Showing posts with label Sadashiv Amrapurkar. Show all posts
Showing posts with label Sadashiv Amrapurkar. Show all posts

Hats off to Sushmita Sen for having the courage to play a transgender on screen-Shreegauri Sawant


Preeti Atulkar (BOMBAY TIMES; October 26, 2022)

Transgender rights activist Shreegauri Sawant has never shied away from speaking about the struggles from her past. Now, with her story being turned into a series, with actress Sushmita Sen portraying her on screen, Gauri is excited.

She says, “Quite a few transgender persons have been through similar experiences like me. It was high time a real-life story of a transgender got explored on screen.”

In a chat with us, Shreegauri speaks about Taali, the project that’s being helmed by Natarang director Ravi Jadhav, Sushmita Sen, her favourite movies with queer characters, and more...

‘IT IS A BIG WIN FOR THE ENTIRE COMMUNITY’
Mother to a 21-year-old daughter, Shreegauri is happy that another doting mom, Sushmita, is playing her on screen. “When the makers told me that they had signed Sushmita for my role, I was pleasantly surprised and flattered. I was curious to know how she agreed to play me on screen. When I asked her this, she very sweetly held my hand, smiled and replied, 'Jaan, tu bhi ek maa hai, aur main bhi ek maa hu, bas isliye'.”

Shreegauri adds that a woman agreeing to portray a character of a transgender is a big win for the entire community. Narrating the time she broke the news to her guru, Shreegauri shares, “When I told her that a show is being made on my life, my guru casually reacted saying ‘Kya badi baat hai? Transgenders par filmein toh banti rehti hai. Sadak (1991) main Sadashiv Amrapurkar ne role kiya tha’. But when I said Sushmita is going to play my role, my guru couldn’t believe it. Playing a transgender on screen is not easy; one needs a lot of courage. Hats off to Sushmita, who has taken up this challenge.”

Gauri adds that she loved the first look of Sushmita too. “She is sporting big bindi and rudraksha mala. Also, I wear my watch in a particular way, which she aced as well,” she says.

‘PORTRAY US AS NORMAL AS YOU ARE’
Sharing her views on the queer representation in movies, she says that the stories need to go beyond veering around just the struggle of acceptance or coming out. “Aap humko koi aam insaan ki tarah dikhao. Tab humein log job denge. There is no need to show a transgender as a dark character or a person who only has hardships. Hum koi abla naari nahi hai, aur na hi bhagwan hai jo sirf ashirwad de sakte hai. Portray us as normal as you are. Focus on showing us as someone having a career, relationships etc,” she says.

‘THERE’S A LONG BATTLE AHEAD’
Shreegauri, who had filed a petition in the Supreme Court of India for the adoption rights of transgender people, asserts that while society’s outlook towards the queer community is changing, there is a long battle ahead. “We are celebrating 75 years of independence, but our community is still struggling. We are denied our basic rights and good opportunities. I take every opportunity to sensitize people, whether it is about speaking about medical dilemmas or HR policies. Even today, at many hospitals, doctors refuse to examine us. There is a lot to fight for when it comes to gender equality as well,” says Shreegauri, adding, “My father passed away last year. I wasn’t even informed about his death. My brother removed my name from the property papers. It was my father’s right, not his. It is not that we have a lot of property, and I would have given away my share if they had asked me to. But how can you refuse to acknowledge my identity when I am alive? Therefore, we need better laws to allow future generations to live with dignity. It’s high time society stopped playing hide and seek with us. Our battle will be won on the day that no transgender has to beg on the streets.”

FILMS WITH QUEER CHARACTERS THAT SHE LIKED...
“I liked Amol Palekar's Daayraa in Hindi, and in Marathi, Jabbar Patel's Umbartha impressed me too,” says Shreegauri.

My father Jagdeep taught us one shouldn't touch on religion when making jokes-Jaaved Jaaferi

Late Jagdeep and son Jaaved Jaaferi
Bringing on the laughs in Coolie No 1, Jaaved Jaaferi on being influenced by late father Jagdeep's comic sensibilities
Uma Ramasubramanian (MID-DAY; December 22, 2020)

While Varun Dhawan steps into Govinda's shoes for the remake of Coolie No 1, Jaaved Jaaferi plays his secretary in the comedy. Remembering how the late Sadashiv Amrapurkar had breathed life into the character in the 1995 original, Jaaferi says, "The character's motivation remains the same, but the way he speaks and behaves is different from what was done by Sadashiv bhai."

With the Amazon Prime Video offering, Jaaferi — known for his comic timing — has realised his long-standing wish of collaborating with David Dhawan. He enjoys the filmmaker's offerings as they align with the teachings of his comedian-father Jagdeep. "My father taught us that there are certain subjects where you can't cross the line. For instance, one shouldn't touch on religion when making jokes. So, I keep these things in mind. As an actor, I am not responsible for what is written [in the script], but I can refuse to do it if it doesn't match my sensibility. Coolie No 1 is a family entertainer that doesn't cross the line."

Mirror Exclusive: Makarand Deshpande turns a godman and villain for Sadak 2


Actor plays the antagonist in Mahesh Bhatt’s directorial comeback which also features Sanjay Dutt, Pooja Bhatt and Aditya Roy Kapur
Himesh Mankad (MUMBAI MIRROR; May 15, 2019)

Mirror had earlier reported (May 2) that Sadak 2, which marks Mahesh Bhatt’s return to the director’s chair after 20 years, revolves around Alia Bhatt’s encounter with a godman. The filmmaker had informed that he is in talks with a ‘great’ actor to play the godman in the story that chronicles Alia’s quest to expose a fake guru who runs an ashram.

Now, we have learnt that Bhatt has roped in Makarand Deshpande to essay the character in the thriller. “It is an intense and challenging role, and Makarand has already started acting workshops with Bhaat saab. Like Maharani, played by Sadashiv Amrapurkar in the Sanjay Dutt, Pooja Bhatt-starrer Sadak, a unique look is being designed for him in the sequel,” revealed a source close to the development.

Makarand and Mahesh Bhatt had worked together in the 1993 drama, Sir, which saw the latter in a character named Mak. Apart from Makarand, the film has another antagonist, Gulshan Grover who, as Pooja had informed with a post on April 27, was the first actor to receive the script. “It’s a strong and layered character with negative shades,” the source added. The film, which also features Aditya Roy Kapur and Pooja Bhatt in pivotal roles, goes on the floors on May 18 in Mumbai. “On the first day at a city studio, the team will shoot with Sanjay and Alia, with other members of the cast joining in at a later date. Apart from Mumbai, the film will also be shot at other locations of India.”

The Mukesh Bhatt, Mahesh Bhatt and Fox Star Studios production is Alia’s first film from her home banner and is slated to release on March 25 next year.

Sanjay Dutt reprises his role of taxi driver Ravi from the original, this time as a 54-year-old who accompanies Alia on her journey. The 59-year-old actor has already started prep with the director. 

How Maharani Sadashiv Amrapurkar lost Sir to Bad Man Gulshan Grover


Roshmilla Bhattacharya (MUMBAI MIRROR; March 3, 2015)

Mahesh Bhatt had planned his 1993 gangster drama, Sir, with Sadashiv Amrapurkar playing the main baddie, Chhappan Tikli, and Gulshan Grover as his demented but dangerous younger brother, modeled on a character from The Godfather series. But just three days before the film was to roll, Sadashiv pointed out to Bhatt that in a crowd of 'serious' actors like Naseeruddin Shah, Paresh Rawal and him, a 'commercial' actor like Gulshan stood out and should be replaced.

When prodded, Bhatt though reluctant to speak ill about someone who is no more, admitted that it was true. "The facts don't change," he sighed. "It's true that after the success of Sadak and his character Maharani, Sadashiv had begun to feel that Gulshan was not on par with the so-called talent quotient of the rest of the cast, a statement which I thought was somewhat pompous and reeked of arrogance."

Unaware of this, Gulshan had got himself clicked wearing his son's bermudas and came to Bhatt with the photographs wondering if he'd got the 'look' of his character right. He was told that he had been elevated in the cast and would be playing Chhappan Tikli. "The set at Mukesh Mills is ready. We start shooting the day after tomorrow," Bhatt informed the astounded actor.

"After Sadak, Sadashiv was a saleable name with distributors and it was unthinkable for me to replace him. But the Bhatts have never been against 'commercial' actors who they believed were more popular with the audience," points out Gulshan, who got a two-hour briefing during which Bhatt told him that he didn't want him to play Chhappan Tikli like a regular villain. Instead he was a hero determined to avenge the death of his brother, who was stripped and hanged, by doing the same to rival ganglord Veljibhai's daughter. "The character I was to play earlier, was turned into a woman, Sweety, played by Sushmita Mukherjee, and I was told to use my 'genius quality' to translate the information into a visual."

Gulshan obliged by doing a photo shoot with Times of India photographer, Pradeep Chandra, wearing his own designer suits and getting his make-up man, Suresh Sharma to create the pox marks on his face using cosmetics.

"I realised instantly that unlike Ram Lakhan's outlandish, in-your-face bad man, Chhappan Tikli was more subtly menacing, someone you would steer clear of despite the outward gloss," says Gulshan, who incorporated Mahesh Bhatt's mannerism of whipping off his glasses when angry into the character.

The glasses, he used in the film, were a gift from an actress friend. And the only scene where he takes them off carefully is when 'Sir' Naseer comes to him proposing a truce with Veljibhai and Chhapan Tikli tells him quietly, "Tu yahan se vapas jayega kaise, yeh socha hai." After the scene, Naseer who was a dear friend and respected Gulshan as an actor, applauded his performance.

The quiet menace was what made Chhappan Tikli memorable. Gulshan remembers a scene where he meets with his six-feet plus henchmen, reprimanding them for losing to a rival. The scene that had been penned was a cliche which had him raging, ranting and firing bullets in the air randomly. Gulshan wasn't impressed and nor was Bhatt who told him to throw the page away and create something new.

"He told me I should be feeling as frustrated as a director whose leading man after giving them a day to complete his portions hasn't turned up all morning but whose unit was still happily sitting down to lunch, wondering what was for dessert. From that analogy, we worked out a scene whereby Chhapan Tikli quietly sits down to lunch with his men and then suddenly overturns the table asking them how they can eat and digest the food knowing what has happened before," reminisces Gulshan.

That gave not only his men but the audience plenty of food for thought.

Sadashiv Amrapurkar's last film Dabba Aiss Pais to release on Jan 30

Amrapurkar back in the theatres
MUMBAI MIRROR (January 20, 2015)

Sadashiv Amrapurkar, who passed away on November 3, 2014, following a lung infection, will be seen on the big screen in his last film appearance. His Marathi film, Dabba Aiss Pais, opens in the theatres on January 30.

Directed by Manish Joshi, the Marathi drama revolves around a school principal's struggle to save his institute from being taken over by a scheming landowner.

The actor, best remembered for films like Ardh Satya, Aankhen and Sadak in which he played the iconic eunuch, Maharani, plays the headmaster who is determined to educate the village kids and fights for the cause.

Confirming the same, Joshi told Mirror, "We had a beautiful time making the film. Sadashiv was a humble man with immense talent. I hope I've been able to do justice to his acting talent."

He has reached out to the late actor's family who have confirmed that they will attend the premiere. "How I we wish he could have been with us on this memorable occasion," said a teary-eyed Joshi.

Sadashiv Amrapurkar was 1st recipient of Filmfare's Best Actor in a Villainous Role


Hiren Kotwani & Seema Sinha (BOMBAY TIMES; November 4, 2014)

When you say the name Sadashiv Amrapurkar, the image that immediately leaps to mind is that of Maharani, the sari-clad, bindi-wearing eunuch who ran the brothel in Mahesh Bhatt's Sadak (1991). Speaking about him, an emotional Mahesh Bhatt, who helmed the film, says, “There are very few films in this country where you mention the name of the villain before that of the hero, heroine or the maker.“

64-year-old Amrapurkar passed away at about 2:40 am on Monday. He is survived by his wife Sunanda and his daughter, Rima.

Bhatt further adds, “Sadashiv was a very rooted person who chose to walk his own path on his own terms. A man of the world, he was very informed and had his own unique view on complex issues. Unlike his villainous portrayals on screen, in real life he was a very gentle, refined and cultured person, a very easy actor to work with. He added that sparkle to my career and I thank him immensely . So, without him, I wouldn't have got where Sadak took me.“

Bhatt also revealed that when he visualised the character of Maharani, he hadn't thought of dressing the character in a sari. “It was Sadashiv who wondered how could there be a hijra without a sari?“ said Bhatt.Adding, “He halted the shoot and got dressed in a sari. He gave his blood to the role and that's why we still mention him after he's gone.“ The 64-year-old Maharashtrian actor who first made his mark as don Rama Shetty in Govind Nihalani's Ardh Satya (1983) had also bagged the Filmfare Award for Best Supporting Actor in that year. For nearly three decades, Amrapurkar stayed integral to Hindi cinema because he was so believable in his screen appearances, never mind whether he played good or bad. The actor passed away at about 2.40 am on Monday, November 3. He had been undergoing treatment for a lung infection for the last few days in a Mumbai hospital and was put on a ventilator in the Intensive Care Unit around October 21. A family friend who visited him last week, said “The doctors had maintained he was critical though he himself indicated that he was feeling better during the last few days. But his condition worsened on Sunday.“

On Monday morning, Amrapurkar's body was moved to Bhaidas Hall in Vile Parle, where it was kept till late afternoon for industry persons to pay their last respects to him.Later, it was to be taken to Ahmednagar for the funeral, which will happen today.

Born on May 11, 1950 as Ganesh Kumar Narwode in an affluent Maharashtrian Brahmin family of Ahmednagar, he adopted the name Sadashiv Amrapurkar in 1974 when he forayed into theatre. Interestingly, the Best Actor in a Negative Role award was first introduced to acknowledge his villainous performance in Sadak. The actor also gave noteworthy performances in the movies of the 90s like Hukumat, Aankhen, Ishq, Gupt and many others. He was last seen in Bombay Talkies (2013). Actor Om Puri says that he had to work really hard to match up to the performance of his co-star and “strong“ actor Sadashiv while filming Ardh Satya. “I remember when the whole team of Ardh Satya went to Ahmedabad for an event post the release of the film, Sadashiv got more claps than me. He was flawless. Just that he couldn't overcome his Marathi accent,“ says Puri, who learnt about Sadashiv's death while travelling in a train to Rajasthan through a co-passenger, early Monday morning.

Recalling her experience with the man who terrorised her in Sadak, Pooja Bhatt says, “I distinctly remember the car park sequence where Sadashiv was singing the song Chhupa Chhuppi. I have not seen a sweeter villain than him. He was anything but Maharani in real life. He was a thorough gentleman and extremely kind.“ The actress-turned-filmmaker also added, “I wish I was in touch with him when he was alive. His death has reinstated in me that I need to reach out to people who have played an important role in my life and not regret when they have gone.“

After watching Amrapurkar's play Hands Up! in which the actor played a comic cop, Nihalani who can rightfully be called Amrapurkar's godfather because it was he who introduced him to Hindi cinema in Ardh Satya says, “I saw him in Hands Up! and was truly impressed with him. The writer of Ardh Satya, Vijay Tendulkar arranged a meeting between Sadashiv and me. I was struck by his eyes; they were always alert. His look was purposeful with a bit of mischief as well. I watched his play and halfway through decided to cast him in a villain's role of that of a don. I felt that if his comedy was good, he would also excel in a negative role, and he went on to play the iconic character Rama Shetty in my film.“

“Sadashiv was easy going, friendly and compassionate,“ he trails off, remembering the man who gave villainy a new dimension in the 80s. 

Sadashiv requested me to let him wear a saree-Mahesh Bhatt

MUMBAI MIRROR (November 4, 2014)

Adieu Sadashiv Amrapurkar (May 11, 1950 - November 3, 2014)

Veteran Bollywood actor Sadashiv Amrapurkar, died at Mumbai's Kokilaben Dhirubhai Ambani Hospital on Monday, November 3. He was battling an interstitial lung infection and passed away peacefully, at 2.45 am, informed his daughter Rima. His last rites will be performed at his birth place in Ahmednagar district today.

Born Ganesh Kumar Nalawade in 1950 to a Brahmin family near Shirdi, his started out with school plays. Music was another passion but despite being a trained singer, his nasal baritone prevented him from pursuing a career as a singer At 21, he moved to the stage and took on the name Sadashiv Amrapurkar. He acted in more than 50 plays. In 1981-82, he acted in a Marathi stage play Hands-Up! alongside stage actors Avinash Masurekar and Bhakti Barve-Inamdar. The play was a super-hit and Govind Nihalani cast him in Ardh Satya.

The eventful journey continued for the next three decades with many roles, both sinister and comic. 

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Mahesh Bhatt remembers his 'Maharani', Sadashiv Amrapurkar, who passed away yesterday.

Sadashiv Amrapurkar had the humility to approach me for work. He came to meet me on the sets with my friend Avatar Gill. I'd seen him in Govind Nihalani's Om Puri-Smita Patil starrer Ardh Satya (1983), and was impressed.

Call it luck, chance or destiny but soon I stumbled on the idea of Sadak and wanted only Sadashiv for the role of Maharani. Coming from the background of people's theatre, there was still a roughness about him that hadn't been pruned by the tyranny of refinement. Maharani is unforgettable because of this coarseness, this 'crudity'.

I remember narrating the script to him at Film City. He was astounded that I was offering him such a significant role. Today, I can say that Sadak wouldn't have been possible without Sadashiv. This man of the soil, who had learnt about films not from books or discussions on cinema but from theatre, gave Maharani an energy and vitality....Also, it's get-up.

When I'd shown him a photograph of what I had in mind, he pointed out that my Maharani didn't look like a eunuch. He requested me to let him wear a saree. I sent a production assistant to the station to pick up one. And waited for Sadashiv to emerge.

The minute he stepped out, I knew Sadak, which opened in 1991, would be a smash hit. Everyone around was mesmerised and petrified. Some of the biggest producers had predicted that Sadak would be a disaster, arguing that a Hindi film hero couldn't be pitted against an antagonist who wasn't man enough. Sadashiv helped me prove them wrong.

The same year, he did a cameo in the Waheeda Rahman-starrer Swayam. He was a tough, upright cop who reprimands her children for leaving the elderly widow to fend for herself on the streets. The film touched on the problems old people face with the breakdown of the joint family system. It was a subject close to Sadashiv's heart and he did the role for free.

Our last meeting was at my office during Murder 2 (2011). The director, Mohit Suri, who has grown up on memories of Maharani, wanted to cast him in a cameo in the role of Nirmala Pandit, a politician-eunuch. Sadashiv who looked old, frail and unwell, heard me out politely. He then told me respectfully that he wanted to work with friends like me and young directors like Mohit, but he didn't want to do this particular role.

He pointed out that we both knew he could not better his performance in Sadak. So, even though several producers had approached him with similar roles, he had turned them all down. He didn't want to contaminate and annihilate the Maharani off our memories. I accepted his decision gracefully. Sandeep Sikand played the role.

On October 26, when I was celebrating my wife's birthday, I got a call from a journalist informing me that Sadashiv was no more. I was in the midst of an emotional response when the journalist was interrupted by her colleague, who informed her that though 'critical', Sadashiv was still with us. I heaved a sigh of relief but an instinct told me that the deathwatch had begun.

Yesterday, soon after I landed in Kolkata, I learnt that the man who had touched my life briefly, was gone. Back in the '80s, the highbrow critics had been appalled that the maker of Saraansh and Arth had made a Sadak. Some had even refused to review it. Today, this is the film that people remember Sadashiv for. It just goes to show that a film needs to make a place in the hearts and minds of the people to live on....Not in archives controlled by purist pacemakers. 



‘He requested me to let him wear a sari’
From top: Sunil Pal at the memorial, Reema Lagoo with the late actor's wife Sunanda and daughter Reema, Chandrakant Kulkarni and Nivedita Joshi, Ramesh Bhatkar

My daughter would chide me for doing roles that frightened people-Sadashiv Amrapurkar

'My daughter would chide me for doing roles that frightened people'
On April 29, 2013, Sadashiv Amrapurkar spoke to Mirror about his iconic character, Maharani. Excerpts
As told to Roshmila Bhattacharya (MUMBAI MIRROR; November 4, 2014)

"I had played similar characters in Marathi plays, but the idea of playing a transgender in a Hindi film not as a caricature to raise snickers but to terrify the audience had me hooked," reminisces Sadashiv Amrapurkar about Sadak.

Soon after, the actor spotted a photograph of a man dressed in saree and jewellery while on a visit to Mumbai's red-light area along with a friend who was researching an article for a newspaper. Enquiries revealed that though the sethji in the picture had a definite attraction toward the opposite sex, he occasionally liked to pose as a drag queen and get himself clicked. He was the muse for the character of Maharani, who wore a saree and a red bindi on her forehead.

Amrapurkar recalls a scene, where Pooja Bhatt beseeches him to let her leave the brothel with her taxi driver lover, Sanjay Dutt. But he shakes his head, saying her pleading won't help (koi fayda naheen hoga), this is her profession and he can do nothing for her. Sanjay would crow with delight after every take. "Tum hit toh film hit, film hit toh hum hit (If your character is a hit, then the film will be a hit and vice versa)," he would say.

The character of Maharani had people taking to their heels on the real sadak. "My daughter would chide me for doing roles that frightened people," laughs Amrapurkar, who bagged the first Filmfare Award for Best Actor in a Negative Role that was institutionalized to acknowledge his performance.

He says he is still addressed as Maharani and his dialogue, "Yahan ka raja, iss jism ke bazaar ka maharaja, aur naam, Maharani (I am the king of this place, the emperor of the flesh trade, and my name is Maharani)", remains unforgettable. 

I cast him as a don in Ardh Satya after seeing him play a cop-Govind Nihalani


Sadashiv Amrapurkar
Director Govind Nihalani remembers his 1983 film Ardh Satya’s Rama Shetty
Shaheen Parkar (MID-DAY; November 4, 2014)

Govind NihalaniSadashiv Amrapukar’s last Bollywood outing was Bombay Talkies last year. The actor featured in the Dibakar Banerjee directed segment titled Star. Interestingly, Amrapukar had no clue who Dibakar was when he was approached till his daughter told him that he was a much-acclaimed director.

The actor passed away yesterday after battling a lung infection for which he was hospitalised. He was 64. In the last few years, Amrapukar, who had his heydays in the ’80s and ’90s, had steered clear of Bollywood tired of doing repetitive roles of being the bad guy or the funny guy. He was more inclined towards Marathi theatre, his first step into the world of acting.

He lived a life without any starry trappings. When the stage beckoned, he would travel to the interiors of the state for his shows or keep himself busy reading. Every evening he would take a walk at a park near his Panch Marg residence in Versova. He would be recognised as “that actor who did villain’s roles.” Govind Nihalani cast him in his 1983 film Ardh Satya on the late playwright Vijay Tendulkar’s recommendation.

Amrapukar essayed the character of the underworld don Rama Shetty in Ardh Satya with such aplomb that it is still considered as one of Hindi film’s landmark villainous roles. Says Nihalani, “Vijay Tendulkar had written the script of Ardh Satya and when we were casting, I had decided to take a new face. Tendulkar took me to see his play Hands Up. It was a comedy with Bhakti Barve as his co-actor. Sadashiv was playing the role of a cop. I saw him as a cop, but cast him as a don. His sense of timing was impeccable and he could display the nuances of the character through his penetrating eyes. My decision was right as it went on to be his most remembered film.” In his first Marathi film titled 22 June 1897, he essayed the character of Bal Gangadhar Tilak. Apart from Ardh Satya, he is best remembered for his role of a eunuch (Maharani) in Mahesh Bhatt’s Sadak in 1991.

Though he had proved his versatility, he was still waiting as an actor for that perfect role.

Veteran actor Sadashiv Amrapurkar dies at 64

Sadashiv Amrapurkar
THE TIMES OF INDIA (November 3, 2014)

Actor Sadashiv Amrapurkar, who was being treated for lung infection at Kokilaben Dhirubhai Ambani Hospital (KDAH), passed away Monday morning.

He was hospitalised about two weeks ago for lung infection and is kept in the Intensive Care Unit (ICU).

In his long career, he has won two Filmfare awards - in 1984, he won the award for the best supporting actor for Ardh Satya and in 1991, the best villain trophy for his portrayal of a ruthless eunuch in Sadak.

The actor is also known for his performance in Aankhen, Ishq, Coolie No 1 and Gupt: The Hidden Truth among others.

Born and brought up in a Maharashtrain Brahmin family, Sadashiv Amrapurkar is fondly called Tatya by his family and close friends. He was always socially inclined and has worked towards the betterment of those less fortunate from a very young age. Sadashiv Amrapurkar is married to his high school sweetheart, Sunanda Karmarkar. Be it in school or college, Sadashiv was always interested in acting.

The veteran actor has marked a niche not only in the entertainment industry but also in the society as a responsible citizen. The actor will be remembered for his power-packed performance in the film Sadak. He is known for playing villianous roles in Bollywood and is equally appreciated for his cameos and comedy roles.

Sadashiv Amrapurkar on ventilator but stable, says daughter


Hiren Kotwani (BOMBAY TIMES; October 27, 2014)

Sadashiv Amrapurkar, who had been critically ill and has been on the ventilator for the last six days, is stable now. Best known for his performances in films like Ardh Satya (1984) and Sadak (1991), the 64-year-old actor was admitted in an Andheri West hospital 11 days ago after being diagnosed with lung infection. He then had to be shifted to the Intensive Care Unit when his condition turned critical.

Amrapurkar's daughter Rima said, “He is showing signs of improvement after some change in the line of treatment. Hope he will be on his way to recovery soon.“ It's not yet clear how long he will take to recuperate, but the priority of the doctors is to get him off the ventilator support.
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Vickey Lalwani (MUMBAI MIRROR; October 27, 2014)

Veteran actor Sadashiv Amrapurkar, who was admitted to hospital two weeks ago, continues to be on life support.“But he has shown signs of improvement and has been responding to treatment since Sunday afternoon. Let's hope he gets well soon,“ says his daughter Reema.

The 64-year-old actor is suffering from severe lung infection. His condition took a turn for the worse three days ago. “He has developed fibroids in his lungs and has difficulty in breathing. On Saturday, the doctors told us they couldn't do much. But now he is stable,“ she adds.

Memorable for the negative roles he played, Amrapukar has won two Filmfare Awards-Best Supporting Actor for Ardh Satya and Best Actor in a Negative Role for Sadak in which he played Maharani, the eunuch who runs a brothel.

He was last seen in Bombay Talkies. He played Nawazuddin Siddiqui's mentor from the stage in Star, a short story directed by Dibakar Banerjee.