Showing posts with label Saurabh Khanna. Show all posts
Showing posts with label Saurabh Khanna. Show all posts
No matter which community got offended, we were sure the lawyer community would not-Maamla Legal Hai team
8:38 AM
What goes into the making of a legal drama laced with humour? Directror Rahul Pandey, writers Saurabh Khanna and Kunal Aneja walk us through the creation of Maamla Legal Hai
Letty Mariam Abraham (MID-DAY; March 12, 2024)
Amid the chaos of the courtroom, the legal battles and the pursuit of justice lies a realm that is rarely explored—the backstage of the legal world. Netflix’s Maamla Legal Hai, written by Saurabh Khanna and Kunal Aneja, offers viewers a light-hearted glimpse into the everyday lives of lawyers, judges, court staff, and those who come to seek justice. From bizarre cases to workplace banter, the Ravi Kishan, Nidhi Bisht, Tanvi Azmi and Brijendra Kala-starrer looks at the legal system from a comedic lens. mid-day explores the series’ journey from script to screen and what went into creating director Rahul Pandey’s directorial venture that is both a laugh riot and dark.
The idea
It all started with Aneja receiving an e-mail from co-writer Khanna that explained the story. As he delved into the material, he realized the potential and found himself captivated by the legal world.
Aneja recalls, “I had not seen such a take on the legal world. Generally, in films and series, the story is based on one case, and it ends when the case ends. Our approach was to treat it like a workplace comedy, with the background of a sessions court. [It focuses] on the everyday lives of a lawyer, a judge and how the court managers deal with things. The idea was always to make a binge-able comedy series.”
While they began scripting in 2022, it took the duo a year-and-a-half to lock the cases. They drew inspiration from real-life court cases, which took them to the district courts in Delhi. “[We came across] so many bizarre cases because the right to legal remedy cannot be denied to anyone. In the first case, wherein a husband files for divorce because his new bride didn’t shy away on the first night, a regular person can ignore it, but the judge has to listen. We went to almost all the district courts in Delhi. Khanna has a friend who is a lawyer in Saket court, so we went there several times,” shares the writer, who was also in touch with other lawyers for information.
Characters and the cases
While many shows and films focus on lawyers and judges, Aneja also examined the workforce behind the scenes. “A staff of almost 100 people is running the show; it is their job to manage cases, send the public attending cases to the right courtroom, and manage parking. That is how the character of Vishwas [played by Anant Joshi] came to be,” he explains.
For director Pandey, who was brought on board by showrunner Sameer Saxena, it was initially difficult to believe that such cases existed. The selection of the cases was a meticulous process that had to match the character’s trajectory.
“By the time I joined [the team], the cases were more or less locked. There were a lot of cases that didn’t make it to the final eight,” says Pandey.
Aneja gives one instance—in a weird turn of events, a daughter had sued her father for cheating in a game of Ludo. “Our cases had to be such that they went with the character’s journey. For example, the case of the parrot using abusive language was to show Sujata’s [Bisht’s character] journey of finally fighting a case on her own. There was a case between Starbucks and [another brand] called Sardarbucks. As a citizen, I can easily say it’s [blatant] copying, but in court, you have to prove beyond a reasonable doubt that the name has been copied. But we didn’t use it [as it didn’t take the narrative ahead].”
Calling action
Before facing the camera, the cast underwent workshops and rehearsals. The exercise gave Pandey the opportunity to finalise the series’ treatment. “I had decided that between the punchline and realistic treatment, I would go with the latter. Sometimes, the jokes that are landing very well while shooting might not work on the edit table, and vice versa. So, we had to be careful of that,” he shares.
As a director, he claims there are three things he would never compromise on, the first being the support of the cast. He was grateful when veteran actors contributed to making the scene look better. He remembers how Kishan, who had missed a few rehearsals, would give suggestions that would elevate the sequence.
“My favourite scenes were the ones with Brijendra Kala. In the scene where Sujata suggests to Tanvi Azmi’s judge character that the prosecutor has also [used profanities] for her, BK responds with a quick ‘no, no, no’. These were nuances he added to the character.”
The second factor was the set production. He recalls reading an article about a case in a Dhanbad district court where a person refused to testify in the absence of a dock. “The opening scene is where the [courtroom clerks] cart a dock for a witness to testify. That idea was to keep the look and feel real. The last factor is the edit. We even kept the bit when Ravi Kishan’s character fumbles in one of his speeches to [make it more] realistic.”
The verdict
While navigating the comedic landscape, Aneja and Pandey were careful not to offend the legal community. They say that lawyers have applauded the series for its authenticity and humour. “While writing, we wondered if we were offending anyone because that was never the intention. Luckily, the lawyers who have reached out to us have liked the show,” assures Aneja. Pandey adds, “No matter which community got offended, we were sure the lawyer community would not because their notions of right and wrong are also legally driven.”
Director Rahul Pandey and Brijendra Kala going over scenes
Key players of The Viral Fever resign
7:01 PM
Uncertainty reigns at India's leading digital content creation company after the exodus of key members; newly-appointed president asserts 14 projects on floors, including second seasons of Panchayat, Kota Factory
Mohar Basu (MID-DAY; August 12, 2020)
The Viral Fever (TVF) had a glorious run last year, with the success of Kota Factory, Tripling, Hostel Daze and the recent Panchayat (above) proving that they were the undisputed masters of quirky desi shows. However, the dream run came to an abrupt halt last week as the key players — Biswapati Sarkar, Nidhi Bisht, Amit Golani, Sameer Saxena, Dhawal Gusain, Karan Chaudhry and Saurabh Khanna — bowed out of the picture over alleged differences on the company's business approach.
So, where does TVF — the true embodiment of homegrown digital entertainment in India — stand post the exodus, without its founders to steer it ahead? The exit of Saxena, head of TVF original content, has fuelled rumours that OTT bigwigs have lost faith in the company. After all, he had helmed the sophomore season of Tripling and the much loved Yeh Meri Family, and also served as the executive producer of Panchayat, the company's biggest hit this year. Insiders say that the upcoming seasons of the stable's popular series could be in limbo without his creative guidance. mid-day reached out to Saxena, who declined to comment.Even as uncertainty looms large in the corridors of the company, Vijay Koshy (left; above) – who returned to TVF in July after a brief stint in Arre – has been appointed president. This is the second change of gears since 2017 when Arunabh Kumar stepped down as the CEO, following a series of sexual harassment charges, paving the way for Gusain to take charge.
Despite the recent turn of events, Koshy asserts that 14 shows are set to go on floors. "Several OTT platforms are in talks with us for new shows. Some senior-level stupendous talent have moved on to pursue their own interests. But the writers and directors of Panchayat, Kota Factory (right), Permanent Roommates and Humorously Yours are still with us. The entire core team is still here. Besides Arunabh, Shreyansh Pandey [assistant vice president, content strategy & creative producer] and Akansh Gaur [content strategy head] are people who have been behind the scenes all along and will now shoulder larger responsibility. The second seasons of Panchayat, Hostel Daze and Kota Factory are in development. The same holds true for Flames season 3, Girls Hostel season 2 and Gullak season 2," he says, without refuting rumours of a brewing pandemonium within their workforce.Quiz him on the future of the shows that were created by Saxena, and he explains, "Considering Yeh Hai Meri Family is a show based in the '90s, we are discussing whether we will take it forward. A story has yet to be locked for the third season of Tripling. When we get the right story, we will assign a director and take it ahead."
Mid-day reached out to Bisht, who declined to comment.
Sameer Saxena and Biswapati Sarkar
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