Showing posts with label Priya Bapat. Show all posts
Showing posts with label Priya Bapat. Show all posts
Like Malgudi Days, I wanted to narrate Raat Jawaan Hai with tasalli-Sumeet Vyas
8:12 AM
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First-time director Vyas says he wanted to capture the simplicity of life in Raat Jawaan Hai
Letty Mariam Abraham (MID-DAY; October 15, 2024)
It had been actor-writer Sumeet Vyas’ long-time dream to start directing. The opportunity presented itself when he met writer Khyati Anand Puthran at their kids’ playgroup. Their collaboration, Raat Jawaan Hai, is a story about three best friends who are new to parenthood. To Vyas, the Barun Sobti, Priya Bapat and Anjali Anand-starrer is about the smaller things in life. In conversation with mid-day, the first-time director talks about the Sony LIV show, his own experiences with parenthood, the interesting casting and more.
Edited excerpt from the interview.
After writing and fronting road trip shows and dark shows, what prompted you to direct something on parenthood and friendship?
The show’s writer is Khyati Anand [Puthran]. It was a coincidence that our kids were friends, and played together at a nearby park. In March 2022, she told me she was writing a script about early parenthood and friendship. She asked me whether I’d like to direct it. I read the script and liked it. She had written two episodes, and we began working together from there. Moreover, we were both going through the phase, so we could bring in our personal experiences. As we developed the story, the plot became more about friendship. We realized that friendship is the first victim of [parenthood] as one is not able to give their friends the same time as they did before.
Do you feel it is tougher for women compared to men?
Of course! If two partners are actively involved in parenting, then it becomes difficult. For example, my wife [Ekta Kaul] has taken a break from work. She is taking care of the child, so how can I go off to party somewhere? I finish my work and go home. I have very little time to spend with Ved, so I’d rather do that. Male or female, whichever parent decides to stay back and take care of the child, it affects them the most. Their social life is as good as non-existent.
While making the show, did anything surprise you?
The one thing I’ve understood about parenting is that it is very similar yet different. Every person’s right and wrong is different. So when they become parents, their rules differ. You cannot generalize parenting because we’ve all grown up in varied circumstances and economic backgrounds.
In an episode, Barun Sobti’s character says that dogs are better than children. Did you get any flak for it?
Avinash [Sobti’s character] is around friends, so he doesn’t have to filter what he says. He has a child and now, he wants to have a dog. When Suman [Bapat] reprimands him, asking whether it’s the same, Radhika [Anand] says that the animal doesn’t have the responsibility to grow up, take care of his elders. From the time kids are born, they are told they have to come first in class, learn tennis, become a scientist and what not! [laughs].
A lot of people now are opting to not have babies. Your take?
To each his own. I don’t think any aspect of life completes you. I always wanted to have a child, and I have friends who didn’t; either option is fine. No matter what decision you take, the grass is always greener on the other side. If your kid is crying in the night, while your friends are chilling, you may miss it. On the other hand, they may feel that you are lucky to get to play with a child. In India, we shouldn’t be worried about this. We have an abundant population [laughs].
What made you zero in on this cast?
The first actor we approached was Priya, she is also Khyati’s friend. When Khyati was writing the part, she had Priya in mind. When we approached her, she was more than excited to be a part of it. She is exceptional in the show. Anjali was a complete surprise. I had never seen her previous work. Sony recommended that we meet her. The ease with which she carries herself is quite something. Barun’s casting was out of the blue. We were struggling to find Avinash. I saw Kohrra [2023] around that time, called him and suggested the role. He is a desi guy, and loads of fun.
Did you ever feel the urge to be on the other side of the camera?
Not with this show. From the onset, I always wanted to direct it. There is a certain pace that I wanted for it. Like when we watched Malgudi Days, [even though] the episodes were all 30-minute-long. I wanted to narrate a story with tasalli. If someone cannot watch the show for 30 minutes also, and he has to watch five reels, then he may not watch it. I didn’t want to compromise on the temperament. If people can relate to the story, they will watch it.
Being a first-time director, did you feel you had to prove yourself?
No, I thought I would. But from the second or third day, I found my groove. We shot for close to 40-45 days at a stretch. I didn’t feel I had to prove a point to anyone. I wanted to tell the story as honestly as I could. The story demands a certain pace because it is about smaller things [in life], there is no melodrama to it. One reference point I had is of a film that I had acted in many years ago, English Vinglish [2012]. There is innocence in this narrative, which is why it connects with a larger audience.

Sumeet Vyas turns web series director with Raat Jawaan Hai
8:35 AM
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Helming his first web series Raat Jawaan Hai, Sumeet Vyas draws from his own experiences to show how young parents juggle new role and existing friendships
Letty Mariam Abraham (MID-DAY; March 13, 2024)
At heart, Sumeet Vyas is a storyteller. His passion for stories comes out in different roles—sometimes, as an actor, and at other times, as a writer. Directing then is a natural graduation. While Vyas previously helmed the short film, Haircut (2014), and mini-series Tankesh Diaries (2023), he is now directing his first web series, Raat Jawaan Hai. Starring Barun Sobti, Anjali Anand and Priya Bapat, the slice-of-life comedy looks at young parents embracing their new role while juggling their individual identity and friendships.
“The world tends to think of parenting as the end of youth. Raat Jawaan Hai refutes this theory. It is the story of three friends who are doing their best to keep their friendship, individuality and madness alive even after having kids,” says Vyas, who took the series on floors in Mumbai.
Be it Bang Baaja Baaraat or Tripling, the beauty of the actor-writer’s works lies in how he borrows from everyday life, giving us stories that we identify with. Raat Jawaan Hai is no different. Vyas, who is father to four-year-old Yug with wife Ekta Kaul, says he drew from his own parenting experiences for the SonyLIV offering.
“This show is like my creative playground. I have injected bits of my parenting saga into the mix, making it a rollercoaster ride of relatability. From time management tricks to surviving without a nanny, and the constant worrying about the kid, this series is a mirror to all modern parents.”
Nawazuddin Siddiqui's character in Costao Fernandes biopic is along the lines of Bajirao Singham
8:31 AM
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As Nawaz reunites with Serious Men producers to front biopic on customs officer Fernandes, sources say actor to be seen in gallant and larger-than-life avatar
Upala KBR (MID-DAY; December 2, 2023)
Serious Men (2020) is one of the definitive films in Nawazuddin Siddiqui’s career as it earned him not only acclaim, but also a Best Actor nomination at the International Emmy Awards in 2021. Three years after the satire, the actor has reunited with Sejal Shah and Bhavesh Mandalia, who served as producers on it. This time around, the trio has teamed up for a biopic on customs officer Costao Fernandes. mid-day has learnt that the yet-untitled movie, which has been written by Mandalia and is being helmed by Shah, is currently being shot in Goa.
The thriller is set in the ’90s, focusing on some key cases of Fernandes’ life, including gold-smuggling cases. Sources tell us that Siddiqui kicked off the shoot in Mumbai on October 26.
“In the first leg, Nawaz and his co-star Priya Bapat filmed some dramatic scenes. In the ongoing Goa schedule, the director is focusing on action and chase sequences,” says a source. After Goa, the team will return to Mumbai and commence the final schedule by December-end.
Shah, who also worked on Asur and Decoupled (2021) along with Mandalia, is keen to present the leading man—primarily known for his unconventional roles—in a new light. With the biopic, she will showcase him as a larger-than-life hero, a suave law enforcement officer who handled high-profile cases.
The source adds, “This movie is envisioned as an out-and-out thriller with action and songs. Nawaz’s character is written as a heroic protagonist, along the lines of Bajirao Singham, Rohit Shetty’s hero from the Singham franchise.”
It has taken 20 years to shed the Marathi actor label and be cast in meaty roles-Priya Bapat
8:14 AM
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Garnering attention for City Of Dreams 3, Priya Bapat calls out Bollywood for bracketing artistes
Mohar Basu (MID-DAY; June 12, 2023)
Does talent alone assure you a successful run in showbiz? Priya Bapat rues that it doesn’t, although it ideally should. The actor is having a busy summer, with the third season of City Of Dreams having dropped on Disney+ Hotstar last month. Next up is Jio Cinema’s con drama Rafuchakkar. While she has become a frequent face in OTT offerings now, Bapat notes that talent is not the only factor determining an actor’s inclusion in a project.
“I feel disappointed because eventually what lasts is talent. If you can’t work on your craft, how long will you stretch yourself? Five projects, maybe? People should have faith in the actor. Everything else is immaterial — be it which region you belong to, or what your first language is,” she states.
The actor, whose filmography includes a mix of Marathi and Hindi offerings, observes that the Hindi entertainment industry is quick to label artistes.
“I was labelled a Marathi actor for the longest time till Nagesh Kukunoor saw merit in my work, Sameer Nair [producer] backed him, and City Of Dreams happened to me. I want people to see my worth as an actor. Language is not even a barrier anymore; it’s merely a tool for expression.”
Shedding the label was challenging, but Bapat had faith in her craft. That filmmaker Sanjay Gupta cast her in Visfot after watching the second season of City of Dreams further boosted her confidence. “He was blown away by my performance. Then came Rafuchakkar in which I play a lawyer from Delhi. I hired a coach and worked on my diction. I have been working since 2003; I did a role in Munna Bhai MBBS. But it has taken 20 years to shed the Marathi-actor label and be cast in meaty roles.”
When I feel low and feel I’m not earning enough, my husband takes the charge and responsibility-Priya Bapat
8:19 AM
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Vinay MR Mishra (HINDUSTAN TIMES; January 1, 2022)
For actor Priya Bapat, the year 2021 has been a real game changer. Bapat, a popular name in the Marathi circuit, got nationwide fame due to the success of her digital series, City Of Dreams. “In January 2021, I had no idea how my work is going to be received by people and where I’m going to be. Now, in December, I’ve been recognized as an actor and that has given me a lot of confidence,” shares the actor, who is currently shooting for her Hindi film debut, Visfot.
Talking about the year that has gone by, Bapat reveals how she felt hopeless in 2020. “By the end of last year (2020), I had lost all hope, I didn’t know where my life would be. There are days when you feel low, disappointed, you question your worth and have self-doubts. I started doubting my decisions. It’s not just your mental health, you also have to run your house. You wonder if you should work for money. But 2021 gave me a lot of hope and positivity. I’m more positive about next year,” she explains.
Bapat adds that her husband, actor Umesh Kamat, keeps her sane: “I have a great husband, who sits with me. When I feel low and feel I’m not earning enough, he takes the charge and responsibility. It’s vice versa when he is feeling low. He takes care of me, emotionally, which is more important than being taken care of financially. If you are emotionally sorted you can sort anything.”
Priya Bapat and Geetika Vidya Ohlyan to play lovers in an international film
8:00 AM
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The acclaimed actresses talk about the depiction of same-sex relationships in Indian cinema and more
Renuka Vyavahare (BOMBAY TIMES; January 25, 2021)
Renowned Marathi film actress Priya Bapat will team up with Geetika Vidya Ohlyan, known for her powerful performances in Anubhav Sinha’s much-acclaimed social drama Thappad and Ivan Ayr’s Soni, for Aditya Kripalani’s English language film, Father Like. The two will be seen playing a same-sex couple in a long distance relationship in the film, which is essentially about finding your roots and a sense of belonging.
Speaking of the portrayal of samesex relationships in Indian cinema, Geetika said, “I have rarely seen a humane portrayal of the (LGBTQIA) community in our films, unless it is a beautiful film like Aligarh that takes upon itself to dissect the societal prejudices. Sadly, it is rare to find a sensible depiction of a member of LGBTQIA when they aren’t the protagonists. What I find beautiful about Father Like is that it normalises homosexual relationships in a gentle and intelligent manner.”
Priya, who plays Sarah in the film, explained, “I think the depiction of same-sex relationships in cinema is improving. People are now open to understanding and embracing the natural orientation of an individual. It is an important change. In this film, too, the relationship they share is like any other long-distance relationship. Their sexual orientation is just a part of their life. What matters is the bonding and understanding they have.”
Director Aditya Kriplani added, “The love track is just a part of the narrative. Sarah (Bapat), the protagonist in the film, happens to be gay and in love with another woman, it could have been another man or a transgender woman. I find that there is nothing different, it is like any other relationship where two people are in love, feel strongly for each other and are trying to make things work.”
Please focus on the stage, not your phone, say actors after Sumeet Raghavan’s performance halt
7:33 AM
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Sumeet Raghavan also spreads the #NoMobileDuringPerformance message on social media, in reaction to unruly audience members
Anup Satphale (BOMBAY TIMES; June 14, 2019)
Actor Sumeet Raghavan recently stopped a performance in Nashik midway, due to mobile phone interruptions from the audience, during the play Knock Knock Celebrity. He followed it up with a post explaining his stand with the hashtags #ZeroTolerance and #NoMobileDuringPerformance. The incident however, is not the first time an artiste has had to resort to such an extreme measure.
Actors Vikram Gokhale, Chinmay Mandlekar, and many others have had to do the same. A few months ago, Chinmay halted his play Sukhanshi Bhandto Aamhi, when a man used his phone. “More than 18 times I’ve had to stop performing and request people to stop using their phones. This is a problem of basic respect towards an artiste, which unfortunately some of people don’t have,” he says.
Some artistes feel that it is usually older people whose phones end up ringing mid-performance. Despite facing such issues, veteran dancer Shama Bhate says that she has never stopped a performance. “We can’t just stop the performance. We have to keep calm and continue as it’s our duty towards loyal audience members.” Shama’s solution to the problem is mobile lockers at auditoriums. “There are many religious places where mobiles are not allowed and people do not object. Auditoriums too, should have such facilities,” she says. Theatre-TV actor Imran Khan (left) says, “It’s so unethical. I haven’t faced a situation like that, yet, but if it ever happens, I wouldn’t stop the act, but would definitely make him or her apologize to every one after the show ends. Or, I would give a pause and stare at that person so hard that he gets up and leaves.”
On the other hand, veteran actor Vikram Gokhale (right) has gone to the extent of telling people not to come for plays if they are more interested in their phones. “I used to make announcements in Hindi, English and Marathi. But despite that, I had to stop my plays midway, several times,” he says, adding, “I suggest theatre owners or associations use jammers in halls.” Citing an example, actor Subodh Bhave says that jammers have been used in the past during one of his plays, Kala Ya Laglya Jiva. “It was based on a serious subject and had a cast of two artistes. Such things happened during some of the performances and I had to stop performing a couple of times. After that some theatres installed jammers when the play was being staged,” he says.Popular theatre personality Salim Arif says, “In the midst of an intense scene in the silence of the auditorium, a phone ring can switch you off as an actor. You can even go blank, as it disrupts the flow of your thought process. The ring cuts you off from wherever you are in your created mindspace.
Sumeet is not the first one to do something like this. “Actors like Atul Kulkarni and Harsh Chhaya have done this in my shows, too. It is extremely irritating and rude on the part of the audience, who, after repeated announcements before the show and in interval, don’t bother to check their phones and put them on silent mode. Each actor reacts differently when a phone rings. While deal with it by making a humorous comment and moving on, some get worked up and react with frustration and anger. But it is difficult to be oblivious to such sounds and continue.”
Speaking from the perspective of his audiences, director Prajakta Deshmukh says that using jammers or not allowing mobiles inside auditoriums is not a solution. “When I go as an audience member, I would feel insulted if someone asked me to deposit my mobile at the entrance. It is upto the audience to ensure they do not disturb a performance.”
Actor Priya Bapat, who recently turned producer of Marathi play Dada Ek Good News, asserts that it is the responsibility of every member of the audience to maintain decorum irrespective of age. “Even my baba doesn’t know how to switch off or switch on his mobile phone. But when I go along with my parents to watch a play, I ensure that I put their phones on silent. Similarly, youngsters among the audience can help senior citizens and seniors can ask for their help.”
Classical singer Rahul Deshpande who has performed in sangeet nataks, says that it’s ultimately in the hands of the audience and organisers can’t do much. He says, “I too have had to stop performances, but the best we can do is hope for the audiences to start respecting us.” And going by the fact that Sumeet’s recent show in Nashik last Sunday went on without any mobiles buzzing, it looks like audiences might finally be getting the point.
— With inputs from Rishabh Deb, Preeti Atulkar, Sushmitav Jha & Soumya Vajpayee

Time Pass 2, sequel to last year's Marathi hit, to release on May 1
8:39 AM
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Hiren Kotwani (BOMBAY TIMES; March 29, 2015)
After emerging a big hit at
the Marathi box office, Timepass returns with a sequel, Time
Pass 2. Director Ravi Jadhav's story of a rugged hero falling in love
with a talented singer, sees the lead pair of the original film
- Prathamesh Parab and Ketaki Mategaonkar - grow into Priyadarshan
Jadhav and Priya Bapat in the sequel. This one too promises to be a
complete entertainment package and there's a terrific buzz building
around it as it readies for a release on May 1. Its trailer posted on the
official social networking profile page has registered a big number of
hits already.
Besides Time Pass, Lai Bhaari (produced by Riteish Deshmukh) and backed by Essel Vision, also went on to become one of the biggest hits in Marathi cinema.
Regional cinema has witnessed increasing growth over the last few years. What's more, Marathi films have been giving stiff competition to Bollywood though very often the release has been almost simultaneous - like Duniyadari alongside Bhaag Milkha Bhaag and Time Pass alongside Dhoom 3. Additionally, Lai Bhaari also saw Marathi cinema foray into non-Maharashtrian territories like Hyderabad, Bangalore, Baroda, Indore etc, making it the widest release spanning 425 screens.
Nittin Keni of Essel Vision is upbeat about Time Pass 2 as he says, “As far as the Maharashtra market is concerned, I envisage a win-win situation for the best of Hindi and Marathi films released simultaneously .“ His optimism is not misplaced. More so, as his company's earlier venture, Elizabeth Ekadashi too had become a big hit, following a distinctive promotional campaign on social media, besides getting laurels and awards on the film festival circuit.
Their other film, Killa which won the prestigious Crystal Bear at Venice Film Festival 2014 is already being discussed internationally and is scheduled to release soon.
Besides Time Pass, Lai Bhaari (produced by Riteish Deshmukh) and backed by Essel Vision, also went on to become one of the biggest hits in Marathi cinema.
Regional cinema has witnessed increasing growth over the last few years. What's more, Marathi films have been giving stiff competition to Bollywood though very often the release has been almost simultaneous - like Duniyadari alongside Bhaag Milkha Bhaag and Time Pass alongside Dhoom 3. Additionally, Lai Bhaari also saw Marathi cinema foray into non-Maharashtrian territories like Hyderabad, Bangalore, Baroda, Indore etc, making it the widest release spanning 425 screens.
Nittin Keni of Essel Vision is upbeat about Time Pass 2 as he says, “As far as the Maharashtra market is concerned, I envisage a win-win situation for the best of Hindi and Marathi films released simultaneously .“ His optimism is not misplaced. More so, as his company's earlier venture, Elizabeth Ekadashi too had become a big hit, following a distinctive promotional campaign on social media, besides getting laurels and awards on the film festival circuit.
Their other film, Killa which won the prestigious Crystal Bear at Venice Film Festival 2014 is already being discussed internationally and is scheduled to release soon.
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