Showing posts with label Rashmi Sharma interview. Show all posts
Showing posts with label Rashmi Sharma interview. Show all posts
We are happy that 'No Means No' has become a talking point-Shoojit Sircar & Rashmi Sharma
8:26 AM
Posted by Fenil Seta
Roshni K Olivera (BOMBAY TIMES; September 19, 2016)
When filmmaker Shoojit
Sircar and television producer Rashmi Sharma came together to produce
Pink, they knew this wasn't just another movie that they were making.
For Shoojit, it was a subject that he strongly believed in. For Rashmi,
it was a story that she could relate to and the kind of film that she
always wanted to be associated with. Now, with Pink getting critical
acclaim and already becoming a topic of discussion, we spoke with the
excited duo. Excerpts:
Amitabh Bachchan's dialogue 'No Means No' in the film has become a talking point. With this, Shoojit, Rashmi, do you feel you've achieved what you wanted to?
Shoojit: 'No Means No' is the final argument in the film. I'm thrilled to see that it has become a point of discussion and is slowly becoming a slogan. Everyone should know that when a girl says no, it means no. The word 'no' had become very insignificant in our lives, wherein if someone said no, it meant something like theek hai, aage bolo kya karna hai. But now with Mr Bachchan saying it, there are some women who are already saying 'No Means No'.
Rashmi: The idea was to make a film that would provoke people to think about the set norms of society. Women around the world have been facing a lot of issues that had to be highlighted in some way and cinema is an influential medium to do so. Our film is a message from all those women who want to live freely, and at the same time, also make society understand that when a woman says no, she means no. Even though this dialogue has become a talking point ever since its release, I still feel there is a lot left to achieve. We will truly achieve what we want to when this dialogue will not remain just a dialogue from the film, but will be understood and practised by people, and become a movement.
Shoojit, Pink is about women's concerns and you had a female producer who came on board. How was it collaborating with Rashmi?
Shoojit: It was very good. When we started work on this film, I was doing it myself; there were no studios involved. That's when Rashmi came on board and it was her first film. I had heard that she had produced many shows on TV and had some six to seven serials on air. They were wanting to get into film production and told me they'd seen Piku and Vicky Donor and would like to be associated with this film. That's how it all began.
Amitabh Bachchan's dialogue 'No Means No' in the film has become a talking point. With this, Shoojit, Rashmi, do you feel you've achieved what you wanted to?
Shoojit: 'No Means No' is the final argument in the film. I'm thrilled to see that it has become a point of discussion and is slowly becoming a slogan. Everyone should know that when a girl says no, it means no. The word 'no' had become very insignificant in our lives, wherein if someone said no, it meant something like theek hai, aage bolo kya karna hai. But now with Mr Bachchan saying it, there are some women who are already saying 'No Means No'.
Rashmi: The idea was to make a film that would provoke people to think about the set norms of society. Women around the world have been facing a lot of issues that had to be highlighted in some way and cinema is an influential medium to do so. Our film is a message from all those women who want to live freely, and at the same time, also make society understand that when a woman says no, she means no. Even though this dialogue has become a talking point ever since its release, I still feel there is a lot left to achieve. We will truly achieve what we want to when this dialogue will not remain just a dialogue from the film, but will be understood and practised by people, and become a movement.
Shoojit, Pink is about women's concerns and you had a female producer who came on board. How was it collaborating with Rashmi?
Shoojit: It was very good. When we started work on this film, I was doing it myself; there were no studios involved. That's when Rashmi came on board and it was her first film. I had heard that she had produced many shows on TV and had some six to seven serials on air. They were wanting to get into film production and told me they'd seen Piku and Vicky Donor and would like to be associated with this film. That's how it all began.
The back story that led to Simar's transformation into a fly was well justified-Rashmi Sharma
1:48 PM
Posted by Fenil Seta
Television producer Rashmi Sharma has been growing from strength to strength with motifs such as daayans, nagins and even the occasional fly on the wall
Kunal Guha (MUMBAI MIRROR; August 21, 2016)
Clicking away on her iMac at a corner desk of her palatial office in Andheri, television producer Rashmi Sharma claims to be "a micro-manager and a workaholic". Her production outfit, Rashmi Sharma Telefilms, has churned out high TRP shows like Saath Nibhana Saathiya, Sasural Simar Ka and Swarangini. Recently, Sharma turned film producer, with the Amitabh Bachchan-starrer Pink and Days of Tafree. "We wanted a strong content-based subject for our first. When we heard the story of Pink, it was just the kind of film that we'd like to associate with," says Sharma, for whom "subject is the hero".
"Even on TV, I stick to family-oriented shows," says Sharma, who runs her production house along with her TV director husband Pawan Kumar Marut. The two met when they collaborated on the TV show Piya Ka Ghar; she was the creative head, he was the director.
At a time when the TV industry battles for eyeballs with digital platforms, Sharma is hardly bothered. "Every medium has its own audience and web and digital is not a threat to TV. In India, when the TV is switched on, the entire family assembles in front of it to watch something together. It is a part of our culture that won't change." She credits Saath Nibhana Saathiya (2010), one of her longest-running shows (six years and counting) to be her tour de force. "Prior to this show, 7 pm wasn't a timeslot when people watched TV. But this show merged early primetime with primetime." The shows popularity, Sharma feels, has to do with its message. "In the show, a saas (Kokila) teaches her illiterate bahu (Gopi) to read and write. This was a big hit and we got lots of mails from across the country, especially from Gujarat, where women of all ages were inspired to return to formal education."
Sharma also credits the medium for its potential of "connecting with the audience and inspiring them to experience what they see on TV". Her latest show Shakti - Astitva Ke Ehsaas Ki, which launched in May this year, also challenges societal norms. "The show's main character is a eunuch and yeh uske astitva ki kahaani hain. Her life is at a stage where she gets married but her in-laws are oblivious of her true identity. I feel this show will make people realise that there's no difference between them and us."
But it was Sasural Simar Ka (2011) that she calls "a trendsetter" because "it blended family drama and paranormal subjects — something no one had ever attempted on Indian television". "We introduced a supernatural character in the show which could only be seen by our show's lead and this character helps our lead unravel a murder mystery. Sasural was a family-based daily soap, so how we weaved the emotion of a spirit into the show was a learning for us."
This also happens to be the very show in which its eponymous lead Simar transformed into a housefly; the promo went viral. Despite the hoots, Sharma isn't one for negative publicity. "The offensive comments that the fly track received surprised me since in the same show, we have experimented with the daaiyan world, the chudail world, and even characters from the puranik world like Patali Devi. Also, the back story that led to Simar's transformation into a fly was well-justified," says Sharma, adding that the TRPs didn't shoot up or slide during the said sequence. "It was a 15-day track. If it lasted for longer, the reaction would've been different. Some things don't work and it is a learning experience for me and I now know that I need to be careful going forward." But she firmly adds that TRPs are not sole indicators of a show's success, at least not initially. "No channel reacts to TRPs in the first three weeks, but if there's a consistent dip and if research shows that the numbers tend to slide on a certain track, then even we can't ignore it," she says, adding that her production has never taken any drastic steps based on TRPs.
Born in Jaipur, Sharma has lived across the country, given her school principal father's transferable job. Her cross-country experiences, she feels, have contributed to her understanding and appreciation of various cultures — which she also hopes to relay in her TV shows. "Since my husband has lived in Kolkata, he was privy to the healthy hatred that Marwaris and Bengalis share and this was something we explored in Swarangini."
Rashmi Sharma, Shoojit Sircar get together to make PINK with Amitabh Bachchan
10:07 AM
Posted by Fenil Seta
BOMBAY TIMES (March 20, 2016)
Talking about their collaboration, Rashmi says, “It's a coming together of creative minds. My husband Pawan, Shoojitda and I have one thing in common - a passion for our work. Our goal is to make a good, clean and entertaining film that can be watched together by the whole family.“
Rashmi's foray into Bollywood couldn't have come at a more opportune time as it is her birthday today. “I always get some pleasant surprises on my birthday. This year, it's PINK,“ she says. On this occasion she speaks to BT about her future plans in tellyland and her decision to get into films...
Why did you decide to venture into films?
Every creative person has a dream to get into films after doing TV. I have been wanting to be a part of such a subject since a long time. I'm sure a subject like this will stand out because I could relate to it. I can't reveal any more about the film, but all I'd like to say is that we are very happy to be making our foray into Bollywood with such an exciting movie. This is Pawan's dream and we are fulfilling it along with Shoojit. It is a fantastic platform for us. Given the pace at which we are making the film, our hard work will be out there for everyone to see soon. We are actually looking at releasing it on September 16 tentatively.
How does it feel to have Amitabh Bachchan in your very first film?
Mr Bachchan is a legend. Working with him on our first film project is a dream come true. The feeling cannot be expressed in words. He is a very down-to-earth person, despite being so famous. Pawan and I are very excited.
The daayan concept that you introduced in your show last year has been used by others in their shows. Are you now looking at something new?
Yes, today many serials have the daayan track. We are ready with some new interesting shows that will launch on TV soon. lt's going to be a new way of storytelling. It's unique. I can't reveal much because the promos haven't gone on air yet. We are also working on some love stories. In the present scenario, the dynamics of love has changed.
What are your birthday plans?
Birthdays are always special to me. And all my birthdays have added a new chapter in my life. It's the day of new beginnings for me and Pawan ensures that each time it gets better. This year, it's special because I have PINK in my life.
Any birthday wish?
When a girl is born, her life is almost planned. It's taken for granted that eventually she will get married and have a family. I believe that every girl should be allowed to do what she wants to. She should be given the freedom to plan her life. I have been fortunate to carve my own path. My parents encouraged me to do whatever I wanted to do. My husband has been very supportive. I wish every girl gets a chance to be the decision-maker of her life.
You have come a long way from being a creative head to a producer. What changes have you see on TV in the past 10 years?
TV is changing which is a positive sign and is moving towards a progressive medium. Earlier, it used to be a medium which people would watch for specific hours. But now there is so much variety of channels and shows that viewers get to watch different stories at the same time. Also earlier, they would watch one show religiously, but now if they don't like a particular track they can immediately change the channel. For us, now the challenge is to sustain our audience.
There is a lot of healthy competition around. TV is no less than films when it comes to production values and content. Ideally, how would you like to portray a woman on your show?
In our serials, we like to show women who become an inspiration for everyone. Viewers who are watching the show should connect to the character and get a positive message. TV has seen women in all her forms. But as makers, we should draw a line when it comes to portraying them. I want to show women in a dignified manner, whether on TV or in films. The protagonists should be progressive.
But the vamp on the small screen is always very negative.
Who is a vamp? Somebody who is a mother, bhabhi or girlfriend, whose actions spice up a show. They are mere puppets created because of some situation. There's a fine line, as I said, which one shouldn't cross. Maintaining the sanctity of relationships in a show is important.
Would you like to ever direct a movie?
I have lot of thoughts in my mind. If one day I feel that there is a story I would like to tell and bring it forward to the audience, I would love to direct that subject.
Tell us something about Rashmi the person.
Since I come from a middle-class back ground, I have a lot of values and am passionate about my work. I like to lead a simple life with my family.
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