Showing posts with label Sameer Joshi. Show all posts
Showing posts with label Sameer Joshi. Show all posts
Streaming platforms focus on 'second screen' to script growth
9:35 AM
Posted by Fenil Seta
Writers told to keep story style simplistic to help convert daily-soap viewers in smaller cities into paid users
Rajesh N Naidu (THE ECONOMIC TIMES; July 10, 2025)
Streaming platforms have been increasingly instructing web series writers to adopt "second screen content" writing style in their presentation of stories in the past six months in a bid to capture and convert price-sensitive and daily-soap exposed audiences especially in tier-2 and tier-3 cities into paid subscribers, said industry observers and scriptwriters.
The ‘second screen content’ writing style follows simplistic storytelling, assuming that viewers are distracted.
Industry observers and scriptwriters say this strategy is aimed at converting these traditional TV audiences into paid digital subscribers.
Today, 55% of streaming content consumption happens in non-metros and rural areas.
In this style, viewers don’t miss any detail of a story while performing multiple tasks since a lot is conveyed through dialogues.
"In a meeting with a producer of a leading streamer, I was told to write in such a manner that everything is spelt out by each character. This includes what happened in the previous episode. There is no room for nuance and subtlety in second screen content," said scriptwriter Jaidev Hemmady.
Falling attention spans have been a key factor contributing to the increasing trend of 'second screen content.' Studies show that the average human attention span in India has fallen to 8.25 seconds from 12 over the past two decades.
This is one reason second screen content is also called ambient viewing.
"In a recent meeting, a leading streamer explicitly told me to adopt second screen content writing style. This is a value addition in briefs given to writers. The main brief is to look for unique and clutter-free stories," said writer-director Sameer Joshi.
One of the key changes resulting from the rise of second screen content is the blurring of distinctions between television and streaming content.
"In the early phase, streaming content was largely about intimate viewing and immersive storytelling. Second screen content will definitely blur the distinction in content style between television and streamers. Just like individuals on social media, even streamers want devoted followers. Perhaps, second screen content will help them achieve this," pointed out veteran Hindi screenwriter Reshu Nath.
Writers shared that second screen content is written by focusing more on "general" things rather than the "personal," which has a deeper context.
"Second screen content on streamers is a trickle-down effect. It started with television. Several decision-makers in the Indian arms of streamers are from the television industry. We are told to water down or dumb down content by providing an experience in which people can point to a larger thing rather than something very small and nuanced," said independent writer-director Satavesha Bose.
Another factor that has led to the adoption of second screen writing style is the data or algorithmic insights into viewers' viewing patterns on streamers.
"Decision-makers in the streaming industry rely more on data points in creating content. I think second screen content is a trial to gauge whether streamers can get paid subscribers from non-metros," explained screenwriter Sameer Joshi.
In metros, studies show high churn rates in the originals’ subscriber base due to viewers' interest in specific content and piracy.
"Second screen content is largely ad-supported. So, streamers may want to handhold television audiences, especially in tier-2 and tier-3 cities, and gradually convert them into paid subscribers," observed screenwriter Aparna Nadig.
Industry observers shared that ‘second screen content’ is part of a broad strategy by streamers to cater to almost every viewer segment: TV, movies, gaming, sports, and niche content.
In the coming years, as streamers get associated with certain thematic offerings, writers believe they will balance originals and ad-supported second screen content in line with those themes.
Chandan shuts down; Film buffs and industry members revisit their fondest memories
7:55 AM
Posted by Fenil Seta

As the Juhu-based single-screen theatre downs shutters for a makeover, film buffs and members of the fraternity revisit their fondest experiences at the establishment
Himesh Mankad (MUMBAI MIRROR; April 2, 2019)
Mirror had earlier reported (January 2) that Chandan Cinema will be downing shutters to make way for three mini-plexes. The deed is now done. Akshay Kumar-starrer Kesari was the last film to be screened at Juhu’s last single screen theatre on Friday. “It was named after my mother, Chandrakanta, fondly called Chandan. The story behind its birth is one of the greatest untold love stories between my parents,” reminisces its owner, Sameer Joshi.
The cinema hall opened in 1974 with Raj Kapoor’s Bobby. The seats were wooden then and the fans creaked. Twenty years later, air-conditioners and granite flooring were installed on the insistence of Sooraj Barjatya who was adamant about his family drama, Hum Aapke Hain Koun..! only playing in theatres that met certain standards and offered a comfortable setting. “It cost me around Rs 3 crore but the response was overwhelming,” smiles Sameer, equally optimistic about the new transformation.
In the late ’70s, Chandan was one of the few suburban theatres to screen English films. Saturday Night Fever ran for the longest time there. Bandra boy Sanjay Gupta trekked to Juhu frequently to watch Hollywood movies. “Saturday Night Fever was the first film I saw there. Years later, my office was located right opposite and I would chat up the guys selling tickets in black outside to find out how a film was doing. Their predictions were always bang-on,” he flashbacks, adding that Salman Khan’s Kick was among the last films he watched there. “Chandan was the place to go for a Salman Khan film as the atmosphere there was incredible… electric.”
Tusshar Kapoor spent his childhood in Bandra but shifted to Juhu in the early ’90s and since then has been a regular patron. “The audience reaction would begin at Chandan, and there was a time when it became a barometer for a film’s success. The first film I watched there was Dil. As an Aamir Khan fan, I enjoyed the euphoria,” he smiles.Movie buff Dilip Parmar recalls the David Dhawan-Govinda films. “Hero No 1 was a blast! Govinda was a huge star then and the audience greeted him with whistles and claps. I loved the theatre because the tickets were reasonably priced so going to Chandan wasn’t heavy on the pocket. I will definitely miss it,” he sighs.
Dhavid Dhawan’s actor son Varun reciprocates his feelings, having grown up watching films there. “I lived for the most part in Juhu and as a child I remember sitting in the stall with samosas and screaming loudly with the audience. Watching a film there was like a festival,” he informs.
Chandan continued to pack in the crowds even at the turn of the millennium. Trade analyst Amod Mehra saw Sunny Deol’s 2001 release, Gadar - Ek Prem Katha, there and remembers the hysteria it generated showcasing the Indo-Pak conflict. “The experience of watching films with 800 people was unique. It was a prestigious thing for a producer to have his film screened at Chandan,” he says.
Anurag Kashyap hosted the premiere of his 2009 film Dev D there and it is his most cherished memory of the theatre. “During the show, I was strolling the car park outside. When we saw that The Times of India had given our film a five-star review, it made us cry,” he says.
Quiz Balkrishna Shroff on the theatre’s future and the man who, with brother Shyam founded the first multiplex chain in Mumbai, Fame Adlabs, applauds Sameer for his decision. “He should have made it five years ago. Multiplexes have taken over the exhibition sector since 2000. Chandan was not competition for us because Fame was the first one to provide a world-class movie-watching experience,” he signs off.
Multiplex, high-rise building to take the place of Chandan cinema
8:44 AM
Posted by Fenil Seta

Single-screen theatre in Juhu, which is a haven for fans of masala potboilers, is unable to sustain and will go in for redevelopment
Sonil Dedhia (MID-DAY; December 29, 2018)
Six months after reports of Regal cinema staring at a shutdown, we hear Juhu's 45-year-old Chandan cinema will soon down its shutters. Owner Sameer Joshi confirmed the development and said, "Yes, we are shutting down, but we haven't decided when exactly. Chandan loyalists needn't be worried because we will be coming up with multiple screens."
"We aren't partnering with any cinema chains. It was purely a business decision between the Wadhwa Group and us." He blamed the kind of films for falling footfall. "There are very few movies today that carter to the masses. For a single screen cinema like us, which is a 650-seater, we struggle to fill even 100 seats." Joshi adds that the slide has also increased since web streaming platforms came in. "People are looking at alternative modes of entertainment. Netflix and Amazon has kind of ruined the business."
He also points out that the government hasn't provided any help to keep the single screens afloat. "Today, we have a 4K projection, better seats and the latest sound system, but the government is worried about where they will collect GST and talk about fiscal deficit in revenues. They have requested single screen owners not to shut down but don't understand that everybody has to change with time. Our association [single screen owners association] has made many presentations on how some aid will help us stay afloat but it has fallen on deaf ears."
Trade analyst Amod Mehra remembers watching many films at Chandan that had opened in 1973. He believes that it is difficult to imagine so many single screens being shut down. "I can understand that it is completely a business decision, but I feel the government needs to step in and save this dying breed and preserve the city's art heritage. It is really sad to hear that many single screens are being forced to shut down."
Shadab Shaikh, an autorickshaw driver, who had just watched Ranveer Singh's Simmba there, said, "This was the only theatre with affordable pricing [currently the ticket rates are in the range of Rs 150-180]. The crowd at Chandan likes to whistle, clap and even abuse which is the real fun."
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