Showing posts with label Punit Goenka. Show all posts
Showing posts with label Punit Goenka. Show all posts

Zee always open to unlocking value in music business-Punit Goenka


Will weigh potential demerger into a separate firm, induction of strategic partner: CEO Goenka
Javed Farooqui (THE ECONOMIC TIMES; May 21, 2026)

Mumbai: Zee Entertainment Enterprises is open to unlocking value in its music label business, Zee Music Company (ZMC), including through a potential demerger into a separate company and induction of a strategic partner, CEO Punit Goenka said during the company's Q4 earnings call on May 19.

"We certainly want to invest in the music business because that's the only way to keep broadening and going ahead. The question of unlocking value is always something that we keep considering all the time," Goenka said.

The comments signal Zee's willingness to evaluate options for its music business at a time when the company is increasingly betting on high-growth adjacencies such as over-the-top (OTT), music, studios and live events amid slowing growth in its core broadcasting business.

The company entered the music business through ZMC in 2014 and has built it from the ground up in a hypercompetitive market dominated by legacy Indian labels such as T-Series, Saregama and Tips Music, alongside India operations of global players including Sony Music, Universal Music and Warner Music. Goenka suggested Zee remains focused on scaling the business organically and sees room for growth before pursuing any major structural move.

"Compared to my competitors, we are still a very small player and we will keep investing and going ahead on that basis. But if opportunities come, why not? We will always evaluate and look at those," he noted.

A potential demerger or strategic investment could help Zee unlock value from a fast-growing asset at a time when its traditional television business is witnessing slower growth. "Profitability in the music business remains healthy and we continue to diversify our catalogue across additional language markets," said deputy CEO Mukund Galgali.

ZMC currently has 176 million subscribers on YouTube and 217 billion video views on the platform, backed by a catalogue of more than 20,000 songs. According to industry estimates, Zee generates upwards of Rs. 400 crore annually from its music business.

Listed music labels such as Saregama and Tips Music currently command market capitalizations in the range of Rs. 7,500 crore to Rs. 8,500 crore. Global labels such as Universal, Sony and Warner also see India as a key market due to its large digital user base and deep talent pool.

India is the world's 14th-largest market for recorded music, though it ranks second after the US in terms of total on-demand streaming, including audio and video. According to FICCI-EY, the Indian music industry generated Rs. 5,900 crore in revenue in 2025, driven by subscription and digital advertising growth, and is expected to rise to Rs. 7,500 crore by 2028 at a CAGR of 9%.

The industry has benefited significantly from growing smartphone penetration, cheaper internet access and rising consumption across audio and video streaming platforms, while gradually pivoting from an advertising-led free model to subscriptions.

Zee plans to allocate 40% of free cash flows for 'core' business projects

Zee Entertainment share price

In addition to focusing on regional content, co to allocate a part of profits for dividend, R&D
Javed Farooqui (THE ECONOMIC TIMES; May 12, 2025)

Mumbai: Zee Entertainment Enterprises plans to allocate 40% of its free cash flow (FCF) toward growth capital for regional content, music, digital platforms, and international expansion, as part of its latest strategic roadmap shared with investors.

In its investor presentation, Zee said it will also set aside 25-30% of net profit for dividends. It will also direct 5% of growth capital for research and development in content creation.

For FY25, ZEEL reported a net profit of Rs. 679 crore and a normalised FCF of Rs. 882 crore, or 1.3 times its profit. Cash and cash equivalents stood at Rs. 2,400 crore as of March 2025.

The company said its investments would primarily focus on core business areas, targeting a 2-3 year payback period, with active participation from the board in evaluating opportunities. Zee has identified several areas for potential growth, including syndication, user-generated and short-form content, improved monetization on its OTT platform ZEE5, and deeper engagement with regional audiences. Unified content creation across TV and digital is also a part of the strategy, with efforts to scale both long- and short-form formats.

Additional focus areas include strengthening its direct-to-consumer (D2C) and intellectual property (IP)-based offerings, increasing content in films and music, and exploring new areas such as live events.
ZEEL also said it would enhance corporate governance, work on strengthening its HR policy framework, and evaluate value-accretive M&A options to support scalable growth

 "We are capitalizing on this strengthened foundation to drive future growth by balancing investments with a healthy margin profile. Our efforts remain directed towards sharpening the content, driving reach across platforms, and enhancing monetization through existing and newer avenues," Zee Entertainment CEO Punit Goenka said during the company's Q4 earnings call on May 8.

In FY25, ZEEL's advertising revenue declined by 11%. To offset the softness in ad revenue, the company aims to diversify its client base by aiming to double contributions from retail advertising by FY28.

This, the company said, will include structured ad deals involving equity partnerships, along with localized advertising strategies such as geo-targeting and influencer-based campaigns.

The company is also working on building leadership capacity, combining internal promotions with targeted external hiring. ZEEL is expanding its ad-sales team and will also have dedicated Chief Business Officers for areas such as syndication, short-form video, user-generated content, and gaming.

The company has 2,500 employees, having laid off 15% of its staff last year in a cost-cutting exercise.

Zee Studios: Umesh Bansal replaces Shariq Patel; Punit Goenka to directly oversee key verticals

Zee Entertainment

Punit Goenka to directly oversee key verticals, brother Amit to look at original content biz
Javed Farooqui (THE ECONOMIC TIMES; April 17, 2024)

Zee Entertainment Enterprises Limited (ZEEL) has created a new organizational structure under which CEO Punit Goenka will assume direct charge of key business verticals, including the domestic broadcast business.

Amit Goenka, who has been spearheading the streaming business, will take direct charge of original content, including movies, besides assuming additional charge of the international broadcast business, enterprise technology, and broadcast operations & engineering. He will continue to report to Punit.

ZEEL, which has four key business segments, namely broadcast, digital, movies, and music, has also elevated key executives. The reorganization is in line with the company's aim of achieving 18–20% EBITDA margin by FY26.

Ashish Sehgal will be responsible for integrated ad sales for the broadcast and digital businesses. In this enhanced role, he will also report to Amit for digital business revenue. He will continue to report to Punit for the broadcast business revenue.

Siju Prabhakaran, who leads the South cluster of channels, will take additional responsibility for the West cluster. Samrat Ghosh, the current head of the East cluster of channels, will take additional responsibility for the North and Premium clusters.

Ruchir Tiwari will continue to lead the Hindi Movies cluster, while Vishnu Shankar will continue to lead Hindi GEC &TV and the FTA segment.

Following the exit of Zee Studios CEO Shariq Patel, Umesh Bansal will lead the movie business. Anurag Bedi will continue to lead the music business and enhance the vertical’s contribution to the company’s bottom line.

The reorganization comes in the wake of the collapse of the merger deal with Sony Group Corp's India entities and the exit of senior executives like Rahul Johri (president-business), Punit Misra (president-content), and Nitin Mittal (president-technology).

The company has decided to lay off 15% of its more than 4,500 employees to reduce costs.

ZEEL Chairman R. Gopalan said the board has reviewed and approved the lean organization structure proposed by Punit, which aims at streamlining the organization and improving efficiencies across the business.

"The strong and capable set of leaders identified for each core business segment in the lateral structure is highly reflective of the company’s deep bench strength and ensures that the company remains well-positioned for the future," he added.

Punit said the new structure encompasses a more resilient team for the organization to ensure agility and collaboration. "Through this restructuring exercise, our aim has been to build an independent and enterprising team led by an experienced set of leaders to drive the company forward."

Red-hot OTT market likely to enter consolidation phase

Red-hot OTT Market Likely to Enter Consolidation Phase

Javed Farooqui (THE ECONOMIC TIMES; March 28, 2024)

Mumbai: India's booming streaming market, which includes more than 50 OTT video entertainment platforms, is ripe for consolidation as large players look for new growth opportunities and smaller ones crave for fresh funds to survive, say industry experts.

Despite incurring losses, deep-pocketed OTT platforms are continuing operations due to regular fund injections from their parent companies, while smaller rivals are at risk of going out of business due to high capital requirements for content, marketing, and user acquisition, they said.

The small OTT platforms are hence facing two options: get acquired by larger platforms or shut shop due to growing losses as expenses continue to outpace revenues.

Zee Entertainment chief Punit Goenka said consolidation in the OTT industry has to happen since the market can accommodate only a certain number of players. As per Media Partners Asia, India's OTT video market, which generated $3 billion in 2022, is projected to more than double to nearly $7 billion by 2027. "An average subscriber is subscribing to 2.5 OTTs, so from that perspective, consolidation has to happen. It will be either consolidation or some platforms will have to shut shop," Goenka told ET in a recent interview.

Streaming in India continues to be a cash-guzzling business due to high content costs coupled with monetization challenges. India is a price-sensitive market featuring the lowest average revenue per user (ARPU) of $7.2, according to RBSA Advisors, making monetization through subscriptions a challenging task.

Though OTT platforms have made progress in monetizing through advertising, YouTube continues to be the dominant player in the ₹13,000-crore digital video ad market.

The merger of Star India and Viacom18 will make the proposed merged entity a powerful force to be reckoned with in the OTT industry, with two strong platforms in Disney+ Hotstar and Jio Cinema with 333 million and 95 million monthly active users, respectively, for Q4 2023, according to Sensor Tower.

People privy to the developments said South Indian streaming platform AHA is scouting for funds as it needs investments to grow the business. The company has held talks with multiple parties but hasn't been able to any headway so far. Despite recording strong growth, Bengali OTT platform Hoichoi has seen its net worth erode due to accumulated losses of up to Rs. 28 crore, as of March 2023. Balaji Telefilms-owned ALTT and Eros International-owned Eros Now have scaled down their operations due to intense competition.

ZEE5 had recorded cumulative losses of over Rs. 800 crore in 9M FY24. Novi Digital Entertainment, which owns Disney+ Hotstar, incurred a Rs. 748-crore loss in FY23.

Media industry expert Rajesh Sethi believes that consolidation will create a smarter content ecosystem and provide hyperscale revenue opportunities, leading to sustainable profitability. "Most OTT platforms are unprofitable, despite their widespread adoption and borderless consumption. The streaming industry will be shaped by consolidation to achieve competitive scale and efficiency. OTT platforms desirous of a national play will need to provide content in 8 to 10 languages, and each language will further require multiple pieces of fresh content across films and series, which can be achieved by consolidation," said Sethi.

According to Studio Mojo founder Radhakrishnan Ramachandran, the Indian OTT market will witness consolidation since smaller players will find it difficult to match up to the financial might of Disney+ Hotstar-Jio Cinema, Netflix and Amazon Prime Video in the new competitive scenario.

Zee, Sony huddle in dramatic twist to salvage merger

Zee, Sony Huddle  in Dramatic Twist to Salvage Merger

Zee expected to inform Sony over next 24-48 hrs if it’s willing to accept all terms and conditions
Arijit Barman (THE ECONOMIC TIMES; February 20, 2024)

Mumbai: No twist is too dramatic for serialized shows that are staple of nighttime television in India's vast market for general entertainment. It's no different, it appears, in the two-year-long saga that has sought to create the country's largest entertainment company by a merger.

Zee Entertainment Enterprises (ZEEL) has re-engaged with Sony Group Corp in a last-ditch attempt to revive their $10-billion merger, which had been officially called off on January 22, people aware of the matter said.

Representatives from the two sides have held meetings across locations in Mumbai and efforts to salvage the deal have gathered momentum over the last fortnight. However, major differences are yet to be sorted out, and that could yet lead to the failure of the renewed talks, with both sides sticking firmly to their positions, as per executives aware of the matter.

Zee is expected to inform Sony over the next 24-48 hours if it’s willing to accept all terms and conditions, including conditions precedent (CPs), and go ahead.

Key Points of Difference
Else, by the end of this week, Sony is expected to pull its original merger application filed with the National Company Law Tribunal (NCLT) over two years ago, when the two had agreed to merge.

A reconciliation on the other hand would mean legal proceedings that have been initiated will be withdrawn. Sony and Zee have both approached various forums, including the Singapore International Arbitration Centre (SAIC) and the national company law tribunal (NCLT) over the matter.

Among the key points of difference now is a $300 million write off on cricket rights that needs to be settled before any agreement is signed. While Sony wants the write off/impairment to be booked upfront, Zee is seeking a postponement.

On the other hand, Punit Goenka, MD and CEO of ZEEL, is believed to have agreed to “relinquish” his previous demand of being made the CEO of the merged entity. Sony was completely opposed to him being the top boss of the merged company until he was cleared of charges related to money being diverted from Zee to closely held companies owned by his family’s Essel Group. Sony has maintained Goenka can at best be an adviser to the merged entity.

There is also disagreement over honouring some of the important CPs that are still “outstanding,” said the people cited above. Zee is pushing for any deal to be legally “irrevocable” once signed, but Sony is hesitant about making such a commitment. The original agreement between the two sides was signed in late 2021. Since then, significant value erosion has taken place and financials have worsened so Sony as an MNC does not want to get into any further binding agreements and is “hence uncomfortable with this”, said one of the executives cited.

Zee’s senior leadership on the other hand is confident that the company is on the mend after net profit in the quarter ended December jumped 141% to Rs 58.5 crore even as revenue dipped 3% to Rs 2,045 crore. Streaming arm ZEE5 is on an uptrend with the Q3 operating loss narrowing 13.4% to Rs 244 crore while revenue rose 15% to Rs 223 crore. On Monday, the Zee stock closed at Rs 178.65, down 3%.

A Zee spokesperson declined to comment, saying the matter is sub judice. Messages to Punit Goenka remained unanswered. Emails sent to Sony International did not get any response.

During an investor call on February 13, Goenka had said: “I certainly wanted the merger to be implemented. In line with this aspiration, we even took several steps towards divestment or closure of profitable businesses in the domestic and international markets. I personally offered several proposals and solutions to Sony, to address their demands, but unfortunately, they remained unaccepted.”

Legal Tussles
Following the termination of deal talks late last month, Mad Man Film Ventures, which Sony has called a proxy for Zee, moved the NCLT seeking implementation of the merger scheme between Sony and ZEEL. Sony’s India units Culver Max Entertainment and Bangla Entertainment have filed applications before the NCLT challenging the maintainability of ZEEL’s application seeking implementation of the merger scheme.

In its January 24 plea at the NCLT, Zee asked the tribunal to prevent Sony Group-owned firms from adopting any further steps that could jeopardize the implementation of the scheme.

The Mumbai bench of the NCLT has clubbed ZEEL's plea with that of shareholder Mad Man Film Ventures and has posted the matter for hearing on March 12, ET reported February 6. Mad Man Film Ventures has also urged the tribunal to appoint a committee comprising two directors each from Zee and Sony to oversee the implementation of the composite scheme of arrangement.

On February 4, the SIAC denied emergency interim relief to the Sony Group-owned entities against Zee, stating it has no jurisdiction to prevent the latter from approaching the NCLT and that the tribunal is the appropriate forum to handle the dispute.

The Goenka family owns 3.99% equity in ZEEL. The rest is held by public and institutional shareholders.

After the two media giants terminated talks on January 22, Zee’s stock rose as much as 14%. However, over the past month, it’s dropped 24%. Indian mutual funds and insurance companies including LIC hold 31% of the company. FIIs owned 28.19% as per December 2023 data.

Zee had told analysts after its third-quarter earnings call that it plans to review the entire business portfolio following the collapse of the merger.

“We will be relooking at the entire portfolio of the business to see which businesses will add the maximum value to our portfolio and, therefore, what we need to focus on, and what we do not need to focus on going forward," Goenka had told analysts.

(With additional reporting by Ashutosh R Shyam)

Sony-Zee: How and why curtains fell on a mega media deal that was two years in making

After Sony Notice, Zee Denies Alleged Breach Of Merger Terms

Japan’s Sony Corp seeks $90m fee for alleged breaches by Punit Goenka-led co; Zee plans necessary legal action
Javed Farooqui, Maulik Vyas & Vinod Mahanta (THE ECONOMIC TIMES; January 23, 2024)

The proposed merger between Sony's India operations with Zee Entertainment Enterprises Ltd (ZEEL) collapsed in acrimony as the Japanese parent pulled the plug on a deal that's been two years in the making. They had aimed to create one of the country's biggest media and entertainment businesses amid a move toward consolidation in the industry.

"Sony Pictures Networks India Private Ltd (SPNI) (now known as Culver Max Entertainment Ltd), a wholly owned subsidiary of Sony Group Corp (Sony), today issued a notice terminating the definitive agreements entered into by SPNI and Zee Entertainment Enterprises Ltd," the Japanese company said in a press release issued on Monday.

It also sought a $90 million termination fee, while invoking arbitration and legal actions against the Indian company "on account of alleged breaches by ZEEL," potentially leading to a prolonged legal dispute.

The Punit Goenka-led company said it will contest Sony's claims.

"ZEEL will take all the necessary steps to protect the long-term interests of all its stakeholders, including by taking appropriate legal action and contesting (Sony's) claims in the arbitration proceedings," the company said in a stock exchange filing.

The merger cooperation agreement (MCA) had been signed on December 21, 2021, and was valid for two years, extendable by a month for "good-faith" negotiations. That deadline expired with Sony unwilling to accede to Zee's demand for another six months to resolve the matter.

"Although we engaged in good-faith discussions to extend the end date under the merger cooperation agreement, we were unable to agree upon an extension by the January 21 deadline," the company said in a statement.

The deal is said to have failed over ZEEL MD and CEO Goenka's candidature for the top job at the merged company, given that he's facing investigation by the Securities and Exchange Board of India (SEBI). As ET first reported on November 4 last year, the Japanese side had proposed that NP Singh, an old Sony hand, be picked for the role instead.

Last-ditch effort
In a last-ditch effort, Goenka had even called up senior Sony Pictures Entertainment executive Ravi Ahuja to try and sort out matters, said people aware of the matter.

Goenka, who was in Ayodhya on Monday to attend the consecration of the Ram mandir, posted on X: "The deal that I have spent two years envisioning and working towards has fallen through, despite my best and most honest efforts. I believe this to be a sign from the Lord. I resolve to move ahead positively and work towards strengthening Bharat's pioneering M&E company for all its stakeholders."

The deal was originally planned to conclude at the end of FY22. However, delays in Competition Commission of India (CCI) approval, coupled with legal and regulatory challenges faced by the ZEEL promoters, ensured that the transaction kept getting delayed.

The development is a setback for both companies. Along with other traditional broadcasters, they are staring at shrinking linear TV profitability and widening losses from the streaming business.

Media veteran Kunal Dasgupta, who had earlier served as CEO of Sony's India media entity, said it will have to remain content with a smaller, albeit, profitable business.

"Sony might look to acquire digital assets, while Zee will have to find another white knight," he said. "The market has become very difficult for traditional broadcasters as their valuations have come under pressure due to the rise of digital."

A Sony-ZEEL combine would have been India's largest media company after Disney Star, which is currently in merger talks with Reliance Industries-owned Viacom18.

Twists and turns
The biggest jolt to the deal came when the Securities Appellate Tribunal (SAT), while setting aside the Sebi order barring Goenka from holding the top position in the merged entity, allowed the regulator to continue its probe against him over alleged diversion of ZEEL funds. Sony was not comfortable having Goenka at the helm from a corporate governance point of view, said the people cited above.

The company suggested that Singh lead the merged entity and complete the integration of two culturally diverse organizations.

To be sure, Zee said Goenka had agreed to give up the leadership position of the merged company in the interests of the merger.

Goenka "was agreeable to step down in the interest of the merger and proposals in this regard were discussed, including for appointment of a director on the board of the merged company, protections for conduct of pending investigations and legal proceedings in the best interest of ZEEL's directors and shareholders and the consequent modifications to the scheme to incorporate the same," ZEEL said in its statement.

That assurance doesn't seem to have satisfied Sony.

"Sony was worried about the corporate governance blowback that the MNC could attract in Japan in the future if Goenka kept getting into trouble with regulators - and also they were getting increasingly concerned that Goenka would run the company as per his personal entrepreneurial style and not follow the corporate process-driven style that the corporation followed," said a person close to the deal.

Zee's top financial investors such as ICICI Prudential Mutual Fund (7.29%), Nippon India Life Asset Management (6.12%), HDFC Mutual Fund (5.26%), and LIC (5.12%) were tracking developments. They had multiple calls with the Zee management on developments, said people with knowledge of the matter.

Now what?
Goenka has a few options still open, according to people close to ZEEL. In the last few days, he has been approached by some investors, according to them. A financial investor has offered to invest and discussions were also held with a powerful business group. Some possible partnerships with regional groups are also being looked at, they said.

"I think Punit has made up his mind," said a senior executive at Zee on condition of anonymity. "He will bring in an investor and restructure the business, keeping in mind the changes in the market, namely the Reliance-Disney deal and losses in digital businesses. His first order of the day now will be cutting down the Zee losses to a third in the next few months. He is not looking at a strategic partner for now, but he has a trick up his sleeve."

NV Capital managing partner Nitin Menon said the collapse of the plan has implications for M&A deals in the media space.

"We will have to see if this will lead to a realignment in the mergers and acquisitions space," he said. "Given the uncertainty over the last two years, it looks like the market might tilt towards becoming a seller's market, with content owners having a slight advantage when it comes to pricing their products given that the merger has fallen off."

Publicis Groupe South Asia CEO Anupriya Acharya said M&A deals, especially those involving big companies, are challenging because of the scale and complexities.

"Plus, the two parties need to agree on the objectives of the M&A activity, shared vision and the future of the merged entity, cultural and integration issues, etc," Acharya said. "Something that looks good on paper may not necessarily get concluded."
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Reeba Zachariah (THE TIMES OF INDIA; January 23, 2024)

Mumbai: After two years of deadlock in negotiations, Japan’s Sony Corp on Monday called off its proposed $10 billion merger between its India unit and Zee Entertainment Enterprises. Sony Corp’s 62-page merger termination notice came just when Zee had requested it to extend the deal deadline.

While Sony cited unmet merger conditions as the reason for the termination, the two companies have been wrangling over who will lead the combined entity. Zee proposed MD Punit Goenka would be at the helm, but Sony disagreed in the light of a regulatory investigation against him and wanted its nominee, India MD N P Singh, to run the show. The Japanese giant has sought $90 million from Zee as termination fees for breaches of the merger pact and has invoked arbitration. Zee has refuted all of Sony’s assertions and said it will take legal action against the latter as well as contest its claims in arbitration proceedings.

The collapse of the merger is expected to have a negative impact on both Sony and Zee.

The collapse of the Sony-Zee merger negotiations comes at a time when the market is going through digital disruption and consolidation, where Reliance Industries’ Viacom18 and the India unit of Walt Disney are planning a merger.

“After more than two years of negotiations, we are extremely disappointed that closing conditions to the merger were not satisfied... We remain committed to growing our presence in (India’s) vibrant and fast-growing market,” said Sony. It, however, didn’t specify what conditions were unfulfilled.

Sony further said that even after the two-year deal timeline ended on Dec 21, 2023, it was engaged in “good faith discussions” with Zee for 30 days to make the merger effective but both “were unable to agree upon an extension by the Jan 21 deadline”.

Zee said Goenka had agreed to step down in the interest of the merger and had discussed the appointment of a director on the board of the combined company. It further said it had proposed “protections for conduct of pending investigations and legal proceedings in the best interest of its directors and shareholders”.

Zee also said that it had requested Sony to extend the merger deadline by six more months after the 30-day grace period lapsed. However, Sony “did not provide any counter proposal for extension”, it said. “These discussions did not result in any proposal from Sony but they rather have chosen to terminate,” it stated. Goenka, who was in Ayodhya for the Ram temple ceremony when he received the message that Sony had called off the deal, posted on X that he sees the development as “a sign from the Lord”, adding that he would move ahead positively and work towards strengthening Zee for all its stakeholders.

Markets regulator Sebi is conducting investigation against Goenka for alleged diversion of funds from Zee to promoter entities. A final order is yet to come. Earlier, Sebi had barred Goenka from holding directorships in any listed entity. But Securities Appellate Tribunal reversed the interim order and directed Sebi to complete the investigation.

Zee, which spent Rs 176 crore on merger-related expenses in FY23, said it will continue to “evaluate organic and inorganic opportunities for growth, leveraging the intrinsic value of its assets”.

Zee is contending with falling profits and cash reserves in a highly competitive market where streaming majors such as Netflix and Amazon Prime are fighting for share. “With the merger terminated, Zee’s valuation will slump back to 12 times its price to earning (PE) levels seen prior to the merger announcement,” foreign brokerage CLSA said.

“The stock had derated in the past during the promoter share pledging crisis (in 2019) and fall in business cash conversion. We downgrade Zee from buy to sell on a revised target price of Rs 198 (prior price was Rs 300).”

Cops book Nayanthara, Netflix removes Annapoorani after Hindu group protests

Nayanthara’s Annapoorani removed from Netflix after legal woes

THE TIMES OF INDIA (January 12, 2024)

Bhopal/Jabalpur/Mumbai: Police in Jabalpur registered an FIR against actor Nayanthara and makers of the Netflix movie “Annapoorani” after Hindu Seva Parishad filed a complaint accusing them of hurting religious sentiments. The film was no longer available on Netflix at the time of going to print on Thursday.

In Mumbai, two separate police complaints were filed by Bajrang Dal and Hindu IT Cell activists against the actor and others associated with the film for remarks about Ram and for allegedly promoting “love jihad”.

PTI quoted an official as saying a complaint was submitted by Bajrang Dal activists to Oshiwara police station two days ago, and an inquiry was underway. Another complaint was filed at Lokmanya Tilak Marg police station by Hindu IT Cell founder Ramesh Solanki who alleged the film demeans Ram and was released to hurt the religious sentiments of Hindus.

In Jabalpur, Omti police station registered a case under IPC Sections 153 (wanton provocation with intent to cause riot) and 34 (common intention) following a complaint from the Jabalpur-based outfit on Wednesday. Apart from Nayanthara, the FIR names six others—Zee Entertainment CEO Punit Goenka, film director Neelesh Krishna, producers Jatin Sethi and R Ravindran, Shariq Patel and Monika Shergill of Netflix India.

Hindu Seva Parishad president Atul Jaiswani alleged that the movie has “inappropriate references” for Ram and promotes “love jihad”. In a scene, the daughter of a priest is shown wearing a hijab to cook biryani and is shown offering namaz. Ram is depicted as eating meat after hunting animals during his exile, the complaint says.

In another scene, PTI quoted the complaint as saying, Farhaan, friend of the character played by Nayanthara, brainwashes her into cutting meat and says Ram and Sita had also consumed meat.

“The complainant has so far not visited the police station. We are waiting for him to appear before the police so that we can take further course of action (sic),” the official in Mumbai was quoted by PTI as saying.
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HINDUSTAN TIMES (January 12, 2024)

After landing in legal trouble over allegations of hurting religious sentiments, Nayanthara-starrer Annapoorani: The Goddess of Food has been taken off Netflix. The film released in theatres on December 1 and started streaming on December 29. Sometime ago, protests erupted claiming it “offends Hindu religious sentiments”, and an FIR was lodged against the makers and cast in Mumbai on Monday.

The film follows a Brahmin woman (Nayanthara) who aims to become India’s top chef. Reportedly, the offensive portions depict the character cooking meat wearing a hijab.

The film’s co-producer Zee Studios has also issued an official apology and assured that the controversial scenes in the film will be removed for a re-release. Zee Studios are planning to release a statement soon, we have learnt from sources. Meanwhile, there was no response from Netflix till the time of going to press.

Delegation of producers, broadcasters met CM Devendra Fadnavis on day 9 of FWICE strike


Avinash Lohana (MUMBAI MIRROR; August 25, 2017)

Things have come to a head following the ongoing workers strike called by the Federation of Western India Cine Employees (FWICE) on August 15, demanding eighthour shifts, salary hike, accidental and medical insurance and workplace safety.

On Wednesday, a delegation of producers and broadcasters led by Punit Goenka, J D Majethia, Ekta Kapoor, Shyamashish Bhattacharjee and Nitin Vaidya met Chief Minister Devendra Fadnavis to convey their reservations.

“The police are doing a fabulous job but we feel threatened by protests outside Film City and other studios. We requested the CM to provide security to workers willing to work and maintain law and order. He called the Police Commissioner (Datta Padsalgikar) and has assured us protection, not only till the matter is resolved but even for a while after that,” says Majethia, co-chairman of the Indian Film and TV Producers Council, adding that many of the demands have been met. “We’ve given them a hike and insurance. Hygiene and food are being taken care of, I don’t understand this protest at all.”

Starting Zee Music was a sound business decision & not ego-driven - Punit Goenka


Priya Gupta (BOMBAY TIMES; May 31, 2014)

Punit Goenka, 39, may have started off as a rebel, but has made his father Subhash Chandra proud today by being the successful MD and CEO of Zee Entertainment Enterprises Ltd, the flagship brand of the Zee group. He takes his professional decisions through consensus and looks up to his father for his principles and vision. He is a complete family man for whom his father's principle of standing by the word you have given is sacrosanct. Ahead of his upcoming new channel Zindagi (a first-of-its-kind Hindi channel which will carry content from across the border) on June 23, he opens up to Bombay Times about not just his channel, but also his own zindagi. Excerpts:

Why do you write your surname as Goenka even though your father writes Subhash Chandra?
The joke is that it is to confuse the world. But the reality of it is that my great grandfather, who was very close to my father, during my naming ceremony just happened to call me 'Punit Kumar Goenka' and it remained that thereafter. My father, when he started Zee, did not want to be associated with any particular caste or religion, so had initially chosen to call himself Subhash Chander. But the international community could not pronounce it, so he renamed himself Subhash Chandra.

Talk about your father?
He is very reserved. While he was born in a trader Marwari baniya family in Adhampur, Rajasthan, he moved to Hissar, where I was born. At a young age of 17, he was pulled out of his education and put in business, as the business was going through a bad phase. And from that time, he had the responsibility of taking care of his entire family and had a tough life. He is a strict father and a man of principles and that is what I admire about him. My younger brother Amit and I have some childhood memories of going on holidays with him, but mostly our memories are only about him working. Now, I see him far more relaxed as a businessman. The way we see him with his grandchildren is completely different from the man we grew up with. Our mother was more our support system while growing up.

Was it is an obvious choice for you to join your father?
I was brought up in Delhi and most of my life was spent in boarding schools. I went first to Sanawar in Class V after which I did my high school in Switzerland. I then had to come back to Mumbai as my father said, 'I have wasted enough money on you. You don't deserve it. Come back, take admission, do B.Com and start working.' All my friends were moving to London or the US to study, whereas I had to come back and do B.Com. I didn't like returning home leaving my free life there. But I came back, started working at 18 and completed my B.Com by correspondence. I was more the rebel of the family. I was the first one in the family to have a love marriage. My wife Shreyasi used to live in the same building, Jolly Maker 1. We were friends, but our romance started later, due to common friends in Sydenham College. Friendship led to infatuation, led to several fights, before we decided three-and-a-half years later with two break-ups in between that we wanted to get married. It was a difficult thing for my family to accept, as in the eyes of my father, I was not capable of taking care of my family, even though he was doing very well. That's the man he is and his principles are such that if you are single-handedly not capable of taking care of a family, then you don't deserve to have a family. At that time, I thought I used to fear him, but now I realise that it was more out of respect. And today, I have become more friends with him. He never hit us. I have always worked with him and trained in several companies before being given a position. I started as the executive assistant to executive director Rajeev Santwan. I failed terribly in my first venture, which was to look after Zee Records that I ran into the ground in a year. I then became the CEO of Dish TV and was headquartered in Delhi for a year. Even though I was very passionate about it, living in Delhi just didn't work for me. I just didn't like the business environment and the people and culture of Delhi. I came to my father and said, 'This is not working out.' I then came back to Mumbai and worked my way up to become the MD and CEO of Zee Entertainment that today is our flagship company.

Who are you emotionally most attached to?
My younger brother Amit. From early days, we have been more friends than brothers. I have never been uncomfortable sharing anything with him and he is a great anchor in my life. I didn't even realise when from being a protective elder brother we came to becoming buddies, sharing everything. And I know that this is a bond that will last forever. It's pretty obvious to my wife also. She knows that if I get a call from him even in the middle of the night, I will just get up and leave. I got married at a very young age while Amit was still a bachelor then, so he continues to live with my father while I live with my wife and kids. Eventually, we will all stay together and are building our family home in Churchgate. My father is more attached to him too and they are both alike. They are both always thinking of new stuff to do, whereas I like to focus on one thing at a time. They can multitask, I can't, which is why Amit runs close to five businesses while I run only one. I am a consensus kind of person, but my father finds me very soft. My father is more practical and a visionary and is a faster decision-maker than me. Visions don't come to me so easily. It comes to my brother.

In what way were you a rebel?
I realise now what my father used to tell me and how right he was and it echoes in my head. By the time you realise that your father was right, you will have a son who thinks that you are wrong. When I was called back from Switzerland, I used to feel, we are not poor, then why am I being subjected to this? I may not be an 'A' student but at least I was not failing. I was getting 50% and would rather have time with friends and have beer as against studying. I started smoking at 15 and would flirt with girls. Even during my affair with my wife, I had two breakups and that time I would be flirting. Fathers always know everything about their sons. He hated it that I started smoking early as he used to smoke. And now he hates it more as both he and my brother have given it up. He didn't like the fact that just because it is easy for you, you don't care a shit about life. He would tell me, 'You have not seen the true meaning of what is true life.' I used to feel I have not seen hardships so how do you want us to know. But failures in life teach you many things. While it took me time to get my head on straight, I know that today he is proud of me.

Your new channel Zindagi launches June 23. Talk about it?
To start with, it will have the best content from Pakistan. The way we currently tell our stories in India on TV is very different from the way in which some of the evolved audiences want to consume it. For instance, the differentiating factor will be that these are real life stories. The heroines in these shows don't get up decked up as if they are going for a wedding. They are not shot on some mega set but are based on real locations. We also have a lot of content from Turkey and Latin America that we will be remaking for the Indian market as the kind of things they show there are not what we can show in India on TV.

Have you been to Pakistan?
My first visit was with the Zee delegation with my father as his executive assistant. We were state guests but my motivation to go there was that I had a few friends there from my school in Switzerland. So I managed to convince my father to get my visa extended by four days. Pakistanis are not any different from the way it is here. They may not go out clubbing, but they are just like us in India.What was your motivation to launch the Zee music label?The industry was suffering from a monopoly situation and while we were trading in the music business, we saw an opportunity to build an IP. Javed Akhtar sahab representing the industry reached out to my father and me, we met him and saw the opportunity and realised that to build our digital strategy, this was a great asset to have. One of the things my father has always been very passionate about has been owning the IP of content. So, while you can sell music for other people you are only traders. The industry's motivation of course was different.

Did the industry's fight against T-Series make it easier for you?
Had the business been easy my father would not get into it. He has never treaded the weaker path anyways. And that is what gives us the kick to deliver what he sees. For me, it's never about ego, my decisions are always driven by the business perspective. And well, we are happy as we have signed on over 30 films and have the entire Fox and Viacom slate already.