, cofounder and director at Karmic Films.
A recent big budget film that lost out on the box office potential of the UAE is Dhurandhar. The film collected Rs. 997 crore (gross) in India and Rs. 294 crore (gross) from overseas markets until Friday, according to box-office research data firm Sacnilk.
"Dhurandhar collected $28 million from overseas markets without the Gulf markets. The absence of the UAE region translates into a revenue loss of $5-8 million, or Rs. 45-72 crore at current exchange rates," Wadhwa said.
"Beyond the revenue loss, an unreleased film in the UAE region is also susceptible to unregulated consumption (due to likely high demand from Indians in the Gulf), which can affect its performance in other territories," he added.
First six months of 2025 a mixed bag for the box office
10:59 AM
The first six months of 2025 have been a mixed bag for the box office, with small films working, and heavyweight projects tanking
Rishabh Suri (HINDUSTAN TIMES; July 1, 2025)
The first six months of 2025 have been a roller-coaster ride for India, with the Pahalgam terror attack and India’s brave response in the form of Operation Sindoor being everyone’s focus. However, the film business remained unaffected. According to an Ormax report, the cumulative total for 2025’s releases, till May, stood at Rs. 4,812 crore, 27% higher than the same period in 2024.
JANUARY
Actor Sonu Sood’s Fateh (Rs. 12.85 crore), Rasha Thadani and Aaman Devgan-starrer Azaad (Rs. 6.32 crore), actor Kangana Ranaut’s Emergency (Rs. 16.52 crore) and actor Shahid Kapoor’s Deva couldn’t set the cash registers ringing. Sky Force featuring Akshay Kumar did manage to break even.
FEBRUARY
Vicky Kaushal-starrer Chhaava became this year’s highest grosser so far. Made on a budget of Rs. 130 crore, the period drama earned Rs. 600 crore. Actors Junaid Khan and Khushi Kapoor’s Loveyapa only collected Rs. 7 crore, against a budget of Rs. 60 crore.
MARCH-APRIL
While Sunny Deol’s Jaat (Rs. 89.50 crore) and Akshay Kumar’s Kesari Chapter 2 did well, Salman Khan’s Sikandar, made on a budget of Rs. 200 crore, failed.
MAY
Ajay Devgn-starrer Raid 2 did well with Rs. 173.28 crore. Also, Rajkummar Rao and Wamiqa Gabbi’s Bhool Chuk Maaf had a decent run with Rs. 74.18 crore.
JUNE
June had two clean hits so far — Housefull 5 and actor Aamir Khan’s Sitaare Zameen Par, which has been running successfully. Actor Kajol’s horror-mythological drama Maa got a slow start.
“Barring Chhaava, we have not had a true blockbuster. Raid 2 and Jaat did well. I hope the second half is better. I feel the smaller and medium-budget films need to do well in theatres, as we don’t have a big release every week. Bhool Chuk Maaf did well in the two-week window it had between theatrical and digital release.”
- Taran Adarsh, Trade analyst
“2025 has not been so good. Sikandar not working was a shock. Kesari Chapter 2 and Housefull 5 worked. Before the pandemic, such films would run, not just work. We are still struggling, businesswise.”
- Atul Mohan, Trade analyst
“The first half of 2025 saw strong theatrical momentum, led by Chhaava, Raid 2, Bhool Chuk Maaf, Kesari Chapter 2, Sitaare Zameen Par and Jaat. Hollywood also contributed with Mission: Impossible – The Final Reckoning becoming the first Hollywood release to cross ₹100 crore in 2025 and a solid performance by Final Destination Bloodlines and How to Train Your Dragon. Regional cinema, including Telugu, Tamil and Malayalam films, contributed ₹3,600 crore to the box office.”
- Devang Sampat, Managing Director, Cinepolis India
BIG HITS
Chhaava - Rs. 600.10 crore
Raid 2 - Rs. 178.08 crore
Sky Force - Rs. 131.44 crore
Housefull 5 - Rs. 156.40 crore
Kesari Chapter 2 - Rs. 93.28 crore
Sitaare Zameen Par - Rs. 107.68 crore
BIG MISSES
Sikandar - Rs. 103.45 crore
Deva - Rs. 32.07 crore
Loveyapa - 7.04 crore
(Figures as per all-India collections, according to trade estimates and Bollywood Hungama)
Q1 Report Card: Cold star for Bollywood this year
8:10 AM
With only one film scoring major success at the box office, Bollywood’s performance in the first quarter of this year is far from impressive
Rishabh Suri (HINDUSTAN TIMES; April 2, 2025)
Bollywood’s box office ‘report card’ for the first quarter of 2025 projects a rather bleak picture. Only one film has done extraordinary business in the first three months of this year — Chhaava, featuring Vicky Kaushal in the lead role. Two other films have just about managed to draw audiences to the theatres — Akshay Kumar’s Sky Force and The Diplomat, starring John Abraham.
Compare this to the corresponding period last year, and there were multiple hits such as Shaitaan, Article 370, and Crew. The industry is understandably unhappy.
Talking about Sikandar, the big-ticket Eid release, trade analyst Taran Adarsh says, “One didn’t expect this performance from a Salman Khan film. It started off okay due to the Eid holiday, but the foundation is weak for the numbers to sustain in the weekdays. Also, the BOGO and free ticket offers for the film are very unfortunate. It shows the phase the industry is going through.”
The silver lining
Amit Sharma, managing director of Miraj Cinemas, however, is optimistic: “After five years of struggle, we now have a release every week. It’s a spread-out calendar unlike last year, when multiple films released on the same day.”
There’s room for improvement in the second quarter, feels Devang Sampat, CEO, Cinepolis Cinemas. “Q2 looks very good, especially the combination of Hollywood and Bollywood films will give a huge boost this summer,” he says.
---------------------------------------------------
“I won’t say that there should be a Chhaava every week, it’s not possible. We needed more hits; we can’t survive on one hit or one plus film to carry us till the next quarter.”
- Taran Adarsh
“It’s important for films like The Diplomat (to earn) because we have only about 10-15 tentpole releases in a year. The exhibition sector needs smaller films to do well to stay afloat.”
- Akkshay Rathie
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MAJOR RELEASES SO FAR
Chhaava: Rs. 545 crore
Sky Force: Rs. 131.44 crore
The Diplomat: Rs. 30 crore (still running in theatres)
Deva: Rs. 32 crore
Badass Ravi Kumar: Rs. 9.66 crore
Sikandar: Rs. 55 crore (still running in theatres)
(All figures according to Box Office India and trade estimates)
Mujhe patriotic songs ka brand ambassador bana dena chahiye-B Praak
3:32 PM
Rishabh Suri (HINDUSTAN TIMES; March 30, 2025)
B Praak has delivered multiple chartbusters over the years, from the soul-stirring Teri Mitti in Kesari (2019) to the emotional Maaye in Sky Force. Now, buzz suggests he might reunite with Akshay Kumar for Kesari Chapter 2. But what is it about patriotic songs that resonates so deeply with him?
He quips, “Ab mujhe patriotic songs ka brand ambassador bana dena chahiye! The pain and emotion in these songs connect instantly. I was overwhelmed by the love Maaye received.”
When asked about the most challenging song he has sung, he doesn’t hesitate: “Teri Mitti was incredibly tough. I had to convey emotions that would make people feel an instant connection with their motherland.”
Given the powerful lyrics of his songs, does he involve himself in the writing process as well? “Bilkul! If I don’t, then how will the song truly be ours?” he says.
“I get involved right from the song’s inception. But honestly, with lyricists like Jaani, I rarely have to say anything — they do their job beautifully.”
Beyond music, he acknowledges the weight of his words as an artiste. “A public figure must always be mindful of what they say, and the same applies to lyrics. Words have power, and we must ensure they don’t hurt anyone’s sentiments.”
Industry insiders talk about block booking and why it is so rampant
11:09 PM
Rishabh Suri (HINDUSTAN TIMES; February 13, 2025)
The terms ‘block bookings and ‘corporate bookings’ have created a lot of buzz recently. It began when trade analyst Komal Nahta accused the makers of actors Akshay Kumar and Veer Pahariya’s recent film Sky Force of resorting to booking out theatres in order to paint a rosy picture in the film’s box-office report.
Things took a turn after the same accusation was levelled against Vicky Kaushal and Rashmika Mandanna’s upcoming Chhaava, which is bankrolled by the same producers — Maddock Films. In light of these allegations, insiders worry that the industry’s credibility is at stake, considering anyone can manufacture numbers to favour their films.
‘An old practice’
According to trade analyst Taran Adarsh, big names in the film industry were fudging the numbers even in the 1970s and ’80s: “In those days, block bookings was called ‘feeding’. A top actor I spoke to would buy tickets at certain cinemas for houseful boards to create a certain perception. Films wouldn’t release simultaneously then — a film might premiere in Delhi today, Mumbai after a week and so on. But public sab jaanti hai.”
However, exhibitors do not complain since tickets are technically being sold. He adds, “Aaj kal toh bade level pe ho raha hai yeh sab. Exhibitors are happy, ab chaahe producer khud khareed raha hai ticket, ya actor, ya studio.”
So, is it all fake?
Also accused of using this tactic were the makers of Ram Charan and Kiara Advani-starrer Game Changer. The makers claimed that it grossed Rs. 186 crore worldwide on premiere day. But according to number crunchers Sacnilk and Box Office India, the actual worldwide gross was Rs. 80 crore.
With the growing buzz, filmmakers have begun adding their two cents to the debate. Recently, filmmaker Kunal Kohli called block bookings “rubbish”. In an interview with YouTuber Aleena Gandhi, Kohli said, “Matlab we make the film, we release the film and then we only buy tickets to watch the film? The reason you are doing [this] is ego, to pamper a star and not show him the reality, or to pamper that director, that producer.”
Shibasish Sarkar, the president of Producers Guild of India, asserts that this is fraud against the masses: “I think ultimately what is happening is bringing the credibility of the industry down. The only logic here is to create a perception about the demand.”
Tracking the numbers
As for fake numbers, Sarkar notes, “In developed markets worldwide, there are systems like Rentrak (to track the numbers). In India, unfortunately, that has not happened. While this isn’t new, things are happening on a scary proportion. So, even if you get a system to bust fake numbers, how would you see who is fraudulently booking the tickets in bulk? You cannot install CCTV cameras inside every theatre.”
We reached out to Dinesh Vijan, founder of Maddock Films, but received no response by the time of going to press.
After the makers of several tentpole films were accused of ‘block booking’, we ask industry insiders about the practice and why it is so rampant
What is corporate and block booking?
Trade expert Atul Mohan explains, “If an actor endorses 20 brands, they ask one brand to, for example, purchase 10,000 tickets for their latest film. In return, they waive off some fees, or shoot an ad for free. This means 10,000 tickets are legitimately being sold, even if the theatres turn out to be ultimately empty. Then there’s block booking, where a producer, actor, or studio pay for multiple seats out of their own pockets. In both cases, when you open booking apps, you see theatres are filling fast. That creates a positive perception around the film.”
Both Fighter and Sky Force are on the Air Force, so comparisons are inevitable-Akshay Oberoi
10:35 AM
Akshay Oberoi comments on the number game in Bollywood and why he isn’t affected by the comparison between Sky Force and Fighter
Akash Bhatnagar (HINDUSTAN TIMES; February 10, 2025)
Akshay Oberoi, who starred in the Hrithik Roshan-led Fighter says he has no qualms about people drawing similarities between his film and Akshay Kumar’s Sky Force. The two films released on Republic Day weekend — Sky Force premiered this year, while Fighter hit the big screen in 2024 — and both are based on the Indian Air Force.
Ask the actor about the comparisons, and he tells us, “Both the films are on the Air Force, so comparisons are inevitable. But it doesn’t bother me at all. There are only about six or seven stories you can tell in this space, so it’s about how you tell it. I’m sure the screenplays are very different.”
However, its not just the narratives — many have also drawn parallels between the two films’ box-office performances. Reacting to it, Akshay replies, “The problem is, we’ve created a society in which the profit and bottom line are the most important things. You could be the worst actor on the planet, but if your films make a ton of money, you will get cast by the biggest directors.”
The 40-year-old adds, “That’s just the way it’s been. We live in a capitalistic world jahan paison ko pooja jaata hai, more than talent. So, in a place like this, how can you expect it to not happen?”
He elaborates: “You would see one actor putting out things about another actor, like they made more money than the other in the last few years. [But] we created the rule that money is number one, so people do whatever it takes to make money.”
“So, if that is at the cost of pulling someone down to pull yourself up, you’ll do it, and it will keep happening. In an ideal world, it should not happen, but there’s no point in crying over such things. This is the game, and this is how you play it,” he signs off.
Comedian Pranit More assaulted for cracking joke on Veer Pahariya
8:24 AM
Group of men in audience at a Solapur venue assaulted Pranit More for the joke on the actor who is also Sushil Kumar Shinde’s grandson
Apoorva Aghashe (MID-DAY; February 5, 2025)
A stand-up comedian was physically assaulted by a group of 11-12 men for making a joke on Sky Force debutant actor Veer Pahariya. The attackers claimed to be fans of Pahariya, the comedian Pranit More said in his complaint filed online with the Solapur police. Pahariya is the grandson of former Chief Minister of Maharashtra Sushil Kumar Shinde.
Mumbai-based More was at a show in Solapur when he was assaulted. “I was physically assaulted by these men after the show was over. They said ‘agli baar Veer Pahariya par joke marke dikhana’ and left the venue. The management of the venue has not been cooperative and they have not provided me with CCTV footage. An online complaint has been filed with the Solapur police and they are investigating the matter,” More told mid-day.
More further alleged that the man leading the assault, Tanveer Shaikh, is the personal assistant of Sushil Kumar Shinde. “Shaikh was the gang leader. He posted an apology on Instagram, but it was later pulled down,” the comedian added. Pahariya, in addition to being politically connected, also comes from a family of businessmen. He has denied his involvement in the assault.
Fenil's Bollywood Talk # 867
2:38 PM
SKY FORCE MAY CROSS THE RS. 100 CRORE MARK BUT NO CELEBRATION IN THE INDUSTRY
The grand Republic Day release, Sky Force, opened in cinemas last Friday and the collections, on the face of it, have been encouraging. It was expected to open at Rs. 10 crores but instead, its collections on the first day were Rs. 13.50 crores. On Saturday, earnings jumped to Rs. 23.50 crores and Rs. 26.50 crores on Sunday. On Monday, the film dropped to Rs. 7.50 crores. The Tuesday collections were Rs. 5.50 crores. The first week earnings are expected to be around Rs. 84 crores.
However, there have been reports that these numbers are not organic. A prominent website, Box Office India, repeatedly mentioned that the film managed to earn so much thanks to the ‘external help’. This is also clear by the fact that many single screens from Mumbai will be playing just one show of Sky Force from tomorrow and the rest have been allotted to the upcoming release, Deva. Ideally, when a film collects so much, it should have had at least two shows daily.
As a result, there has been no celebration in the film industry despite such collections. Moreover, one doesn’t know how much the collections would be in the second weekend. especially if the ‘external factors’ continue to play out. The film should target the lifetime earnings of Airlift, which was also an Akshay Kumar-starrer in a similar zone. This 2016 Republic Day release earned Rs. 123.46 crores.
Meanwhile, the big release of the week is Deva, starring Shahid Kapoor and Pooja Hegde. It marks Malayalam director Rosshan Andrrews' first Hindi film. From the trailer, it seems to be a remake of Rosshan's acclaimed 2013 Malayalam film, Mumbai Police.
The teaser of Deva got a roaring response. But then the buzz reduced. The songs haven’t made a mark and the impact of the trailer was not the same as the teaser. Shahid Kapoor’s last release, Teri Baaton Mein Aisa Uljha Jiya, opened at Rs. 6.54 crores. Deva, hopefully, should cross this figure and if it manages to hold well, it’ll be able to succeed at the box office. A good word of mouth is very crucial for Deva.
For Mahavatar, I have already read ancient plays and 11 novels on Parashurama-Niren Bhatt
8:30 AM
Shifting gears from the aerial actioner Sky Force to Vicky Kaushal’s mythological epic Mahavatar, writer Niren Bhatt says both genres demand rigorous research and authenticity
Upala KBR (MID-DAY; January 28, 2025)
Horror comedy, aerial actioner, mythological drama—each genre is far removed from the other. But each of them finds a place in writer Niren Bhatt’s filmography. Only months after displaying his command over horror comedies with Munjya (2024) and Stree 2 (2024), Bhatt delivered the aerial actioner, Sky Force, last week. While the Akshay Kumar and Veer Pahariya-starrer receives positive reviews, the writer has moved on to his next, the mythological drama, Mahavatar, starring Vicky Kaushal. “It is a new genre for us,” begins Bhatt.
That telling the story of Chiranjeevi Parashurama on the big screen will be an immense responsibility for director Amar Kaushik and him is not lost on him. Bhatt says, “It tells the story of Bhagwan Parashurama, who was the sixth incarnation of Lord Vishnu. There are lots of references from Bhagavata Purana and 11 other scriptures. There are ancient texts that you can read in libraries, but people don’t read them. They are used mostly for pujas.”
One would think there is nothing common between Sky Force and Mahavatar. But the writer says that though the worlds are dramatically different, each film demands rigorous research. “We did intense research on the Armed Forces to get everything right. Similarly, when you are writing a mythological film, you need to [be accurate]. You can’t go wrong with either genre. I have already read ancient plays and 11 novels on Parashurama to get all the details right,” he states. The drama is expected to roll sometime next year.
Sky Force is based on India’s first airstrike on Pakistan in the 1965 war. As the film’s additional screenplay and dialogue writer, Bhatt says he dived deep into the historic chapter, taking extra care to portray the real-life heroes with authenticity.
“This film is tricky to write as it is about an [Air Force officer] who went missing in action. When you are writing about the Armed Forces, you need to focus on every [little aspect]—from the jargon to the body language, and the code of conduct. For that, we had an Indian Air Force pilot, who fought in the Kargil War, vet our script. When you make a movie on the Armed Forces, you have to get everything validated by them. If you are paying a tribute to the heroes, you cannot go wrong.”
Some people say, ‘Aap deshbakhti ki film kyun karte ho?’ Kyun na kare!-Akshay Kumar
8:40 AM
HINDUSTAN TIMES (January 23, 2025)
It was all about actor Akshay Kumar’s witty charm and his Sky Force co-star, debutant Veer Pahariya’s charismatic presence as the duo visited HT City for the Stars in the City session. The actors engaged in a candid conversation with Sonal Kalra, Chief Managing Editor, Entertainment and Lifestyle, Hindustan Times, about the film and their on-screen camaraderie.
‘Kyun na karun deshbhakti ki films?’
Known for being passionate about his craft, Akshay asserted that he is confident in his choice of scripts, even if that means facing criticism for taking on patriotic roles. Talking about this film, the 57-year-old said, “It’s not the same genre. This is a different story. There is nothing similar to Airlift or Rustom (both 2016) or any other film.”
He expressed gratitude at having received the opportunity to portray several films with patriotic undertones. “I’m so lucky that I get a chance to play so many characters. God has been so kind, I got to play Lord Krishna and Lord Shiva... What else can I ask for? If I’m getting such a lovely opportunity, you think I should give it a miss because some people say, ‘Aap deshbakhti ki film kyun karte ho?’ Kyun na kare!”
‘Took advice from Janhvi’
Meanwhile, Veer was playfully asked about seeking acting tips from actor Janhvi Kapoor, who is now “nearly a family member” since she’s dating his elder brother, Shikhar Pahariya.
“She’s a very talented actress and has played a real character in Gunjan Saxena: The Kargil Girl (2020). That was a biopic as well. She’s experienced. So yes, I did take a lot of advice (from her),” the 30-year-old said, adding, “Many of my friends are actors and I don’t miss out the chance of asking them for any advice.”
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During a recent interaction at Stars In The City with Sonal Kalra, Chief Managing Editor, Entertainment and Lifestyle, Hindustan Times, actors Akshay Kumar and Veer Pahariya took some questions from the fans.
What is the sentiment of Sky Force? Tell us about your characters in the film.
Akshay: Everyone had declared Squadron Leader A B Devaiah (on whom Veer’s character is based) a traitor, and for 23 years, no one knew that he was, in fact, a hero. I play Wing Commander K O Ahuja, a character based on Group Captain O P Taneja, who is senior to the character Veer plays in the film — T Vijaya. Aap log vishwas karenge ki 23 saal baad inke parivar ko sarkaar ne Maha Vir Chakra diya? This film is not just about war; it also delves into what happens to the family and children left behind.
Veer, Akshay is known for his discipline. During the shoot, did he encourage you to follow a fitness routine? And Akshay, what advice would you give people for maintaining good health?
Veer: Akshay sir is always on the move, running around the set. He made sure I did the same! I had a great time following his fitness routine — he’s been a huge influence on me.
Akshay: My advice is simple — wake up early, exercise and work hard for 8–10 hours. Don’t listen to anyone who tells you not to work hard! In today’s world, the biggest health concerns in our country are diabetes and heart disease. The best way to fight them is through discipline — stay active, eat right and take care of yourself.
Paresh Rawal (actor) recently shared a picture with you enjoying Jaipur’s winter during the Bhooth Bangla shoot. You’re reuniting with him and director Priyadarshan after years — how does it feel?
Akshay: Working with Priyadarshan again felt like going back to school! He’s the person who taught me how comedy works, how action should be timed.
Franchise films and sequels have been hugely successful in recent years. What do you think is the secret behind their success?
Akshay: Honestly, when it comes to films, you can never predict what will work. Right now, sequels are trending. But the next time I’m here, the conversation might be about how sequels aren’t working anymore! It all depends on the audience’s mood, and we can never be sure. I choose films that resonate with me, and as long as I believe in them, I’m happy with the outcome.
Everyone wants to know — when is Hera Pheri 3 happening?
Akshay: Hera Pheri 3 is in production. If all goes well, we should start rolling this year.
Compiled by Yashika Mathur
(Crisp) Movie Review: SKY FORCE by FENIL SETA
8:28 AM
Sky Force is about a fascinating chapter of Indian history that not many are aware of. In fact, the audience will be stunned as the characters in the film are very heroic and deserve to be celebrated. It is just 125 minutes long and moves at a quick pace. The investigative track in the second half and the climax are the best parts of the movie. On the flipside, the first half gives a déjà vu of Fighter. The songs are poor. Also, the makers should have stressed on the achievement of the character. What he achieved is out of the world but it's mentioned in such a manner that one might not realize the greatness of it. Akshay Kumar, as expected, rocks the show and thankfully, he's there from start to finish. Veer Pahariya is strictly okay. Thankfully, he plays such a brave character that it works for him. Sara Ali Khan and Nimrat Kaur are decent extended special appearances. Sharad Kelkar is simply brilliant and apt for the part. The others who leave a mark are Manish Chaudhari (David Lawrence), Soham Majumdar (Cockroach), Varun Badola (Air Vice Marshal Amit Narang) and Gurpal Singh (Mehta). All in all, Sky Force makes for a decent watch.
My rating - *** out of 5!
My rating - *** out of 5!
Fenil's Bollywood Talk # 866
9:55 PM
WILL SKY FORCE BE THE FIRST HIT OF 2025?
The first biggie of the year, Sky Force, will be released tomorrow, that is, January 24. The excitement is there but is not tremendous. It stars Akshay Kumar, Sara Ali Khan and Nimrat Kaur and marks the debut of actor Veer Pahariya. It’s also the first film of directors Sandeep Kewlani and Abhishek Anil Kapur and is backed by Maddock Films and Jio Studios.
Sky Force is set in 1965 and is about India’s first deadly aerial strike. The trailer has some memorable moments. Moreover, it releases on Republic Day and that’s apt for this film, which is in the patriotic zone. Since it’s a Maddock film, they have gone all out to promote it.
However, the buzz is limited. Many feel that the film is similar to Fighter. The songs haven’t worked and these two factors have affected the advance sales. Thankfully, the inside reports are encouraging.
Sky Force will hopefully have an opening of Rs. 10 crores, that too due to tempting offers. If the word of mouth is positive, it’ll jump on Saturday and hopefully, have a bigger jump on Sunday which is Republic Day.
The other major release of the week is Ramayana: The Legend Of Prince Rama. It has been widely consumed on television and digital and has a huge fan base. Excel Entertainment is presenting and releasing it. There was a lot of buzz for it when it was supposed to be released in October 2024. But the film got pushed and now the buzz has died down. The opening will be below par and hopefully, it’ll grow on Saturday and Sunday.
Though Ramayana: The Legend Of Prince Rama wasn’t released before in cinemas, it is seen as a re-release. But while other re-released films were available in cinemas for a maximum price of Rs. 150, the same doesn’t apply to this animation film. This might prove detrimental.
The first biggie of the year, Sky Force, will be released tomorrow, that is, January 24. The excitement is there but is not tremendous. It stars Akshay Kumar, Sara Ali Khan and Nimrat Kaur and marks the debut of actor Veer Pahariya. It’s also the first film of directors Sandeep Kewlani and Abhishek Anil Kapur and is backed by Maddock Films and Jio Studios.
Sky Force is set in 1965 and is about India’s first deadly aerial strike. The trailer has some memorable moments. Moreover, it releases on Republic Day and that’s apt for this film, which is in the patriotic zone. Since it’s a Maddock film, they have gone all out to promote it.
However, the buzz is limited. Many feel that the film is similar to Fighter. The songs haven’t worked and these two factors have affected the advance sales. Thankfully, the inside reports are encouraging.
Sky Force will hopefully have an opening of Rs. 10 crores, that too due to tempting offers. If the word of mouth is positive, it’ll jump on Saturday and hopefully, have a bigger jump on Sunday which is Republic Day.
The other major release of the week is Ramayana: The Legend Of Prince Rama. It has been widely consumed on television and digital and has a huge fan base. Excel Entertainment is presenting and releasing it. There was a lot of buzz for it when it was supposed to be released in October 2024. But the film got pushed and now the buzz has died down. The opening will be below par and hopefully, it’ll grow on Saturday and Sunday.
Though Ramayana: The Legend Of Prince Rama wasn’t released before in cinemas, it is seen as a re-release. But while other re-released films were available in cinemas for a maximum price of Rs. 150, the same doesn’t apply to this animation film. This might prove detrimental.
After the final shot, I cried for the sacrifice Ajjamada Boppayya Devayya had made-Veer Pahariya
8:57 AM
Set to play martyred squadron leader Ajjamada Boppayya Devayya in his debut film Sky Force alongside Akshay Kumar, actor Veer Pahariya discusses spending over three years understanding his muse
Mohar Basu (MID-DAY; January 15, 2025)
The years he spent studying cinema while working behind the scenes were instrumental for Veer Pahariya, who used the knowledge to design his act for his debut film, Sky Force. Pahariya, who is cast as the lead alongside Akshay Kumar in the January 24 release, plays squadron leader Ajjamada Boppayya Devayya, a revered Maha Vir Chakra recipient celebrated for the valour he displayed during the 1965 Indo-Pak War.
Pahariya hasn’t left any stone unturned to prepare for the role, spending over three and a half years comprehending Devayya’s life. The young actor recently met the Air Force officer’s family, including his 90-year-old wife, Sundari Devayya, and their daughters, Smitha and Preetha.
“When you play a role like this one, the first emotion you feel is intimidation. I was intimidated by the magnitude of what I had before me. There’s so much written about him, but to [portray] him on the screen is a challenge. I told myself that if I put my head down and gave it my all, I would be able to crack it. I knew that if I did well, this film had the potential to inspire a whole generation of young people to join the armed forces,” the young actor tells mid-day.
The internet may have given him an insight into Devayya’s life, however, it is the anecdotes relating to his personal life that were crucial in enabling Pahariya to ace his act. “I was sent to Air Force bases in Lohegaon [Maharashtra], Suratgarh [Rajasthan], Delhi, Pathankot, and Gwalior. I was able to engage with fighter pilots my age and learn from them. There’s little written about him in history books, so, his family helped me bring him to life on screen. He loved photography, was a great golfer, and was rebellious. We added those elements into the film. It was the emotional prep that was [challenging] too—understanding a man who was leading a life driven by passion, and one who made India his priority,” he says, adding that he worked with acting coaches who guided him in the journey.
It is the film’s climax scene, depicting an aerial dogfight that leads to Devayya’s ultimate sacrifice, that was particularly challenging for Pahariya.
“I am in the cockpit, and my entire face is covered. It gives you a glimpse of how fearless the character is. I could only portray [Devayya’s] vulnerability, courage, and passion via my eyes. When I finished the scenes, I held my directors and cried for the man and the sacrifice he made.”
I cannot imagine India without our Muslim brothers-Manoj Muntashir
8:28 AM
Set to present his latest work in Kangana Ranaut’s Emergency, lyricist Manoj Muntashir bares it all—his reaction to being called anti-Muslim, his passion for India and its rich cultural history, and the apprehensions he harboured before giving his nod for the film
Sonia Lulla (MID-DAY; January 6, 2025)
In an era where men of power exercise restraint while expressing opinions to cater to a society that has arguably grown sensitive, Manoj Muntashir appears to be passionately unabashed. Using his social media platform to share snippets of India’s cultural and mythological history, along with his poetic work, Muntashir often sprinkles his feed with posts that, many cite, have rubbed the Muslim community the wrong way. It was in 2021 that he courted controversy for criticizing the fact that India had roads named after “glorified dacoits” like Akbar, Humayun and Jehangir, a statement that inspired harsh words from several Indian writers.
Four days ago, Muntashir weighed in on the restrictions on Muslims at the Mahakumbh, citing that for the community, the location would serve as nothing more than a picnic spot. The lyricist, however, impresses upon the need to lay out facts and raise the right questions when considering his statements. Vehemently denying accusations of being anti-Muslim, Muntashir says he “cannot imagine India without our Muslim brothers”.
“This is absolutely untrue. I challenge anyone who has followed my work to point out even a single statement that I made that could indicate that I am anti-Muslim. If they do so, I will remain quiet from that moment. For me, the community is an integral part of India. But if you, [as a Muslim], support those [emperors] who committed genocides, I cannot support that. I will urge my Muslim brothers to stand against those [who hurt us], because I am a man who places his country above his religion. If a Muslim brother can do that too, I will bow my head to him in respect,” says Muntashir, adding that his decision to be vocal about political and religious matters has cost him both work and peace of mind.
“Many people whose thoughts do not align with mine choose to not work with me. I do get threats, and my family also asks me to [tone down]. But, I have also noticed that today, when something happens, people seek my reaction and opinion on it. We have to talk, to find a solution. There has been [a cold war] between the communities, and evidently that has not served as the solution. So, we should talk about matters. I find it to be my responsibility to use my platform to promote matters I believe in and those that are factually accurate,” says the lyricist, who has previously emphasized the need to pay heed to facts before levelling allegations when citing the hatred that Kangana Ranaut faced from the Sikh community over her film, Emergency.
The Teri Mitti writer has penned the lyrics for the soundtrack of the January 17 release that promises to showcase what transpired during the 1975 Emergency that had come into effect in India. Considering the shared passion that both Muntashir and Ranaut have for the country, this film, we suggest, may have been right up his alley.
“I cannot think of any better cast or artiste for this film than those who are already working on it,” he agrees, adding, “When I was approached for it, I was apprehensive about how it would play out, and if it would rightly depict what transpired at the time. But, when Kangana spoke to me, I was convinced that she would do justice to this film. I often say, a lot of my work on this film was copied from Kangana. She knew precisely what she wanted from the film’s music. The way she spoke and the things she said directly inspired certain lines that I wrote for the song. Kangana has a grasp on her craft, and I don’t simply imply her craft as an actor. She has [a flair] for direction, and I also noticed this in Manikarnika [The Queen Of Jhansi, 2023].”
Describing Emergency as a political musical, Muntashir says the five songs that add value to the film work in taking the narrative forward. “A film doesn’t simply become a musical because it has a certain number of songs. Here, the music is so integral to the narrative that if you eliminate even one song, you will feel that something is amiss.”
Released in August 2024, Singhasan Khali Karo revives legendary poet Ramdhari Singh Dinkar’s anthem that echoed through India’s darkest political hour. “It is an anthem that will be used [during protests] in the future too,” Muntashir is certain. Another track showcases what transpired when Indira Gandhi, played by Ranaut, realized that she had made a mistake. His favourite track, however, continues to be Ae Meri Jaan. “It’s the closest [work of mine] to Teri Mitti, so I am optimistic about it. It forms the crux of the film.”
A week after the release of Emergency, Muntashir’s work will again be on display in Sky Force. A recently released track from the Akshay Kumar-fronted film has already been positively received by fans. “This time again, the Teri Mitti singer-writer duo, that is B Praak and I, will come together. Tanishk Bagchi has composed the track beautifully.”
I will no longer make recreations-Tanishk Bagchi
8:37 AM
Tanishk Bagchi knows that his claim to fame may have been the work he has done in reviving old classics for this generation, but hopes his work as Sky Force’s composer will change his trajectory
Sonia Lulla (MID-DAY; January 13, 2025)
Often referred to as the king of recreations, Tanishk Bagchi is certain that the album of Akshay Kumar’s Sky Force will compel filmmakers to see him in a new light. While fans have celebrated his original hits, including Raataan Lambiyan and Bolna, the songs have often been dissociated with his name given the spate of rehashed numbers he has served music aficionados.
But Dinesh Vijan’s Sky Force, he says, is set to put his best work on display. “Imagine an album that has Raataan Lambiyan, Ve Mahi, Bolna, and Badri Ki Dulhania, all in one album,” he says of the film that has five songs crafted by him. In this interview, he reveals how he charted his career to facilitate this transition. Edited excerpts of the interview.
What was the discussion you had with the makers with regards to the music of this album?
I used to create a lot of songs for Dinesh sir, but it would be one song in the entire soundtrack. I’ve also done a lot of recreations. Dino [Vijan] had praised my skills as a composer. Nobody understood that I have the potential [to helm] a solo film. Dinesh sir told me about this film that he was working on, and told me to make the entire soundtrack. That is where we began. He spoke to me about the situations the songs were to be placed in, but left the work to me. He didn’t share any references and allowed me to decide the genres.
Because this is a patriotic film, we’ve tried to retain honesty in the emotions. I can’t take references from other tracks. I’m proud of this album because these are the songs that I’ve always wanted to make. I knew that if I ever got an entire film to work on, I could design the soundscape as I desired. When I’d see [composers like] Sachin-Jigar, Vishal Dadlani, or Pritam, I’d always wonder why I couldn’t get an entire soundtrack [like they do], and was only entrusted with promotional numbers. That was, in a sense, a struggle for me. So, this film marks a new journey. I have been known as the person who did recreations, so this breaks the barrier for me. All the songs are original, and have been composed by me. The credit goes to Dinesh sir.
Were there any active steps you took to make this transition?
It began with saying no to a lot of [offers]. I turned down offers to back recreations. The last remix I did was for Bhool Bhulaiyaa 3, and I did that only because I had worked on the second part as well. Even then, I tried to treat that number like an original song and added a new sound. I no longer wish to do any recreations. As much as I can, I will decline those offers. I’ve done what I had to do; I’ve established a trend. Now, I want to focus on my original music.
Is there a genre of music you’ve employed here that you feel you have dominance over?
When I compose, my music reflects a lot of the emotions that I encounter. Because I belong to Bengal, I’ve been inspired by folk melodies. I always wanted them to be reflected in my music. For Sky Force, I put all my skills to use, including using all the genres I know. Everything was scattered, but I created this package that brought it all together. This album includes one of the best tracks I believe I have ever composed. There’s another romantic song that, I am certain, will be liked by people. There’s also a number that adds emotional depth to the situation is was made for. Imagine having an album that has songs like Raataan Lambiyan, Ve Mahi, Bolna, and Badri Ki Dulhania and Aankh Marey, all in one album. I think, this is that.
Manoj Muntashir calls out Sky Force makers over song credit
8:32 AM
HINDUSTAN TIMES (January 9, 2025)
Lyricist and screenwriter Manoj Muntashir has expressed his frustration with the team behind Sky Force after being left out of the credits for the upcoming track Maaye. On Tuesday, Manoj took to X to voice his anger, warning the makers of Sky Force — Jio Studios, Dinesh Vijan’s Maddock Films, and Saregama Global — of potential legal action.
The controversy began when Jio Studios shared a teaser for Maaye on X, with the song credited to singer B Praak and composer Tanishk Bagchi. While the brief clip acknowledged the duo’s contribution, Manoj’s name was conspicuously absent. The post did tag Manoj in the caption.
Feeling disrespected, Manoj immediately reacted, tweeting, “Please note @jiostudios, @MaddockFilms @saregamaglobal. This song is not just sung and composed but also written by someone who has given all his blood and sweat to it.”
He continued, “Removing the writer’s name from the opening credits shows utter disrespect for the craft and fraternity by the makers. If it’s not corrected immediately, including the main song releasing tomorrow, I am going to disown the song and make sure my voice is heard by the law of the land. Shame. @IPRSmusic.”
However, on Wednesday a source close to the situation told us that the issue has since been resolved, with everything being “well now” between Manoj and the Sky Force team. The lyricist was invited to the song’s launch event on Wednesday, suggesting a positive outcome after the initial dispute: “It was an honest mistake on the part of the filmmakers.”
Muntashir also confirmed to us, “Yes, things are fine (between us), but the fight for the lyricists’ rights will definitely go on.”
Akshay Kumar, Nimrat Kaur, Veer Pahariya to shoot lavish promotional song for Sky Force
8:24 AM
Mohar Basu (MID-DAY; December 11, 2024)
Akshay Kumar and the makers of Sky Force have booked January 24, 2025, as the patriotic drama’s release date. But before Sandeep Kewlani and Abhishek Anil Kapur take their maiden directorial venture to the big screen, the duo is gearing up to shoot a lavish promotional number next week. We’ve heard that the leading man, along with Nimrat Kaur and Veer Pahariya, who makes his acting debut with the movie, will can the song in Mussoorie over four days. That’s not all. An A-list celebrity is rumoured to join them, fuelling speculation about a cameo.
An insider close to the Dinesh Vijan production revealed that the song has been added as part of the film’s promotional strategy. “The goal is to create a visual and musical spectacle that resonates with the audience ahead of the January 24 release. We will begin shooting on December 18, but the prep begins well in advance. The director duo will start pre-production this week, and Amar Kaushik [as the creative producer] is overseeing the proceedings. Some of the most picturesque locations of Mussoorie have been chosen for the song’s backdrop,” said the source.
Sky Force, which will mark Kumar’s first release of 2025, reportedly delves into India’s first airstrike during the Indo-Pakistan war of 1965.
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