Showing posts with label Shailja Kejriwal. Show all posts
Showing posts with label Shailja Kejriwal. Show all posts
Fawad Khan is very interested in pushing his own boundaries; he gets bored of the same old mould-Shailja Kejriwal
9:53 AM
Posted by Fenil Seta

Bringing Pakistani show Barzakh to India, maker Kejriwal says the Fawad-starrer will resonate with desi audiences as it has the universal theme of family
Mohar Basu (MID-DAY; July 16, 2024)
In the words of Pakistani director Asim Abbasi, the only person who has fully understood his show, Barzakh, is producer Shailja Kejriwal. The upcoming Fawad Khan and Sanam Saeed-starrer tells the story of a 76-year-old reclusive man, who invites his estranged children and grandchildren to celebrate his wedding with the ghost of his true love. Elements of the supernatural and magic realism run in the story that sees Kejriwal and Abbasi reunite after their successful Churails (2020).
Backing a story that’s so out of the ordinary couldn’t have been easy for Kejriwal. But the Bollywood producer says that all it takes is faith in the director.
“We have immense faith in Asim’s vision and storytelling. Folk stories across the world are similar because they come from general human existence. Some of the pagan elements that we’ve woven in are common to every culture, [be it India or Pakistan]. What drew me to the story is that families are complex. This idea is universal. When a family gets together, they bring their [resentments]. In each episode, Asim takes us through the unresolved trauma of each family member. Everyone starts off from a dysfunctional space, but by the end, there is some resolution in everyone’s lives,” she says.
Was it difficult to convince mainstream actors like Khan and Saeed to take on such an experimental series? “It wasn’t a challenge at all,” says Kejriwal.
“There is a lot of faith among Pakistani stars in Asim’s work after Cake [2018] and Churails. As an audience, we often pressure our stars to repeat who they are on screen, to satisfy us. Then we criticize them for repeating themselves. Fawad and Sanam are artistes first, and stars later. Fawad is very interested in pushing his own boundaries; he gets bored of the same old mould. Sanam is hungry for new things. They all believed in Asim’s madness.”
The Zindagi series is set to stream in times when most shows and movies aren’t finding favour with the Indian audience. For Kejriwal, the viewership numbers are secondary. The bigger idea through the banner, which was resurrected in 2020, is to unite people from both sides of the border through art.
“It is a big leap of faith to do such a show. But I can’t think strategies; I’m a storyteller first. I go with my gut. Sometimes I will be rewarded for it, at other times, I will suffer. Producers should always think like an audience, look at what’s being made around and ask, ‘Is this grabbing my attention?’”

Asim Abbasi and Shailja Kejriwal
Fawad Khan to return to Indian screens with Barzakh; to stream on Zee5 on July 19
9:41 AM
Posted by Fenil Seta

With Khan set to return to Indian screens after eight years, Barzakh makers Abbasi and Kejriwal discuss how the actor wasn’t pressured by audience’s expectations and chose an unconventional magic realism story
Mohar Basu (MID-DAY; June 17, 2024)
We won’t be off the mark if we say this piece of news will cheer countless female fans across the country. Eight years since we last saw Fawad Khan in Ae Dil Hai Mushkil (2016), the Pakistani actor is set to return to Indian screens with Barzakh. In 2021, mid-day had reported that Khan and director Asim Abbasi were collaborating on a show that would be available to Indian audiences (There’s place for all in this artistic landscape, Dec 15, 2021). Sure enough, from July 19, the actor-director duo’s labour of love will stream on ZEE5 and Zindagi’s YouTube channel.
This time, Abbasi—the director of Cake (2018) and Churails (2020)—has experimented with magic realism. When we begin our chat on a Zoom call, the director says the inspiration behind Barzakh could well be Gabriel Garcia Marquez.
“I was given a blank canvas. The [channel heads] had faith in me after Churails did well. I have made something that is part literature, part philosophy. It moves between a dysfunctional family story and magic realism,” he says.
In Barzakh, a 76-year-old reclusive man invites his estranged children and grandchildren to his resort to celebrate his wedding with the ghost of his first love. Producer Shailja Kejriwal admits it’s not easy to back such experimental stories.
“After Churails, we wanted to do something less dramatic. We ended up doing something different yet dramatic. Everyone is doing projects aligned with audience research; someone should make something unusual,” she smiles.
The series reunites Khan with his Zindagi Gulzar Hai co-star Sanam Saeed after 12 years. The return of a popular on-screen pair brings with it certain pressures. But Abbasi felt none, he says.
“There was no reference to Zindagi Gulzar Hai at all. My actors wanted to do something drastically different, as opposed to Zindagi Gulzar Hai 2. I was pleasantly surprised by Fawad. I had a notion about him before we started—Barzakh has an ensemble cast, I don’t do big [ticket] movies. [Yet] it appealed to him, and he was willing to give it his all.”
The fact that it marks the Pakistani heartthrob’s return to Indian screens plays on the producer’s mind. But Kejriwal reasons, “It’s nothing like the shows Fawad has done before. This isn’t a love story. That would’ve pressured me. In this show, for me, Asim is the hero. I am happy Fawad agreed to do it. He is a true artiste who cares only for the story and his art. He doesn’t care about things like comeback. Then who are we to?”

Asim Abbasi and Shailja Kejriwal
I told Mahira Khan she can now be in a Sanjay Leela Bhansali film-Shailja Kejriwal
8:44 AM
Posted by Fenil Seta

As Bombay HC overturns petition for ban on Pak artistes, Zindagi head says cross-border exchange of talent will benefit both industries; hopes her Fawad-led series Barzakh will stream in India
Mohar Basu (MID-DAY; October 26, 2023)
In the aftermath of the 2016 Uri attacks, members of the Hindi movie industry collectively decided to stop collaborating with Pakistani artistes. Last week, in a significant move, the Bombay High Court overturned the petition that sought a ban on Pakistani artistes working in India. Hailing the decision is Shailja Kejriwal, chief creative officer, special projects, Zee Entertainment. It may be recalled that one of Zee’s channels, Zindagi, which used to air Pakistani content, had to shut operations after the Uri attacks. The channel was revived in 2020 as a digital arm of ZEE5.
With the Bombay HC’s latest decision, Kejriwal is hopeful that Bollywood will team up again with talent across the border. “For both industries, it makes sense to collaborate. Every creative industry needs to be populated with diverse minds. This industry can’t thrive between Juhu and Bandra. A few years ago, we weren’t cross-pollinating enough with the south movie industry, but look how they’ve marched ahead! Now, we can mix and match talent. It’s not just about actors, but also about directors. Asim Abbasi [Churails], Saim Sadiq [Joyland], and Bilal Lashari [The Legend of Maula Jatt] are all great storytellers,” she says.
Coincidentally, her next production, Barzakh, fronted by Fawad Khan and Sanam Saeed, is slated to drop in Pakistan. Will they also be looking at an OTT release in India now? “All these decisions will be made only a month or so down the line. Streaming platforms will also open up with this ruling and be more accepting in what they pick up.”
This ruling is expected to effect change on ground. So far, Pakistani shows are available for viewing in India on the Zindagi app, but not on the corresponding television channel. The channel airs Asian content, from Turkish dramas to Ukrainian offerings. Now, will Pakistani shows be back on the tube? The changes, she says, will be slow at first.
“People get nervous because content business is a monetary move. This nervousness will stay at the start, but will subside eventually. I want to understand whether this means we can also broadcast, and will it even extend to OTT and theatrical. The clarity on these will come over the next few weeks. Broadcast is crucial because then the content penetrates into the Indian market.”
What was the response from collaborators in Pakistan? “Pure joy,” she beams. “Artistes on both sides are overjoyed. I was talking to Mahira [Khan] the other day; we were chatting about about how she can now be in a Sanjay Leela Bhansali film. Mahira said, ‘Aapke mooh mein ghee shakkar.’ It’s about symbiotically benefitting from each other’s industries, monetarily and emotionally. When Saba [Qamar] did Hindi Medium, we benefitted too. The film made over Rs. 100 crore at the domestic box office.”

Fawad Khan came into Barzakh prepared, and had a great connection with the story-Asim Abbasi
8:34 AM
Posted by Fenil Seta

Director on film that reunites Zindagi Gulzar Hai duo Fawad and Sanam
Priyanka Sharma (MID-DAY; March 18, 2023)
Writer-director Asim Abbasi appears to have deciphered the trick to successfully portray dramas that are both liberating and crushing at once. Following the 2018 poignant family drama, Cake, Abbasi earned acclaim for his feminist take on interpersonal relationships in the 2020 Zindagi series, Churails.
Up next is Barzakh, another Zindagi offering that puts the spotlight on complex human emotions, and has a touch of supernatural fantasy. Speaking of the project that brings together the winning duo of Fawad Khan and Sanam Saeed after Zindagi Gulzar Hai, Abbasi says, “The title, Barzakh, encapsulates those multiplicities. It implies a barrier, obstacle, or a place between two spaces. The characters are seen attempting to bridge their past with their present to move on with their lives. But, the word also has a metaphysical meaning — the characters are in the land of nowhere, where the seen and unseen worlds collide.”
He recalls that the origin of the series, which premiered at the Series Mania Festival on Friday, traces back to a conversation he had with the show’s producer, Shailja Kejriwal. “I was processing the loss of my father a few years ago. The story is layered and is open to multiple interpretations.”
Kejriwal adds, “[We] create a world that is both mystical and modern, loving and tumultuous, hopeful and hopeless. This is a story about a family reunion where the living and dead are both in attendance.”
Apart from the narrative that he has penned, Abbasi has evidently hit the target by roping in Khan and Saeed 11 years after their popular show. “Sanam and I feed off each other’s creativity and together create memorable characters. Fawad came into this project prepared, and had a great connection with the story,” he signs off.
Fawad Khan to star in filmmaker Asim Abbasi’s next web show; to stream on Zee5
8:06 AM
Posted by Fenil Seta
BOMBAY TIMES (December 15, 2021)
Fawad Khan, who charmed his way into people’s hearts as Zaroon from Zindagi Gulzar Hai, is set to feature in Zindagi’s upcoming web series, which will stream on ZEE5. The yet-to-be-titled series is helmed by director Asim Abbasi, who also helmed Zindagi’s maiden OTT project Churails that was appreciated by the critics and viewers alike.
The new series, featuring Fawad, blends magical realism and supernatural fantasy within a family reunion setting and deals with love, loss and reconciliation. Seen in a role different from his earlier shows, the actor plays a single parent — charming, but ridden with guilt for what he has lost. With his son, he tries to be every bit the father his own father was and wasn’t. A large part of the show has been shot in the picturesque Hunza Valley in Pakistan.
Fawad says, “I loved Asim Abbasi’s film Cake. This untitled project, in my opinion, is like Cake on steroids. It’s a family drama with a supernatural/magical tadka. I jumped at the opportunity as soon as I read the script, and it’s been an amazing ride.”
Abbasi added, “I believe this new series is my most personal and intimate work to date, dealing with universal themes of how we search for meaning in love and what happens when we lose that love. But what I am most excited about is having been given the opportunity to tell the story, on this epic, otherworldly canvas, in a way that I don’t believe has been done before.”
Shailja Kejriwal, Chief Content Officer, Zee Special Projects, Zee Entertainment, said, “Both Fawad Khan and Asim Abbasi are passionate about telling great stories and have been an integral part of our content and philosophy. We are glad that we now have a script that brings the two sensations together. The show promises to be a one-of-akind experience for the audiences with a story based on a family saga set in a mythical place where supernatural and magic abound.”
Zindagi, which aired on TV as a channel earlier, is now available on ZEE5 with over 50+ shows. It made its mark with original shows like Churails, Dhoop Ki Deewar and one of its most anticipated series Qatil Haseenaon Ke Naam, which premiered last week and has been appreciated across all quarters.
--------------------
Pakistani heartthrob Fawad to return to Indian screens with series featuring Zindagi Gulzar Hai co-star Sanam; lauds channel for backing stories that transcend borders
Mohar Basu (MID-DAY; December 15, 2021)
Let’s admit it. Many of us have been watching countless re-runs of Khoobsurat (2014) and Zindagi Gulzar Hai only to have our fill of Fawad Khan. Looks like that is about to change as the Pakistani sensation is set to make a comeback on Indian screens, five years after his appearance in Ae Dil Hai Mushkil (2016).
mid-day has learnt that the actor will headline Zindagi’s next original, a yet-untitled show that blends magical realism and supernatural fantasy within the setting of a family reunion. The show, which has already gone on floors, is being helmed by Asim Abbasi who previously directed the heartwarming Cake (2018) and the much talked-about series Churails (2020). Fawad reunites with Zindagi Gulzar Hai co-star Sanam Saeed, who plays the central female character in the series. Harboring otherworldly secrets, she takes it upon herself to heal, and make whole, everyone who surrounds her.
Having burst on the Bollywood scene with Khoobsurat in 2014, Khan soon became a sought-after face, featuring in Kapoor and Sons (2016) and Ae Dil Hai Mushkil. Aditya Dhar’s Raat Baaki, featuring Katrina Kaif and bankrolled by Karan Johar, was to be the actor’s next. However, the project was put on hold following the 2016 Uri attacks that triggered an industry-wide ban on Pakistani artistes. It was then that Zindagi that would previously air Pakistani content, shut operations. The channel was resurrected mid-last year as an arm of ZEE5, and relaunched with Abbasi’s Churails.
The series sees Khan play a single parent to his son, trying to be the doting father that his dad wasn’t to him. Appreciating how the channel has brought Pakistani content to Indian audience in the current political climate, he says, “Zindagi is taking bold and brave decisions when it comes to storytelling. It’s naturally evolving into a platform that encourages diversity of opinion and inclusiveness for all filmmakers, and material ranging from everyday mainstream to avant-garde and noir. I feel there’s a place for everyone in this artistic landscape.”
Leading lady Saeed pitches in, saying, "I'm thrilled to be collaborating with one of my favorite directors Asim Abbasi again, this time for Zindagi. This new project embarks on a fantastical journey with some stunning performances by a very meticulously picked cast. I can't wait for everyone to see the magic that's been created in this beautiful limbo land."
The show’s significance isn’t lost on Abbasi either. “Zindagi has become a pioneer, not only for India-Pakistan OTT collaborations, but also for encouraging artistes to push boundaries of narrative storytelling. It has become a home for many filmmakers like me, where we can see our craziest, wildest ideas come to fruition.”
Producer Shailja Kejriwal, chief content officer, special projects, Zee Entertainment, adds, “Fawad and Sanam have massive popularity among the audiences and there's often been a lot of demand to bring them onscreen together. Our effort however, was always to focus on identifying the right script that would do justice to both their talent and our long standing association with them. We believe this show - a genre defying series, is the perfect opportunity to extend the special association we have with them, and it is certainly a win for us to be able to find the right creative collaborators for this show."
Mahira Khan returns to Indian screens with Yaar Julahay
8:08 AM
Posted by Fenil Seta

As Pak star Mahira returns to Indian screens with Yaar Julahay, director says series revives storytelling by bringing forth works of celebrated writers
Mohar Basu (MID-DAY; May 7, 2021)
Over four years after she starred alongside Shah Rukh Khan in Raees (2017), Pakistani star Mahira Khan has a date with the Indian audience again. The actor will feature in the opening episode of Yaar Julahay, a series of dramatic readings that pays tribute to celebrated writers of the Indian subcontinent. Through the 12-episode Zee Theatre offering, art lovers will be reacquainted with the timeless stories of progressive Urdu and Hindi writers, including Gulzar, Saadat Hasan Manto, Ismat Chughtai, Munshi Premchand, Amrita Pritam, Qurratulain Hyder, Balwant Singh and Ghulam Abbas.
Come May 15, the first episode will see Khan reading Ahmad Nadeem Qasmi’s classic Guriya, which highlights the story of two best friends Mehra and Bano, and their contradicting emotions for a doll.
Humsafar maker Sarmad Khoosat, who has taken on the double duty of direction and reading, says the series is inspired by Dastangoi — a tradition of creating and telling stories that define South Asian culture. “We have interpreted Dastangoi in a contemporary way. There is live and recorded music, along with suggestive details that articulate the story’s theme. For instance, when I directed Mahira for the Guriya episode, the set was strewn with dolls. It created an eerie atmosphere that augmented the narration and enhanced the inherent mood of the reading.”
Kanwal Khoosat, who has shared the directorial duties with him, adds, “In each reading, we have maintained the integrity of the author’s voice even as we amplify it through the digital medium to reach as many people as possible.”
Besides Khan and Sarmad, Churails actors Sarwat Gilani, Fawad Khan, Yasra Rizvi and senior actor Sania Saeed will narrate the tales. Shailja Kejriwal, chief creative officer, special projects, ZEEL, says she wanted to bring forth “unique and complex” stories that have stood the test of time. “Each of the featured writers has processed reality through characters that we can still identify with. Kanwal and Sarmad Khoosat approach a project with a certain artistic sensitivity and have deep respect for the material. Their sensibility was needed for such a unique project,” she says.
Churails could be set in Mumbai and the story remains universal-Asim Abbasi
8:12 AM
Posted by Fenil Seta

With Churalis being nominated at the mid-day and Radio City Hitlist OTT Awards, director Asim Abbasi on telling tales of women with deft
Mohar Basu (MID-DAY; February 5, 2021)
When Asim Abbasi’s Churails released in India, under Zee5’s Zindagi wing, it opened to the great love and critical acclaim. The story about intersectional feminism touched a chord due to its universal appeal. The Pakistani show also marked the reopening of cultural exchanges four years after Zindagi shut operations in India. Nominated in the Best Series category at the Mid-day and Radio City Hitlist OTT awards, Abbasi discusses the challenges of making the series. “You can know you are making something special but you will never know for sure how the audience will react," he starts off.
The show does take on a few rather risque subjects. "I was worried about backlash and I wasn’t sure how the critics would respond to our funky storytelling. Structurally, the show doesn’t stick to a genre and moves from procedural chick flick to a psychological thriller. Shailja (Kejriwal, producer) gave me a free hand. I wanted to make a story about female rage in different socio-economic brackets and gender preferences. Women are often pushed to corners and limits and them pushing back is powerful. These were women who were flawed and I gave them grey shades of every tint. The long format storytelling allows you scope for experimentation. Moreover, the show marks the win of humanity fostering cultural exchange between our countries. There are social similarities and same struggles for women in South Asia. Churails could be set in Mumbai and the story remains universal.”
Lauding his producers for not being risk averse and encouraging diversity of ideas, he says, “Allowing creators to be able to maintain their voice is important. My concerns were there only when I was submitting my scripts. They emboldened me to follow my vision. The show openly talks about homosexuality. I had assumed the liquor (Jugnu’s character played by Yasra Rizvi is a heavy drinker) wouldn’t go down well. I didn’t self censor at all. The show wasn’t made simply for Pakistan; the world saw it and that’s all that matters.”
A major talking point for the show was how a male writer-director was able to bring in women’s authentic experience to the series, giving it a feminist gaze, much like Criminal Justice: Behind Closed Doors (Disney+ Hotstar). “It’s not a lived-in experience; it’s one degree removed. So I can tell everyone about my strong mother and sisters, in a household full of women. I have observed women but it’s not my own experience. This was my biggest fear over log kya kahenge. I wanted to do justice to a predominantly female story and I am conflicted about how I fared. To compensate consciously, I had female ADs, female producers, female script consultants on every episode. I was hand held a lot and I opened my story and myself up to feedback. We had the male characters servicing the women’s stories. The alpha trope and angry young man has been exhausted. A constant effort showing men differently will highlight to parents that being a man, or being a hero is not about being rude, arrogant, sexist. I want to break away from that image and show men as kind, good guys which they mostly are.”
For season 2, that he hopes will be made, he wants to have a writers room filled with women. “I was hired on the basis of Cake to make Churails. I think season 2 will happen. Personally I have told everything I wanted and the cliffhanger was for the audience to deduce what happens there on. The show was received well so maybe there’s more.”
Did you know?
Asim Abbasi wanted to end season one of the series on a cliffhanger to provide scope for the making of another season.
Cast your vote for the Hitlist OTT Awards
- Asim Abbasi’s Churails has been nominated in the Best Drama category.
The other nominees are:
- Criminal Justice Behind Closed Doors (Disney+Hotstar)
- Scam 1992 (SonyLiv)
- The Gone Game (Voot Select)
- The Forgotten Army (Amazon Prime Video)
- Your Honour (SonyLiv)
- Log on to www.hitlistottawards.com to cast your vote.
- You can also vote via SMS. Send HITLIST <space> category name <space> your choice (a/b/c as on the website) to 57575.
- Voting lines close on February 9.

I am simply happy that my film finds a fresh set of viewers, says Pakistani filmmaker Sarmad Khoosat
8:07 AM
Posted by Fenil Seta

Arif Hassan and Eman Suleman in Zindagi Tamasha
Pakistani filmmaker Sarmad Khoosat on finding more takers for Zindagi Tamasha, before the Oscars
Mohar Basu (MID-DAY; December 27, 2020)
It's almost ironic that a film that's chosen as the official entry to the Oscars from Pakistan, failed to procure a countrywide release. The frustration is brimming on the surface for filmmaker Sarmad Khoosat, whose Zindagi Tamasha is a strong contender from the sub continent at the upcoming Academy Awards run.
With the film being the closing offering at last week's I-view World Film Festival, the filmmaker starts with talking about finding a new audience rather unexpectedly. "When I land in Delhi (the last I was there), I see how similar it is to Karachi. Phonetically, Hindi and Urdu sound alike too. There is so much common history, common stories. I am simply happy that my film finds a fresh set of viewers, regardless of it benefits from it ahead of Oscar run. I wish I could've flown down for the screening but alas, the pandemic has played quite a spoilsport. Films are made for viewing by maximum people and that's what is truly gratifying for a filmmaker."
The angst of the film not finding a release in his home country gnaws at him evidently. Subject to hate calls and bullying for months, Khoosat went off all social media platforms to maintain his sanity. "My film was treated rather unfairly. How much of a film can you know from the trailer? We have three censor boards in Pakistan and each of them has given me a clearance certificate. It's not like they banned me from releasing it. I knew the subject matter at hand and I dealt with it with great gumption and sensitivity. I wish I had the chance to show it to everyone here." The film originally premiered at the Busan Film Festival last year amidst much fanfare.
Khoosat's name might ring a bell with many Indians, who remember him as the creator of Fawad Khan and Mahira Khan's hit show Humsafar. It was natural to ask him about directing a show for Zindagi. He was last seen acting in the celebrated Zee5 show Churails, playing a gay man whose wife makes a Nihari out of him after butchering him, for betraying her. He admits he is in talks with producer Shailja Kejriwal but is yet to lock something.
Zindagi channel relaunched in India earlier this after being disbanded in 2016 following the Uri attacks. Quiz the filmmaker if he is optimistic about a more conducive cultural exchange here on and he points out a crucial fallacy, "The exchange has been fairly one-sided all along. Artistes from Pakistan have been actively working across the border. But I want to work with actors from India, people I have grown up admiring. I want to have my chance at working with Madhuri Dixit, or Tabu. Or both." Now that will be a film to watch!

A PAKISTANI web series has released on an INDIAN digital platform. And yet you haven’t protested. Because the Politicians haven’t PROVOKED you to do so!
4:55 PM
Posted by Fenil Seta
It was on July 23 last month that I read a report in Mid-Day which caught my attention. It mentioned that Zee5 is all set to release as many as 29 Pakistani shows on its OTT platform! It also led to the relaunch of the Zindagi channel for the Indian viewers.
This development was something that obviously shocked me. After all, the Bollywood film industry was forced to shun all its association with Pakistani actors after the Uri attack of September 2016. The episode happened 40 days before the release of Karan Johar’s film Ae Dil Hai Mushkil was to release. As luck would have it, it starred Pakistani actor Fawad Khan in a supporting role. Post the attack, a section of politicians demanded that Bollywood should boycott Pakistani artistes. Raj Thackeray-led Maharashtra Navnirman Sena (MNS) threatened Karan that they won’t let his film release unless he removes Fawad’s character from the film overnight. That, obviously, was not possible. Soon, more people joined in this ‘movement’. The ruling party at the Centre, BJP, did nothing to stop MNS from threatening Karan Johar, though KJo resides in a state which was also ruled by them (Maharashtra). The only thing they could do is ‘broker’ peace between the two parties so that Ae Dil Hai Mushkil could release without any problem. The film saw a peaceful light of the day but Karan was mercilessly trolled by self-declared nationalists for his ‘crime’.
The repercussion of this controversy was that Pakistani actors got banned from working in Bollywood. For some weird reason, Bollywood was still ‘allowed’ to have singers from the neighbouring country. Less than a year after the Uri attack, the whole nation got charmed by the recreated version of 'Mere Rashke Qamar' from Baadshaho, sung by Pakistani singer Rahat Fateh Ali Khan. A few months later, music lovers fell in love with 'Dil Diya Gallan' crooned beautifully by Atif Aslam, in Tiger Zinda Hai. It’s only after the unfortunate Pulwama attack of February 2019 that self-declared patriots realized that we need to ban singers as well for revenge. Since then, even the singers from across the border have stopped working in Bollywood.
Hence, the decision of Zee5 to launch Pakistani shows was astonishing. I read the article and was sure that soon, there would be a backlash. But nothing of that sort happened. Then on July 31, Zee5 dropped the trailer of its first Pakistani web series, called Churails. Directed by Cake director Asim Abbasi, it stars Sarwat Gillani, Mehar Bano, Nimra Bucha, and Yasra Rizvi. The show revolves around the four women who run a detective agency that exposes the cheating husbands in Karachi.
I saw the trailer and was impressed by its quirkiness and bold quotient. I was scared to scroll down and check the comments as I expected tons and tons of hate, which is the norm nowadays. Nowadays, people are already presumed to be very angry with Indian-based celebrities like Alia Bhatt, Varun Dhawan, Mahesh Bhatt and of course, Karan Johar. I can’t imagine the volley of abuses they must have spewed on the actors and team of Churails; after all, they belong to ‘enemy country’.
I gathered courage and finally began to see the comments. And I couldn’t believe my eyes. The discussions and posts made by people seemed very cordial and respectful! Was I dreaming? People can be seen appreciating Pakistani makers and writers for making such path-breaking stuff and criticized Bollywood for not learning from them! I kept scrolling and kept waiting for that one revolutionary person who would have written ‘PKMKB’ or ‘Boycott Churails’ type of comments. There was none.
I kept a tab on Twitter for a few days, next. I was sure #BoycottChurails, #UnsubscribeZee5 or #UninstallZee5 would soon start trending. That didn’t happen, either!
Of course, it didn’t take me much time to understand why the self-appointed deshbhakts have gone into hibernation this time. First, let us understand how these boycott protests actually work, especially in context of Bollywood and web series. There’s a group of influential people with millions of followers, all staunch supporters of right-wing ideology. They have their masters, usually connected with political parties, who instruct them to start these boycott campaigns. In most cases, a time is decided and the hashtag is given in advance in a Google document. Then, at the designated time, millions of followers start using the hashtag in question and hence it started trending. Now, the regular netizens notice the ‘trend’. They feel a spontaneous movement has begun against Bollywood or some actor from the film industry. These people don’t want to feel left out or sometimes they do have a soft hatred towards the industry. Hence, they too start using the hashtag and hence the ‘movement’ grows further.
The next step is to target more gullible people on WhatsApp. As is common knowledge, the messaging app is where most rumours and misinformation gets generated and spread. The same group of people who started the ‘movement’ will create several messages which are provocative and which showcase members of Bollywood fraternity as sell-outs and traitors. They’ll push you to forward the said message in ‘national interest’. There are sensible people who rubbish these forwards and even inform the sender about the lies in the message. But most of the times, people happily share. The ‘movement’ further grows! The ‘movement’ would not have begun had these professional and organized trolls not even started the ‘boycott’ mania in the first place. And most of these movements don’t really make a difference to the lives of the people. For instance, was your life seriously affected because of Pakistani artistes in Bollywood? But you were made to believe otherwise. In short, you became a puppet in the hands of these people and they shamelessly used you for your selfish agenda.
The question that has surely risen in your mind is – why isn’t the right-wing trolls boycotting Zee5 then? The answer can be found in the first 3 letters of the name of the OTT platform – Zee! Zee5 is a part of the sprawling Zee Group, founded and run by a man called Subhash Chandra. He’s known to be a staunch supporter of Prime Minister Narendra Modi and is even quite close to him. His biography was launched by the Prime Minister himself, that too from his residence, in a high-profile event. One of the channels of the Zee group is the Hindi news channel Zee News. It openly flaunts its love for the ruling government and has time and again spread lies to favour BJP and show its opponents in negative light. And believe it or not, Subhash Chandra had stopped airing Pakistani shows on Zindagi channel less than a week after the Uri attack, in national interest of course!
Hence, it’s no surprise that Churails, presented by Zee5, has been spared the abuses and boycott campaigns by the ruling party. After all, it’s the ruling party that controls most of these right-wing influencers. And since the party command didn’t instruct the influencers, these professional trolls chose to look the other way when Churails trailers was dropped and even the series got released, on August 11. In turn, you, too, are okay with the development!
I know many of you still can’t believe what I have written here and have loads of questions for me as a counter. Let me pick few ones:
“I was not aware that Churails has released on Zee5. Or else, I would have surely protested”
Yes, it’s a possibility that you didn’t realize that the said show has dropped online. But many did. As of August 15 2:15 PM IST, it’s trailer on YouTube has got nearly 42 lakh views. Moreover, it has not released on any unknown platform but on Zee5, which is one of the biggest streaming portals in India. On YouTube, it has 3.86 million subscribers. It has lakhs of followers on social media websites as well. Churails was well promoted across these websites. Lakhs of people knew about its existence, including the professional trolls and their political masters.
“There’s not much of anger against Pakistan anymore. With time, the anger has subsided”
If only that was true! In June this year, T-Series faced severe backlash (again it was generated) for uploading a song sung by Pakistani singer Atif Aslam. The ‘criticism’ was so immense that T-Series had to remove the track and even tender an apology. I refuse to believe that the ‘anger’ against Pakistan was present till June 2020 but vanished within a month’s time, when the trailer of Churails released. This also makes it clear that if Karan Johar or Bhushan Kumar (of T-Series) or Aditya Chopra had backed Chudails, it would have also become a target of the trolls.
Try as much as you want. Put up as many excuses as you can think of. But the fact remains – you have been played all along all this while by the politicians. They used you. You let them. You didn’t realize they are using you. Instead, you felt patriotic. You considered yourself a ‘warrior’ who fulfilled his duty towards the country by insulting Bollywood personalities. Today, when an Indian channel has released a Pakistani show, the same netas have changed the rules. That’s because the channel owner is their ally and hence, he is immune. And yet, you are silent. You don’t feel cheated or used. Or maybe you do but you won’t accept. Or else, you might argue, “But what can I do?” The saddest part is that if tomorrow, for some reason, a boycott campaign starts against Churails, you’ll happily join in and make it clear that you are at their service for their selfish needs at their beck and call!
Is that what you really are, dear countryman? We have the largest workforce and we are easily amongst the world’s most smartest, creative and hard-working people. The country’s situation is concerning and there’s so much we can all do together. But instead, the government diverts our attention using silly hashtags. It makes villain out of people who are merely doing their job and working day and night to entertain us. Are we still going to give in to their wishes? Or are we going to speak and reject such useless movements that do nothing to improve our lives?
I have often revisited Churails trailer just to see the comments and to see the sanity out there, which has been missing on the internet since a long time. It feels so good to read people’s thoughts at a place where the government hasn’t jumped in to divide-and-rule. But on second thoughts, that’s because the government has chosen to step away to support its founder. I am waiting for the day when the people of this country make it loud and clear that government’s interference and stupid strategies won’t work and they need to focus on the real issues at hand. That’ll be the day when art will totally flourish and where boycott and bans will be relics of the past. This Independence Day, let’s hope that day comes soon!
P.S.: This post is not against Churails or Zee5 and doesn’t support any boycott campaign against them at all. I appreciate Zee5 for taking this initiative. I haven’t seen Churails but I shall watch soon and also looking forward to their other shows. Shailja Kejriwal, chief creative officer — special projects, Zee Entertainment, has hinted that Fawad Khan and Mahira Khan might also be seen in one of their upcoming shows. Bring it on!
In today's world, art needs to make a statement, says Shailja Kejriwal on relaunching Zindagi channel
8:51 AM
Posted by Fenil Seta

Fawad Khan's Humsafar was part of its roster till 2016
Four years after Pakistani shows were pulled down from Indian television, Zindagi chief Shailja Kejriwal reveals how channel is being relaunched with original series
Mohar Basu (MID-DAY; July 23, 2020)
Last year, it was heard that Saba Qamar (right), the leading lady of Irrfan's Hindi Medium (2016), was set to headline a ZEE5 show. The development was difficult to stomach since Indian cine bodies had announced a collective ban on Pakistani artistes post the 2016 Uri attacks. Nine months since, we seem to have found the answer as ZEE5 announced the relaunch of Zindagi channel, which used to curate Pakistani, Turkish and other Middle-Eastern dramas for the Indian audience. In 2016, it removed shows developed in the neighbouring country from its slate.Shailja Kejriwal (left; below), chief creative officer — special projects, Zee Entertainment, reveals that the channel will also develop original content in its second outing. "The love for Zindagi shows has remained undeterred [in these years], and we believe that art is the biggest propagator of social change. It is a mix of these two factors that encouraged us to bring Zindagi on ZEE5. While we offered the best curated shows in phase one, this time around, the offering extends to producing original content."
The decision may face flak given the strained equation between the two neighbouring countries. However, Kejriwal is optimistic. "In today's world, art needs to make a statement. Borders shouldn't exist beyond the politics of things and love must override the circulation of hate," she says.Laying out her vision for the first year, she informs that 29 shows are on the anvil, including Shehr-e-Zaat, Mastana Mahi and Aunn Zaara. "We will announce our first original shortly."
Quiz her if she is referring to the Qamar-fronted show, and she weighs her words, "Saba is doing a project for us. We had a wonderful time working together over Skype and Zoom calls. She is happy to do something for us after witnessing the massive success of Hindi Medium."
Kejriwal notes that the channel had made Fawad Khan and Mahira Khan household names in India. "In its first round, it brought many new faces to this country and they became overnight sensations. We will do it this time, too. There's a certainty of Mahira, Fawad and Saba returning [to the screen]."

Mahira Khan headline the channel's new offerings
Pata nahi Irrfan Khan ko yeh saala cancer kaise ho gaya, says Tigmanshu Dhulia in Aseem Chhabra's book
8:59 AM
Posted by Fenil Seta

Aseem Chhabra on Irrfan Khan’s bout with illness and what makes the veteran actor stand apart from the rest of his peers
MUMBAI MIRROR (January 5, 2020)
It is hard to say when Irrfan Khan fell ill. Filmmaker Tigmanshu Dhulia told me he had suddenly begun to lose weight and that had caused concern. “He loves to eat a lot, but he’s so careful with his weight and what he actually eats,” Tishu said a few months after Irrfan had made the devastating announcement. “Especially now that he has become a star, he watches what he eats. He was growing his own organic vegetables. Pata nahi usko yeh saala cancer kaise ho gaya (I don’t how he got this damn cancer).”
Varun Gautam, Irrfan’s friend from his Jaipur days, told me that in the last few years the actor had gotten very busy with his work and it was hard to connect and spend time with him. “My Irrfan was lost in a jungle for the past couple of years,” he says, with tears welling up in his eyes. “Mera Irrfan badal gaya tha. (My Irrfan had changed.) He was not the Irrfan I knew. Irrfan’s real happiness is in flying kites and thinking, spending time in his farmhouse [in Nasik], watching a good film, listening to a song.”
“He was not just busy but he was losing himself,” Varun says. “The work took more of his time, more travelling, less sleep and yet he was making more money. He recently told me that he had forgotten he hadn’t come here to earn money.” Varun learned about Irrfan’s illness when one day he received a phone call from Sutapa. This was sometime before Irrfan officially announced his illness. “She said doctors had found some spots inside him,” he recalls. “Then she said, ‘You have always seen good things in his future. I hope nothing fatal will happen.’ So I assured her that he would be okay. Even if the doctors are concerned, he will still stay alive. He’s not going to die. I have been very confident that he will be okay.”
For a couple of months after Irrfan left for his treatment, there was near silence from his end. And then he spoke to a couple of journalists. Much of the interviews were focused on this new phase in his life. He was reflecting on all the good he had experienced in his life and seemed to be accepting whatever the future had in store for him.
Friends of Irrfan I interviewed, people who had met him in London, all seemed to suggest how positive he was about life in general. Shailja Kejriwal told me that in between treatment, Irrfan and Sutapa would sometimes go to cafes in London and even occasionally go watch plays.
Tigmanshu Dhulia told me that Irrfan had been responding well to the treatment and his weight loss was under control. But perhaps the most encouraging news about Irrfan I heard was from Sudhir Mishra. Late in August 2018, I met Sudhir in Delhi to talk about this book. He said that he had heard that Irrfan had recently been given the narration of “Hindi Medium 2” (now referred to as Angrezi Medium and directed by Homi Adajania).
That was the first clear indication that Irrfan was getting better and he was planning to be back to work in films. Angrezi Medium is set to be released in early 2020.
Irrfan and Sutapa were back in India in early 2019, much to the relief of his fans and just about everyone in the Hindi film industry. When he returned from London, there were speculations that he would still take some time to recuperate. But Irrfan’s desire to get back to work and, of course, the film’s schedule, took him to Udaipur to shoot Angrezi Medium, his first project after nearly a year. His cancer treatment was done and reports indicated he had been given a clean chit by his doctors.
But extra care was taken while he was on the set — from breaks he had to take to regain energy, to a quieter residential stay, away from five-star hotels that he found noisy and the special organic foods flown in for him from Mumbai. After Angrezi Medium’s London schedule, Irrfan spent some time in the city with his family. Reports indicated that he was on a private holiday. Later in September the paparazzi tracked Irrfan at Mumbai airport. He was being pushed in a wheelchair, while he had covered his face.
A different kind of warrior
It will take Irrfan a while to get back to normal life. But Irrfan’s magic as a performer on-screen is there for us to see and appreciate. He has already given us such a treasure trove of performances that should be revisited time and again. Even when we know how an older film of his will shape up, it is pure joy to watch and understand how this man acts, how he continues to surprise his directors, co-actors and, of course, the audience.
His friend and director Anup Singh refers to the secrets that Irrfan carries with him that he slowly reveals as he acts before the camera. For instance, in a scene that requires anger and confrontation with another character, most actors would finish off their enemy with a stroke. They would express anger by shouting or come up with a big gesture and finish off their task. But Irrfan is a different kind of warrior, according to Anup, who actually enjoys the kill.
“You might not even feel his first blow,” Anup adds. “You then realise that you are bleeding, and he will probe into the bleeding, the wound, go deeper and deeper. And then finally he will pull your heart out.”
So Irrfan’s greatest quality as an actor is that he never reveals all his cards at once, but he slowly gives you small tastes of what his entire performance will be like. There is no readymade idea about Irrfan’s character that is revealed to us. Instead, his gestures, look, postures, every breath he takes construct the character and all of it before our eyes. By the time he speaks his first few words, you begin to sense the rhythm of the performance. That is the beauty of Irrfan, the actor. He brings a certain musicality in his performance.
In his finest performances, aided by good writing, and strong direction, it is never easy to say what kind of a character he is. One can never typecast an actor like Irrfan. In films like Qissa: The Tale of a Lonely Ghost, No Bed of Roses, Maqbool or even The Lunchbox, where his Saajan breaks Ila’s (Nimrat Kaur) heart by not meeting her at the planned date, Irrfan informs us not to dislike his characters, but to understand their circumstances, their limitations and the reasons behind their actions. Instead, he always brings out the humanity of his characters. We sympathise with them even when, on the surface, their actions may not be good.
It is this quality of Irrfan Khan, the actor — the best we have — that makes him stand apart from his peers. A quality that we should cherish and celebrate.
When Vipin Sharma had first visited Irrfan’s hospital room in London, the actor and his wife were not there. The receptionist informed him that Irrfan and Sutapa had stepped out to get coffee. “On the bed I saw a book by Rumi lying open, upside down. I will never forget that image. I wish I had taken a photograph of that. I felt very good. The Rumi book was upside down and I realised, this is Irrfan. It is the ‘Rumi’ state of mind that has taken Irrfan through the toughest and the most uncertain period of his life, and perhaps these words, from the 13th century Persian poet’s poem, “Life and Death”, are of special significance:
why talk about all the known and the unknown see how the unknown merges into the known why think separately of this life and the next when one is born from the last
Excerpted with permission from Irrfan Khan: The Man, The Dreamer, The Star.
Published by Rupa Books

Check out Irrfan Khan's funky look in Qarib Qarib Singlle
7:53 AM
Posted by Fenil Seta
Sanyukta Iyer (MUMBAI MIRROR; October 5, 2017)
National Award-winning actor Irrfan Khan, who has consistently delivered critically acclaimed performances, both in Bollywood and on the global platform, added another feather to his versatile cap when he turned a fashion designer. He worked closely with the film’s stylist Maria Tharakkan and sought inputs from wife Sutapa Sikdar, who is a co-producer on the film with close friend Shailja Kejriwal.
He also picked up colourful dhotis, patchwork shirts and quirky jewellery for his turn as a yogi in Tanuja Chandra’s upcoming romcom, Qarib Qarib Singlle. Irrfan was keen to add his own palette of designs to the character. “It’s a slice-of-life travelogue shot in Rajasthan, Delhi, Rishikesh and Gangtok. From shooting against the backdrop of the ‘Fairy Queen’ — the oldest running steam engine in India dating back to 1855 — to accessorizing his look with a chic hat and sunglasses which he picked up en route Rewari and spending time with the locals in Gangtok, Irrfan thoroughly enjoyed the shoot,” a source close to the development told Mirror.
The film also marks the Bollywood debut of South actress Parvathy, who bagged the Kerala State Award for Best Actress for her turn in Charlie, opposite Dulquer Salmaan. Parvathy and Irrfan’s love story unravels as the two travel across North India. “The film has a desi adventurous vibe to it. Tanuja, who has directed thrillers like Sangharsh and Dushman in the past, wanted to switch to a fun-loving drama this time,” adds the source.
The film also has a lot of folk influences, with singercomposer Vishal Mishra recording with Chandigarh’s popular Nooran sisters for two tracks, the tentatively titled “Tu Jaan Le Le Meri” and “Khatam Kahani”. “The songs required folk musicians and Vishal brought on board two visually impaired musicians — a percussionist and a harmonium player. Both of them are so talented that it took them just one take to get it right. The score is going to be as unique and surprising as Irrfan’s new look,” the source signs off.
Art knows no nationality-Shailja Kejriwal
2:18 PM
Posted by Fenil Seta
Mohar Basu (MID-DAY; September 24, 2016)
At A time when Indian television was all about saas bahu sagas, Shailja Kejriwal, creative head of Zee, introduced Pakistani artistes Fawad Khan, Mahira Khan and Imran Abbas to the small screen audience with a string of popular soaps from across the border. Soon after, the trio broke into Bollywood's big league.
Three days ago, when an anti-Fawad blogpost went viral on social media, hitlist caught up with Shailja, who strives to bring the two countries closer culturally while the political air remains tense. She had said, "I don't think people look at art as Indian or Pakistani. There is no politics involved in appreciating stories that touch you on a personal level."
She says Fawad became an instant sensation and Karan Johar's mother, Hiroo Johar, was hooked to his shows. "I am sure she likes him as much as Ranbir Kapoor. I don't think anyone thinks about them as Pakistani or Indian. Today, it is gratifying to see both artistes in the same film (Ae Dil Hai Mushkil). This is the mainstream acceptance I sought.
In the hit Indian film Bajrangi Bhaijaan, Salman risks his life to take a little girl home to Pakistan. I am elated that Karan, Shah Rukh Khan (co-producer of Raees) and Salman are fearlessly taking on actors and subjects like these. They are leading the way. People on both sides of the border are applauding this. We should put our brains to good use and stop bloodshed."
Subscribe to:
Posts (Atom)

