Showing posts with label Sachin Pilgaonkar interview. Show all posts
Showing posts with label Sachin Pilgaonkar interview. Show all posts

50 Years of Sholay: How Amitabh Bachchan helped Sachin Pilgaonkar act ‘dead’


Shooting for Sholay, ‘hold your breath’ acquired an entirely different meaning for Sachin. Why? Read on
As told to Mohua Das (THE TIMES OF INDIA; August 10, 2025)

It was my very first day on the Sholay set. I was thrilled. I knew it was a massive film. My first scene was supposed to be the one where my character Ahmed’s dead body is brought into the village on horseback. It’s a dramatic, emotional moment.

There were two shots. One wide shot from a distance as the horse enters, and a closer shot of my body on the horse’s back. I was 16 years old and couldn’t wait to begin. But to my surprise, both those shots were done using a body double. I was a little taken aback, even disappointed since I was so eager to do my first shot.

I remember asking Ramesh-ji (Sippy) about it, and he said something I have never forgotten: “Sachin, you are an actor. You have been acting for years. These shots are for a double. You are not supposed to do them.”

That’s when I suddenly felt important. Validated. Of course, the later shot where my body is picked up by Dharam-ji (Dharmendra) and Amit-ji (Amitabh Bachchan) had to be me. During that scene, Amit-ji whispered something to me that I always remember. He said, “Sachin, zara body loose rakhna… It will be easier for us to pick you up and put you down.”

It was a small but thoughtful advice. I understood that if I kept my body stiff, it would be harder for them. It was one of those little moments that taught me that even as a ‘dead body’, you need to act right.

Now, here’s the fun part. That scene involved big actors but none of us — Dharam-ji, Amit-ji, Hema-ji, or me — had any dialogue in it. And I obviously couldn’t speak because I was supposed to be dead! So all we could do was observe.

I was the youngest on set and very sincere. So every time my shot came, I would hold my breath. Nobody asked me to. I just did it on my own. And when Ramesh-ji would call “Cut!”, I would let out a huge breath — like a burst — and the whole set would erupt in laughter. Every single time.

The first one to laugh would always be Sanjeev Kumar. And then the rest of the cast and crew would join in. It became a bit of a ritual, everyone waiting for my dramatic exhale and the laughter growing after every shot!

Looking back, that was my first experience of Sholay… lying breathless, surrounded by legends, and still managing to make them laugh.

Not many people know this, but I refused to accept payment for my role in Sholay. My relationship with Ramesh-ji has always been that of a student and guru. Even now, on Guru Purnima, I message him to seek his blessings. That bond means more than money ever could.

So, instead of a fee, Ramesh-ji gifted me something special… my first-ever air conditioner. It was from a company called Fedders-Lloyd. Sleeping in AC was a luxury back then and from 1975 till today, I haven’t been able to sleep without an AC, a habit I owe to Sholay!

Sachin Pilgaonkar on 60 years in cinema: "I have reached the interval stage"


Natasha Coutinho (BOMBAY TIMES; November 13, 2024)

Sachin Pilgaonkar (67) completes 60 years in films this year. The actor, director and producer started acting as a child at the age of five and went on to feature in over 65 films before starring in films like Sholay and Satte Pe Satta as a grown-up. The veteran actor says there’s much more to come and he has only reached the “interval stage” of his career.

‘I was the first child artiste to win the President’s Award’
Talking about his early days as a child artiste, Sachin fondly recalls, “I received the National Award for Best Child Artiste at the age of five (for Marathi film Ha Maza Marg Ekla), from the hands of Dr Sarvepalli Radhakrishnan the second president of India, in the presence of Pandit Jawaharlal Nehru. Back then, it was known as President’s Awards and the child artiste category did not exist, so I was the first to win it. My mother had stitched a sherwani with mojri for the event and as I was leaving after receiving my award, Pandit ji called me, made me sit on his lap, took the rose from his coat and placed it on my sherwani. My mother was keen that I have a 9 to 5 job, but this event changed her thought process. Eventually, I went on to work in more than 65 films as a child.”

‘I learnt self-love from Dev Anand’
Sachin cherishes the close association that he shared with Dev Anand. He says, “Dev Anand with whom I worked a lot, loved himself and would address himself by his name Dev, while explaining a scene. The first time it happened, I asked him, 'Who is playing Dev?' He looked at me for a few seconds before announcing he was referring to himself and I apologized. He told me that I reminded him of his younger brother Goldie, who he was very close to. I played his younger brother in his debut directorial Prem Pujari. Apart from working with Dev saab, I feel fortunate to have been part of cult films like Sholay, Satte Pe Satta, Nadiya Ke Paar, Geet Gaata Chal and more.”

‘As a director, I treat my actors the way I wanted to be treated on set as a young actor’
Talking about the life lessons that he has learnt in all these years, he says, “At 24, I became a director in Marathi cinema. Today, my actors receive their cheque from me (not my managers) even before they have taken off their makeup on the final day of shoot. The reason is, that’s how I wanted to be treated when I was younger, but it wouldn’t happen. I celebrate the birthdays of my crew - from the light man to the actors because no one celebrated my birthday on the sets."

‘Shriya was our lucky charm since day one’
“The day Shriya was born, I was shooting for my Marathi directorial Atmavishwas, in Mumbai’s Shivaji Park. The previous night the doctor informed us Supriya would have to deliver the baby the next evening because of some complications. Co-incidentally, the hospital was on the same street as my shooting location. I was arranging the shot in the afternoon when a friend informed me that I’ve become father to a baby girl and I rushed to the hospital. The same evening, we received the news that I had received the Maharashtra State Award for Best Director for Ashi Hi Banwa Banwi and Supriya had won the award for Best Actress for Maza Pati Karodpati. Today, Shriya has made her own space in the industry and I am proud of her. As a family, we are very tight and they have always been my pillar of strength.”

‘Meena Kumari introduced me to Urdu’
The actor, who shared screen space with Meena Kumari in the film Majhli Didi, says, “Meena aapa imbibed Urdu into my life and today, it is part of my system. Having command over a language gives you immense confidence, it changes your body language and approach to your work. I couldn’t speak English back then, but a friend helped me by conversing and that’s how I learnt the language. Today, I visit colleges to give lectures on career building, but I consider myself a student. My pseudonym is Shafaq, and I write and recite Urdu poetry, and have shared the stage with the likes of Wasim Barelvi and Javed Akhtar.”

Winning Nach Baliye with Surpiya at the age of 48
Supriya (Pilgaonkar) and I are total opposites, but I never tried to change her because I married her for what she is. We were approached for Nach Baliye (2005) because the channel needed a senior couple and they didn’t even know if we could dance. The intention was not to win. We would be happy even if we survived six episodes, but we ended up winning the show. Choreographer Saroj Khan, who was a judge on the show, used to say, “No matter what, the Shammi Kapoor within you will never leave your body.”

The day Shriya was born, Suprirya won best actress and I won award for best director-Sachin Pilgaonkar

Papa lifts the  energy of a  room when he  walks in: Shriya  Pilgaonkar

Natasha Coutinho (BOMBAY TIMES; June 15, 2024)

Shriya Pilgaonkar still remembers how her father, Sachin Pilgaonkar, would sit by her bed when she was a child and tell stories as she fell asleep. “Each night, it was a new story with different characters. Papa is an amazing storyteller, and I think that is where my love for stories and performing comes from,” says Sachin and Supriya Pilgaonkar’s daughter.

While both her parents are actors, she didn’t fully realize how well known they were till the time came for the school parent-teacher meetings. “Everyone would be excited to see them, and those moments made me realise the impact they had as actors on people’s lives. At other times, they were my hard-working parents, who were very involved in my life,” Shriya adds.

Sachin shares memories from Shriya's childhood
I met Supriya first, congratulated and thanked her for giving me a daughter. Then I went to see my little one with dimples on her cheek. Holding Shriya in my hands for the first time was the biggest joy of my life. On the morning of 25th April, Shriya was born and the same evening, there was an announcement on TV that Supriya won best actress and I won for best director for a Marathi film that year.

Once when Shriya was three years old, I came home after work and was just lying on my bed. Shriya looked at me and like a mother she asked me “Are you tired?” I said yeah. She started patting me like a mother, and I fell asleep, and that sleep was the soundest sleep I’ve ever had in my life.

Shriya on visiting Sachin's sets
Of course I have visited papa’s film sets. I have so many fun memories of visiting the sets of Tu Tu Main Main and seeing him in action as a director and mom as an actor. He would call me to do cameos and I would happily show up. He is an incredible teacher and there’s so much I have learnt from him.

Travel buddies
“Her mannerisms are like Supriya’s, but her personality is like mine,” says Sachin, adding that Shriya is a foodie just like him. The father-daughter duo bonds over their shared love of travel. “One of our most memorable trips was the family holiday we had in Maldives last year. Papa loves to swim, but not in the ocean. I wanted him to try snorkelling and though he was scared at first, he finally overcame his fear. Like me, he’s always up for a good adventure,” Shriya remembers.
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Holding Shriya in my hands for the first time was the biggest joy of my life

We speak about work, but I don’t give advice unless she asks me for it. Now, we like to travel and just chill together, discussing film & music

– Sachin Pilgaonkar
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Papa is a one man army

Papa is an incredible teacher. He is a one-man army & it’s amazing to see him work with so much passion

He lifts the energy of a room. One of his life lessons to me is that one should learn not just from their seniors but also from juniors

– Shriya Pilgaonkar

We slept in the same room, the way we used to when Shriya was a little kid-Supriya Pilgaonkar


In a chat with us, Sachin, Supriya and Shriya Pilgaonkar share their experiences of the last few months
Preeti Atulkar (BOMBAY TIMES; December 20, 2020)

For the Pilgaonkars — Sachin, Supriya and Shriya — 2020, in their own words, has been quite adventurous. They have also had their share of valuable learnings. In a recent chat with us, the three looked back and got candid about the Coronavirus lockdown phase, the concept of working from home and more. Excerpts:

I’M GRATEFUL TO HAVE A HOME AND BE SAFE: SHRIYA
“A major chunk of 2020 was spent at home, in each other’s company,” says Supriya and recalls, “I remember, in the peak summer, our room’s AC malfunctioned and Shriya had to share her room with us. We slept in the same room, the way we used to when she was a little kid.”

To this, Shriya adds that they had a great time and spending time together was thrilling for all of them. She elaborates, “I would often joke saying that we are all roommates. Dad would make yummy meals and we used to work out together. During the pandemic, we have seen the best and worst of humanity. In my case, there were days where I experienced anxiety and then there were times when I felt creatively engaged. Having said that, I’m grateful that we have a home and we are safe.”

Sachin too stresses on looking at the positive things and says, “I am a home-loving person and getting to spend time with family was a boon.”

Sachin adds, “The only thing I feel bad about in the current times is that some people still don’t realise the importance of following safety protocols and guidelines.”

I WAS BED-RIDDEN FOR ALMOST THREE MONTHS: SUPRIYA
Recalling the time when Supriya’s foot was fractured, Sachin adds, “She had taken our pet Jack for a walk when she tripped.” Supriya quips, “I was bedridden for almost three months because of that. But my husband really took care of the household chores and Shriya also managed various responsibilities. I was instructing them sitting in one place.” On her part, Shriya says that Jack was the happiest of them all because he was being pampered by all three of them. “He sure was the happiest Pilgaonkar in the household,” laughs Shriya.

WORK-FROM-HOME WILL BE RELEVANT EVEN AFTER THE PANDEMIC: SACHIN
Adapting to the new normal, the Pilgaonkars embraced WFH quite well. Shriya shares, “I did a virtual play called Lockdown Love, and aai even helped me behind the scenes. Also, I shot for a web series from home, which was conceptualized and directed via video calls. I didn’t want to bother my parents through the process, but they enjoyed it. In fact, they helped in various departments be it cinematography, art direction or camera set up, etc.”

Sachin has also been organising talk shows and mushairas online since some time. “I shot for a music video from home. We recreated an old song called Haan Pehli Baar, which was originally picturised on me. I think the concept of work-from-home has gained prominence because of the lockdown, but it will be relevant even in the post-pandemic times,” he says. With shoots and shows having resumed, the three are busy with their projects. Supriya, who will now begin shooting for a Hindi film, also has a Hindi show that will air soon. And Shriya will be seen in the tri-lingual Haathi Mere Saathi, alongside Rana Daggubati.

I have seen the guest list of filmi parties change every Friday-Sachin Pilgaonkar


Rishabh Suri (HINDUSTAN TIMES; August 29, 2020)

Sachin Pilgaonkar has spent over five decades years in showbiz, having started right from the age of four as a National Award-winning child artiste. Naturally, the actor-director is privy to a lot of changes the industry has gone through over the years. “Change is the only permanent thing in this world, and in the industry, it has been for the better and worse; it can’t be one way. You are on a highway driving, is only your side of the road busy and not the other? It has to be both ways,” Pilgaonkar quips.

What does he make of the nepotism and outsider-insider debate? He says all this would be discussed before too, just not in the same terms. “We all had to go through this, including me, who is not a star’s son. That does not mean I lost confidence in what I am. I started off as a child actor, then became director and writer, too... I’m here to learn. The only difference is earlier I’d learn from my seniors; now I’m learning from my juniors,” he shares.

What hasn’t changed, however, is the fast pace of the industry, and how fates change every Friday. Pilgaonkar, who has been a part of both Hindi and Marathi cinema, says he has seen it all happen.

“I am a very observant guy. Every Friday, the guests at film industry’s parties would change. I’ve seen that with my own eyes. It’s not hidden from anybody in the industry. Everyone has a good and bad day, one has to be prepared for that... When we look at the world and see what is going on, it’s nobody’s fault... Even now (amid the pandemic) people who are dying, it’s not their fault. These things happen. We are human beings; we have to face it. Compared to all that, our industry’s so called calamities, mishap, flops, failures are too small,” says the 63-year-old.

No 'Tu Tu Main Main' for the 'besties' Sachin, Supriya and Shriya Pilgaonkar


There's no 'tu tu main main' at this actors' homestead. Instead it's dad, mom and daughter's fortress of support
Udita Jhunjhunwala (MUMBAI MIRROR; March 20, 2016)

Sachin and Supriya Pilgaonkar protectively flank their 26-year-old daughter Shriya on the couch in their Andheri home. Supriya has returned from the shoot of her daily soap Kuch Rang Pyar Ke Aise Bhi, while Shriya is ramping up for the release of her first Hindi film. It's the kind of banter you expect between friends — after all, Supriya was only 21 years old when she became a mother. She met her future husband, 11 years her senior, on the sets of her first film Navri Mile Navryala.

So what was it like growing up in a home with such accomplished parents? "I was aware, but it was not overwhelming. We are simple people essentially, so it was not a filmy household. I knew my parents were great at what they did and loved their work. I had been to film sets and there was always that conversation. But they were good parents — they were always there. They balanced their work and parenthood beautifully," says Shriya. "The only time I felt a little awkward was when Tu Tu Main Main was at its peak."

The next time her parents' professional commitment stressed Shriya out was in 2005, when Sachin and Supriya partnered up for Nach Baliye — and won! "Whenever Shriya, as a child, participated in any function or event, Supriya went along as her guardian. But during all the episodes of Nach Baliye, Shriya was there as our guardian," says actor-producer-director Sachin. Shriya adds, "I was stressed out of my mind. I had seen how hard they worked. And when they won, I had tears in my eyes. But they were tears of relief. I was so glad it was over!" Shriya made her big screen debut in 2013 in Ekulti Ek, a Marathi film directed by and co-starring her father. Watching Shriya on stage in a play entitled Freedom of Love, Sachin spotted a spark, and decided to pitch the idea of a father-daughter story to Shriya. "The first thing she said was, 'I would like to read the script'. Being our daughter, it was evident she would do such a thing. That was the only thing I did with her, and not for her."

She went on to act in the French film Un + Une and now makes her entry into Bollywood. Out in the professional world, Shriya doesn't reveal her antecedents unless asked and, like many hopeful girls, auditioned for for an upcoming film, unbeknownst to her parents. "I get stressed out when she goes for auditions," says mother Supriya. "As an actor, I didn't have to struggle much. I do the work that comes to me. Here she is going to ask for work and that too, through auditions."

The parents say they did not have an inkling that Shriya was attracted to acting nor did they encourage her to follow in their footsteps. "I always wanted to see what she wanted to do. She was a competitive swimmer — she represented Maharashtra state. She was doing well in her Sociology course at Xavier's College. She only started showing signs of becoming an actor after graduation," says Sachin. The Geet Gaata Chal and Nadiya Ke Paar actor admits that while he was surprised by her interest, he was also supportive. "Because I know she will do whatever she does with seriousness. She is not fickle, like her mother. In this way she is more like me."

Married for 30 years, Sachin and 'Super', as he refers to his wife, share a mutual respect as parents and professionals and bicker about typical issues: he leaves his things lying around; she puts them in different places and he cannot find them. "If she tells me one thing, I remember it for life; but even after 30 years, I have been unable to get her to change her habit of leaving the bedroom door open," says Sachin. Shriya listens to her parents' quibbles and mutters, "This is all so boring and predictable!" Supriya recalls a time when they were shooting for Tu Tu Main Main. "I like to pull his leg sometimes." Sachin interrupts, "One day, she told the unit that they should make a resolution to start shooting at 7 am and pack up by 2 pm. She made everyone sign that paper and sent it to me. She told the production manager not to tell me that she has done it. But she forgot that I can recognise her handwriting, because it's the same handwriting in which she used to write love letters to me."

Performance and the stage are in Shriya's genes. And while Supriya ensured that her only child stayed grounded, in reality Shriya's path was predestined. "I believe you understand whether you want to do something or not if you enjoy the hard work. When I was on stage I had the thought that this is where I am supposed to be." As a child Shriya often visited her parents on their sets. But as a swimmer she had short, cropped hair, a look she says her parents took advantage of. "They were so mean. Because I had short hair they made me play the neighbourhood boy Bittu on the show, who would ask for some achaar or something."

In a household with three busy working members, when do the Pilgaonkars find time for each other? "At any given point in time we are in touch with each other through our phones. Our WhatsApp family group is called 'Besties'," says Supriya. "Trekking in Himachal was one of our favourite trips together. Last year all three of us we went to America for the fall colours." Sachin adds, "When together, we share stories, poetry, we laugh a lot and Shriyu and I are serious foodies too."

Last year, Sachin reinvented himself in the role of classical singer Khansaheb Aftab Hussain Bareliwale in Katyar Kaljat Ghusali, a part that earned him much acclaim. The 58-year-old actor says, "After I became an adult hero, I was in a zone. Then suddenly in 2013 I get this film. I had to get out of one zone — of having a hero image — and went into a different zone to reinvent myself. One can get stuck in one's own mindset." Shriya was overwhelmed watching her father's transformation and found observing a fellow artiste's process exciting. "I feel ambitious enough to think that I can be as multi-talented as my father," she adds.

While her parents have never imposed their views on her, Shriya has learnt plenty through observing their demeanour. "From him, I have learnt the art of listening as an actor and the art of communicating as a director. I have learnt to respect everyone on set, from the spotboy to the producer. The only thing they have ever told me is do whatever you want do to with conviction, and have a good time."