Showing posts with label Prosit Roy. Show all posts
Showing posts with label Prosit Roy. Show all posts
In Hollywood, auditions come before agencies-Ali Fazal
10:43 AM
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Mahima Pandey (HINDUSTAN TIMES; June 18, 2026)
Actor Ali Fazal has stepped into a police uniform for the first time in filmmaker Prosit Roy’s latest crime thriller Raakh, inspired by the infamous 1978 Ranga-Billa case. The actor says playing Sub-Inspector Jayprakash Jatav was a gradual process that took time to find its rhythm.
“It’s a cop role, vardi hai, which was a great lead-up because I kept asking, ‘Costume trial kab hoga?’ Then the first day arrived and I realised, ‘Fit nahin aa raha… Maybe Prosit won’t like this’. It’s been a slow and steady puzzle arriving at it,” Fazal tells us during a visit to Delhi.
While Raakh sees him explore new territory, Fazal’s next outing will bring him back to familiar ground as he reprises his fan-favourite role of Guddu Pandit in Mirzapur: The Movie. Asked to compare the two characters, he says, “Guddu has a very flamboyant world. Everybody’s right in their own story. I just finished the Mirzapur film, and it’s another kind of a thrill.”
Fazal is also among the few Indian actors who have successfully built an international portfolio, with projects such as Victoria & Abdul (2017), Death on the Nile (2022) and Kandahar (2023) to his credit.
Asked for advice for actors hoping to break into Hollywood, he says, “It works differently from India. Don’t be shy of giving auditions. It’s one of the most humbling experiences. A lot of actors have this misconception that they’ll go there, find an agency and life will start. It’s actually the other way around. You have to get through auditions, land one part and then the agencies come to you.”
Dibyendu Bhattacharya questions character actor tag: "Is your lead characterless?"
10:05 AM
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Priyanka Sharma (MID-DAY; April 17, 2026)
In Maamla Legal Hai 2, Dibyendu Bhattacharya did what he has always done — he showed us that an actor can shine irrespective of whether they are leading the offering or not. Having built a career on supporting parts, the actor has consistently been appreciated for his work. But the appreciation has come with a term that he detests. “I feel bad about this funda of ‘character actor’,” he told mid-day.
Explaining his stance, Bhattacharya shared, “The industry has gotten slightly better in treating all actors equally. I tell people, ‘If I am a character actor, does it mean your lead is characterless? Have you given the characters to actors like us and not given anything to your lead?’ What does the term even mean?”
In the coming months, the actor has many projects to look forward to, from Prime Video’s Raakh to Alia Bhatt-led Alpha. But if there’s one film he has eagerly been awaiting, it’s Anushka Sharma’s Chakda Xpress. Director Prosit Roy’s film, reportedly ready since 2023, has yet to see the light of day apparently due to a fallout between Netflix and Clean Slate Filmz.
Bhattacharya said, “I often ask Prosit when it will release, and he says, ‘Even I have no idea about it.’ It’s very sad. It was Anushka’s best performance to date.”
It was a fantastic shooting for Alpha; Alia Bhatt is a good actor-Dibyendu Bhattacharya
10:24 AM
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Priyanka Sharma (MID-DAY; April 12, 2026)
Everyone had a funny line and comic timing down to the beat, but Dibyendu Bhattacharya’s character had to keep a straight face. So, while he was excited about joining Maamla Legal Hai Season 2, he was unsure how audiences would perceive his serious turn in Netflix’s madcap comedy. But since the second season dropped on April 2, the compliments haven’t stopped.
“I didn’t understand how people would take this character because everybody is doing comedy except me. But now, I [feel] people have liked my character a lot. They didn’t expect such a twist,” says the actor, who plays a newly-appointed judge in the Patparganj district court.
For Bhattacharya, the role may not have been big, but its layers made it tempting. “It was tough because I had to be precise as there is a certain dignity and sanctity attached to the position of a judge. [My character] also had to balance between how much to tell and not. The character was written in a way that you can’t tell whether he is positive or negative. I couldn’t project a lot in this performance because he shouldn’t be seen. If you see him, you will find out that something is fishy.”
The actor’s calendar is packed this year. In July, he will be seen in Alpha, starring Alia Bhatt and Sharvari Wagh, and directed by Shiv Rawail. Bhattacharya, who plays a key role in the upcoming instalment of the YRF Spy Universe, has previously worked with Rawailon The Railway Men (2023).
While the actor refuses to divulge details about Alpha, he says, “It was a fantastic shooting for Alpha. Shiv is a young director. He is dedicated and passionate. He leaves no stone unturned to achieve what he wants. The film boasts of good actors and technicians,” he says, adding that he also enjoyed sharing screen space with Bhatt. “She is a good actor. It was during Poachers [2024] promotions that I met her for the first time.”
Up next:
After ‘Maamla Legal Hai 2’, Dibyendu Bhattacharya will be seen in Prime Video’s ‘Raakh’, directed by Prosit Roy. The series also features Ali Fazal and Sonali Bendre. “I love the subject and the director. Prosit is a talented man. I have a long association with him,” he says.
Chakda Xpress team asks Netflix to release the Anushka Sharma-starrer following team India's ICC Womens's World Cup win
8:28 AM
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Mohar Basu (MID-DAY; November 8, 2025)
On November 2, Team India scripted history as it emerged the champions of the ICC 2025 Women's Cricket World Cup. The win has already had a ripple effect in films. mid-day has learnt that Netflix India is facing pressure to release Chakda Xpress, the Jhulan Goswami-biopic led by Anushka Sharma. The biopic has been lying with Netflix for nearly three years, reportedly due to a fallout between the streamer and the production house, Clean Slate Filmz, led by Karnesh Ssharma.
After the Indian women’s cricket squad’s win, many social media users called for the film’s release. Some members of the movie’s team have also appealed to the platform. A source from the film’s core team tells mid-day, “We have personally written to top executives at Netflix India to see if they can rise above the conflict so that the film can see the light of day. A biopic on a legend like Jhulan di deserves to reach the audience.”
What exactly went wrong with director Prosit Roy’s biopic on the former captain? An insider, who worked on the film, shares, “The production house went over-budget. What added to the woes was that the platform heads didn’t like the way the project was shaping up. But it’s still a solid film.” Since the biopic’s shoot wrapped up in 2022, it has been caught in a deadlock.
Chakda Xpress’s rights currently rest with Netflix. Another source shares, “The recent victory has put the attention back on the biopic. Internal discussions at the streamer have started, and the team is expected to take a final pass this month to determine if it can be released after additional work.”
mid-day reached out to Roy and Ssharma. Both declined to comment.
Ali Fazal to begin shooting for Prosit Roy's series as Raj-DK pause 'Rakt Bramhand' shoot
9:00 AM
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With Rakt Bramhand’s shoot halted, Ali Fazal rejigs his dates; to kick off his crime series with Paatal Lok director Prosit Roy in April
Mohar Basu (MID-DAY; February 21, 2025)
Last week, news emerged that Ali Fazal and director Prosit Roy are set to team up for an action thriller series for Prime Video. Now, mid-day has learnt that the series will go on floors as early as April. Reason? Fazal’s date diary has opened up after the shoot of his other project, Raj-DK’s Rakt Bramhand, has been put on hold. So, the actor and Roy will hit the accelerator on their modern-day crime story, kicking off the shoot in Delhi in April.
Last week, news emerged that Ali Fazal and director Prosit Roy are set to team up for an action thriller series for Prime Video. Now, mid-day has learnt that the series will go on floors as early as April. Reason? Fazal’s date diary has opened up after the shoot of his other project, Raj-DK’s Rakt Bramhand, has been put on hold. So, the actor and Roy will hit the accelerator on their modern-day crime story, kicking off the shoot in Delhi in April.
Also starring Sonali Bendre, the series will be filmed in Delhi, followed by a stint in Mumbai. Fazal is expected to start his prep this week.
The source adds, “Since it’s based on real-life events, the team is finalising real locations across Delhi. Prosit, who previously co-directed the first season of Paatal Lok, wants to keep the visuals raw and immersive. The series will also see Ali perform elaborate action sequences. After the Delhi schedule wraps up by May, the unit will move to Mumbai, where the climax will be filmed. The second leg may overlap with Rakt Bramhand, but Ali will juggle the two projects.”
Ahead of filming cricket portions of Chakda Xpress, Anushka Sharma to undergo intensive training in Leeds
8:17 AM
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Mohar Basu (MID-DAY; August 3, 2022)
Anushka Sharma kicked off the shoot of Chakda Xpress, a biopic on former Indian women’s cricket captain Jhulan Goswami, in June in Mumbai. While the emotional scenes were shot in the first schedule, the upcoming leg in the United Kingdom will focus on the matches that made Goswami a force to reckon with, in the international arena. It is heard that Sharma will undergo a two-week training in Leeds to perfect her bowling skills before the next spell begins.
A source reveals, “Anushka had a fair amount of training earlier this year before director Prosit Roy called action on the project. But she is leaving no stone unturned to become Jhulan on screen. She will fly to Leeds in mid-August to work with her coach to pick up Jhulan’s style of bowling. The cricketer is known to be one of the fastest women bowlers, and it won’t be easy to emulate that. Anushka will train till August-end, after which Prosit will resume his place behind the camera. The second schedule will go on till September.”
The Netflix offering marks Sharma’s first movie after embracing motherhood. In tracing Goswami’s glorious journey in Indian cricket, the actor intends to highlight women’s struggles in the sport.
Anushka Sharma's Pari to Vikram Bhatt's 1921: Here's why Bollywood horror films are not scary enough
8:10 AM
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Dhaval Roy (DNA; April 17, 2018)
This year has seen two horror films hitting the marquee so far — Vikram Bhatt’s 1921 in January and Anushka Sharma’s Pari: Not a Fairy Tale in March. While the former was the fourth instalment in the 1920 franchise, the latter was given the onus of being the game changer for the genre, right from the time the teaser was released. As the film’s lead and producer Anushka Sharma dared the audience to check the movie out, spook fest lovers geared for a scare fest. The excitement for a Hollywood-like horror film was palpable. Pari released on March 2 and received mixed reactions. While Hollywood usually gets the horror formula right, the makers back home can’t seem to nail it.
THERE IS AN AUDIENCE
The success of Hollywood movies like Conjuring (2013), Insidious (2013), IT (2017) and others establishes the fact that we do like the jeepers creepers. However, we have our reservations when it comes to Indian horror movies. That’s no thanks to the decades of dilution of the genre, which makes such flicks tickle the funny bone rather than send chills down the spine. Much has already been said about cringe-worthy monsters, songs, and horrex (horror+sex — Hawa (2003), Ragini MMS (2011) and Ragini MMS 2 (2014) to name a few) that Indian fear files have been reduced to.
Ifrit-spawn Pari was the manna from Heaven (or Hell, as it were) that was meant to turn things around. So, what happened? Well, the film is just... different. It has the elements — the darkness, jumpscare, a stellar performance by Anushka, and a not-so-filmi treatment. But, the audience expected the film to be scarier. However, the film’s director Prosit Roy explains, “Pari is an atmospheric horror film. It’s not the conventional genre because we don’t see that kind in India.” He admits that the film was an artistic experiment. And, from the looks of it, people will take time to accept it. “It’s not going to happen overnight,” he says.
IT’S A TRICKY SITUATION
Fans of the horror genre hanker for the good stuff like Conjuring — closer home Ram Gopal Varma’s Raat (1992), and Bhoot (2003) — and anything lesser just doesn’t cut it for them. Vajir Singh, Editor, Box Office India magazine, agrees, “Since foreign film lovers don’t like Indian films, filmmakers are only left with audiences that expect song, romance and titillation with a few scary scenes thrown in. It’s a tricky situation because flicks that are made like Hollywood ones have a limited audience.” Central India distributor, Aditya Chowksey, concurs, “Offbeat films like Pizza (2013) don’t really work for the Indian audience yet, especially in smaller towns. They are more welcoming of Vikram Bhatt’s Raaz (2002) and the 1920 (2008) series or Bhushan Patel’s Alone (2015). If you make a movie for multiplex goers, it won’t work.”
STAR PRESENCE
Other than the chills, also usually missing in the genre is big names. There was Golmaal Again (2017) with Ajay Devgn and Tabu, but that was primarily a comedy. Bhool Bhulaiyaa (2007) starring Vidya Balan and Akshay Kumar was also horror comedy. Before Pari, leading names were perhaps last seen 15-odd years ago — Urmila Matondkar and Ajay Devgn in Bhoot. Vajir says, “When a big actor does something out of the box, it grabs attention. Look at the success of Bhoot or even Jaani Dushman (1979). It had a cast like Sunil Dutt, Rekha, Jeetendra, etc and Sanjeev Kumar playing a monster.” Aditya also mentions Ek Nanhi Munni Ladki Thi (1970), supposedly the first horror movie by Ramsay that starred big names of the time, Prithviraj Kapoor and Mumtaz. But the front line actors now stay away from these movies keeping the more-crass-than-creeps treatment in mind. Vajir emphasises, “I think if we want Bollywood horror to be as big as Hollywood, A-list actors must take up such films.”
Thankfully for Prosit, Anushka has always chosen character-driven roles and didn’t need much persuasion to come on board. The director-writer is confident that big actors would be open to horror films. He says, “It purely depends on the quality of the story. If it’s interesting, they would do it.” Vajir drives home this point by giving the instance of Sidharth Malhotra who told Box Office India that he’d like to star in a horror film if the content is good.
SOMEONE HAS TO START
Just like stars, if leading production houses backed such films, scary movies will cease to be a niche category. Like Vajir says, “Leaders are supposed to lead the way. If big players decide to take up this genre, we will see a change.” Prosit urges, “Someone has to start. We can’t always think of making things that are conventional. India has the tendency to make the same kind of stuff in this genre — there’s a ghost or a demon and every other element — comedy, romance, action. Ultimately, it does not seem like a horror film. That’s something that needs to be broken.”
Whether Pari will break that remains to be seen but we are hopeful. “I’ve heard of some upcoming horror projects,” Prosit says. “I hope the reasonable success of Pari pushes the envelope,” Aditya concludes.
Pari producer Prernaa Arora explains how low-key promotions have been a strategic move
4:47 AM
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Mohar Basu (MID-DAY; March 1, 2018)
Anushka Sharma’s upcoming production, Pari, releases tomorrow. While the makers and cast of most films like to be gung-ho about promoting their projects, the makers of Pari have maintained a low- key. “We wanted to break the traditional pattern to let the content to speak for itself,” says co-producer Prernaa Arora.
She adds, “The onus was entirely on the director [Prosit Roy] to do a great job. Anushka has worked hard for the movie. She tweeted every poster and teaser. But since it’s a mystery, it didn’t make sense to have her give interviews about the film when she couldn’t talk about it.”
A source says that Sharma was to be part of a promotional campaign in the city, but it was called off due to Sridevi’s sudden demise. “Anushka was to take a few days off from Sui Dhaaga’s Bhopal schedule to promote Pari in Mumbai, but with the tragic death of Sridevi, it seemed inappropriate. A screening that was scheduled to be held last night was also called off.”
Arora adds that Sharma won’t be able to make it to the film’s premiere tonight. “But Karnesh Sharma [co-producer and Anushka's brother] and I will be there.”
Anushka Sharma gears up for next production, Pari
7:48 AM
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Along with Anushka, the movie will also feature Bengali star Parambrata Chatterjee. It will be helmed by debutant director Prosit Roy
BOMBAY TIMES (May 1, 2017)
After being appreciat Shashi-ed for her portrayal of the friendly ghost in Phillauri, Anushka Sharma
is gearing up for Pari, the first co-production of her banner Clean
Slate Films and Prernaa Arora and Arjun N Kapoor's KriArj Entertainment.
Along with Anushka, the movie will also feature Bengali star Parambrata Chatterjee. In keeping with the actress and her brother Karnesh Sharma's endeavour to promote and empower new talent, the film will be helmed by debutant director Prosit Roy.
The Sharmas' banner has delivered hits consistently with the gritty NH10 and the endearing Phillauri - they were not just interesting stories, but also well executed in all departments of filmmaking, including VFX. Prernaa and Arjun made a successful beginning with Rustom, which bagged a National Award. Apart from Akshay Kumar's next, Toilet - Ek Prem Katha, they also have films with John Abraham and Vishal Bhardwaj lined up ahead. Together, the two companies share a common love for great cinema and Pari, which goes on floors this June, promises to bring the best of both onscreen. Says Anushka, “We have gone by instinct in choosing good cinema, and the audiences have liked both our films. Pari is a strong, engaging story and our team is brilliant. It's the kind of project that I love producing and delivering to audiences.“
Parambrata adds, “The script of Pari worked for me immediately. Anushka is a brilliant actor and a superstar. Working on this film will be an enriching experience.“
Pari, co-produced by Clean Slate Films and KriArj Entertainment along with Kyta Productions, goes on floors this June.
Along with Anushka, the movie will also feature Bengali star Parambrata Chatterjee. In keeping with the actress and her brother Karnesh Sharma's endeavour to promote and empower new talent, the film will be helmed by debutant director Prosit Roy.
The Sharmas' banner has delivered hits consistently with the gritty NH10 and the endearing Phillauri - they were not just interesting stories, but also well executed in all departments of filmmaking, including VFX. Prernaa and Arjun made a successful beginning with Rustom, which bagged a National Award. Apart from Akshay Kumar's next, Toilet - Ek Prem Katha, they also have films with John Abraham and Vishal Bhardwaj lined up ahead. Together, the two companies share a common love for great cinema and Pari, which goes on floors this June, promises to bring the best of both onscreen. Says Anushka, “We have gone by instinct in choosing good cinema, and the audiences have liked both our films. Pari is a strong, engaging story and our team is brilliant. It's the kind of project that I love producing and delivering to audiences.“
Parambrata adds, “The script of Pari worked for me immediately. Anushka is a brilliant actor and a superstar. Working on this film will be an enriching experience.“
Pari, co-produced by Clean Slate Films and KriArj Entertainment along with Kyta Productions, goes on floors this June.
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